#specifically this performance

[personinthepalace]

Pretty U - SEVENTEEN WORLD TOUR [ODE TO YOU] IN SEOUL

[xiaq]

Your first pride story was touching and all but you still married a man.

Yeah, bisexuals do that sometimes.

[tae]

241124 ೀ ice on my teeth

[agathabridgerton]

PENELOPE FEATHERINGTON transitioning into Bridgerton blues

[heartorbit]

lets run to a new world together! ✨

[lookitseddie]

God, I love the tommyinnit fandom

[maybe-boys-do-love]

Mix Sahaphap gets to perform (and has the performance chops to perform) in a style that I’ve never seen any other male actor get to embody. Mix gets to unironically play the #strongfemalecharacter. The Beatrice, the Elizabeth Bennett, the Jo March. Strong-willed, emotional, kind-hearted.

Not only do the plot points line up, but Mix, more than any BL actor I’ve seen, fully leans into the embodiment of this archetype. In his roles, he rolls his eyes, pouts, banters flirtatiously, softens his posture and expression at small details. He doesn’t over-exaggerate and imposition other characters but his face also doesn’t hold back his character’s thoughts and judgments. And when the moments arrive, he lets all the hurt and anguish pour out in shatters of tears and visible heartbreak—the star-counting scene, anyone????—in a way that harkens to the operatic emotionality of well-done melodramas, soap-operas, and their contemporary Thai equivalent of Lakorn. It’s only that these have never been men’s roles in those.

It’s no surprise that one of Mix’s roles—Cupid’s Last Wish—is explicitly a gender body-swap, and Tian in A Tale of Thousand Stars is (albeit explicitly denied within the show) heavily connected to gender body-swapping. What Mix specializes in as an actor, and does exceptionally well, has been defined as feminine. To depict a kind of queer expression in this style is novel because it’s not camp, it’s not okama, it’s not a soft or femboy, it’s not a BL twink (Mix has been mostly excluded from the schoolyards and quads of the BL universe except for a role as a senior crush in Fish Upon the Sky). It’s too sincere and too adult for any of that.

In Moonlight Chicken we get to see, without the pretense of gendered mysticism, this performance style’s seduction, warmth, wit, and explosiveness within the framework of a general gay form of expression. It says that this kind of femininity might just be a gay thing. Not all gay men exhibit it, obviously—queer men aren’t a monolith. Still, it gives us something to consider about how we observe performance of queerness on screen, especially in front of an audience that puts so much more emphasis on ships, heat, and pairing chemistry to assess how well they perform a BL role. Could we look for other features to judge performance of queerness instead of how well they kiss?

Seme and uke roles would be the major performance style categories loyal BL fans assess actors with, yet even within the archetype his character’s fill within BL narratives, Mix’s performances differ from the typical uke depiction in BL because he really doesn’t perform them as passive. Rather, Mix’s characters and his portrayal of them are dynamic and demanding. It certainly fits certain stereotypes of ukes (Gilbert!) and their gay stereotype equivalent of bottoms as pillow princesses and brats. Mix’s characters, though, have more drive, agency, and compassion than that, and he plays them with all of those currents running underneath.

We certainly have openly gay writer/director Aof Noppharnach to thank for writing this kind of queer character for Mix to play in Tian and Wen. But for Mix’s specific commitment to the performance starting off with his (debut!?) role in ATOTS, we first have Earth to thank for believing in Mix’s ability and recommending him to portray the role of Tian, and then Aof’s acceptance despite his differing initial expectations for the character. Mix, Earth, and Aof have all been open about how Mix in his personal life and nature holds a lot of similarities to both his role as Tian in ATOTS and Wen in Moonlight Chicken. Some people might knock points off his performances because he’s like them. But his relationship to the characters, rather than dampening my enthusiasm for Mix’s performances, helps me appreciate his willingness to give an authentic performance in a style that hasn’t been encouraged on screens previously. It’s made more impactful that he chose to risk vulnerability to bring something personal that had previously been excluded from screens because of its gender deviance (and in broader society explicitly condemned). This doesn’t make a claim on Mix’s actual identity, but simply shows his willingness to understand and perform the expressions of his queer characters with an effort at empathy that many other actors would feel challenged to bring.

Some actors are chameleons, but some actors have a gift of a type within which they can explore depths and range that no one else can best. For me, that’s what Mix does in his work when directors and casting understands his talent. There’s a BTS video of Mix actually fainting during a scene while in Earth/Phupa’s embrace on the mountain that immediately brought to mind the wildly famous final scene in the film Camille where Greta Garbo as Marguerite dies in her lover’s arms.

For Mix, it was a serious incident due to regrettably extreme conditions and requiring the on-set paramedics, but these levels of theatrics, for me, are emblematic of what Mix is capable of as a performer, as well. After all, he had to faint in Phupa’s arms multiple times on purpose. It’s the kinds of Old Hollywood and heightened sentimental romance realms Mix takes his performances to! Then he can turn around and make it look easy to take that same character into grounded quips or dedicated everyday tasks. It only takes writers, directors, and audiences willing to see that men can feel this way and act this way. Mix has paved the way.

[doubletalking]

Right Next Door to Hell (Ritz ‘91)

[wufflesvetinari]

ted lasso is a very specific character archetype (imbued with the ability to change everyone’s lives via the power of friendship) but he kind of beefs it with jamie specifically in multiple ways, informed by the manner in which his own tragic backstory and related defense mechanisms are orthogonal to jamie’s. and I love that for them. my chin is in my hands. studying them like insects

[rjshope]

Now I’m

Walking towards that light

One foot forward

We’ll bounce back and hit another level

for @yooboobies✨

[toiletpotato]

The 2023 American Girl Doll of the Year is Kavi Sharma, a South Asian American theatre kid who loves Wicked SO SHE HAS A REPLICA ELPHABA COSTUME. I am absolutely ecstatic that kids get this.

edit: SHE ALSO HAS A GLINDA COSTUME

SHE ALSO HAS THIS!! BECAUSE SHE PERFORMS A TRADITIONAL DANCE ROUTINE WITH HER FRIENDS AT SCHOOL AND SHE LOVES BOLLYWOOD

[3416]

every time i see people being like. wow mitch marner has finally gotten the monkey off his back... i can't believe 4 nations cured him. like girl he LEAD THE WHOLE LEAGUE IN PLAYOFF POINTS AFTER ROUND 1 OF 22-23..... HE JUST TIED SUNDIN, CLARK, AND KENNEDY FOR 5TH MOST MULTIPOINT PLAYOFF GAMES IN LEAFS FRACHISE WITH 15 TONIGHT.... just because people cherry pick his stats or refuse to examine the context of leaf playoff runs (like oh idk him playing through a high ankle sprain last year) doesn't mean he's playing some weak timid game he needs to grow out of. it's so tiring lol

[seraph5]

Now that I've listened to Re: Dracula I feel like I've been weirdly spoiled for a lot of other Draculas. Like don't get me wrong there's a lot of Dracula's out there to like but there was something really beguiling about:

a) Mina and Lucy's quite modern musings about their place in the world, the beginnings of wonderings about what they might like or could like as people not just as what society demands

b) Mina and Lucy's relationship. I just adore that they are surprisingly different characters and interact in a very realistic interesting way that you don't see a lot in media that depicts this time period. I also love how intelligent Mina is.

c) The absolute intensity of the bond and duty our heroes find themselves drawn into when put in this horrific situation. It really surprised and struck me the way that all these people with not extremely deep connections in a lot of cases closed ranks together in a silent fight to protect not just themselves but to break the cycle of evil. They, all of them, really showed a tremendous amount of care and kindness towards each other in this insane mission. Obviously it would have been nice if the boys had been less dumb about including Mina in things but their follies in that area were clearly a result of the time they lived in and not a fundamental personal lack of respect for mina.

d) I know everyone does not see this interpretation but I like that there is a quasi-homoeric undertone to Dracula and Johnathan's whole thing. Of course Johnathan is there under duress and I'm certainly not saying that there is something consensual or reciprocal going on but Dracula being so possessive of him especially with the brides gives an interesting undertone to some of the earlier parts of the book. There is a real sort of fascination Dracula seems to have for him as a conduit for information about his next conquest and he really tries to connect with him through the guise of society.

I haven't really ever seen all these points illustrated very strongly in other retellings or if it's there it doesn't communicate that feeling that makes these missed points so special. Worse it seems like a lot of the time they make really weird choices like merging characters or swapping characters or cutting characters for brevity or excitement. Which on one hand I kind of understand but when given the space the characters all have their own interesting points and perspectives and are interesting to experience.

I'd love to see a retelling that balanced all these things a little more and cut less. Maybe even have it be a mini series rather than a movie.

[edorazzi]

Page 13 of my Miraculous Mentor AU comic A Matter of Trust! In which Felix crawls home from what he thinks is a one-time magical assignment - but he's about to learn exactly what Plagg signed him up for! 😈

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[vampcaprisun]

what do y’all think illario’s hobbies are? what is he interested in? what does he do in his spare time? what does he know a lot about the nobody would expect? what did he love as a kid that he hasn’t thought about in years but could jump back into in a heartbeat if given the chance? what are his wyverns and cooking and knitting and romance novels?

who would he be if you took him away from his family and his job and the politics of it all? i don’t think he even knows the answer to that, but there still has to be an answer!

[liloslittlethings]

louis' favorite live performance memory is messing around with liam

(via music choice)