#sorry this took me a while to get to!

[sometimesrufus]

I wonder what did/does rufus plan to do with hojo how much is he aware of what hojo is doing

I, too, wonder this.

My read of Rufus's interactions with Hojo are that he doesn't like the man, or what he does, but thinks him a necessary evil at present. As in, he has information that may be useful to him.

If things go according to OG... [SPOILERS]

Hojo dies, so the real question will be how much does he do to clean up Hojo's messes?

I've never been very canonically clear on how much Rufus knows about Deepground. On the one hand, he's a better hacker than the Turks, so he must be capable of accessing the information. So then the question becomes... did he bother?

Imo, evidence for that isn't very strong. Because, in the books/AC/DoC, Rufus is pretty committed to putting things to right. He makes medicine, tracks down the last bit of Jenova, and funds the WRO. I get the feeling that Rufus either didn't know or didn't prioritize the information while Jenova/Sephiroth still had to be dealt with. I'm sure he would have cooperated with the WRO fully once Deepground started causing trouble.

[dapg-otmebytheballs]

weirdest thing is that my rejection sensitive dysphoria actually get triggered by dan and phil. like, the fact that their views are only in the hundred thousands instead of the millions actually triggers my rsd for some reason, which makes NO SENSE. the same goes for the bad reactions to dan's catboy photoshoot. it probably means i'm too parasocial, but its like, i feel genuinely bad and like screaming or crying, or like i'm wrong and the world is wrong just because their views aren't what they used to be. its so fucking weird.

anyway, everyone go watch the past vids in the background as you do shit on loop, lets get them to 1mil views per vid.

Oof I understand this. It's kinda v similar to people saying mean things about your special interest/hyperfixation and that making you feel much worse than some random person's opinion should. We do have to figure out how to work through it ourselves or we'll end up always being miserable lol, but having a space to talk about it like this helps! Same here though, when they aren't doing well a part of me is so genuinely sad about it, and a little scared, I feel like every success they have gives me hope and every failure makes me keenly aware of my own. They've had such a positive response from the viewers with the return though, so I'm quite glad for it! The numbers certainly aren't what they used to be, we'll all eventually rewatch everything tho lol, it's gonna get there. Even bigger youtubers than them have trouble hitting a mil views on usual videos nowadays (yes I checked, sometimes stats are fun XD)

[victoriousfidelity]

@n1nth sent: [ captured ] while receiver waits for sender to arrive, sender is shoved into receiver's view, captured by the enemy. prompts for a secret rendezvous with your lover. | accepting.

The visit to Ýdalir was supposed to be straightforward - a diplomatic meeting with a nobleman who wasn't quite on-board with her mother's way of running things.

Sigyn is quickly learning that 'straightforward' and 'the Doctor' are not concepts which sit well together.

Her conversation with the aforementioned nobleman is cut off at the sound of the doors opening, and she feels the icy creep of dread as she turns her head towards it. The Doctor is dragged through by a set of guards and she takes a moment to steel herself, tamping down her instinctive reaction (defensive anger) in the name of cool diplomacy.

So much for peace treaties, she thinks as she briefly meets the Doctor's gaze, silently willing him to stay quiet as she tries to fix this.

"I do not think capturing my friend meets the terms of our alliance," She informs her host, keeping her tone even. "If he has done anything to offend you, please accept my sincere apologies - and allow us to leave at once."

[outoftheirdifferences]

ᴍᴜꜱᴇ ᴅᴇᴍᴇᴀɴᴏʀ ᴀɴᴅ ᴍᴀɴɴᴇʀɪꜱᴍꜱ ɢᴜɪᴅᴇ.

bold for applies / italics for sometimes or depends

Angel

EYES. avoids eye contact when nervous, maintains eye contact when agitated, avoids eye contact due to being neurodivergent, enjoys eye contact as a means to read and convey emotion, looks down when emotional, looks up when emotional, cries openly, wipes tears quickly, suppresses tears, wandering gaze when lost in thought, holds gaze while thinking, seeks out eye contact for reassurance, seeks out eye contact to gauge enthusiasm during conversations, eyes constantly move during conversation, expressive eyes, emotions only evident through eyes, uses eye contact to intimidate, looks up while thinking, looks down while thinking.

HANDS.  clasps behind back, rest in lap, fidgets with clothes, twiddles thumbs, chews at nails, pushes back cuticles, draws patterns on table/counter surfaces, makes animated gestures while speaking, only gestures to emphasize, utilizes sign language, speaks only through sign, calluses, scars, smooth, wrinkled, worn, soft, delicate, bone-y, slender, thick, vein-y, touches others while speaking, reaches out while laughing, reaches out to comfort others, reaches out to seek comfort, places face in hands when exasperated, places palms over eyes to hide when overwhelmed, rests chin in hands, taps fingers when impatient, taps fingers when nervous, taps fingers while thinking, scratches scalp,  strokes chin, rubs back of head, toys with objects around them, runs fingers over surfaces while walking by.

MOUTH. chews lip, chews at inside of cheek, licks lips, bites tongue, chews on straws,  resting frown, resting smile, neutral resting expression, resting pout, grinds teeth, flexes jaw, covers mouth when laughing, covers mouth when shocked, covers mouth when concerned, hands to lips while thinking, covers mouth when chewing, chews with mouth closed, chews with mouth open, smirks, grins, subtle smiles, wide smiles, sad smiles, intimidating smiles, menacing grins, openly smiles, tries to suppress smiles, bares teeth when angry, lips quiver when emotional, stutters, speaks quickly, speaks slowly, good pronunciation, poor pronunciation, moderate pronunciation, purses lips, sucks in lips, holds mouth open when shocked or confused.

LEGS.  bounces leg when nervous, draws knees to chest when sitting, draws knees to chest as a means of comfort, sits on knees, sits with legs crisscrossed, sits with legs spread open in chairs, crosses legs when sitting in chairs, sits with one leg folded under the other, places feet on furniture, never places feet on furniture, sits on counters, sits on desks, sits on tables, sits on edge of seat, sits hunched over with forearms on knees, arches one knee up, sits on the arm of chairs/couches, feet on dashboard, swings legs back and forth when sitting somewhere elevated, wiggles toes when nervous, wiggles toes as a general tick, shuffles feet, kicks foot into ground, stomps feet, loud footsteps, quiet footsteps, silent footsteps.

HAIR.  runs fingers through hair, tugs at hair, picks at scalp, chews on hair, twists locks of hair while thinking or nervous, smooths out locks of hair while thinking or nervous, prefers hair out of face, prefers long hair, prefers short hair, wears hair back, keeps hair down, smooths back hair, plays with other’s hair while talking, plays with own hair while talking, strokes hair to comfort others, likes having hair stroked for their own comfort, braids others’ hair while talking, braids own hair while talking, flips hair out of face, pushes hair out of face, leaves hair alone even when falling into face.

tagged by: @thecaptainsxcrew

tagging: Everyone who wants to!

[xxplastic-cubexx]

Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?

thank you so much !!

i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]

and the obligatory bonus:

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[gatoburr0]

[greenglowinspooks]

(DCxDP) The obligations of a rogue versus those of a parent (Pt. 3)

—

Tw: Vivisection mention, torture mention (GiW agent receiving), me not actually knowing how telegram works

Will be crossposted to AO3 eventually.

(Pt. 1 here) (Pt. 2 here) - (Pt. 4 here)

(Masterlist/subscription post)

—

It’s an average, ordinary afternoon in Gotham, and Jason is in hell.

Specifically, Jason is in hell because he’s been researching the GiW for the last week or so, ever since a cryptic message from Scarecrow of all people.

He still hasn’t gotten anything substantial out of it that Scarecrow hadn’t already provided. Most location data had been previously scrubbed from the database, weaponry details were apparently all stored physically, and the experiment logs seemed to be only accessible from within one of the bases, whose locations Jason did not have.

Apparently Babs and Tim were having similar issues with gathering information. He had sent a copy of the files over to them in a moment of weakness, but they were having the exact same results as him.

To make things worse, the GiW was more active than they had been previously, combing through Crime Alley and the rest of Gotham tirelessly. At least they weren’t harassing him anymore, he thought, but now he had even less of a clue what they wanted.

And to top it all off, the Joker had escaped Arkham a few days prior to Jason receiving Scarecrow’s note, and he still hadn’t done anything. That could only mean that he was planning something big, which meant more grief for Jason, because the clown was obsessed with him.

So yes, Jason wasn’t having the best week.

He got up from his computer, stretched, and walked over to the window.

The sky was Gotham’s usual grey, clouded with a toxic miasma made up of traditional pollutants and the aftermath of gas attacks both, which could generously be called ‘smog.’

The streets seemed busier than usual, or maybe that was just because Jason was having a hard time keeping his eyes focused.

With blurry vision and a dull ache in the back of his head, Jason paced through his apartment, going through everything he knew.

The GiW, or Ghost Investigation Ward, were part of a secret government project having to do with ‘ecto-entities,’ which were mostly made up of ghosts.

The GiW was able to kidnap and steal away anyone who was ‘ecto-contaminated’ to be dissected, and it was completely legal.

According to the non-censored patrol reports he was given, Jason himself was considered ecto-contaminated. So were Bruce, Damian, Steph, and Cass.

There were also several rogues that were in the same boat, but their names had been redacted, presumably by Scarecrow. He wasn’t entirely sure why, but he guessed it was either for leverage or privacy. Knowing Crane, it could be both.

Anything useful about the GiW seemed to be stored physically within their compounds, or on an operating system that couldn’t be accessed outside of certain areas.

Anything useful about ghosts was conveniently removed by Scarecrow.

And, lastly, he knew from capture logs that they had numerous captive ghosts which were definitely being experimented on. One of these ghosts was named Daniel, last name redacted, and had been turned over by his parents in return for allowing them to run their own experiments on the boy.

From what he could tell, it had been around fifty two days since he had been turned in.

Fifty two days of experimentation and dissection.

Jason had to find him.

But first, he had to find the locations of the GiW bases, and plan his entrance carefully. He couldn’t let them get away because of a simple mistake.

The only location data he had been able to find was on a picture of the boy, Daniel, a picture of a vigilante in a red suit, and a quick note left about Daniel which hadn’t been transferred into the main database.

The note was…

Jason had been around crime for a very, very long time. He understood it intimately, in a way most people would never hope to achieve.

He understood hatred, too.

And yet, the words in that note were almost incomprehensible to him.

They were mockery of a child in pain. A child that was not seen as human. A child that was seen as a threat, a monster.

The man had detailed the security surrounding the child being cut back. Apparently, the kid had some sort of sonic scream. They were removing the muzzle that inhibited it because he had screamed himself hoarse, and he couldn’t make a sound anymore.

He also mentioned that the kid was cut open at least once a day, sometimes multiple times. He was opened up, played with, and sewn back shut.

The man joked that they should just put a zipper on him, so they wouldn’t keep wasting their stitches.

Jason really, really wanted to kill that guy.

The metadata on the note traced back to a newly-bought building in Gotham’s financial district, while the photos both came from Amity Park, Illinois.

Amity Park, Illinois did not exist in any official capacity.

Tim, who had taken the Batplane to check the precise location listed in the metadata, had reported that there was a town there after all, and it was on complete media lockdown from the rest of the world. He hadn’t even been able to use Bat, Justice League, or Young Justice channels to message anyone outside of the city until he left.

Jason had checked the building in the financial district firsthand, and found that the man who had submitted the note had done so while resting on a patrol of the city. He seemed to go there often to avoid his superiors, and Jason found it easy enough to get the drop on him the third time around.

His advanced interrogation techniques hadn’t been enough to get the man to name any locations. Worse, the man definitely recognized Red Hood, and would definitely tell the rest of the GiW about what had happened as soon as he left.

So, Jason did something about that. He couldn’t kill him, unfortunately, so he did the next best thing.

The GiW sent him to a public hospital within a few hours of finding him with shattered hand bones, broken arms, and a throat with near-permanent damage. The man wouldn’t be able to speak for a month at least.

He might never write again.

Jason, having read the note over and over until the words stained the backs of his eyes, thought it was the least he deserved.

Jason sighed, stopping his pacing. He wasn’t getting anywhere with this. If anything, working himself up was only going to lower the chances of him magically coming to a realization about where the kid was or what in the hell was going on.

He walked into the kitchen, popped some leftovers into the microwave, and started them up.

Once they were done, he brought them out to his desk, intending to eat as he continued to work on the GiW case.

When he saw his screen, he froze.

Telegram had been opened to a new chat with someone he had never messaged before.

TooFine: who are you?

TooFine: why are you looking into the giw?

The messages were a couple of minutes old, probably sent while Jason was spiraling pacing. He just stared at the screen, dumbstruck.

Shakily, he responded.

RedDead: How the hell did you get my contact info

Whoever was on the other side of the screen paused for a second. Jason considered sending a quick text to Babs to tell her what was going on, but he decided that he could handle this by himself.

TooFine: got it from the backdoor I put into the giw system.

RedDead: Shit

TooFine: ok your turn

TooFine: why r u looking into the giw? seriously man

RedDead: I don’t have a single reason to tell you. Give me one and I might answer your questions

TooFine paused again. Clearly they both had issues trusting someone over the internet, and rightfully so. What they had both admitted to doing was incredibly illegal, and if someone turned them in, they would be in deep shit.

TooFine: ive been trying to take down the giw since it was created. I can help u if ur honest with me

RedDead: Oh yeah, because no one has ever lied to another person on the internet before

RedDead: But fine

RedDead: I’m looking into them because they’ve been shadowing me for over a month at this point, among other reasons

TooFine: other reasons?

Jason sighed. He shouldn’t have added that. He knew that the other guy would ask, but he said something anyways.

RedDead: They’ve got a kid. I don’t like it when people hurt kids

TooFine: Danny? he’s alive?

RedDead: From what I can tell

So he knew the kid. Or, at least, he was pretending to. It would make sense for him to be cagey about his intentions, and for him to be desperate enough to reach out.

TooFine: oh my god

TooFine: do you know what city? fuck

TooFine: fuck fuck fuck

TooFine: I need to find him man please

RedDead: He’s somewhere in Gotham

RedDead: I’ve been trying to find him for a week now but no dice. They keep everything important on separate servers

TooFine: listen man you’re a good hacker but you’re not as good as me. you need my help if we’re gonna find Danny

RedDead: Okay, what are you trying to get me to agree to?

TooFine: i’m coming to gotham and we’re going to meet up

RedDead: Hell no

RedDead: Stranger danger

TooFine: if I tell u who I am will you say yes

RedDead: ?? How am I supposed to verify if you’re telling the truth

TooFine then sent him what seemed to be a selfie. Jason’s jaw dropped at the kid’s sheer audacity.

RedDead: There’s something seriously wrong with you

TooFine: my name is Tucker Foley. i live in amity park. i’m in 10th grade

RedDead: ???????? WHAT THE HELL

TooFine: i can send u my address too

RedDead: PLEASE DON’T??

RedDead: WHAT’S YOUR FUCKING DAMAGE? DON’T DOXX YOURSELF TO ME

RedDead: WHAT IF I WANTED TO KILL YOU OR SOMETHING? WHAT IF I WAS A FED

TooFine: i have to take that chance.

TooFine: Danny is my best friend. they’ve had him for over a month and no one’s doing anything to help. mr. Lancer was the only one who cared and he gave up after they blackmailed him

TooFine: they’ve had him for OVER A MONTH. I THOUGHT HE WAS DEAD.

TooFine: Sam and Jazz and I are coming to gotham and we’re going to find him no matter what it takes

TooFine: you have to help us

Jason considered, for a second, the choices he’d made in his life that had led up to this moment. He also considered, if he was in this kid’s position at his age, if he would be doing the same.

He decided to throw the kid a bone.

RedDead: [4735.jpg]

TooFine: HUH

RedDead: I’m guessing you know me

TooFine: RED HOOD??????

RedDead: No I’m just a very dedicated LARPer

TooFine: am i gonna die for Danny right now

RedDead: If I were literally anyone else, probably

RedDead: But no, you’re not. I’m gonna help you find your friend

TooFine: your username is red dead and you’re. yeah ok

RedDead: Oh come on, it’s funny

TooFine: Danny would love you

RedDead: So Danny clearly has great taste in jokes

TooFine: nope. literally loves puns and wordplay

RedDead: Nevermind

They both paused for a second. Then, Jason had a thought.

RedDead: Wait you’re in the 10th grade and you’re hacking into government databases?

TooFine: please don’t tell my parents.

RedDead: And how are you supposed to explain a sudden vacation to Gotham to your parents?

TooFine: wait so you’ll help me?

RedDead: I really hate to say it but I’m not the best at hacking, and my usual help is busy trying to track down the Joker. So, yep, we’re teaming up

TooFine: LET’S GOOOOOO

RedDead: God. I’m asking a 16 year old to help me take down a government agency and save another 16 year old

RedDead: I feel like the bat

TooFine: oh my god this is awesome. Danny is gonna flip when the actual real-life Red Hood comes to save him.

RedDead: I already regret this

TooFine: too late.

TooFine: btw do u have any place for 2 teenagers and 1 adult teenager to stay in gotham? preferably without dying but yknow.

Jason groaned. He was really, really gonna regret this, and he knew it.

Still, the alternative was some overeager kid dragging two other idiots to Gotham to find their friend and getting themselves killed. At least this way he’d have help, and damn good help at that.

He really was turning into the Bat, wasn’t he?

—

[kinnbig]

✨ Simple Gif Colouring for Beginners ✨

I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.

when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!

a couple of things to begin with:

I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!

I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.

as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).

I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.

this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.

okay, full walkthrough beneath the cut!

contents:

1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!

1. intro

the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.

if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!

* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)

✨ natural gif colouring goals

part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!

in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:

brighten dark scenes

remove muddy, yellowish lighting or filters

saturate colours

correct any skin lightening filters or overexposure

make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos

this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!

✨ very very basic colour theory

[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]

the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).

so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.

in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.

it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.

looking at the colour balance sliders on photoshop can make it easier to visualise:

so making a gif more red also means making it less cyan.

removing green from a gif means adding magenta.

taking yellow out of a gif will make it more blue.

tl;dr:

neutralise yellows by adding blue (and vice versa)

neutralise reds by adding cyan (and vice versa)

neutralise green by adding magenta (and vice versa)

2. super simple colouring (the essentials)

starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)

some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.

I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.

so here is my base gif!

it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.

colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:

there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.

I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.

✨ curves layer

the first thing I always do is a curves layer. when you first open one it will look like this:

first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.

if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.

the next step is selecting the white and black points with the little eyedropper tools.

the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.

here's what that did to the gif:

then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.

here's what the gif looks like after picking the white and black points:

this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.

and this is what the curves graph looks like now:

you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.

next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.

‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.

✨ selective colour (and skin tone correction)

skin tones are made up of a mixture of yellow and red.

removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.

adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.

selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.

I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.

in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.

the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.

here's the result. Kim's skin is a lot less pink toned and much more natural looking:

✨ hue/saturation

this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.

I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.

clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.

I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)

then I increased the 'master' saturation of all the colours to +5:

I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.

‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.

done!

✨ saving and reusing colouring

you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.

each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.

I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.

✨ another one! (speedrun!)

HI KEN!

the white point for the curves layer was in the window behind them.

the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.

3. other adjustment layers

imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.

✨ brightness/contrast

pretty self explanatory!

I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 

the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.

✨ levels

levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.

use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.

levels is a good place to start if your curves layer isn't working.

(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)

on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!

✨ vibrance

vibrance... makes the colours more vibrant. it's more subtle than saturation.

it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.

vibrance is much more subtle!

✨ colour balance

colour balance affects the overall balance of colours within a gif.

it's good for scenes with heavy tints.

I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.

✨ channel mixer

I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.

basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.

kind of the reverse of selective colour?

so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.

this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)

(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)

4. troubleshooting

‼️curves

usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(

for example, with this base gif:

using many of the brightest points as a white point turn it wacky colours, like this:

yikes :(

some options for these cases:

try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.

try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.

skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.

‼️over/undersaturation

if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.

oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.

5. fin!

and done! I hope this was coherent helpful to somebody.

if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.

happy gifmaking 🥰

✨ some links!

photoshop basics by @selenapastel

gifmaking for beginners by @hayaosmiyazaki

gifmaking guide for beginners by @saw-x

dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)

beginner's guide to channel mixer by @aubrey-plaza

how to fix orange-washed characters by aubrey-plaza

colour correcting and fixing dark scenes by @kylos

does resampling matter? by usergif

how to put multiple gifs on one canvas by @fictionalheroine

watermarking using actions by @wonwooridul

resource directory by @usergif

[hailsatanacab]

“To whom,” Alfred rasps, pausing to clear his throat and establish his sense of decorum, “May I ask, to whom do I have the pleasure of speaking?”

The creature stops, blinks its owlish eyes at him, and lets out a bark of laughter.

“Forgive me,” it says, still chuckling lightly, raising a hand to rub at the back of his neck. Alfred is suddenly struck by the feeling that this creature is not as timeless, nor as old or as wizened, as it wished to present itself. “I am making a terrible first impression. My name is Phantom, current High King of the Infinite Realms.”

Contractual Obligations by me

I couldn't get the image of Ghost King Danny out of my head, so here he is!! Acrylic on canvas, and I'm so happy with it - he came out a lot better than I thought he would 😅

[condohavenoking]

'Mister Frodo! Look! It's an Oliphant! No one at home will believe this.' — Samwise Gamgee | Lord of the Rings: The Two Towers

[cheerioskid]

Would love to see you draw more zombiewood, absolutely love how you draw them both

the losers <3

[princema-k]

so i played through the entirety of tgaa2 with runo's DLC outfit it's what he canonically wears in my mind and it's absolutely great!! he's so snazzy and it compliments both susato's DLC and kazuma perfectly. i absolutely adore chuunosuke

only problem is. because chuunosuke is in EVERY shot with a vacant smile, i can't take emotional scenes seriously anymore

imagine me, reaching the climax of the third chapter of the game, there's the reveal and it's all sentimental and heart-wrenching. and i have to stare at this:

[paintpanic]

Res AU Joronia drawings. Character rambling and bonus doodles under cut.

This AU takes place a good while after the events of Triple Deluxe happened. Since then, Taranza's mostly recovered mentally from everything. He was able to move on from his grief and (somewhat) forgive himself. Now that Joronia's in his life again, seemingly back to her former self, some of those wounds he'd thought were fully healed have started to ache again. He still feels ultimately guilty for what happened to her.

He's thrilled that Joronia's been given a second chance at life, but is somewhat wary deep down. This feels to good to be true, that she's just back with seemingly no strings attached. The other shoe could drop any day now, and he could lose her all over again. Fearing this, he wants to make the most out of what could be a short time to be together again with his friend.

Joronia senses that there's a distance between the two of them now that wasn't there before. It shouldn't be surprising; he's probably still hurt from what she did. Other people definitely are. She's determined, though, to work hard to make it up to everyone she's hurt, and to prove to them (and herself) that she's not really like that, that she's capable of being better.

The Mirror's influence twisted her mind and her perception of reality. It made her feel like she was inadequate, and that everyone else were enemies to be subjugated. Now, she's supposed to be normal and better, but she still feels like there's something wrong with her head. She still doesn't feel good enough, and it still feels like everyone hates her. It's hard to trust herself. She's not sure if it's some lingering effect of the Mirror, or if there's just something inherently wrong with her now. She's scared.

She's afraid that something will happen, that she'll revert to how she was as Queen, and that she'll hurt Taranza again. Someone who'd always helped her, who'd stuck with her even when she was absolutely horrible to him, and who's kindness she's relying on again now, staying at his home as she worked on getting her life back together. She's a burden on him, and she always has been. She hates it.

Still, her deepest, most selfish wish is that they could be real friends again.

---

These two need to have a long, honest discussion about their feelings toward each other and themselves. Both of them are absolutely terrified about that prospect, though, because they each think that the other secretly resents them to some degree. If they actually talked through it, they'd quickly realize that they both want the same thing.

[shittyutmv]

I really thought you gave him furry head here

he is Such a dogboy

[spearxwind]

Happy 10th birthday to Cercerion!

OUGHHH UR RIGHT CERCIE IS 10 YEARS OLD NOW !!!!!!

HAPPY BIRTHDAY BABY BOY BELOVEDEST DID NOTHING WRONG EVER IN HIS WHOLE LIFE !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!