#sorry we got behind on this

[dailygihun]

day 6 || this era lasted like 2 minutes but i love it anyway

[heliomanteia]

I'm honestly so glad they introduced a new protagonist. Not just because Rook is a darling, but also because Inquisitor would have been a horrible choice for the story they wrote.

[causeimcrayzeebee]

Hiiii, still coping…Listen to me on this.

Actual superhero Tsuno. Sidekick Wada. Facing off against the Phantom Thief of Nagoya and her pyromaniac gf Watari.

I think it’d be silly and fun and I want to give Okazaki the epic rivalry she wants so desperately.

Also silly bonus but I feel like Kamimura and Hasegawa are absolutely like the two detectives assigned to the phantom thief cases and by god, they’re trying their best.

a rivalry for the ages!

this is SO FUN dude I had a blast thinking of this concept n drawing it..... I may have used a bit too many obnoxious colors but hey we like to have whimsy and joy here

this is so stupid but I giggled like an idiot making it

[genericpuff]

i find it funny that one of rachel’s drawings of herself in the afterword that just went up is just fully persephone. is that something she does a lot?

Alright so I've been making it a general rule for myself to like, not harp on Rachel in any way outside of LO as much because frankly the horse is dead now and there's not much left to say outside of what can be analyzed in hindsight. I think despite everything I have to say about her and her work, she still deserves to get away from this nonsense and I don't wanna spend eternity hovering over her shoulder.

But the afterword was posted within the LO series and is clearly meant for readers of LO in the functioning of being an afterword so let's just call it fair game LOL

I will say, on the whole, it does feel very honest and sentimental and I can respect Rachel for taking the time to write out and illustrate her afterword in a way that was personal to both her and her fans. I can understand why she went at it from the angle that she did and I'm not gonna fault her for that.

But there's also something that feels deeply... disingenuous about her approach right from the starting gun. I will say, before I continue, that I'm well aware I am biased towards Rachel as a creator, and I fully acknowledge that I could very well be reading too much into things. This is just my opinion, take it with mountains of salt.

I can get looking back on your own childhood, your past self, whatever, and going "see! it all got better!" because sure! For a lot of creators like Rachel, it must be wild to look back on where they came from and there's a lot of sentimentality on expressing that through an afterword like this where she reflects on where she came from. Though she STILL didn't acknowledge her other comics outside of LO, I can understand if she wants to leave those skeletons in the closet.

But I feel like her drawing herself as a child who's being given an Eisner by her adult self and all that just feels like some gross attempt to disarm any criticism of her because "don't make fun of me, I'm just a sad lonely baby girl!"

She's not a child. Child Rachel didn't grossly misappropriate Greek myth into their own self-indulged vanity project. Child Rachel didn't claim herself a folklorist of a culture's works only to bastardize them completely. Child Rachel didn't create a hostile environment within her fanbase by bullying anyone who she perceived as a threat, sneaking into critical spaces to try and cause trouble, and writing her own clapbacks into her comic. Child Rachel didn't claim to be challenging misogyny and purity culture only to reinforce misogyny and purity culture through her own self-insert baby-virgin-gets-rescued-by-rich-tycoon power fantasy that regularly glorified abuse towards women and the lower class.

30-almost-40-year-old Rachel did though.

At best it comes across as really cringe sentimentality from a Greek-weeb (heh, greeboo) and goes to show how much Rachel inserted herself into Greek myth without ever absorbing its messages or cultural contexts, it was all about her and her feelings as a sad New Zealand girl with dyslexia who thought Persephone's story was about another sad girl being rescued from her "horrible childhood".

At worst it's an active attempt to play on people's heartstrings by drawing herself as a child who people will naturally not want to criticize. I don't want to assume she's doing it intentionally, I really don't want to leave her afterword on a bad foot, as I can definitely understand as both a creator and a person who struggled with learning disabilities in their own childhood how and why she wants to pay homage to her past and where she came from... but let's just say, as someone who's also gotten way too "lost in the sauce" concerning personal self-reflective projects, I think there's a lot to say about how this confirms that Rachel made LO entirely for herself, about herself, without any actual intention to respect the original myths, because she never truly separated them from herself when she was a child. And, in my humble opinion as someone who has Been There with the self-insert OC's and self-reflective angsty plotlines, I can fully attest to the fact that that's not fucking healthy. Even with personal projects, you NEED to learn to get your head out of the sauce, you NEED to learn to objectively separate yourself from the narrative so the story doesn't fall apart under your own hubris and ego, you NEED to learn to draw a line if you want to have any sort of identity as a human being outside of what you make for people. And that's with just normal original stories, this was a story based on Greek myth which doesn't belong to her.

And this goes for a lot of the things she's said and done in the past, so much of her own "sources" even are tethered to things that she read / watched in her childhood and only vaguely remembers, as if she never mentally left her childhood at all, which just... if the point was to highlight her past and the traumas she went through and how they contributed to her present, an Eisner isn't going to validate those experiences. And drawing attention to her past through the lens of her childhood self absolutely 100% does not absolve her of the negative effect her work has had on the modern Greek myth zeitgeist nor the things she's said and done as a 38 year old woman who should absolutely know better.

The community she entered and took from will forever remain changed by her influence and taking, in many ways not for the better. She has the privilege of walking away and never having to think about it again, with all the awards and accolades that were bought for her, the bravado that she built around being a "folklorist" with zero credentials, and the platform she was given over many other creators struggling to even be heard.

That "place" she claims to have now was built entirely on inserting herself into another culture's works and doing nothing but taking, taking, taking, while offering nothing in return but vanity and lip service. That "place" was paid for and brought to you by Webtoons.

[free-luigi-mangione]

i've been seeing a lot of people talking about how Luigi might actually get sentenced to prison for life or for a long time (like 15/20/25 years) and that they'd be okay with it????? because at least he'll get to be alive and hopefully get out???? this sounds absolutely insane to me for a few reasons

do y'all realistically think he wouldn't be killed some other way if they're unable to kill him by death penalty??? that boy has no safety in any prison anywhere, he'd be killed within a year or two max!!!! don't let him get Epstein-ed y'all!!!! he deserves better

killing him would unfortunately be very very easy for the government and justified from their end, he's become a symbol of resistance against the oligarchy and is already being seen as a martyr for the people's causes. but he is no martyr!!! he is not a symbol!!! he's a human being!!! he's like any one of us!!! he doesn't deserve to have his right to life taken away from him by some greedy assholes who want no good for anybody in this world

given what the public loves to speculate on his mental health issues (by this i mean depression and possibly suicide ideation), it'd be very very easy to do away with him and make it appear like he killed himself and the worst bit is that the public would probably accept it as the truth this shouldn't happen y'all

given what we know about his health issues and what we know about the fact that he loved travelling and would defo want to live life to the fullest, taking away his freedom and giving him the possibility of growing old in prison and then maybe, at best, getting out years later would absolutely crush him. and even if it didn't, the authorities would have a very viable excuse to say he killed himself and honestly i think he might too if it comes to that

people in New York, please don't let him be killed in any way he deserves to live and whether you believe in his innocence or not, i think we can all agree he did a good thing, he shouldn't have to suffer more than he already has have some compassion and kindness and try to look at him as a fellow human and not whatever the media wants you to believe

anyways go find out about JURY NULLIFICATION!!! the power is in your hands, especially New Yorkers. don't let us down :)

[apparitionalprincess]

My problem with Skeletá haters isn’t that they’re wrong but that respectfully and in the least elitist way possible, you guys just got here. I’m sorry but as a townie, a local if you will, Skeletá is in a style that feels a bit more grown up or “mature” and unless you’ve BEEN around, you didn’t “grow up” with us.

This happened with BMTH and Sempiternal. People who didn’t grow up and evolve with the band HATED it because it “didn’t sound like their other stuff”. At one point, the band must pivot or else the bit gets old and Skeletá did that WELL. You guys haven’t evolved and grown with Tobias and that’s the problem. You just weren’t there and I’m sorry to break it to you.

[desired-misery]

Serennedy Week 2025: Day 03 Sunflowers

[Day 01] [Day 02] [Day 04] [Day 05] [Day 06] [Day 07]

Luis now firmly believes Leon is a bit clueless. Hopefully not because he isn’t into men, but Luis has yet to be this wrong about someone he has spent this much time with— at the very least, he does not believe Leon will be offended, so Luis decides three weeks of multiple dates that Leon somehow doesn't quite seem to realize are dates is plenty of subtlety for them both. Not that it isn't fun, flirting with Leon and seeing just how overt he can be without being too on the nose— because they are generally in public and he isn't about to put Leon in a position of outing himself— but Luis wants to know. (And maybe there is too much stock put into Leon, into how much Luis wants his company and attention— but they have lived through quite a terrible thing together, and that is yet another thing that Luis finds appealing about Leon among a very, very long list; that he knows, that he understands exactly why and how Luis ended up in a wheelchair and what he has done).

At the very least, Leon seems to enjoy his company earnestly. There is nothing— other than pity, which Luis can't ever seem to find in his eyes— that would make Leon stay, make Leon keep agreeing to meet up for coffee and brunch and lunch and other things like exploring museums and parks and anything else Luis can think to suggest (because Leon says he hasn't done much around D.C., and that seems to be outrageously true— all the places to see! All the things to do! But when Luis asks why not and how long Leon has been in D.C., that's yet another question that Leon evades with a pointed lack of specifics). Today's plans were not concrete outside of what is becoming their cafe to stop at when they want coffee on the go; and leisurely wandering around.

It is how Luis ends up impulsively getting some flowers from a pop-up stand, the bright colors catching his attention while he waits for Leon to arrive. Leon smiles, as he always does, when he catches sight of Luis— and why Luis tries to be on alert, to spot the moment Leon spots him— but today the smile stays as Leon's gaze lingers of Luis' lap where he has decided to keep the multi-colored bundle of sunflowers, peonies, roses, and other flowers. The impulse hits him then, but Luis keeps at bay for the better part of an hour— until they end up in a park they frequent almost as often as the cafe.

Luis makes the decision as soon as he notices that they're in a part that is secluded enough, private enough.

"Would you like a sunflower?" Luis asks, already tugging one out of the bundle in his lap. They aren't real sunflowers, not the big ones, but they look almost the same just smaller, far more suited for a modest bouquet.

"Uh, sure." Leon says in that surprised-but-trying-to-hide it tone he gets in response to quite a few questions Luis has asked him. "Uh, why?"

Luis had beckoned Leon to come closer, which Leon had already started to obey before asking the follow up question. Another gesture convinces Leon to lean down so Luis can tuck it into Leon’s breast pocket after snapping the stem to a shorter length.

"It's a good color on you," Luis says, because it is. Sunny, sunflower yellow and Leon's cornflower blue eyes in the bright afternoon and Leon’s blond hair that is actually a warmer tint than Luis remembers in Valdelobos, and pale skin with a smattering of moles— the one on Leon’s neck, near his Adam's apple is way too mesmerizing, way too distracting—

Leon’s amusement is half-bewildered, but he is patient as Luis adjusts it to face out the right way. It is a few extra second for himself, to keep Leon here while he gathers himself. Because while Luis' heart is telling him to go further, his gut prickles with nerves. But, for as intelligent as Luis knows his brain to be in matters of academics, he has always been a romantic fool. He would rather have this be the end if Leon rejects him than stay in this ambitious area of missed, misunderstood flirting.

So he puts on his warmest smile, his smoothest tone, and keeps his hand on Leon’s chest. "Would you like a kiss?"

Leon does not withdraw, but he does not do anything else. Nothing else at all, other than his eyes— gorgeous, mesmerizing— getting wide.

"You can say 'no'," Luis says— nervous, hesitant— because he was hoping for a stronger reaction. Anything—

"Why would I say that?" Leon asks, already half-breathless, and leans in the rest of the way.

[momochimchim]

Just wawing, not a single thought...

[agir1ukn0w]

Ben Barnes was such a dork Sunday night and possibly the single hottest man I have ever seen in real life🔥

[fluffypotatey]

To be honest I am a huge Nalu shipper. But the thing is I want to know the difference between the way Natsu cares about his guildmates and Lucy. Like what is the obvious difference since that boy sees every as Nakama so how can we say that the wag he cares about Lucy is different?

Like even when Erza passed away? (All the way back in first season there was a segment where the guild was gathered at her grave and all) Natsu was still very reactive. Plus he was also said to be depressed even when Lisanna passed.

What's the difference between all of them and Lucy?

the fact that he stayed. the fact that before he met Lucy, Natsu wasn't one to stay in a group or even want to work with anyone besides Happy at the start of the story. hell, he was ready to just file Lucy down as "New Guildmate" once they reached Fairy Tail

but then, Lucy doesn't leave. she follows him on his mission to save Macao despite her not needing to or even really understanding everything about it. she stays and then fights with him and saves him. it's no secret that Natsu is strong and can take care of himself really well. he's been going on solo missions for years now, and no one has really stopped him, but that means he's been in a lot of sticky situations where he and Happy are on their own and have no backup. and yet, without asking, Lucy offers it

and i think this is the moment when Natsu considers that maybe it's okay to have someone there to have his back (sans Happy)

"but Natsu only needed Lucy for the next quest because of the requirements," well, Natsu also wouldn't have taken or even considered that quest if it weren't for Lucy, yeah? he was not a team player (in the picking job's sense) or really wanted other people to help him on his quests sans Happy. and then he goes and picks a job that caters to their team whilst ensuring that Lucy can't say no

or maybe i'm reading too much into it 🤷🏻‍♀️

or maybe Natsu's got horrible abandonment issues that he will latch onto people so fast (Igneel & Lisanna) but also cause him to distance himself so far when left behind (his 1st time at the guild, Lisanna's death). Erza and Gray are Natsu's closet friends after Lisanna and yet they cannot reach him when he closes himself off. and then we have Lucy, who stuck by and had his back, so who is to say Natsu didn't make some contingencies to ensure whether or not she'd join him?

but maybe it's the rose, colored ship glasses i have on

because yeah, Natsu cares for all of his guildmates. the power of friendship is his biggest motivator. when we meet Natsu, our first introductions of him is defending his guild's reputation from Bora (who was using it as a guise for human trafficking) and saving Macao. and our 1st big arc (Galuna Island), where Natsu adamantly refuses to allow Gray to use Ice Shell and sacrifice himself despite how antagonistic they've been to each other. we get Natsu 100% at Erza's defense throughout the Tower of Heaven and he is even ready to defend Wendy though they only met hours ago

Natsu is a character with a bleeding heart and cannot help but wear it on his sleeve, but we don't really see him allow others to fight his battles or have his back until Lucy comes in. to be honest, i don't even think he had his heart on his sleeve until Lucy. he still has a bleeding heart (i don't think anything could stop that), but he was not ready to be open in receiving company because he was so used to it being ripped away from him

that being said: of all the characters he interacts with, he finds Lucy to be someone compatible enough for him to start going on team missions and inviting her on them (for example, his 1st S-class mission, which he stole, he went to her house to show it to her. the fact that part of the reward was a celestial key might be a coincidence, but i wouldn't doubt it as Natsu and Happy's trump card in case she refused)

but yeah, the difference is that he stayed and didn't push her away at the beginning, but instead continued to invite her along with him to the point that doing a mission without Lucy wasn't his regular anymore. compared to the rest of the guild, of whom he spent most of his childhood with, even if he spoke to no one, they would still be around and talk to him anyway. he might not invite them on job and only challenge them to fights, but the guild is his home and a constant in his life, a constant he needs (bc heavy abandonment issues).

"okay, but he still pushed her away after he watched Igneel die right in front of him. and he left the guild for a whole year, too. so what's the difference there?" you may ask.

so 1) Natsu never thought the guild would disband. he returns to Fiore after a year and is the last to know that they disbanded. he assumed, like all the other times before and while he and others were sealed for 7 years, that Fairy Tail would still be there when he returned. he assumed that his disappearance would not impact so hard because the guild would still be around and Lucy would have the others with her

which, did not happen :)

and like, so many guild members go off on jobs, quests, or even just leave for an indiscriminate amount of time (which i, personally, believe was his rationality for leaving), so him being gone for a year was nothing! right? no harm, eh? his plan was never to be gone forever :))))

2) he just watched his father die and lose any chance of having some semblance of a long term reunion with Igneel. he literally lost one of his main driving motivations for getting stronger and taking jobs. before Fairy Tail, before anyone, it was Igneel. and to learn that a) Igneel was always with him to begin with and b) he only got to see him for less than a day after 14 years of nothing......i would feel lost too ngl

man's needed space from everybody. and he also needed comfort, but Natsu has been shown not to really be the character who asks to receive comfort (and when he does receive it, it's usually when he's already emotionally compromised). he is in the habit of shutting people out after being abandoned or losing someone close to him, with his next rationale being to "get stronger" in order to prevent what happened in the past to ever happen in the future.

anyway

what makes this different? well for one, he sent the letter only to Lucy (or it's implied since no one else is shown getting one) because of how the two spend most of their time together. even the line that goes with the panel makes it sound like Natsu is unsure on how the note will be received (maybe even hesitant? but that could be my own hopes)

and one of the 1st people he reunites with after a year is Lucy and we get such a similar parallel to the first chapter of Fairy Tail between the two as if the narrative itself is slotting them together to say "ah yes, now everything is back to normal and new journeys can begin"

but yeah, this is just a long way of saying, that Natsu does love his friends and guildmates but even when he is close to them, he kept to himself (and Happy) and sort of stayed in their orbit but always with some emotional distance because of his fear of abandonment. and then you have Lucy where he will stay for and allow her to orbit around him and he will invite to new adventures no questions asked

that's the difference

[cent-scratchnsniff]

here together

[television-overload]

The Walls That Tell Our Stories

Post-ep for 21x02 "The Stories We Leave Behind"

What I think we all want to imagine happened after the doors closed on that elevator at the end of the episode.

Word Count: 1,365

Read on AO3

No sooner had the elevator doors opened, than a fiery ball of energy came slamming into his legs.

"Daddy! Daddy!" the little girl yelled, grabbing onto his hand and pulling. "Take a picture of me with the orange wall!" She yanked him forward, already showing signs of that strength she and her mother both shared.

Tony laughed, casting a glance at McGee.

"Sorry, she's heard a lot about these orange walls," he explained, fishing his cell phone out of his coat pocket and dutifully opening the camera app.

He knelt down, holding the phone up so she was in frame.

"Alright, Tali, say, 'NCIS!'" he said, and Tali repeated it, finishing with a big toothy smile and a wild pose she must have learned from her friends at school.

Once he'd taken a couple photos, he clicked the image gallery to check them, holding the phone out to show Tali.

"How's that?" he asked, waiting for her approval.

"Perfect!" she answered. "Now one at your desk!"

Before he could stop her, she darted off to the part of the bullpen he had called home for so many years. It looked a little different now, various personal items stashed on the desks and even some plants making it feel more homey, but it was still the same place.

"Honey, that's not my desk anymore, it's Uncle Tim's," he reminded her. It hadn't been his in a long time, and it was crazy to think of all that had changed since then.

A pouty lip came out, and McGee chuckled. There was a lot of Ziva in her, that was true, but when it came to her personality, she was just so Tony.

"It's okay," he said, giving Tali the go-ahead to sit in his chair. “That was your dad's desk long before it was mine.”

She ran around the edge of it, plopping unceremoniously into the swivel chair and looking around interestedly at everything.

“Dad, did they have computers back when you worked here?”

Tony felt her words like a blow to the chest, and he feigned having the wind knocked out of him. How old did she think he was? He could practically feel the gray hairs sprouting from his head.

“Do you want me to take your picture or not?” he asked, shaking his head, hiding his amusement behind squinted eyes.

She smiled for the camera, then did a few poses pretending she was working.

"How many kids do you know who's number one bucket list item is to visit the headquarters of a government agency?" DiNozzo joked as he snapped a couple more photos. 

Tali had been begging them for years, but it had never been a good time. They’d needed some space to learn how to be a family when Ziva finally came home. And though they wished it had been under better circumstances, at least now they could show their daughter all the places she'd heard about in their stories.

McGee smirked, watching the energetic daughter of his two best friends as she clacked away at his keyboard. 

"I'd expect nothing less from your kid, Tony."

After a moment, Tali looked up, an inquisitive look on her face.

"Which one was Ima's?" she asked, spinning her chair back and forth.

He knelt down in front of her, resting his arms on the edge of the desk, his chin atop his folded hands.

"Which one do you think made it easiest to stare at her all day with heart eyes, Tali-girl?"

She giggled, pausing so she could inspect her options, taking the task very seriously. She tapped her chin in thought.

"That one!" she said, brightening up and pointing to the desk directly across from his.

He grinned, thinking back to all the times he'd sat there thinking about her mother. 

"Bingo!"

"Can I–?"

"Have a picture over there?" he finished, already knowing what she was going to say. "Ask Agent Knight if it's okay."

Jessica Knight was standing near the elevator with Palmer, and it didn't take long for Tali to get her permission. She ran back the short distance, looking triumphant in her return.

"Hey, where is your Ima anyway?" Tony asked as she sat down behind the desk.

"Here!" her familiar voice sounded, echoing in the largely empty bullpen. The door to the women's restroom closed behind her. "Your child is pushing on my bladder. I swear I cannot make it more than an hour without having to pee, these days."

As she approached, Tony tucked her under his arm, glancing around at the walls that held so many of their stories. This was the building that built them. Tali owed her existence to these ugly orange walls and the people that dwelled in them.

"Our daughter has been playing tourist and hitting all the great photo spots," Tony informed her, brows raised sarcastically.

Ziva turned to look at Tali, seated where she used to sit now more than a decade ago. 

"I see that," she said, her lips pulled back in a smile. "Did you tell her about the time we were stuck in the elevator?"

Tony grinned. "Oh yeah, she liked that one."

"Ima, when can we go see the lab?" Tali asked eagerly, interrupting them.

Ziva looked up and saw Jimmy approaching, and she knew there wasn't time right now. She separated herself from Tony, gently tousling Tali's wavy hair. "Another time, baby, I think it's time to head over to the funeral."

Tali nodded, glancing down at her shoes.

"I'm gonna miss Grandducky," she said sadly, playing absentmindedly with an eraser she found on the desk.

"So will we," Tony said, swallowing back emotion. "Aren't you glad he came to visit us during his book tour last year? That was pretty special, huh?"

The littlest DiNozzo nodded again, cheeks widening in a smile. "He was the first to know about my baby brother!" she said, remembering it fondly.

At that, Jimmy looked to Tony and Ziva in mock indignation. "Hey, you told him before any of the rest of us?" he said.

Tony laughed, patting the autopsy gremlin on the shoulder in consolation. "He guessed pretty quick. I think if he'd visited a few weeks earlier, he would have been the one to break the news to us!"

Ducky’s globetrotting semi-retirement had been a blessing to them all. They cherished the few times they'd been able to meet up in recent years, remaining close despite the long distance. He was a part of their family; it was only right that their daughter know him and love him too. They were fortunate for the time they did have together.

Ziva glanced at the clock and sighed, placing a hand on Tony's chest, silently telling him they probably needed to get going. He nodded in response, checking that he had his phone and wallet still before taking her hand in his.

"Alright, well, we can keep sharing memories on the way. Tali? You ready to go?"

"We'll be back, right?"

"Of course," Tony answered. "We've barely scratched the surface here! I still have to take you to interrogation to figure out what happened to that batch of cookies Ima made last week ." He tickled her sides, causing her to erupt in giggles and run ahead of them toward the elevator. They followed, hand in hand, with Jimmy and McGee right behind.

"Squeeze in!" Palmer said, the entire group filling the elevator with little room to spare. The others would be meeting them at the cathedral for the service, everyone who knew and loved Ducky, there to say their final goodbyes.

As the doors closed, Tony leaned down and pressed his lips to Ziva's, his hand resting on her lower back to pull her closer.

"Ugh, guys, really?" McGee complained exaggeratedly, screwing up his face in a look of disgust. Tali put her hands in front of her mouth to hide her giggles.

Ziva looked up at Tony like he was the only other person in the elevator, and he beamed proudly, unashamed and unapologetic.

He squeezed her sides playfully, tucking his face into her shoulder and breathing her in.

"I've always wanted to do that in here."

-.-.-

Tag List (if you want to be tagged when I post Tiva stuff, let me know and I'll add you!): @benedettabeby @earanemith @happygirl-0408 @hopeless-nostalgiac @indestinatus @loudlooks @mrsmungus @nicolem194 @putthekettleon @slippery-soapbox @tivafanfic @tivajunkie @tonysziva

Gonna go out on a limb and also tag @wanna-be-bold @pro-bee @delicatefalice @harmandmac @benditlikepress @irish-trish idk who else I've seen active lately but yeah

[shopwitchvamp]

WELL

It's come to my attention today that our latest batch of Queen of Wands (Rev.) crop tops are actually not reversed 🙃 and instead printed upright. If you received one like that recently please reach out to us. I'm contacting my shirt printer now to request a reprint.

[microwavetoaster-selfships]

Did I even ever announce on this blog my idea for when I'm getting married to Finn or have we all just been sitting here in the upmost dire anticipation about the infinite engagement

[tagidearte-spam-sb]

I find it funny how the fandom (or, at least, a part of the fandom I see a lot) has latched onto the "Moon is obsessed with rules" headcanon. True, he's the one that comes after Gregory for "punishment time", but...

Sun is the one calling the player a rulebreaker and kicking a literal kid straight into the less-than-friendly Glamrocks' waiting arms (for accidentally turning the lights off. As if Gregory would know touching a Freddy shaped security box would do that. If it even was Gregory and, idk, ""someone"" disabling the power in the daycare on purpose). Sun is the one nearly popping his circuits if you don't follow his instructions. Sun is the one threatening to release Moon on you if you so much as colour a page wrong. Sun is the one getting frustrated with Cassie if she screws up somehow (haven't played Ruin in a while, but I do think he freaks out if you approach him in the VR world after only disabling one - or zero - generators).

Moon on the other hand? Moon is fizzyfazzing vibing (well, not in Ruin for obvious reasons). Fulfilling his task and getting the kid? Sure sure, let him just jump from leg to leg first, and walk in a goofy way at an extremely slow pace (even Monty with no legs balancing himself on crutches would probably move faster), while giggling and alerting the entirety of the daycare to his precise jingly location. He only starts taking it seriously and entering the structures when you get some generators on, and even then he's still messing around. The robot cares more about his jester theatrics than his goddamn job. If Moon really does security patrols like many people believe he does, half of them are (or were, prior to the virus) probably him tormenting a poor overworked security guard (rip Vanessa, if you're out there...).

Don't take me wrong. I love a Moon who follows the rules to a malicious degree as much as the next person. And he does seem set on putting Gregory down to sleep and punishing him. He does seem intent on harming you in HW2. But let's be real, Moon doesn't give a shit about his job half the time - doing a goofy walk, riding a carousel... those are much better. If he gets to scare someone while doing it, jackpot for him. We only really see him struggle in Ruin, as far as I recall. Sun is the one running around like a bossy headless chicken trying to get everything in order.

I think it's because Moon is the one who directly says "you must be punished" and harms you? But even then my man jumps on the table, does a goofy move, and flies off to give Gregory some time to hide for their little hide and seek game. Sun is the one getting freaked out and throwing you out without any preamble after the lights turn on.

Again, not shitting on anyone. I just think it's so funny. I legitimately cannot imagine Moon being that serious unless 1) a real intruder is at the pizzaplex, not some snotty kid; 2) Vanny tells him to; 3) something actually dangerous is happening and he's not high on whatever virus is going around.

[iguessitsjustme]

I love Monster Next Door but they are not going to make me feel sorry for Jane. I mean it's obvious that those girls aren't actually her friends but they also aren't wrong. But she hasn't done any self reflection and she has been nothing but cruel to Diew. I'm glad he stood up for himself and he unintentionally really hit her where it hurt.