#sorry I'm off on a ramble

[knight-of-the-graces]

I... am having EPIC Thoughts. I read a post that talked about how Odysseus really isn't doing any better with ruthlessness than mercy, and I just started thinking, so... here you so. Yes, I'm writing an essay now, you're welcome, I am 'That Guy' in every fandom I'm in ever, yes.

Ruthlessness and Mercy: Would It Matter? An EPIC: The Musical Study

In short... no. No, it really wouldn't.

From the beginning, the conflict was never about ruthlessness or mercy; it was always about the will of the gods. It never mattered whether Odysseus was merciful or ruthless or prideful or what-have-you, insert-chosen-character-trait-or-flaw-here-- the only thing that mattered was if he was obeying the gods, if he had angered them or not. Odysseus wasn't the problem in The Odyssey, at least at the start.

(This is not me saying the man doesn't have or cause problems, because he definitely does, but the overarching problem of The Odyssey isn't about Odysseus.)

Think about it. Several of the gods had decided --at least, in The Odyssey-- to make Odysseus' life a living nightmare. The reason for this seems to vary, but it's there. So right there, no matter what he did, what choices he made, the outcome was already decided for him. He was doomed from the start and didn't even know it.

See, here's the thing, about the Greek gods: Most of them really don't care about mortals any more than most humans care about insects. Interesting on occasion, but usually just something to ignore. And then you have the people who like to torment them, to pull off their wings and legs and watch them suffer and squirm-- those are the gods who involved themselves in the Trojan War. They weren't interested in the affairs of mortals in that they didn't care about the cause of the war, only that it was something interesting to do to break up the monotony of their daily lives up on Mount Olympus, a chance to show off and compete with one another and settle old scores. (I'm particularly upset about Aphrodite. Like, seriously, who just kidnaps some poor woman to marry off to a random guy she's never even met? I mean, c'mon, you're a literal goddess, you couldn't've just... y'know, made a person out of clay instead of kidnapping someone who already had a husband and family? Goodness.)

But anyway. Let's take a hypothetical, shall we? Let's say that Odysseus didn't show Polyphemus mercy, when Athena said to kill him. Do you really think Poseidon would've been any less angry about a dead descendant than a blinded one? I mean, even in this same tale the gods were known for taking vengeance on those who wronged their descendants, and being dead is definitely worse of a wrong than being blind, at least in my humble opinion.

Then, let's take into consideration who exactly killed him: that'd be Odysseus, King of Ithaca and all of that... and a champion of Athena. Now, this might or might not be common knowledge, but Poseidon and Athena competed extensively for the patronage of the city of Athens, and Poseidon lost, badly; that isn't the kind of slight he'd forget easily. (I mean, an olive tree is a food source, though, so... sorry, but it's definitely more useful than a salty spring from the salty man of the sea. Thanks, but no thanks.)

In EPIC, Odysseus had at least defied Athena, so she'd left him by the time Poseidon could discover what exactly he'd done, and thus wasn't responsible for defending her former champion; however, in a Ruthless hypothetical, he'd done exactly as she'd said, and now she had a predicament on her hands: Abandon the champion who had obeyed her to the letter, or face the wrath of Poseidon herself, too?

In The Odyssey, Athena abandons Odysseus to face the wrath of Poseidon by himself, so as not to incur her uncle's ire as well. So in our hypothetical, she would likely have abandoned Odysseus here too. The only thing that would change would be the guilt.

Why is that?

Well, to put it simply, there isn't a way for Odysseus to not incur Poseidon's wrath here. Polyphemus is Poseidon's son, and Odysseus --in order to save the lives of himself and as many of his men as he can-- will do him harm. Poseidon, as Polyphemus' father --whether a good one or not--, is responsible for avenging a slight against his bloodline. Athena, due to Odysseus' actions, will leave him.

Perhaps --straying from the question of ruthlessness and mercy-- if Odysseus hadn't said his name, if pride or anger or stress or whatever interpretation of it you take hadn't influenced his decision, Poseidon might not have learned who was responsible for the act. But then again, who else was sailing the sea --Poseidon's domain, about which he knew every detail-- in that exact area at that exact time, with a captain clever enough to give his name as Nobody so as to not reveal himself, with a sudden influx of stolen sheep on their ships where Polyphemus the shepherd had lost his?

Really, though, that isn't relevant. The question was if it would make a difference whether he was ruthless or merciful, and honestly... I don't think it would make much of a difference. One way or another, his crew was going to die. One way or another, he was going to wind up alone. Do you think that his crew wouldn't have mutinied after yet another monster their captain had chosen to spare came back with a vengeance? Do you think they would have listened when he warned them about Helios' cows then?

Do you think a merciful Odysseus would've chosen his traitorous crew, his former friends, over the chance to see his wife and son again?

[gingermintpepper]

I think, perhaps one of the funniest things to come from EPIC popularising the Odyssey is that now a ton of people think Poseidon wanted to kill Odysseus.

In the Odyssey, Poseidon has no intention of killing Odysseus. In fact, part of the whole reason Zeus lets Poseidon do whatever he wants even though he thinks Odysseus is rad and should get to kiss his wife is explicitly because Poseidon had no intentions of killing Odysseus. Poseidon wanted to pay back the suffering/inconvenience blinding Polyphemus would have caused. It's a really abstract thing tbh. How do you pay back someone permanently disabling your son? Poseidon's solution was just to amputate Odysseus from his other half; i.e. Penelope. The end game was never murder, it was always an endurance race.

(Od. Book 1: Zeus reassuring Athena that he is not, in fact, a part of Odysseus Hater-Nation. Trans. Robert Fagles)

Also, for those wondering if there's any sort of in text reason for why Poseidon wasn't around in God Games - at the time in the Odyssey when Athena petitions Zeus to let Odysseus leave Calypso's island, Poseidon was -checks notes- on vacation in Ethiopia. Yep. He left to Ethiopia for a festival and thusly was very much absent for Athena's whole "please let Ody go? Please? 🥺" request.

(Od. Book 1: While Odysseus was suffering, Poseidon went to party in the east)

I am begging y'all to read the Odyssey. It's a comedy for everyone except Odysseus and Penelope who are, in fact, suffering 24/7 365.

[lazylittledragon]

what if i broke all the bones in your legs actually

[chiricat]

ryomina demons are winning

[crows-of-buckets]

Rook: I'm really worried about Davrin and Lucanis, they keep arguing with one another... Its very bad Varric, what if it effects them in battle?

Varric, remembering that one time Fenris broke Ander's nose then took a knife in the back for him in the same night: I'm sure they'll be fine kid. They're barely even arguing if you ask me

[buggachat]

To be clear, I goddamn hated the finale on first watch. I was withering in my seat. My heart had dropped to my stomach. I had no fucking idea what I was watching in that final scene lmao

and then Adrien said "when Ladybug gave me the rings—" and I was like— wait. LADYBUG? LADYBUG STILL EXISTS?

I THOUGHT THE ENTIRE TIMELINE HAD BEEN REWRITTEN 😭😭😭😭 I THOUGHT LADYBUG AND CHATN OIR DIDNT UFCKING EXIST uNTIL ADRIEN SAID THAT I WAS SO SO SO SCARED

and then I realized, oh wait. This isn't a complete utopian timeline rewrite. This is just a timeskip of a few months and Mme Bustier is just a kickass mayor. In fact, she's only mayor BECAUSE it's still the same timeline. And then I realized, hey, wait, if they didn't rewrite the timeline, then how tf is Emilie casually there with no questions?

And then I realized she was wearing black. And Félix was there. And I remembered Amelie exists.

Basically, I went into the finale chanting to myself "it's okay, it's okay... they probably wont bring Emilie back... they probably won't rewrite the entire timeline permanently.... right? please....", even though I didn't actually expect it to happen, but just because I was terrified that it could. And apparently that fear actually got to me so much that I misinterpreted the episode as being everything I didn't want it to be... when... it actually wasn't that at all

anyway, all of this is to say, everything in the episode happens so fast that it confused and terrified me at first. And when I realized what had happened, my opinion went from "my year is ruined" to "oh. well. okay. kind of disappointing, I guess". And then I kept thinking about it, and the ending, and all that is set up and rewatching the scenes and all the loose ends still in place and.... i realized I loved it?

like, every time I think about this finale, I love it more. every time i rewatch a scene, I get a little obsessed. this episode went from my nightmare to actually really really cool to me, and I'm still kind of reeling from it

Basically, this is why I've been kind of passionately defending the finale— not because I think people who don't like it are """dumb""" or anything, I don't blame people at all for that, and I totally get the confusion. I was confused too. And I know I'm not the only one who went in preparing themselves for the worst, or went in with very specific expectation on what will happen, because this finale has been long awaited for so long. I think everyone was shocked with how it ended. I think most people probably startled at Amelie's face (it's so easy to forget she exists....)

Anyways, I started this post basically as an apology for if I seem too aggressive or defensive about the finale. Because I get it! I get hating it! I get being disappointed or frustrated or confused! Part of why I'm so defensive is because I have all the arguments so ready on the tip of my tongue because I had the very same argument with myself already 😭 So I'm sorry if any of my posts came off as too aggressive and in advance for any future posts that might. I promise promise promise I'm not trying to make anyone feel bad for having bad opinions on the finale! I just think this episode is really cool and the fact I related to a lot of the nay-sayers makes it easy to feel so impassioned about it.

But this post is getting off the rails and I'm just gonna let it, because some of my regrets w my participation in fandom is that I find myself chickening out of actually talking about my thoughts on episodes a lot. I get kind of overwhelmed and overthink everything after I've posted it and I'm a shy person. But my inbox is closed and this is the season 5 finale and I want to ramble and ramble so I will allow myself this

Basically, I went in with some very specific expectations for this episode. We all know about the Hawkmoth defeat story. Many of us have read it in fics over and over again, it was teased in Chat Blanc, we all know what we expect, we all know our favorite beats from it.

And what actually happened....... met virtually none of those beats. (For me, at least).

Like, Adrien wasn't there for the final episode. At all. He was completely absent from the confrontation. He never found out his father was Hawkmoth. He got his rings, but he never found out he was a sentimonster. He is living in the dark.

Ladybug confronted Monarch... alone. Which is sad, when so much of the series is dedicated to the partnership of her and Chat Noir. Them against the world....... and Monarch was "defeated" with nary a Chat Noir in sight.

The whole entire "Gabriel is known as a hero" thing. I don't think anybody was expecting that. Absolutely shocking.

The fact Marinette would lie to Adrien like that. The fact she's keeping so much from him. The fact everyone is. SO MANY people in Adrien's life (Marinette, Plagg, Nathalie, Felix, Amelie, Kagami, probably Alya, maybe more I'm not thinking of....) are just... lying to him, now. He is so in the dark. He knows nothing.

But.........

I kind of like that I didn't predict nearly any of this. I like that it caught me off guard. I love how this show just completely baffles me at every turn, how it will present concepts and ideas to me that I've never read a fic about.

In retrospect, Chat Noir being absent from the final battle... makes sense. It actually makes a lot of sense, if I think about it, because... there is only one possible way that could've gone, right? Chat Noir would not be allowed to have the emotional implosion that he would have to have. This is devastating. This is SO devastating. This is the entire shattering of Adrien's entire world we're talking about, and Chat Blanc is the only real way for that to end. Adrien has an emotional implosion in front of Monarch, he gets akumatized, it turns into an emotion explosion, extinction event. The end. We've already seen it.

And........ even if it didn't end that way, even if he managed to avoid akumatization...... how could the finale satisfyingly end on that note? How could it end in any semblance of a "wrapped up" way, at the very start of Adrien's emotional breakdown? It couldn't. I wouldn't WANT it to. In retrospect, Adrien finding out his dad is Monarch and then.... what? The season ends on a close-up of him crying? The season ends with a time-skip to the new school year where they skipped his entire grieving period!? I would HATE that, actually. I would hate that. I thought I wanted it, but I would hate it. I would hate it so so so much.

What's kind of amazing is that the finale ended with Monarch being defeated.... but Adrien still has those realizations to make. He still has those betrayals to come to terms with. There is time for him to make these realizations, for him to come to these conclusions, perhaps one at a time, perhaps in a more controlled environment.... and that gets me far, far more excited for the seasons to come than an episode that tried to wrap it all up in the last 5 minutes.

Also, the reason Adrien didn't go to the final battle was because he feared becoming Chat Blanc. He didn't know the truth to it, didn't understand that literally, yes, that's what would have happened if he was there, even if he hadn't been under a nightmare curse. But he still knew. He still expected it. He willingly chose to sit it out, no matter how much he hated it, because he knew. And there's something kind of powerful to that, I think, of Adrien making a choice that is so unequivocally the Correct choice, even more than he realized. And the strength it took for him to make that decision...... damn.

As for the lies and the Gabriel statue? I... it's upsetting, but it's supposed to be. And I believe it. I absolutely believe it. I 10000% believe Marinette would keep the secret of Monarch's identity to herself to try to save Adrien the pain. I 10000% believe that the population could easily be led to believe a famous billionaire is a hero. I 10000% believe that Adrien would WANT to believe it. I 10000% believe Tomoe would take advantage of it.

And I can't wait to see that illusion crumble.

Also.... this is the beginning of The Lila arc.

And the Lila arc begins on........ Marinette telling the biggest, boldest face lie she ever told. The Lila arc begins on the most extreme city-wide illusion we've ever seen. It begins on such a huge fabrication and....

..... it's Marinette's lie.

............ and Lila knows that it's a lie.

I'm

!!?!?!?!

This is so fucking cool???? The irony here??? the deceit???? All these loose ends, all the possible confrontations, all the ways this could GO. I don't know where the show is taking this, obviously, because nobody ever can predict where this show is going apparently (and I love it for that), but oh my god. I'm imagining all the fics I could read about this. all the fics I could write. all the thoughts and scenarios that this finale has provided me with to daydream about as I go to sleep.

Adrien, going through the motions of life. Looking up to his father as a hero, despite the fact the last time he saw him, Adrien was sobbing, in tears, and cursing his name. Adrien, after all the abuse he was subject to, having to look up at a statue of his father and...... be forced to think that maybe he was wrong about his father. But he's not wrong. He WASN'T wrong. He just THINKS that he is. His father is going to continue to loom over his life in ways I never expected post-hawkmoth. Adrien's relationship with Gabriel has not ended, a new and terrifying and horrible new chapter of it has simply begun, and Adrien is still as manipulated by his father's ghost as he was by his father himself.

THAT'S. WILD!!!

also, Adrien now believes that MONARCH MURDERED HIS FATHER. Chat Noir now believes that his greatest nemesis KILLED HIS FATHER. CHAT NOIR, resident self-sacrificer, believes that HIS FATHER was a HERO who DIED FIGHTING MONARCH. Adrien thinks that maybe he should be more like his father— more like his father who died in battle. This is. Not Good. For Adrien.

And it's Marinette that started this. Well intentioned Marinette, who doesn't really understand the extent of the horrors. Marinette, Adrien's girlfriend, the person he trusts most. She did this.

And, I mean.... god. I totally get how this sucks for a lot of people, because it's objectively upsetting.... but I LOVE lovesquare tension. Season 4 is probably my favorite season for that reason alone (still mulling over if season 5 beat it for me). I love the relationship drama, I love that it's in character drama, I love how it fits everything we know about them sososo well, I love that it's horrible and it's terrible and it's awful and it's all because Marinette loved Adrien too much to want to hurt him.

I was worried no reveal would mean that season 6 would just be... what? adrienette fluff? not that I don't love that, but where's the drama? well. there it is. that's the drama.

I need to stop typing this. I know this is abysmally long and ranty and if you read all of this then I'm sorry. But I wanted to get some of my thoughts out.

But basically, I was expecting a lot of things for the finale.

In my best case scenario, it would somehow, miraculously tie up and address all the loose ends with Adrien's angst and character arc in two episodes.... and then end with me totally satisfied, ready to only half-heartedly watch season 6 like it was just a small dessert after the main course.

And I already described my worst case scenario (my first impression of the episode lmao)

But it wasn't that. I was expecting a series finale, but I got a season finale. And I love season finales. I love how they keep me wanting more. I love how excited I am for season 6, because in both my best and worst case scenarios, I honestly didn't expect to be. I love all the new ideas and thoughts and scenarios swirling around in my brain. And even if season 6 doesn't address some of the things I want addressed, I'm so excited to see the creative content in this fandom that DOES

[anghraine]

It's wild to me that I had heard of the prime Kirk/Spock content in various TOS episodes long before I saw them, but had never heard of what IMO is the shippiest moment of all thus far, in an interestingly O_o goddamn I do not want whatever you two have but you do you?? holy shit though what a moment way.

I'm of course referring to the otherwise rather mid episode "Requiem for Methuselah," in which Kirk has an underwritten love affair with a clueless woman whose various secrets have to be discovered before her inevitable death.

At one point in this relationship, her.......uh, guardian??? sort of???????? had Spock play the piano while she and Kirk waltzed, which (in-story) Spock did perfectly while somehow managing to silently exude even more intensity than usual. After the plot (and her life) were over, we end not with the usual cheerful bit of snark on the bridge that ends most episodes, but with a weary Kirk falling asleep with his head on his arms and Spock hovering not for away. McCoy exposits the last bit of detail and then goes on an unprompted and honestly pretty viciously racist speech about how Spock, unlike Kirk, will never suffer from the joys and travails of love because of his inherent lack of feeling as a Vulcan. The speech is longer than usual and just really mean-spirited as McCoy waxes rhapsodic about all the aspects of passionate true love that Spock will not and cannot experience as a Vulcan before he just leaves.

Spock then turns to look at Kirk, and now just bleeding intensity, takes a few slow, deliberate steps towards the sleeping Kirk, lays his hand against Kirk's cheek and neck, and then very obviously mind melds with the sleeping Kirk while murmuring, "Forget."

Is this healthy respectful behavior that honors Kirk's autonomy? No, obviously. Is it god-tier repressed homoerotic passion between two people who should probably just work their issues out and stop inflicting themselves on anyone else? Yes.

[littleprincerianne]

"electric car or car that runs on gasoline?" no boo, these:

[kwillow]

will theo ever be happy

Maybe in another life.

[peridots-pixiwolf]

[Start ID. A redraw of the official icons of the ten named slugcats from Rain World, arranged in two rows: Survivor, Monk, Hunter, Nightcat, and Gourmand in the first, Artificer, Rivulet, Spearmaster, Saint and Enot/Inv in the second. Each is drawn in roughly the same pose as in the original art and fitted with speculative interpretations of their biology, and the second image is a “dead” version of this. For example, all ten have slug-like rhinophores in place of ears, cuttlefish-like colorful eyes with strangely-shaped pupils, cephalopod-like beak "teeth", expressive barbels or oral tentacles at the corners of mouths, spiny radulas, and the frilly mantle fringes of sea slugs, though otherwise their faces are squishy, simple and mammalian-shaped.

Cream-colored Survivor and yellow Monk both share triangular, bicolored spots matching their eyes (which are tan and brown, and two shades of blue, respectively), small, bumpy fringes, and relatively neutral looks on their faces. Defensive-looking Hunter is mostly a dull orange-pink, though their blobby fringe is a more violent red and their back is purple and marred with lumps. Nightcat is navy blue and flecked with dots of yellow and teal, their rolled rhinophores are a lighter blue, and their shading fractures into stars in some places. Gourmand is almost uniformly tan, their wide, very ruffly white mantle fringe bordered by a spray of white spots, and their beak sticks out from either corner of their smile. Primarily red Artificer, snarling, has yellow markings of multiple sorts, a prominent yellow dewlap and their characteristic dark scar taking out a chunk of its face. Rivulet is a darker blue than usual, with long barbels, red gills and rings, countershading, and a cheerful expression, sticking out their radula. Spearmaster is purple with orange accents, eyes and spots, a large fringe and spines down their back. Saint’s green caryophyllidia are marked by small, yellow diamonds, and their long, thin radula extends far below them. Enot is decorated with mottled red stripes, blue patches, yellow stars, and an uneven and almost cartoonish imitation of blush, though generally the same deep blue as Nightcat, a passive or almost slightly smug look on their face and their rolled rhinophores out to either side.

In the second image, nine of the slugcats’ eyes are crossed out, indicating that these are death icons. They look fairly the same, with mostly expression differences. Survivor is caught in the beginning of a threat display, a karma flower sprouts from Monk’s side, Hunter is burdened with overgrowing, purple and blue rot, Nightcat’s rhinophores are pinned back, and Gourmand looks mildly disheartened. For the final row, Artificer bites its radula between small plumes of smoke, Rivulet drops their expression, Spearmaster looks very startled, Saint looks almost entirely the same besides half-open eyes and their markings greater in number, and Enot grins confusedly. End ID]

If you'll excuse the unusually lengthy ID: the arena meme introduced by @pansear-doodles at long last after a nearly year-long wip status (or, rather, finished a month ago today to honor my own first time playing it!)

Design notes and shout-outs under cut! :]

The following people are some of those who’ve inspired my designs most since I started this eight months ago (or just inspired me to get a little weirder with slugcat biology), among many others for sure, and I thank them for it–but this is simply to bring attention to artists I find cool, and in no way an obligation to interact or anything :]

> @saturncoyote , @carpsoup , @charseraph , @gallusgalluss , @bitsbug , @dopscratch , and @0hmanit (and a special mention to dddeerbo and hunterlonglegs, who’ve since deactivated)!

Survivor: Surprisingly the hardest to pin down the colors for, since nothing with its sibling's palette seemed to match up right (I did have to add in a little blue somewhere for Monk, the beginning of making it clear how much I’m simply going based off of vibes for the colors of scug innards). I consider them, Monk and Gourmand to be part of the same gene pool of slugcats, and even possibly the same colony even if the latter isn't really related, so took a bit of Gourmand's coloring and fit them in with their inspiration: Goniobranchus verrieri. They serve as a bit of an introduction to my ideas of scug traits (i find it really fun how many people have thought to add so many silly sluglike fixtures of biology completely independent of me, buuut here I’m mostly talking about species variation), and like in-game they’re pretty average! They, Monk and Hunter have a couple scars sourced from a piece of Joar's concept art that I'm failing to find, those across the bridge of the nose, under the eyes, and across the rhinophores, respectively, and my Survivor interpretation features many on the back of the neck, as a result of survived lizard bites.

Monk: Their coloring is primarily based off the fact that I associate them with blue fruits, honestly, a bit because I was compelled to establish a familiarity with Rivulet, and lastly inspired by the spots of Goniobranchus kuniei (and geminus, less important to me as one of my characters is a kuniei instead, but more fitting). Between the yellow + blue and the circular marking in the center of their face, they’re meant to bear a little resemblance to an iterator that shares similarities with the characterization I’ve given them, and similar coding of her sibling can be seen on Survivor’s markings around the eyes. As both a “default” slugcat and one whose campaign I haven’t played, though, I can’t say I have much more to point out about em.

Hunter: The whole rot thing made for a really fun time drawing them, and while the color change on their back is a result of this, it’s also an excuse to relate them to Babakina festiva, arguably my favorite sea slug (mostly for sentimental purposes). And to Spearmaster, a fellow messenger slugcat, and it serves as a gradient between Hunter’s pink and the “traditional” color of Rot seen in the DLLs. Aside from their affliction, they’d actually be the plainest in terms of design, as they don’t have any patterns or quirks of body type, just the red + purple and strange lumps + possible malnutrition. I can’t remember if NSH had created them in particular or just...caught + released or something, but it probably wouldn’t be strange for a lab-grown slugcat to be simple like that.

Gourmand: Like the two above, they’re rather plain in terms of coloring and adaptation, and like the two above, I find that fun. I decided it would be nice to avert the “all slugcats being of the same body type, and Gourmand’s out of place as the exception” thing by just...adding more fat to all of them, really. I did want to emphasize their sheer bulk even so, both fat and muscular (not like I couldn’t have still gone further with it, of course, but slugcat anatomy can be a little obfuscating sometimes, and they were intended to look rather plush considering personal size headcanons and therefore the lack of proper gravity), and the thick and flounced mantle looked like a good addition, as per their sea slug Glossodoris hikuerensis. Unlike Survivor and Monk, I didn’t attempt to hold their resemblance to any particular other character (which means a little less to balance out the “default gene pool” thing), so those are all the design notes I have for em.

Artificer: The second slugcat I’ve ever played, or finished the campaign of, my favorite for at least a long time, and the first thing I did was give them yellow accents, the shape of which have troubled me slightly (not quite like the spots or stripes of the others). They’re both a little more appealing and more explosive-looking to me, and considering how early on I played Arti, actually present in some of my older art. It does give them a little resemblance to Saint (completely intentional, two slugcats with strange relations to karma), as well as the fact that its radula is green for familiarity with one of its children (at some point it was going to have all-green markings, even!). I’m generous with their scars, partly because it was fun to overemphasize the one on their face and partly because it does seem like a reckless slugcat, on top of the dangers of its explosive abilities–I’ll probably just keep adding more forever. Mostly-red sea slugs aren’t too common, but Hexabranchus sanguineus works for sure. The ridged, yellow dewlap can expand for combustion purposes, or something along those lines. Arti’s where I began experimenting with a lot of the mildly-offkilter features seen in my interpretation of slugcats, as they’ve once again been a favorite from the start.

Rivulet: I've obviously given other slugcats spots, deeply enjoy the bubbly-soda markings of other peoples' slugcats, and thought seal riv would be cute. Despite not too closely resembling it, they've been government-assigned Hypselodoris bennetti, for color reasons and for a couple sentimental ones. Originally, the colors of every scug were meant to match up with the custom colors I gave them at the beginning of their campaigns, (though Arti, Gourm and Spearmy are the only three who actually apply here, since I've only played through half the slugcats: I gave arti the yellow as mentioned above, gourm brown eyes and spearmy light pink spears, furthered by the outskirts pearl accompanying me and that palette all the way to moon. Tolerance training for eternity in hell cause I already knew about the maroon pearl quest). I initially gave them the colors of the bi flag for fun... but with the limited palette of this image, I was left without pink for a while and decided to see how they'd look in red. I then realized how they now wonderfully matched Moon, and besides, red's a sort of camouflage in deep water! As a side-note, the difference between their eyes and those of others always bothered me a little for anatomical purposes, and the cephalopod eyes were probably influenced by this!

Spearmaster: Inspired as much as possible by @notyourfunnyman ’s wonderful spearmy: designed in a way that helps it fit in with scavengers, at least between the long sensory tentacles, big ruff, back spines and slightly thin/distended anatomy, a form of defensive mimicry. I always had annulate rhinophores in mind, for a little diversity sure, but mostly because the shape reminds me of radio antennae and communication towers (seems fitting for the comms array and being a messenger slugcat)! I started searching for a real-life slug to give them just by looking up their rhinophore shape...and was met immediately and coincidentally with annulate-topped nudibranchs that fit them more perfectly than I could've imagined: Flabellina and surrounding clades, I think Paraflabellina ischitana works very nicely. The orange was completely unplanned, but there wasn’t a place for light pink among the other slugcats’ palettes, and importantly it likens them to both Hunter and Seven Red Suns a little more.

Saint: I am very much a non-furred slugcat enjoyer, with respect to those who aren’t, so figuring out the only visibly furred slugcat was an interesting challenge. I’ve decided that they likely have other, milder adaptations for help in the cold, mainly just more efficient fat storage, and what looks vaguely like fur is instead a bunch of tubercles (called caryophillia, for the second reminder out of three). Their inspiration doesn’t have these, however, Miamira sinuata’s numerous yellow and blue spots (not to mention...whatever’s going on with that shape) and general effect of being the only really green nudibranch I could find were probably perfect for a strange green echo. Not pictured, but their beak-teeth are tiny and flat to make a surface for grinding soft food against with the lack of a functioning radula, which is tipped with a specialized spiny “grapple-hook” for better traction/grip (not to mention the numerous little teeth running down the whole thing).

(Best part of hiding this under a readmore means edits will be seen by all reblogs, I'm mostly sure, because I completely forgot to mention! The spots on their forehead are simple eyes. Their camera eyes appear closed in-game, I like to believe their complex eyesight is rather poor anyways or otherwise reason that they aren't seeing out of those, and while this was far from her REASON for attunement with the world, it does help compensate for mainly viewing it through a canvas of simple light and dark. This, and the fact that their swapped-out "fur" is not only to commit to a lack of hairs but contributes to sensory input!)

Nightcat/Enot: I guess you could say I found the “these two are technically the same person” compelling. (E.g. similar colors, both very strange and enigmatic, and Enot/Inv/Sofanthiel’s remark during the dating sim about getting removed from Arena Mode.) I doubt they’re the only two slugcats in their body, considering humans with DID tend to have more than a few (and I find it very funny that a slugcat bearing resemblance to Nightcat appears in Gourmand’s ending. They’re allowed in the colony and Enot isn’t </3), and I have to credit @faelingdraws ’s art for being what convinced me on it! Their design inspirations come down to trying to balance a few different ideas: making the patterns and palettes of both look oddly similar (special mention to the stars, since those are fun to draw), basing them off of Felimare sechurana and juliae respectively, using blocks of color with the same placement as in Enot’s official art, and specifically making Enot look...biologically reasonable and imperfect, whilst also clearly trying to imitate human displays of emotion (what with...the eyes and blush on that one piece of official art).

Lastly, here’s just a lineup with notes on body shape and size. Most of the nicknames (existing to give a little more space, that’s all) are obvious, and while I can’t remember why I shortened Nightcat to Nox, it is in honor of my friend by the same nickname :]

[diabolicalworldwriter]

there's something sadly funny about the way that Kaladin goes into literally every situation thinking "Too bad I'm not cool anymore 😔"

I mean. I get it. Depression fucks your brain up and you feel detached from yourself and any skills you have or had. The PTSD and chronic fatigue are keeping him from doing things he once managed with far less effort. And it's rather impossible to feel like you can just... do things like you used to when you're struggling at a basic level to simply be.

Still, literally everyone who knows him is like "Kaladin you're so storming cool" and he goes "They're referring to the person I was, who is dead. I'll never be cool again. I'm sorry."

The most hilarious thing? He walks into these moments, thinking 'too bad', and then he does the most objectively amazing thing possible while everyone else just watches in awe.

Kaladin, three seconds after absolutely changing everyone's outlook on life: Aw, it's too bad the person I just was died again. Guess I have to find something else to be cuz I sure can't pull that off anymore.

[somegrumpynerd]

HEY. POINTS FINGER… any thoughts on how everyone reacted when the other joined the team? as in how did killer react when dust came, how did he and dust react when horror came, how did they all react when cross came, etc. i love love LOVE your bad sanses thoughts way too much they make me so happy. if i write hurt you write comfort and it’s awesome. also how do you think they slowly started to get closer? just.. bah give me your thoughts on them!!!! any thoughts!!!!!!!!!

You fool!! You’ve given me a chance to ramble about my special little guys and now this post will stretch on forever!! Mwahahahahah >:3c

No but seriously this is probably gonna be wicked long cause I have 1 million thoughts about these guys joining and meeting each other so uh, readmore for everybody’s safety and sanity

(^ I wrote that in the document before I started typing out my actual thoughts and uh

yeah no kidding, this is like a fucking essay so proceed with caution)

OKAY SO

I’ve said before that Nightmare got Dust for two reasons; one being that Dream had just recently started working with Ink (and soon Blue) so he and Killer were no longer able to gang up on Dream. He wanted somebody else to bulk up their numbers and give Killer a little back up. He also was starting to realise that Killer didn’t handle being alone very well, since this was when he most often got worked up and broke things around the castle (and sometimes tipped over into stage 3). Dust would be a perfect fit since he had the same amount of lvl and fighting experience as Killer, and since they were so close in circumstance they would be practically like brothers right?

The irony that he thought this about a guy he was recruiting to help kill his brother was apparently lost on him.

They absolutely hated each other. Like, it was instant. Killer saw him as a replacement, why would boss go out and get another sans - one with almost the same backstory as me - when I’m right here? Does he think I’m not good enough? Am I disposable and this is the backup for when I die in combat? He didn’t take it well. He took it all out on Dust too, not cooperating in battle, trying to start fights in the castle, etc. He couldn’t outright kill him because Nightmare had given him strict orders not to, but Killer loves a loophole. If he roughed Dust up down to 1hp and something else happened to finish him off, technically he’d followed orders.

Dust just straight up didn’t want to be there. Nightmare just showing up and yoinking him had worked fine with Killer, but Dust had wanted to sit in his empty au and die, he had no intention of joining a team or doing work of any kind - good or bad. The only reason he didn’t just lie down and refuse the entire time was that he had to fight back against Killer, as much as he wanted to die he refused to give this ass the satisfaction or lvl. He didn’t intend to be any help out in the field either, but again, Killer was making sure he got fired at so he had to retaliate to stay alive.

Eventually it got bad enough that Nightmare had to pull Killer aside and demand answers. In the year or so of knowing him Killer had never willfully disobeyed orders before, so Nightmare needed to know what had gotten into him. He dispelled the replacement rumour right away, he still wasn’t quite softened up enough to be sappy about it but he made sure Killer understood what a good worker he was and that Nightmare had no intention of losing him. It didn’t help a lot, they still hated each other for other reasons, but it eased a little.

Killer still had pretty frequent dips into stage 3, except now he would go straight for Dust usually. Nightmare had tried to explain what he’d learned about it to Dust, but he didn’t really believe that it wasn’t just Killer deciding to try and kill him for funsies. He only accepted it after a particular episode where he attacked Nightmare instead, which Dust knew Killer wouldn’t try in his right mind.

After he came back to his senses he sought Dust out. The air around Killer was very different after a stage 3, sort of sombre and almost calm, so Dust let them sit together and Killer apologised for giving him such a hard time. They actually talked for the first time in months while Killer was still calm (or tolerable, as Dust describes it), and it didn’t magically fix everything but, things were a little better. They still fought and argued and bothered each other but it wasn’t as sharp, there was a lack of real murderous intent in it all, and sometimes after an episode they would talk a little bit. It was the best Nightmare was going to get for now, so he took it.

They were still completely incompetent about taking care of themselves though. Neither of them would eat unless prompted and Nightmare didn’t have good enough knowledge of mortals to know when that should be to stop them passing out from hunger on the job. Not to mention the stars were now a full team, and with the way Killer and Dust would sometimes rather target each other on the field he could do with more backup.

Horror was the first of the group to get a choice in joining. Nightmare had taken note of how much Dust didn’t want to be part of things, and while it was in his best interests in the long run given his situation, Horror’s au was still mostly intact - though a little in disrepair. Horror was also the first in the group to have a good (and ongoing) relationship with his brother, so Nightmare knew he couldn’t just pop in and steal him, he had to be a bit more diplomatic with this one and offer a deal.

He gave Horror some time to think on his proposal - he would set up regular deliveries of food to Horror’s au in exchange for him joining their team - and was quite surprised when Horror agreed, with some stipulations. Horror was equally surprised when Nightmare agreed so easily to his terms (that he didn’t want his brother to know what he’d be doing, and that he wouldn’t kill). A little down the line the terms were altered to add that he would also be left to visit his au every week or so.

Horror was not impressed meeting the other two. He didn’t need his power as judge anymore to sense the lvl coming off them both, and given who they were working for he was instantly distrustful of them both (the uh, brother situation did not help). He was also in a place that had an abundance of food for the first time in probably years, so he was doing a lot of going hog wild in the kitchen and then getting very sick as a result.

Dust didn’t particularly feel anything for him. This guy hated him, sure, but it wasn’t forward and slashy like with Killer, it was just quiet loathing which was fine. That’s how Dust felt about himself so, y’know, mood. He did kind of feel sorry for him though, not just because of the whole famine and everything, but also because he was watching this guy eat like his life depended on it and then get sick and undo it day after day. He was the one who suggested Horror getting his food in moderation to Nightmare, which did help but was an absolute ordeal to enforce. Y’know how some people get hangry? Imagine that but you haven’t had a proper meal in years and now these people give you tiny amounts of food and don’t let you eat more for hours. The hunger mood swings were a sight to behold, you would never have guessed in those days that Horror specified not wanting to kill.

When his ability to eat had evened out and he was in better shape, Horror made a point of apologising to Dust for being aggressive with him. Over time he’d kind of softened up on him from his initial impression, since he could see plainly how wracked with guilt Dust was over his situation. It was a little easier to imagine that whatever he’d done was truly out of desperation and not just for fun, as Horror had assumed at first sight. 

They also both retained that classic sans laziness, so it was easy for them to share a space while saying and doing nothing. It made Horror the first person that Dust willingly spent time around in the castle (and vice versa since Horror was still largely suspicious of Nightmare and Killer - the deal seemed too good to be true and the stage 3 episodes didn’t help). As time went on, Horror kind of became Dust’s emotional support skeleton in a way. Dust had become quite averse to touch in his solitude and Horror very slowly brought him back out with casual gentle touches, until not only did he no longer freeze or stiffen at being grabbed but Dust would seek him out to flop next to on the couch. Horror claimed it was just returning the favour for helping with his eating situation, but really it was nice to have something resembling a friend here.

Killer, for his part, was going through This is My Replacement 2: Electric Boogaloo. Not to the same degree as with Dust, since Horror was quite a bit different, but Killer was still wary of this new addition. He didn’t really instigate anything though since, to be honest, Horror had the intimidation factor. He was like a foot taller than both of them, he had a cracked skull and completely different magic and it seemed like every time Killer saw him he was eating bread like a wolf eats a deer. So while he was going through his food moderating, Killer mostly just stayed quiet and kept his distance.

Horror had not softened on him like he had with Dust, since Killer didn’t openly show remorse. He still watched him with distrust, especially after seeing the way he scrapped with Dust for seemingly no reason other than for violence’s sake. Killer was still mostly targeting Dust in his stage 3s, but Horror had to be careful to stay out of his way since he was still working with much lower hp than the other two. What did start to convince him was seeing how similar Killer and Dust were after a stage 3 episode. Once Killer was slightly more composed (ie stopped crying), he became so tired and quiet and blunt about things he normally joked his way around. It was a little startling, but also started to bring Horror around to the idea that Killer might regret his actions too, just buried under several layers of whatever the hell is also wrong with him at any given time.

Killer and Horror only really started interacting after talking about Dust. Killer was asking how he got Dust to like him since he seems to hate everyone and everything else, Horror told him very pointedly it was because he wasn’t trying to kill Dust. Killer admitted he wasn’t trying to kill Dust, at least not anymore, he just wanted to fight for fun. It opened up a better channel of understanding, knowing that Killer did not actually have murderous intent behind his swings (stage 3 notwithstanding). It made it easier for Horror to occasionally get involved in the roughhousing which Killer delighted in, knowing that the other two knew how to hold back enough to keep him from dusting.

Speaking of stage 3, it was around this time that Killer and Dust made a very important deal. After a particularly rough episode with a little too close of a call, Killer showed up in Dust’s room and begged him shakily to make a promise - that if he ever got too out of control during one of his stages, Dust would kill him. He’d been told over and over by Nightmare that it was impossible for Killer to hurt him since he was immortal, but now there were more people around him where that wasn’t the case, and he wouldn’t be able to live with himself if he came out of a stage and found himself alone. Dust promised.

It’s also worth mentioning that, once they were all close enough to be on speaking terms, Horror started bullying the shit out of these two about eating. Now that Horror knew neither of them were going to kill him, he felt safe enough to pick them up by the scruff and set them at the table to say they weren’t leaving until they had at least a snack. He let them pick what they would eat - he wasn’t that cruel about it - but he had to see them eat at least 3 times a day or they would hear about it.

It was by no means perfect or regular, but after about half a year Nightmare finally had henchmen who ate food and worked together (mostly).

Now here’s the problem… I still haven’t really figured out how or why Cross joined the team. Like, obviously there’s some kind of point in the events of underverse where it splits off into an alternate timeline, but I haven’t really figured out where yet so. Leave that one with me just a little longer. Cross joins.

Nightmare really truly didn’t intend to take anyone else in. They were (mostly) getting along, they were pretty well matched to fight the stars, he had no need of more mortals.

…but he was also pretty soft at this point. Every one of them had taken a blow to his I’m immortal I’m an island I don’t get attached to others persona and he’d gotten pretty damn fond of them all. This was why when he felt the sheer weight of loneliness radiating off of Cross, he just couldn’t bring himself to leave him.

So Cross entered the castle. 

He did not particularly intend to stay or make friends, he was trying to get his world back and nothing more. He even revealed a little down the line that he outright refused to kill, and was quite surprised to find that Nightmare was fine with that. At the start he was polite but not friendly with the others and mostly kept to himself.

Dust, as is often the case, did not really have an opinion. Another new guy, this one was self sufficient and didn’t bother him so he had no reason to get involved. He was content to be in the same room as Cross but didn’t start up any conversations.

Horror felt the need to speak to Cross, since Dust would happily stay silent for years and Killer was, well, Killer. Horror was somehow the closest thing to normal they had, so he was the one that made small talk. Mostly asking what Cross would like for meals and encouraging him to pick something he liked when he got the answer of “anything is fine”. As Cross settled in a bit more and actually opened up, they bonded over being the only two to enjoy food. Horror made a point of adding chocolate to the stock they kept in the kitchen and making tacos here and there for Cross.

Horror was also the first Cross kind of warmed to, mostly because he was the one devoid of lvl and Nightmare had mentioned he’d also said he wouldn’t kill. Learning a little about his au’s situation only softened Cross to him more, especially seeing that he still cared a lot for his brother and was trying to protect his home (even if Cross found it unthinkable that he lived away from it). It was through Horror that he also got accustomed to Dust, how being quiet and distant was kind of his default and that he also felt deeply haunted by the loss of his world. They weren’t exactly friends, but it was comfortable enough.

So now boss had taken in another new person, someone who takes orders like a soldier and fights with knives and ruthless precision and aims to be his righthand man, and Killer was ecstatic. By now he’d mostly put his fears of being disposable behind him, Nightmare had gotten a bit less subtle in showing how important they all were to him and Killer felt confident he wouldn’t be replaced. Which was a little bit funny, because the only guy he didn’t feel threatened by was the one who absolutely competed for his spot.

Cross needed to prove he was useful, he had to feel like he earned his keep and that all the training and suffering he’d done was for a reason. When Nightmare sent them on missions, Cross aimed to be the fastest and the most efficient and to report to Nightmare without question. Horror and Dust looking on would have expected Killer to see this 100% as a threat to his position as (self proclaimed) Nightmare’s second in command, and to go for this guy’s throat when nobody else was around.

But Killer was fascinated. Cross was completely different from any of them, bar Nightmare whose au is a whole different kettle of fish, so he had a certain element of unpredictability to him. Horror and Dust were both based on classic sans just like him, so to a certain degree he knew how they would feel about most things and what they might say, the only differences being in what they had experienced through their own timelines. Cross was based on a swap sans and his au had taken wild twists and turns away from usual events, so Killer had to learn everything about him by poking and prodding for answers or observing from a distance, much like back when it was just him and Nightmare. Cross was something new to be studied and Killer loved taking notes.

Cross did not see this as friendly. He was competing with Killer for approval, not realising Killer was playing their contest like a game. When he saw Cross training he would jump in to spar for fun, but Cross saw his rival trying to get a jump on him and take him out of the running. When Killer would hang around and pester Cross in their off time with questions, it didn’t seem like someone taking interest, it seemed like someone being nosy and looking for weaknesses to exploit. When Horror mentioned that Killer was being surprisingly contained and friendly, Cross really thought he was fucking with him.

The first time Cross was willing to even consider this was the case was when his locket came loose on the field and Killer ran back to find it, since one of the notes he’d taken was how the locket wasn’t something Cross would play about (the same as Horror with food). It didn’t make sense for someone who was seriously competing to have him kicked out to just hand his necklace back, no ransoms or attempts to crush it to upset him, just some vague remark about “owing him one” and then right back to Nightmare for orders.

Cross had to give him something of a chance after that, Horror helped a lot by telling him “he doesn’t want to hurt you, he just doesn’t know how to be normal”. It was mostly a playful jab at Killer, but reframing their interactions changed it significantly for Cross. Now they were sparring playfully and having friendly competition on jobs. He wasn’t as put off when Killer went into stage 3 because he knew he could match him in combat and the others were always on hand to help restrain or distract him. Cross also took note of how Killer calmed down a lot for physical touch, not unlike how Dust had warmed up to Horror. It went a long way into not only making him a little less combative for attention every day, but it seemed to put longer stretches between his episodes (which Cross had also started tracking so they wouldn’t be caught out by them as much).

For his part, Killer has disobeyed instructions in the past to benefit Cross, usually ignoring the task to help him if he’s hurt. He’s also given Nightmare nudges towards praising him because he’s noted that that’s what Cross needs in the same way he needs touch (not that Nightmare doesn’t praise them normally, but when Cross is going through it and needs something). He also doesn’t particularly like chocolate but has made a point of not admitting this to Horror so he can give his chocolate to Cross.

(It’s also worth noting that Cross is the only one, besides Nightmare, that has been to Horror’s au. He offered to help out during the food delivery and got to meet Horror’s Papyrus (who he is a little intimidated by but ultimately friendly with, even though it’s a little weird since he’s a good bit different from his own Papyrus). Dust and Killer can’t really visit for a few reasons, mostly because everyone will notice their lvl immediately and know what they’ve done. Dust especially doesn’t know how he would react to having a Papyrus in front of him again and doesn’t want to put Horror's family at risk to find out. Whenever he visits, his Papyrus asks about Cross now and sometimes tries to make tacos for him (key word tries, he’s still a Papyrus after all). He may have joked that seeing Cross sometimes is “like having another brother but younger and less lazy” and when Horror told him this Cross may or may not have cried.)

And that’s where we are now!

They’re a very strange group who’ve been through some inexplicable events and have all changed each other in one way or another. And whether or not it can be admitted, they are a family c:

Now onto how Nightmare was made emotionally open by each of them!! In this essay I will no just kidding could you imagine this is already like 7 pages long

If you got to the end of this post please drink some water and get yourself a snack

[hailsatanacab]

Your Favourite Author's Favourite Fic

in no way is this me sneakily trying to get fic recs out of people, but here's my new tag game!

Rules! When tagged, reblog with the fic you've written that you love the most

Not the fic with the most kudos, or the most comments, or the most hits, but the fic that you're the most proud of. I'm talking about the story that kept you up at night, the one that you still think about, the one that you wish more people would read

So, it's time to show off! I strongly encourage - in fact, I demand - that you give yourself some compliments, a well-deserved pat on the back, and tell us all the reasons why it's your favourite!

Then tag five people and make them go through it, too 🥰🩷

I'll tag @wolfjackle, @tourettesdog, @gilbirda, @die-erlkonigin6083, and @thewritingowl to get us started, please and thank you!!

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[otrtbs]

Hi I hope you're doing well 🌷

I had a question. I'm totally asking out of pure curiosity, it's not a criticism or anything of the sort.

In ahb (this masterpiece of yours) Sirius's favorite painting is Degas' Dancers.

I wanted to know if you knew the background of this painting and if making it Sirius' favorite was a deliberate choice or if you had no idea at all.

Because the Ballerinas in Opera Garnier in Paris were all really young and mostly, they were poor. The dancers were often their family's hope to crawl out of misery.

The audience was full of men.

In fact, the sad flip side was that there was a whole prostitution network behind the scene. With these young girls. Men could pay for backstage access to watch ballerinas change and sometimes rape them.

So Degas was a big customer.

That's how he painted the dancers and most of his works.

That's again how he sculpted the ballerina, her tutu was added meaning the 14 year old girl was posing nude.

Degas is also suspected of being Jack the Ripper, there are a certain number of credible leads and potential evidences.

That's why I was wondering if you knew.

Since there is this whole chapter where they insult Picasso (as they should) I found it strange that Degas being a known major p*do did not receive the same treatment.

Ps: I'm french, I don't know if I made any mistakes writing this, if I have please excuse me I tried my best 🙏

Okay hi, hello! I am doing well and I hope you are as well! You have unlocked Art Historian Thesis Nat, so I am going to put an extremely lengthy post under the cut, I'm so sorry (this is literally my area of study,,, i fear i am incapable of being brief about this)

I do want to clarify that right off the bat, I don't necessarily think many of these art historical figures are "good people". Like none of them are the best, most moral, upstanding citizens you should model your life after (but they're also dead sooooo). But I also understand that I did take some time in my fanfiction to make my hatred for Picasso very clear, and so I can also understand the confusion in not extending that same hatred towards Degas. But there are a few reasons for that, that I'll try to explain below!

The direct historical documentation of Pablo Picasso's violence towards the women in his life is vast and damning. If you want particularly good insight into his violence and abuse, then I recommend reading Marina Picasso's (Picasso's granddaughter) memoir titled: Picasso: My Grandfather. I also recommend Françoise Gilot's (romantic partner of Picasso) books, Life with Picasso and Picasso and Matisse. It is through the memories of the people who loved Picasso and who loved him in turn, that we hear of his sadistic nature that drove his lovers to suicide and we get personal letters that he wrote to Gilot in which he says things like "Dora, for me, was always a weeping woman… And it’s important, because women are suffering machines" and "For me there are only two kinds of women: goddesses and doormats." His granddaughter has this to say about him: “He submitted [women] to his animal sexuality, tamed them, bewitched them, ingested them, and crushed them onto his canvas. After he had spent many nights extracting their essence, once they were bled dry, he would dispose of them.” And Gilot says: "I am the only one to not have been sacrificed to the sacred monster(…) and is alive to tell the tale. He was a wonderful person to be with, it was like fireworks, amazingly creative, so intelligent and seductive(…) but he was also very cruel, sadistic and ruthless with others and with himself (…) It was the greatest love of my life, but you have to protect yourself (…) The others did not, they clung to the powerful minotaur and paid a very high price."

Why this matters: The evidence for Degas being so virulently misogynistic and cruel towards women is extremely less substantial and more speculative in nature.

Degas being Jack the Ripper. Degas being Jack the Ripper started off as a tiktok theory posed in early 2024, (though you can find an article as early as 2004 written by The Guardian's art critic here) and while fun to think about and speculate, it isn't true. August and September and November of 1888 is when the Jack the Ripper crimes were committed in London and Degas was in the South of France at that time receiving medical treatment because he was in extremely poor health. (Which you can find in The Letters of Edgar Degas edited by Theodore Reff (I'm sure there's. free PDF version out there somewhere)). Also, self-admittedly speculative, but Degas didn't visit the East-End of London when he did make his excursions to London because he was classist 😭. So, it would be odd for him to know the ins and outs of the streets where the murders took place. And also he had failing eyesight starting at 36, so the odds of him being Jack the Ripper are extremely slim.

The Ballerinas Yes, while it is true that the ballerina's were often subject to horrific conditions and were prostitutes for the "wealthy" patrons of the opera house, this does not mean that Degas partook in that. in fact, most historical documentation surmises he didn't. Degas considered himself a "realist" painter rather than an impressionist painter, wishing to document "real life" in all of its ugliness, beauty and unstylized truth. Therefore his primary concern was documenting the opera house and ballet in all of the moments, not just when the girls were dancing on stage. And in many of his paintings, Degas captures the opera patronsn in his ballerina paintings as lurkers behind the stage curtains as sinister black shadows, or as men predatorily watching in nice suits (e.g. Ballet, 1876 and The Rehearsal of the Ballet Onstage (1874)). But Degas himself, was NEVER a ballerina patron, he is even quoted as saying "People call me the painter of dancing girls. It has never occurred to them that my chief interest in dancers lies in rendering movement...". (now this is not because Degas was morally outraged at what was happening to the ballerina's, but because he viewed the men abusing the girls as committing a sin against God by sleeping with prostitutes). But while Degas had access to backstage, he was never a customer. And in fact, Degas is a notorious, well-documented celibate. This is because Degas believed sleeping with women would make him lose his special painting ability. No lie. Here's a direct quote from Vincent Van Gogh in his a letter to his brother Theo about the artist: "Degas lives like a little lawyer and does not like women, for he knows that if liked them and went to bed with them, he would become intellectually diseased and would no longer be able to paint." Degas was also known to reject ballerina's advances as well (again, fearing women would take away his magic painting power).

Feelings towards women By all accounts, Degas friends describe him as being reclusive towards women to being jovial with them, but always kind to them outside of a working environment. He even developed friendships with his fellow contemporary women painters. In a working environment, Degas was obsessed with perfection, demanding ballerinas contort their bodies in painful positions, and making them hold those positions for hours at a time. By all accounts, this was not because he hated them, but was obsessed with capturing their movements, the limitations of the human body, and he demanded perfection from himself. (x x x) (i.e. his obsession for his work and drive for perfection as a painter made him demanding and harsh towards his subjects, not his pure hatred of women).

Conclusions: So by many accounts, Degas was not particularly fond of women, and had little regard for his dancers. But the claims that he must have slept with the ballerina's and been a patron/customer "because that's what all men did back then" are not backed by any evidence. only evidence to the contrary. I went in on Picasso because those that were close to him have written first-hand accounts of his monstrocity. This is not the case with Degas. So, while I didn't tear him down like I did Picasso, I wasn't lauding him as a saint either. I highly recommend reading the article called Degas's Misogyny by Norma Broude which details the ways in which modern times have run away with this idea of Degas being a sadistic woman-hater and how we've gotten to this point. Anyway, TLDR; I was aware of the dark "underside" of the Paris Ballet at the time in which Degas was painting his works. Do I think he is Jack the Ripper and a man who participated in ballerina prostitution? No, not at all. At the end of the day, I am just an art history girl, telling anyone who will listen that there is not enough documentation on Degas to take these claims as 100% truth, or put that man up there with Picasso. Peace and Love! <3

[iwanttobepersephone]

My sequal to modern punk Halt, modern scenecore/cowboy Crowley!!!!!!!!

Partially inspired by the lovely @do-n0t-enter