#societal contrasts

[kesarijournal]

The Great Indian Paradox: When Sixes Outscore Sacrifices

**Introduction:**In the grand Indian theater, where cricket bats swing mightier than the swords of justice, and the glitz of Bollywood overshadows the grit of the border, we find ourselves in a saga of ironic contrasts. Welcome to the land where celluloid heroes are worshipped, and real heroes often forgotten, where a sixer can fetch millions, but a soldier’s sacrifice struggles for a headline.…

[cinnamonsikwate]

"why couldn't shuro have just been honest about what he felt with laios and falin it's not that hard" are you. are you White

[divinekangaroo]

Omegaverse PB:

I *get* making Arthur Shelby Snr into an alpha, and Tommy into an omega, but in my head Arthur Shelby Snr is forever an omega, too.

[the-eclectic-wonderer]

I always think about how in multiple episodes it's basically canon that Blanche is bi but considers dating women to be more hassle (which is a whole rabbit hole to go down - does she struggle with societal homophobia when she's with women? Has she only been with fellow high maintenance femmes when shes really after a Dorothy type? Has she internalized the idea that her attraction to women isn't 'real'? Her reaction to Clayton adds to these questions). Not to mention how this goes together with her relationships with the girls; making to kiss Rose that one time (and Rose multiple times seeming very aware of Blanche's proclivities), begging Dorothy for 'relief' and being convinced she's attracted to women too.

Yes, anon! It’s really interesting to delve into Blanche’s psyche about all this stuff!

I started writing down my thoughts and ended up with a long ramble -- allow me to place it all under a cut, so I don't clog up anyone's dash, haha.

Personally, I think she has some strong mental blocks when it comes to her sexuality because of the way she was brought up. I mean, she grew up in Atlanta approx in the 1930s/1940s — I’m sure I don’t have to detail the kind of casual bigotry she must have seen around her during her formative years! Just look at the story she recounts in S1E13 A Little Romance:

“Now, you have to understand that in those days in the South a lot of things were still taboo. Certain people were not to mix. So Benjamin and I had to meet in secret. Oh, we knew if any of the bigots in town found out about us, there’d be a terrible scandal.”

And all of this because Benjamin was a yankee… can you imagine what ‘the bigots in town’ thought about homosexuality? Yeah, I’m pretty sure Blanche learned to suppress that part of herself very early on. We know she turns to denial when she’s faced with uncomfortable truths and emotions she can’t deal with, so I think she likely just refuses to acknowledge that part of herself most of the time, and it only comes out (pun intended!) when she’s not paying much attention to things, or when there’s something more important going on. See the two examples you point out: when she tries to kiss Rose she’s concerned with not being kissed at midnight, and when she propositions Dorothy she’s, well… she’s desperate to get some, if we can be frank.

When she’s in a more rational state, her reactions tend to be more measured… but not by much. She does advise Rose not to date women (S3E10 The Audit):

“Oh, no, honey, don’t do that! No job is worth having to date women!”

But she’s also really flattered at receiving lots and lots of phone calls from women, after her appearance as a ‘lesbian’ on TV (S7E15 Goodbye, Mr Gordon):

“By the way, Dorothy, if I were a lesbian, I sure would be a popular one. Look at this, 20 calls.”

And of course we can’t forget her reaction to finding out that Jean has a crush on Rose in S2E5 Isn’t It Romantic?:

“Jean has the hots for Rose? I don’t believe it, I do not believe it! […] To think Jean would prefer Rose over me? That’s ridiculous! […] Now you tell me the truth: if you had to pick between Rose and me, who would you pick? Who?”

All of these are (likely) intended to be jokes about her vanity and her libertine nature (in the same way as Rose’s observations are), but considering a lot of the writers of this show were queer themselves, it wouldn’t seem strange to me if they were intentionally peppered in to suggest that Blanche might be a bisexual in denial. It certainly fits her character!

I haven’t spoken about her reaction to Clayton’s coming out yet, but that’s immensely interesting too, of course. I think Blanche has the same attitude towards homosexuality that I see in a lot of (mostly older) people in my Country nowadays: it’s fine as a general concept, but when it comes to her family (or, God forbid, herself) then the problems come out. See for example what she says about Jean:

“Well, I’ll never understand what Jean doesn’t see in the opposite sex, but if that makes her happy, that’s fine by me!”

Which isn’t a homophobic attitude at all! If anything, if you take her upbringing into account, it’s pretty accepting. But then, when Clayton comes out to her (S4E9 Scared Straight) and tells her he wants to get married (S6E14 Sister Of The Bride), this is what she says:

“Oh, Clayton, please be serious. You're just saying that so I won't set you up with any more women. […] Well, then you're saying it 'cause you're trying to get back at me for something. Clay, I know you too well for this. After all, I know it can't be true. You're my brother. […] Clayton Hollingsworth. You look me in the face and tell me you really are… what you just said you are.”

“I'm having a little trouble putting this all together. Clayton, I just feel like I don't know you anymore.”

“[…] Dorothy, that's different. We're talking about going out in public. Oh, what are people gonna say?”

“Will you tell me why you want to put yourself and Doug through this? You know how people can be.”

“Oh, look, I can accept the fact that he's gay, but why does he have to slip a ring on this guy's finger so the whole world will know?”

Quite the difference from her attitude towards Jean, wouldn’t you say? I think there’s three elements at play here.

1) When Clayton comes out to Blanche, she feels disoriented because this is life-changing information Clayton has never shared with her before. While her reaction as a whole isn’t ideal, personally I think it’s understandable. Clayton is her baby brother; she’s known him as straight all his life, he’s been married to a woman for years before his divorce, and she recounts an episode from their adolescence when he was on a date with a woman and very clearly implicated having a physical encounter with her. He's done everything in his power to pass as straight until this point in time -- I don't find it strange that Blanche would be shocked at his coming out, especially given her upbringing (and the fact that this is set in the 80s! We can't expect modern sensibilities from the characters!). Once again, her reaction isn't the best (she can't even bring herself to say the word 'gay' at first...), but the shock per se isn't that surprising, imho.

2) Blanche is scared because of societal implications above all. She doesn't necessarily see being queer as something wrong, but she's been taught it's not socially acceptable and acts accordingly. Notice how she's worried about what people are going to say, and she struggles to accept that Clayton wants the whole world to know about his relationship with Doug.

Societal expectations in general are a big theme for Blanche's character, and often drive her development; another big example of this is her attitude towards Rebecca's decision to get artificially inseminated, but it's a bit of a baseline issue for her, I feel. She has this whole thing about her beauty and her (supposed) youth and her attractiveness that has some inherent elements, but it's mostly an issue of how other people perceive her, I think, and her response to her brother's coming out is easy to relate to this theme. I mean, she even says it to Rose in S7E15:

"Well, I don't mind being labeled a lesbian, honey, but since I'm not, you just ruined my social life."

So yeah. I think it's safe to say her main concern is societal disapproval of queerness: she wants to be accepted and celebrated by the people around her, and she thinks that being openly queer will destroy her place in her social circle (and she's worried about the same happening to Clayton too, of course).

3) This is sort of related to point 2, but it felt distinct enough to treat it separately. I think she might have reacted so badly to Clayton's coming out (and especially to his showing up with a partner) because he's open about his sexuality, and she's not ready to face what that means for her. My lovely mutual @\hecatesbroom recently published her latest amazing work the odd one(s) out, on the relationship between Dorothy and her brother Phil and how Phil's open queerness might have impacted Dorothy; I think a similar situation might have occurred between Blanche and Clayton after his coming out.

Blanche has a sort of advantage on Dorothy because of her bisexuality, in the sense that she has 'passing privilege' (I really dislike this concept, but allow me to use it to make a point): it's painfully clear that she loved her late husband with all her heart, and she's obviously attracted to men as well, so she can pretend not to like women without too much of a hassle (whereas, if you believe Dorothy to be a repressed lesbian, her situation is much more complicated).

The issue with this is that this 'advantage' is a double-edged sword: she might have the comfort of being socially acceptable, but she's had to suffocate a big part of herself to obtain that comfort. And so, what happens when Clayton -- her baby brother Clayton, the one who's always been just like her, who's grown up with her same environment and influences -- begins openly living as a gay man? I'm sure the situation must have had a strong impact on her, even if just on a subconscious level; I've always found it curious that she seems to have a harder time accepting Clayton in S6E14 than she does in S4E9 (she even calls his sexuality a phase), and while a part of it may be attributed to the higher social exposure Clayton's commitment to Doug brings, I think this may be a result of her inner conflict, provoked by watching her brother live openly while she's been suppressing a part of herself all her life.

Here I'm assuming she's never acted upon her attraction to women before, but there's some space to believe she has done so and has decided it's too much of a hassle, as you say -- likely because she'd for sure do it in secret, given her fear of societal condemnation. If she has been with women before, and decided to give up on it, I still think she'd be greatly impacted by Clayton's coming out: it means her baby brother is a) braver than she is, and b) going to openly face (and likely suffer because of) the same social issues she's run away from. In this lens, I find it interesting that she cautions him about how people can be, almost as if they've both experienced it.

Whew. Wow, this was a lot more than I'd originally meant to write, haha! Seems you sparked a big train of thought, anon! I think all of the Girls (with the possible exception of Sophia) are really fascinating to analyze with a queer lens, and Blanche is always interesting to me, of course. As a final note, I'd like to point out that she does come around to Clayton's sexuality and his relationship, in the end: as often happens, she just needs the Girls' help to put things back in perspective, understand she's hurting someone she loves, and correct her actions. I'd like to think living with the Girls might lead to her becoming more accepting of herself, too.

[neonhellscape]

Im not kidding, your magos biologis is the (catalyst) reason i am deciding to go on t and get top surgery

god im so with you on this one. good luck on your mission boss

[fullmoonfireball]

god i wish i could put together any sort of coherent analysis instead of my brain just keysmashing at Thoughts

[seabringers]

I love the priory of the orange tree but the queendom of inys being a matriarchy will never make sense to me. Galian Berethnet takes credit for the slaying of the nameless one when it was Princess Cleolind, creates a religion around himself and is worshiped as a saint and it’s definitely a bit repressive, but instead we get a queendom with cool ladies? Sure theres a little bit of talk of them being reduced to their ability of having a daughter, but there’s not much. I feel like it should be the very opposite. Inys and Virtuedom vs the Priory and the more matriarchal society of Lasia. The world is so interesting, and Ms Shannon truly worked so hard on it but it just doesn’t make sense! (To me)

[cloudeling]

dinah "id love to make babies with you but i won't make orphans" lance vs carol "don't you think its time we got married" ferris. both characters who find traditional ideas of womanhood (kids, marriage) uncomfortable and unappealing but the difference is their response to these feelings. dinah refuses to change her stance & while she feels insecure in regards to how this might affect ollie's feelings towards her & her relationship w him she still maintains confidence in her own conviction and refuses to back down. carol pushes back against these feelings and tries to mold herself into her idea of the ideal woman, literally splitting herself in two & excising the traits she sees as masculine/not befitting her role as hal's "perfect girlfriend" + her marriage proposal to hal being less because she wants it and more because its being pushed on her and she sees it as a necessary next stage in their relationship, regardless of whether its actually good for them. am i making sense

[blueheartbooks]

"A Breath of Fresh Air: E. M. Forster's 'A Room with a View'"

E. M. Forster's "A Room with a View" is a delightful exploration of love, freedom, and self-discovery set against the backdrop of Edwardian England and Italy. Published in 1908, the novel follows the journey of Lucy Honeychurch, a young woman torn between societal expectations and her own desires for independence and fulfillment.

At its heart, "A Room with a View" is a coming-of-age story that resonates with timeless themes of identity and personal growth. From the picturesque hills of Florence to the genteel drawing rooms of England, Forster paints a vivid portrait of a young woman's awakening to the possibilities of life and love. Lucy's journey towards self-realization is both poignant and humorous, as she navigates the complexities of societal norms and her own inner turmoil.

Forster's prose is both elegant and accessible, imbuing the narrative with a sense of warmth and intimacy. The novel is filled with memorable characters, from the eccentric Emersons to the prim and proper Charlotte Bartlett. Through their interactions, Forster explores themes of class, gender, and cultural differences, challenging readers to question the arbitrary boundaries that divide society.

Central to the narrative is Lucy's evolving relationship with George Emerson, a free-spirited young man whose unconventional views on love and life challenge Lucy's preconceived notions. Their burgeoning romance unfolds with a delicate blend of humor and tenderness, as Lucy grapples with her feelings of attraction and the expectations placed upon her by society.

The novel's title itself serves as a metaphor for the dichotomy between convention and liberation. A "room with a view" symbolizes the desire for openness and freedom, a longing to break free from the constraints of societal expectations and embrace life's possibilities. For Lucy, it represents not only physical space but also the emotional and spiritual freedom she seeks to attain.

Throughout the novel, Forster skillfully juxtaposes the idyllic landscapes of Italy with the stifling propriety of Edwardian England, highlighting the contrast between spontaneity and restraint, passion and repression. Italy, with its vibrant culture and sense of vitality, serves as a catalyst for Lucy's transformation, while England represents the suffocating conformity of bourgeois society.

At its core, "A Room with a View" is a celebration of the human spirit and the power of love to transcend social barriers. Forster's timeless tale reminds us of the importance of staying true to ourselves and following our hearts, even in the face of societal pressure and expectations. With its charming characters, evocative settings, and poignant themes, "A Room with a View" remains a captivating and resonant work that continues to enchant readers more than a century after its publication.

E. M. Forster's "A Room with a View" is available in Amazon in paperback 18.99$ and hardcover 25.99$ editions.

Number of pages: 494

Language: English

Rating: 9/10                                           

Link of the book!

Review By: King's Cat

[blueheartbookclub]

"A Breath of Fresh Air: E. M. Forster's 'A Room with a View'"

E. M. Forster's "A Room with a View" is a delightful exploration of love, freedom, and self-discovery set against the backdrop of Edwardian England and Italy. Published in 1908, the novel follows the journey of Lucy Honeychurch, a young woman torn between societal expectations and her own desires for independence and fulfillment.

At its heart, "A Room with a View" is a coming-of-age story that resonates with timeless themes of identity and personal growth. From the picturesque hills of Florence to the genteel drawing rooms of England, Forster paints a vivid portrait of a young woman's awakening to the possibilities of life and love. Lucy's journey towards self-realization is both poignant and humorous, as she navigates the complexities of societal norms and her own inner turmoil.

Forster's prose is both elegant and accessible, imbuing the narrative with a sense of warmth and intimacy. The novel is filled with memorable characters, from the eccentric Emersons to the prim and proper Charlotte Bartlett. Through their interactions, Forster explores themes of class, gender, and cultural differences, challenging readers to question the arbitrary boundaries that divide society.

Central to the narrative is Lucy's evolving relationship with George Emerson, a free-spirited young man whose unconventional views on love and life challenge Lucy's preconceived notions. Their burgeoning romance unfolds with a delicate blend of humor and tenderness, as Lucy grapples with her feelings of attraction and the expectations placed upon her by society.

The novel's title itself serves as a metaphor for the dichotomy between convention and liberation. A "room with a view" symbolizes the desire for openness and freedom, a longing to break free from the constraints of societal expectations and embrace life's possibilities. For Lucy, it represents not only physical space but also the emotional and spiritual freedom she seeks to attain.

Throughout the novel, Forster skillfully juxtaposes the idyllic landscapes of Italy with the stifling propriety of Edwardian England, highlighting the contrast between spontaneity and restraint, passion and repression. Italy, with its vibrant culture and sense of vitality, serves as a catalyst for Lucy's transformation, while England represents the suffocating conformity of bourgeois society.

At its core, "A Room with a View" is a celebration of the human spirit and the power of love to transcend social barriers. Forster's timeless tale reminds us of the importance of staying true to ourselves and following our hearts, even in the face of societal pressure and expectations. With its charming characters, evocative settings, and poignant themes, "A Room with a View" remains a captivating and resonant work that continues to enchant readers more than a century after its publication.

E. M. Forster's "A Room with a View" is available in Amazon in paperback 18.99$ and hardcover 25.99$ editions.

Number of pages: 494

Language: English

Rating: 9/10                                           

Link of the book!

Review By: King's Cat

[kikizoshi]

In the spirit on NieR-related stories never to be written, here's a what was once meant to be an opening line: two paragraphs I wrote with the concept of Nikolai hailing from Facade, in which he'd been sentenced to that thing where you have to stare at sand for a long time:

In the ever-flowing sludge of quicksand, Nikolai Gogol felt two long years of his life drift away. Should someone have went up to him at that moment, to ask him for a favour or to otherwise simply ask how he was doing, he wasn’t sure that he’d be able to resist hurling them in with the skiffs floating endlessly along the canals. ‘Though, I can’t, of course,’ he thought. ‘Such a thing would break Rule 89: "Intentional murder of another citizen for no discernible reason is hereby strictly prohibited…" Then again, who may blame me, were it naught but an accident? I could hurl myself into the river, along with him…’ Nikolai’s face fell into a grimacing smile. ‘Ah, but then that breaks Rule 338: "Throwing oneself into the sand is forbidden." They truly do think of everything…’

[mourningmaybells]

are there even a lot of possession movies where normal, grown men get possessed and are the main antagonist/victim like usually it’s women or children

[allseeingdirt]

i NEED to get more narrative foils

[dolcettamagica]

𐙚˙⋆.˚ 𝐈'𝐦 𝐘𝐨𝐮𝐫𝐬, 𝐘𝐨𝐮'𝐫𝐞 𝐌𝐢𝐧𝐞

virgin!sukuna x virgin!reader, modern delinquent au

request: can you write modern au!sukuna and fem reader taking each others virginity with a established relationship tags: fluff, fingering, penetration, petnames (princess, baby, babygirl), sukuna is a delinquent; @mangiswig notes: minors dni, sukuna is lowkey ooc wc: 2.0k

Despite spending a significant portion of his formative years behind bars, the weight of consequence failed to curb the rebellious spirit of Sukuna. Emerging from the confines of incarceration with a hardened demeanor and a penchant for defiance, he returned to the streets that had once ensnared him with a renewed sense of determination. To Sukuna, the rules of society were nothing more than shackles, constraining him from the freedom he craved and the life he believed he deserved.

Fuelled by a potent cocktail of resentment and bravado, Sukuna navigated the urban landscape with the swagger of someone who had stared into the abyss and refused to blink. From petty theft to brazen acts of vandalism, he left a trail of chaos in his wake, a testament to the indelible mark of his troubled past. For Sukuna, the cycle of delinquency was a familiar refrain, a symphony of defiance that echoed through the corridors of his consciousness, a reminder of the streets that had shaped him and the choices that had defined him.

Yet Sukuna found an unexpected beacon of light in the form of you, a college student whose innocence and sweetness stood in stark contrast to his own turbulent world. Your love was a fragile bloom in the midst of concrete, delicate yet resilient, defying the odds with each passing day. Drawn to your gentle spirit and unwavering kindness,Sukuna found himself navigating unfamiliar territory, his rough edges softened by the warmth of your affection.

For almost a year now, you have been the anchor in Sukuna's stormy sea, a steady presence amidst the chaos of his life. With your unwavering belief in his capacity for change and your steadfast support, you became his guiding star, illuminating the darkest corners of his soul with the light of your love. Despite the whispers of doubt that lingered in the recesses of his mind, Sukuna couldn't deny the profound impact you had on his life, your presence a balm to his weary heart.

Your love for Sukuna knew no bounds, transcending the boundaries of societal norms and expectations. Despite the whispers of caution that echoed through the halls of your mind, you refused to turn away from the tumultuous storm that raged within him. To you, Sukuna was more than just the sum of his mistakes; he was a complex tapestry of darkness and light, a flawed masterpiece in need of redemption.

While others cowered in fear at the mere mention of his name, you stood unwavering by his side, your love a shield against the slings and arrows of judgment. You understood the depths of his anger, the ferocity of his defiance, yet you chose to love him all the same. For you, love was not about changing someone into who they should be, but rather embracing them for who they were, scars and all.

The decision weighed heavily on your heart, a tender offering you longed to bestow upon Sukuna, a symbol of your unwavering commitment to your love. With trembling hands and a courage born of devotion, you found yourself standing before him, your heart laid bare in the flickering light of your shared intimacy. “I want you to take my virginity tonight, Sukuna. I’m yours, fully.”

As your words pierced the air, a surge of conflicting emotions washed over Sukuna. His heart quickened with excitement, the prospect of possessing you in such an intimate way igniting a primal fire within him. Yet, beneath the surface, a flicker of nervousness danced in the depths of his eyes, betraying the weight of responsibility he felt in this moment. There was something he never told you. Sukuna, the known and feared criminal, was a virgin himself. He didn’t have the chance to lose it since most of his teen years were spent in jail and he met you shortly after his release. Yet, Sukuna was sure that he would manage to not have to confess to his virginity. 

Yet his dominant nature surged forth, a primal instinct asserting its dominance over his senses. With a predatory gleam in his eyes, Sukunas demeanor shifted, his posture becoming more assertive, more commanding. He saw this as an opportunity to claim you, to mark you as his own in the most intimate way possible. “Get on the bed, baby”, and you followed his command.

With a magnetic pull, Sukuna led you to his bed, your eyes locked in a heated exchange of desire and anticipation. The air was charged with electricity, every touch igniting a wildfire of longing between you. As you sank into the soft embrace of the mattress, a primal hunger consumed you, driving you to explore each other with an urgency born of passion.

With a possessive grip, Sukuna claimed your lips in a searing kiss, his dominance asserting itself with every fervent movement. His hands traced the curves of your body with a possessive intensity, his touch igniting a feverish need within you. You yielded to him willingly, your own desire mingling with his in a potent cocktail of longing and surrender.

“You’re so pretty, baby. I love you so much.”

Your clothes became mere obstacles, discarded in a frenzy of desire as you bared yourselves to each other without reservation. With each caress, each whispered promise, you delved deeper into the depths of your desire, your bodies becoming one in a dance of carnal pleasure and primal need.

“You belong to me, baby. All of you. Only to me. I’ll be your first and your last.”

As your passion reached its zenith, you lost yourselves in each other, your moans of ecstasy filling the air as you surrendered to the intoxicating rhythm of your desire. In that moment, on Sukuna's bed, you were consumed by the flames of your passion, your love, a blazing inferno that burned brighter with every touch, every kiss, every whispered promise of forever.

With a possessive hunger burning in his eyes, Sukuna trailed his fingers along your trembling form, tracing the contours of your body with a reverence that bordered on worship. As he settled between your parted thighs, he felt your pulse quicken beneath his touch, your breath hitching in anticipation of the ecstasy to come.

“You’re already soaked, princess. Been waiting for this, huh?”

With a predatory grace, he teased you with feather-light caresses, his fingers dancing over your skin in a tantalizing rhythm. Your soft gasps filled the room as he explored your most intimate depths, his touch sending shivers of pleasure cascading through your body.

With each stroke, he felt you surrendering to him, your barriers crumbling in the face of his relentless desire. He relished in the power he held over you, reveling in the way you arched into his touch, your cries of pleasure music to his ears, the way your wet pussy clenched and pulsated around his slender fingers. With a primal hunger driving him forward, Sukuna delved deeper into you, his fingers becoming an extension of his own desire as he brought you to the brink of ecstasy again and again.

“Don’t cum yet, babygirl. You wanted something else inside you, remember? Do you still want it?”

“Y–yes…ahh…f–fuck, yes, please, Sukuna.”

As Sukuna's touch grew bolder, you surrendered completely to the sensations coursing through your body. With each deliberate stroke of his fingers, you melted further into submission, your moans filling the air as you abandoned yourself to the overwhelming pleasure he bestowed upon you.

Your body quivered with every skilled movement, each sensation amplified by the electric tension that crackled between you. Your  breath hitched with every caress, your heart racing as you surrendered to the blissful torment of his dominance.

With a possessive hunger burning in his eyes, Sukuna reveled in the sight of you laid bare before him, your submissive surrender stoking the flames of his desire to new heights. Your moans of pure lust were like a siren's song, drawing him deeper into the abyss of his own primal urges.

Driven by an insatiable hunger, Sukuna's touch grew more demanding, more possessive, his own arousal building with each intoxicating sound that escaped your lips. With each whimper of pleasure, he felt the intoxicating rush of power surging through his veins, his dominance asserting itself with an almost feral intensity.

“I think you’re ready, baby.”

Sukuna positioned himself above you, your submissive form trembling with anticipation beneath him. With a possessive grip, he guided himself to your entrance, the throbbing heat of his arousal pressing against your quivering flesh. As he poised himself at the threshold of your innocence, a fierce determination coursed through him, driving him forward with an urgency born of primal desire. With a forceful thrust, he pushed himself inside your pussy, the sensation of your tight warmth enveloping him like a velvet vice.

“Oh– Fuck…fuck, it’s tight. You feel so fucking good, baby.”

You gasped at the intrusion, your body tensing with a mixture of pleasure and pain. With each powerful thrust, Sukuna claimed you as his own, his dominant nature asserting itself with every primal movement. As you moved together in a primal dance of passion and possession, Sukuna felt a surge of ecstasy and lust coursing through him. You felt so good stretching around him, he could feel your heartbeat through your wet, tight cunt.

As your bodies intertwined in the fervor of your passion, Sukuna's arousal reached a crescendo, the intensity of the moment threatening to overwhelm him entirely. With each hard, deep thrust, he felt himself teetering on the edge of ecstasy, his primal instincts driving him ever closer to the brink. He pounded into you like a wild animal, feeling the undying urge to not only claim your soul as his but also your body.

“Oh fuck…oh fuck no.”

But then, in a sudden and unexpected rush, Sukuna's control slipped away, his body betraying him in the most primal of ways. With a gasp of disbelief, he felt his release wash over him, his climax crashing over him with a force that left him trembling in its wake.

For a moment, time seemed to stand still as Sukuna grappled with the intensity of his own pleasure, his body pulsing with the aftershocks of his release. And as he collapsed against you, his breath coming in ragged gasps, he realized with a sinking feeling that he had cum far sooner than he had anticipated.

“…’kuna?”, your eyes shot wide, feeling him release his hot cum inside you. Usually it takes you far longer to get him to finish with your mouth. 

In the hazy aftermath of their passion, Sukuna's heart raced with a mixture of embarrassment and shame, his mind reeling with the realization that he had revealed his virginity in the most humiliating of ways. And as he looked into your eyes, he saw the confusion and concern reflected in your gaze, knowing that he would have to find a way to explain himself, even as his own insecurities threatened to consume him. Slowly he pulled out and grabbed the box of tissues next to his bed to clean you up.

With a heavy heart, he knew that he couldn't keep his secret any longer, not from you, not from the woman he loved more than life itself.

Summoning every ounce of courage he possessed, Sukuna steeled himself for the confession that weighed heavily upon his soul. With slightly trembling hands and a voice thick with emotion, he reached out to you, his eyes searching yours for understanding and acceptance.

"Baby," he began, his words coming out in a rush as he struggled to find the right ones. "I need to tell you something...something I should have told you before."

As he spoke, Sukuna felt the weight of his secret lifting from his shoulders, replaced by a sense of vulnerability unlike anything he had ever known. With each word, he bared his soul to you, revealing the truth of his inexperience, his virginity laid bare for you to see.

To his surprise, your reaction was not one of judgment or scorn, but of compassion and understanding. With a gentle touch, you reached out to him, your eyes filled with love and acceptance.

"Sukuna," you whispered, your voice barely above a whisper. "It doesn't matter to me. What matters is us, and the love we share. I’m yours and you’re mine."

[satoruxx]

THE SPACE BETWEEN COMFORT AND CHAOS.

✧ PAIRING: wolf!toji fushiguro x f!reader | 4.3k words

✧ SUMMARY: wolfhybrid!toji, hybrid au, flashback centric, grumpy x sunshine, animalistic behavior, mentions of injuries, violence, societal inequality, arguments, hateful speech towards hybrids, dysfunctional families, and a shit ton of angst and anger, lil fluff at the end !!

✧ RHEYA'S NOTE: hiii it's my birthday this weekend so i'm dropping chapter 4 as a quick thank you for all the support !! i love you all so much <33 this one is very toji centric and gives a lot of his past and lore to explain why he is the way he is and what led him to find reader !! there is a lot of inequality in this chapter so keep that in mind as you proceed. as always i would recommend checking out the previous parts before reading this :33

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the smell of blood makes toji's eyes crack open. it fills his nostrils, heavy and metallic, and it makes his hair stand on end. despite being so used to that scent, it still makes him uneasy, because sometimes he cannot tell whose blood it is.

once his eyes adjust to the dim lighting, he can't fall back asleep, though he knows he still needs rest. a series of cracks echo from his joints as he sits up, pulses of fatigue swimming through his muscles. pushing up from the ground, he casually approaches the metal bars of his cell.

his cage.

his nose twitches, the smell of blood stronger now that he's closer. a loud yawn rips from his throat, eyes catching some guards dragging another hybrid who had fought that day. he watches them throw the unconscious animal into his cell, not sparing another glance as they turn away. the sounds of their boots gets on toji's nerves, but he does not even have enough time to pity the poor creature.

another set of guards approach his cell. he's sure that they might once again tell him off for being too aggressive, or for not following orders, or for another whipping, but he's saved this time because they're just escorting a hybrid.

a familiar hybrid.

"what's wrong?" toji drawls, lips tugging into a casual smirk. "did y'lose?"

the tiger hybrid hisses angrily in return, as though personally offended, and bares his teeth. his striped ears starkly contrast his pinkish hair.

"like hell," sukuna answers proudly.

toji is about to comment on the various bloodied scratches littering sukuna's body, but one of the guards roughly shoves the tiger into his cell.

"get in!"

sukuna turns to pin him with a murderous glare, tone even and chilling. "touch me again and i'll kill you."

the guard scoffs, unbothered, before shutting the barred door behind him. sukuna's anger rises, but he does not say anything else, choosing to stare daggers at them until they've disappeared around the corner. toji understands the feeling. it would be a piece of cake to rip their throats out, especially for predators as vicious as wolves and tigers.

but they can't. one scratch on a human and they'd be put down.

a beat of silence passes. toji is sure the hybrid sitting across the hall is also thinking about the same thing, so used to biting his tongue just to stay alive.

(he remembers the first day sukuna got thrown in, hisses and snapping teeth as he cursed the guards with all sorts of creativity. toji had been underground long enough to see the same spectacle over and over again, and so he hadn't really given a damn at that time. the two passed weeks in silence, purely focused on their own individual fights and then immediately falling asleep once back in their respective cells.

toji was no expert at reading people, but he could tell that the tiger was as stubborn as he was—they refused to acknowledge one another.

and when they were finally pitted against each other, it was a messy fight. toji still remembers the way the crowd had roared at their aggressive attacks, every draw of blood eliciting some sick twisted pleasure within them.

toji had been used to putting in the bare minimum during his fights, finding it relatively easy to win against other predators. but that fight against sukuna was the first time he struggled a little bit.

the tiger will never admit it, but the feeling was definitely mutual.

so after the brawl, when they were both quietly sitting in their cages and hissing at their wounds stubbornly, there was a brief moment of acknowledgement.

"where the hell did you learn how to fight like that?" the tiger had eyed toji warily, thick brows furrowed in a way that made him look extra grumpy.

after that, it seemed that there was a mutual sense of respect between the two of them. they are not friends per se, definitely not. both toji and sukuna know that if it came down to it, they would kill the other in the arena if it meant staying alive.

but there was an understanding that they were both on the same level. and it seemed that those who ran the fights understood that too.

after all, fights between the two of them were always a very popular spectacle.)

even now, sukuna doesn't look at toji, too busy muttering a string of insults aimed at the guard from earlier. toji ignores them, used to it. they remain in that same silence, not uncomfortable, but not really comfortable either.

toji takes a seat, crossing his legs and leaning against the cold bars. he can still hear the sounds of the guards footsteps echoing through the halls, and that just makes him crave freedom—another familiar feeling.

he should be used to it by now. craving what he cannot have.

sukuna seems to know what he's thinking, because he scoffs with a dramatic roll of his eyes. "don't start."

"you don't ever think about running?" toji ponders, dragging his claws across the stone floor. the tiger's ears twitch, sensitive to the sound, and he throws toji a scathing scowl.

"run? where the hell would we go?" the tiger grumbles, crossing his bulky arms. "you know they'll just find us again. it's pointless."

"but it's happened before," toji insists, scratching behind his ear absentmindedly. there have always been whispers floating through the compound, of hybrids with guts of steel that took it upon themselves to make a run for it. though several were caught and devastatingly punished, there were those who they never saw again. the idea that they must be somewhere where light shines and wind blows is strangely comforting.

"yeah rarely," the tiger snorts in return. a quiet hiss of displeasure escapes his lips as he notices the claw marks running up his arm, and he carefully begins licking at his wounds. "most of the time those fools get caught. and then they get punished."

toji shrugs noncommittally, leaning his head against the bars. "worth the risk."

sukuna curiously peers at him from over his injured arm, heavy brows furrowed. "you really think it's that much better up there?"

"anywhere's better than in here." toji says it resolutely, and sukuna, normally so snippy, says nothing to rebuke him.

before the conversation can continue, toji's nostrils fill with a familiar scent—cigarettes, ironed clothes, faint whiskey. he suppresses a roll of his eyes.

"look who it is." he sarcastically cranes his neck, watching as shiu kong approaches his cell with a nonchalant smile.

"you sure do look relaxed for someone who just had me do a shit ton of paperwork." shiu leans against the wall, eyeing toji through the cell. toji does not like that he has to look up to meet his gaze, so he gets to his feet and casually crosses his arms.

"what the fuck did i do?"

"lots of people enjoyed your fight yesterday. with the polar bear?" shiu pulls out a cigarette, and toji's nose crinkles. "you've got an increase in bets, y'know?"

"who cares?" toji mutters, pushing away from the bars to pace around his cell.

it's not like any of the hybrids get that money.

"i do," shiu chuckles, cigarette balanced between his lips. "you're helping me get paid."

"lucky you," toji sarcastically shoots back. shiu snorts in amusement, crossing his arms.

"anyways, i'm thinking this is a good time to host a big fight for you. the timing is good." toji's "manager" (if that's what you can call him) eyes the wolf as he exhales a puff of smoke. toji's eyes narrow in return, a feeling of anticipation and mild irritation crawling up his skin.

"so you two—" shiu nods his head towards the wolf and the grumpy tiger sitting across the hall. "—prepare for a show, alright?"

sukuna curses colorfully, and toji rolls his eyes. "relax. i'm not giddy to fight you either, asshole."

"yeah because you'll lose," the tiger hisses, baring his teeth.

"oh yeah? that's not what happened last time." toji grins wolfishly, watching sukuna's anger rise.

"because you fucking cheated!"

"aw, little cat can't handle a few bites?" toji's amusement becomes more palpable, enjoying the argument—a very common occurrence for the two of them. "that's why dogs are better."

"i'll kill you," sukuna utters ominously, his striped tail puffed and curling in an aggressively defensive display.

"try it," toji smirks back.

"alright easy boys," shiu chuckles, shaking his head in mild exasperation. "save that energy for the actual fight. people eat that shit up."

"and somehow we're the animals," sukuna grumbles, deciding he's done with the conversation as he heads over to the corner of his cell and curls up on the ground.

"well yeah," shiu shrugs, unfazed. "you should be used to that by now."

they are.

"anyway i figured i'd let you know." the older man turns to face toji. "i know most of the fights are pretty easy for you. but since you both are top tier fighters, prepare how you need to."

"it's not like we've never fought before," toji replies dryly, ears twitching. "i know how it goes down."

"well okay." shiu adjusts his suit jacket, shoving his hands into his pockets.

from the corner of his eye, toji can see sukuna listening in, face impassive.

"you two give me a good show, alright?" shiu casually waves over his shoulder, before heading off back in the direction he came.

"whatever," sukuna grunts, turning on his side. toji watches the tiger's tail lazily flick—side to side. "i hate dogs."

toji lets out a dry chuckle. "well i'm not the biggest fan of cats either, asshole."

again, they aren't friends, but the bleakness of their situation makes it easier to tolerate one another.

a week later, they both face off in the area as promised. shiu claps toji on the back before he heads in, a gesture that makes the wolf's skin prickle, but he brushes it off. he could have someone worse be in charge of him, but shiu is a bit easier to get along with than most of the humans down there. though toji isn't naive—the only reason shiu is so casually cheery around him is because toji is his biggest moneymaker.

that's what it all came down to.

sukuna and toji have both fought enough times to know how to play to the crowd's wishes. they bark and snarl at each other like they are truly wild, claws and teeth and blood everywhere because they know that's what gets the humans going.

that's what gets them to open their wallets at least.

sukuna takes the victory this time around, which is not inherently unusual—they both have a fairly even split of victories and losses. they play up their enmity, and everyone goes wild.

even though hybrids are the shackled ones, somehow these humans remind toji of puppets—so easily manipulated.

the two of them stand and rile up the crowd at the end, acting like they truly are nothing but feral animals who know only to growl and snap at each other. as soon as they hear the sounds of money being exchanged and the roar of conversation they are escorted back to their cells.

toji's ears ring with the sounds of groans and cheers, the same familiar words grating his ears.

"i told you sukuna would win this one!"

"yeah but i said toji would draw first blood, so pay up!"

imbeciles. savages. nothing humane about them.

in their cells, both of them do their best to clean up their wounds. but a fight this aggressive usually results in equally rough damage.

"i think you fractured my rib or something," toji grunts, wincing as he sits down. sukuna throws him an unimpressed look through the bars of his cage.

"not my fault you're weak."

toji's middle finger flies up automatically, and sukuna's lips pull up to one side. "ask them for medical if it's that bad."

"yeah right," toji snorts, licking away the blood that has been dripping from the corner of his mouth. "like they'll listen."

it's more of a curse that hybrids have a better pain tolerance than humans. the medics here never take their injuries seriously for that exact reason.

no instead, they are expected to clean up as they can and prepare for the next fight, letting their body heal as well as possible. humans have always been so hypocritical.

they both relax in a welcome silence. toji suddenly realizes how tired he is, jade eyes straining as he attempts to fix himself up. he knows the rules—damaged merchandise is treated as such.

his ears pick up the faint sound of footsteps approaching, and he realizes that it's probably shiu coming over to update them about the earnings of their fights.

but he is entirely surprised.

"wow, you're definitely a sight."

toji's eyes narrow, teeth gritting. his mood plummets, ears straightening and tail going rigid. the sound of that voice makes every bit of hatred in toji's body come bubbling to the surface. he glares over his shoulder, spitting out each word with extreme difficulty. "what the fuck do you want?"

naoya zenin looks down his nose at the wolf, a greasy smile on his face. naobito zenin stands just behind him, arms crossed with a barely visible look of disgust on his face.

toji's cousin conveniently ignores the accusatory question, peering around the cells and hallway with feigned interest. "these conditions are terrible!"

he finally pins toji with his gaze, an evil smile pulling at his lips. "well, that's to be expected for animals."

"what the fuck do you want?!" toji growls, claws digging into the ground. naoya's eyes light up at the anger, knowing full well that those claws can never come anywhere near him.

"temper! temper!" the blonde gasps, tutting at toji like he's nothing more than a child. "haven't you learned how to control yourself by now?"

"let me out of this cell and i'll show you just how much control i have." the wolf's voice is no more than a rumble, dark and ominous because there is nothing in the world that toji hates more than his own family.

naoya shakes his head, feigning a look of disappointment. "so violent. it's a good thing we put you in here. who knows how dangerous you could've been to us."

the words hit their mark, a jab of self-hatred. toji's green eyes flit over to his uncle, sharp and accusatory.

the one who ratted him out to this godforsaken place.

toji knows when normal families have a predator hybrid born into their home, they lie and cheat and hide them away from this life—too desperate to keep their child away from such danger. after all, it's not the child's fault they were born a predator.

but not toji's family. not the zenins, who took one look at him and waited for the second he turned 18 before hauling him off.

nothing but a bunch of rats.

he knows that he was worth a lot of money. a healthy and fit wolf hybrid, broader and stronger than most of his own species. and of course, his family was quick to sell him off, glad to be rid of this curse on their family—the only shame.

toji had grown up knowing he was hated, but he never thought a family could do something so horrible to one of their own. he stopped seeing the best in people after that.

"you brought this on yourself," his uncle states now, emotionless. his opinion on hybrids has not changed one bit, and yet he shamelessly comes to the compound to collect a portion of the winnings that toji earns. "born with tainted blood."

"you're acting like it's my fucking fault, old man," toji spits out, hackles raised. he wants them to leave, because all he feels when looking at them is nausea.

"it's your damn mother's fault. couldn't keep away from my brother. she ruined him," naobito's emotionless voice takes on a tone of hatred, and toji tenses. "filthy dog whore."

toji's reaction is instantaneous. he's at the bars in a second, teeth bared and spewing curses as he makes a mad grab for either of them. he doesn't care—all he wants to do is tear them to shreds. toji can feel his wounds open further, can feel blood dripping over his skin, but all that seems miniscule when they are in front of him.

the cause of every single misfortune he has ever had.

naoya hops out of the way, laughing—it is a mocking, grating laugh that echoes throughout the hall as he watches toji desperately struggle. "see see! this is why you're dangerous!"

naobito shakes his head, as though he's thoroughly disappointed, but he does not say anything else.

"anyways, well done today!" naoya continues, grinning as he crosses his arms. "you earned a lot of money for us."

toji glares at him, dropping his arm and taking a step back. somehow, being further in his cell is much more comforting than being in their line of sight. he keeps his lips tightly shut.

naoya's voice turns taunting as naobito heads off without another word. "such a shame my dear cousin wasn't born normal like the rest of us." he follows his father without a care in the world, knowing how well his words sting. "had to be born an animal freak."

the hallways is empty. toji takes a few steadying breaths, pushing the anger away because he knows that there is truly no point in keeping it. it's not like this anger has done him any good. maybe if he had gotten angry earlier, he would have zenin blood on his hands—the thought gives him a sick sense of satisfaction.

"your family fucking sucks…" sukuna pipes up from across the hall. toji scoffs out a laugh, but it is far from amused. he turns away.

suddenly the blood on his hands makes him feel disgusting—so much more animalistic than human.

"tell me about it," he mutters, back turned. his ears pick up the sounds of sukuna curling up in his corner, and in a few minutes, quiet rumbling snores follow.

toji sighs, approaching his sink and staring at the cracked mirror he's grown used to seeing himself in. he takes in his reflection, disgust rolling in his stomach.

he thinks he'd probably be considered decently attractive if he was a regular old human. but the dark furry ears, the sharp canines, and all the scars ruin him. adding his haggard clothing and feral eyes and all the blood and dirt on him, he can understand why he is considered so untouchable.

an animal in every right.

he turns the sink on. he is briefly reminded of another time, a time where he lived in a family house and slept in a futon that was warmer than anything he's ever slept in. he can remember wearing things other than rags, occasionally a yukata and other times a t-shirt. he can remember eating a home cooked meal and drinking sake and feeling sunlight on his skin.

and yet even in those better times, he has always had to hear the words of his family cursing his existence. cursing his mother's name for seducing his father and ruining their bloodline with her animal blood.

the only dark stain on the pristine zenin family.

toji sighs, scrubbing the blood from under his claws—like clockwork. the water in the sink turns a mocking shade of pink, and as horrible as it is to say, toji is glad the blood is not his.

he wipes his paws across his ragged clothes, and stares at himself in the mirror.

he isn't ashamed to admit it—but he hates what he sees.

naoya's laughter rings in his ears as he shuts his eyes.

"hey toji?"

his eyes snap open. when the haze clears he sees your features come into focus, soft and curious. your scent floods his nose, and a pleasant shiver runs up his skin. there is a quick sense of relief when he realizes that he had been dreaming of a time in the past, and he steels himself, expression indifferent as he sits up. he briefly recognizes the stark contrast between the hardness of the stone floor in his cell and the softness of your couch—his tongue sits heavy in his mouth.

"what?" he grunts, rubbing at his eyes. he tries to throw you a mock irritated glance, but either it comes off too mild or you've become good at ignoring it. "when'd you get here?"

"a few minutes ago. i got takeout." your lips pull into a teasing smile. "unless you'd rather go back to sleep?"

he pins you with a scathing glare, and annoyingly enough, your smile becomes wider. he stands up, popping his joints and following you to your kitchen table, before diligently taking a seat—in his chair.

toji silently watches you bustle around, grabbing utensils and plates to evenly distribute the food. his stomach growls eagerly, and he realizes just how hungry he is—he recognizes that his body is getting used to being fed so often, and he does not know how to feel about that.

toji's eyes zero in on silly details, not knowing why he does it. your hair is a little messy, not as neat as when you left for work that morning. you've taken off your jacket, the absence of the restrictive fabric making your movements easier. he thinks you've probably had a good day, because your expression, though fatigued, is still relaxed—a small, almost miniscule smile remains on your face.

there a strange satisfaction the settles in his chest when he notices that. he doesn't know why, but the idea that you've had a nice day rather than a difficult one puts him at ease.

"how was your day?" you speak up, briefly making eye contact with him.

(toji does not understand why the small contact makes his stomach flip.)

he grunts, nonchalant. "not bad. didn't do much."

"the injuries are good?"

toji rolls his eyes, dropping his chin into his palm as he pins you with an intrusive stare. "yeah yeah. you ask this every day."

"well it can be good one day and not good the next," you reply defensively, frowning at the chicken you're currently dropping into his plate. but you look satisfied to hear his answer.

toji chuckles mutely. "sure kid."

(the nickname came randomly. you never commented on it. he didn't either.)

he hesitates for a second, before clearing his throat. "how was yours?"

you glance up at him, too quick for him to analyze the expression, but he thinks he catches a faint trace of pleasant surprise. "it was good. boring but not bad at all."

he nods awkwardly—the internal satisfaction grows stronger. his stomach rumbles again as you walk over and place his plate in front of him, and the smell hits his nose immediately—his hunger is all consuming.

(your scent is one of the few human scents he has truly found pleasant.)

and yet he finds himself patiently waiting until you plate your own food, sitting across him quietly. he presses his hands together, bowing his head as he mutters a quiet "thank you for the food" before tucking in.

(he does not say your name, but he thinks he is thanking you—his own twisted version of a god.)

he stays quiet for most of the meal, focusing on the unique and savory taste of the food. months ago he would not have imagined being able to consume such delicacy, but all you have done since you walked into his life is show him that he can have much more than he ever dreamed he could.

you blabber about random things as you eat, telling him about something you saw or what you did throughout the day. he listens.

you're in the middle of updating him about some stupid work drama, which, as embarrassing as it is to say, toji has been looking forward to hearing about. he does not interrupt you, trying to rack his brain for all the details you've spilled the last time.

(it's pathetic how quick he finds them. something about listening to you talk that makes everything else seem useless in comparison.)

"so anyways her husband found out and got mad. but then she basically tried to deny it and said that he was accusing her of nothing." you shove a mouthful of rice into your mouth, rolling your eyes. your tongue flicks out to lick at your lips—toji's eyes shamefully trace the movement. "it's a whole thing now because obviously the dude she was having the affair with works with us too."

"what a bitch," toji answers. your eyes crinkle with amusement, eager to hear him participating. you've probably since realized that he does find your gossip interesting. but it's more than that—he does not know why it's so easy to talk to you.

"right? i hate cheaters," you mutter, stabbing at your chicken.

he does too. something about being a dog that makes loyalty so damn important to him.

(maybe that's why he feels physically ill when he thinks about leaving your side.)

you continue rambling about your cheating coworker with a newfound conviction. toji listens, occasionally dropping a dry remark, and you either laugh or nod emphatically. his lips quirk upward at every reaction. he continues eating his food—slowly so that he can match your pace. which is odd, because he was so damn hungry before.

but even as he quietly chews on the flavored meat, he finds that satiety comes a lot quicker when he quietly listens to you talk.

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