seraph5

[seraph5]

some beautiful men (mainly John) for your evening. pspspspspspsps John girlies come get your man

[seraph5]

Spock in TOS: I would rather die a horrific hormone based death than address the potential of my needing to bone down (but maybe I could be persuaded to homoerotically fight to completion-what?).

Spock in SNW: Erry day of the week a new lady on arm. La'an, chapel, my actual fiance. What can I say I'm just living full dog hours out here.

[seraph5]

The Matriarch Isn’t the Villain. She’s the Mirror

I often hear a discourse where Celine in K-pop Demon Hunters, Alma in Encanto and Ming in Turning Red are seen as vilains. They’re the ones who restricted the younger generation, hurt them, and are ultimately responsible for their pain, trauma and self-doubt. They’re framed as the real villains of the story. But I’d like to differ.

These are stories of intergenerational trauma. They are women who survived, repressed, and tried to protect their families the only way they knew how: through control, perfectionism, and emotional suppression.

And yet, when the next generation begins to reclaim joy, freedom, softness — they become the obstacle. Not because they’re bad people, but because they’re scarred. Their minds cling to survival strategies, unable to recognize that the environment has changed.

Alma is still stuck fleeing the colonizers.

Ming is still afraid of her true self.

Celine believes that fear and mistakes must be hidden.

It’s not about hating these characters. It’s about how unprocessed trauma twists love into control. How survival, unexamined, turns into rigidity. These women were never given space to process their own pain and they project it onto their daughters and granddaughters.

And here’s something we rarely say enough: intergenerational trauma can create toxic patterns but that doesn’t always mean there was abuse or conscious harm. Even when their love becomes suffocating or controlling, these women are not necessarily “abusive parents.” They are daughters of silence, fear, and sacrifice. And they were never taught another way. It’s important to make that distinction, especially in a world that often pushes a binary, punitive reading of family dynamics.

They’re the product of a generation that was told to endure. But endurance without healing becomes its own kind of violence.

What’s powerful in these stories is that they don’t end in vengeance. They end in confrontation and transformation. The confrontation is necessary: the younger generation refuses the silence. Refuses the shame. Refuses to carry a burden that wasn’t theirs to begin with.

The house is destroyed in Encanto.

Mei accepts her full self.

So does Rumi.

And in the best cases, this confrontation allows the elder to soften too. Alma opens up. Ming listens. And I’m hoping in the sequel, Celine will open too.

Maybe that’s also why these stories speak so deeply to POC audiences. These aren’t stories about cutting ties. They’re stories about how hard it is to transform them, to protect ancestral bonds while refusing to perpetuate inherited pain. In many racialized families, collectivity, loyalty, and intergenerational duty are sacred... even when they come at the cost of personal boundaries.

And sometimes, Western individualist frameworks read these tensions as dysfunction or villainy. But for us, they’re just the difficult truth of growing up and trying to do better.

These women aren’t villains. That would be too easy. They embody the fragile, necessary work of bringing change without breaking the thread. These stories are about refusing to inherit their pain without reflection. Because love, without accountability, is not enough.

These stories show us that each generation has something to learn from the next. And the new generation must also break free from the chains they inherited while preserving what is meaningfull.

But it’s not just their story.

One day, we’ll be the older generation.

And we’ll need to be humble enough to learn from the ones after us.

So don’t be a fool.

We may be Mei, Rumi, or Mirabel today.

But tomorrow, we could be Ming, Celine, or Alma.

And when that time comes, we’ll realize how hard it is to unlearn what once kept us safe.

So let’s have compassion for all these characters.

Because these stories show us not just how the cycle of generations works, but how it can make us better, stronger, and more connected... if we’re all willing to go through the change.

∘₊✧──────✧──────✧₊∘

If you’re curious, I’ve written more on K-pop Demon Hunters:

A post on the mental health themes woven through the songs — right here.

A breakdown of Celine-Rumi in comparaison to Gothel–Rapunzel dynamic — here.

An analysis about Rumi, Jinu, and the danger of sinking together — here.

Some book recs for each of the K-pop Demon Hunters characters — here.

[seraph5]

Royal gossips.

You can take Arthur out of the Earth, but you can't take a detective out of Arthur.

[seraph5]

fuck em up gang

[seraph5]

The Twilight Zone, 1963, dir. David Lowell Rich

SE04E14 Of Late I Think of Cliffordville

[seraph5]

Sometimes I forget people aren't multishippers then I see someone talking about how they used to ship something then got a new ship and I'm like what do you mean you aren't just collecting ships like cool rocks you see on the ground

[seraph5]

The filter relies on manually curated open-source blocklists, including the ‘nuclear’ list, provided by uBlockOrigin and uBlacklist Huge AI Blocklist,” DuckDuckGo said in a post on X. “While it won’t catch 100% of AI-generated results, it will greatly reduce the number of AI-generated images you see.

Left: AI filter is off Right: AI filter is on

[seraph5]

WIP

Such a lovely walk with your beloved eldritch entity covering you from the rain.

I'll probably do a few changes but... We'll, it's a wip~ no worries 'bout that now

[seraph5]

scars in fiction: I got this trying to save my lover from an assassin- but tragically, I was too late. now I carry the mark of my failure with me always, and I can never forget~

scars in real life: so I was trying to open macaroni sauce with a paring knife

[seraph5]

Yeah the only problem is sometimes you write one so good you wake up regretting not writing it down.

its so awesome that you can straight up write fanfiction in your head to help yourself fall asleep and it doesnt even have to be good or something anyone would ever want to read. even yourself

[seraph5]

another plato's stepchildren pic

[seraph5]

Life in Carcosa.

[seraph5]

there’s a difference between “just do a little yoga it will cure your depression forever :)” and “going for a run won’t solve your problems but it will make you feel a little better and that’s the first step” but this site seems to treat them as the same thing

[seraph5]

Fuck yeah! Mastercard fucked themselves over by reaching out to their associates (namely Riot Games) to try to censor the backlash they're getting and now SI ESports press is reporting on them.

That is what I call activism building on itself-The calls scared them into making a dumbass move and now they've only put more of a spotlight on their shitty behavior, which only puts more pressure on them.

Keep it up! <3 (For anyone wanting to participate, this is a good guide with resources, as is this!)

[seraph5]

fishman and his winning smile

[seraph5]

Every time I read one of those age gap posts the age where you're still helpless and being taken advantage of gets higher and higher, like 26 years old is too young to interact with older people what the fuck? I have lots of friends who were/are well into doing a PhD at this point. My dad had me at 26 years old. You're a whole grown ass person participating in society, you can vote and join politics, you can work, you can live in your own.

This smolbeanification has to stop, it's frankly embarrassing.