#so the mistake is EASY TO MAKE

[permanentreverie]

linds im crying witnessing this thread on your fead is so funny 😭😭♥️

glad to know in the age where gladiators are no longer common my own death in humility can be entertainment for you all 😘

[humming-fly]

He was feeling left out

and the higher rez stills, since gifs always export as if you're sending messages through a metal can~

[turbotastico]

King Candy… Cane?

My version of King Candy! And finally talking about my AU:

While he remains an unstable character (I mean, he still took over Sugar Rush), he has more compassion for those around him and is constantly haunted by the guilt he feels after the incident. For 10 long years, Turbo has been hidden in solitude and is desperate to race again. It’s in his code.

When he sees that a new racing game has been connected to the arcade, he decides to infiltrate it, this time with more caution. He modifies the code to his liking, inserting himself into the game and using an unused character as his avatar.

As King Candy, he explores his new realm and eventually meets Vanellope. As he observes her, he notices that she is a glitch and witnesses what she has to endure every day. KC feels guilty, knowing that it was ultimately his fault that she ended up in this state, and he decides to take her under his wing.

At first, he is reluctant to get attached to the young racer, but as he gets to know her, he realizes that they are not so different; there is something about her that reminds him of himself… and the twins.

Over time, he adopts her, and for the first time in a long while, Turbo feels like he belongs, even though the weight of his past still haunts him.

He is still very controlling of everything in his kingdom, making sure everything stays in order, but he wants to be a good king to his people. He is very paranoid about another unplugging and acts overprotective over the game and even Vanny.

I love a good villain, and I love to challenge myself to rewrite said villain to have a redemption arc.

First doodle I did of him. Decided to change his color palette to something more Turbo-like, keeping the red and white ande re-using them to make a candy cane pattern!

[p4nishers]

there's something i need to say and yall can boo me for it but deep in my heart i'll always know i'm correct: crowley already forgave aziraphale. like already would take him back at one flutter of his eyelashes. that's all.

[dykedvonte]

did you see the article wrong organ tweet abt an interview with the lead writer —>

https://t.co/5dcfeePkz3

The article really should honestly be read by people who try to make any of the characters actions black or white and ignore the other themes in the game. It specifically mentions these aspects that people try to make seem undebatable or uninterpretive and makes sure to use wording to say it can stem from multiple things and never confirm or deny anything.

I do remind people that the interviewer does not work for Wrong Organ so I am only using quotes and paraphrased statements rather than their own deductions as those should be taken with the same grain of salt of an analysis you see on twitter or tumblr and even my blog. They are still a subjective eye compared to Kasurinen’s direct statements.

Particularly pointing out that Jimmy, while deplorable, is still supposed to complex and his actions are not fueled by some comically sick amusement. And that Curly’s actions are not just rooted in one thing and not just rooted in rape culture but also include other social and systemic factors besides the shallow idea he’s just dick riding for his friends. It’s meant to be interpretative and I need to point out that the main writer says that “good intentions mean nothing when it’s gotten that bad”. A lot of people like to think Curly was only acting with intentions for himself or Jimmy when it’s was a misguided attempt at overall peace that ultimately failed and whatever processes behind that are to be nitpicked, not if he was acting out or malice or disregard.

I wish more was talked about specifically with Anya, Daisuke and Swansea but I understand why they weren’t as Curly’s actions/inactions pre-crash and Jimmy’s actions throughout all segments are the main impactful forces in the game. People should really read it for themselves but sit on this quote directly from the main writer:

[wrathyforest]

[poorly-drawn-mdzs]

The red spot is a chili flake

The red spot is a chili flake... (context)

[mephoj]

nickel and balloon would be so much more interesting if people explored the way nickel became everything awful that balloon used to be but so much worse ironically all in the name of "protecting" everyone from that history repeating. and not softboy tsundere yaoi or whatever is going on in those tags rn

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[autumnslance]

In reference to this post I reblogged earlier, but don't want to muck up UC's activity:

#i think it's more important to see that redemption is in the eye of the beholder #not everybody (characters or real people) will accept the same type or amount of repentance for the same sins #some people might not care at all if the person who wronged them feels sorry; only if they materially repaid their crimes #others can feel the opposite #and either way that's their prerogative #you can disagree with the characters or the fans or the writers about who “deserves” OR has “achieved” redemption and that's okay #because it's ultimately a complex philosophical issue #like i agree with OP!!! but there's media literacy in accepting that not everyone will

I'm going to disagree with many of these tags, especially it being "in the eye of the beholder" and would argue it's more media literate to recognize when a character has a workable redemption arc even if one disagrees they "should" get one. It took me a long time to learn this cuz of how we're usually taught redemption = forgiveness in Western (especially very Christianized, and especially if explicitly raised Christian) culture:

It doesn't rely on anyone but the person seeking redemption.

Yeah, it's the wronged party's prerogative to never forgive, to think the perpetrator's atonement (and/or punishment) is not enough and never will be. Anyone (characters and actual people) who sympathize, and who are on their side, can agree it's not ever enough and that character/person's sins are unforgivable.

And that still doesn't matter to their redemption.

We have an example of a workable redemption arc that not all accept in Final Fantasy XIV with Fordola's situation, through the Endwalker healer role quests. She was raised a collaborator of Ala Mhigo's imperial occupiers, and thought the best way to help her people was to soldier for the empire, becoming their Butcher.

In the Stormblood patches, Raganfrid says he will never forgive her; he thanks her for the aid she gave in the throne room that day, but that's all. And even in the EW healer role quests, their interactions are complicated. He still can't forgive the collaborators, even as he works to reintegrate them into Ala Mhigan society. He recognizes many thought they had no choice. He can't, won't, forget the pain of losing his own loved ones to them. This is stated multiple times.

And others, like M'rahz, Sarisha, and M'naago also struggle, also say they won't forgive...but reluctantly agree they can understand how for the sake of their families, the collaborators felt pushed against a wall, and what lengths have they themselves gone to for their own families? M'naago even scolds Fordola: she doesn't get to give up, she has to keep working--or she dies as exactly what everyone said she was.

Fordola starts out as the one punished for her sins. Through the story, she makes her choices to change and fight and work for her people as a free woman. There are still those who despise the Butcher, and always will. Redemption comes from Fordola's actions, Fordola's choices. Who forgives her and who doesn't can't change that she has changed, and continues to do so.

And in the interest of fairness, for the opposite of Fordola, we have Laurentius. In A Realm Reborn, he collaborated with the empire, selling out his nation. He came out of his punishment wanting a new chance, so joined the Crystal Braves...and immediately fell under Ilberd's sway. While others remained loyal and stuck to their morals (and paid for it with imprisonment or even death), Laurentius went along with all of Ilberd's plans. And in the end, the player gets an opinion in the punishment he and his comrade face, but it's clear from talking to Raubahn there isn't much hope. Laurentius had his chances, but he didn't make any effort to actually change--so faced the consequences.

For Reference for the Healer Role Quests: Garland Tools Healer quest text starting with "Far From Free", and my own saved text in Gdocs (raw, not very organized compared to my later saved/updated docs).

(Nero's the war criminal who...didn't even get a slap on the wrist, he just waltzed into a leadership meeting 15 mins late with Starbucks and has been helping us save the world since. Gaius is the war criminal that went through traumas, saw his privileged preconceptions torn apart, and is starting down that road in the wake of Werlyt to clean up his mistakes and not let his children's sacrifices be in vain. None of these characters "need" punishment to decide to change; some of it simply happens as part of their stories, but they make their own choices and actions toward atonement.)

(Also redemption is usually an ongoing process, which is why "Death Equals Redemption", like how Yotusyu's situation is framed, is so dicey and often unsatisfying; are they actually changed, or they just getting out of putting in that effort to? Nothing indicated Yotsuyu actually cared to change, as sympathetic as she was in the end! But she has her redemptive moment for her fans, and the people who hate/won't forgive her also "win"--the trope is a "have your cake and eat it too" writing cop-out IMO at this point.)

[finniestoncrane]

need that old man to sit on my face

[starry-bi-sky]

Danyal Al Ghul doodle dumps from my Danyal Al Ghul Au. I was thinking about Him earlier today, and thus decided to draw him. Tis good headshape practice, and just drawing practice in general. You can spot the time difference not by the lighting but by the fact Danny suddenly has curls. Plus an honorary colored version because it twas one of my favorites

[steviesbicrisis]

I genuinely think Steve would have an Only Fans, Robin would convince him to sell pictures of his feet.

At first it’s just pictures of Steve’s feet, some even out of focus, but then someone comments about them not being sexy enough and Robin takes offense to it. She’s the one taking the pictures and managing the profile (she called it “The King’s feet” and she’s proud of it) and she won’t accept any criticism.

After that she start to take care of the set, checking the lights, using Steve’s phone which has a better camera. And if it could have been considered “normal” at some point, she gets over that level pretty quickly. She’s invested in making costumes, then characters and finally overly complicated dramatic scenes.

Steve is desperate for a break but every time he tries to talk Robin out of it, somehow he ends up holding one of his feet up as she’s drawing a smiley face on his toes.

Steve, to no one’s surprise, has very few subscribers, mostly people who either paid the subscription by mistake or are weirdly into whatever Robin is making.

But the only one who has been subscribed for months, the same one who had critiqued Steve’s feet for not being sexy enough, is a certain E_thebanished, and he never misses any of Robin’s series of weird re-enactments for foot fetishists.

[whispering-kavka]

friends i love crocheting so much . why does it hurt me so

[milkbreadtoast]

fluffy golden hair prince...

[lord-squiggletits]

Part of why I hate this fandom's take on Autobots vs Decepticons is ppl (mainly 'con fans honestly) who can't have any nuance of the situation whatsoever and love to write plots like "oh the humans are racist and abusive towards Cybertronians so this is how Megatron is right" no actually I don't think colonialism/imperialism and racism are justified so long as you can point the finger and say "they were the aggressors first" or "their hands are no cleaner than ours bc their society sucks too" sorry. Please come up with better sociopolitical narratives in your war story.