#so many things about this episode were important
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'Thank you,'
Phoebe smiles again, and nods, but there was nothing that she had said that wasn't completely true. Rafael did look out for her. He gave her rides, took her out to dinners with crystalline glasses and carpaccio and expensive wines, but far beyond that, easily the kindest, most important thing to Phoebe ... Rafael did not look at her with condescension or judgement.
She was an ant, really, in a world as big as Rafael's. But that never seemed to influence the way he treated her. Or looked at her. Or spoke to her.
And to Phoebe, that alone was everything.
Rafael wraps an arm around her shoulder, tugs her in close on the couch, and then—
'There’s a lot you don’t know about me,'
'I don’t know if I want you to find it all out, to be honest,'
Phoebe straightens minutely. There was something subdued in his voice, a little quiet. What did he mean by that?
Work, maybe? Beyond his position in his father's business, handling expansions and investments and shareholder meetings, Phoebe would have to be stupid not to understand there were other aspects of Rafael's career. Serious stuff. Illegal stuff. Phoebe made a point to keep her nose out of where it didn't belong, but she would have to be blind, really, not to suspect that the Dahar's influence extended deep into the city, in avenues that went far beyond hotels or casinos.
But Phoebe had known this from the beginning. When Rafael had first started flirting with her, Phoebe was well aware who he was, and the more time they spent together, the more glimpses Phoebe would get— little things, because Rafael shielded her well, but just the deference he was shown, men coming to him at the club and speaking vaguely about shipments and meetings.
Yeah. Phoebe knew. And there were probably so many more things Rafael had shielded her from, and wouldn't want her to see, and even if Phoebe's mind could fill in the blanks, she just didn't ... care.
Phoebe didn't care if Rafael's daily workload could fill an episode of sensationalized tv.
Rafael was still the person whose first response, when he met Phoebe was, was kindness. But it was still hard to admit this much, wasn't it? It probably took a lot for Rafael to voice that kind of fear.
Her palm brushes along his cheekbone.
"Well. You don't have to share everything with me. If it's something you don't want to do." A beat. "But, uh ... I trust you. I always feel good with you, like safe, in a way I've never felt with other guys. So you should know I won't care about whatever you tell me. I'll still look at you the same."
A smile pulls at her lips, gentle, something flickering warmly behind her eyes as she stared at the man who cared for her so well.
Rafael liked how things were now; Phoebe too. There was nothing that Rafael could ever share with her that would change her opinion of him, or dampen the feelings she felt in her heart.
And Phoebe. Well. If anything, she felt like the fraud here, the one with a thin veneer glossing over an ugly past full of things dark and shameful. The syringes and the evictions and the crunch of glass and all the awful little apartments with awful silences and even more awful yelling, the nights spent with strangers, exchanges that left Phoebe feeling empty and awful. The man who she'd stayed with for weeks, months, who sometimes frightened her so bad she wanted to vomit. And the highs, and the things she did to keep those highs. Years and years of sacrificing everything for her highs.
Yeah. What if she told Rafael all about those things, and he rightfully felt different? Maybe saw her as pathetic, or gross, or someone he just didn't want to associate with.
Rafael had always been so kind to her, completely lacking in judgement, but the fear was still there.
Anxiety churns in her gut. Phoebe looks at that anxiety and does what comes natural now: she tucks her arm into one of Rafael's, and leans her abdomen into his solid frame.
"If it makes you feel better ... there's stuff, about me, that I worry would change your opinion of me."
It seemed obvious, but it hadn’t really occurred to Rafael that Phoebe saw him as something other than just … an intimidating rich asshole. This illusion that there was depth to Rafael felt… strange. It didn’t really seem possible to him. It had felt pretty impossible until Phoebe, and now… well. There were a lot of questions that Rafael wanted answers to, but they wouldn’t come from Phoebe.
Even though she’d offered to help, he had to figure some of it out on his own.
Rafael was nice to her right away. There was just something about Phoebe that drew him to her like a magnet. And over the months, those feelings had only become more intense. As the time went on, there was nothing that Rafael wouldn't have done for her.
“Thank you,” Rafael simply said.
It was endearing that Phoebe was willing to put up a fight about his kindness. She hadn’t seen him at work. Not in the office, but ... his real work. She hadn’t seen him in the hour before he showed up at her apartment. Fists aching and covered in blood. Making a call to dispose of a body on Christmas Eve.
He wrapped an arm around Phoebe, pulled her in close.
“There’s a lot you don’t know about me,” he told her. There was. Good and bad. Maybe she assumed, and there were rumors, but she didn’t really know. “I don’t know if I want you to find it all out, to be honest,” he said, voice quiet.
Would she think of him differently? If all of the rumors were true?
“I like the way things are right now,” he said, voice quiet.
It felt like a scary thing to admit.
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Let me be clear.
Ellen's age is never stated in the Nosferatu movie. Even less so when she met Orlok.
It doesn't even say how many years passed between her meeting with Orlok and her meeting with Thomas in fact.
The term child is also often alternated with simply young in the movie.
Ellen's age is therefore intentionally ambiguous whether in the present or the past.
The temporality of the movie is also intentionally ambiguous.
Therefore, yes, you can interpret Ellen as being a literal child at the time she met Orlok if you want, but it is actually more likely that the words child and young are just used to express the fact that Ellen was young (not necessarily a child for our time or the era of the movie) with no real life experience and or simply naive at the time. Not that she was literally a child / a little girl.
It's common in movies and in various shows. When a character says themselves to have been a child, it doesn't mean that they literally / officially were ! Shit !
House of the Dragon is a very good example with Rhaenyra telling Daemon in episode 7 of season 1 that he abandoned her when she was only a child, knowing that she was canonically 19 years old when Daemon gone and that in addition we are in the feudal era, where you can marry very young (even before having your first period) and that the majority is 16 years old for girls officially.
I say it again, if the movie was supposed to show Ellen as a child without ambiguity, the temporality would have been clearer, the ages would have been clearly stated, and especially the actress would not have been the same for the opening scene.
Oh, and the film crew would also talk about this very important detail of Ellen who would have been a child when she met Orlok, except that no, generally speaking, they too simply use the term young to designate her at that time.
I'm tired of seeing people try to pretend that it's 100% true that Ellen was a little girl when she met Orlok. No, it's not true.
Officially, it's 50 / 50.
But unofficially, it's a safe bet that since the film's timeline is blurry, that the terms child and young are often alternated in the film and that the film crew from what I saw only used the term young to designate Ellen at the time she met Orlok, well that these terms in the film are there to simply reflect Ellen's naivety at the time she met Orlok, and was simply not yet married.
Knowing that in the Victorian era, a woman is generally still treated like a child while being married, I'll let you imagine when she simply wasn't...
Especially since I recall that Orlok represents Ellen's sexual awakening.
Generally translating in fiction for female characters concerned by the "sexual awakening" aspect of the female character's entry into her real life as a woman with her who therefore leaves the world of childhood. It's a classic. And the female character still doesn't need to be a literal child for this type of scenario.
Reylo in Star Wars is a very good example of that, with Rey experiencing a passage to adulthood thanks to her meeting with her soul mate and sexual awakening Kylo Ren / Ben Solo (the same thing happens on Kylo Ben side by the way).
Or again with Shuri and Namor in Wakanda Forever, Shuri experiencing a sexual awakening thanks to the character of Namor who will symbolically make her grow up, go from child to adult (while officially in age she is already an adult, but not emotionally / on a symbolic level).
So the fact that there is ambiguity about whether Ellen was a child or just young when she met Orlok could also just fit into this category of fictional trope. Namely, Orlok was the character made to allow Ellen to grow in various ways symbolically.
The fact is that Ellen could very well have been a teenager, young or more or less old (remember that at that time women were marriageable at 13 years old, the historical context is important) or already a young woman when she met Orlok. We can't know 100% but I would lean much more towards the second option, since the question of age is never really on the front of the stage in the film (ans Ellen is still considered as young in the film in the current time frame), and not a real factor for the Orlok & Ellen relationship and especially his heart.
People try to create this classic scenario of the adult Orlok targeting a child Ellen to manipulate her as he pleases.
Except that's not the case.
Orlok wasn't interested in Ellen because she was young and easily manipulated. He was interested in her because she was like him, not of the living world, and she called to him. She is the enchantress who brought him into this world. They are connected by destiny. She brought him into this world and only she can take him out of it.
Orlok represents what society restricts in Ellen and prevents her from expressing. Her true desires that were considered evil in a woman at the time.
Seeing Orlok as Ellen's abuser from childhood to adulthood doesn't work on the overall message of the film.
Orlok is not Ellen's real abuser, but the society around her is.
It's all just told in a monstrous way because we're in a horror film who telling a gothic romance.
That was my rant.
#nosferatu#nosferatu (2024)#nosferatu 2024#ellen hutter#count orlok#orlok#ellok#ellenorlok#ellen x orlok#orlok x ellen#gothic romance#villainous crush#villain x heroine#heroine x villain#villains x heroines#heroines x villains#daemyra#daemon x rhaenyra#house of the dragon#hotd#reylo#rey x kylo#rey x ben solo#nashuri#namor x shuri
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#gundam the witch from mercury#g witch#miorine rembran#suletta mercury#sulemio#suletta x miorine#rewatched this episode#it's so funny because there are so many important things going on like political intrigue and treason#and yet most of us were worried about a teen getting her heart broken#beautiful
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Last thing I’m gonna say because I feel like it’s a little important. Because no matter I do no one is gonna gif the last scene. This is just what I think, I really….dont care if anyone doesn’t get it. As someone who is ummm older than this shows target audience annnnddd as someone with both Complex Trauma and PTSD, JJ’s ending still makes sense to me. I appreciated John B’s narration, because he shines a light on JJ’s best moments and best qualities, while also referencing his trauma. So like, there is no other side. And this is real. There is no true “happy ending” when it comes to trauma disorders, at least not in the way most people think (and I thought at one point as well). I have been told (and I knew it already) that I will need some form of therapy for the rest of my life. Trauma survivors do not get a magical happy ending. You can manage your disorder and find peace. It’s not about having a happy ending, it’s about having a moments of brightness and holding on to them while you’re in the dark. I mean that’s life in general really. And I think it was unbelievably important to show a character that goes through so much be looked at not as someone who got a bad ending and didn’t get the ride off into the sunset with their gf, but as someone who found joy and love and friendship even when experiencing all that pain. JJ’s story is a testament to the complexities of living with trauma and abuse. It’s a beautiful moment for him and the show. Him to die after saying he had everything he wanted and he got his wish. Honestly I think there a lot of important things in those last minutes that people would appreciate if yall weren’t so bent on getting fanserviced to with this show. You got used to how the entertainment industry interacts with social media and it’s made yall unable to really appreciate storytelling.
#outer banks#jj maybank#jiara#like that episode had some beautiful moments#and you can tell a lot of people worked really hard on it#to spit on that just because yall feel entitled to have things just the way you want them is wild#pope literally shot someone at Cleo’s behest? after she convinced him not to kill Rafe like last season#wild#Sarah forgave her brother#there were so many important things going on#bragging about sending the writers backlash is not a flex#you look crazy#and if someone compares them to bellarke ONE MORE TIME#one of these things is not like the other babe#like this is not the same situation at all
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Z-Crew in a competitive escape room scenario in which they have to use teams but Vegeta and Bulma are not allowed to team up for several reasons so they both immediately call dibs on Gohan but he teams up with Piccolo while they’re arguing over who gets him so Geets volunteers Goku to Bulma’s team and picks up Krillin and runs away before she can say no
#Yamcha and Tien are teamed up#Puar is teamed up with Shu because Pilaf picked Mai (rip)#Goten and Trunks teamed up because Videl tried to pick Goten and both of the boys clung to each other and started crying#So Videl teamed up with 18 who only barely let Vegeta run off with her husband because it was juuust funny enough to allow it#Launch tried to call Tien but he ran so she’s with Chaozu#Beerus and Whis were invited but Beerus bailed when he found out there was no food involved so Whis is with Roshi#So Roshi spends the entire episode trying to figure out whether or not he finds Whis attractive#Pan and Bulla snuck in with Marron and the three of them win on accident bc none of them super know what escape rooms are about yet#Hercule and Buu were there but Buu kept eating props so they were kicked out almost immediately#Dende and Popo are there to help the staff ensure nobody’s cheating#Chichi did not want to play she’s a busy adult with many important things to do and 17 is helping her because somebody has to#Who am I forgetting is that everybody#dbtag#silly hours#Bulma and Goku do surprisingly well but mostly just get caught up in the nostalgia of being a dynamic duo again#Vegeta and Krillin have a surprising amount of fun working together bc both of them high key want to beat Goku at something#They are all defeated by a ruthless gang of very tiny daughters
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okay i just marathoned the entirety of ATLA live action & i might do an actual review of it explaining my thoughts more in depth, but the TLDR version basically boils down to this:
if you want to watch Avatar: The Last Airbender, just go watch the 2005 cartoon
#i was trying to keep an open mind & all that cuz of OPLA (my beloved) but. holy shit it was actually worse than i expected :/#like what were they thinking. did they use AI to write this or are the writers just like. really shitty#notes: they linger too much on random bullshit & refuse to move character development along#they tell when they should be showing & when they DO show it's for stuff that benefited from brief environmental storytelling in the OG#the plot drags so hard it was basically stagnant#there were some fun things but like. those things could've been funner if they'd been given the time other useless stuff was taking up#they changed so many minor details that really don't matter in order to make them more important#but this failed spectacularly because now there's just. stupid bullshit clogging up the plot??#instead of having 10 minute monologues 3 times an episode about plot irrelevant things#they should have taken a page out of the original's book & kept minor details to a minimum & focused on ACTUAL PLOT#SO MUCH CGI. LIKE I KNOW THEY NEED IT BUT COME ON. EVEN THE CHARACTERS?????? WHO ARE JUST STANDING THERE????????#they were given 8 hours & almost all of it was Aang angsting (lol) over being the avatar & not practicing actual bending#& then they ended the plot too early so they had to fill in the last like 20 minutes with something else#so they made up random lore that literally makes no sense. & overexplained all of it to the point i was blanking out from boredom#i think this is why i didn't enjoy Korra. they over explain the spirit world stuff & avatar powers & bending#that plus i just don't vibe with the aesthetic#being a writer is a curse because when i dislike something it's because i know exactly what went wrong & why#it's always with the analyzing & the judging & the internal note taking#even when i really try i can't just enjoy shit for fun
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they werent lying that knuckles series barely has knuckles in it
#i pirated that shit Btw just so we're clear. also gonna talk about it a little bit in the tags#nothing too spoilery but also might not wanna read if you want to go in knowing absolutely nothing? idk#anyway he WAS a main character still he was present for a decent amount of the first couple episodes#but the amount of screentime he gets just starts dropping after that . hes barely there at all in the second half ???#and it feels like theres a lot of scenes mostly focusing on wade and his problems and not near as many for knuckles and his whole deal#overall it feels more like a wade show with knuckles in it than a knuckles show with wade in it. which sucks#and human characters having plot relevance isnt the problem here i dont mind human characters at all i think they can be really fun#its the fact that the human characters are taking over the story and spotlight when the show is called knuckles#and all the marketing makes it look like knuckles is the main focus#and i also would have preferred if they just went with a differnet character to be knuckles' human friend#because i dont particulraly care about wade. and the knuckles (and sonic and tails) i know would not be friends with cops </3#well at least the story wasnt knuckles training wade to be a better cop like a lot of people were expecting but thats like.the bare minimum#also aside from the issues relating to knuckles' screentime (or lack of screentime) i thought the ending was unsatisfying#regardless of all that though there WERE some parts i enjoyed or found kind of funny or whatever. because knuckles so cutesy as always#knuckles being a cute little guy is the most important part of the show actually#and i liked the parts with sonic tails and maddie even if they were only there for like 5 minutes#(i really wish those three had gotten more screentime. i feel like they could have easily worked in at least one more scene with them)#and its a minor thing but the opening sequence is cute. was honestly expecting just a title card or something#overall the show is just . kind of okay i guess. not the worst thing ive ever seen but still disappointing ? idk how to explain..#my expectations also werent very high in the first place#so maybe im being a bit more generous than i would have been otherwise. idk#and i definitely would not recommend this to anyone who already dislikes the sonic movies . youll probably hate this more#like people who thought the human characters got too much screentime in the second movie would lose their minds if they saw this
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i am officially, FINALLY all caught up again in both the manga and the anime for bsd and OH BOY there are thoughts and opinions but also WHO CARES because my tags are finally FREE to be unfiltered
#hnnnnnn#i am SO happy#i am BEYOND happy#i love the arc even if i complain about it a lot#but i am also hnnnnnn…….displeased……..with a few things#the anime fr about to catch these hands#i already KNEW they were rushing it from the few episodes i had watched#but the anime is usually SO good at pacing#that i fully trusted that certain things would be slowed down for significance/impact/etc#but instead the pacing just stayed WAY too fast for me#and they ended up cutting SO many small moments that had SO much importance like im going crazy about some of them#some of the lines they cut…….#or even adjusted slightly that it drew away the impact#ugh i KNOW there was a LOT to balance and a LOT of content to get through#but i am a little disappointed that so many emotional scenes were what ended up suffering for it#this is why i don’t usually like reading the manga for animes i watch#i always end up getting disappointed by the limitations of adaptations#that being said though regardless of general limitations i don’t think some of the rushing is above criticism#and i am going to go and eat glass while seething over the particularly offensive rushing/cuts😤#OKAY DONE that’s the last i’ll say about it i would just go crazy if i didn’t vocalize it somewhere#in general i was VERY happy with the arc in both the manga and the anime i have SO much love for it#definitely a favorite for me#and THAT concludes my very vague no spoiler review#i swear one of these days my self control is going to snap#and im just going to start posting my full essays and content analysis shit about everything i watch here#but for now we’re safe and all my rants will stay spoiler free tag paragraphs instead godbless🙏
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ok i get why anthy has creature of delirium now
#rgu ramblings abound:#i just assumed she had many-faced as in. socially. shifting to be whatever the current Engaged wants#but no yeah ep 23. she does do that.#what in the (end of the) world were those hands during ep 22 though#like yeah yeah time is fucked so the hourglass is blue for illusion#tokiko's lipstick on the teacup was orange so like... juri-color. hopeless relationships? i cant pin it down in words but yknow what i mean#but what was the black cats teacup butterfly guys holding hands etc about? might be missing cultural context. ill read some analyses later#god mikage is such a good character though. WILL miss him going ''fukaku motto fukaku''.#i know akio is the patriarchy but like. is he... a reverse bodhisattva or something????????????????????????????????????????????????????????#keeping people in the schoolgrounds-of-not-letting-go-of-the-past??????????????????????????????????????????????????????????????????????????#..himemiya under orders from himemiyas brother pretended to be mamiya trying to get people to kill himemiya so mamiya could become himemiya#not quite ''vergil teamed up with vergils brother and vergils son to kill vergil so vergil could become vergil'' but close enough#saionji is the only one sweating during the intro. wonder what that means#i saw an utena out-of-context compilation before watching the show and like#nanami lesbian moment which i have no context for had birds. juri shiori episode had a birds. is birds lesbians???????#the cmwge seed program is EXTREMELY utena student council huh.#...i watched a few more episodes before posting#i had written a whole thing about how i didnt get why anthy was on CoD because they pull the sword out of *her*#and had an epiphany about how she like. used the black rose duelists as vessels and extracted the student council's swords#but nope! she's straight up pulling the sword out of utena now#the subtitles called the elevator a ''gondola'' and... I Don't Think That's What That Is. Like. At All#also god is akio creepy. viscerally uncomfortable man. i wish to Punt him#is the new ed song about jesus??? a full analysis wouldnt fit here but yknow. dante's paradiso mentioned. also nge is full of jesus so#also! empty motion??? after the primum mobile thing??? that seems important!!! is it referring to the eternal thing? i guess?#from that ooc compilation- touga repeated akio's throbbing engine thing p much verbatim to saionji. something something cycles of abuse#(it WAS an EXTREMELY funny scene though)#huh. not a single man in this show is normal about women. is that a themes thing or#oh wait no. yamada tanaka and suzuki. love those guys. i def didnt have to look up their names what are you talking about#also mamiya i guess but he doesn't count he's dead#was really expecting utena to turn into a car during the saionji duel. like. the whole arena's cars. i know she does it but if not now when
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Congratulations to Never Let Me Go for being the second drama to get the highest rating from me this year. Currently preparing my mind and body to be insufferable about it forever.
#haha! sike! I've actually already started-#(list of things I did BEFORE finishing NLMG tonight:#1. downloaded the episodes to cherish and protect in case the downfall of internet is tomorrow/other disasters#2. bought a replica of Nueng's necklace for the price of two croissants in the not-very-legal market#3. included a shot from the series in a special gifset#4. had heated mental arguments with the people making negative comments about it#5. .......... considered giving FUTS another chance out of gratitude to PP (not sure yet but just the fact that I gave it a THOUGHT-))#//#well now that being said#I'm kinda disappointed there are only 2 new dramas in the annual list that got the ''I will definitely rewatch this'' badge#last year there were 3 BLs alone. not even counting OTHER genres!!! and in 2023 I watched many MORE dramas!!! what is this!!!!!!#was I unlucky. was I going after the wrong stuff. I keep thinking about that.#but there were also a good number of dramas that got the ''I might rewatch this'' badge#and even the ones I didn't really enjoy were important to give me perspective/parameter#so... no time was wasted. and I was doing what I like to do? so I guess it's ok...
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well I finished it. you know someone in one of my classes the other day was talking about how the final edit of this show cut out a fair amount of content for the sake of sticking to netflix’s time limit and how you can kind of just Feel that void when you watch it. and i understand now
#like I can’t pinpoint specific scenes/plotlines/whatever off the top of my head rn (my brain is broken now)#but just generally. especially and specifically with the final episode. there’s something lacking and you can feel it#not lacking as in the show being lacking in general- the show’s a fucking masterpiece no doubt about that#but like. the aftermath was so short and kind of cryptic#in a way where you’d absolutely think they’re setting it up for some sort of continuation but. from what im aware they’re not. so#I mean not for this story anyway#but yeah like? hello? the city looks like THAT and im supposed to accept that as a solid ending???#can I have closure????? please??????#ok ok ok ok I fully understand there are CERTAIN things that should be cryptic and I don’t even particularly want answers for#namely jayvik’s Situation. I like that being extremely incredibly open ended. it makes sense. literally no one could possibly know where#they ended up. if they ended up anywhere at all. if it’s another dimension. if they transcended mortality. idk fucking reincarnation.#honeymoon in fiji. becoming one with the arcane. i like to think the honeymoon thing but you know#anyway point is I get something like that being open ended and to a degree I get the decision not to show the entire city being rebuilt and#everyone’s fates in the long run and etc. though again that makes it really feel like they left that room on purpose for future content#but uhhh yeah. ekko’s a big one when it comes to feeling that void. like there had to have been more to his parts that were cut out because#god he was THAT important and didn’t even get to say a proper goodbye to jinx. we didn’t see him talk to her prior to the battle. he just#ends up sitting alone. not even with vi or anyone who IS left like oh I don’t know the COMMUNITY HE BUILT#he’s just sitting there!!!!!!!!!!!!!#at least he’s not dead. at least he’s not dead. augsghh#uhhhhh yeah so. that was that. fuck.#you know what got me at the end (as in post-battle). seeing Jayce’s mom at the ceremony honoring the dead#like fuck that hits like a truck. oh YEAH. he has a MOTHER who LOVES him. and he just. is as good as dead to her. he presumably hadn’t#spoken to her in months– years possibly through his perspective#and then he’s just Gone. graahhhahghhhhhhhh#I have a lot of thoughts I have so many thoughts im going to disintegrate#kibumblabs#arcane
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Honestly the most revolutionary thing about Gravity Falls to me is its commitment to sincerity.
I’ve been listening to Alex’s podcast where he goes into the details of each episode with different storyboard artists and writers who worked on the show, and it just baffles me how… cared for the story is. Right now in media there’s been an uptick in satire, and shows making fun of themselves for existing, or taking the piss at their own content to “win” fans to their side. It’s like whimsy is gone from so many pieces of media. But Gravity Falls just doesn’t… do that. It completely embraces itself. Weirdness and all. And so does the team behind it. I’m not used to something I care about being so cared about by everyone surrounding it.
Here’s this cartoon, written and illustrated by an entire team of people saying, “no, we’re serious. we mean this. we made this on purpose and we made it important.”
Throughout the podcast, Alex discusses little ins and outs of each character, offering so much deep internal struggles and enriching the story even farther. And listening to him unpack it with the utmost sincerity just warms my heart. Each character is so dynamic because they were cared for by people who imbued them with sincerity.
That’s exactly why we get quotes like “Shame is powerful, but it grows in the dark,” as Ford realizes the trauma he’s hidden for so long is being embraced by his family, diminishing it’s weight on him through their immediate support.
It’s why we get Alex describing Stanley with quotes like; “I always in my gut thought of him as somebody with a huge well of sadness, a loss of human connection. And that need to please? That need to get laughs from the crowd, and putting on a big show? He’s trying to get from them the affection he never got from his family, and that he lost with his brother.”
Or detailing how Mabel might be a goof… but half the time she’s doing a bit, because she’s really more mature than her brother and doesn’t want him to grow up too fast. She’s trying to help ground him and bring lightheartedness into his life. Because she knows otherwise, he’ll become too self isolated.
And those two mini character studies he dropped so casually in these podcast episodes just… color the show. It’s why the show survived so well even after ten years. It’s gruff-old Stan always calling his niece “Pumpkin” and “Honey”. It’s the family always holding hands without it behind laced with a joke, and falling asleep on one another in the car. It’s Alex explaining that people toyed with other endings, other plot lines, other twists, but it was always going to end with Stan and Ford mending the family tie they severed thirty years ago. Because that was their story. Messes and family and care.
Ten years ago, watching it for the first time as it came out, I felt all that. But now, as an adult, knowing that all the other adults who made it felt the exact same way? :,) What a special story we all got to grow up with, and get to continue being apart of.
#gravity falls#the pines family#pines twins#gravity falls meta#gosh i’ll never stop loving this show#stanford pines#stanley pines#dipper pines#mable pines#roseys musings
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Retiring the US debt would retire the US dollar
THIS WEDNESDAY (October 23) at 7PM, I'll be in DECATUR, GEORGIA, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.
One of the most consequential series of investigative journalism of this decade was the Propublica series that Jesse Eisinger helmed, in which Eisinger and colleagues analyzed a trove of leaked IRS tax returns for the richest people in America:
https://www.propublica.org/series/the-secret-irs-files
The Secret IRS Files revealed the fact that many of America's oligarchs pay no tax at all. Some of them even get subsidies intended for poor families, like Jeff Bezos, whose tax affairs are so scammy that he was able to claim to be among the working poor and receive a federal Child Tax Credit, a $4,000 gift from the American public to one of the richest men who ever lived:
https://www.propublica.org/article/the-secret-irs-files-trove-of-never-before-seen-records-reveal-how-the-wealthiest-avoid-income-tax
As important as the numbers revealed by the Secret IRS Files were, I found the explanations even more interesting. The 99.9999% of us who never make contact with the secretive elite wealth management and tax cheating industry know, in the abstract, that there's something scammy going on in those esoteric cults of wealth accumulation, but we're pretty vague on the details. When I pondered the "tax loopholes" that the rich were exploiting, I pictured, you know, long lists of equations salted with Greek symbols, completely beyond my ken.
But when Propublica's series laid these secret tactics out, I learned that they were incredibly stupid ruses, tricks so thin that the only way they could possibly fool the IRS is if the IRS just didn't give a shit (and they truly didn't – after decades of cuts and attacks, the IRS was far more likely to audit a family earning less than $30k/year than a billionaire).
This has become a somewhat familiar experience. If you read the Panama Papers, the Paradise Papers, Luxleaks, Swissleaks, or any of the other spectacular leaks from the oligarch-industrial complex, you'll have seen the same thing: the rich employ the most tissue-thin ruses, and the tax authorities gobble them up. It's like the tax collectors don't want to fight with these ultrawealthy monsters whose net worth is larger than most nations, and merely require some excuse to allow them to cheat, anything they can scribble in the box explaining why they are worth billions and paying little, or nothing, or even entitled to free public money from programs intended to lift hungry children out of poverty.
It was this experience that fueled my interest in forensic accounting, which led to my bestselling techno-crime-thriller series starring the two-fisted, scambusting forensic accountant Martin Hench, who made his debut in 2022's Red Team Blues:
https://us.macmillan.com/books/9781250865847/red-team-blues
The double outrage of finding out how badly the powerful are ripping off the rest of us, and how stupid and transparent their accounting tricks are, is at the center of Chokepoint Capitalism, the book about how tech and entertainment companies steal from creative workers (and how to stop them) that Rebecca Giblin and I co-authored, which also came out in 2022:
https://chokepointcapitalism.com/
Now that I've written four novels and a nonfiction book about finance scams, I think I can safely call myself a oligarch ripoff hobbyist. I find this stuff endlessly fascinating, enraging, and, most importantly, energizing. So naturally, when PJ Vogt devoted two episodes of his excellent Search Engine podcast to the subject last week, I gobbled them up:
https://www.searchengine.show/listen/search-engine-1/why-is-it-so-hard-to-tax-billionaires-part-1
I love the way Vogt unpacks complex subjects. Maybe you've had the experience of following a commentator and admiring their knowledge of subjects you're unfamiliar with, only have them cover something you're an expert in and find them making a bunch of errors (this is basically the experience of using an LLM, which can give you authoritative seeming answers when the subject is one you're unfamiliar with, but which reveals itself to be a Bullshit Machine as soon as you ask it about something whose lore you know backwards and forwards).
Well, Vogt has covered many subjects that I am an expert in, and I had the opposite experience, finding that even when he covers my own specialist topics, I still learn something. I don't always agree with him, but always find those disagreements productive in that they make me clarify my own interests. (Full disclosure: I was one of Vogt's experts on his previous podcast, Reply All, talking about the inkjet printerization of everything:)
https://gimletmedia.com/shows/reply-all/brho54
Vogt's series on taxing billionaires was no exception. His interview subjects (including Eisinger) were very good, and he got into a lot of great detail on the leaker himself, Charles Littlejohn, who plead guilty and was sentenced to five years:
https://jacobin.com/2023/10/charles-littlejohn-irs-whistleblower-pro-publica-tax-evasion-prosecution
Vogt also delved into the history of the federal income tax, how it was sold to the American public, and a rather hilarious story of Republican Congressional gamesmanship that backfired spectacularly. I'd never encountered this stuff before and boy was it interesting.
But then Vogt got into the nature of taxation, and its relationship to the federal debt, another subject I've written about extensively, and that's where one of those productive disagreements emerged. Yesterday, I set out to write him a brief note unpacking this objection and ended up writing a giant essay (sorry, PJ!), and this morning I found myself still thinking about it. So I thought, why not clean up the email a little and publish it here?
As much as I enjoyed these episodes, I took serious exception to one – fairly important! – aspect of your analysis: the relationship of taxes to the national debt.
There's two ways of approaching this question, which I think of as akin to classical vs quantum physics. In the orthodox, classical telling, the government taxes us to pay for programs. This is crudely true at 10,000 feet and as a rule of thumb, it's fine in many cases. But on the ground – at the quantum level, in this analogy – the opposite is actually going on.
There is only one source of US dollars: the US Treasury (you can try and make your own dollars, but they'll put you in prison for a long-ass time if they catch you.).
If dollars can only originate with the US government, then it follows that:
a) The US government doesn't need our taxes to get US dollars (for the same reason Apple doesn't need us to redeem our iTunes cards to get more iTunes gift codes);
b) All the dollars in circulation start with spending by the US government (taxes can't be paid until dollars are first spent by their issuer, the US government); and
c) That spending must happen before anyone has been taxed, because the way dollars enter circulation is through spending.
You've probably heard people say, "Government spending isn't like household spending." That is obviously true: households are currency users while governments are currency issuers.
But the implications of this are very interesting.
First, the total dollars in circulation are:
a) All the dollars the government has ever spent into existence funding programs, transferring to the states, and paying its own employees, minus
b) All the dollars that the government has taxed away from us, and subsequently annihilated.
(Because governments spend money into existence and tax money out of existence.)
The net of dollars the government spends in a given year minus the dollars the government taxes out of existence that year is called "the national deficit." The total of all those national deficits is called "the national debt." All the dollars in circulation today are the result of this national debt. If the US government didn't have a debt, there would be no dollars in circulation.
The only way to eliminate the national debt is to tax every dollar in circulation out of existence. Because the national debt is "all the dollars the government has ever spent," minus "all the dollars the government has ever taxed." In accounting terms, "The US deficit is the public's credit."
When billionaires like Warren Buffet tell Jesse Eisinger that he doesn't pay tax because "he thinks his money is better spent on charitable works rather than contributing to an insignificant reduction of the deficit," he is, at best, technically wrong about why we tax, and at worst, he's telling a self-serving lie. The US government doesn't need to eliminate its debt. Doing so would be catastrophic. "Retiring the US debt" is the same thing as "retiring the US dollar."
So if the USG isn't taxing to retire its debts, why does it tax? Because when the USG – or any other currency issuer – creates a token, that token is, on its face, useless. If I offered to sell you some "Corycoins," you would quite rightly say that Corycoins have no value and thus you don't need any of them.
For a token to be liquid – for it to be redeemable for valuable things, like labor, goods and services – there needs to be something that someone desires that can be purchased with that token. Remember when Disney issued "Disney dollars" that you could only spend at Disney theme parks? They traded more or less at face value, even outside of Disney parks, because everyone knew someone who was planning a Disney vacation and could make use of those Disney tokens.
But if you go down to a local carny and play skeeball and win a fistful of tickets, you'll find it hard to trade those with anyone outside of the skeeball counter, especially once you leave the carny. There's two reasons for this:
1) The things you can get at the skeeball counter are pretty crappy so most people don't desire them; and ' 2) Most people aren't planning on visiting the carny, so there's no way for them to redeem the skeeball tickets even if they want the stuff behind the counter (this is also why it's hard to sell your Iranian rials if you bring them back to the US – there's not much you can buy in Iran, and even someone you wanted to buy something there, it's really hard for US citizens to get to Iran).
But when a sovereign currency issuer – one with the power of the law behind it – demands a tax denominated in its own currency, they create demand for that token. Everyone desires USD because almost everyone in the USA has to pay taxes in USD to the government every year, or they will go to prison. That fact is why there is such a liquid market for USD. Far more people want USD to pay their taxes than will ever want Disney dollars to spend on Dole Whips, and even if you are hoping to buy a Dole Whip in Fantasyland, that desire is far less important to you than your desire not to go to prison for dodging your taxes.
Even if you're not paying taxes, you know someone who is. The underlying liquidity of the USD is inextricably tied to taxation, and that's the first reason we tax. By issuing a token – the USD – and then laying on a tax that can only be paid in that token (you cannot pay federal income tax in anything except USD – not crypto, not euros, not rials – only USD), the US government creates demand for that token.
And because the US government is the only source of dollars, the US government can purchase anything that is within its sovereign territory. Anything denominated in US dollars is available to the US government: the labor of every US-residing person, the land and resources in US territory, and the goods produced within the US borders. The US doesn't need to tax us to buy these things (remember, it makes new money by typing numbers into a spreadsheet at the Federal Reserve). But it does tax us, and if the taxes it levies don't equal the spending it's making, it also sells us T-bills to make up the shortfall.
So the US government kinda acts like classical physics is true, that is, like it is a household and thus a currency user, and not a currency issuer. If it spends more than it taxes, it "borrows" (issues T-bills) to make up the difference. Why does it do this? To fight inflation.
The US government has no monetary constraints, it can make as many dollars as it cares to (by typing numbers into a spreadsheet). But the US government is fiscally constrained, because it can only buy things that are denominated in US dollars (this is why it's such a big deal that global oil is priced in USD – it means the US government can buy oil from anywhere, not only the USA, just by typing numbers into a spreadsheet).
The supply of dollars is infinite, but the supply of labor and goods denominated in US dollars is finite, and, what's more, the people inside the USA expect to use that labor and goods for their own needs. If the US government issues so many dollars that it can outbid every private construction company for the labor of electricians, bricklayers, crane drivers, etc, and puts them all to work building federal buildings, there will be no private construction.
Indeed, every time the US government bids against the private sector for anything – labor, resources, land, finished goods – the price of that thing goes up. That's one way to get inflation (and it's why inflation hawks are so horny for slashing government spending – to get government bidders out of the auction for goods, services and labor).
But while the supply of goods for sale in US dollars is finite, it's not fixed. If the US government takes away some of the private sector's productive capacity in order to build interstates, train skilled professionals, treat sick people so they can go to work (or at least not burden their working-age relations), etc, then the supply of goods and services denominated in USD goes up, and that makes more fiscal space, meaning the government and the private sector can both consume more of those goods and services and still not bid against one another, thus creating no inflationary pressure.
Thus, taxes create liquidity for US dollars, but they do something else that's really important: they reduce the spending power of the private sector. If the US only ever spent money into existence and never taxed it out of existence, that would create incredible inflation, because the supply of dollars would go up and up and up, while the supply of goods and services you could buy with dollars would grow much more slowly, because the US government wouldn't have the looming threat of taxes with which to coerce us into doing the work to build highways, care for the sick, or teach people how to be doctors, engineers, etc.
Taxes coercively reduce the purchasing power of the private sector (they're a stick). T-bills do the same thing, but voluntarily (they the carrot).
A T-bill is a bargain offered by the US government: "Voluntarily park your money instead of spending it. That will create fiscal space for us to buy things without bidding against you, because it removes your money from circulation temporarily. That means we, the US government, can buy more stuff and use it to increase the amount of goods and services you can buy with your money when the bond matures, while keeping the supply of dollars and the supply of dollar-denominated stuff in rough equilibrium."
So a bond isn't a debt – it's more like a savings account. When you move money from your checking to your savings, you reduce its liquidity, meaning the bank can treat it as a reserve without worrying quite so much about you spending it. In exchange, the bank gives you some interest, as a carrot.
I know, I know, this is a big-ass wall of text. Congrats if you made it this far! But here's the upshot. We should tax billionaires, because it will reduce their economic power and thus their political power.
But we absolutely don't need to tax billionaires to have nice things. For example: the US government could hire every single unemployed person without creating inflationary pressure on wages, because inflation only happens when the US government tries to buy something that the private sector is also trying to buy, bidding up the price. To be "unemployed" is to have labor that the private sector isn't trying to buy. They're synonyms. By definition, the feds could put every unemployed person to work (say, training one another to be teachers, construction workers, etc – and then going out and taking care of the sick, addressing the housing crisis, etc etc) without buying any labor that the private sector is also trying to buy.
What's even more true than this is that our taxes are not going to reduce the national debt. That guest you had who said, "Even if we tax billionaires, we will never pay off the national debt,"" was 100% right, because the national debt equals all the money in circulation.
Which is why that guest was also very, very wrong when she said, "We will have to tax normal people too in order to pay off the debt." We don't have to pay off the debt. We shouldn't pay off the debt. We can't pay off the debt. Paying off the debt is another way of saying "eliminating the dollar."
Taxation isn't a way for the government to pay for things. Taxation is a way to create demand for US dollars, to convince people to sell goods and services to the US government, and to constrain private sector spending, which creates fiscal space for the US government to buy goods and services without bidding up their prices.
And in a "classical physics" sense, all of the preceding is kinda a way of saying, "Taxes pay for government spending." As a rough approximation, you can think of taxes like this and generally not get into trouble.
But when you start to make policy – when you contemplate when, whether, and how much to tax billionaires – you leave behind the crude, high-level approximation and descend into the nitty-gritty world of things as they are, and you need to jettison the convenience of the easy-to-grasp approximation.
If you're interested in learning more about this, you can tune into this TED Talk by Stephanie Kelton, formerly formerly advisor to the Senate Budget Committee chair, now back teaching and researching econ at University of Missouri at Kansas City:
https://www.ted.com/talks/stephanie_kelton_the_big_myth_of_government_deficits?subtitle=en
Stephanie has written a great book about this, The Deficit Myth:
https://pluralistic.net/2020/05/14/everybody-poops/#deficit-myth
There's a really good feature length doc about it too, called "Finding the Money":
https://findingmoneyfilm.com/
If you'd like to read more of my own work on this, here's a column I wrote about the nature of currency in light of Web3, crypto, etc:
https://locusmag.com/2022/09/cory-doctorow-moneylike/
Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/10/21/we-can-have-nice-things/#public-funds-not-taxpayer-dollars
#pluralistic#mmt#modern monetary theory#warren buffett#podcasts#pj vogt#billionaires#economics#we can have nice things#taxes#taxing billionaires#the irs files#irs files#jesse eisenger#propublica
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sincerely yours. (11)
↳ gojou satoru/reader
when a twist of fate led their marriage to the path of a quintessential tragic romance, two past lovers go through another series of experiences on love, heartbreak, identity, illness, and trauma along the road to a happily ever after.
genre. heavy angst, amnesia, modern au, 18+
tags/warnings. depression, cheating, trauma, implied suicide attempt, toxic relationships
notes. 12k wc. we're so close to the finale <3 thanks so much for the continued support and for the patience you guys have with this series :')
series masterlist -> episode twelve
For better and worse.
Weddings are funny things. Despite the strict adherence to ceremonial traditions, they didn’t guarantee a happily ever after. Exchanging vows and the signing of marriage certificates could become meaningless when a couple faces challenges that would drive them apart. Consider the high-profile divorces of Angelina Jolie and Brad Pitt, Jennifer Garner and Ben Affleck, or Katie Holmes and Tom Cruise. Divorce had become so common that it almost seemed inevitable for many couples, even the ones with the most fairytale-like relationships. No one was safe from the idea of a divorce. So, was having a wedding really that important? Would it really define the quality and longevity of a relationship?
Satoru might have been thinking bitterly about it, given that his own marriage wasn’t exactly a shining success. However, he was also being rational when he said that weddings weren’t necessary to prove your love for each other. Early in his marriage, he certainly wasn’t the best husband, but over time, he learned to genuinely become a good partner to his ex-wife. There was no specific time frame for loving someone. You could be together for weeks, months, or years, yet the depth of love you share might remain unchanged. This constancy can be either a blessing or a curse, depending on how deep your love was from the beginning.
Well… On the topic of marriages, Satoru had no good thing to say. But that didn’t mean he shouldn’t participate in it. Weddings were still considered a special celebration for families and close friends, and He would be selfish not to share in such a beautiful event with his best friends. Besides, wasn’t it always expected that Suguru and Shoko would end up marrying each other? They were lucky—fortunate because their marriage was built on a foundation of genuine love. In contrast, Satoru’s marriage began out of convenience, which ultimately led to all the terrible things that followed.
As the best man, Satoru strode confidently alongside Suguru down the aisle, both adorned in princely tuxedos, drawing the eyes of the guests as they followed their procession. There were teasing remarks, smiles all around, and even a comment from one of the groom’s female cousins about how handsome they both looked. Despite the gentle commotion, Satoru understood why Suguru remained nervous as they reached the end of the aisle. He comfortingly stood by his side, offered a reassuring pat on the back, silently communicating to his best friend that everything would be alright.
“Don’t tell me you’ll back out now,” Satoru jested, whispering in Suguru’s ear as they observed the guests entering in accordance with the processional order.
Suguru, with his once long hair now neatly trimmed and slicked back, cleared his throat in an attempt to appear less anxious. “What if she gets cold feet?”
Gojou couldn’t help but tease. “Shoko? You really think she’d have cold feet?” he chuckled. “She’d be the one dragging your ass back to this garden if you tried to run away.”
“Fair enough.”
Just the night before, they had checked into the Hoshinoya Fuji to celebrate Suguru's last night of freedom. While there was drinking involved, one of the groomsmen insisted it wouldn’t be a proper bachelor’s party without some female company. So, inevitably, there were women in the hotel room, one of whom even gave Suguru a lap dance even though he showed no interest whatsoever. It was amusing to Satoru, considering his best friend used to be the biggest casanova, and now he was a committed and loyal man who, not only was terrified out of his wits on his wedding day, but was also afraid that the one woman he loved might run away from him.
Such genuine, pure love.
As Satoru pondered, his gaze landed on Akemi, who was seated a couple of rows back among the other guests. She had just arrived, her hair tied elegantly in a low ponytail and her silky sage dress accentuating her womanly figure flawlessly. She was wearing the diamond Tiffany & Co. earrings he had gifted her, which made her stand out among the rest of the people in that garden. Their eyes also met at the perfect moment, her gaze sparkling upon seeing Satoru in his tuxedo. He offered her a smile, one that silently conveyed ‘I’ll be there with you later,’ and she immediately understood.
How fortunate was Satoru to have her? Perhaps the reason for her late appearance was because she had been looking after Sachiro back home, fulfilling the duties that his ex-wife should have been doing. She was truly a mother who stepped up, especially during a time when both he and his son felt most abandoned.
And what about you? Who knew if you would even attend the wedding? You were meant to be Ieiri’s maid-of-honor, yet you were conspicuously absent. Perhaps you were still in Monaco, enjoying your time playing house with Toji, making a wedding like this seem insignificant to you. You would have informed Miwa in advance and picked up Sachiro if you had returned to Tokyo, right? Suguru also hadn’t mentioned anything about your arrival at the accommodation, hinting that someone else would have to step in as Shoko's maid-of-honor.
But who would it be? Shoko’s cousin? One of her other female co-workers? Her high school friend?
“Look, mom! She’s beautiful~”
Satoru was rendered speechless, utterly captivated by the sight before him. His fingers tingled with anticipation, his heart raced in his chest, his feet felt rooted to the ground, and his eyes remained fixed on the next lady gracefully making her way down the aisle. He couldn’t quite pinpoint what struck him the most: was it the sight of you in a stunning light green dress, resembling an angel descended from the heavens, or was it the haunting reminder of his own wedding day, when you walked down the same aisle as his most beautiful bride?
His breath caught in his throat, his chest tightening with each step you took down the aisle. Satoru felt like a statue, frozen in place, unable to tear his gaze away from you. You had become the sole focus of his attention, the rest of the world fading into a blur around him. He couldn’t comprehend it. Why was it so effortless for him to let his guard down around you?
This woman, he thought. This woman is Sachiro’s mother. This was the same woman that carried his flesh and blood for nine months, now appearing as radiant as a freshly bloomed flower, as if untouched by the stresses of unexpected motherhood. What had transpired in Monaco to transform you into this vision of beauty?
“You’re drooling.” Suguru nudged him on the chest. “This isn’t your wedding. You had your chance.”
Yes, he was well aware. This wasn’t his wedding, and he needed to maintain composure. Yet, it felt as though he was being drawn inexorably towards the mesmerizing goddess before him. With each beat of his heart quickening, he struggled to remind himself: No, Satoru. She's nothing to you now.
And because he was lost in a trance, he remained oblivious to the bride’s entrance and even Suguru’s emotional reaction to seeing his bride. His attention was solely fixated on you as he stole glances your way whenever he could. It wasn’t until the exchanging of rings, when you two had to stand side by side to assist the bride and groom, that he snapped back to reality. With you so close yet seemingly distant, Satoru felt a pang of disappointment as you never returned his gaze. The whispers and side comments from the guests also added to his discomfort, making him acutely aware of the scrutiny placed upon the best man and maid-of-honor.
“Aren’t they divorced?”
“Yeah, their marriage was a wreck.”
“They’re bad luck. I hope they don’t pass it onto the couple.”
For the first time in a long time, Satoru was gripped by an unprecedented desire to retort, to refute the misconceptions surrounding his marriage. Yet, he knew it was futile. Engaging in a verbal sparring match with another guest would only ruin his best friends' special day. Moreover, he might risk causing unintentional hurt to Akemi by defending a marriage that had long ceased to exist. So, despite the internal turmoil, he remained silent, allowing the whispers to persist unchecked.
And, with that, the wedding ceremony ended. Shoko and Suguru were now declared husband and wife.
— —
The reception was a time for socializing, enjoying drinks and hors d’oeuvres, and congratulating the newlyweds. For Suguru and Shoko, this part of the celebration felt effortless and their energies were seamlessly complementing each other’s. Unlike arranged marriages, there was no sense of haste or coercion; theirs was a union born of genuine affection. You couldn’t help but feel foolish for ever entertaining the notion that this was merely a conventional wedding experience. Here, before your eyes, unfolded a true celebration of love between two people.
Did Satoru share the same sentiments? You wondered what thoughts raced through his mind during the proceedings. Did the event trigger memories of his own past, or stir feelings of longing for what could have been?
You refused to subject yourself to the torment of dwelling on your past. If anything, your time living alone in Monaco had been a crucial step in your healing journey. While the process was far from complete, that solitary retreat had provided a much-needed respite from the source of your stress. It afforded you the opportunity to contemplate the life you were destined to lead, albeit alone for the foreseeable future.
By allowing Sachiro to spend more time with his father, you not only facilitated the rebuilding of their fractured relationship, but also acclimated your child to your absence. It was a necessary adjustment, one that would prepare him for the reality of your impending solitary existence. At least, Sachiro had a chance to live in a loving household with Satoru and Akemi, instead of a miserable and lonely way of living together with you.
In the end, it was all for your child.
As for the potential emotional minefield of attending this wedding, you were there for Shoko, who had always been a steadfast and understanding presence in your life. Her genuine friendship meant more to you than mere familial bonds ever could. Even at the risk of stirring up unhealthy emotions by being in a room full of people who hurt you, you couldn’t bear to disappoint Ieiri.
Admittedly though, navigating the wedding crowd was a delicate balance of warmth and formality. Ieiri’s side of the family, who were doctors heavily acquainted with your family, greeted you with genuine warmth. While Suguru’s relatives, who were more closely tied to the Gojou family, maintained a polite distance. Although there were occasional moments of discomfort, you knew how to maintain composure throughout.
As for Toji’s absence, while a part of you wished he could have been there as a supportive presence, you also recognized the value in learning to handle situations involving your ex-husband independently. He had an unavoidable business trip, but that also provided an opportunity for you to stop relying on him and navigate such occasions like these on your own. He was nothing more than a friend now.
While that ex-husband, Satoru, was here with your best friend. It didn’t surprise you that he had brought Akemi as a plus one. In fact, you had expected it to happen. It just wasn’t the best feeling to be the maid-of-honor when the best man clearly had another lady for it in mind.
It was quite amusing, too. Not once had Akemi approached you during the reception. You understood that she wanted to keep her distance, but you found it disrespectful that she was ignoring your existence. Was she scared to talk to you? Scared of what you had to say? You had heard over a million hurtful things from other people, yet she was afraid to hear a few pieces of advice from you?
Forget it. Forget her and Satoru. Focus on the reception, Y/N.
But really, how could you? As the moment arrived for the newlyweds’ first dance, tradition dictated that the best man and maid-of-honor should also take to the floor. You sensed the tension in the air as Satoru hesitated, surrounded by urging groomsmen, deciding whether or not he should ask you for a dance. He looked like he was battling with what was right and wrong in his mind, yet ultimately he chose to pass by you, extending his hand to Akemi instead.
It wasn’t feelings of shame that slapped you to reality. It was seeing Satoru holding Akemi’s hand, another on her waist, as they slowly danced to Can’t Help Falling In Love, a song that was played on your wedding day.
Take my hand
Take my whole life too
Oh, for I can’t help
Falling in love with you
It shouldn’t hurt anymore. You were doing better. You were doing so good, you were doing… you were okay. You should be okay. Or did you overestimate your emotions a little too much? Because this, seeing the man you loved with all your heart holding another woman in his arms, was tortuous to your soul. You could feel the pains of your past tugging at your heart, wondering why he never danced like that with you on your wedding day? Why he never stared at you like you were the most beautiful girl in the world, why he never showed you off in a room full of curious people, why he never respected you enough to treat you with such… with such love.
“Everything okay?”
You didn’t expect Nanami, out of all people, to be offering you a handkerchief. You hadn’t even realized that your eyes were already pooling of the tears if he had not cut you out of trance, offering a comforting and sympathetic smile. You had to blink multiple times just to push your tears back in.
“Yeah,” you answered with a grateful expression. I’m strong. I’ll be fine. “Thank you.”
Nanami took that as a sign to offer his hand. “Care for a dance, then?”
Wiping your eyes, you nodded, smiling at the man. “Why not?”
After the dance, the reception continued as follows. The cake cutting, the dinner service, then the toasts and speeches. If it wasn’t for Nanami, you wouldn’t have been able to pick yourself back up after the humiliation of seeing Satoru and Akemi dancing together. You just needed a decent amount of air to breathe and gather yourself together again. It was a nice help from someone who wasn’t a personal acquaintance of yours, that despite being Satoru’s right hand man in the company, Nanami still had some kindness in him that you would forever be thankful for.
And when it was time for you to do your speech as the MOH, you didn’t let a single vulnerable emotion slip out of you. For that short moment, you tried not to think about who was in the audience, about what they thought of you, and about what other preconceived notions they had of you. You focused on the newlyweds as you stood in front of the mic stand, eye-to-eye with Shoko and Suguru, who were holding each other’s hands.
“Shoko,” you began, smiling genuinely at the couple, “Through the laughter and tears, you’ve been my constant, my confidante, my rock. And today, as I watch you embark on this new chapter of your life, I’m honestly a bit overwhelmed with emotion.”
The bride returned your smile, and you can tell Shoko was holding back tears of her own as she glanced between you and Satoru.
You continued your speech, observing Suguru’s supportive gesture towards his wife as you spoke. “Shoko, I recall our late-night conversations, the tears shed over broken marriages, and the pain of shattered relationships. Yet, through it all, you’ve remained steadfast in your belief in love, in hope, in the possibility of a happily ever after.” Turning to Suguru, although he still had that lingering discomfort around you, you offered him nothing but heartfelt words. “As I look at you and Suguru, I’m reminded that true love exists—a love that is patient, kind, and enduring. My wish for you both is a lifetime filled with laughter, joy, and unwavering support for each other. May you cherish each other’s hearts, protect each other’s dreams, and weather life’s storms together, stronger in your love. Suguru, during your challenging days as a married couple, I pray that you always look at Shoko and remember why you love her. I pray that you will always have the capacity to cherish and respect her as your wife and the future mother of your children. May you keep her in your heart, no matter what challenges may come your way.”
As tears welled in Ieiri’s eyes, your voice faltered, the magnitude of your wishes for their marriage weighing heavily on your own unfulfilled desires. You weren’t trying to make this about you, and you hoped they thought that, too.
“As I raise my glass to toast this beautiful union,” you said, raising the champagne glass on your hand, “I do so with a heart full of love and a silent prayer—that your love story will be one of triumph, of healing, and of endless happiness. Congratulations, Shoko and Suguru!”
— —
Satoru was deeply affected by your speech. Both in good and bad ways. On one hand, he was touched by the sincerity of your words and the genuine wishes you extended to the newlywed couple. On the other hand, he couldn’t shake off the pang of guilt and remorse that accompanied your words, knowing all too well the history behind them. When you expressed your hopes for Suguru to always cherish and respect Shoko, Satoru couldn’t help but reflect on his own behavior during your marriage and the ways in which he may have fallen short.
Each action he did definitely had a lasting impact on you.
But what about the good ones? Had you forgotten about the times he treated you well? Had you forgotten the lengths he took just to prove to you that he was a changed man? That at one point in his life, he would do everything in him just to show you how much he loved you?
It was unfair. Why did you only ever look at the bad things he did and never the good ones? Why did you still see him as a villain in your marriage when he knew he had paid his dues after he lost you?
It was truly, honestly unfair, that you get to be happy with Toji, but he ought to feel guilty for being with Akemi.
“I think they’re about to do the bouquet and garter toss,” spoke Akemi, tugging at Satoru’s arm while they sat on their designated table. She held a napkin on her other hand to wipe her partner’s chin, smiling in excitement. “You should go and join.”
Where were you? After your speech, Satoru couldn’t seem to find you anymore. Where had you gone off to? Did you leave already?
“Y-Yeah,” Satoru answered, looking around the venue before turning to Akemi. “What about you? Won’t you join the bouquet toss thing?”
She shook her head, hesitantly. “Isn’t it only for bridesmaids?”
He grabbed her hand and urged her up. “No, it’s for all unmarried female guests. Come on.”
The reason Satoru dragged her along was because Akemi loved weddings, and she especially enjoyed the traditions that came with it. She herself once dreamt about the picture perfect wedding, but never got to fully have her own, so attending such occasions made up for the lack of personally experiencing it.
Gojou couldn’t exactly remember if he did the garter toss in his own wedding. If so, who had caught it? Who had caught your bouquet? His eyes swept across the entire venue once more, searching for your familiar figure among the guests. He was too occupied to realize that Shoko had already tossed her bouquet, and the frenzy of eager ladies ensued until it landed in Akemi’s hands.
He genuinely felt happy for Akemi. The joy in her eyes upon catching Shoko’s bouquet was unmistakable. Yet, as the playful teasing about a potential wedding for him shifted in his direction, Satoru couldn’t help but feel a twinge of pressure. It wasn’t supposed to weigh on him like this. It was too soon to have that expectation of him.
“Looks like someone’s getting married next!”
And while he was feeling suffocated from the pressure placed upon him, the receiver of the tossed garter happened to have been Nanami.
Immediately, the teasing ensued, with the other guests urging Nanami to wear the garter on Akemi’s leg. Out of respect, Nanami looked at Gojou for permission, but honestly? He was just grateful he didn’t have to do all that and be pressured about another wedding that he had not yet thought about. Fuck it, thank God Nanami had caught the garter because Satoru was sure as hell starting to feel uneasy there.
“Go for it,” was the only thing Satoru said to Nanami, gesturing his chin at Akemi’s direction.
While everyone was focused on the situation between Nanami and Akemi, Satoru took that opportunity to escape from the crowd and find his peace at the balcony. He hastily made his way out of the reception hall, feeling a sense of relief as he could finally breathe.
And there you were, standing alone, lost in contemplation, and your gaze fixed upon the tranquil expanse of the lakeside. The chill breeze caressed your hair softly, as if mirroring the calm that enveloped your countenance. In another universe, this would have been an opportune moment to hug you from behind, sharing the warmth of his embrace around your figure. But he was living in a universe where you and him weren’t meant to be together.
In fact, you were probably thinking about another man as you stared at the lake, hoping that he was there with you.
“Did you have fun in Monaco with Toji?” Satoru was crazy for going straight to the point, and he knew it was a blunt inquiry, bordering on intrusive, but it tumbled out nonetheless, revealing the thoughts that had been plaguing in his mind. His words spilled out before he could rein them in, a question born of curiosity and perhaps a touch of jealousy.
As for you, with your peace in the balcony now ruined, you briefly opened your mouth to respond, but held back against it as you met Gojou’s eyes with a distant stare. You were even quick to look away and sigh, like he was not worth the conversation. You had not spoken a word to him since the wedding ceremony and you were definitely going to keep doing it.
And man, did that hurt his ego.
So, for a very stupid reason, he felt the need to hurt yours in return. “Do you know Sachi calls Akemi ‘mama’ in his sleep?”
Your eyes remained empty. “Good for you, then. You won’t have a hard time getting him accustomed to it.”
“Y/N.” Satoru’s voice came out as a warning, and he was about to start an argument on why you were abandoning him and Sachi over Toji, but he was interrupted at the appearance of Akemi carrying Shoko’s bouquet as she tried to search for her lover. This meant that the conversation with the ex-wife was over.
But as he glanced between you and Akemi, his bitter past and his sweet present, why did Satoru’s heart still lingered with you when it shouldn’t?
“You should go,” you briefly muttered, walking in the opposite direction, “Your future wife’s looking for you.”
Satoru’s sudden grip on your wrist halted your steps abruptly. His voice carried a bitter edge as he reminded you of the agreement you had made. “Y/N, we agreed to co-parent Sachiro properly. Why are you choosing Toji over your own son?”
The accusation left a tense atmosphere, eliciting a sharp response from you as you yanked your hand away, a flash of anger igniting in your eyes. “You have no idea what you're talking about, Satoru.”
— —
“Welcome to Hoshinoya Fuji, Ms. L/N!”
You stepped out of the car, taking in the serene beauty of the lakeside cabin that would be your sanctuary for the next three days and two nights. Nestled among towering pines and sturdy oaks, the cabin exuded a rustic charm that blended seamlessly with the natural landscape. Its weathered wooden exterior, adorned with a green tin roof, seemed to have grown organically from the earth itself.
The cabin sat on a gentle slope that led directly to the water’s edge. A wooden deck wrapped around the front, offering a perfect vantage point for gazing out over the tranquil lake. Your room also had the best view of Mount Fuji, which you thought was the highlight of this luxurious accommodation.
After the newlywed send-off, you were quickly ushered in by Shoko and Suguru’s staff, who were in charge of attending to the special guests staying a few extra days at the cabin. Though the couple wouldn’t start their proper honeymoon until their 6-month long cruise trip in two weeks, they wanted their guests to enjoy the accommodations they had arranged. You were relieved to hear that, despite Satoru and Akemi also being among the friends staying, each guest had their own private cabin reserved.
The thing was, you could leave any time if you wanted to. Shoko also reassured you that it would be okay and that she would understand if you wanted to go home right away. She knew that the situation may be uncomfortable for you, and that she felt bad you even had to deal with it during the ceremony, but you made a promise to her. You were her maid-of-honor for a reason, and part of your duty was to help with the post-ceremony tasks to ensure that Shoko can focus on enjoying her pre and post-wedding activities.
So, in some ways, you felt obliged to stay. You didn’t need to interact much with others during your stay, anyway. You were content staying in your room, perhaps taking some occasional walks outside. Satoru could do whatever he wanted with Akemi; you were determined to avoid crossing their paths.
Besides, inside the cabin was a cozy retreat. The main living area featured large windows that framed the picturesque view, allowing moonlight to spill in and illuminate the space. A stone fireplace, complete with a rustic mantel adorned with pinecones and candles, stood as the centerpiece of the room. Plush armchairs and a worn leather sofa invited relaxation, while a handwoven rug added a touch of warmth and color.
As you moved towards the bedroom, you found a comfortable queen-sized bed covered in a soft, plaid quilt. The scent of pine mingled with the faint aroma of fresh linens, creating an atmosphere of peaceful haven. An old-fashioned dresser and a bedside table, topped with a simple lamp, completed the room. The windows here, too, offered a glimpse of the sparkling lake, ensuring that the beauty of nature would greet you each morning.
Stepping outside, you walked down a short path to the water’s edge, where a small wooden dock extended into the lake. A pair of Adirondack chairs sat invitingly at the end of the dock, perfect for soaking in the sunset or stargazing at night. Nearby, a fire pit surrounded by stones and logs as seating promised cozy evenings under the stars, with the gentle sound of lapping water providing a soothing backdrop.
On your first night there, you ended up falling asleep right away. The physical and emotional exhaustion, combined with jetlag, knocked you out. However, the next day promised a few tasks to complete the post-wedding cleanup.
The second night, however, was a different story.
When you returned to the cabin, the cool evening air was crisp against your skin. The temperature went down a couple of celsius compared to yesterday, so as you walked down the path toward the lakeside, you were drawn to the flickering glow of a fire pit illuminating the area near the water’s edge. Drawing closer, the soft sounds of laughter and conversation reached your ears, mingling with the gentle crackle of burning logs.
The fire pit was surrounded by a group, their faces lit by the warm, golden light of the flames. They sat on a circle of logs and foldable chairs, leaning in to feel the comforting heat. Some held mugs of steaming cocoa, while others toasted marshmallows on long sticks, their tips glowing bright orange before transforming into gooey, sugary treats.
You paused for a moment and took in the scene. Was it a safe space for you to be in? You noticed familiar faces among the group—some of the couple’s old friends from the wedding, now relaxed and enjoying the peaceful night. One of the guests strummed a guitar softly, the melody adding to the cozy, inviting atmosphere. Another guest told a story, their animated expressions and gestures causing bursts of laughter from the listeners.
There was no sight of Satoru and Akemi. Perhaps, it might be okay to join in.
As you approached, Suguru emerged from a nearby cabin, smiling in a way that felt unusual. Why was he being friendly all of a sudden? Last time you checked, he still held a grudge against you. But now, he showed no signs of antagonism, and was even approaching you with his usual friendly demeanor.
“Y/N,” he said, the fog of his breath visible in the cold air, “I never got to thank you properly for helping us with everything here. I didn’t think you’d make it last minute.”
You wrapped your shawl tighter around yourself to ward off the chill. “It’s no trouble. I’m glad to help out and be here for you guys,” you replied warmly. And while glancing around, you noticed the absence of Shoko. “Where’s the missus?”
Suguru’s smile took on a mischievous edge. “Sleeping. She’s still pretty tired and…”
You interrupted him with a laugh, catching onto his suggestive tone. “Alright, you two. You’re wild.”
His grin softened into a sincere expression. “No, seriously. I never got to properly thank you. I never got to apologize to you either.” Suguru looked down with guilt. “I’m sorry for being an asshole to you. I was focusing too much on Satoru’s point-of-view, dismissing how it must be like to be in your position amidst all that mess. Shoko helped me understand why you made certain decisions, why you had no other option. She helped me see things from your perspective, to realize the extent of your suffering. We all knew that, I guess. We all knew you were constantly dealt a bad hand, yet you remain kind and resilient. You continue to show empathy to others, even when the world hasn’t been fair to you.”
In the ensuing silence, your heart seemed to thunder in your chest. His words carried weight far beyond what he might have intended, and you genuinely appreciated his apology. Even if he didn’t need to say them.
“I guess what I’m trying to say is, you’re a gem, Y/N.” Suguru gave your back a gentle pat. “You deserve to be happy in your own special way. And just like how you wished us well with our marriage, I hope you’ll find your own path to a happy marriage, too.”
“Thank you,” you mumbled, looking down with a forlorn smile.
“We’re here for you, okay?” he offered, “Shoko and I. You can count on us if you need us, if you need help with Sachiro, if you need help with life in general.”
“I appreciate it, really.”
And by then, he cleared his throat, opening up a topic that caught you off guard. You didn’t expect it from Suguru out of all people. “Y/N, I know why you were in Monaco.”
Of course. He’d know it from Shoko.
“I also know,” he continued, dark narrow eyes staring straight at yours, “why you left Sachiro with his father.”
You were a deer caught in the headlights. You wouldn’t say it felt invasive to have someone be aware of the reasoning behind your personal decisions, but it was just an altogether different feeling to know that it was your ex-husband’s best friend who knew.
“Why didn’t you tell him?” he asked, referring to Satoru, “That you broke up with Toji?”
You took a deep breath. “I don’t see the point of telling him.”
“What if I were to tell you that he’d come running desperately to you the moment he finds out?” he posed another burning question. “You still love him, right? You and him would likely get together without much difficulty if he were aware. So, why hesitate?”
“Because I don’t want that,” you answered, feeling words caught in your throat in a moment of vulnerability. “Because I’m scared to get back with him. Because he has Akemi now. Because I don’t wanna keep ruining the lives of the people around me. We’re better off this way, Suguru. I don’t want to mess up the second time around, and I definitely don’t think Satoru would be able to fully move on with his life with me still in the picture. He seems to be happy with Akemi already.”
Suguru smiled sadly. “You don’t even wanna get your revenge? Don’t wanna get back at your best friend for dating your ex?” he paused to correct himself, “Well, dating is the wrong term. Satoru insists they’re not exclusive, you know?”
You shook your head, sighing. Satoru, you haven’t changed. “It doesn’t matter. I’m fine with the way things are.”
He was on the verge of continuing, poised to persuade further, but the arrival of the very individuals in question brought an abrupt halt to his words. Descending the cabin steps was Shoko, trailed by Satoru, who, in a gesture of warmth, had draped his jacket around Akemi, with his arms encircling her.
All five of you found yourselves in an awkward situation, now faced with two couples, one of which was at the core of your distress. The tension was palpable, and it didn’t help that Satoru’s vivid blue eyes met yours, seemingly trying to decode the conversation between you and Suguru. That was none of his business. He could continue his affectionate display with Akemi, while you had other matters to attend to than be part of an awkward quintet.
“I should go,” you declared, avoiding eye contact with everyone, unwilling to play the fifth wheel. You were hoping to evade Satoru and Akemi’s presence, but both Shoko and Suguru already caught your arm.
“Y/N, please,” Shoko urged, her arm reaching out to you. “Don't isolate yourself tonight. Come join us.”
The memory of Bora Bora flooded your mind, a painful reminder of a similar situation when Shoko had extended the same invitation, leading to the discomfort of witnessing Sera’s closeness with Satoru. You knew that wasn’t Shoko’s intention, but it was your ex-husband who couldn’t stop catching himself in these situations.
This was a bad idea. You knew that.
So, why did you agree?
Despite your reservations, curiosity got the best of you. You would vehemently deny it if asked, but deep down, you pondered whether Suguru’s words held any truth about Satoru’s lingering feelings for you. It wasn’t out of pettiness, but rather a desire to confirm if Satoru was truly committed to Akemi. You knew this could potentially hurt you, but after enduring so much pain, you couldn’t imagine anything worse.
“Hey, you guys!”
“It’s nice of you to join us!”
“What’s up newlyweds?”
Upon joining the group at the fireplace, you were partly grateful that you weren’t exactly a fifth wheel in the situation. There were about ten or twelve people in total, with the earlier group still remaining in their seats. It just so happened that you were seated right across your ex-husband, who was too busy trying to keep Akemi warm and cozy.
“So, Y/N…” spoke a man from the group, who appeared to be Suguru’s colleague. “Are you single?”
The unexpected question caught you off guard, especially the tension it seemed to create, particularly with Satoru who sat stiffly next to Akemi. Even Shoko and Suguru seemed apologetic for their friend’s behavior, but you brushed it off, recognizing that he had probably indulged a bit too much with beer. He was harmless enough when sober.
“Don’t be asking questions like that,” Suguru intervened, tapping the back of his friend’s head in a playful scold. “That’s rude.”
The friend protested, still oblivious to the discomfort he had caused. “I was just asking! She’s attractive. I have the right to know.”
You forced a smile, accepting the can of beer he had offered. “Thanks, but I—”
“Even if she’s single, she’s not interested in you,” Shoko chimed in, keeping a casual mien. She had to keep things cool, especially with an explosive Gojou around. You were just thankful that she didn’t exactly reveal the status of your relationship with Toji, and that she was doing her best to divert the attention away from you.
In this little scene, you caught a glimpse of Akemi tugging at Satoru’s arm, like she was uncomfortable with the conversation. Why? Did it trigger an insecurity within her? She couldn’t even return eye-contact, constantly avoiding your eyes and reacting to any conversation remotely related to you. But Satoru was there acting like a concerned boyfriend, whispering reassurance into her ear, and rubbing her knee in a comforting fashion.
“You two make a lovely couple,” remarked one of the girls, directing her compliment to Satoru and Akemi.“Weren’t you the girl who caught the bouquet? Looks like there might be another wedding on the horizon.”
“Oooh!”
“They’re an attractive couple, too.”
“You guys planning for any children?”
Just like Bora Bora. A bitter smile lingered on your face, but you decided not to look at Satoru anymore. He must be enjoying this.
Shoko leaned in and placed an arm around you to whisper her apologies. “I’m sorry, Y/N. This was a bad idea.”
“It’s okay,” you assured, not wanting to ruin the moment. “I’ll leave after I finish my beer so it won’t be awkward.”
As the night wore on, conversation flowed easily at first, with everyone exchanging stories and laughter, and eventually more beers and liquor were passed around. Shoko and Suguru were lost in the glow of newlywed bliss, while you found yourself increasingly uneasy as memories of the past mingled with the present.
Satoru’s presence beside Akemi was a constant reminder of your failed marriage, and you struggled to suppress the weakness in your chest that threatened to surface. They held hands and watched the fire together, her head resting on his shoulder, his lips on top of her head. She was trying to voice out a specific concern to him, and he was sweetly listening to her. Did they even realize the ex-wife was in the same area with them? It was insensitive. You never knew Satoru could be this insensitive around you, no matter what his reasons were, his romantic gestures towards her was a clear slap to your face. And he succeeded, because you would be foolish not to admit that it broke your heart in half to witness him choosing another woman over you.
Again, Satoru. Here we go again. You tried to stop the pounding on your chest. Here we fucking are the second time around.
Desperate to ease the tension, Shoko and Suguru attempted to steer the conversation toward lighter topics, but their efforts only served to highlight the underlying tension in the air. You forced a smile and nodded along with the conversation, but inside, your heart was heavy with unresolved emotions.
And then someone had to bring up that stupid truth or dare game.
“Satoru-kun, I dare you to kiss the prettiest woman in this group.”
“Whoo! Do it! Do it! Do it!”
Satoru was initially hesitant as he clearly found himself at a crossroads. He had two options here. Should he risk hurting Akemi by refusing to kiss her? Or should he risk hurting you by kissing another woman in front of you?
The clear winner was Akemi, because as soon as Gojou pressed his lips onto hers, you were already walking out of there. You had already excused yourself from the group, your footsteps as heavy as your heart. And unbeknownst to you, Satoru watched you go with a flicker of remorse in his eyes, but it was too late for apologies or second chances. The fire continued to crackle and pop as you left, its flames casting long shadows across the empty space where you had sat.
It was game over. Satoru had won his game.
— —
Satoru was puzzled by your behavior since the wedding. You seemed determined to avoid him, which made sense with Akemi constantly by his side, but there was also an air of desperation to your avoidance. What baffled him even more was the jealousy you exhibited, as if you weren’t involved with another man, to the point where you even flew to another country just to spend more time with him.
Like you said, you two were no longer married. It was about time you moved on. Yet, how come you were acting heartbroken over seeing Satoru with another woman?
Did you really think leaving the fire pit so abruptly had gone unnoticed?
Did you really think he had taken his eyes off you?
If not for Akemi telling him that she was having pelvic cramps, Gojou would have run off to follow you the minute you left the fire pit. Clearly, you still had an issue seeing him with another girl and he wanted you to voice it out. But if there was anything he learned during your time together, you would never be the first one to admit that you were jealous. Heck, didn’t you even allow him to bring Sera to Bora Bora that one time?
Look, he didn’t want to hurt you all over again. And if you had walked up to him and called him an asshole for having Akemi around, he would even agree with you. But it was your decision to choose Toji, it was your request for Satoru to find someone else, so why did it seem like you were suddenly changing your mind?
“I’m sorry for being a party pooper,” Akemi groaned in discomfort as Gojou helped her back to their cabin. He quickly refocused on their conversation, reminding himself not to dwell on thoughts of you when Akemi needed his attention—it wouldn’t be fair to her. She was suffering from a terrible illness that he wouldn’t wish upon anyone and he had to be her rock. “It’s been hurting quite a bit lately. I really should start with my treatment.”
Once inside their room, he swiftly settled her into bed. “Where does it hurt?” He applied a gentle touch to her pelvic bone, massaging the area to alleviate her discomfort. “Here?”
“Mhm. Thank you,” she lightly spoke, her soft hand caressing his cheek. “I’ll be fine.”
“You look really pale, though. I’m worried,” he remarked, sympathizing with her. Her complexion betrayed the pain she was holding back, though she likely hesitated to admit she wanted to go home and rest. “Do you wanna go home? Even if it’s in the middle of the night, I can have my driver pick us up.”
She shook her head quickly. “No, no. Please, I'll be fine. You won't get to see Shoko and Suguru for a while once they’re on their honeymoon, so I want you to spend time with them here.”
“You sure? But you always come first.”
“I’ll be okay.”
As Satoru continued to massage the area where Akemi felt pain, his thoughts inevitably drifted to you. He recalled the time when you were pregnant with Sachiro, experiencing frequent lower abdominal pain as your body adjusted to the baby. Each night, Satoru stayed up, gently rubbing your belly until you drifted off to sleep. It was one of his happiest memories during your marriage—the domestic bliss of being your husband and the memory of him caring for his wife. He wasn’t sure if he was missing it, or if he was just recalling a past memory, but looking at Akemi, Satoru wondered if he was prepared to have all that again but with another woman.
He couldn’t give himself an answer.
“I’m such a terrible person.”
He should be telling himself that, but it was Akemi who said those words out loud as her brown doe-eyes stared at him solemnly, an expression that reflected guilt and remorse in equal measure.
“How come?” Satoru’s voice was barely above a whisper as he asked, gently tucking the sheets around her while perching on the edge of the bed.
Her smile held a touch of sorrow, yet there was a glimmer of relief in her eyes. “I feel like I’ve failed Y/N. She treated me like family, like a sister, and now I can’t even face her properly. I’m just terrified, you know? I don’t want to keep letting her down. I never meant to cause her pain.”
For a moment, Gojou fell silent at her admission. “It’s all my fault. You two never would have been in this position if it wasn’t for me.”
“Absolutely not,” Akemi persisted before leaning in to plant a tender kiss on his cheek. “Tonight, you’ve shown me that you’ve truly moved on from her. I was starting to worry, afraid that I could never fill the space she held in your heart. But since the wedding, you’ve never sidelined me or made me feel like an afterthought. You’ve never made me feel like second best. You’ve always prioritized me. I understand it’s hard seeing your ex-wife, but I appreciate your efforts more than you know. You make me feel incredibly special.”
Satoru swallowed hard. The mention of your name sent a pang of guilt coursing through his chest. He knew he had hurt Akemi with his lingering attachment to his past and his inability to fully let go of the woman who had once held his heart in her hands. He wanted to agree with Akemi, to reassure her that he had chosen her, but the truth remained elusive, buried beneath layers of denial and self-deception. He even had to close his eyes for a minute, unable to meet her gaze as a tumult of conflicting emotions swirled within him. He wanted to tell her the truth, to confess the depth of his feelings for his ex-wife, but the words were caught in his throat.
In that moment, Satoru felt more lost and alone than ever before, trapped in a web of his own making, and unable to confront the truth behind his true feelings. Moved on? Had he truly moved on from you, or had he simply buried his feelings beneath a facade of indifference?
“You should rest your eyes,” was the only thing he could tell her, planting a kiss on her forehead before he had turned off the lights.
With the clock ticking past 11 o’clock and their recent conversation still echoing in his mind, Satoru felt an urgent need for clarity. He knew he had to confront his thoughts alone. So, without disturbing Akemi’s peaceful slumber, he quietly slipped out of the cabin, seeking solace in the night air. Immediately, as he got out, he was met with the apologetic eyes of his best friend.
“Hey,” Satoru greeted, confused by the urgency in Suguru’s expression. “What’s up?”
Suguru took a deep breath before he rubbed the back of his head. “There’s something I ought to tell you.”
— —
You had been standing at the edge of the lake for a while now, the cool night air sending shivers down your spine as you gazed out at the shimmering expanse of water before you. The moon hung low in the sky, casting a silvery glow over the tranquil scene, its soft light dancing on the surface of the lake like a thousand tiny stars.
The temptation to dive into the dark waters below tugged at your heart like a siren’s song, beckoning you to leave behind the pain and sorrow that had plagued you for so long. You longed to feel the icy embrace of the lake envelop you, to lose yourself in its depths and wash away the memories that haunted you every waking moment.
Is this how it feels like to finally let go?
As you stood on the shore, your toes just inches from the water’s edge, a wave of despair then washed over you, threatening to pull you under like the undertow of a riptide. You thought of Sachiro, your sweet, innocent son, asleep in his bed back in Tokyo, his laughter and smiles serving as an antidote to the pain in your heart.
And then him…
Tears pricked at the corners of your eyes as you thought of Satoru. Despite the pain he had caused you, it was impossible not to yearn for him still, because his memory was a ghost that haunted you in every waking moment. But you knew that you couldn’t continue to live in the shadow of your past marriage. You had to escape being trapped in a cycle of longing and regret. You owed it to Sachiro to be strong, to find the courage to let go of the man who had once been your everything.
With your empty gaze, the calm lake shimmered in the moonlight like a blanket of liquid silver. You had come to the lake seeking solace, seeking escape from the unbearable pain that gnawed at your heart like a relentless tide. But as tears left your eyes, your emotions threatened to drown you in a sea of despair.
Without hesitation, you dropped your shawl to the side, shedding yourself off of the cloth with a sense of reckless abandon. The fright of swimming in open water, especially at night, could have you passed out in a matter of seconds, but you paid it no mind as you waded into the water.
Is this how it feels to finally give up?
The lake embraced you like an old friend, enfolding you in its cool embrace as you swam out into the darkness. Each stroke brought you closer to the center of the lake, closer to the heart of your pain, and yet you felt strangely at peace, as if the water itself held the key to your salvation. You took time floating on your back, staring up at the stars that glittered like diamonds in the night sky, you felt a sense of clarity wash over you. You knew that your love for Satoru was a burden you could no longer bear.
But more than that, you knew that you couldn’t let your own pain dictate the course of your son’s life. Sachiro deserved better than a mother consumed by sorrow, better than a life overshadowed by the ghosts of the past.
With a deep breath, you let go of the pain that had held you captive for so long. You submerged yourself into the depths of the lake, watching as the night sky vanished beneath the surface like a wisp of smoke in the wind.
In that moment, you felt a sense of freedom unlike anything you had ever known. You just had to stay still. You had to keep yourself underwater, hold your breath until you no longer needed it, and…
And…
You struggled to breathe, your mind consumed in panic telling you that you would die if you had kept yourself submerged for another minute, but you were adamant on staying there. You fought battles in your own mind, despite your body fighting back to keep you alive.
At least soon, you would finally meet your mom again.
“...”
“......”
“....Y/N!”
“.......Y/N!”
Feeling your vision blur and your limbs growing limp, you surrendered to the natural sway of the water. Bubbles escaped from your nose, your mouth tightly sealed shut. And the next thing you knew, you were back on the water surface, drawing breath like a fish out of the water. You could feel someone tugging at your arm, could feel the presence of another person dragging you out of the water, his arms pulling you into an embrace.
“Y/N! What the hell are you thinking?!”
You sobbed uncontrollably, your heartache pouring out as Satoru cradled you in his arms, his white hair damp from his efforts to rescue you from the water. How and when did he arrive? Your mind couldn’t process the details amidst the turmoil. All you could do was surrender to the flood of tears, feeling paralyzed from head to toe as you cried into his embrace.
Is this another dream?
Is this another hallucination?
You released a bitter laugh. Please. You closed your eyes, laughing and crying like a mad person. Please stop the pain.
“Y/N, please,” his whispers were tender, yet tinged with a sorrow that amplified your heartache. “What about Sachiro?” He, too, shed his own tears, his ocean-blue eyes shimmering in the moonlight as they filled with tears, his voice breaking. “What about me?”
Your face was pressed against his chest, anguish coursing through you, feeling as if your very soul was being torn asunder. “Th-That’s the... the same thing... I’ve been asking myself,” you managed between sobs, struggling to draw a steady breath. “I’m... I’m always th-thinking about other people... and never myself.”
He fell silent, his response lost in the weight of your words, perhaps laden with guilt or his own sorrow. But his presence there, holding you close, as if he still harbored love for you, tore another piece from your already battered heart. He shouldn’t be here. He should have been with Akemi. He should be anywhere but near you. With a surge of adrenaline, you began to push him away, propelling yourself through the water, racing toward the shore despite the weakness in your limbs. Satoru called out your name, his voice a desperate plea, as he followed after you, his movements slower but filled with urgency.
“Stop!” Your voice rose, echoing against the night as you stood on the shore, water cascading from your body in sync with the tears streaming down your face. “L-Leave me alone... Please. Why are you here?”
You knew Satoru well enough to understand what had driven him to chase after you. Perhaps he had grown concerned, either from noticing your absence or from someone informing him of your uncharacteristic nighttime swim. His actions were undoubtedly unusual; he knew all too well of your fear of open water, prompting him to leap into action to rescue you.
But you didn’t need him to be here. You didn’t need him anywhere. He wasn’t yours anymore.
“Why didn’t you tell me?” he asked, his voice carrying the weight of confusion and concern, his steps cautious as he approached you. He looked at you with tears in his eyes, his expression vulnerable and pleading, like a child seeking comfort, desperately hoping to be understood, to be heard. “You’re not with Toji anymore.”
“Why should I?” You struggled to compose yourself, wiping away the tears that blurred your vision. “It doesn’t matter—”
“It fucking matters, Y/N!”
“It shouldn’t matter!” Your voice cracked with emotion, your heart pounding painfully against your ribs. “Why should it matter, huh?”
“Because I love you!” His words echoed through the night, raw with emotion that had never been confronted until now. “Because I can’t fucking get over you. Because I’m a fool for you!”
You pushed him away, a surge of anger and hurt rising within you. “H-How dare you,” you choked out, your fists trembling as you struck his chest. “How dare you say that to me when you’re with someone else! You n-never truly loved me, Satoru. Y-You never did!”
“You wanted me to find someone new, Y/N,” his voice cracked with emotion, pained by his own words, “I just did what you asked me to do, even if that wasn’t what I truly wanted.”
You vehemently denied his assertion in your mind, shaking your head in refusal. “Stop saying that. Just stop. Please.”
He already had his grip on your hand, pulling you closer. “Y/N—”
You jerked your hand away sharply, but then a wave of despair washed over you. “Every time I see you with her, I convince myself that I’m fine with it, that this is what I wanted, what I chose.” Tears welled up in your eyes as you recalled every heartbreak. “I tell myself that I deserve it, that you deserve to be with someone who can make you happier. But then I remember our past…” You paused, closing your eyes to stem the tears. “And then I compare it to your relationship with her now. I can’t help but wonder, why didn’t I receive that kind of love and respect from the beginning? Why did it take me nearly drowning in an ocean for you to realize and try to make things right three years ago?”
His grip on your hand tightened, as if he wanted to hold onto you and never let go, as if he wanted to reassure you with his touch that he was there, listening, understanding, feeling every word you uttered.
“I’m sorry,” he whispered, his voice barely audible amidst the crashing waves and the heavy weight of your emotions. “I’m sorry for everything I did wrong, for every moment I failed to show you the love and respect you deserved, Y/N.”
You hated it. You hated hearing his words now, because it was three years all too late. You had already gone through so much suffering, so much anguish that you didn’t deserve, just because you wanted a happy marriage. Just because you wanted to love and be loved. By him. By the person you married.
“It d-doesn’t change anything,” you murmured, your voice breaking with sorrow. “I can’t undo the pain, the heartache. I can’t erase the memories.”
“I know,” he replied softly, his eyes filled with remorse. “But let’s try again. Let me try again, Y/N. Please.”
You wanted to believe him, to believe that he meant every word, that he was sincere in his intentions. But the wounds of the past were still fresh, and the memories of betrayal were still lingering in your mind.
“You know what hurts me more?” you asked, “It’s the fact that you didn’t lose your memories of me, but you still ended up falling for her,” you admitted, your voice barely above a whisper.
Satoru’s silence felt like a confirmation to you. Perhaps he had indeed fallen in love with Akemi, and you were the obstacle standing in the way of his complete commitment to her. You were just a relic of his past, a piece that he needed to discard in order to embrace his future with Akemi. It seemed that fate had already decided that you and Satoru would never find happiness together, and this should serve as nothing more than a closure.
But god be damned, it was tearing you apart.
You tugged at the necklace around your neck, the pendant bearing half of his heart, and in your trembling hand, you ripped it off. As painful as it was, your next action was to hurl it into the darkness of the lake, discarding the last remnant that linked him to you, watching as it disappeared beneath the surface of the lake with a soft splash.
You know the difference between us, Satoru? You thought silently. I dove into the ocean just to find our wedding ring, but you would never plunge into that lake to retrieve that necklace.
With determined steps, you turned away before he could react, walking away from that place, walking away from him. You resolved that this would be your final encounter with Satoru Gojou in your lifetime, because there was no need for him in your life, just as he no longer needed you in his. You two would remain in the past, a memory best left behind.
This was you letting him go.
But then, just as you were about to walk away, you heard a faint noise from the darkness behind you—a splash, followed by the sound of another frantic splashing.
Your heart pounded heavily in your chest. You turned back toward the lake, your eyes widening in shock as you saw Satoru thrashing in the water, his arms flailing as he searched desperately for the necklace you had thrown away.
“Satoru, you idiot!” you cried out, your voice filled with disbelief and concern and pain and overwhelming heartache. Without a second thought, you ran back to the cold water, your feet sinking into the soft sand as you waded into the lake. “Satoru, what are you doing?!” you called out again, your heart racing as you reached out to him, your fingers brushing against his arm as he struggled to stay afloat.
“I have to find it,” Satoru gasped, his voice strained with exertion. “I have to find the necklace you threw.”
Your breath caught in your throat as you looked into his eyes, seeing the desperation and determination that burned within them. You knew then that you couldn’t let him risk his life for a piece of jewelry, no matter how sentimental it may be.
“Satoru, please,” you pleaded, your voice trembling with emotion. “It’s not worth it. Let it go—”
But Satoru shook his head, his gaze fixed on the dark waters below. “I have to find it," he insisted, his eyes tearful. “It’s my heart. I gave it to you.”
I hate you. I hate you. I hate you.
The tension between you crackled like electricity in the air. In that moment, all of your walls came crashing down, your heart laid bare before the man you had once loved with all your soul.
With tears streaming down your cheeks, you reached out and pulled Satoru into your arms, your lips meeting his in a desperate, longing kiss. It was a kiss filled with years of pent-up emotion, a bittersweet union of love and pain that left you both breathless and raw. Your lips moved together in a tender dance, each kiss a silent plea for forgiveness, for understanding, for a second chance at the love you had lost. It was a kiss that spoke of regrets and what-ifs, of dreams left unfulfilled and promises broken.
For years, you had been strangers, your hearts closed off to each other in an attempt to shield yourselves from the pain of your past. But in that moment, as you clung to each other in the darkness, you couldn’t deny the truth that still lingered between you—that your love for each other had never truly died.
As you finally pulled apart, gasping for air, you looked into Satoru’s eyes, seeing the depth of his pain mirrored in your own. “I hate you,” you whispered, your voice laced with grief and surrender, "so much."
Satoru reached out and brushed a tear from your cheek, his touch gentle and tender. “I hate me, too,” he murmured, his voice thick with emotion, his eyes shining with guilt, “for hurting you.”
You couldn’t erase the past, nor could you predict the future. But as you stood together in the middle of the lake, your hearts entwined once more, you found solace in the simple act of being together, of sharing your pain and your love in the darkness of the night. And as you held each other tight, the gravity of your connection pulled you to kiss him again.
Once more, you met his lips in a deeper kiss. His lips moved in perfect sync with yours, and the taste of his tongue was met with the familiarity you two shared. It was as if your bodies were moving on its own, and you allowed it to dictate whatever action it desired. Forget everything for now, was all you could think of in your head. In your mind, it was all Satoru. It was the man you love. The man you married. The man you share a child with.
You were too engrossed with the feeling of his lips that you didn’t even realize he had your legs wrapped around his waist. And with your arms around his neck, you could feel him lift you up, never breaking the kiss as he carried you out of the lake. With each step he took, your kiss only got deeper and deeper. You had never felt such intensity throughout your marriage, and you were intoxicated by the feeling of kissing him again.
Of feeling his lips around your jawline. Your neck. Your chest. You were gasping on his mouth, had his lips completely enveloped with yours, not realizing you were stumbling inside your cabin, desperate to find somewhere to lay on.
And before you knew it, the night had played way differently than expected.
Both your wet clothes were on the floor in a tangle of fabric, forgotten in the heat of your passion. And now, with your bare body on top of him. His arms caressed the smooth skin of your back, his lips feathering kisses along your bust. As you moved your hips slowly, you couldn’t stop the moan that escaped your lips. Satoru’s member was warm inside you. Your bodies were tingling from the intensity of your lovemaking in the dimly lit room. And when you pulled away, your eyes were locked in a silent exchange of yearning.
Without a word, Satoru reached out and gently cupped your breast, his touch sending electricity down your spine. You leaned into his touch, your breath coming in shallow gasps as you felt the heat of his body pressing against yours.
Your lips met once more, a tender exploration of each other’s mouths, and he was taking that chance to shift the position you were in. Slowly, almost hesitantly, he began to enter you again. You were whimpering under him, melting into his passionate movements. You have had sex with Satoru multiple times before, but it was never this emotional. It was never this passionate. You could feel the difference with the way he kissed you, with the way he looked at you, with the way he touched you.
“S-Satoru—!”
“Mmm… I missed you so fucking much, Y/N.”
And then, finally, you came together in a flurry of hands and lips and skin, your bodies melding into one as you gave yourselves over to the exquisite pleasure of your lovemaking.
At that exact moment, as you moved together in perfect harmony, you knew that you were home.
— —
When Akemi woke up, she could tell something felt wrong.
It didn’t help that Satoru was not by her side as she opened her eyes, blinded by the sunlight that peeked through the window. Was he out for a morning run? Or perhaps he was indulging in a leisurely bath? She entertained the idea of joining him, wanting to express her gratitude for his care and support.
Her heart swelled with love for him, despite all the risks and uncertainties. He was her rock, her confidant, her everything. In him, she found solace and strength, and she couldn’t imagine her life without him. Despite the troubles of his past, she felt blessed to have crossed paths with him. She longed for the kind of deep connection and lasting commitment that she saw in others’ marriages, a dream she harbored for her own future. And in Satoru, she saw the perfect partner to share that dream with, to build a family and a life together that she had always yearned for.
Akemi wasn’t ashamed by how smitten she was with him. In fact, she was beginning to have more confidence in her decision to pursue a relationship with him. She just hoped you would understand, that you would eventually let go of the grudge in your heart. At the end of the day, she wasn’t trying to hurt you. She was only trying to pursue her happiness.
And the exact source of her happiness was someone she endeavored to find that morning. She put on a robe and searched every room in the cabin, calling out for his name, wondering why she couldn’t hear his voice.
With no response forthcoming, Akemi decided to exit the cabin in search of Satoru. Assuming he had likely been with Suguru all night, she scanned the vicinity, expecting to spot his tall, white-haired figure. Yet, after several minutes of fruitless searching, she couldn’t find him and instead, encountered a hotel staff member. That was when she decided to finally inquire about his whereabouts.
“Excuse me,” she began, halting the staff member’s stride, “Have you seen my boyfriend? He’s tall, with white hair and blue eyes.”
“Ah, Mr. Gojou?” the hotel staff responded, scratching her head as realization dawned. She then gestured toward the last place Akemi wished him to be. “Um, I think he’s in there.”
Akemi’s heart raced as if she had seen a ghost. Her complexion drained of color, her heart pounding in her chest as she realized that the cabin she had been directed to was yours. And in a twist of fate, just as she stood there in shock, the man she loved emerged from the cabin, equally wide-eyed.
“‘Kemi…” he began, frozen in place, “Let’s talk first—”
But she cut him off with a scoff. Her hands trembled with a tumult of emotions—anger, pain, and betrayal—threatening to overwhelm her. She was on the verge of collapse, her mind reeling with questions. Was he going to explain his actions? No, there was only one question that demanded an answer.
“Did you… did you do it?” she asked through gritted teeth, her voice laced with accusation.
Satoru didn’t need to respond. As Akemi pushed the door open, her worst fears were confirmed as she saw you standing behind him, draped in nothing but a blanket. Tears welled in her eyes, and before she could think, her body reacted, her hand connecting with Gojou’s cheek in a resounding slap.
“You never changed!” she cried out, her voice cracking with anguish. “You’re still a cheater!”
Satoru struggled to deflect each fist she hurled at him, but her rage and despair overwhelmed any attempt to reason with her. She was consumed by her pain and the looming betrayal she anticipated, unable to comprehend that her worst fears were coming true before her eyes.
“‘Kemi, please,” Satoru pleaded in vain.
“...Akemi, I'm sorry,” you interjected, your voice heavy with remorse as you wiped your tears. “It’s not his fault. It’s mine.”
Upon hearing your words, Akemi erupted. She disregarded your friendship, cast aside your shared memories, and denied that she had ever considered you a friend. Her tear-filled eyes bore into you with accusation. “Y-You,” she began, her voice choking with sobs, “You’re a hypocrite, Y/N!”
You remained silent, absorbing her words.
Akemi pressed on with her onslaught. “You’re a hypocrite! You’ve become the person you despised the most when you were married,” she accused, recalling the anguish you endured during Gojou’s affair. “You’re no better than Sera! And that’s why you’re miserable, and you’ll forever be miserable! If this is your way of getting back at me,” she paused, betrayed by the anguish in her voice, “Then jokes on you, because Satoru will never be faithful to you. He’ll keep cheating on you, just like he did now with me! You two belong in that cycle!”
She fled before she could hear your response, but Satoru’s whispered apology lingered in the air, unclear of who its intended recipient was. At that moment, she didn’t care anymore. She raced back to her cabin, tears streaming down her face as she hastily packed her belongings.
She moved mechanically, tossing her belongings into her luggage while grappling with the overwhelming pain of his infidelity. Try as she might to focus on the task at hand, her tears flowed freely, and she surrendered to her grief, cradling her face in her hands.
Amidst her anguish, she couldn’t ignore the escalating pain in her pelvic region, a physical echo of the agony in her heart. Each sob seemed to intensify both sensations, leaving her feeling utterly shattered.
With that confrontation, Satoru faced a pivotal choice: to stay with you or to pursue Akemi.
While Akemi had anticipated that he might choose you, she was taken aback when she swung the door open,
bags in hand,
only to find Satoru Gojou standing on her doorstep.
#series: sincerely yours#gojo satoru x reader#gojou satoru x reader#gojo satoru x you#gojo x reader#jjk x reader#gojo angst#jjk x you
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So one of the cool and interesting ways ‘Steven Universe’ used to try and balance being both a series of 11-minutes episodes that each have their own satisfying emotional resolution and being an overarching story with complicated character arcs that take multiple seasons to resolve is the… I’m going to call it the ‘Not Quite Right Lesson’ episodes. Episodes where a character kinda learns a Very Important Lesson… but a more careful and retrospective look at the situation shows that what they learned is not Quite the Right Thing for them. They internalized something in that adventure which just ended up causing more Emotional Troubles for themselves farther down the line.
‘The Test’ is the most classic example.
As a standalone thing, it’s just a sweet episode about Steven learning to accept that his caretakers are also flawed and confused and figuring this shit up as they’re going along just like he is, and then doing a nice thing for their sake.
But looking back at this episode, it is quite obviously the nadir of Steven appointing himself as the Family Therapist and repressing all of his problems so he could better help the Gems’ with theirs. Like, there have been some early warning signs for this Complex, but this episode is the one that really cemented that idea in his mind and probably the reason it took him like the Entire Rest of the Show Including a Post-Finale Season to really untangle it.
But… also, I’ve been thinking a lot about the episode right after that, ‘Future Vision’. I think it’s also a very important ‘Not Quite Right Lesson Episode’ for the character of Garnet, and to some extent, the Crystal Gems as a whole. In many ways, it is to the CGs' character arcs' what 'the Test' is to Steven's.
So in this episode, Garnet reveals to Steven the fact that she has Future Vision. She hoped that telling Steven a little bit more about herself and being honest with him will lead to a greater understanding and a greater bond between them… but it backfired. It just led Steven to become a total paranoid, terrified wreck stuck in a total existential crisis.
And it seems like the lesson Garnet learned is that… she should’ve never taken that risk at all. That it would’ve been better for everyone if she just kept Steven ignorant of the truth forever.
Extremely reinforced with the ending of the episode, where Garnet chooses to once again hide an uncomfortable truth (that he just came very close to dying again) from Steven, for the sake of his own ‘peace of mind’.
So, like, the Gems were already hiding uncomfortable truths from Steven since day one. “If you could only know what we really are” and all of that. But I think… With the actual truth of Homeworld encroaching on them more and more at this point of the story arc, this would’ve been a great time for the Gems to reconsider their attitude and actually Explain to Steven What the Hell is Going On.
But instead, I think Garnet saw the events of ‘Future Vision’ as a reinforcement of the idea that there’s just some things Steven is Better Off Not Knowing. Actually being frank with him about Homeworld and the Diamonds and the War right there and then, that would have just overwhelmed Steven with fears and worries and would’ve ended up doing nothing but hurting him. And Garnet can’t accept that possibility, not again.
And so, Garnet, alongside Amethyst and Pearl, keep all these truths from Steven as long as possible. Only revealing bits of information when they have to. For Amethyst it’s about her emotionally-evasive attitude (also, she legit doesn’t know all of that stuff herself). For Pearl it’s about how she learned to romanticize Rose’s own fucked-up obsession with secrets. For Garnet, with her usually very direct attitude and preference for the most straightforward solutions, I think it’s very much the events of ‘Future Vision’ that were still playing in her head every time she had the choice to actually Explain something to Steven and decided not to.
But that, indeed, was Not Quite the Right Lesson. While being bluntly and directly told by Garnet all about the Many Ways He Could Die caused Steven to go into an anxiety spiral and an existential crisis for an episode - the way the Gems have been consistently secretive and evasive with Steven ended up causing him so much more emotional grief to him in the long run. As all of these secrets ended up revealed to him in the most surprising, dramatic and traumatizing way possible.
And the secretive attitudes ended up driving a wedge between Steven and the Gems.
Even after they promised to be more honest with him. Because the sight of Steven crying on the roof that day is one that Garnet can easily move away from. Because Garnet’s Not Quite Right Lesson was almost as difficult for her to unlearn as Steven’s own.
But after the big confrontation at the start of the Zoo Arc, Garnet ended up being the most upfront about the Crystal Gems’ history. Almost overeager to share what she knows about the past.
I mean also, again, Amethyst just has less to tell and Pearl is hiding secrets for reasons beyond her control - but I think it’s also important to consider from the perspective of Garnet’s arc.
Because the fallout of the Pink Diamond Reveal is very much centered around Garnet (or, well, Ruby and Sapphire). That was the Truth that was hidden from her 'for her own good'. And at the end of the day, despite all the grief that unveiling that truth has caused
It has also brought them, all of them, a lot closer.
There's a reason why 'the Truth' is Garnet's Final Missing Piece in the movie. It is as central to her character arc in the series as Lesbian AngstTM grief over lost love is to Pearl.
And still, some remnants of the Trauma of 'Future Vision' remained...
After all, even the very last episode of 'Future' was centered around the Gems once again trying to hide things from Steven (at that case, their turmoil about him leaving) for his own sake
Even though it once again just caused Steven a whole lot of grief.
It's maybe notable that at the end of this episode, Garnet, once again, tells Steven what's waiting for him in his Future...
#steven universe#su#steven universe future#su future#suf#su analysis#garnet#garnet steven universe#garnet su#steven#steven universe garnet#su garnet#ruby#sapphire#ruby steven universe#ruby su#sapphire su#sapphire steven universe#steven quartz universe#steven quartz demayo#su steven
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Took some notes from the Wild Life retrospective episode of the Imp & Skizz podcast featuring Grian because I thought the behind the scenes info was really interesting!
(3:15) The wild cards were all kept totally secret from the players (apart from Grian), with the exception of the superpowers and finale (as they required the players to set keybinds)
(3:45) The players were given files containing the required mods each week, which were named things like "creeper rain" to throw them off
(4:12) Wild cards were a combination of data packs and mods
(4:38) Grian told them not to read the folder name to avoid spoilers (which is kind of impossible), so everyone fully believed there would be creeper rain lol. Grian was saying it in jest but everyone took it seriously and were apologetic about having seen it, to which Grian told them not to worry
(6:58) Grian originally contacted a data pack dev called Brace for help with programming the wild cards. Some, like the shrinking/growing could be achieved with minecraft attributes, but the snails were too janky and unusable. Grian still liked the idea though, so he reached out to mod developers Henkelmax and Breadloaf, who designed the pathfinding/behaviour from scratch
(8:49) They had a debugging mode used to test the pathfinding of the snails, shown in the podcast and in Grian's credits
(10:09) Grian wants most of the credit to go to the development team and artists, as he was mostly in charge of ideas & organization!
(10:39) Grian's only regret with the snails was that they were too fast in session 3, leading to unexpectedly many deaths. They were apparently not so difficult to get away from during testing, but perhaps the testers were more used to them than the players were
(11:44) Grian: "We did develop to the lowest common denominator" ie. prioritizing how players would struggle over how worrying about if players would do too well
(12:56) Oli's voice for the snails was iconic. It cost Impulse a life because he intentionally stayed closer to it to hear the voice lol
(13:42) Danny was in charge of the snail models and animations
(14:11) During testing, the snails just sounded like Oli, which made it feel weird. They pitched up his voice so that it'd be less immediately recognizable
(15:18) The snails' jumping attack was meant to be clearly telegraphed: they would stop, wiggle, make a "ooeee" sound before jumping. Many players had their friendly creatures volume turned very low/off (as cows and other mobs are loud), which made this attack much less obvious for them
(16:57) The growing/shrinking had the least testing done for it, as it was the simplest conceptually and to program. This meant that the falling off of blocks due to the shrinking hitboxes wasn't anticipated
(17:55) Before the 1st session, Grian told them that he didn't think anyone would die to the wild card. Pearl's death made Grian pretty nervous, as he didn't want everyone dying too early in the season
(19:29) 6 lives were given, knowing that many of the death to the wild cards were unexpected/unfair. The intent was for ~3 lives to be allocated for wild cards, and ~3 for PvP.
(21:13) The developers were all fans of the Life Series!
(22:43) The shrinking/growing was intentionally pretty simple to ease players/viewers into the concept and build up toward more dramatic wild cards like the snails
(25:38) In the hunger episode, Grian didn't know which foods would be good
(25:58) Grian thinks that "it's unfair that Grian already knows everything" is valid criticism, but that it's important for him to be involved with the ideas. Having someone else do that is like having someone else record his videos: Life Series is his brainchild
(26:35) Well before the season began, while they were still developing the concept, Grian asked the other players for wild card ideas that would meet a few criteria. All of them ended up being unused for one reason or another. Impulse thinks his ideas were very "inside the box" because he was viewing things through what was possible in vanilla Minecraft. His idea was to have a scavenger hunt where the players would search to find a relic. The first person to find it would get a buff. Skizz's idea was for every player to turn into a random passive mob for every given interval of time. They would have to find every other player of the same mob type as them or else the whole group loses a life.
(29:44) The food qualities were weighted by the rarity of the item, so very common blocks like dirt and cobblestone would never give anything good. The other items were randomly selected
(30:23) Regular blocks/items cannot be made edible normally, so they had to circumvent that and custom code a fix for items not stacking correctly
(32:41) While a lot of players do want to win, the main priority is creating entertainment, which prioritizes playing recklessly
(33:20) The food wild card wasn't included in the finale because it would've felt like "too much". There was a higher risk of technical issues since it changed the data values of items, and Grian didn't want someone's last death to be because they ate their sword. In his mind, it was a good and fun wild card, but didn't need to be repeated in the finale. Impulse points out that they all would have collected more rare items by that point, removing the incentive to search for blocks to eat
(33:46) The wild cards in the finale were nerfed from their original sessions. The shrinking/growing had a smaller height range, the snails moved slower, etc.
(36:21) The personalized snail skins were a late addition by Danny, who made 18 skins very quickly
(36:49) Grian did not anticipate the snails becoming as popular with fans as they were. After the session released, they had the idea to release the snail merchandise, which directly funded the rest of the season
(39:20) Grian spent what "felt like every day" testing with the developers. They'd record the sessions on Tuesdays, meet up with the dev team, talk about what need to be done, testing, bugs, etc, edit and upload on Saturday, and would get a few days grace before starting again
(40:01) After the snail session, Grian was worried that the season would be very short due to all the deaths. They were considering toning down the later wild cards but ultimately didn't change them too much
(40:36) The time wild card was carefully balanced. If it had gone even a little faster, many players likely would have died because they wouldn't have time to react to threats like baby zombies or creepers.
(40:57) While sessions normally run for a variable amount of time, session 4 was hardcoded at 2 hours. Grian ended the session ~10 minutes early, just after they hit max speed, because he felt like things were getting dicey
(42:46) When the wild card first activates, it looks a lot like the server had frozen or crashed. Grian told the players before the session started that it would look like the game was broken, but that it isn't broken. Skizz tabbed out anyway and missed the beginning 😔
(43:30) Having the rain start just as the wild card began was a good visual indicator of time slowing down. This was a suggestion from the dev team (probably Brace)
(44:41) Impulse and Grian "cheesed" the end of the session by going branch mining. Grian wanted players to take advantage of the wild cards (eg. mining quickly, helping to kill someone), and not have them just be an annoyance.
(45:30) Keeping the client and server-side time stay in sync was challenging. The sky's motion was changed to be smoother on client-side. The players were also not as fast as the server (around 2x faster), the server was going faster than that, and the time of day was even faster
(46:56) The sounds were pitched up/down based on the speed to add to the effect
(27:46) In testing, if the players were made 7x faster, it would be basically unplayable, which was why it was capped at 2x speed. This made mobs very dangerous, as they were now faster than players and could catch up to you and kill you easily
(49:01) On several occasions, they had to extend the fuse duration of creepers to make them more fair. In the time session, their speed was only increased by ~10%
(49:39) Usually, Grian was the one to test the wild cards and notice when things like creeper speed would be an issue, since he was the one with experience making videos
(50:50) A challenge with balancing wild cards is accounting for the playstyles of so many players: reckless players like Scar and Skizz, "kind and gentle" players like Bigb who would stay off to the sides, and "the sweat squad" (Scott, Impulse) who play very cautiously
(52:48) Trivia Bot was the only wild card that was not planned in advance. Grian was struggling to come up with a wild card for that episode, and wanted to have a wild card available that could give people lives in case many people died to early wild cards without it feeling cheap.
(53:33) Trivia seemed a little boring on its face, so presentation was essential
(54:34) This one made Grian the most stressed due to all the moving parts involved in making it (coding and pathfinding mostly by Henkelmax, visuals by Hoffen, audio/music, questions)
(55:08) Trivia Bot's design was based on Grumbot and Mettaton from Undertale. Hoffen drew concept art shown in the video
(58:32) They show Trivia Bot's custom animation for becoming a snail and it's really cool
(59:12) The music was the most stressful part of the project. Grian spent 2-3 days looking through Epidemic Sounds for a Trivia Bot theme song and couldn't find anything good. He commissioned Zera @hopepetal for a theme song, which is played in the podcast. However, Grian realized he needed a full audio package, so he commissioned Oli late in development, who created the final soundtrack and many audio variations
(1:01:38) Grian wants to send appreciation for everyone who worked on the project, even if their work ultimately went unused
(1:02:58) Skizz was happy to give back however he could by staying on standby in the final episode as a zombie, as the players were able to "reap all the benefits" of the hard work of the development team
(1:05:21) Grian didn't know any of the trivia questions beforehand, which were done by fans of the series. The goal was for ~50% of the questions to be answered correctly, which was approximately met
(1:07:11) Players couldn't get questions about themselves because it would be too easy. This would encourage players to leave their bot, allowing other players to mess with them
(1:07:57) Grian felt a little left out from the discovery element of the wild cards, and decided to mess with Scar by hiding his bot. He wasn't expecting Scar to die from it, and could tell that he was genuinely a little upset by it. Grian felt bad about it, which led to a genuine in-game alliance between them
(1:12:32) Grian was very close to letting Trivia Bot give lives as rewards, but decided it would feel too cheap
(1:14:38) Mob swap was slightly toned down, with more camels and sniffers spawning
(1:15:07) Evokers didn't drop totems anymore. Instead, there was a minuscule chance a warden or wither would spawn, which would drop a totem if killed. Grian was a little disappointed that the warden got cheesed in the end
(1:17:45) Having the mobs start passive and turn hostile was mostly for the presentation, building anticipation, and so players could predict where mobs would spawn and react accordingly, making things feel less unfair
(1:20:32) There was no superpower made for Skizz (or Mumbo presumably)
(1:20:38) The superpowers were another late addition. There was a large design doc where Grian created all the powers, which were handed over to Henkelmax and completed over 4 days
(1:21:42) Grian avoided superpowers involving strength, that could cause someone to die easily. Most of the powers were social or movement-based, which couldn't be used for offence as easily
(1:22:25) Some powers were randomly assigned, others weren't. Impulse's was random. Cleo's, Bigb's, Lizzie's, Grian's were assigned.
(1:24:25) Grian gave himself the mimic because it could easily backfire (like in Grian's fall damage death), and because it would've been confusing for a player who wasn't aware of the other powers. They likely would've spent the episode just figuring out how everything worked and not actually using the power to its best ability
Lots of discussion about the superpowers and how they interacted in the episode itself, go watch if you're interested :)
(1:33:38) Talk on how the series "standard" rules evolved since 3rd Life. There was no keep inventory, and no restrictions on enchanting levels or potions, which created slow or unbalanced fights
(1:36:23) 3rd Life was designed to be an experimental series, which made Grian eager to improve it. For example, some people just weren't dying in 3L, leading to the boogeyman in LL, and so on
(1:37:17) The goal with the seasons isn't to one-up the previous one, but to create a different experience every time, which keeps things engaging for the creators
(1:38:31) At the end of each session, Grian would ask the group if they had fun and how they felt about the wild cards. According the Skizz, the answer was "a resounding yes"
(1:39:08) Grian had moments throughout the season where he personally felt like things didn't go well for him, and was anxious for the rest of the group's episodes. Things worked out while editing the raw footage, though. His issues were never with the wild cards themselves, but his own actions (traps not working, spending too long branch mining), but would always find funny moments in his footage
(1:43:41) Everyone in the Life Series cast genuinely likes and genuinely respects everybody else in the group. This allows them to make the show and get mad at each other, because they know it's all just in-character
(1:44:50) It'd be hard to top Wild Life in spectacle, and Grian doesn't want to start an arms race with himself. The next season could potentially be closer to 3rd Life, but Grian's not sure yet. For Grian, Wild Life was the most enjoyable
(1:45:20) Grian: "As long as people keep enjoying [the Life Series] then I'd love to keep doing it"
(1:49:35) With the finale, Grian knew how the wild cards played out the previous sessions and was able to adjust them
(1:49:56) Grian's goal was to create safe chaos where everyone knew what was happening and wouldn't die to them, which didn't go entirely to plan. The snails were 60% of their original speed and people still died
(1:51:03) Grian made a precise timeline of when each wild card would start/stop, it wasn't randomized.
(1:54:16) All the superpowers were randomized, with Bdubs' power being removed from circulation because it didn't have much use in a finale setting
(1:56:10) It was important for Grian that in the final moments, the wild cards were removed, so there were no interruptions. The timing worked out well because there were a few people left and it ended within ~10 minutes (this implies that the change wasn't based on # of players alive, as people had speculated based on Gem's death)
(1:58:48) The players all randomly switched to zombie skins throughout the session to mess with people on NameMC. Well-played :)
#og post#wildlife#grian#impulse#impulsesv#skizz#skizzleman#imp & skizz#mc meta#wild life smp#wlsmp#life series#trafficblr#traffic smp#<- dunno which life series tags are most commonly used but i hope i got all the major ones#long post#“i should write down the behind the scenes!” i thought. “it'll be quick!” i thought :')#as someone who did had some critiques about the structure of the season#i found it really insightful to hear about the design decisions from a behind the scenes perspective#digging into why it was made the way it was and what exactly about it worked/didn't work honestly helps me to appreciate#it more for what it was!#and it helped to truly understand and appreciate all the work that went into it#i probably included more details than needed but i just thought they were all really fascinating#like trivia bot being designed to have the option to give lives in case the early sessions were too deadly!#i was also surprised that the snail merch wasn't planned ahead of time#and i also tried to keep all the credits grian listed bc i think it's important!#i would recommend watching the full podcast ep! i didn't include a lot of imp & skizz's commentary since i was focusing on the technical &#behind the scenes details but they had lots of great insight
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