#mccoy critical
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It's wild to me that I had heard of the prime Kirk/Spock content in various TOS episodes long before I saw them, but had never heard of what IMO is the shippiest moment of all thus far, in an interestingly O_o goddamn I do not want whatever you two have but you do you?? holy shit though what a moment way.
I'm of course referring to the otherwise rather mid episode "Requiem for Methuselah," in which Kirk has an underwritten love affair with a clueless woman whose various secrets have to be discovered before her inevitable death.
At one point in this relationship, her.......uh, guardian??? sort of???????? had Spock play the piano while she and Kirk waltzed, which (in-story) Spock did perfectly while somehow managing to silently exude even more intensity than usual. After the plot (and her life) were over, we end not with the usual cheerful bit of snark on the bridge that ends most episodes, but with a weary Kirk falling asleep with his head on his arms and Spock hovering not for away. McCoy exposits the last bit of detail and then goes on an unprompted and honestly pretty viciously racist speech about how Spock, unlike Kirk, will never suffer from the joys and travails of love because of his inherent lack of feeling as a Vulcan. The speech is longer than usual and just really mean-spirited as McCoy waxes rhapsodic about all the aspects of passionate true love that Spock will not and cannot experience as a Vulcan before he just leaves.
Spock then turns to look at Kirk, and now just bleeding intensity, takes a few slow, deliberate steps towards the sleeping Kirk, lays his hand against Kirk's cheek and neck, and then very obviously mind melds with the sleeping Kirk while murmuring, "Forget."
Is this healthy respectful behavior that honors Kirk's autonomy? No, obviously. Is it god-tier repressed homoerotic passion between two people who should probably just work their issues out and stop inflicting themselves on anyone else? Yes.
#there are a lot of oddly paced slow physical staging bits in the episode so at first i wasn't sure it was significant that spock is so slow#in his approach to kirk at the end - coming right off the mccoy speech about passionate love it was something else#but i wasn't sure what he was even going to do until he laid his hand against kirk's face and i was just thinking wait WHAT#and then the - wait is he MIND MELDING with SLEEPING KIRK as a response to the accusation that he is racially incapable of passionate love?#and then realized that this episode - in which he admits to one feeling ('envy') culminates in him wiping his rival from kirk's memory#jesus. what the fuck. i'm sorry if i ever thought the kirk/spock fangirls of the last decades were exaggerating#blandly healthy and supportive spirk is out toxic yaoi spirk is in#(also there's a bad episode in which shatner is forced to give a godawful ramble about losing command! i'm losing command!#and kirk is just melting down as he and spock get into an elevator and it's just going up floors as kirk loses his shit#and it would just be unforgivably awful but his fixation on losing authority of his beloved enterprise is stopped by one word from spock#spock literally murmurs 'jim' and kirk just sort of collapses on him and then immediately relaxes and calms down. wild shit)#anghraine babbles#star trek#star trek: the original series#long post#spock#james t kirk#kirk x spock#mccoy critical#i actually love him in most episodes but this was awful and out of nowhere#in terms of the stakes at that point. but the fact that it's this huge rhapsodic speech about the grand passion of LOOOOOVE#not only talking positively but also about the torments of love that spock allegedly can't feel#and it leads /directly/ into spock wiping this woman from kirk's memory????? well. i am not blind to the function it serves. let's say.
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Logan shouldn't be allowed near children
I know that's a loaded title but I stand by it. There's obviously an element of Flanderisation going on but considering his stated reason for opening the Jean Grey school he is far too eager to murder children.
Why TF is he leaping at children, snarling with his claws out? Check out the frothing drool.
For example, in All-New X-Men, the O5 have just been bought to the future by Hank McCoy. He stops teaching his violence through yelling class and heads out the front, leaping at the 16 year olds with his claws out. Not Hank, who brought them there but clearly traumatised children - while screaming like a lunatic of course. Even if he's not trying to kill them, what purpose does terrifying them serve? He clearly IS trying to kill them, though. I'm sure his students would love to see their headmaster butcher confused children in front of them.
Unsurprisingly, he scares the fuck out of them. In part influenced by constant threats of his violence, the O5 steal the X-Jet and flee, explicitly doubting this guy is an X-Man. His thoughts about the 16 year old Jean Grey... No dude, this isn't the Jean you know. She's a child you've tried to kill. Fucking creep.
This one is great. Young Scott has enough going on without this frothing beast advocating for his immediate execution as punishment for his future self's actions. Out front of the school with literally everyone watching. He's using his authority to advocate for slaughtering a child. Thankfully nobody agrees with him, but this is traumatic, terrifying, and affects Scott especially so badly he runs away.
No wonder he freaks out and leaves. Obviously the headmaster of a school should drop what he's doing, not for his wellbeing but to get his bike back. How is he in charge of anyone's wellbeing or moral instruction? He demands absolute obedience while doing nothing to deserve it. It's all about how Logan feels.
Here he is trying to gut a 15 year old Wiccan for having Scarlet Witch vibes, not for the or last time. I'm a little surprised he remained an Avenger after this. When you have knives for hands everyone looks like a pincushion. Except that's not it, because everyone else is a living weapon too and they mostly manage to be somewhat rational.
Why are his claws out here? Is he trying to kill him? What did he expect after threatening and traumatizing him? Snarling and shouting like an animal - isn't he trying to emulate Chuck here?
I can't remember why he's doing this but it's not the first time he's tried to kill Hope. Didn't work then either.
A 16 year old Jean uses a telepathic projection of the Phoenix to aid Wolverine in a fight. He stupidly thinks it's real and straight up tries to kill her. The bad guys get away. Not sure how many times he has to attempt to kill the Phoenix before he understands it's not an appropriate thing to do, nor is it about him. He's more like Sabertooth than he thinks, except he thinks he's in the right and somehow never gets called out. Logan has advanced senses - how is his instinct to straight up kill her instead of investigating further?
We can do better
I think that once Logan reached a certain point of saturation he became static. The lone wolf that's the best there is at what he does, and what he does is behave so unpleasantly it's hard to believe anyone would want to be near him, let alone allow him to run a school. He says 'bub' a lot and he snikts at the drop of a hat while repeating the same interpersonal drama over and over. I see him as a frequent self insert for the worst kind of toxic masculinity yet he's more popular than ever. No judgement if you like him at all, but I think the character deserves better. Somehow he's still a misunderstood loner despite a lot of people knowing him very well - with the amount of teams and books he's in he has the most active social life in 616. It'll never happen but I'd like to see him retire, as there are several Wolverines better than he..
#x comics#Logan Behavior#wolverine#all new X-Men#cyclops#x men#comics#marvel#wiccan#jean grey#hope summers#hank mccoy#wolverine critical
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//Just had a chat with a friend and I NEED you guys to listen.
//Spock, Kirk, and Bones do not have a big bed. The ship only has regular beds but they still want to share.
//Spock lays on his back, Bones curls up into his side and Kirk is laying ontop of Spock with his arm and one leg draped over Bones like a weighted blanket.
//Spock is in HELL and loves it very much
#spock x kirk x bones#no i do not take criticism#it is canon#i said so#james t kirk#spock#leonard mccoy#bones mccoy#your honor they are husbands
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#821
I honestly see more chemistry with Spock/McCoy than with Spock/Chapel to be honest, honestly.
#confession 821#star-trek-fandom-confessions#star trek#critical confession#anti spapel#spones#spock#leonard mccoy#christine chapel
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X-men in MCU moodboard
#x men#xmcu#we could’ve had it all#cherik#mcu#this is mcu critical#excited to see Kelsey Grammer as beast again#but not excited for the inevitable shit storm that will be the x men in the mcu#Kevin feige im watching u#the marvels#the marvels spoilers#hank mccoy#marvel cinematic universe
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I'm the only person I know who feels this way, but I hate Chris Claremont's X-Men. Hate them, hate them, hate them! I will not acknowledge his dumb stories! For me, The X-Men ended with #66 in 1970! I still like the later characters like Storm or Colossus, but I shall not ever read Chris Claremont's X-Men. Not even for them. The man who used the N word in his writing? Who killed off the first native superhero? Who killed off Jean Grey completely unnecessarily!? Who did all this and so much more!? No! F*** Chris Claremont's X-Men! He can shove it! I'll stick with Stan Lee's original 5 X-Men, thank you very much!
#I hate Chris Claremont's X-Men#so much#anti chris claremont#chris claremont critical#marvel#marvel comics#marvel universe#marvel 616#reading comics#the x men#xmen#x men#x men comics#x men movies#why not tag everything?#It makes me feel I'll be seen more#x-men#stan lee#original xmen#cyclops#scott summers#jean grey#marvel girl#not the phoenix! marvel girl!#get it right#beast#hank mccoy#angel#warren worthington iii#Iceman
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bandom hates black ppl so much y’all won’t even let nonmixed ones in the door 😭 are we allowed to talk about it yet or
#like lets be for real for a minute travie mccoy is the blackest person in this niche you can name me!#and he is still mixed i am fairly fucking certain#and he is STILL shafted ignored underrated drastically compared to like. gabe#pete wentz has to claw to be seen as black and its like as soon as people see him as black a whole new series of criticisms is available#idk i seen we’re posting our fucking thoughts. i have fucking thoughts .#also im not taking notes sorry . no crits unless ur a negro too
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is Spock's consciousness in Bones cause if so that is the best possible thing I could've asked for
#star trek: tos#spock#bones mccoy#I will no longer be hearing any criticisms about this movie#Spock and Bones sharing a body. fucking fantastic#flawless
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THIS. He rarely, if ever, actually does anything xenophobic and it’s weird that people characterize see him as the space racist. Like, McCoy actually consistently shows a deep ability to understand very foreign cultures and respect their autonomy to live according to their values. Note he doesn’t talk to any other Vulcan or alien characters the way he talks to Spock. It’s because Spock is annoying him too! Spock is just as or more judge mental about humanity right back— and bones knows it comes from a place of self-loathing and repression, so he says “nope, no way, you’re human and you like humans and you have emotions inside of you and you need to FEEL them” and it comes out as this banter that they both engage in consistently. Obviously this isn’t a problem because both of them are clearly friends and close coworkers and if it was actually a problem of xenophobia Spock wouldn’t be his friend and trust him so much.
We talk a lot about Bones's kinda xenophobic comments, but the vast majority of his teasing comments to Spock fall into one of two categories:
1. You are so emotionless!
2. I caught you having an emotion!
See, he knows Spock refusing to show emotion is a choice. It's not just because he's Vulcan—Spock is half human, but he chooses not to act human. He disagrees with that choice, but he also knows Spock is confident in it and won't change.
Type 1 is just a casual "hey, this difference exists between us!" and Spock eats it up. He LOVES being affirmed in that difference.
"I think you're the most cold-blooded man I've ever met."
"Why thank you, Doctor."
Type 2 is more actual razzing. He knows Spock doesn't want to be caught in an emotion, but he thinks it's good for him. Spock just brushes this off. He doesn't love it, but he also feels he's good at emotional repression and won't be caught out.
"You can't tell me that when you first saw Jim alive that you weren't on the verge of giving us an emotional scene that would have brought the house down."
"Merely my quite logical relief that Starfleet had not lost a highly proficient captain."
When Bones gets really mad, he says this stuff more sincerely. He's angry that Spock won't show emotion and says so. He just can't understand why Spock chooses to be like this!
Do you know why you're not afraid to die, Spock? You're more afraid of living. Each day you stay alive is just one more day you might slip and let your human half peek out. That's it, isn't it? Insecurity. Why, you wouldn't know what to do with a genuine, warm, decent feeling.
This is him genuinely upset. He's lashing out. But Spock doesn't take it hard, and Bones backs down because he realizes he's taking it too far.
"Really, Doctor?"
"I know. I'm worried about Jim, too."
None of this is "you're Vulcan and I hate Vulcans." It's, "you, personally, are frustrating me for being unfeeling when I know you could feel and are just hiding it."
Not that he never says anything xenophobic, but most of it is a more personal teasing about their differences as a wildly and openly emotional man vs a man who chooses not to feel.
Importantly, most of the time he says these things, he's smiling. In fic he's so often a grouch, but he actually smiles a lot. He's Pathos, the character who symbolizes all emotion, including the good ones.
I'm just seeing more in his character the more I watch, and the more attentively I watch.
#bone and Spock has a very deep and often troubled relationship#because Bones calls him outs on his bullshit way more than anyone else#and Spock NEEDS THAT#because he uses his Vulcan asshole-ness to avoid being too introspective#and embracing his nature as an emotional being#bones and Spock help each other to grow by challenging each other#because being challenged on your viewpoints is the only way to grow#ugh I hate the lack of critical thinking crowd#obviously McCoy doesn’t think Vulcans are inferior?#the entire point of the show is that that is BAD
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Caped Crusader, "Safe Diversity", and Catwoman
We're at a point where it's expected that a new incarnation of any story previously with a white-dominated cast would be reimagined with a "more diverse" cast. This can mean racebending them, genderbending them or making them queer, but for the purposes of this analysis we'll be focusing on racebends. Most of the time, executives will take the "safer" routes with diversifying their cast- pick a couple of unproblematic supporting characters to be incidentally "diverse this time". Other times, there might be "braver" takes where more prominent characters (perhaps even the main character) are racebent. This doesn't necessarily mean racebending prominent characters is an inherently better thing to do.
I've been more than critical of MAWS' portrayal of BIPOC characters but especially their Asian Lois before. Sometimes BIPOC representation is just a decorative palette-swap change for these shows. Caped Crusader however, is different. It's more complicated- but it's rooted in very similar problems. Unlike MAWS (though I can only speak for S1), CC is far more willing to take on political topics: classism, sexism, police corruption and brutality, even beauty standards in the entertainment industry! Yet, in choosing to portray these topics in their stylistically anachronistic 30s-40s set piece- it makes it so the show's reluctance to discuss race intersecting with any of these topics far more apparent.
(spoilers for all of Caped Crusader)
Take for instance, episode 2: "...And Be A Villain". The story is about Basil Karlo, a less than handsome actor who wishes his appearance wasn't holding him back from both love and playing roles saved for better looking people. He makes a deal with Jack Ellman, an experimental makeup artist who turns him into Clayface. This story is set in motion when Miss Yvonne Francis, a beautiful actress, goes missing. Miss Francis is a woman of color (brown skinned, unspecified) played by Lacey Chabert: a white actress. CC goes for a generally colorblind casting what with Stephie (a white girl) being voiced by Amari McCoy (a Black actress) but it always feels icky when a white actor voices a character of color. Prominent characters of color in CC are more accurately casted. However I do think animation should be wary of using their medium to get away with their show appearing more diverse than the actual talent behind it.
The episode's theme is pretty clear on how unfair the entertainment industry is in regards to who it prioritizes in leading roles. Basil is constantly emphasized as a tragically talented actor whose appearance is holding him back. "With your talent you should be a leading man, Basil." Yvonne says to Basil in a flashback. Meanwhile as Alfred is watching through movie clips featuring Yvonne and Basil together, he comments "while lovely to look at, Miss Francis is no Gloria Swanson." So Yvonne has the looks, but not the talent and still gets prestigious roles because that's showbiz. The only time this is weirdly inconsistent is when Yvonne calls out Basil/Clayface in the finale, saying:
"I don't believe your performance. You're chewing on scenery. Relying on makeup effects to enhance weak characterization. It's insincere, Basil. It's not real."
I honestly feel like this scene was just meant to quickly "subvert" Yvonne being a damsel in distress by having her call out Basil's acting. It's a moment that isn't reinforced by anything the episode set up. After all, according to Alfred, she's not as good an actor compared to Basil. That's supposed to be how they foil each other, so this moment feels unmotivated. Again, I get what they're going for, that Basil's performance ironically relies on his newfound appearance so much that even a bad actress like Yvonne can spot his meager acting. But it doesn't work when our protagonists were actually convinced by his imitation of others. She's still a damsel in distress character regardless of her having a bit of attitude when calling her captor out.
What I don't understand is: why make Yvonne a woman of color if this was the story you wanted to tell? It's not like they're paying homage to how her voice actress looks, after all. Why, in your story set in purposely anachronistic 30s-40s era noir, did the character who was meant to represent the epitome of "not talented but gets by the industry because of her conventional beauty and pretty privilege" a woman of color? We're missing the very obvious conversation here where Tinsel Town is a white industry with white biases to what it considers attractive. It doesn't matter how many attractive actors of color exist, they're still pigeon holed into stereotyped and often racist roles (especially back then), and have to work twice as hard to get the opportunities their white colleagues get. Why is Basil, a white man, the only one afforded a marginalized narrative when Yvonne is quite literally a woman of color right next to him? The episode is especially painful to sit through when Basil is afforded so much sympathy compared to Yvonne.
"He didn't have the right look. He didn't have the right face."
"The camera is kind to some, but cruel to others."
This is transparently a colorblind narrative. Yvonne is written and even casted as a white woman. The CC crew just decided she should be a WOC likely because "wouldn't it be neat if the beautiful actress in this story is POC" without thinking about how that would drastically change a narrative already critical of the showbiz industry based on appearances. It's not intersectional and flattens the narrative to being selective of the prejudices Tinsel Town has. This episode is a great example to what CC generally does with diversity. It's not afraid to be critical of society, but it gets oddly squeamish with discussing how race intersects with these topics- opting mostly for a palette-change type of representation.
It's not entirely fair to say CC doesn't ever touch on the topic of racism. It sort of does: if you read between the lines for why the mayor gives Jim Gordon his commissioner role, and more prominently with the Gentleman Ghost (a rich aristocrat ghost that steals from the poor, believing wealth is his right) being offended that his mansion is sold to Lucius Fox (saying "and you would sell it to rabble like this?")- racism is somewhat present in the world of CC. We see the women in this show experience misogyny, but it's ambiguous if any of their struggles are intersectional with that of race. But that's... just about it. Racism isn't discussed more than it is alluded to, whenever the writers decide it's relevant. Because of this, CC has a spectrum of hits and misses when it comes to integrating characters of color in their reimagined cast.
Here's how I would visualize that spectrum using canonized instances of Asian Lois Lane. I should emphasize that representation of people of color doesn't entail the narrative owing us "a racism arc" or what have you. This spectrum is more used to measure how much racial identity was integrated in the characterization of the character: whether that be cultural identity or history. Being a person of color isn't just "person who goes through racism".
This is how I'd personally place the prominent characters of color in CC on my "spectrum of racebends" chart. Generally most of the characters of color (whether reimagined that way or were originally POC already) are fairly harmless in how they were integrated into CC's world, but none of the characters feel bespoke as a reimagining of the character and are interchangeable with their white counterparts. To quote cartoonist Juni Ba (in a discussion on CC):
"...stripping characters of color in these time period stories of any cultural, [a]esthetic or social signifiers that’d make them true to the groups being represented. Instead they dress, act and speak very western."
In my opinion, the only character that is an exception to this is Linton Midnite (or as he's popularly known as: "Papa Midnite"). Midnite is a character so interlinked with Haitian culture and mysticism that even CC couldn't erase that aspect of his identity (important note: historically, the portrayal of Midnite since his creation is riddled in racism, but that's not my place to discuss here). Midnite at most speaks with an accent, dresses more nonconformingly compared to the western standard dress of all the other characters, and practices occultish stuff (though I don't think there was anything culturally specific in that episode, please correct me otherwise if someone has more insight!). That's a lot more cultural representation than just about any other character of color in CC. Midnite can't be changed to a white character, his African identity is too interlinked with who he is.
There are a few characters I consider in poor taste to be POC- that being Arnold Flass, Yvonne Francis (who we've covered already), and Harley Quinn (who will be getting her own post, as her case is complicated). So let's talk about cops, then.
I tend to be indifferent about media choosing to diversify cop characters because it feels like choosing the most "respectable to society" role for a marginalized character to play. Cops uphold bigoted systems of power at the end of the day, so that's a very comfortable place to represent your marginalized characters. It's why we keep getting gay or lesbian cops, which Batman media absolutely perpetuates as well with Renee Montoya. It's hard to cheer for two women of color being allowed to date and kiss in public when one of them is a cop, y'know? But this doesn't mean re-imagining cop characters doesn't have narrative merit.
In regards to Jim Gordon being reimagined as a Black cop, I'm gonna refer to La'Ron Readus' video on "Fixing the Batman's Copaganda problem" where he goes into detail about the missed potential of Black!Jim Gordon from Reeves' The Batman (2022). Generally, I felt that opportunity was missed in CC as well. While I love that Barbara Gordon is in CC, nothing about her being a WOC is integrated into this version of her. It felt like if either character was white, the story wouldn't be that different. The bigger issue here is the choice to racebend Arnold Flass- a previously white, blonde, cunningly smart, and brutally corrupt cop.
CC follows some of this in their version of Arnold Flass- he's paired with Harvey Bullock (also a corrupt cop). While Bullock is the brawns of the duo, Flass is the smarts. He's cunning and even implied to be willing to frame Bullock if the worse comes to it. It isn't an inherently bad idea to racebend a corrupt white cop into a Black cop. If the writers want to tell a story about how the police force assimilates people of color into the system and forces them to be just as if not more brutal than their white counterparts, then by all means tell that story.
But that's not what CC gave us. By rarely acknowledging race, we don't get to have a conversation or themes surrounding that delicate intersection of identities. We just have "diverse Flass". Look at these panels from Year One for example, can you imagine how Flass' casual disrespect for Gordon by constantly calling him "Jimmy" could be re-contextualized with a race change? Unlike other characters who just feel like missed opportunities for not integrating race into their characterization, Flass is an elephant in the room. To not acknowledge his race in themes of police corruption and brutality is to white wash the narrative with diverse paint.
I personally think the stronger narrative decision would have been to racebend Bullock as Black instead of Flass. Flass could still be the conniving cop, but he encourages Black!Bullock to be the more "violent brute" who does the dirty work for him. It would put a newfound racial layer to how Flass considers Bullock disposable. Then we could have some kind of commentary on how the police force encourages a system of abuse that makes even fellow POC turn on each other. It'd also make it so a certain scene would be better in optics.
I have many criticisms for the scene where Batman holds a gun to Flass in the finale of CC. It's a narratively unmotivated (see my criticisms for CC's Two Face here for elaboration) and weak moment that relies on metatextual shock value to cover up how underdeveloped this take on Batman is. But it's also just very uncomfortable optics-wise. It's a common and valid criticism that Batman as a character can very easily fall into copaganda, with his status, goals, and collaboration with the police force. In many ways, Batman is often written to be committing his own kind of vigilante police brutality.
Caped Crusader wants to be a deconstruction of a Batman tied to power and hellbent on his mission to eliminate crime. But because CC occasionally omits race from its narrative, the scene where Batman holds a gun to a Black cop-a man stripped of his ability to fight back-just falls flat for me. There's no acknowledgement in this scene that Batman basically gets to be an anonymous cop, "warning shots" and all. Batman shoots at an unarmed Black man several times. It's meant to be shocking to us how Bruce is willing to stoop to such a level and indulge in gratuitous gun violence, but it honestly hits too close to real incidents where this is racially the case for me to enjoy the narrative point of this scene.
You know a character who would be perfect for calling out Batman's many privileges? Selina Kyle. Let's talk about Caped Crusader's biggest downgrade.
I've heard just about all the arguments in favor for CC's reimagining of Catwoman and none have convinced me that this was in any way a good take on the character. I see people saying that this Catwoman is a return to her golden age roots, and there's a lot of misconception surrounding that assumption. So bear with me as looking at Catwoman's history is necessary to discuss race and how a character evolves.
Catwoman debuted in the 1940s as a jewel thief who disguised herself as an old lady. She was just called "The Cat" and would not don her more feline appearance until later. True to the mystery woman femme fatale trope she was inspired by, her backstory was left unknown for a long time. 10 years later, in Batman #62 it is revealed that after a plane accident bonked her head, the now named Selina Kyle got amnesia and went on a crime spree. Giving her leeway to reform and be an ally to Batman. This would historically inform how Selina Kyle toed the line between good and evil as an anti-hero.
Her origin would be revisited in 1983, in the Brave and the Bold #197. Although not canon to the mainline universe, it is still a crucial development for her character's history. In this story, Selina reveals that she lied about having amnesia to get out of facing punishment. Her true story was that she entered a life of crime to escape an abusive relationship with a rich man. The only loss her husband understood was material loss, loss of property, so stealing was how Selina fought back.
This crucial re-examination of her character transformed her from shenanigans inducing femme fatale, to a marginalized fighter. Shortly later in 1987 in Batman Year One, Catwoman is reimagined as a street-hardened sex worker in poverty. She is inspired by the Batman to become a vigilante for her own goals and gets annoyed that she's assumed to be his sidekick.
The moment Catwoman became marginalized by power, was the point where she became worthy of solo-character status. She was not only a compelling foil to Batman-capable of going toe to toe with him and make him question his motives even though she did not share his privilege-she could lead her own adventures reflecting a side of Gotham Bruce Wayne's perspective doesn't. She actively makes the setting of Gotham stronger because of how she's evolved as a character.
Catwoman's character would continue to evolve, with some iterations reimagining her as a latina woman and others where she's canonically bisexual.
While Catwoman has been portrayed by Black actresses before, I want to focus on the most recent and prominent iteration of a race-swapped Catwoman. When Matt Reeves' The Batman (2022) featured Zoe Kravitz as Selina Kyle, an explicitly biracial character within the text of the story, we see another step this character evolves. I think La'Ron Readus' video on "Why Race-Swapped Characters Are Not The Full Story" does a fantastic job of explaining why this is a narratively great race swap. To summarize (though I do encourage watching his video as he goes into depth about 2022 Batman's Jim Gordon as well among many other examples) and add analysis of my own: Selina being the byproduct of an Italian crime lord and a Black sex worker is a brilliant marriage of her original backstory (being connected to and abused by powerful men) and her modern backstory where she's poverty stricken (and tangentially related to a sex worker if we're talking about Batman Year One).
We understand why someone of her background would have an affinity for stray cats because of how she lost her mom at a young age, she is sympathetic to fellow people from the lower class, and explicitly calls out privileged white people- including Batman who attempted to over moralize Selina's partner as a sex worker.
"All anyone cares about in this place, are these white privileged assholes."
It's especially that last line that makes it so Selina's character isn't interchangeable with her white counterpart. She's a textually rich character to contrast Bruce in Batman 2022, and we can see how years of history and evolution has brought such an empathetic character to the screen. Interestingly, Readus feels that while 2022 Selina was an example of a race-swap that works, he believes it was great by coincidence, because of the miss that was Gordon's characterization in the same movie. I think with Reeves as a collaborator on Caped Crusader, that assumption was correct.
Selina in CC is back to being a rich socialite, but (unlike her Golden Age counterpart) she's not married into wealth- she's got generational wealth (with a dad serving jail time for tax evasion). Worse yet, she's taking what little remains of her money and spending it on superficially imitating the Batman to create her Catwoman persona. She even has her own reluctant Alfred, a Catmobile, the works. Selina steals things because. She likes shiny things. And is something of a kleptomaniac. Catwoman is instantly discovered to be Selina because of course she's not as good as Batman is with keeping a secret identity (another key difference from her Golden Age counterpart, whose backstory was shrouded in mystery for a decade).
It is laughable to me that CC touts that their version of Harley Quinn has an origin of her own outside of the Joker, only to turn around and make a Catwoman that is completely tied to copying a man as her origin (did they decide Harley's goofyness as a character needed to be replicated in Selina for some reason? In their supposed dark and edgy show?). What a strange choice to fixate on the part in Year One where Selina didn't like being mistaken for Batman's assistant despite being inspired by him and turn it into a quirky bit. It feels like such a regressive take that frames Selina as a sillier, whimsical version of Bruce that just spends money on a whim because women just aren't smart enough to know how to keep track of their money. They're too busy looking for shiny things to steal. The fact that both 2022 Batman and CC have a scene where Selina is looking through her many bills she's yet to pay is wild to me. How am I supposed to care for a Selina that has the expendable wealth to create a Catwoman costume, car, and gadgets, but delay paying her maid? One of these versions of Selina is far more sympathetic than the other.
Again, I get what CC is going for. Batman is characterized to be hellbent on catching criminals, Catwoman is supposed to serve as some kind of reflection of his obsession. They're both self destructive in their goals, but one is vengeance and the other is chasing thrills. But is that really as interesting a foil as having Catwoman be marginalized, just as skilled, and making Batman second guess himself? Is it a take that strengthens Gotham as a setting by shedding light on its lower class characters? Is it a take that makes her worth revisiting as a perpetual rogue and not a one off episode where's she's basically a shenanigans-inducing nuisance to Batman? Evolved takes on Catwoman have talked about her desire to seek thrills and paired it with how she dismantles power. So it's not like CC's take is particularly unique, it just lacks all the depth that usually surrounds Selina's thrill seeking.
In a show that is frankly desperate to make it so Bruce doesn't have a personal relationship to his rogues gallery because he's too busy being "A cold, remorseless avenger of evil, seemingly more machine than man. Forged in the fire of tragedy, every fiber of his being is dedicated to the eradication of crime." (according to promo) that's how we end up with Barbara as the foil and humanity to both Harvey Dent and Harley Quinn. How the show focuses on the police force more than Bruce. It feels especially pointed that Catwoman is characterized this way. When she doesn't contrast Bruce, she becomes less personal to him as a character that is poverty stricken but still matches up to him in skill. She can't challenge him or his worldview, he can't find her fascinating as an equal, all of their chemistry and intrigue is erased.
All this to say that of the characters revealed for CC, I was honestly surprised that Selina wasn't one of the many characters racebent. CC followed up on a Black Jim and Barbara Gordon, two characters that have been race swapped before in previous media. Most prominently! Harley is Asian in this iteration, something never done before. So why is it that Selina doesn't follow up on the many times she's been portrayed by Black actresses?
It's because it's an actual good racebend if written well. It wouldn't be a "safe" racebend because writing Selina this way means you'd have to acknowledge racism, and it would be much more noticeable if you didn't. There is no canonized version of Asian Lois Lane that parallels her relationship to Superman as an immigrant. But there is a version of Selina as a Black woman who directly calls out white people and is aware of systemic power. It's in something as prominent and mainstream as Matt Reeves' 2022 Batman. So instead it just reads as cowardice to me that CC couldn't follow up on this evolution of Selina.
Not only does it weaken Catwoman and Batman's relationship to regress Selina this way, but it actively weakens Gotham as a setting and the very themes of Caped Crusader. I personally think all the energy that went into Harley Quinn should have been shared with (or straight up gone to) Selina Kyle. Because unlike CC's take on Harley, the way Selina Kyle's marginalization intersects with race and queerness would have actually critiqued Gotham's class corruption effectively. As a Black queer woman, Selina would be among the most vulnerable people in Gotham. We don't have prominent characters in CC that truly reflect the lower class, there are these unnamed characters Harvey Dent sits next to on a train. There are some orphans with Batfam names. A proper Catwoman reimagining that takes advantage of her evolution would have filled this gap in their narrative.
But that's not how "safe diversity" works. CC would rather racebend and canonize the queerness of a character like their take on Harley Quinn. A WOC who gets to kiss a cop and call out powerful men, but not in a way that makes white people uncomfortable.
If I could edit the Sandman quote that "The great stories will always return to their original forms" for Superheroes, I'd say "The great stories will always return to their most resonant forms" because without iterations we don't get characters like the Kents, Alfred or Catwoman as we know her today. Classics are good to look to, but we like these characters because they evolve. In my opinion, none of CC's takes on these characters of color feel resonant. They're not definitive to the level of Mister Freeze's tragic love story in BTAS, among many standout narrative choices in BTAS that continue across media iterations.
In my opinion, CC isn't as thoroughly clumsy as MAWS is in regards to POC representation and race-swaps (all characters of color in MAWS get put in the left side of that chart I made. In the Sunken Place. Where they all Missed The Movement). However, I can't help but see Caped Crusader's take on the world of Gotham as nothing more than an anecdote in the evolution of Batman's story for the modern era. "It's BTAS but superficially more diverse and with less compelling narrative choices."
#ramblings#caped crusader spoilers#jesncin talks caped crusader#jesncin dc meta#long post under the cut#catwoman#rememberrr pls be nice these are just my thoughts
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STAR TREK DIALOGUE ANALYSIS OVERVIEW
oh boy so i mentioned this project awhile back and after a long hiatus i'm finally done! (the irony that i wrote this and then took a second equally long hiatus but the point stands.)
i went through transcripts for TOS, TNG, DS9, Voyager, and Enterprise (thanks to chakoteya.net for those!) and calculated how many lines each main character has in each episode (and season & show as a whole), calculated means, looked at who had a lot of high & low line count episodes, made some graphs, and did some analysis on gender and race.
you can find my whole process & results on a spreadsheet here (it's a little messy. i'm sorry. if someone pays me i'll make it look nice and actually learn how to make good graphs in Google Sheets.) and i'll walk through some Big Results & reactions on this post here under a cut. just so this doesn't get too long, i'll breakdown each show, post my gender & race analysis, and a big list of every character with how much of a focus they get on separate posts. they'll all be tagged as "star trek dialogue analysis".
but first just a disclaimer – i do have professional experience doing data analysis but this is by no means a professional analysis and i'm sure there are plenty of mistakes because this was initially a small personal project that snowballed a little bit. if there are any Major Things you see that are wrong (i.e. i copy and pasted a totally wrong value somewhere) please reach out and i'll correct it if i can. also if anyone wants to use this data for anything, feel free but tag me because i'm curious!
see also: gender analysis // race analysis // tos breakdown // tng breakdown // ds9 breakdown // voyager breakdown // enterprise breakdown // who's the most/least used character?
all of the following graphs measure mean (average) lines of dialogue per episode, averaging all seasons (that they were a main character) together. please refer to the spreadsheet for more detailed information about exact numbers.
unsurprising results... this is the one Star Trek show that really never aspired to be an ensemble show. i was actually surprised by how few lines Spock and McCoy have in comparison to Kirk
also unsurprising that the two characters of color have the fewest lines per episodes in the 60s
Kirk had BY FAR the most lines of dialogue per episode out of all characters i've measured (115.20)
again unsurprising that Picard has more lines by such a wide margin
honestly fairly surprised by how few lines Data had (I thought he'd beat Riker by a decent margin) and was very surprised at how few lines Troi consistently has across the season. like i knew it wasn't many but dang... only 18 lines per episode on average.
and here we can see that ds9 really embraces being an ensemble show with everyone (sans Sisko, Ezri, & Jake) having around the same number of lines on average, probably the most equal overall of any Star Trek show.
Sisko obviously has the most lines as the lead and Jake the fewest because of irl work restrictions (and less kid-centric stories).
i was surprised with how many lines Ezri had but then again her entire character was compressed into a single season so it seems fair. (interestingly, Ezri has the most lines out of anyone in s7 (996), even beating Sisko (874))
despite having the most lines in DS9, Sisko has by far the least out of any main character/Captain of the shows i've measured.
Janeway has the highest average line count out of any 90s character and third highest of any character i measured (69.51)
and again, with the exception of Janeway, we see that Voyager tends to be more ensemble focused than TNG which surprised me a bit given how later seasons are often criticized for ignoring a lot of characters but i think the very ensemble heavy early seasons balance things out.
the characters also generally seem to have more lines on average than either TNG or DS9.
and oof... yeah Voyager was it for the ensemble style show
Archer has the second highest average line count (86.68) for the whole study after Kirk (115.20)
apparently the inception of Enterprise was to recreate the TOS style triumvirate and for better or worse they certainly did.
some overall fun stats –
there are 162,455 total lines of dialogue spoken by the main cast from TOS to Enterprise
somehow there's only a ten line difference between the amount of dialogue spoken in TNG (43,148) and DS9 (43,158)
the 5 characters with the most dialogue per episode in Berman era Trek: Archer (86.68), Janeway (69.51), Picard (69.37), Sisko (50.72), & Tucker (46.03). notably only one woman and one character of color (more on this in a gender & race analysis post)
not including kids, the 5 characters with the least dialogue in Berman era Trek are: Mayweather (13.39), Sato (15.99), Troi (18.11), Kes (18.18), & Neelix (19.68). notably including three women and two characters of color (again, more on this in a different post)
the character who has the most dialogue in a single length episode is Quark with 189 lines in Who Mourns For Morn?
#star trek dialogue analysis#i hope this makes you fellow stats nerds happy#i did the bulk of this like. a year ago but i was just procrastinating on doing the write up#my posts#i'm expanding on everything in future posts that will be out in the next few minutes but feel free to ask questions!#star trek#tos#tng#ds9#voyager#enterprise
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X-Men x Reader x Reader's Dog
How they handle your relationship with your dog
The return of Mr. Pickles! Eight famous X-men—interact with both you, their partner, and your small, not-so-bright dog, Mr. Pickles.
Characters: Logan Howlett, Scott Summers, Remy LeBeau, Kurt Wagner, Ororo Munroe, Jean Grey, Bobby Drake & Hank McCoy
Logan (Wolverine):
- At first, Logan tries to act like Mr. Pickles is just a nuisance, but deep down, he softens over time, despite his gruff exterior. He often complains about the dog taking up his side of the bed or chewing on his boots, but you’ve caught him scratching behind Mr. Pickles’ ears when he thinks you’re not looking.
- Logan is fiercely protective of you, and surprisingly, that extends to Mr. Pickles. The little dog may not be much of a fighter, but if anyone messes with him, Logan’s claws come out faster than they can blink. It’s as if he’s adopted Mr. Pickles as part of your pack.
- Despite pretending he doesn’t care, Logan has saved Mr. Pickles from various ridiculous situations—like getting stuck under the couch or chasing squirrels out into traffic. He’ll grumble, “Damn dog’s more trouble than he’s worth,” but the affection in his voice gives him away.
Scott Summers (Cyclops):
- Scott takes Mr. Pickles very seriously—possibly too seriously. He’ll come home from missions and ask, “How’s the dog?” like Mr. Pickles is a critical member of the team. He’s even tried to train Mr. Pickles on basic commands like “stay” and “come,” though the results are… mixed.
- He appreciates how happy Mr. Pickles makes you, so he’ll go the extra mile to include the dog in your daily lives. He’s tried setting a strict feeding schedule, making sure Mr. Pickles gets enough exercise, and even reading up on dog nutrition. But when Mr. Pickles inevitably gets into trouble, Scott sighs and takes it all in stride.
- Scott’s a bit more traditional, so he sometimes doesn’t quite get why you treat Mr. Pickles like a child. However, he’ll indulge you, helping pick out little outfits for Mr. Pickles and occasionally taking him on walks when you’re busy. Though he won’t admit it, he’s grown attached to the tiny dog, even if it’s not something he’ll openly discuss with the other X-Men.
Remy LeBeau (Gambit):
- Remy finds Mr. Pickles absolutely hilarious. He’s charmed by how ridiculously small and clueless the dog is, often playfully teasing Mr. Pickles but in a good-natured way. He loves calling the dog “Petit Cornichon” (Little Pickle) in his thick Cajun accent, laughing every time Mr. Pickles stumbles into something.
- Unlike Scott, Remy has no problem treating Mr. Pickles like your child. He’ll humor you completely, offering to babysit whenever you need, and he’s the type to sneak Mr. Pickles little treats when you’re not looking. The two of them have formed an odd friendship, with Mr. Pickles following Remy around despite his jokes.
- Remy uses Mr. Pickles as a tool for romance, often bringing the dog into moments where he tries to charm you. He’ll set up cute dates for you with Mr. Pickles in tow, and there’s no shortage of times where you’ve found him holding the dog while dramatically proclaiming, “Cher, I would protect this lil’ fluff as fiercely as I protect you.”
Kurt Wagner (Nightcrawler):
- Kurt adores Mr. Pickles, even if the dog doesn’t quite understand how to react to his teleportation skills. He’s very gentle and sweet with the dog, often calling him “Kleiner Hund” (little dog) and being patient whenever Mr. Pickles gets confused.
- Kurt is used to people treating him differently because of his appearance, so he’s extra compassionate toward Mr. Pickles, who sometimes gets lost in his own little world. He’ll often try to engage Mr. Pickles in games or tricks, even if the dog just ends up looking confused.
- As your partner, Kurt loves how much you dote on Mr. Pickles and supports your attachment wholeheartedly. He’s the type to pray for the dog’s health during quiet moments and genuinely treats Mr. Pickles like a small blessing in both of your lives. Sometimes, Kurt even takes Mr. Pickles on little teleportation adventures, ensuring the dog’s well-being in a way only he could.
Ororo Munroe (Storm):
- Ororo finds Mr. Pickles absolutely endearing, though she initially worries about such a small dog in a world of superpowers and chaos. She uses her abilities to protect him from the weather, ensuring that he never gets caught in a storm or drenched by rain. Mr. Pickles might not understand why it never rains on him, but Ororo quietly smiles every time.
- She treats your relationship with Mr. Pickles with grace and understanding, recognizing how much joy he brings into your life. Ororo will often sit with Mr. Pickles on her lap while you’re relaxing together, gently stroking his fur as if he were a delicate creature of nature.
- Mr. Pickles, unsurprisingly, adores Ororo. Despite his limited intelligence, he follows her around like a little shadow. Ororo sometimes teases you, saying, “It seems I have another loyal follower,” while lifting the tiny dog into her arms with a soft laugh.
Jean Grey:
- Jean thinks Mr. Pickles is cute but also amusingly oblivious. She’s used to minds being complex and full of emotions, but Mr. Pickles’ thoughts are simple—mostly consisting of food, naps, and chasing after random things. She can’t help but smile every time she picks up on his scattered little thoughts.
- She’s supportive of your attachment to Mr. Pickles and thinks it’s sweet that you treat him like your child. Sometimes, she’ll help you by telepathically calming the dog when he’s overly excited or confused. She finds it adorable how deeply you care for him and appreciates how he adds a lighthearted dynamic to your relationship.
- Occasionally, Jean will make Mr. Pickles do something funny, like fetch you a flower or bark on command, using her telekinesis. You’ll burst out laughing when you realize she’s behind it, and Jean will simply shrug with a knowing smile, saying, “I thought he needed a little guidance.”
Bobby Drake (Iceman):
- Bobby thinks Mr. Pickles is absolutely hilarious. He’s constantly cracking jokes about how Mr. Pickles looks like a walking snowball, and the dog’s obliviousness only adds fuel to Bobby’s comedic fire. “How does a dog with no brain cells survive in this world?” he’ll laugh as Mr. Pickles runs into a wall.
- Despite the teasing, Bobby has a soft spot for Mr. Pickles. He’s made tiny ice toys for the dog to play with and has even built a little ice fort for him to run around in. Bobby’s playful nature means he’s always finding new ways to entertain both you and the dog, keeping the mood light and fun.
- Bobby likes to use Mr. Pickles as an icebreaker (pun intended) in your relationship. Whether it’s suggesting a “doggy playdate” or bringing Mr. Pickles to an impromptu snowball fight, Bobby manages to incorporate the dog into every moment, making your bond with him even more entertaining.
Hank McCoy (Beast):
- Hank is incredibly curious about Mr. Pickles. He’s fascinated by the dog’s behaviors, even if Mr. Pickles doesn’t seem to have the sharpest instincts. Hank might overanalyze Mr. Pickles’ every move, muttering things like, “It’s truly remarkable how such a small brain can direct such complex behaviors.”
- While Hank is used to more intellectual pursuits, he indulges you when it comes to your love for Mr. Pickles. He’ll read up on dog care, create homemade nutritious treats, and even design little gadgets to keep the dog entertained when you’re away. He approaches it scientifically but with genuine affection, wanting the best for your “child.”
- Hank secretly enjoys Mr. Pickles’ company. He often finds himself absentmindedly petting the dog while reading a book or working on an experiment, the small creature bringing a sense of calm to Hank’s otherwise busy mind. You’ll occasionally catch Hank trying to teach Mr. Pickles new tricks, though the results are questionable at best.
#marvel comics#marvel x reader#marvel xmen#marvel x you#marvel x y/n#marvel imagine#marvel headcanons#xmen imagine#x men headcannons#x men comics#comics#x reader#wolverine imagine#wolverine headcanons#remy lebeau x reader#gambit x reader#cyclops x reader#jean grey x reader#nightcrawler x reader#kurt wagner x reader#bobby drake#imagine#headcanon#hank mccoy#ororo munroe
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Interesting series of reblogs. They don’t really make me any more invested in these spoiled, entitled characters than I was before, but thoughtful things are being said.
I don't understand how Henry, Walter, Stella, and Fredrika are spared so much heat and criticism other characters get for being toxic, privileged, and mean. To be honest I don't see a big difference between their behavior and that of the August / Nils / Vincent crew (who I don't like either). I know it's the point of their characters but I'm still stuck on the comments they all made in the classroom scene in S1, criticizing welfare recipients and especially what Henry said to Simon about what his dad did. Then in s3 the way Stella treated Rosh like a plaything, then were supposed to root for her and Fredrika? Idk. I just don't get the love.
#young royals#queue#friendship young royals#yr s3 criticism#stedrika#walty#henry young royals#female friendship young royals#walter young royals#stella young royals#fredrika young royals#sara eriksson#felice ehrencrona#Simon eriksson#prince wilhelm#bullying young royals#Rosh young royals#madison mccoy#Madison young royals
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My Hero
Leonard McCoy x Reader
Summary: When a ground mission goes south, it's up to you to make sure the doctor makes it back safe and sound.
Character(s): Leonard "Bones" McCoy, Spock
Warning(s): Violence, Wounds, Cursing, Mild Suggestive Themes, McCoy Complaining
To say things weren't going well would be the understatement of the century. It was supposed to be an easy mission, but that's always how these stories start, huh?
The scanners indicated a series of underground caverns, ones that appeared artificial. Ruins that the archaeology department just couldn't go without exploring. Scanners also claimed there were no life forms within these caverns. The scanners were wrong.
You were the head of security aboard the USS Enterprise. As such, it was your duty to ensure the safety of the crew and perform a risk assessment. Chief Medical Officer McCoy joined you to run some scans, testing for biohazards that would put the ship at risk. Also accompanying you were two other security officers, two engineers to check the structural integrity of the tunnels, a biology officer, and an archaeology officer.
Once the entrance was found, your team discovered that the caverns were actually a sprawling ancient city built in a massive cave system. You also discovered that your communicators weren't working the deeper you traversed the city. If only that were the end of your worries. Two hours into the excursion, a loud echo of rubble falling came from the direction of the entrance. And if that wasn't enough, you were swiftly and brutally attacked by a sizable group of strangers who must have been using the city as a hideout.
In the pandemonium that followed, part of the ceiling came down and cut you off from the rest of the team. It was just you and Dr. McCoy, lost in a labyrinth of ancient ruins and unmapped caves. The doctor was a smart man, a man you greatly respected, a man you were proud to call a friend (for the most part). But he was the last person you would want to be trapped underground with. Complaints came to him as easily as breathing and with every wrong turn, his agitation only grew worse.
"I can't believe this, we just had to explore the underground city and for what? What could we possibly gain from coming down here?" Leonard grumbled.
"Knowledge about a lost civilization? Insight into what it takes for an intelligent species to naturally go extinct?" You suggested as you led him deeper into the city, careful to avoid any traps the armed strangers might have set for you.
"Who cares?! This place is a deathtrap, a goddamned asthma attack waiting to happen! We had no business sticking our nose where it didn't belong, and where did it get us?! I'll tell ya where! Trapped miles underground with an armada of murderous cave dwellers, with no way of contacting the ship!"
"Why don't you complain a little louder doctor, I can still hear myself think. And while you're at it, how about you go ahead and alert all our enemies to our exact location." You snapped, keeping your voice down despite the frustration.
Leonard huffed and looked away from you.
"Look..." You sighed, "I know this situation sucks, but losing our heads isn't going to get us out of here. I'm doing everything in my power to find our team and get back to the ship. I need you to have a little faith in me for once. Can you manage that?" You asked as calmly as possible.
"What the hell do you mean, for once?" Leonard frowned.
You hesitated, unsure if you really wanted to open that can of worms, but he had already worn down your patience. You gave in. "Come on Doctor, it's no secret you have zero trust in me as the Chief Security Officer."
"That's not-"
"There's no point in denying it now. I mean, all you ever do is criticize my work and admonish me for being reckless." You stated cooly, keeping your eyes fixed on the path before you.
"Well, what do you expect me to do when you come back from half your missions with cuts and bruises?" McCoy groused.
"I expect you to do your job and heal me, not tell me how to do mine. I'm a security officer, Injuries are par for the course I'm afraid."
"Doesn't mean you have to throw caution to the wind every chance you get. You volunteer for every single dangerous situation you can find and act surprised when it goes wrong! Seriously, it's like you and Jim have this intense, cosmic desire to play the goddamned hero and be a general pain in my ass. Has it ever crossed your mind that maybe seeing you like that bothers me?"
"You know what bothers me doctor?" You turned to look at him. "The fact that I have undergone rigorous self defense training in four kinds of martial arts, various forms of aerial combat, tech weapons, as well as training in tracking, risk assessment, reconnaissance, and mediation; yet, you still think so lowly of me as an officer that you think I'm the type of person who throws caution to the wind. I'm not careless, I don't take unnecessary risks. I want to live for a long time, but more than that, I want you and the crew to live for a long time. If that means I get bumped around every so often, that's fine by me. Of course I volunteer for all the missions. I'm the Chief Security Officer. If I wasn't the most qualified person for the job, I wouldn't be the CSO." An unreadable expression passed over Leonard's face as you spoke. "Now I'm going to do what I came down here for, and you're just going to have to be okay with that because I don't know what else I can say to get you to believe in me."
A muscle feathered in Leonard's jaw as you turned around and started walking again. The two of you had your fair share of lighthearted quarreling before, but you had never been so... angry at him.
You were right of course, danger was a part of your job and it wasn't fair of him to criticize you for being dedicated. The ship has known a lot less casualties since you arrived. In fact, your presence has made his job easier. But every time you returned to the ship battered and bleeding, Leonard grew more afraid that next time you wouldn't come back at all.
Bones had allowed his feelings for you to get in the way of his professionalism, and if your reaction was anything to go by, perhaps even your friendship as well.
You normally got along quite well. You'd share meals during breaks and join him after hours for a drink. Leonard always found it strange you never talked about your work with him, but he always chalked it up to you just needing a break from your job. Instead you both talked about your hobbies, plans for the future, memories from the past, pretty much anything and everything but your job. The only times you ever had disagreements were when you came back hurt after a mission. He always assumed you understood that his comments about your recklessness came from a place of care and concern. In retrospect, it was a stupid thing to assume.
Leonard needed to apologize, to clear up this terrible misunderstanding before your resentment grew into something unfixable.
"Y/N, I'm-"
"Shh-" You froze and held your hand up, signaling him to stop.
Leonard froze as well. Everything was quiet... too quiet. His eyes darted to you. Your hands inched toward your phaser like you were anticipating an attack he had yet to detect. You stayed that way for a few moments, eyes darting this way and that. Eventually, you relaxed your shoulders and turned back to Bones with a finger to your lips. Leonard nodded and you were both on your way again.
He had never seen you in action before. In all the time you had been on the ship together, he'd never had the pleasure of seeing first hand how you dealt with a crisis on foreign soil. He could see now how you had made such a difference. You were level-headed and confident. Even after your little spat, you were doing your job to keep him safe so diligently. Bones also noticed how quiet you were. If you weren't right in front of him, he might not have even known you were there. He watched as you expertly avoided shuffling your feet and kicking rocks. He made sure to step where you were stepping, or at least he tried to.
Leonard felt the ground give under his feet and he instantly knew he fucked up.
"God dam- AHHH!" Something snapped tight around his ankle and he hit the ground hard. Leonard felt the wind being abruptly pushed from his lungs and he couldn't decide what scared him more, the rope dragging him across the ground to god knows where, or the fact he couldn't catch his breath.
"Shit!" You gasped and pulled out your phaser. "Leonard, hold on!" You sprinted after him and shot at the rope, but it was hard to hit such a small target. Then you saw his destination. There was a massive ravine at the end of the chamber. No time for thinking.
You planted your feet firmly on the ground and aimed at the rope. You clenched your jaw hard and shot.
The beam flew.
Leonard watched the light sever the rope, just in time!
He came skidding to a stop right at the lip of the cliff.
Bones was lost in a daze of adrenaline, but luckily you had the presence of mind to drag him back.
"Doctor? Len, are you okay?" You crouched beside him and took his face in your hands.
"Just peachy! What the hell happened?!" Bones groaned and sat up, with your assistance of course.
"Looks like you activated a trap, doc." You frowned.
"How's my back?" He winced.
"You got some skid marks, but it looks like your uniform did a pretty good job protecting you. I think you'll live." You said gently. Leonard administered a hypospray to himself and you helped him up.
Looking down in the chasm, you shook your head and huffed. "Looks like we're gonna have to find another way down. Why don't you take a breather and I'll look around?"
"Breather my ass," Leonard grumbled, "You just want me out of the way so I don't step on any more goddamned traps."
"Hey, you said it. Not me," You joked.
"At least have the courtesy to deny it!" He scoffed.
You laughed and handed him your communicator, "Here, yours got all busted during your tumble. Keep trying to get in contact with the Enterprise and I'll be back before you know it. Just don't touch anything. Think you can handle that?"
"Just get out of here before I schedule all your vaccinations for tomorrow." He scowled and fiddled with the communicator.
You snickered and went on your way.
Leonard grumbled to himself as he tried to get a signal. Dammit, he was a doctor! Not an engineer! After ten minutes of nothing, he huffed and ran a hand over his face. It was no use, they were in too deep. Their only hope of rescue would be that the captain realized something was off and sent a team after them.
In the meantime, he was at least happy to have some alone time with you-
"I think I found a way down," you said, startling the doctor so badly he almost jumped out of his skin.
"Dammit Y/L/N," He stood and dusted off his rear end, "You nearly gave me a heart attack."
"You say that like it's a difficult thing to accomplish," you smirked.
"You're hilarious. Why are we going down anyway, isn't that the opposite of what we want to do?" Leonard scowled.
"Down is the only direction left to go. It's not ideal, but it's all we have. I also heard talking coming from the bottom of that chasm. It's not in a language I understand, which means it's likely the cave dwellers. If they're hanging out down there, it probably means there's a path that loops back around. We'll have to keep quiet though, don't want them to know we're following."
Leonard's heart betrayed him and decided to start beating faster of its own accord. Sure, he found it really attractive when you showed off your intelligence. Of course he thought it was enticing when you spoke confidently, like the universe bowed to your whim. Did that mean he wanted to be spellbound by your endless charisma in such a dire situation? Hell, maybe he did. He wasn't even sure anymore...
"Sound good, doctor?"
He thought back to your... conversation about him having no faith in you. "Sounds great. Lead the way," he replied.
~~~
The path down was thin and arduous. The stairs could hardly be considered stairs anymore. It was more like a damp slide made of mineral buildup. Leonard was also beginning to realize he needed to do some more intense leg workouts. There was an exercise routine that all crew members were required to follow. But regardless of the shape he was in, his ass was burning! Time to up the incline on the treadmill.
You, however, were doing just fine. Not a single slip in the wet terrain. He could tell you were moving slower to keep Leonard from falling behind, which was only slightly embarrassing.
At the bottom of the ancient waterslide, there was a pool of questionable depth. Leonard cursed under his breath. The water was dark and so was everything else, even with their flashlights. They could walk right into a 400 foot drop and they wouldn't even know it. At least the waterfall flowing nearby would mostly drown out their screams.
You turned to Leonard and held your hand out to him. Thank god it was dark, you would have seen his face light up like the fourth of July! His blush only grew when you leaned in close to his ear. "Stay close. We're gonna take it slow," you whispered. He nodded and grasped your hand tight.
You waded into the freezing water and pulled McCoy along with you. Taking careful, controlled steps forward, you searched the floor for holes. The two of you moved at a snail's pace, but Leonard hardly cared. Better to be slow and steady than fast and... reckless.
You suddenly stopped, causing McCoy's chest to slam into your back. You flailed, teetering on some unseen edge. You tried to push him back, but Leonard's arms found your waist and pulled you into him.
"Dammit. Are you okay?"
"Peachy," you huffed. "Found a hole.''
"I figured," he slowly let go and tried to peer into the water. He saw nothing but darkness. Terrifying. God damned terrifying.
"How good are you at swimming?" you asked.
"Good when I can see where I'm going."
"Want to brave the waters, or go around?"
"I'd rather not have my pants and my shirt wet if I can help it."
"Go around it is."
Turns out the hole was huge. It took a long time to trace the perimeter, but eventually you ended up on the other side. You were both dripping and freezing, but at least you weren't drowning victims. Always look on the bright side.
Once you cleared the roar of the waterfall, it was back to silence. The alien voices were getting louder and louder with each step. Leonard wouldn't be surprised if they stumbled on a gaggle of them just around the corner. You kept your phaser in hand just in case. Leonard had his out as well... but he was a doctor, not a gunslinger.
The path slowly grew more steep, traveling upward like a real-life stairway to heaven. Huh... They had to go down... to go up... Leonard wondered why anyone would design a path this way. The corridor ended in a sharp turn, which you had the presence of mind to investigate before barreling in like you owned the place. There was an alcove with five unknown people of indiscernible origin. The one thing you were sure of was that they were not Human, Vulcan, Romulan, Ferengi, Klingon, or Andorian. In fact, these guys had four arms each, so you were able to rule out a great deal of species.
Normally, you would turn around and find a different route, but this was the only way forward. Leonard watched as you checked to ensure your phaser was on the stun setting. Nope, he did not like this one bit. What if you missed?! Were you really going to take on five people at once? He grabbed your arm and shook his head. You frowned and leaned into his ear once again. "There's no other way. I don't like it either... Stay back."
McCoy reluctantly did as you said. You outranked him. He didn't really have a choice. You stepped out from around the corner and shot off exactly five blasts. The doctor didn't see the beams make contact, but he did see the aftermath and... goddamn...
"Shit, darlin'," he placed his hands on his hips as he glanced over the room. "Remind me never to piss you off."
You holstered your phaser. "We should keep going... Could you give them a scan, doctor? Just to make sure I didn't... you know."
"Say no more, I'll have this done in a jiffy."
You snorted, "jiffy?"
"Don't even start."
"Adorable," you smiled and started collecting the weapons that had been haphazardly strewn on the floor.
McCoy nearly dropped his scanner.
'Come on man, get yourself together! You're a doctor for crying out loud! Act like one!'
Leonard shook his head of all thoughts regarding the implications of your one-word compliment. Instead, he focused on the readings of the scan. Oh, looks like these people are Kaviran. Kavirans are an endangered species of nomadic planet-hoppers. They're increasingly rare to find, no wonder he didn't know who they were at a glance. All five of them seemed to be in good health.
"I reckon they'll be just fine," Leonard stood and attempted to dust off his pants. It just smeared in like mud because the fabric was still damp.
"I reckon we better be on our way then," you smirked. While he was working, you hid the weapons... somewhere. Leonard was so caught up in the scans that he didn't see where you stashed them.
Leonard trailed behind you once again, but you had picked up the pace. He wasn't complaining per se, the sooner you got out of here, the better. The hard thing was realizing just how tired he was. What time was it? How long had they been down here? Surely Jim had noticed something was off by now!
McCoy cursed under his breath and pulled out your communicator he borrowed earlier... still no signal.
"Damn useless hunk of junk," the doctor grumbled.
"Still nothing?"
"Nothing. Seriously, what's the point in carrying these things around if they never work when you need them to?"
You nodded in agreement. "At least this might push Starfleet to do an overhaul of our coms technology. We needed one, like... yesterday," you chuckled.
"You can say that again... And while they're at it, they can update our ship's scanners. This place was supposed to be empty, remember?" McCoy raised an eyebrow.
"I'll be sure to put it in my report, along with a request for waterproof shoes," you grinned back at him.
"You know, I could go for a hot shower right about now," Leonard hummed.
"Head out of the clouds please, doctor."
"My head is currently as far from the clouds as it could possibly be. I'm 2,576 meters underground."
"Where'd you pull that number from?" you chuckled.
"My ass," he grumbled.
"That sounds very unsanitary, doc."
"Well, I would have pulled it out of my medical bag, but I lost it during the cave-in."
"Oh yeah, I thought you were missing somethi- Wait... where did you get the hypo from?" you turned to look at him.
"Hypo?" he asked.
"When you got caught in the trap, you gave yourself a hypospray to help with the pain. Where did you get it from?" you asked incredulously.
"Sweetheart, a good doctor always keeps a backup in his pocket. Especially when you've been a field medic as long as I have," Leonard said.
"And how long is that?" you chuckled.
"Never ask a man his age," Leonard winked. His eyes were probably playing tricks on him... but he could have swore he saw you blush. You turned away before he could confirm his suspicions.
"I'll just look it up in your file later," you teased.
"Isn't that a breach of conduct?" the doctor huffed.
"I'll be evaluating a security risk."
"Security risk?"
"Absolutely. Can't have a dinosaur operating on the crew~"
"We're the same age, smart-ass."
"Damn, doctor. You look good for your age." You turned and winked back at him.
Now it was Leonard's turn to be flustered. He opened his mouth and closed it a few times like a fish out of water, unable to form a sentence that would make even a lick of sense. McCoy finally settled on rolling his eyes and turning his attention to the cave walls. You just laughed and faced forward again.
With how you were acting, Leonard could almost believe things were normal, that he was not hundreds of feet underground. He could almost believe he was back on the Enterprise, playing darts with you in the recreation room... He could almost believe everything was okay between you.
He had been feeling it since, have a little faith in me for once, fell from your lips. McCoy had been a doctor for years, he knew what bedside manner looked like. You were trying to keep him at ease, pretending everything was fine... but it wasn't. The jokes... the smiles... they were all just tools for de-escalation. He thought through what he had said earlier about you coming back with all the cuts and bruises. He meant what he said, it does bother him... But it wasn't what he wanted to say.
He wanted to tell you that he trusts you, that he always will. He wanted to say that... that you're the bravest person he's ever met. He wanted to take it all back. Instead of calling you reckless, he should have said that seeing you in pain hurts him more than any physical wound he'd ever had.
He should have said, I'm sorry...
He could do it now. Was now the right time? When is it appropriate to apologize? When was it not? God, Leonard was such a mess. Why was it so hard to just say sorry?! It wasn't his pride getting in the way! If it was, he wouldn't even be able to admit any wrongdoing! 'Just say it you bastard! Tell them! It's on the tip of your tongue!'
"Y/N?"
"Yes, doctor?"
He didn't have time to speak. A deep, aggressive tone echoed down the dripping cave halls. It sounded like... a war horn? You turned back to look in the direction you just came from with a grave expression.
"Len, you're gonna have to hold that thought."
~~~
He couldn't quite remember when he started running, but down the narrow passage he flew, stumbling occasionally over uneven terrain. The wind screamed in his ears. Leonard was sure he had never run so fast in his life. You were right behind him, letting him set the pace, never passing him by. He wasn't sure how long he had been going for, but his lungs burned and his legs shook with every stride. He could stand for hours during surgery, but running nonstop through a cave was a whole different ballgame for him.
Leonard could hear yelling and heavy footfalls, but was unsure of which direction they were coming from. Were they being followed, or were they running into a trap? He found his answer soon enough when he skidded to a halt in front of twenty Kavirans... twenty-one actually. Then, when he thought the situation couldn't get any worse, the five Kavirans you left behind in the tunnel came up from the rear. You were boxed in. Two against twenty-six.
You pulled McCoy behind you, phaser poised to shoot at a moment's notice. It wouldn't do him much good when the cave-dwellers decided to attack, but he appreciated the sentiment.
"Humans. Lower your weapons and you will be left unharmed." One of the Kavirans said in gurgly English.
"I will not lower my weapon until your colleagues all do the same." You said cooly.
"To make this stand would be foolish. Lower your weapon," the Kaviran you assumed was the leader reiterated.
"It is against policy to lower my weapon until I have ensured the safety of the crew in my care."
"You attacked our people in our own home. You are in no place to bargain."
"You attacked us unprovoked shortly after we arrived. If we had known this place was occupied, we would have left it alone. We were on a scientific excursion. There was no intent to do you any harm-"
"And yet, five of my people have been ambushed." The leader gestured with one of his four hands to the slightly disoriented aliens behind you.
"I have no desire to fight you. Let us pass and we will leave you in peace." You seemed to realize it at the same time Leonard did. Discussion was futile. They wanted to kill you while putting in the least amount of effort possible. If you had no weapon to fight back with, what threat could you possibly pose?
"Lower your weapon," the leader scowled.
Leonard watched your shoulders tense. You raised your chin and narrowed your eyes at the Kaviran. "Doctor?" you said.
"What is it, Y/L/N?" Leonard clenched his jaw.
"Duck."
It took him a whole three-fourths of a second to register what you were asking of him, then he hit the deck.
You Immediately opened fire, taking down six Kavirans in a matter of seconds. You missed the seventh when your wrist was seized by one of the alien's long sticks, which clamped around your arm like the jaw of a beast and flipped you onto your back. You wrenched the stick out of his hand and snapped the shin of the guy beside you.
A heavy boot just barely missed your head. You ripped the weapon from your arm and swiped it under the legs of the assailant, driving your elbow into his ribs when he hit the ground.
Someone is on you. It's a mess of limbs. Four arms to your two. Your fist rattles his jaw. Once. Twice. Again.
He's on his back, your legs straddling his stomach as you wail on him. Four hands are on your shoulders. You grab two by the wrist and twist them out with a disgusting crunch.
Something burns in your shoulder as you stand. Leonard is on the ground, clawing at an alien's eyes with one hand, reaching for his phaser with the other. You grab the Kaviran by her hair and rearrange her face with your fist.
You're blinded by a sharp pain in your temple and the sound of phaser blasts barely breaks through the ringing. Bracing yourself on a rock, you catch your breath, but only for a second. A dodge, you grab the alien's stick and clock him in the stomach, then lock him in a choke hold with it. His four arms out-maneuver yours and the weapon is pulled from your hands.
Two more guys join in. A scramble for power ensues. You endure a barrage of punches. These guys are relying on arms. You force one into the wall with your shoulder and catch another in the spine with your foot.
Heavy breathing.
Shots are ringing out. The caves are dark and the only light is from the phaser, the laser guns, and the abandoned flashlights being kicked around the cave floor in the chaos.
The rest is over and your forehead clashes with an alien skull. Your side rips open on a rock as you fall to the ground, but you don't stay down for long. You decide to go for a new tactic, less hitting, more kicking.
One of them goes for a punch, you block with your forearm and bring your knee to her side before planting a swift kick to the face. The caves echo the sound of grunts and groans, fists and feet hitting flesh, and gunfire. You don't know where your phaser is, but you could really use it right about now.
Your eyes are starting to swell and everyone is starting to tire. You're relieved to see Leonard taking cover behind a rock column. You take another down, then another. Leonard is under heavy fire. If you can get the gunmen off him, then he will be free to stun the others into submission.
You run for the first gunman and surprise him with three well placed kicks, the other fires on you and misses miserably. You reward him with a broken nose and a dirt nap.
Your attention is occupied by four Kavirans, who lunge at you all at once. You're overpowered by the strength of their doubled limbs. One is holding down your arms, two more have subdued your powerful legs, and the last is destroying your face. You manage to yank one arm free to land a few hits on your main attacker, but it doesn't last long. Four hands are crushing your neck and-
Silence.
They all slump to the floor.
You lay there, too tired to fight the dead weight of the alien on top of you.
It wasn't until Leonard appeared like an angel sent from the heavens, that you finally remembered how to breathe. He pushed the guy off you and cradled your bloody face in his hands.
"Y/N? Darlin', can you hear me?"
"Loud and clear, doc," your voice came out as a dry rasp.
McCoy pulled a hypo from his pocket. "That's really good sweetheart, can you tell me where the pain is?"
"Everywhere hurts. My legs are sore, but I can walk. My head and my ribs feel the worst. Something is definitely broken." you cleared your throat.
"I'm thinkin' you're right... any numbness?"
"Yeah, some down my right arm and near my ribs and chest." you gestured with your slightly-less-injured left arm.
"Nerve damage, nothing I can do about that until we're back on the ship," Bones hung his head and sighed in defeat. That was when you noticed a small stream of blood trickling down the side of his face. You reached up and tenderly tried to brush it away with your thumb, but you only managed to smear it.
"You're hurt... I'm sorry-" you started.
"I'm hurt?! You-" Leonard's voice betrayed him. Doctors were supposed to exude a sense of calm, but he just couldn't keep it in this time. "You're laying here in a pool of your own blood and you're worried about me?!"
"Has anyone ever told you that you have incredible bedside manner?" you winced and tried to sit up, but he pushed you back down.
"Don't. You. Even. Dare," he narrowed his eyes at you, pulled out his tri-corder, and snatched one of the rogue flashlights from the floor. The scan results made him want to rip his hair out. Your whole body was basically covered in one big bruise. Five broken ribs, a broken nose, several major lacerations, laser wounds, and a massive concussion. That wasn't even close to all of it, but one thing at a time.
He injected you with his last spare hypospray. Leonard really wished he had his goddamned kit right about now. The gashes in your side needed to be closed somehow. You were losing too much blood with the wound open like that. No auto-suture, no thread and needle, no bandages. There was only one option. Cauterization.
"Stay," Leonard ordered before grabbing a laser off of a fallen Kaviran and one of the metal sticks from the floor. The doctor blasted the end of the rod until it was red-hot and settled beside you again.
"That doesn't look fun," you pursed your lips.
"It won't be. It's going to hurt... a lot," Bones said.
"Great," you huffed and leaned back into the dirt.
"Lucky for you, Spock gave me some good practice with this method a few years ago. It'll be quick, I promise," he tried to reassure you.
"Yeah, yeah. Just get it over with, please."
"Deep breath in," Leonard whispered soothingly. You squeezed your eyes shut and did as he asked. He peeled back your red shirt and pressed the scorching metal to your skin before he could second guess himself. The sounds of agony you made were torture to his ears. The seconds felt like hours, but eventually the screams fell away to quiet shivers and pants.
McCoy used his sleeve to wipe away some of the blood on your abdomen. No new blood replaced it, meaning he successfully closed it! "All done, sweetheart. No more..." He tossed the rod away and held your face in his soft hands again.
"Well..." you caught your breath. "That wasn't so bad... I don't suppose you have any water in those magical pockets of yours?" you asked hopefully.
"I'm afraid not," McCoy's eyes softened when they fell on you.
"It's fine, maybe I can ring out my pants and drink the water from our little swim earlier..." you joked.
Leonard sighed and shook his head, "Darlin', you are a force to be reckoned with..." He brought the cuff of his uniform to your cheek and tenderly wiped away whatever blood he could. Your face was swelling around the Orbital and Zygomatic regions. He could see it in your eyes... you were in a lot of pain and there wasn't a damned thing he could do about it. His med-kit was miles away, somewhere under several feet of debris.
"Where's my phaser?" you lifted your head, but he gently urged you back down.
"Easy there tiger, take a breather. I'll find it," McCoy groaned as he stood up. The hypo he used earlier for his back was starting to wear off. He must have been down here a lot longer than he realized.
The doctor scoured the floor for your phaser, but everything was so dark and his flashlight was getting low on power. After close to five minutes of searching, he swiped one of the enemy's lasers from the floor and brought it back to you. "Sorry, I know you aren't a fan of deadly weapons, but this is all we got."
You took a deep, shaky breath and forced yourself into a sitting position. "Let's hope I don't have to use it then..." you winced and placed the weapon in your holster. "We should get moving. These guys aren't gonna stay down for long."
Leonard nodded and brought your left arm around his shoulder, bracing your waist with his gentle hands. "Alright, up we go... Easy, easy. That was only a temporary fix back there..." he whispered. Slowly, Dr. McCoy eased you into a standing position. Almost immediately, your vision swam and your body sank against his.
"Oh..." you muttered, closing your eyes against the spinning room.
"Y/N? Talk to me. What are you feeling?"
"This is a bad concussion... the worst I've had. I feel like I'm sideways, standing on the wall instead of the floor."
"Okay, try taking a step for me."
You opened your eyes and took a step forward, but your upper body swayed to the side, attempting to account for the imaginary tilt. You probably would've fallen on your face if McCoy weren't there to catch you.
"Well, darlin' I gotta hand it to you. If you were any more off-center, you'd be the damned tower of Pisa"
"Leave me here... you need to go and find the others. I'll just slow you down."
"Out of the question. If the roles were switched, would you leave me behind?" McCoy raised his eyebrow disapprovingly.
"That's differen-"
"You and I both know that's a load of hooey. I'm not leaving you. End of story. Now sit here for a minute, while I figure something out."
You begrudgingly sat down on a rock, with Leonard's help of course, and watched as he paced for a few moments. You supposed he must have come up with something, because he stole a scarf from one of the aliens and started tying it around himself in various ways. You eventually decided to close your eyes. While you always enjoyed looking at the handsome doctor, your sense of vertigo was making it rather unbearable.
"Alright, I've got a plan, but it won't feel too good on your ribs."
"Great..." you mumbled, keeping your eyes shut.
"I'll try to be gentle-"
"I know Len... We're short on options and you're doing your best. It'll be okay... I trust you, " you offered him a smile. His heart did back-flips in his chest and it took everything in him not to tell you he loved you right then and there! Instead, he wrapped the scarf around you, hoping the extra support would make it easier to carry you long distance.
"Okay darlin', I'm gonna pick you up now... Is that okay?"
"I'm ready, go ahead," you said.
The moment your chest made contact with his back, you felt a wave of nausea-inducing pain all through your body. You pressed your face into his shoulder and tried not to make any noise. Leonard hoisted you up, hands clutching your thighs.
"How're you doing back there?" Leonard turned his head so you could hear him.
"Been better..." you managed. "Let's get moving doc, before I throw up on you or something."
"Wouldn't want that, would we?" he started walking away from the carnage at a brisk pace. His back was screaming at him, but he had no intention of putting you down. You winced at every sharp movement, so he tried to keep all shaking or bouncing to a minimum.
The path was tortuously uphill, with a few straightaways between that gave him some reprieve. Eventually, the cave walls gave way to carved buildings. The flashlight he had attached to his shirt was growing dimmer, so he was thankful for the more predictable pattern of the ancient roadways. All was quiet except for the shuffling of feet and running water. That was, until you spoke up.
"Hey Leonard?" you whispered. Your hot breath caused Bones to shiver.
"Yeah? What is it, do you need a break?" he asked
He felt you nod against his shoulder. You must be exhausted. Fatigue was common with concussions. He just needed to make sure you stayed awake until he could get you into a bio-bed.
"Just hold on a little bit longer, I think I hear a stream up ahead. Maybe we can get you that water you were asking for, huh?" he suggested.
You nodded again.
McCoy picked up the pace a little and started following the sound of the water. As luck would have it, they found what must have once been a beautiful fountain. Over the years, the water pouring from the ceiling ate away at whatever carving had been there. The fountain was now nothing more than a circular pool being fed by a small waterfall, but presentation matters not when you're as thirsty as a riverbed in a drought.
Leonard eased you onto the lip of the pool and leaned you back against a stone structure that probably used to be a retaining wall. He sat the scarf to the side and pulled out his tri-corder again. A quick scan informed him that the water was safe to drink. McCoy washed his mitts in the basin before cupping them under the waterfall. Once full, he brought them to your lips and urged you to drink.
He did this a few times until you seemed satisfied, only then did he allow himself a few sips. Bones stretched out his legs and cursed under his breath. His whole body felt like lead. He was sure you were enjoying the break too. That pressure on your chest must have been terrible, even with the medicine dulling the pain. Yet, you never complained. Not even once. He wished you would lean on him, let him give you some comfort. Instead, you were probably bracing for him to make some unsolicited comments about you and your work.
Leonard was pulled from his reverie when you tilted toward the water with the intent to cleanse yourself of the caked on blood. Your face contorted in discomfort and you pressed back against the wall. You took a moment to collect yourself and tried again, but McCoy stopped you with a soothing squeeze of the shoulder. "Let me do it..."
"Leonard, you don't-"
"You took down the quad-armed madmen, now it's my turn. You did your part... Let me do mine." He peered at you with those gorgeous hazel eyes and you were powerless to refuse. You nodded and leaned your head back against the rock.
He knelt in front of you and took your hands into his. Leonard's palms were soft and tender... the hands of a healer. Yours were bloody and busted and callused. You weren't sure it should be legal for you to touch someone like him. He didn't bend you toward the water. Instead, he got his hands wet and wiped away the stains using slow, circular motions. The cold water felt nice against the scrapes on your knuckles.
Bones was always gentle with you, even if he wasn't pleased with you. To be honest, it was one of the things you most looked forward to when you got back from a long mission. Amidst all the uncertainties in the universe, the one thing you could always count on was Leonard. You could count on a southern metaphor and a few well-placed medical jokes to keep you from falling apart at the seams. His smile, his voice, his touch... they were your anchor.
He should have left you behind. He probably would have made it to safety by now, but he was stubborn as a mule. No amount of arguing would shake him when his mind was made up. You couldn't decide whether you loved that about him or hated it.
You loved it, of course you did... You loved everything about him. No point in denying it now. You needed him safe, not here taking care of you.
"Leonard, I need you to do something for me..." you said.
"What is it, sweetheart?" he whispered in that drawl you loved so much.
"I need you to go and find the others," you murmured, peering at him through half-lidded eyes.
His hands ceased all movement and he looked at you with an ambivalent expression... the one he always wore when he was about to scold you. You sighed and braced for the impact.
"Are you out of your mind? I can't leave you here! It's not safe!" he furrowed his brows at you.
"That's exactly why I need you to go. I've put you in danger long enough. I'm not getting any better Leonard, I'm slowing you down."
"I'm not leaving," he glared at your hands as he washed them.
"Why do you always have to do this?" your voice shook.
Leonard froze.
"Why can't you just trust me? I'm trying to keep you safe! I've become a detriment to your survival. You have to leave me. Please. Just one time... I don't want to argue anymore... I just want you to live... I love you, dammit!" Tears carved a path through your bloodstained face.
Leonard's throat burned as he struggled not to cry. You meant it... He could see it in your eyes, hear it in the desperation in your voice. You were at your breaking point. The cool and confident Y/N was gone. He couldn't be a coward anymore. It was time to just come out and say it. But when he tried, all that came out was a remorseful croak. No. He had to show you.
Bones cradled the sides of your face in his hands and pressed his lips against yours. His body moved of its own accord, desperate to get closer. His breath hitched when your fingers snaked into his hair, your touch sent a wave of goosebumps down his arms. The kiss was clumsy, full of bumping foreheads and clashing noses in the dark. But despite the messiness of it all, he wanted nothing more than this moment to last forever.
The eagerness slowly melted into soft, slow kisses. Finally, Leonard pulled away, eyes swimming with regret. His thumbs brushed over your cheeks. His lips quivered on the edge of speaking.
"I can't leave you... I can't do it... I trust you... I don't think you're reckless, or foolhardy, or whatever else I've said through the years. You're a hero! My hero, and I think you're incredible at everything you do. You're the best damned CSO we've ever had on the Enterprise and I should have been tellin' you that all along," McCoy shook his head. "I'm sorry I led you to believe I thought you were anything less than perfect... I love you, Y/N... Don't ask me to leave you behind..." he pleaded.
McCoy's breath caught in his throat when you lightly grabbed his wrist. His eyes glinted off the ever-dimming flashlight, giving the illusion that stars were suspended within.
Your attention darted over to his hands... his impossibly soft hands. You allowed yourself the privilege of intertwining your fingers with his.
"Y/N?"
"Have I ever told you that you have beautiful hands?" You murmured tiredly.
"Can't say you have..." he whispered breathlessly.
"Well, you do... You've held my life in them so many times... You're my hero too..." you hummed and closed your eyes. You brushed your slightly-chapped lips over his knuckles, making Leonard melt to the core.
"Y/N..."
"It looks like we've reached an impasse... I love you too much to let you stay... You love me too much to leave..." You murmured against his fingers.
"Then I guess it's time we came up with a compromise..." Leonard whispered. You opened your mouth to respond, but an unexpected voice took you both by surprise.
"That is incorrect doctor, no compromise will be needed."
You had your laser out in a matter of seconds and Leonard had his flashlight aimed at the stranger. In the dim lighting, you could see that the person wasn't actually a stranger. It was Spock!
"What the- What- Spock?! How long have you been standing there?!" McCoy bellowed.
"Since you informed Commander Y/L/N that you love them," Spock raised an eyebrow and stepped closer.
"Dammit, Spock! Why didn't you say something?!"
"I felt it would be rude to interrupt-"
"Nevermind that. I need you to go get a stretcher and bring it here! Y/N is badly injured!" Instead of leaving like Bones expected, Spock pulled out his communicator. "Spock, that thing doesn't work down he-"
"Spock to field team. I need a stretcher at my location. I have left a trail for you to follow. Yes. Yes, I will inform them," the Vulcan closed his communicator and resumed his signature resting pose with his hands behind his back, "The medical team is on their way here with a stretcher and supplies."
"Now the communicator works!" Leonard threw his hands up in exasperation.
"Have you found the rest of the crew?" You asked, hope evident in your tired voice.
"Your team all made it out alive, Commander. Minimal injuries. They were placed under heavy surveillance, likely with the intention to sell our officers in an underground market. They managed to escape when a horn sounded. Several Kavirans left to investigate, leaving only two guards. Security officers Lewis and Elfan dispatched them quickly and led the others to safety. By the time they made it back to the entrance, rescue personnel had blasted their way in. They are resting in the medbay as we speak."
You released a sigh of relief and sagged against the stone. You could finally breathe easy knowing your team was alright. "Thank you, Spock."
"How far are we from the surface?" McCoy asked.
"2.414 kilometers," Spock replied.
"A mile and a half?! We were almost there?!"
"No doctor, you were going in the wrong direction. It is fortunate I found you when I did."
McCoy shot him a glare and returned his attention to you. "How are you feeling sweetheart? Do you need anything?"
"I need a nap..." you tried to smile.
"You can have one when we get back to the Enterprise. Think you can hold on a bit longer for me?"
"For you doc, I'd do anything," you winked.
Leonard blushed and smiled. "You're damn near ready to pass out and you're trying to make me weak in the knees~"
"You say that like it's a difficult thing to accomplish, doctor..." you whispered and shivered. The loss of blood had taken down your body temperature by a significant amount.
McCoy settled beside you on the floor, hissing as his scraped back made contact with the cool stone. You tucked yourself into his side and snickered.
"What?" he frowned.
"You smell terrible," you smirked back.
"Then why are you moving closer to me?"
"I'm hoping if I sit close to you, you'll kiss me again~" you joked.
Leonard didn't dare look at the Vulcan standing a few feet away. He didn't look at you either. He just sat there, practically steaming from the embarrassment.
"It was a joke, doctor," you teased.
Bones let out a sigh of relief.
"Jeez, don't sound too disappointed," You laughed and winced as a jolt ran through your ribs.
"you wanna kiss me that bad?" he asked.
"I've only been wanting to for like... a year," you shrugged.
He leaned close, his lips ghosted over your ear. "Don't worry darlin'. Once you're all healed up, you can have me all to yourself..." he drawled in a whisper.
Your face lit up like a wildfire. You were amazed at how quickly he had turned the tables on you...
At least you weren't cold anymore.
~~~
It took thirty minutes for the medical team to arrive with a stretcher and thirty more minutes to exit the cave. Almost as soon as the moonlight hit your face, you were beamed up onto the ship. You barely had a second to greet the Captain before you and Leonard were whisked away to the medbay. Due to the injuries McCoy sustained during his time underground, he was not permitted to operate on you. Dr. M'Benga took wonderful care of you and within the week, they allowed you to rest in your own room.
Leonard made regular house calls and sat by your side most nights after his shift. He was determined to help you make a swift recovery.
You watched him out of the corner of your eye, admiring the shadows his tousled brown hair was casting on his face. The doctor was trying not to doze off and failing miserably. It was a mesmerizing sight.
"You're staring, Darlin'," he murmured and peeked an eye open at you.
"Stop being so pretty and I'll stop staring," you shrugged. He rolled his eyes, but the blush gave him away. For his sake, you decided to change the subject. "You know, doctor... I never said thank you."
"Thank me? for what?" he asked.
"For saving my life..."
"You don't need to-"
"I do. It's not easy... your job, I mean. People like me, the fighters, get all the spotlight, but you put yourself on the line... carried me to safety. I saved your life once... You've saved mine... I don't even know how many times," your eyes softened. "Thank you for everything... "
Leonard stared at you for a moment before leaning in and kissing you softly. A sentry and a surgeon. The ultimate pair. After years of dancing around each other, you finally gave in.
Your doctor pulled away with a lazy grin and tucked your head under his chin. "There you go again, wooing me with your endless charisma."
"Says the man who's filled to the brim with southern charm."
"At least I don't use my charm as a means to get what I want."
"How else was I supposed to get your attention with you falling asleep over there?~"
"You could have asked nicely. Haven't you ever heard of the word, please?"
"Can't say that I have."
"Don't you worry darlin', you'll learn soon enough," he smirked against your temple.
You halfheartedly smacked McCoy's chest. "Slow down there, cowboy. My ribs are still broken," you sassed.
"Just giving you an incentive to heal quicker," he kissed your head and pulled you closer.
"Mhm..." you closed your eyes and listened to his steady heartbeat. A month ago, you could have only dreamed of holding him like this... of being held. Now he was here, tracing shapes on your shoulder with his delicate fingertips.
"Y/N?"
"Len?" you smiled, eyes still closed.
"I hope you know that I'd do it again... a billion times over," he said. You knew what he meant.
"Me too..." you hummed in agreement.
You'd take the beating again and again for him... and no matter how many beatings you took... you knew he'd be there waiting to make it better again. A vicious cycle.
"I love you," he whispered.
You wouldn't change it for the world.
"I love you too."
You had a lot of healing to do before you could fully embrace this exciting new development in your life, but for now, you were content.
Content, huh? Now that's the understatement of the century.
....................
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#x reader#bones#bones x reader#leonard mccoy#leonard mccoy x reader#reader fanfiction#star trek#star trek fanfiction#star trek x reader#bones mccoy
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#1038 God this is tiresome. I won't object to prequels making any of the TOS characters queer, it's fine (personally I'd pick Uhura and McCoy), but Spock was actually never gay or bi in canon and people (it's not just this confessor doing this!) claiming AOS and now the prequel series are "denying" what Spock truly is, it is so tiresome. And no, AOS wasn't homophobic for erasing K/S either, because there was nothing to erase. They were never canon.
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#response to confession#critical response#confession 1038#star-trek-fandom-confessions#star trek#the original series#nyota uhura#leonard mccoy#spock#alternate original series#anti spirk
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it will always be priceless that the inciting incident for the most critically acclaimed star trek episode of all time is “oh fuck. doctor mccoy just took a LOT of meth”
#not the cordrazinnneeee#their faces always kill me#ASSASINS!! MURDERS!!!#you can’t take the star out of the trek#he literally gets high on speed and runs away like a crusty white dog#‘Jim.’ ‘Yes Spock.’ ‘Where is Doctor McCoy?’ *checking the fence gate* ‘Oh fuck-‘
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