#someone else come take this from me

[di-loves-coffee]

“John!” Danny shouted as he saw Clockwork’s lover, all the glee he felt inside being reflected on the body he was in in a way that made the others wince— or maybe it was a flinch? It was hard to tell with their masks.

“Are you calling Clockwork? Do you think he'll know what to do?” Danny was met with an annoyed wave-off from the British man.

“No, Nocturn, bloody bastard owes me a soul now.” Danny’s favorite magician (so far) continued to text like an asshat and Danny deflated, sinking into the chair and beginning to whine.

“Come onnn! I know you know how to fix this! Don’t make me tell Pandora!” Danny threatened, even though he liked the magician too much to actually follow through on his threats.

“Yeah, yeah, your majesty,” John clearly knew this.

“Constantine, who is this entity,” a small voice demanded and when Danny glanced over he realized it came from a short vigilante wearing a hooded cape— Danny vaguely connects the muted traffic-light colors of his costume to the name Robin.

“Don’t worry about it squirt,” John answered, still gossiping to Nocturn like the jerk he was. It seemed Robin didn’t like that.

“It is inhabiting my father’s body!” The small boy argued as he marched to stand before John. “We need to know if it’s dangerous!”

The way he spoke made Danny sink a little further in on himself, being called an It reminded him of the GIW..

“He’s a he, not an it, first of all,” John supplied, stepping around Robin to smudge the circle and free Danny. “And I trust ‘im, so that should be enough.”

It was not enough.

that time when danny accidentally overshadowed bruce wayne (dpxdc)

Danny felt a pull on his gut- a pull that he’s intimately familiar with, a pull that is almost always followed by a summoning. He closed his eyes and allowed himself to follow the sensation, going ghost in the middle.

Meanwhile, Bruce Wayne was sitting in the middle of a chalk circle, tied haphazardly to a chair. A cloth was stuffed into his mouth, likely because his kidnappers got tired of his brain-dead yapping. He internally rolled his eyes, waiting for one of the Bats to “save” him.

His kidnappers stepped out of the shadows, surrounding the chalk circle which was not actually a chalk circle and holy shit that’s a ritual circle and he’s a sacrifice and has the Brucie Wayne persona bled through to his actual brain because how could he have missed that-

The cultists began chanting in Latin, and Bruce began to panic slightly. Where were the bats??

Before they finished the supposed summoning, the Bats broke through a window. They took down the cultists with ease, readying themselves to retrieve Bruce from the circle.

It was too late, however.

The chalk circle began to glow a strangely familiar shade of green, reminiscent of the Lazarus Pits. Red Robin, Nightwing, and Red Hood attempted to break the chalk circle, but a barrier went up and he couldn’t get through. The Bats were forced to watch in horror as their father- the man who took them in when they had nothing, the man who raised them, loved them, helped them, saved them- was consumed by green light.

After a minute, the green light died down. Siting unscathed in the center of the light was Bruce. The Bats rushed to him, ready to check him over, when he stood up robotically and turned to them.

“Yo, uh, I think I accidentally possessed Batman? I kinda gotta get back to school, I have a math test that I was actually prepared for and now I’m going to miss it! Also I am so not used to being in the body of a grown man, can y’all exorcise me or something?”

[sidewalk-cracks]

literally please give Battison a Dick Grayson in the Batman Part II.

The first movie was about Bruce's journey from not wanting to be Bruce Wayne, to realizing that he does in fact need to be Bruce Wayne, and that Bruce Wayne can be a force used for good just like Batman. Logically then, the second movie should explore the next immediate question on the table: okay, he needs to be Bruce Wayne. So who is Bruce Wayne? What kind of man is Bruce Wayne going to be? Bruce still feels defined by his trauma of his parent's death. Bruce Wayne still feels defined by his parents' shadows, by his father's legacy. He still feels defined by his grief. How does he make Bruce Wayne be something different?

Dick Grayson would serve as the PERFECT device for Bruce to discover who he can be. Because Dick Grayson is literally just a young Bruce, and Bruce sees that instantly (it's why he takes him in in the first place). So throughout the movie, as Bruce tries to help Dick process his grief, he's inadvertently processing his OWN grief. Dick Grayson unknowingly helps Bruce process his own trauma, and through their developing relationship shows him that Bruce Wayne can be more than a recluse, a failure, a man drowning in his own head- he can be a protector, a friend, a parent.

When Dick points a gun at Tony Zucco's head, Bruce talks him down, and all the words that he gives him are words he had wanted when he was a kid and his grief was fresh. Even though they're gone, you're not alone. I understand.

BATTISON NEEDS DICK GRAYSON TO BE ABLE TO TAKE THE NEXT STEP OF HIS CHARACTER GROWTH.

[deoidesign]

One of my first digital pieces (2010) versus one of my recent ones (2024)

We all start somewhere!

[thecaterpainter]

trying to find comfort in something you don't remember

[Image description: digital art of Taako from The Adventure Zone. He's seated beneath the Umbra Staff, frowning slightly. He conjures a plume of vaguely hand shaped fire from his finger, with an almost lazy gesture. Taako is a slender elf, with light brown skin and a very long blond braid. He wears a wizard hat with a star pattern, purple eyeshadow, and laced-up boots. End ID.]

[solarpunkani]

"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"

OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.

"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"

OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it

"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"

OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.

"But they shouldn't claim to be part of the -punk community if they don't know the--"

I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.

I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.

Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.

So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.

[statementlou]

Tbh i am not surprised that a person who openly talked about having drinking problems since 1d days, because of how crazy 1d worked has been agressive. What surprises me is people being surprised (they never seriously saw drunk person?). But i am also confused about this whole book. Apparently Maya said that that book is not fully bout Liam but compilation about her exes and some of the worst parts are not about him. But recently she said that the book is “ofc about him” so what is true then? Or did she meant it that ofc some parts are about him or that whole book is about him?

Sorry, just confused

I also am not surprised- we've learned so much more about the real stories of things and about the guys' actual lives over the last years, and the story that has unfolded around Liam has been totally consistent throughout if you've been following it, and so the information Maya is telling us is shocking and upsetting but not difficult to believe. I got an anon yesterday saying they were worried about getting similar revelations about the other boys, like "if Liam could be doing this we just don't know, any of them could", and while in a way that's always true I guess, anyone could be doing anything in private like... that doesn't really concern me. Because none of these Liam revelations are coming out of nowhere, there have been many MANY steps along the way leading us here if you've been watching, and he has talked openly about both his mental health struggles and his addiction issues. So to answer that anon... to find out something similar about Louis would in contrast contradict everything we know about him and no I'm not worried about it. Is he an abuser or a loose cannon, well that news would truly shock me to my core, I will be honest. But anyway as for the book I don't find it strange that she was nervous when it came out and treading lightly and later decided, fuck it. In the absolutely on point tiktok she dropped today (YES👏GIRL👏FUCKING TELL THEM👏) she even mentions attempts to keep her from publishing the book, presumably by Liam's team, that I am riveted by and cannot WAIT to hear more details about actually- like I said I don't find it at all strange that she was nervous and downplayed it a bit then. But if she says now that it's just about Liam, well, I would say it's been clear from the beginning that the book is their story. Maya herself brought up the parallel of songs being written about stuff and I think it's the same thing; it's true (she was in an abusive relationship that involved certain kinds of events) but maybe not 100% literal (I'm sure details were changed to make the story work, it's not like a word for word timeline of their interactions or whatever).

[punchouthottakes]

FLAMING HOT TAKE INCOMING, DISCLAIMER FIRST: punch out is a game with no lore and little to no characterization so it’s natural that different people have different takes on a character and I 10000% respect that and I love seeing how people interpret stuff differently from me!!!!! this is not a dig or a diss this is just personal observation!!!!!!!!!!

i don’t get why the overall fandom consensus is that don flamenco is head over heels in love with the blonde lady [that the fandom calls Carmen (this I do understand why)] in his cinematic trailer. it’s always been apparent to me that this guy is supposed to be like a casanova/serial womanizer/harem enthusiast douchebag kinda guy.

1. country of origin and profession: every enemy character in this game is supposed to be an exaggerated cultural stereotype/caricature, so it’s natural to assume that most of their character traits are not meant to subvert audience expectations, and flamenco is no exception! Spaniards are stereotyped as carelessly romantic, and toreadors seem to be associated with more socially conservative or dare I say, sexist/woman objectifying behavior. it would be logical to presume that flamenco also embodies these traits

2. contender intro slideshow: most people (and I as well) like to use the final slide of his contender intro as evidence of his romantic status. however, I fail to see how it shows him as faithful; on the contrary, the fact that the girls around “Carmen” are a. (for one of them) also wearing roses - the same color as the one he’s giving her, in fact - and b. clearly looking shocked and disgusted seems to show me that those girls were also the object of flamenco’s short-lived affection and that the blonde girl is just his next “target” so to speak.

now how to justify his in-battle voice lines referring to his affection for carmen? well look no further than Carmen, the opera by Bizet, where the titular Carmen ends up being with a toreador (like don flamenco). it could be possible that he uses “Carmen” as a pet name for all of his flings rather than the actual name of his one true love

please feel free to prove me wrong bc I see nobody else with this interpretation and I wanna know why everyone agrees that he’s a faithful boyfriend/malewife lmao

[unexpectedbrickattack]

babpy.

[polysyndetonaddictsupportgroup]

did every hero really follow endeavor's plan during the jail break? I've never watched bnha, but I always figured there were more heros then Japan knew what do with. Was endeavor really just that worried about how the fight again AFO would go? and did AFO have the league with him? or other prison escapees? Given eraserhead was so entrenched?

As a preliminary matter--yes, it was way more than AfO. The League basically did what they did during the USJ arc and subcontracted their violent attacks. They needed a big force to first get AfO and everyone else out of Tartarus, and then they made it very clear (via loudspeaker and also fucking tweet) that they would all be very peacefully retreating while all those criminally insane and violent motherfuckers went that other direction. Ball's in your court as to how you want to tackle it.

AfO was the biggest threat, by fucking far, but it was far from isolated to him. It was the entire League of Villains + Their Very Special Friends. It was the kind of force that would be required to make the entirety of Tartarus fall for the first time in history. So the heroes had plenty to keep them busy.

And as to whether Endeavor was that scared about the next fight with AfO... Yeah.

I think bnha does a good job at establishing that All Might and AfO just exist at entirely different levels than every other person alive. Their fight leveled a decent chunk of Kamino. And I think that's kind of power and devastation is hard to conceptualize as like, people in a world where we don't have to worry about superhero fights. (as a side note--Sukuna's Big Fight in the Shibuya arc from JJK did better than any other fight in media to really capture the sheer cosmic horror of being caught as a bystander in one of those fights).

But endeavor saw it. He was there for AfO’s and All Might’s last fight. The gods were fighting. Everyone else was just an ant.

He is facing the villain that ultimately took down All Might. All Might won Kamino, sure. But he didn't get up again after. He was permanently and irreversibly taken out of play. And Endeavor has spent the last year feeling like he was struggling to be even half of what All Might was with two hours of productivity a day. He was so consistently voted to not be able to compare to All Might that he bought a wife and had four kids about it, all of whom hate him actively.

He does not think he is winning this fight. He is Japan's number one hero. The responsibility is going to fall to Midoriya Izuku to him. He is the best they have left, and the fight that would be coming was one that already nearly killed All Might, the one guy he has never ever been able to compare to. And when he really looked himself in the mirror and asked if he could stop AfO, the answer was no.

And it wouldn't just be AfO if he came back to power. It would be his followers--and he was liable to get more than just the current League of Villains roster. It would mean more Nomus. They could barely handle one Nomu--how could they possibly handle the Nomus, and the LoV, and AfO?

And the answer that he came to was that they couldn't. Not without All Might.

He thought he was sacrificing Yokohama for every single other city AfO was going to level if he had time to grow in strength again. He thought that if they threw absolutely everything they had at him while he was weak, then maybe they could contain him and the League before entire cities fell.

So. That's why he came to that decision. Why did every hero fall into line?

So what’s key to what happened here was it was this complete structural breakdown at exactly the wrong time.

Structural Flaw #1: Transportation

Was it every hero in Japan that responded to Endeavor’s order? No. But not every hero in Japan was available. Any heroes out of the immediate area were too far away to do shit.

But it's a massive crisis. Heroes would commute from all over if they could--but it's not about desire, it's about time and resources. With how imminently emergent the threat was, a lot of far-away heroes would need something like a jet to even conceivably get there in time.

Who is sending the jet?

Let's pin down what heroes could, conceivably, get there in time. Very few heroes are in walking distance. How do heroes typically get from Point A to Point B?

Hero society in bnha is an agency model. There is no communal pool of resources--you have what your agency has. You have a jet to transport you if your agency has the money for one, and I’m pretty sure only all might had that (he has since had it dismantled and the parts repurposed for the sake of the environment. He only had it to begin with so he could quickly respond to imminent threats. All Might thinks there's more than one way to save the world and saving the environment is part of it). Like. We even saw Endeavor flying fucking commercial.

But let's just assume, arguendo, that some agencies have jets. It would have to be the very top agencies to possibly afford it.

All of whom are shown in canon to mostly operate out of the same area. So they're going to have to send the jet somewhere else to get more heroes. Now any travel time is doubled. If they do send it out, how many people are they realistically getting? Are these heroes in multiple different cities? That's more travel time then. Maybe we just land the plane in Kyoto and whoever gets on in the twenty minute period while they're refueling is who is coming back. We'll hand them parachutes and kick them out the plane door over Yokohama. Okay. Good plan. Go team.

Who is sending the jet?

Like, who is physically making the call to send the jet? Who do they call? Do they just start ringing around their buddies and seeing if they have other plans? The city is on fucking fire and we need people fighting now, so the big name heroes don't have time to organize transport with other agencies. They’re not even thinking of that right now. Make it a sidekick's job.

They are all on fucking strike.

Fuck it. Fine. Make it an admin's job. There has to be some kind of office staff who can work a telephone who's available.

Who is thinking to send the jet?

Admins are not making strategic calls about where the company jets go. There would have to be some kind of protocol in place or someone with the authority to send the jet would have to think of it in the moment. And I guarantee you this would not be the case.

Because this is a society where they have canonically semi-privatized public safety and put people in direct competition with each other over it.

ASIDE: The Economic Structure of Heroics and Why It Sucks

I have an economic structure. You must listen to it. I promise it is relevant. This is why it takes me forever to do things it's because i get too deep into the weeds and have to explain the fucking economic structures underpinning the analysis for my nonsense to make sense.

How the fuck do heroes get paid?

I have no idea if canon ever tells us because to be so for real with you guys I have not watched this show in years. I haven’t cared about canon since the Shie Hassaikai arc. The fucking YouTuber arc broke me. I literally never watched it again. If they ever explain to us how heroes get paid I do not know and I do not care. I refuse to go back to canon. Everything I found out about canon after the Shie Hassaikai arc, I learned against my will. The ending to this story was so fucking stupid and I only have a scattered knowledge of the details but I’m still right. If canon ever tries to explain it then please do not tell me, I refuse to learn more things about this show.

But I still like poking around the potential economic structures based on the part of canon that doesn’t cause me psychic damage. So here’s the thought process for the economic underpinnings of hero society in the pez universe.

From canon, we know it can be an enormously lucrative profession, we know that it involves some degree of private interests (re: merch lines), and we know that there are some people who cannot have merch lines (Underground Heroes, e.g. Eraserhead), so there also must be some kind of public funding aspect to it as well. So. Who the fuck signs your paycheck?

Sources of Funding

a. Public Funding

There must be some kind of official governmental budget for heroics. Like. They are very much a public service. There would be no way to have a fully private heroics force without government funding. What else are you supposed to do, fucking Venmo heroes after they save you? Do they put your kitten back in the tree if you don’t have enough.

In my mind, there's public funds allocated to heroes as part of a city's budget. That funding is allotted based on the number of employees in a given entity balanced against the confirmed acts of heroics of that same given entity. There’s a base salary level and that can be increased based on how successful you are, but salary isn’t exclusively what this fund is for. The heroic entity (an individual hero or an Agency) is effectively receiving grant money from the government to run their agency. You put it into salaries, gear, office space, everything. The government is basically investing in heroes, and it’s investing more in heroes who are shown to have a greater positive impact on society.

It involves overly complex calculations regarding the scaled difficulty of a given bust/rescue/act and ranking of the villain (if there is one) and the overall public benefit for the service rendered. You get bonuses for having a lower average property damage, for contributing to community building projects, that kind of thing. It is Complex. There is a lot of paperwork that has to be submitted to strange and vaguely threatening government accountants. When Mirio and Izuku start their agency, they will burst into tears multiple times trying to figure it out once filing season rolls around, bundle all the paperwork in a Massive Tears And Shame Package, mail it off to the shadowy powers at be, and then get a perfunctory notice that they are getting a ludicrous amount of the city budget allotted to their dinky little agency for the upcoming fiscal year because they are Big Fucking Heroes and enormously good at what they do and it reflects in their stats. They will then lay on the ground of their haunted fucking office and stare at the ceiling for a very long period of time.

But this puts the heroes in competition with each other. Your public funding is chained to your stats under this model. There's only so many criminals out there--you've got to get the right numbers or it cuts into how much of a slush fund the agency is working with.

It's sort of an insane model for a public servant position, but I think it matches with what canon shows us. Imagine having firefighters pitted against each other. like, having a competitive model for public safety raises extreme concerns about how it incentivizes public servants to act.

But this isn't canon's model. It's my guess as to how canon works based on the hints i can remember and my own mental illness. So why do I think canon suggests a model like this?

It's because 1) canon does establish that heroes are in competition with one another and 2) this kind of model would likely be necessary due to the level of autonomy that heroes have.

The literal first fight we see involves heroes in competition with each other. Kamui Woods is doing a big Ultimate Move, and Mount Lady rushes in and steals the show. Like. that is crazy behavior if we are looking at this through the lens of a typical public servant. Imagine you're trying to get directions from a park ranger and a different park ranger kick flips in with a map and a desperate need for you to get your directions from them instead. You call poison control and they’re beating each other in the head over who gets to tell you you’re dying.

Still, on its own, the competition isn’t dispositive, because the private income streams (we'll get there) would incentivize competition even if public funding wasn't based on it. But the level of autonomy that hero offices exhibit also suggest some kind of competition model.

Heroics agencies are not run like a typical police force or fire station. With most entities that function as first responders, they respond to some kind of centralized force (like 911 call centers) and they have highly regulated resource distribution. Like, police forces are restricted to a specific jurisdiction. Within that jurisdiction they have multiple districts and officers typically stay in their district. They're not going to a different fucking city because they think the crime is cooler there.

But Endeavor does exactly that. He's like "hello, son who hates me. Let's go to Hosu because I want to fuck with the hero killer for street cred. won't you come along. It is non-optional" and todoroki says "i hate you father and will abandon you on our father son trip to set a serial killer on fire with my mind. it will be for mildly gay reasons."

These agencies aren't a centralized public service. They are all just off doing their own thing. They're not responding to specific areas as allotted to them by the city--they just fuck off and do whatever. Like, there's probably some coordination between agencies as to who is covering what patrol, but it likely would be more out of courtesy than formal requirement. People wouldn't step on each other's toes nearly as much if there was more of a structure to this.

Typical public agencies who receive funding in accordance with staffing and budgetary needs have more structure and formality than is exhibited in canon. Heroics Agencies act like they're all independent contractors. They probably function like grant money recipients, where they're all fighting for the same pool of funds. You have to write in and show why you deserve that money when that's the case. They're in competition with each other.

Like, is this definitively the structure in canon? No, of course not. I have no fucking idea what, if anything, canon has going on. But it definitely fits with canon.

b. Private Income Streams

We know from canon that it can't just be public funding. Izuku alone probably paid for the Mighty Agency private jet with how much fucking all might merch he bought. Canonically, heroes have merchandise lines, branding deals, commercials, everything. All Might had fucking movies made about him. Those are all extremely lucrative income streams--and likely where the richest heroes get the biggest brunt of their income.

In order to get this kind of income, you are necessarily in competition with your fellow hero.

Public attention, spending money, screen time, all of it--it's a limited resource. You have to be the person who gets to the fight first, who does the big move, who saves the day. If it's someone else? Then that's another kid buying their action figure instead of yours. Heroics is heavily commoditized in canon, and that inherently invites competition.

2. Distribution of Funds

So now that we have a theory as to where the money comes from, how does it get paid out? Based on canon, it comes down to a structure of (a) Independent/Underground Heroes and (b) Agencies.

a. Independent/Underground Heroes

I can't actually remember if the word "independent" is said in canon or if I came up with it, but I think canon implies its existence. It's basically the same thing as being an underground hero, but you're still a Spotlight hero. I also cannot remember if the underground/spotlight thing is canon or fanon or what I’m sorry I haven’t watched this show in years.

Independents are spotlight heroes without the backing of an agency. They just go out every day with the clothes on their back and a dream. They have no support staff, no back up, and no one to help them if things go sideways.

It is not a popular employment option.

Part of it is because it's that much harder to fund being an independent. Like. Say you're just out of high school and you decide to strike out on your own as independent. You're still spotlight, so you can have a merchandise line, and that'd be a nice income stream while you're just starting out.

How the fuck do you start your own t-shirt line?

How do you make contracts with the manufacturers? How do you make and copyright the design? how do you sell the stupid things? Do you try and get them in Walmart? Do you start an Etsy? Your own website? do you call your mom and cry when you have 500 ugly t-shirts with your face on them that no one wants to buy and they're taking up all the space in your studio apartment.

Agencies have preexisting structures in place to help launch these kinds of options, which is one of the reasons why they're so attractive for baby heroes just starting out. The only reason why Mirio has merchandise is because he decided that he didn't care and didn't need to make merch and Izuku came after him with feverish crack addict energy because he cared and he needed Lemillion merch like. yesterday. All Might ended up getting his agency to start a lemillion line. Mirio gets the profits with a reasonable fee to the Mighty Agency. To this day he suspects that Izuku is 70% of his sales but Izuku denies this fervently, like a liar (he actually has a small but very devoted fanbase who rabidly support him and buy all of his merch. he would cry if he knew this. Still. Izuku is his biggest fan and buys literally every single piece of new merch in triplicate.).

Underground heroes are in the same boat as independents but they don't even have the option of a merch line. They exclusively get public funding unless they're backed by an agency, which none of them are because agencies have a tendency to fuck them and their busts for the sake of the spotlight. All underground heroes are bitter and culturally opposed to agencies.

On that note:

b. Agencies.

This is where by far the most heroes would end up. But an agency is like thirty dudes with the same joint bank account. How does the money get there and get distributed out?

i. Public Funding in an Agency Context

Take the above model. How do you attribute public funds based on personal statistics if there's no single person? Does everyone get their own check? But that wouldn't make sense--this isn't just for salaries, it's for funding the actual heroics itself.

Everyone under the same agency would be counted together for the purposes of funding allotment. If Sidekick A managed 300 busts last year and Sidekick B man managed 350 busts, then congratulations, The Big Hero Hero Agency made 650 busts last year, here's a check made out to the agency, figure out what you want to do with it.

But what about incidents that involve multiple heroes from the same agency? Let's say that The Big Hero Hero Agency is involved in a big bust. It is Sidekick A's baby. They have spent months doing this. This has been blood, sweat, and tears. When the day comes, they are joined by Sidekick B, Sidekick C, and Big Hero himself. Sidekick B has been helping Sidekick A for the past three weeks on this case. Sidekick C got called in the day-of to help.

Big Hero showed up for the last twenty minutes of the fight when they were mostly done with everything.

So. You're filling out the post-arrest paperwork. For funding and for public statistics, you need to make sure to properly account for who gets credit for the bust. It has to be one person--if you had everyone individually credit themselves for the bust, then it looks like you've resolved four incidents instead of one under this financial model. it's artificially inflating your numbers for public funding. that's fraud. Who should get the credit: Sidekick A, Sidekick B, Sidekick C, or Big Hero?

Well, there's nothing stopping Big Hero from writing their own name. So let's go with Big Hero. He helped.

This was one of the big sources of the sidekick strikes: a lot of agencies had an absolute policy of attributing successes to the name hero if they touched the case at all, because there was no rule against it. It was better for the agency, after all--unrealistically high numbers on the biggest name meant the agency as a whole appeared more successful.

So there were a lot of heroes artificially inflating their stats with things that were more properly credited to their sidekicks. Which made it all the harder for sidekicks to leave because their stats were shit because their boss was taking credit for their work.

ii. Private Funding in an Agency Context

But that’s just public funding. How would agencies distribute private income streams?

Big Hero Agency is proud to announce its newest line of Big Hero Action Figures, featuring the Entire Big Hero Team, now retailing for $39.99. Get it now from a store near you.

So. An agency is selling an action figure line featuring Sidekicks A, B, and C, as well as Big Hero himself. We’ll round up to an even $40. How do we split up the cash?

You can’t give everyone each $10. You have to first pay the suppliers, the advertisers, the trucks that shipped the toys to the store, etc. Then you have to pay back into the agency to fund miscellaneous expenses—the stationary, the insurance, the coffee in the fucking break room. Everything. By the end, there’s only $4 of profit left over. Not great, but hey—they’re selling a lot of toys. So if they each get a $1, then it should add up quick.

Right. But. If you think about it, people are only really buying it for Big Hero. He’s the best hero of all of them—his name is on the agency, and just look at how much higher his stats are. So it’s only fair that he gets $3.70 a toy and the rest of them can get $.10 apiece. Don’t worry, it’ll add up quick.

Not all agencies would have been like this. But a lot of them would be. Money is a hell if an incentive to screw people.

END OF ASIDE.

With all that in mind—why would they feasibly have a structure to fly in help from other heroes far away? That’s their fucking competition. Sure, we have team ups, but they’re all either well in advance or in the heat of a moment. If they are in the heat of a moment, half the time the heroes resent it because they just stole their fight. They’re gonna what—pay the exorbitant jet fees to fly in someone who’s just going to steal their hard work in the eyes of the public?

Okay, but what about situations like this? Massive emergencies where you need more people?

Those haven’t ever happened before. They had All Might.

So. The heroes on the ground calling in help are out. What about the heroes who are close enough to make it there by ground transport? No one calls them, they just show up out of public need. How are they getting there?

Trains are out. All the trains into the area are shut the fuck down. We are not giving the freshly escaped villains a bullet train to the rest of the country. Same thing for buses. No fucking bus driver is making their regular route into a fucking battleground.

Private transportation it is. Anything more than a few hours out of the area is completely out of the question. Like, good ol’ Manuel from Hosu City and all his buddies? Not making it. The wild wild pussycats? Watched this on TV from their mountain home. Gran Torino? On FaceTime with All Might, who is watching the fight with Midoriya Inko’s hand gripped in his left and Bakugou Mitsuki’s hand gripped in his right. Gang Orca? Twelve hours away and on a fucking island so he needs a boat AND a car to get there. Or he just fucking swims.

But there has to be at least some hero that saw this happening and heroically climbed in their Mazda sedan to make the three hour car trip. Why didn’t they go to the fight in Yokohama instead of the one against AfO?

Frankly at that point those literal children were visibly doing way better than the actual heroes were faring and any heroes showing up went where they were most needed and uh. It wasn’t by the kids.

If we have the agency model as given to us by canon, then that means there is a decentralization of resources. If you want to utilize your public defense force in the case of emergencies, then you need a way to fucking get them to the emergency. Canon does not have that. This is a huge structural failing that only wasn’t a disaster sooner because most emergencies required one guy and he had his own private jet. So most heroes in the country never had to even consider if they would listen to Endeavor’s order because they were completely cut off and useless at the time.

So. Now the analysis has been narrowed from all of Japan’s heroes to just the ones in the immediate vicinity of the fight. That’s still a fuck ton of heroes. This is a heavily populated area with a bunch of heroes around. You can’t go outside without tripping over a hero.

Most of those guys were on fucking strike.

Structural Flaw #2: Over-Reliance on and Abuse of Sidekicks.

The vast majority of the workforce had to be sidekicks. Like, just from a business model perspective. Even the smallest agencies we saw had 2-3 sidekicks. Endeavor’s agency had at least double digits, and I think Idaten was at over a hundred or something. We were probably looking at, conservatively, a 1:10 ratio of heroes to sidekicks.

All those guys are on strike.

Okay. But not all of them, right? Idaten already settled and got their sidekicks back. That’s like a hundred guys.

Except the Strike was not isolated to the Tokyo/Mustufasa/Yokohama area. Idaten sent out a lot of their sidekicks to other regions to help alleviate some of the strains of the strike. (As a note, this was not the Idaten sidekicks crossing the picket line. Them picking up the slack for other sidekicks still striking would have helped minimize effects on the public. However, the agencies of the striking sidekicks would have reaped no benefit from this under the compensation structure outlined above. Idaten would have gotten the credit for everything their sidekicks did, so the other agencies would still be bleeding from this while risk to the public was slightly alleviated. Idaten’s entire function in this strike was to set an example for quick settlement and minimize public harm. There’s this entire sub-analysis on Idaten’s internal culture and how it intersects with broader heroics standards that I won’t get into now this is already way too long.)

Idaten is at 1/10 capacity. It has like, ten guys, all of whom have been working say, thirteen hour shifts (voluntarily—again, it was a decision made to try and minimize the public safety risks of the strike while still allowing their colleagues their best chance at improved conditions) daily for the past month.

All of those ten guys responded to Tartarus before Endeavor made the call.

To understand the exact nature of the breakdown, you really have to see the chaos of how exactly this unfolded.

The LoV and their merry band of criminals hit Tartarus. The heroes do not realize at this time that they intend to let everyone out, give them transportation, and point them straight towards the mainland. They think that they’re just there for AfO. That’s still a huge crisis that needs to be shut down immediately, so they call out all of their best. Endeavor responds. Hawks responds. Eraserhead responds. Mt. Lady, Kamui Woods, Miruko—everyone in the vicinity who could conceivably respond show up. For a second, it looks like it’s going to end here.

Once the LoV get AfO out of his cell, the entire tide of the battle turns against the heroes. Now everyone’s out. All of those horrible, terrible villains. Tartarus has fallen. They have to make hard decisions. The high ranking, very powerful heroes who are most likely to break the line on Endeavor’s decision? They’re already at the fight by the time he has to make it. It is chaos and something they cannot easily leave.

The LoV’s picked right now because they knew that the heroes were operating at less than a tenth of their regular capacity. They picked right now because they knew the system had structural faults, and if they hit them just right, it would all come down on the heroes’ heads.

But the sidekicks broke strike lines to respond, right? Why do they all go to endeavor’s side?

For one thing, it wasn’t all of them who showed up—maybe a third of them were not even in the area any more. It wasn’t malicious, or intentional, or anything like that—they were off visiting their families for the first time in a long time or taking vacation. All of them had spent the past few years being completely overworked and abused by their jobs. They just weren’t there.

So now we’re down to 2/3rds of them who can even try to show up.

A lot of it wasn’t actually made as a reasoned choice. For many of them, they ended up where they did because of all the chaos.

So you’re a sidekick. You’re on strike. The entire world has gone to shit. How do you normally find out about the world going to shit?

This is a competition model streamed through individual entities. There’s no central command structure. Your agency calls you.

Well, your agency either fucking fired you or they cut you off completely during strike negotiations. This time, you find out through the news when the story breaks. Now what?

You frantically try to get in touch with your (ex) agency. Who is picking up the phones?

No one. That was your fucking job before you went on strike.

I used to work at a government public-service type deal, and let me tell you, they abuse the fuck out of non-unionized workers. You are doing everyone’s job. No one ask why we don’t get more support staff because they have unions. Like. I had a law degree. I was hired to be a lawyer in that office. They had us all doing the jobs of four people, and by that I mean it would be the literal entire job description of another fucking position in that office and we were all expected to just do it too.

Unions incentivize treating workers right. The absence of them opens the door to the opposite.

Why the fuck would agencies hire more people to lighten the load on the sidekicks and let them focus on actual heroics? Just make the sidekicks do everything. What are they going do, complain? They’re a dime a dozen. Hire more of those fresh faced kids with no standards just out of school.

You know when you had a job where you’re like. This fucking place is going to fall apart without me. But they treat you as disposable and easily replaceable and you’re like “okay bet” and so you leave and you find out from the people left behind that it actually fucking fell apart without you and you’re just like :o

Yeah. So that happened.

There has been a massive break down in the function of heroics offices for the past month and change because the sidekicks were not there. They were the ones who actually did most of the day to day handling of the office. They were the ones coordinating transport and figuring out the actual mechanics of who would be deployed where in a crisis. All those things that would be super helpful now? Yeah, those guys aren’t there, and they’re locked out of the fucking offices and can’t get in to un-strike for the sake of societal crisis.

But they know where the fight is. It’s on the news. Why don’t they just show up?

Where’s their gear?

Who owns it?

Heroics support gear must be an enormously expensive thing. It would have to be provided by the agency itself. Literally the only reason why Mirio has gear is because 1) all might would NEVER let his pseudo step son run around without proper support so the man would have bankrolled it himself if needs must and 2) the UA support class has a stipend each year where they can make support gear for active heroes and those heroes get it for free in exchange for free advertising for the students trying to kick start their careers, so he is decked out in THE most experimental bullshit from Hatsume Mei Industries (I have this entire side plot where the support class this class year low key became a sort of religious cult haha not really it’s just a joke it’s not really a joke and power loader is afraid every single day when he comes to work he is afraid under the iron clad rule of Hatsume Mei’s weird girl energy and they all decided Mirio was the Tabula Rasa, a figure of prophecy, and I just cannot get into that right now it’s too long it’s too long already. But it’s so fun).

All those sidekicks on strike lost valuable time trying to get back into their agencies so they weren’t showing up to an S-class villain fight in their fucking jammies. Then, when some poor admins figured out what was going on and let some of them in, everyone was frantically gearing up and getting in whatever transport van they were pointed at. Some of them didn’t know they werent reporting to Yokohama until they were already at the other fight. There’s was so much chaos and confusion that very few people had a clear idea of what was happening.

With the sidekicks, some of them never made it, some of them just got in a van and went wherever it took them, and some of them chose to obey Endeavor’s orders. Some agreed with the decision. Some disagreed but deferred to his experience. With how the Sidekick Strike had left their infrastructure, very few sidekicks were able to respond fast enough to make any real difference.

Now for the last possible demographic: the heroes that weren’t on strike and weren’t initially deployed to the Tartarus Prison Break. Why didn’t any of them go to Yokohama?

Structural Flaw #3: All Might was that one kid doing the entire group project for like forty years and some of these people are having to be heroes for the very first time and realizing that they don’t actually want to risk their lives to save people they just sort of liked the idea of this job.

It may be a bit too specific to be a structural flaw but I’m counting it anyway.

So, just to give a bit of a recap: We consider every hero alive in Japan as a candidate for Endeavor’s order. The vast majority of them are too far away to do shit, and there’s no centralized transport network to get them there faster. Toss in those who are dealing with personal medical issues or are away on vacation or just can’t come for some reason or another, and you’ve lost most of the heroes in Japan as respondents. Probably ~80% of potential heroes are culled from this alone.

So we have, generously, 20% of Japan’s heroes left as potential people to respond. ~90% of those are sidekicks on strike. They’ve got hours before they make it to any fight, because of the aforementioned structural breakdowns.

Now we’re down to 2% of Japan’s total heroes.

Some of that 2% were first responders to the initial Tartarus prison break. All the big name heroes in the area. But there can’t be that many top heroes—so let’s say 0.2% of them were at the initial fight.

Now we only have the remaining 1.8% of heroes to analyze.

There have to be a percentage of those who agreed with Endeavor’s call as a tactical decision. If they show up to any fight, they’re going to be obeying his order.

So we only have the ones who disagreed with his call left to look at.

These are small-time heroes. All of the big names are already at the fight. So they are less likely to have flashy Quirks, be especially talented, or consider themselves to have an especially large effect in the grand scheme of things. They have likely spent their entire careers living in a world with All Might.

It has never actually been down to them.

Think of Uwabami. Momo did her work study with her.

Her hero outfit is a fucking evening gown. She spent the entire work study doing commercials and meeting with her fans. She explicitly invited the young heroes that she did because she thought they were cute enough to be in commercials with her.

Now, she’s had some good if minor moments helping rescue civilians. It’s not that she’s never saved anyone.

But all of the top heroes are already committed to the fight against AfO. The current Number One Hero just ordered all her colleagues to report there. And Yokohama has a lot of S-Class villains en route.

And what the fuck is she going to do to stop them? It’s just her. Half of those villains took All Might to stop the first time. She is not fucking all might.

Is this a hero likely to go to Yokohama completely on her own to fight *checks notes* literally the entire prison population minus one guy? The worst guy, albeit. But one guy.

These are all heroes who have never had to be the actual thing standing between society and destruction. There has always been someone more powerful or capable or heroic nearby. Until recently, there has always been all might.

This isn’t to malign them. A decent percentage of them are legitimately well meaning about being a hero. They do good. But when it came to the big, blowout fights, they have always, always, always been the heroes evacuating civilians in the background or performing rescue in the aftermath. It has never been them who had to stand up and do the fight itself.

Every single one of those villains represent a big, blowout fight. And this hero trying to decide if he’s going to obey Endeavor’s order? They are one guy. And they’re not sure if they could even beat one of those villains alone, let alone all.

The reason why no one disobeyed Endeavor’s order was because, frankly, at the end of the day, they did not want to die.

Endeavor’s order signaled to everyone that there was no guarantee anyone would show up to Yokohama. It actually put good odds to the opposite. If you decided “fuck that, I’m going to Yokohama” then you’d likely be doing it alone.

What Class 2-A did was considered a death sentence. People who didn’t know them and their bullshit were shocked that they all made it out alive. These were the worst villains their society had ever faced and it was all of them at once (minus that one guy).

The heroes who were in a position to disobey endeavor didn’t actually think it’d make a difference if they did. They’d just… lose.

Most if not all of these heroes made the decision to become heroes during all mights era of peace. Everything just had lower stakes. Crime was less frequent and less serious. The big fights always had someone there who could handle them, because All Might was there. They’d fight the odd mugger or purse snatcher and help put out fires and go home at the end of the night. They’re heroes. That doesn’t mean they’ve ever truly had to grapple with a life or death fight.

If they went to Yokohoma, they thought they’d die. So they might as well respond to a fight that has a chance. Even if they feel ashamed as they do it. Even if they think Endeavor made the wrong call and wanted to go to Yokohama instead. All Might wasn’t there anymore. And they were afraid.

But there is one thing that Class 2-A had going for them that gave them an advantage over these heroes. And that was the fact that they are all medically insane.

It’s that they were together.

It’s a decentralized heroics structure. If you have a large agency, you are necessarily a top hero because no one else would be able to get that many people to agree to work under them. So you’re already at Tartarus and this isn’t a decision you had to make.

Maybe you’re independent. Maybe you have a small agency with 2-3 people. There is no preexisting centralized line that you can use to try and gather more people to go to Yokohama with you. You’re stuck with your immediate colleagues and maybe a few other heroes you’re close enough with to have their number. You really don’t have time to try and ask around to see if anyone else wants to go to Yokohama instead—you need to pick a battle and get there yesterday.

What good is 2-3 people going to do in Yokohama? You’ll just get massacred and it won’t have made a difference. At least if you go to stop AfO, you’ll have a chance at doing something that mattered.

Maybe you disagree with Endeavor but you defer to his training and experience.

Maybe you don’t go at any fight at all. Maybe you’re afraid. Maybe you became a hero in a time where you had a symbol of peace, and you realize you can’t keep doing it in a time without one.

I think there’s a small subsection of heroes that quit in the aftermath of Yokohama. Because they wanted to disobey endeavor’s order, and they thought they’d just die and it wouldn’t matter, and then dawn came and a bunch of school kids had managed what they were too big of a coward to do. I think the fact that they fell into line when their hearts told them they shouldn’t made them seriously doubt whether they were good enough to be a hero.

But they were alone when Endeavor made the call. And it felt like certain death. And—yeah, it sort of felt that way to Class 2-A when they made the decision to respond. But they weren’t alone when they did it.

They were together. And they always felt braver when they were together. Together, they could make miracles happen.

[ineffabildaddy]

if you’re posting fanart/fanfiction/meta/gifs/any kind of fan content for the first time or without a large following, please don’t be afraid to tag me or dm it to me - i would love to check it out & tell you what i like about it:-) it’s vital that you know how important your contributions are and i want to make that happen for you so please let me<3

[foreverppl]

I Put a Spell on You (Because You’re Mine)

Roxanne “Roxy” Rose/Samira Darcy | 1.1k words | IF: Can’t Save Your Love From Dying

God, Samira really doesn’t want to come. Doesn’t want to give Roxanne the satisfaction of making her come, not after the shit she pulled today. She wants to maintain her composure. Say in a sure tone, “Sorry, baby. You just don’t do it for me anymore.”

But Roxanne is fucking into her like her life depends on it. Working her up and tearing her down with each snap of her hips with such ease that it’s almost embarrassing. It is embarrassing.

More than embarrassing, it’s fucking annoying.

And it’s not even fair because Roxanne knows her body so well. She knows every place to linger, where to push, where to pull. Samira becomes absolutely certain she’s fighting a losing battle when she feels Roxanne getting that angle, hitting that spot and instantly something in her stomach is pulling taut and her head’s tilting back and she swears she’s seeing fucking stars behind her eyelids—

And then she’s there, at the tip of the spear. The piercing is sharp and sudden, but it just doesn’t stop. She can feel herself—distantly, very distantly—making a mess of the toy, of Roxanne’s thighs. Even then Roxanne—her lover, her worst enemy, her fucking baby—doesn’t stop working her through it, whispering downright filthy things in her ear until she’s all spent and boneless. And then Samira has to physically halt anymore movement because of the discomfort.

Fuck, she thinks with her sweaty forehead pressed against Roxanne’s shoulder, that’s probably the hardest I’ve ever come.

Roxanne, then: “I think that’s the hardest—“

Samira shuts her up with a searing kiss.

Later that night—or the next morning. Sometime in that nebulous period where one day melts into another, whatever—they find themselves still wrapped up in each other. Bed sheets slung across them, warding off the worst of the chill.

Samira loves it. Luxuriates in the ease of it. These moments somehow always feel the most real. Or the most normal, at least. Whatever normal even means anymore. Those moments when Roxanne’s eyes are unfocused due to sheer exhaustion rather than whatever concoction of drugs and alcohol she’s consumed. Where she gets to have Roxanne all to herself. No pathetic screaming fans or annoying bandmates looking to touch, to harass, to demand attention. Nothing to tempt Roxanne away. Just them. The way it should be.

“I didn’t know it’d get this bad.” Samira starts, whispered voice breaking up the silence. Outside, somewhere below, she hears a car horn. Then a siren. The amalgam of city life drifting into the penthouse at a low hum. None of it can touch them from this high up. Not really. Not now. Samira shuffles back with some intent until she feels Roxanne’s arms tighten around her. Smothering. Secure. “Didn’t think I’d let it.”

“What,” Roxanne mumbles from behind, voice thick with sleep. “What are you talking about?”

“When we first met…” Samira continues on, only distantly registering the question. This is more for her than it is for Roxanne anyhow. Aimless stream of consciousness, whispered aloud in the dead of night. “I did get the impression that you could ruin me, but I figured it’d be a matter of me allowing it to happen. I mostly thought I could—well, this sounds bad, and change you isn’t even necessarily the right wording—but—”

“Fix me, then?” Roxanne cuts in, voice a little more lucid now.

“You’re not broken.” Samira deigns to respond this time, her tone resolute. “Misguided. Misguided, definitely. But not broken.” Not yet.

“Fine,” Samira feels the heat of Roxanne’s breath against her nape as she huffs out the word. “You thought you could… what? Mother me into being one of the many upstanding, reasonable, boring rockstars who go to bed at 9pm and eat quinoa salads or whatever. Is that it?”

Samira rolls her eyes at the heat behind the words, because that really hadn’t been the point she was trying to make at all. She ignores her sarcasm to focus on the part that catches her attention.

“Is that what you think I do?” Samira shifts, suddenly regretting her decision to respond at all. “Mother you?”

Roxanne is silent for a moment, two, then: “Well, you do like being called—“

“One time! That was one fucking time and I just wanted to see - stop laughing!” Samira defends, though relishing in the feel of Roxanne’s laughter vibrating against her back.

Samira has always loved her laughter. Always. Even when it’s the cruel kind. She’s told her this before, she thinks, on one of those late nights where she stayed up long enough to watch her coming down from whatever she took. She loves the look of it on her mouth, the way it sounds. Loves swallowing it up with a kiss, licking the edges of it with her tongue.

“I don’t mean to hurt you, baby.” Roxanne says once her laughter has calmed down. Voice faltering a little like she’s drifting off again. “Just wanna have fun.”

Maybe Samira could stand it better if she knew Roxanne hurt her on purpose as some sick form of entertainment. It’s better than her doing it repeatedly on accident. The idea that their lives are so incongruent, that they are so incompatible as people, that just by virtue of Roxanne being who she is Samira is the one who ends up getting hurt…

Samira eschews the thought. She knows—knows deeply, without doubt—that she could make this work. That if Roxanne simply listened to her once in a while that she could get them on track. There’s nothing Samira wouldn’t do to make her happy. Really, truly happy. A happiness that could be maintained even after the drugs wore off. Roxanne just has to let her.

Roxanne’s arms start to slip away from her, sleep loosening her hold or just general restlessness. Either way, Samira tightens her grip over the arm still slung around her, stilling the movement. Forces herself to ease up a little once she realizes her nails are digging into Roxanne’s skin. Rubs her thumb over the indents they leave.

Roxanne, now deep in slumber, doesn’t even twitch. Samira releases a sigh and allows her eyes to slip closed.

[triglycercule]

mtt mediveal au where horror and dust are rulers of 2 rival kingdoms and killer is an assassin or whatever the hell both of them coincidentally hired to kill the other. this is actually just an excuse to see how badly i can misspell medviel until i get it right by sheer luck

[i-really-like-phrogs]

When someone else’s art is so good you physically can’t look at it because of artistic jealousy

[faislittlewhiteraven]

Tower of Dormont ISaT AU

Had a weird dream I figured would make a great ISaT AU if anyone wants to take a swing at it so umm, general idea:

Instead of the House being taken over by the King, instead the Favor Tree is warped into an evergrowing tower reaching up, up, up into the heavens.

Instead of the King's Curse slowly making its way across the land and Mirabelle being the 'Chosen One' to collect the orbs to stop it, it's time freezing Sadnesses raining down from the top of the Tower all over Vaugarde and surrounding countries, with heroes from all over (Euphie, Claude, various Defenders, people from other countries, etc) heading into the Tower to figure out what is happening only to never return...

And well. It looks like the end for Vaugarde, Mirabelle (having finally hit the 'I know what Euphrasie said but I've got to do something' point) has recruited Isa, Odile and Bonnie for a last ditch effort to try and stop the world from ending by Tower and...

Within the first few floors (which keep changing but kind of look like... The House of Dormont? No, that bit there looks like Odile's family home, and that room there is just like Nille's???) they find an unlocked bedroom and in that room an exhausted, terrified and near hopeless Siffrin who can barely remember anything from his life before being imprisoned here (even takes a bit to recall his name over the now despised 'Bright One') but after a bit of coaxing they admit they know a LOT about the floors ahead and might be willing to help the party reach the top of the Tower where they can put a stop to the madness going on outside but in return they must not let the King catch them (not again not again not again)...

Party are actually pretty cool with this (you know, aside from general 'is this person legit or actually an enemy?' concerns) but well, it's hard not to notice as their guide goes from barely able to fight beyond weak scissors craft and buffs to healing and every craft type under the sun. From claiming they don't know what's behind a certain door or above the next floor to explaining in detail that the prisoners in cages on the next floor are all Sadnesses, or that 'the King is coming, he hasn't realised I've left the room yet but I need something, anything, to mask my scent' (and later gets everyone to leave false trails down halls via jars of sugar and honey they picked up a few rooms previous). From claiming that the party are the only other people they've ever seen here to having near breakdowns over finding books or paintings with imagery and words that seem eerily familiar (think a book that reads like 'Claude wonders why Euphrasie and their amnesiac guide are so fussed about the walls here apparently being covered in stars? Why do stars matter anyway?'), etc.

Oh and they glow more and more with each floor which er, is probably going to make hiding from the King (who is VERY DEFINITELY after them judging from all the "Bright One, you know you are not supposed to leave you room. You do not want me angry again do you Bright One?" roaring) increasingly difficult.

...

And yeah. I don't actually know what is going on in this story beyond cool imagery due to the whole 'Literally woke up with this in my head because dream' but...

Been thinking it's kinda like an 'end game Persona series' situation where a chance friendly meeting/talk between Sif and the King right before the King's rampage would've started, led to the King to realizing he could use his Wish Craft to force the people of Vaugarde to 'wish with him' (see: escalating brainwashing madness), forcing a terrified Sif to go along with it (no brainwashing for the Bright One no, not when they were clearly sent by the Universe to be the King's guide ignore the Bright One's screams that this is wrong, that they want nothing to do with this; clearly oracles only relay the Universe's intent not share it themselves), and the current 'raining time freezing Sadnesses/Sif clearly being stuck in some weird looping variant' stuff being the result of Sif's 'Please protect Vaugarde and restore our home' wish said at the King's orders being heard by the Universe as "please Universe do whatever you can to stop all of Vaugarde- No, the world from falling under the King's control! + Someone, anyone save me! + 'immense amounts of self loathing and a desire to known and held accountable for inadvertently sparking a man made apocalypse' + Universe I wish I had people who actually cared about me/who would never only use me as a tool to save the world" and er well. The Universe had a way to 'protect everyone from the King' that would also kind of fit the King's wishes, a whole heap of power from all the brainwashed people the King was leading plus the 'meant to be repurposed' freezing all of Vaugarde in time ritual the King crafted to work from Dormont and... Yeah. Add to that people all over Vaugarde and possibly other countries 'adding' to the 'please save us' wish bank after Sif had already accidently centered it all around himself and basically both Sif's loops and the Sadness hell storm are being powered up by everyone everywhere in one huge ball of 'Hmm, I wonder if this all ends with the King getting killed or is there gonna be a big old morality question thingy post King killing at the end where Sif, upon remembering that "this is all my fault" tries to get the others to kill him which other heroes may have done (and thus triggering the loop, sending Sif back to the start possibly missing memories of them to hide away in shame/terror/etc) whereas Mira, Isa, Odile and Bonnie have gotten far too attached to this tragic, self sacrificing idiot and were willing to let the rest of the world be fully frozen for the rest of Sif's natural lifespan if it meant he could finally be free (not happy about it mind you, but like, just the 5 of them living in a quiet world until everyone else is safely freed after Sif's natural death is better than murdering someone who went through an eternity of horrors to protect a world they couldn't even remember and who's death might not even be the true answer anyway)'.

Oh and the King should basically be treated like a yandere version of the Reaper or something throughout the story (dream had way too many 'and then the King was suddenly there killing someone until Sif slashes their throat -no tears to use in this Tower alas- and from the party's perspective basically has a 'vision of the future' and/or freakout for seemingly no reason in the middle of Snack Time), while each of the many many floors of the Tower are basically due to being altered to match the minds of everyone (frozen or not) in the Tower, kinda like a Palace or P4 dungeon, due to well, Sif unconsciously wanting to learn more about them, wanting to remember/forget, possibly on some level wanting the King to how horrible this all actually is IDK (snack rooms, like the bedroom Sif was in are basically P5 saferooms but less 'area weak in cognition' and more 'Sif wishes for there to be places safe from the King and all the Sadness so there are some even if he knows he can't stay in them forever least they become prisons for him'). ...Might be nightmare floors as well? To represent Sif's terror of bad things happening to anyone he becomes attached to and wanting to be able to protect them so basically, they are accidentally making their own opposition (possibly based off of what they hear the others being afraid of/the desire to be useful to them) and I think Slay the Princess might make for great inspiration there if you need an idea of how crazy that might go~ XD

...So. Yeah. If anyone wants to use any of this for any fanfic ideas, please go ahead as I kind of would like to focus on my Selkie Au and fics for other fandoms more than this weird dream that basically took over my brain and said SHARE in caps so loud I've been stuck thinking about it ever since.

[rearranging-deck-chairs]

if 9&10 were "dont wander off", and 11&12 were "the doctor lies", 13s rule #1 is "dont question me"

"have we not had a good time together" shes pointing yaz to the rule that yaz very well knows is there: we can travel if you dont ask me any difficult questions. yaz knows this is the rule - "because you ask too many questions", "this team structure isnt flat" - but she also was the one to invite the doctor into her home so im pretty sure she also knows shes not gonna kicked out that easily. she has some leeway. which she has been using between revolution and flux, which is why the doctor reminds her of the rules

i dont think she'd kick her out though. she wouldnt. i think it's just that the more you break the rule, the more unpleasant she becomes to be around, and eventually youre gonna walk out on your own. she doesnt want you to, she'd rather you stay and dont ask questions. but if youre gonna try to ask questions anyway, i think thats whats gonna happen

and yaz must think so too. because she does back off. because she doesnt want that to happen either. and it does anyway

[edwinisms]

pro tip if you want a positive fandom experience: do not follow confession blogs. you’re just asking for a bad time if you do that just don’t