#sorry end rant

[zorangezest]

Shockwave somewhere off in the corner with starscream watching this personality swap unfold that he caused somehow

HOLD ON. YOU’RE RIGJT. SHOCKWAVE DEFINITELY CAUSED ALL OF THIS

you inspired me to make this comic why is this becoming an actual au why does this stupid blucking au have lore I’m going to cry

[teenytraveler]

just another lazy Sunday afternoon

[fleapit]

can we pleasee please please stop fucking fearmongering and blaming trans men for the predstrogen situation. please god. posts about "trans men teaming up with terfs to get trans women banned!" with zero sources all over my dash. blaming "transandrophobia truthers" for all the transmisogyny. have you all lost your fucking minds?? what the fuck happened to t4t??? what the fuck happened to trans solidarity??? why is "transfem separatism" even a subject worth entertaining????

anyone who says other trans people are the enemy is a fucking fed. jesus christ

[artylla]

decades of paul mccartney 🪞

[ardeidae-e]

my piece for the skk anthology :3c

@skkanthology

cyberpunk au where chuu is a cyborg and dazai a mechanic and i love them so much i am exploding as we speak

i uh. there is a lot of lore. yes

[rustedhills]

Somewhat articulate Kris thoughts, ch. 3+4 edition. Heads-up for spoilers and discussion of the series' themes of familial abuse. And why "Kris is evil actually" sucks.

Man, the ending of ch. 4 is genuinely kind of heartbreaking, and even more terrible in a way than any of the others--because it's so obvious that Kris is just a kid dealing with way too much.

Beyond the Knight stuff, the delta warrior stuff, the prophecy... Kris is just the town weird kid who came home with a friend, saw their mom dancing wine-drunk with the convenience store guy (after an entire Divorce Gameshow Extravaganza and a Horrible Visit to Noelle's Household ft. her abusive mom ft. horrible soul hockey, not to mention all the exhausting darkworld adventuring), and who just has to deal with all that. Unrelated but someone noted that Susie saw a drunk parent and immediately left and I can't stop thinking about it.

Kris is pulling their soul out more and more--maybe we just haven't seen it until now, but it seems like they've had to do this for a while (Toriel mentions that Kris just runs the tap and acts chaotic on impulse sometimes, lol how quirky amirite anyways) and no-one has recognized or been able to help, except now Noelle (hopefully that proceeds well?). But of course, monsters don't have souls--and Kris needs a lot of help with a lot of things that their parents etc. just can't handle. Toriel checking out that book on human care so much speaks to that lack of resources / knowledge.

Even amongst their family, Asgore is a complete outcast, Asriel is away at college, and a lot of the adults in town are nice but ultimately unable to help them. Take away the fantasy, and you're left with a community of friendly but ineffectual guardians who can't--or won't--recognize that Kris is dealing with chronic mental and physical issues. Susie is the bad kid, Kris is a nobody, and Noelle is the nice girl. They all have to fight to be seen as anything other than the stereotypes people envision them as.

Maybe that's why the dark world is so fun(?) for Susie and Noelle--you can literally fight the things that hurt you. Lancer's dad sucks, so Susie gets to have her big arc by telling him off. Queen is controlling, so Noelle triumphantly says "no" to her. But Kris...?

HOLY [[Cungadero1997]]!!! KRIS, YOU [[little sponge]], YOU'RE FUCKED!!

Every character whose insecurity ties into Kris' own--Tenna's desperation as a tool turned to trash, trying to keep a drifting family together, Spamton's garbage life as a puppet controlled by a voice on the phone... they fucking fail. I think they're ok on some level? Even Berdly gets to have a more cathartic end-of-chapter arc than Kris!

Kris isn't Evil, or the ultimate secret bad guy, or whatever. They're a traumatized kid clinging to any guardian figure they have, even when that guardian is overly controlling and potentially abusive towards them, just so long as they promise a way out of the present situation. Especially Carol and Mike (if the voice on the phone is indeed Mike).

Like, with all the marionette strings and fucked up families in the previous chapters, it's safe to say that Kris is in a bad situation (thematically and narratively), and deserves empathy--even when / if they do hurt others. In the next few chapters, they'll likely lash out in some really nasty and terrible ways, but... so would a lot of people.

So would a lot of [[BIG SHOT]] [[puppets]]

[rachiebeee]

they are best friends and siblings and i love them both so dearly. featuring piercings bc i stand strong in my belief that they would

[theofficialuriel]

“tim fans” complaining about the lack of character development and him not growing from Robin as if he wasn’t well on his way to do just that in Tim Drake: Robin 🙄

[kevinsdsy]

< prev part | next part >

the trojans social media au (pt. 5): okayyy soooo let me start by saying i’m a fraud tumblr user and i’ve been stalking for so many years instead of posting so idk how everything works and what the tumblr dynamic is when it comes to interacting but during my previous posts some things have been brought to my attention

first of all @fanthyng-mego mentioned this:

so in reality i just forgot to turn on the checkmark button 😭😭 but i truly like your version better where neil earned his checkmark by being a menace.

still i’ve turned on the checkmark for everyone who i perceive as being verified so yeah

also @tara-the-star said this:

so shawn isn’t an oc. he was mentioned by name only in the book (like what? 3 or 4 times? idk). jeremy mentioned he studies communication, so yeah. i’m pretty sure he hasn’t actually said anything tho, but since i wanted this au to be more focused on the trojans instead of the foxes i tried to include some of the background characters :)

i did have to come up with my own characteristics for shawn tho (i didn’t expect it to go this far 😭) but it could easily turn out that nora will include him in tsc2 and my characteristics get lost on me and i’ll look like a loser LMAOOO

the same goes for all the other unfamiliar characters :) everyone should be named by name at least once in the sunshine court

so yeah. i guess i just really wanted to point those two things out :) i’m a fraud on tumblr and actually don’t even know how to use the app properly and i didn’t know if i replied to the reblog it’d just end up under my own post instead of the reblog so yeah…. hope this is okay

[gothamite-rambler]

Kory: We should get married in a year.

Dick: Yeah... What?

Kory: I've had my share of adventures and experiences in my single life and in our poly dynamic. After exploring that side of myself, especially during my time with the Outlaws, I've come to realize that what I truly want is a deeper connection with you. I love you, Richard.

Dick sniffled, his eyes misty as he smiled. He looked away, looking at the ceiling.

Dick (talking to his parents): Mom, Dad if you don't want this for some reason, send a sign.

After a minute of silence and nothing bad happening in the room, Dick sighed with relief. Kory laughed softly, waiting for her boyfriend's response.

Dick (playing it cool): I guess I've reached that age to get married and you've been someone I could see myself growing old with. Yeah, in a year I will propose to you.

Kory (eager): Perfect! Oh, and you'll be getting married to a woman that's not a five stage clinger who is no good. Like Talia.

Dick: You remembered I said that. That makes me want you more.

Dick and Kory shared a kiss while Hayley napped next to the couch.

[frownyalfred]

Why is it so hard to find ppl that actually understand bruce? I am tired of either finding ppl that see him as an abuser or others that only love wfa version of him I am really tired of this like really I can't even join a Fandom without getting my favorite character not getting mischaracterized left and right 😔

I'm going to rant a little bit here, and I apologize in advance. This isn't really directed at you. But I'm kind of tired of this flavor of ask. I get it a lot -- half of these asks are praising me for having a "good" interpretation of canon, and the other half are blasting me for being too "fanon" and bending too much to fandom tropes in my posts and writing. And of course the nonstop WFA hatred in my inbox is tiring.

Be the change you want to see in the world. If you don't like what the fandom is doing to your blorbo, write him your way. But sitting at the edge of the playpen complaining about how someone else is playing with their toys isn't useful. And it's really getting annoying to me, as a content creator.

I'm also tired of the superiority some canon-adherents have over those who write/draw more fanon tropes. So many of you are SO bitter over the idea that fandom is "ruining" Bruce or your other Batfamily blorbo because how DARE they write your blorbo in that way that is so OOC. How DARE they! And yet, you sit on the sidelines and create bitchy tumblr posts about how those fandom participants are stupid, or ill-informed, or simply don't have the higher thinking ability to understand your blorbo like you do.

And yet. You don't write Bruce the way you "enjoy." You don't create content or share posts or promote those canon characteristics you so highly value. Instead, you write posts complaining about the others in this fandom and deride them for being stupid like adhering to canon strictly somehow makes you better than anyone else. You mock their acceptance of fanon tropes as canon as if there is required reading in this fandom, entirely dismissing the idea that the line between DC fanon/canon is confusing as hell on a good day, and ignoring that the natural progression of engaging in fandom is finding out -- sometimes on your own timeline -- what actually happened in canon. Especially when canon is so vast.

And guess what? At the end of the day, we are all on the fandom website(s). You're still reading fanfiction at the end of the day. Canon or fanon or some blend of the in-between, you are still a fan participating in fandom content in some way or another. And we are all equal in that respect.

We are all here to enjoy these characters. Fanfiction is a medium that allows us to further explore canon, yes, But it is also a way to explore the OOC, the what-if's, the out of character but fandom-fave ideas and tropes people want. The fact that OTHER people enjoy those things should never impact your enjoyment of fandom.

If you cannot handle someone else playing with the same toys as you, but playing with them in a way you don't like, you need to go back to preschool. And if someone won't give you your toy back, find another one. Write the story. Create the post. Build your own engagement from the ground up, finding likeminded people if you can. They are definitely on here.

But I get the impression that when people complain about fanon "ruining" fandom, what they're actually saying is "I'm upset that canon content isn't as popular as fanon content." And that, I can't help you with. We can't always change what other people love or want to engage with.

I'm sorry that this rant is blunt, but it's been simmering inside me for a while. I'm really tired of getting and deleting this ask 15 times a day. You will not find much sympathy on this blog for canon purism and the derision of fanon/fandom, and for that I apologize. But it's the truth.

I enjoy consuming content about both "fanon" and canon Bruce. I like the contrast and complexities. But I have seriously had to stop following a ton of blogs in the last year who don't create "canon" content anymore and instead spend their time complaining about other people in the fandom who are just enjoying themselves and creating their own content. It's incredibly disheartening and frustrating.

[tangents-within-tangents]

Hot take:

Crosshair does not have the Imperial disillusionment and redemption arc of The Bad Batch

Emerie does.

Crosshair has an arc for sure yes but it's not that.

I was thinking about this scene:

and how it got right what this scene kinda didn't:

(It was so close but then bad writing decided to undercut the moment with a joke rip)

And I think it's really interesting that these characters who were more or less raised into the Empire/First Order and chose to leave it are all directly asked why.

But take a look at Crosshair's answers in comparison:

Different context for the asking, yes, but still, compare that to clones like Howzer, Cody, Slip and Cade who left or turned against the Empire because they knew what the Empire is doing is wrong and they weren't just going to blindly follow orders:

Crosshair - Loyalty, Purpose, and Survival

Crosshair didn't choose to join the Empire (though the show isn't very clear or consistent about how much control the inhibitor chips have) but he did, for whatever reason, choose to stay. By the end of S1 we know his chip has been removed and as he definitively says "This is who I am." There were likely still other influences on his decision, but listen to how he talks about the Empire in the S1 finale:

Hunter: Crosshair, I've seen what the Empire is doing. Occupying planets and silencing anyone who stands against them. You know it's not right. Crosshair: You still don’t see the bigger picture, but you will. Hunter: Can't you see they're using you?

Crosshair: We’re not like the regs, we never have been. We’re superior. The Empire can’t protect the galaxy without strength, this is what we were made for. Think of all we could do, together!

Crosshair: You all are meant for more than drifting through the galaxy. It’s time to stop running. Join the Empire, and you will have purpose again.

Hunter: They destroyed an entire city! Crosshair: They did what needed to be done. Kamino, regs, the Republic, that time is over. The Empire will control the entire galaxy, and I am going to be a part of it. Hunter: Don't fool yourself. All you'll ever be to them is a number.

He undeniably knows what the Empire is doing, but he does not care. In fact it sure sounds like he actually supports it and finds self-meaning in it. Hunter spends those episodes trying to convince him it's wrong, he doesn't change his mind. In the end they offer him an out and he doesn't take it.

Wrecker: You coming with us? Crosshair: None of this changes anything. Hunter: You offered us a chance, Crosshair. This is yours. Crosshair: I made my decision.

The next we see Crosshair in "The Solitary Clone" (S2:E3) he follows orders and shoots the Desix governor, right after Cody heartbreakingly tries to do what's right and find a peaceful solution.

Cody: Tell me something, Crosshair. This new Empire, are we making the galaxy better? Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

After this (glorious!) conversation, Crosshair stays. Maybe this began to seed some doubts, but he actually smiles a few scenes later when Rampart assigns him another mission. It seems like for him it truly is as he said in S1:E1 (chip not enhanced yet but still influencing him enough for his brothers to notice he's acting strange):

Crosshair: Republic, Empire... what's the difference.

Crosshair: Orders are orders.

This unethical mission that finally pushed Cody over the edge does not change Crosshair's mind about the Empire, at least not enough for him to take action.

But what does?

Mayday: And here we are, the survivors. Combat troopers stuck babysitting cargo shipments. Crosshair: Mission’s a mission. Mayday: Yeah, I used to say the same thing.

Mayday: After all the clones have done, all we’ve sacrificed. We’re good soldiers, we followed orders. And for what?

This mission has nothing to do with how the fascist Empire treats the galaxy, it's about how they treat their soldiers. It's about how Mayday loyally fought and served his whole life and Lieutenant Nolan let him die

Lt Nolan: He served his purpose as a soldier of the Empire. Crosshair: You could have saved him! Lt Nolan: Perhaps you didn’t hear me, he is expendable, as are you.

Crosshair thought he could find purpose within the Empire, and Nolan shows him exactly what that will be.

His turning point is accompanied with this powerful visual of the ice vulture, a symbol (and threat) of death, and also set up within the episode a symbol of survival:

Mayday: Vicious creatures, but you have to admire ‘em. They find a way to survive.

This critical moment (that gives me chills, oof this episode is a masterpiece!) comes right after Nolan calls him expendable and directly threatens him:

Lt Nolan: And if you speak to me again with such disrespect I'll see to it you meet a similar fate, clone.

then Crosshair sees the vulture's shadow and turns to Mayday's dead body (ahh visual storytelling my beloved) then makes his decision:

Crosshair turns against the Empire not because he believes Hunter was right about this:

Hunter: I've seen what the Empire is doing ... You know it's not right.

but because he was right about this:

Hunter: All you'll ever be to them is a number.

Redemption (both in fiction and irl in my humble opinion) comes with making amends and reparations (which is why death 'redemptions' bother me so much but that's a rant for another time). Unlike Emerie, Crosshair never explicitly denounces the Empire or his own actions within it. He never says anything to specifically show if and how his views have changed from what he said on Kamino. He makes amends with his family (sending the warning message, helping Omega escape, making up with Hunter) but that's about it. The most we get in terms of acknowledgement is this:

Crosshair: I thought I knew what I was getting into with the Empire. I thought I was being a good soldier. Hunter: Nobody really understood what was happening back then. Crosshair: I’ve... done things. I’ve made mistakes. Hunter: I have regrets too, Crosshair. All we can do is keep trying to be better, and who knows there just might be hope for us yet.

Which is nice and all but it's more about them making up as brothers so it's way too excusing tbh ("no one knew what was happening back then" ummm? "The Empire will control the entire galaxy, and I am going to be a part of it" remember? And even if at first Crosshair was being controlled by the chip, the fact that he chose to stay after it was removed* means he condones and is therefore still accountable for those actions).

There's also a bit of self-destructive guilt:

Crosshair: Omega, don't risk anything for me. I belong in here.

Crosshair: Omega needs you both. So I’m doing this alone, it’s what I deserve. Hunter: Don’t even think about plan 99, Crosshair. Omega needs all of us.

(which thank you Hunter for pushing back on the death redemption bs and oh look is that a wrap up for the purpose thing?)

But there's no action taken on his part to make up for what he's done or to stand against the Empire (aside from the bare minimum of help with Tantiss, only after it became personally relevant, which like yeah he had trauma to deal with but still).

While I do think the implications/follow-up of Crosshair's turn should have been handled better in S3 (like rip Howzer! he deserved an apology, but that's a rant for another time), I don't necessarily** think this arc is a bad writing choice. It's just saying different things than we expect:

Maybe Crosshair's story is not about standing up against an unjust system, like we see with many other characters (who deserved more screen time but that's a rant for another timeeee). Maybe his story is about how even those who are loyal to the Empire, who actually believe in it, still suffer under and within it's rule. Not to garner sympathy, but to show that there is no winning.

Crosshair has another 'so what changed' convo in S3:E14 with Rampart, in which they draw parallels to each other:

Rampart: You used to believe good soldiers followed orders. Crosshair: Depends on who's giving them. The Empire betrayed us both. Rampart: And you think you can fight them? That's not you. You're like me, loyal to no one but yourself. Crosshair: I've changed.

(note how he says who's giving the orders, not what the orders are)

"Loyal to no one but yourself" describes Rampart much more than Crosshair, since we often saw Crosshair pride himself as a loyal soldier of the Empire whereas we saw Rampart abuse power to be self-serving within the Empire (like when he killed Wilco to save face). But they were both betrayed either way. Vice Admiral Rampart, snively Imperial opportunist through-and-through, shouts "I was following orders!" as he is arrested for the Empire's purposes. (Edit: and where Crosshair rejected the Empire and found new purpose fighting for his family, Rampart was still self-serving in the finale. He still tries to gain power for himself and he gets his comeuppance).

Even Hemlock, the final boss immoral Imperial scientist, who has to be benefiting the most from this system, echoes the expendability idea:

Hemlock: What I am working on is beyond your understanding. Something so vital to the Empire it makes me indispensable.

Then there's CX-2, also set up as a parallel/foil to Crosshair (fight me), who in the end is discarded as no more than a weapon, a tool that served it's purpose, showing us what would have become of Crosshair if he had stayed.

There is no winning in the Empire. Loyalty is not rewarded, it "doesn't go both ways." Everyone has to fight for their value. Even high ranking individuals** who for a time benefit from the injustice, in the end are just pawns to be used up and cast aside at a whim for the Emperor's gain. Even people who are motivated by self-interest alone cannot survive within this system, the only viable option in this galaxy is to fight the Empire and dismantle that system. (unless you conveniently find a magically safe island to hide away on but that's a rAnT fOr AnOtHeR tImE)

Which brings us back to...

Emerie - Cooperation, Compassion, and Choice

(Okay this post has already gotten away from me but I still want to talk about her to show the contrasts.)

Emerie may not have been given a lot of screen time to really flesh out her development, but there is a lot that is pretty clearly implied with her:

Crosshair: They’ll never turn her [Omega] over. Hemlock: They don’t have a choice. She is a clone, and therefore Imperial property. *Camera cuts to an angle more centered on Emerie’s face*

Crosshair: Give me your access card! Emerie: It won’t get you outside!

Emerie: I tried to warn him what would happen if he did not cooperate with the Doctor.

Emerie: Prisoner? Omega, you are no such thing. It will take time to adjust, but you will acclimate. It is far safer in here than out there.

Emerie: You should go back to your room. Crosshair: You mean her cell?

Emerie: Why children? Hemlock: Children are easier to attain and more agreeable to the subjugations. They are unaware of why they are here and what they possess.

Emerie: They're children. Like I was... Was your plan to discard them too? Nala Se: The Empire will keep them in order to control them.

We don't know a lot about Emerie's background, but it's clear that she had a lot less choice than Crosshair and less opportunity or ability to leave. Unlike Crosshair, we never directly hear Emerie's views of the Empire (and she was most likely 'taken under Hemlock's wing' before the Empire even came to power), but lets look at how she talks about the Tantiss:

"Remain calm. Cooperate and you might survive."

"Don't make this worse, Crosshair! There is no escape!"

"All of us serve a purpose here."

"The Doctor will inform me, if it's necessary."

"It's best not to ask questions."

"Escape is not possible, Omega. This is for your own good."

She honestly does the best she can within the system she is also trapped in. She tries to help Crosshair, Omega, and the vault kids in the only way she knows how (warns Crosshair about the hounds and security, tries to protect Omega from Hemlock, tells Scorch his "actions were extreme" with Jax, insists on overseeing Bayrn's retrieval, double checks his m-count (to give him an out), and tries to find out where he came from). When she gives Omega, and later Eva, the doll, I think it shows just how little she really is able to do here (and it's kinda heartbreaking imo).

The framing of this shot especially (after Jax's escape attempt) visually shows how Emerie herself is trapped/imprisoned:

Despite the fact that very little of this is Emerie's fault, she has very little power and she is doing all she can, the narrative does not excuse her role in the Empire:

Nala Se: What will you do, Emerie? Emerie: There is nothing I can do. I don't have that kind of power. Nala Se: Don't you?

Emerie: I- I was doing my job. Echo: Yeah, I’ve heard that before. You’re a clone. How can you be part of this?

These fighting-the-Bystander-Effect conversations parallel these exchanges:

Hunter: We made a choice, and so did you. Crosshair: Soldiers follow orders. Hunter: Blind allegiance makes you a pawn.

Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

which did not change Crosshair's mind. And honestly, all respect to Echo's disappointed mom glare™ but I think it's clear Emerie had already made her decision, she just needed help to actually be able to do anything about it. When she stopped Echo, with her voice wavering on the verge of tears (ahhh v good voice acting), she clearly had no intention of turning him in. She's on her own in the Empire's most secure facility with very little resources, if she had tried anything on her own she most likely would have failed and been killed

Omega: Emerie, you don't have to do this. Emerie: (sigh) I’m sorry, but I do.

but as soon as she is enabled by an ally, she immediately turns around to help: giving information and getting Echo through security, helping the kids escape, and giving Omega the tablet that allows them to free the other clone prisoners.

Where Crosshair's turn is accompanied by the symbolic imagery of the ice vulture, Emerie's is the removal of her (literally rose-tinted!) glasses:

Symbolizing how she has shed her previous views/indoctrination that altered her perception of the Empire and blinded her to it's wrongs. It's disillusionment.

Emerie's story shows us that even those who are raised and indoctrinated into this system can, should, and will escape (with needed help). Even those who did not choose to be apart of the Empire and are not making the decisions still have the responsibility and ability to act on what they know is right.

Emerie, whose name means 'Home strength' 'Brave' and 'Powerful', and "reflects the importance of leadership and authority in the workplace".***

While Emerie is only in one more scene after her turn, so the wrap up is a bit rushed, she still very simply does what Crosshair does not:

Emerie: Because I was wrong about this place. And I'm trying to do the right thing.

Echo: I’m sure Senator Chuchi would find what you have to say very helpful for our cause. Emerie: I have a lot to make up for. I’d like to help out however I can.

She admits wrong, takes accountability, commits to making amends, and leaves with Echo to go take on the Empire (which hopefully we will get to actually see more of some day).

So, in short, she's showing us how redemption is done right!

---

Notes:

*Whether this writing choice was good/logical/in-character or not is another discussion entirely, but I'm going off of what we were given, what the show is presenting in the canon text and (reasonably inferred/intentional) subtext. Crosshair is pretty multifaceted and I could only touch on so much here. There's a lot of ways to interpret his character/choices, but I tried to avoid the realm of speculation or fanon explanations (even if they sometimes make more sense lol).

**History and political theory are not my area of expertise at all, so I have NO idea how well this aligns with real-world fascism stuff and therefore what implications this storytelling choice could have. I think the message of like 'if you think you could survive or gain power by doing what the Empire/fascist system wants you are wrong' could be good (like how everyone is actually harmed by the patriarchy type of a thing), but I hesitate bc maybe there are those who would benefit, since it's a hierarchal system, right? If anyone more knowledgeable than me has incite to share, by all means

Either way, I do think it works in-story and in-universe though. It's just in the execution. The main problem (even from a strictly theme/character arc stand point) is the lacking follow-up/consequences for Crosshair in S3. Like you gave your character accountability by removing the chip and I think that's great setup for an arc but you gotta follow through with that and actually hold him accountable!

***I'm always curious when clones have 'normal' names, like why did they chose the name Emerie of all things? So I looked it up. Idk how reliable sources are for name meanings so take it with a grain of salt but it's still fun. Fits pretty well, and clones names have definitely had significant meanings in the past (like how Rex and Jesse both mean 'king') so I'm pretty sure it was intentional.

Anyway, thanks for coming to my tedtalk

[wisegirl25]

My favourite thing about Timebomb is that it’s not just childhood best friends to lovers or enemies to lovers but it’s BOTH.

It’s my favourite tropes combined

And not only that, but Jinx and Ekko’s characters are so complex that their relationship can’t even be properly defined through tropes because yeah, those tropes are there, but beyond that Ekko and Jinx, their lives are so intertwined, that in the end, there’s kind of this feeling that they would’ve always made it back to each other in my mind 

It’s the kind of love they have for each other that not only canonically transcends universes and dimensions, but there is also the sense of forgiveness, especially on Ekkos side like “you could do anything and I would still love you” and I think episode seven highlights this where Ekko is kind of reminded why he loved Powder in the first place, but also how similar Powder and Jinx really are

Another thing that always kind of gets me about them is that they just know each other. Even after all those years of being apart. They know the other person. They know their wants, their desires, their character, and essentially the most basic parts of each other’s souls that could not be changed, no matter what, because even after all that time apart, it doesn’t erase the history they have together or the future that they want to have together and that’s really beautiful. They’re just Ekko and Jinx.

Anyways, thank you for coming to my TED talk  

[sixteenthtry]

I know bro wrote this while pushing his glasses up with his index finger and a hand on his hip☝🏻🤓

[vee-is-a-clown]

Ok you know what makes me angry? Why is Allura so mature and humble? She's a daddy's girl only child princess who was set to inherit a flourishing kingdom. Sure, she's well educated and probably elegant and graceful and tactful because that's how she was raised to act for diplomatic reasons but she was also probably spoiled throughout her adolescence. She probably got whatever she wanted whenever she wanted because her family had the resources to give it to her. Who's to say she isn't a spoiled brat who can otherwise act kind and approachable? Even if she isn't a brat, she was still handed her life on a silver platter. She has to learn how to operate and be self sufficient.

When she gets out of that pod, she should be scared. She should be angry. And she deserves to be so. Her father that she relied on for just about everything shoved her into a sleeping pod and suddenly she's awoken by someone who isn't him. Logically, that means he lost. She should be kicking and screaming. She should be having the worst panic attack ever. She should be mourning everyone and everything she's ever known. She should be mourning the status quo that will never again be maintained. She should be mourning the future that can never come to fruition.

She has to figure out life without any system or technology that she's ever relied on. Coran doesn't know how to fix and maintain everything. She's like one of those people that wake up from 10+ year comas and don't understand modern technology. She is my dad who has had the same flip phone since forever and now must figure out how to use a phone with a touch screen.

Every luxury she had as a princess is gone. The castle chef who knew exactly how she liked her food. Her mother's ladies in waiting who told her the castle gossip. Her own ladies in waiting who'd sneak out to festivals and other trivial things with her. The cleaners that arranged her room exactly as she liked it. HER MOM. I don't care if she was a daddy's girl, she still has got to miss her mom.

I feel like she should've had more outbursts. Seeing Keith in the red paladin armor should've made her cry. In fact, all of them should have. The new paladins in their armor is a symbol of a new era- an era without the people she loves. She deserves to scream at the top of her lungs and lock herself in her room and trash something. She should be yelling that life isn't fair. She should be angry. She should be so angry.

I don't care if she's trying to hold it together for the paladins in the show. She's holding together too well. She needs more moments of instability. She needs to grieve. She needs to be tired. She needs to be imperfect.

[bertoyana]

no no YOU DON'T GET IT. charles just got shot and he's crying because he knows he has to break erik's heart. he just GOT SHOT he's bleeding out and he's crying because he knows it has to end. you don't get it!!! he promised erik, all those months ago, that he wasn't alone, he promised him that THIS TIME it was going to be different, and everything that just went down in the beach proved him wrong!! it just proved that erik was right about the humans. and charles swore up and down that it could be differet, that it WOULD be different. and he's bleeding out and yet he's crying because HE KNOWS he was the one that gave erik hope about them and he knows now that he has to be the one to take it away!! erik is on his knees (literally) asking him to be by his side. he's gripping onto his hope and onto charles (which is the same thing to him really) leaving claw marks on him, he's asking him to be by his side holding onto the last thread of hope and charles KNOWS he has to be the one to take it way from him. I'M SICK. james mcavoy YOU ARE SICK be careful out there old man i'm IN YOUR WALLS

we literally start watching this movie knowing how it's gonna end. we know they will go their separate way and that they have their days counted but THEY DON'T KNOW THAT. they were doomed from the start it was never going to work but they didn't know that!! they were so alone their entire lives and they are so desperate to make it work and it WON'T WORK. I'M GOING TO BE SICKKK. ACTION MOVIE MY ASS THIS IS AN HORROR MOVIE GIRL THE LEADS ARE BREAKING EACH OTHER'S HEARTS AND TRAUMATIZING EACH OTHER IN THE WORST WAY POSSIBLE