#so like some of these ships are old or they’re just a product of the old way of shipping in the fandom
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quibbs126 · 6 months ago
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I don’t mean this in any sort of mean way, I’m asking genuinely, but why is Dark Choco so widely shipped, whether with canon characters or OCs?
Like he has so many ships, whether they be common or rarepairs. Sure he’s popular, but even other popular characters I don’t think have as many as him. Like, with most of them, you can easily point their most popular ship or two. But with Dark Choco, he has several, and I don’t even know which one is the most popular
Like there’s darkvelvet, which I assume is currently the most popular, but I don’t think it always has been. Darkmilk is…contentious to say the least, but it is still very well known. And you have other big ones like darklico, darkwolf, darkwhip (which I’m told is one of the ancient popular ships), just to name a few. And a lot of the ships vary wildly between the kinds of characters
What is the appeal of Dark Choco to make him so widely shippable?
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alohaasaloevera · 3 months ago
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guys I’m honestly happy that klance didn’t become canon because I love how as a collective group of people we utilize our right to explore what could have been and create the most smoking hot scenarios ever and yes I obviously wanted more of their friendship growing into this bond stronger than anything else in the universe especially since Voltron has teamwork and family as one of their main lessons but that’s more of a development issue all around…ok besides that there’s something about klance where it provides this PERFECT environment for shippers to inhabit and FEAST upon. With klance, there’s a solid, engaging dynamic between the two set up, which is this weird one-sided rivalry that stems from Lance’s insecurity and his need to prove himself of his worth and Keith literally being one of the best pilots for his age but since they’re flung into space and chosen to become child soldiers in this 10,000 year old intergalactic war so they have to work as a team which surprise surprise forces them to put aside their differences and work as a team which is shown a bunch when Keith needs to become a leader and Lance steps up as his right hand and and they have some kinda tender moments that won’t definitely drive shippers into a shipping craze (or worse) SO YEAH you could see why people loved it with all the classic tropes and mutual growth all that schmooze (ALSO THEY KNEW EACHOTHER BEFORE THE MAIN PLOT??? Well maybe not like friends or even acquaintances probably BUT HELLO?????? EVEN MORE SHIT TO EXPAND ON????), and they share multiple scenes that could be interpreted as romantic but there’s no explicit romance. This environment is fucking dripping drenched flash flooded cornered by 1000ft tsunamis in all directions with potential for shipping, so when people saw this relationship between two bros with this sort of homoerotic (IM JOKING. Kinda.) unresolved tension towards each other and the POTENTIAL for a good slow burn rivals to friends to lovers, it was to no one’s surprise that they went APESHIT. Klancers made countless different ways where they get together whether it be pre-Kerberos, post-gettingthefuckoutofearth, the start of the show, the end of the show, after the end of the show, right smack in the middle, anywhere, anytime, for who the fuck knows why just ANY REASON DAMN IT it doesn’t really matter because people were pumping out fanfiction or fan art or any fan media of klance faster than I spit out a raw baby carrot after chewing it for one second and now we’re all wallowing about how it should have been KICK but the thing is that if VLD did KICK all the way to Altea, the production of these beautiful stories that so many people have and still are coming up with about klance kissing in midst of a battle, helping each other with their crippling nightmares, smiling for the stars or some other sad premise, and whatever is nestled in his pulse…just like uhhh the amount of fics like these that go into great detail about Keith and Lance in these random situations that end up with them getting together being produced would go down to some degree because of the fact that if the people’s beloved sharpshooter and samurai had ended up together like we had wanted, and the majority was satisfied with the ending the creators had given, people would have shifted from writing about “How could Lance and Keith get together?” to writing about “What could Lance and Keith do now that they’re together?” And like. There’s nothing wrong with that honestly I would be HYPED if klance was ever canon but there is profound beauty in the way the community is able to create more from less and turn a show that went to shit in the last few seasons shine even brighter than it did at its prime. Like I wouldn’t trade my favorite fics 4 anything.
Ok another little thing I’m going to put here: With Klance, all I wanted was for them to be great friends 😭😭😭. I tend to prefer klance becoming canon in later seasons or at the end or even an open ending with no confirmed romantic relationships because I am a sucker for character development and the idea of Keith and Lance both harboring these feelings that at first are just admiration and respect but then escalate to yearning for one another or becoming close friends at the end of the show and getting to imagine anything I want post canon is EVERYTHING if you give me S7 Garrison klance I’ll keel over and thank you like I was a second away from dying of thirst and your gift was a truck load of water
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howthebestwaslost-blog · 5 months ago
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At one point, Rogue (or whatever name he goes by at that time) realises that Earth’s history for some reason is a prime hunting ground for alien criminals. He figures that he can save a lot on fuel by just going up and down a relatively stable timeline, and he can even employ a native! So he’s strolling around quaint old 21st century Earth when he overhears one of those earthlings talking excitedly about some insane adventure they had. It doesn’t hurt that they’re really cute, too. By the time they understand that Rogue was talking about an actual spaceship while the Earthling’s adventures were completely imaginary, they’re already getting along far too well. So Rogue gives a little tour around space (it’s not like he’s trying to impress his new friend, he just wants to show them the ropes), then it’s off to history! And despite their wild exploits being only the product of a strange little game, his local guide proves incredibly useful as soon as they land. “Dressed like that? No, we need to go undercover. It’s bad enough that our target is dressing one century off…”
They start calling him, teasingly, their ‘lovable rogue’ and the nickname sticks. He rigs the whole interior of his ship, so they can listen to their old earth ballads wherever they are.
He removes the clutter from the crew cabin so his guest can sleep there, and after a while he puts away the hammock and moves in with them (if you’re piloting a ship for two on your own, staying close to the main console at all times seemed like a good idea; he suspects now that he might have been lonely). Their lovingly hand painted figurines move in, too, as do the dice. “This is not a game”, he keeps telling them on their missions when they whisper, bright-eyed, about rolling… whatever? He’ll get it one day. They leave their dice on the console as they walk out behind him towards another adventure.
“Did you get your name from Dungeons and Dragons?” the annoyingly handsome (and handsomely annoying) murderous bird alien asks him.
No, he wants to say, I got it from the best person in the universe, and I lost them to a bastard like you. But you wouldn’t understand - this is just a game to you. But he smiles in spite of himself.
“Roll for insight”, he answers instead.
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cellarspider · 9 months ago
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5/30 The pseudohistory of Prometheus
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We return to a movie I wish to send on a journey down the Kola Superdeep Borehole, Prometheus.
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And my insanity truly begins in this segment. We are only 1/10th of the way through the movie so far. Content warnings for discussion of racism in pseudoscience and historical anthropology, Spider getting hung up on logistics and space nerd stuff, and pictures of Yuri Knorozov, the most sour-faced man to ever live.
The cast sits down for a briefing. This is a scene with an easily identifiable narrative function: providing exposition to the theater audience. The act of doing a briefing makes sense. It is the last thing here that will.
We are introduced to a hologram of Peter Weyland, the financier of the expedition. The name means all sorts of Lore to the series, but what’s intensely distracting is that we seem to have caught Weyland halfway through applying his zombie makeup.
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Weyland is played by Guy Pierce. As of the filming of this movie, he was somewhere around 45 years old. Yes, they smothered this Australian in old man drag so that he could play this character. This is a baffling decision, that only gets slightly less baffling if you know the production history of the movie, which I did not at the time.
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Guy Pierce was hired to play a younger Peter Weyland. There’s a promo video out there of him giving a fictional TED Talk in the not-to-distant future of next Sunday AD 2023, there were various plans for him to appear in the movie proper. None of those scenes are actually in the movie. They refused to double-cast the role for some reason. While the practical effects in the movie are generally excellent and it does make the tiniest smidge of sense that a hypercapitalist asshole would be portrayed as a literal rubber-faced movie monster, this, like many things in Prometheus, made the movie a very weird sit. One where I was increasingly less open to going along with the movie’s fiction. You are telling me that this is an actual human man. I am not buying it. He looks far less human than David, the only non-human there.
Speaking of David, Weyland calls him “the closest thing to a son I will ever have”, and then immediately says David is an inhuman lesser being, who does not appreciate the specialness of his existence because he does not have a soul.
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Which is funny, because I think you can see David’s soul leaving his body at this exact moment.
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Weyland then tries to mash in some existential weight to the movie: they might finally get an answer for “why are we here?” and all that jazz! He also tries to explain why naming a ship Prometheus is totally not like calling it Titanic II: Don’t think about the part of the myth where Prometheus is chained to a rock and has his ever-regenerating liver eaten by an eagle every day! Think about the bit where he brought fire to mankind! We’re gonna bring back that bit!
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And then the archaeologists take over the briefing, and this, THIS, is the bit where they entirely lost me. My suspension of disbelief had already been strained by multiple oddities up to this point. My skepticism about these characters in particular was already a bit elevated by their implied invocation of the ancient astronauts concept.
Turns out, only Vickers, Shaw, and Holloway know why they’re here. 
Two years away from Earth. On a massively expensive expedition that intends to make first contact with an alien culture, the first alien culture that humankind has ever found evidence of. Nobody has been briefed up until this point.
This is lunacy.
Explanations have been figured out by fans since then: this is a passion project by Weyland, an annoyance to the rest of the corporate structure that nobody else believes in. The movie eventually intimates this, through Vickers. 
Fans have thus speculated that Weyland was just quarantined off to do his little alien hunt, with no logistical support that would make it actually functional. He believed a crazy theory put forward by Shaw and Holloway, and everyone else wasn’t actually best-of-the-best, they were just whoever would take a big paycheck to do fuck-all for nearly five years of sleeping their way to and from their destination.
I am willing to consider that this was intentional. The movie possibly tries to confirm this with Mr. “I’m here for the money” Fifield, but none of the other characters have enough characterization to determine if this is the general trend.
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How could we make a story that more clearly spells this out? Maybe Millburn the biologist could encounter more of the crew talking about the payout from taking the job, or reveal that he himself has some project he needs money for. It would also chip away at the dearth of character-building dialog for most of the cast.
As a result of those deficiencies in characterization, a lot of my discussion of plot points is going to be focused around what they do, rather than why. …Except when it is about the why, at which point the main commentary will be “WHY.”
In any case: while it makes sense, I'm still not certain the film meant for this character motivation. Prometheus is just so loudly explicit with so many of its plot points that it doesn’t seem like this is the case. The movie certainly believes in the sincerity and correctness of the archaeologists, though.
Unfortunately, it also immediately tells me that they’re a couple of wingnuts. I’m not sure if it intends to, for reasons I’ll get into after I foam at the mouth for a little while.
They present a series of artifacts to the crew: Egyptian, Mayan, Akkadian, Sumerian, Hittite, Hawaiian, and their Scottish cave painting. All of them feature “men worshiping giant beings”, who are pointing to what stargazer nerds call an asterism: a pattern of stars. Shaw and Holloway believe that these are aliens that engineered humans into their current state. Shaw literally says “it’s what I choose to believe” as the entirety of their justification for this.
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Again: I knew the movie wanted me to take this as truth, within its universe. That’s the implicit deal the movie has made with the audience, this is truth. You are supposed to be contemplating the "whys" of it all. But the movie had also smacked me in the brain so many times in the past five minutes, that I, like Millburn the Biologist, was ready to call bullshit.
I appreciate him for doing so, and it shows he could have been a smart character, but sadly, he is in Prometheus.
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Because he is a fictional biologist and I am an actual biologist, I will expand on his argument, as I descend into ranting for the rest of the post.
Millburn objects on the basis of evolutionary history, which the movie only partially succeeds in papering over: the implication is that evolution on Earth was directed with the deterministic outcome of creating something like humans.
This opens up a whole new can of worms that the movie doesn’t get into–when exactly did this engineering start? When great apes evolved? When mammals did? Tetrapods? Skeletons? DNA itself? After all, we know the aliens, now dubbed Engineers by the archaeologists, have DNA. Did they seed all life on Earth? How did they evolve? Our last universal common ancestor is believed to have already been using DNA 3-4 billion years ago, evolving out of a likely RNA-based genetic standard. Hominins diverged from other apes around 15-25 million years ago. What sort of culture would undertake a project that required at least 15 million years on the extreme low end?
All excellent questions! The movie is not concerned with them. I am, and that is part of why this movie still lives in a special, awful place in my head.
This isn’t actually what made me become actively hostile toward the archaeologists, though. What managed that, well! It was their archaeology. Anybody who had an Ancient Egypt Phase in their childhood should be able to articulate multiple reasons why the academic community would’ve laughed these guys out of the building.
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Bigness in ancient egyptian art does not indicate literal size. It indicates importance. In fact, the artifacts the movie uses exclusively come from artistic traditions which feature hierarchical or non-literal scale. Do the Engineers turn out to actually be eight feet tall? Yes! Am I still annoyed by this? ABSOLUTELY.
You know what else is a big problem? Many of the cultures they reference here had written language! A LOT of written language! They include Egyptian, Sumerian, Babylonian, and Mayan art in their evidence, all of which not only wrote a LOT of things down, but had a habit of annotating a lot of their art with labels to tell you what was going on! You can actually see some on the props they used in this scene!
Beyond that, they had very prescribed formal styles, where you can follow the action entirely through gestures, held objects, attendant symbols, and clothing! If all these cultures, as implied, had actual, direct contact with aliens, recorded in the art presented here, we would know what they were told.
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Skipping ahead of the movie for a minute: the Engineers were apparently not telling humans “we’re here in these stars, come find us”, they were telling humans “settle the fuck down or this is where the hurt’s going to come from”. 
Here's the thing. Ancient peoples weren't stupid. They wouldn't just not talk about this. If giant aliens came down from the sky and gave them a stern talking-to that contradicted their religion, that would be a big deal. And these characters specifically say the Engineers are being "worshiped" in these images! They're apparently taking onboard what's being said!
It is certainly possible for information to be lost. Over long time scales, that's unfortunately the rule, rather than the exception. But again: half the artifacts have writing on them!
I chose to believe that Shaw and Holloway simply did not attempt to read any available translations of attendant texts, and they were thus cursed for their foolishness by the ghosts of Mayan Studies pioneer Yuri Knorozov and Egyptologist Jean-François Champollion, and the still-extant spirit of Assyriologist Irving Finkel.
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Knorozov knows your sins against Mayan Studies. Knorozov is a vengeful god. Chapollion and Finkel are likewise very cross.
Two last things stood out to me in the theater. One of them was extremely petty but tied into some very serious issues with pseudoscience, and the other one was not.
Pettiness first: the asterism shown in the artifacts is a pattern of six stars. The movie wants you to believe that it is very spooky that the only asterism that precisely matches this pattern are six stars that are too faint to see with the naked eye. This is laughable, both because the asterism is so generic-looking that I can think of several very visible asterisms that are good matches for the pattern, but it also recapitulates a bunch of really fucking annoying stuff from pseudoscientific bullshit. 
First: Pseudoscience and pseudohistory likes to make a big deal out of the fact that every culture has stories about the stars. Why? 
The sky is very important to every culture’s mythology, because every culture can see the sky. Like, that’s literally it. People can see the sky. They tell stories about it. There’s not much to do at night except look at the sky, when even keeping a fire lit can be an expensive prospect. It is not even the least bit weird when multiple cultures–all of them in the northern hemisphere in this case!–have stories about the same stars.
Second: Cultures varied in their ability to faithfully reproduce celestial landmarks in art and align their architecture, and were not as exact as modern techniques can manage. Pseudoscience will claim that they are exact, when it fits their pre-existing theory, or fudge the difference if they want something to fit their claims.
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(This is a photoshopped image, by the way.)
Were the stone age temples of Malta secretly aligned with a particular star that foretold the doom of Atlantis, precisely tracking its location through the sky over thousands of years of Earth’s axial wobbling? No! They were roughly aligned with the sun. Sunlight is important when you don’t have electric lights. Were the Great Pyramids of Giza laid out ten thousand years ago to match the layout of the stars in Orion’s Belt, according to the designs of a legendary lost race of highly advanced non-African people? Were they tapping into the Earth’s magnetic field to generate energy? No! They were aligned with the cardinal directions, and they got them a bit wrong! 
Hell, if we want to play at that game, I found a decent match for the asterism in Stellarium's Egyptian constellation set. Just flip this 90 degrees clockwise and you'll see I'm totally right. Aliens confirmed.
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I know the movie is trying to tell me that all the asterisms in the art are precise matches for each other and are thus impossible to explain without intercultural contact (or aliens!!), but it is also showing me that they are not that precise. So, it’s just showing me stars. At least in some of them. Their little charcoal lad from the Isle of Skye may be throwing fruit at his audience.
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In fact, there's a further, probably unintentional link to pseudohistorical claims in the artifacts presented: the Maya artifact shown does not actually depict a "giant figure" being worshiped, in fact, it shows one instantly recognizable, known figure in Classical Maya history: It is an altered version of the ornately carved coffin lid of Kʼinich Janaab Pakal I (24 March 603 - 29 August 683), with the top quarter of the carving replaced with a star pattern that looks nothing like the ones on the other artifacts.
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The carving shows Pakal in the pose of an infant, entering into death and being reborn. It is packed full of so many symbolic elements that can be easily recognized by those more familiar with the Classical Maya than I am.
Conspiracy theorist Erich von Däniken thought that it showed Pakal rocketing away on a spaceship. Däniken proposed this because he didn't understand the cultural symbolism, but he had seen pictures of astronauts before.
And on that note, 2,400 words into this rant, we get to the actually bad shit. Unfortunately, it ties into the issue I had with the premise to begin with: the real-world context of pseudoscientific claims of ancient alien contact. Specifically, the racism.
We’re going to unspool this more near the end of the movie, because there was further behind the scenes I was not aware of when I first saw Prometheus, and it just compounds this stuff. 
So, when I went on my first tangent on how unpleasant ancient alien theories are, one thing I highlighted is that the further from Western Civilization you get, the more these theories presuppose that fellow humans are incapable of building great works or imagining interesting things. No, they had to be guided, and explicitly shown things that they copied down to the best of their limited capability.
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The only european example of alien contact they show is from the Upper Paleolithic, 37,000 years ago. All the examples around the Mediterranean and Mesopotamia range from 5,500-3,700 years ago. The examples from the Classical Maya and Hawaiʻi are from 620 and 680 CE. 
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During this period, Tang Dynasty merchants were creating the first paper money as the famous female emperor Wu Zetian was on her way to the throne. The Prophet Muhammad went to al-Aqsa mosque, and we’re only eight years before the birth of Charlemagne’s grandfather. We’re no longer talking ancient, it’s just old.
I want to emphasize that the movie is presenting these not as depictions of myths that have been passed down–though there are more problems with that I’ll get into shortly–these are implied to be contemporary depictions of events witnessed by the artists, who were quite possibly instructed by the Engineers to record a precise pattern of stars. An equivalency is being drawn between stone age Europe, bronze age Africa and the Middle East, and a couple of startlingly recent Mesoamerican and Polynesian cultures. 
But let’s be generous. Maybe these aren’t supposed to be contemporary accounts in these two outlier cases: the movie’s script will certainly indicate later that they have no idea what they’ve implied here. Perhaps these are story traditions that were handed down from the Olmecs and Melanesian precursors of the first to sail to Hawaiʻi. 
Unfortunately, this just recapitulates a different racist trope: that European and more “developed” civilizations invented so much cool and comfortable material culture and philosophy that they forgot the Mystical Religious Truths of the old ways, which were preserved only in Primitive Lands and among Uneducated Peoples, where they never found anything better to do with their time. Oh, if only we had heeded the warnings from those spiritually attuned non-white people!
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(Look, I only remember Devil (2010), which has 50% on Rotten Tomatoes, because M Night Shyamalan wrote and produced it, and this was two years after The Happening came out, so I watched it out of morbid curiosity. It's not as unbelievably bad as The Happening, but as shown in the clip above, the spiritually attuned latino security guard Ramirez attributes toast landing jelly side down to Satan. That is an actual thing that happens in the movie. He is proven right.)
But let's be even more generous: someone probably realized that they'd focused near-exclusively on Middle Eastern cultures, and wanted to throw in a couple from elsewhere. Sitting here, having seen the movie in full, this is the most likely option: their inclusion creates a contradiction with a later scene, and was thus probably not checked for consistency. These cultures were thrown in as a bit of background flavor. I list this last, because in the theater, there was no way to know this at the time.
That answer's still not great. Still leaves us in the same position, where Europeans are pretty much given their own agency, while other cultures need to be led.
Oh, and to anyone else who’s made it this far and knows the production history of Prometheus: don’t worry! I know what Ridley Scott told that one interviewer, about a contact between a less-ancient European power and the Engineers. I’m saving that one. I like to save that one, because strategic deployment of that quote made some of my IRL friends scream.
Next time: the Prometheus descends to an alien world, and I descend further into madness. I am going to drag you all down with me.
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(Pictured: Yuri Knorozov, and my present mood.)
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Citations for alt text ramblings:
https://www.almendron.com/artehistoria/arte/culturas/egyptian-art-in-age-of-the-pyramids/catalogue-fourth-dynasty/
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mulders-too-large-shirt · 4 months ago
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s3 episode 9 thoughts
i have so much to say. i just copied and pasted my notes, and my thoughts were COMICALLY long. but it was SUCH a good episode so i have a LOT to point out. even more than usual, somehow.
(screams to let it all out and then tries to take a deep breath and gather myself)
okay. OKAY FUCK. okay. whew. we start from the top. the very very top, in which i click on the episode. and so begins an emotional rollercoaster.
this episode description mentions a train. as does the one after that!!! am i in for a two parter?!?! well, if so, at least i am prepared with this information, so i don’t get a massive shock like with duane barry! (author’s note: i was right!)
a train. huh. would love to ride one of those someday. unfortunately i’m american. we only really have cargo ones hanging about. but their noise is deeply familiar and comforting to me regardless.
(little did i know that this was the very kind of train to be featured in this episode!!)
camera opens on tennessee! children are riding bikes to watch a train. ah, good to know the desire to stop doing other things and instead watch a train go by is universal.
now it’s night at the train. is some graffiti action going to take place? the music is getting weirder as we look at the top of this train, and it appears we are in for no ordinary graffiti moment as some cars pull up. 
and these people are from japan! in tenneseee! boarding the train…? which is full of science stuff!! this is odd on many levels.
(japan to tennessee… whew, that’s a long flight. give these men some caffeine now!)
caffeine seems to be ignored because they are in surgery looking gear cutting something open. and green stuff flows into a jar? hey. not liking that. 
they are cutting into what looks like, in my opinion, some guts.
until people run in and start shooting!!! really truly shooting and killing everyone!!! what!!! what the hell!! who are these guys!! are they with cig man??? holy fuck, if that WAS an alien autopsy, way to ruin the scientific method with bullets in the lab!!
and they are zipping an alien into a bag!! so it was!!! the blatant disregard for learning here!! it’s appallingly american! who are these people?!!
bum bum bum bum… woo woo woo woo wooo wooo… woo woo woo woo WOOO woo… intro time.
mulder has his feet up on the desk. fiddling with… something. scully opens the door and he tells her to come on in, with the face of a man who is scheming. he has it all dark like a movie theatre!!!
LMAOOOO he ordered a video from a magazine of an alien autopsy. and that must be why he looks like a kid in a candy store. $29.95, plus shipping!!! THAT IS A LOT!!
she’s like, you literally cannot see what they are operating on. and she says it’s hokier than the one they aired on fox news. which means i have to google a few things to learn if that actually happened. actually i don’t want to even know.
he mentions the green goo and he says “it’s widely held that aliens don’t have blood, scully” <- girl how would she know that. also you literally almost died FROM alien blood. so explain.
they’re arguing the merits of what makes an authentic alien autopsy tape, and then he points out how the people burst in with guns right before the film cuts off. well, that could make it look more authentic, or less!
some guy in allentown got the tapes so they’re visiting LMAOOO road trip road trip!!!! to a very old looking house. 
the studio is called “rat tail productions” okayyy. i kinda like that. but it’s all boarded up so they have to try and break in.
and they find a dead body!! that is still warm!!! what is going on!!!
someone else enters!! and mulder chases after them and jumps the fence yelling that he is a federal agent. zooooom that is a speedy man. 
and just when it seems mulder has the guy, he starts kicking and punching and BOOM! down goes mulder. until he shoots something nearby to show he isn’t playing. 
mulder is wet from falling into a bunch of garbage… king. and the language barrier is being a barrier!
(sidenote i’m surprised they didn’t make mulder learn another language in school or for the fbi?? like actually really shocked. you’d think he’d have at least one other one, or a few basic phrases, under his belt. idk, where i’m from higher education in humanities related fields requires language learning, but he somehow escaped)
mulder is pretty despite being covered in garbage and bringing a man to a police station
scully says they can’t find an interpreter! this is not really shocking because they are in pennsylvania. 
“well look at this… a beacon in the night” says mulder whilst smiling, and who is it he glances upon but SKINNER?!?! WHAT ARE YOU DOING HERE?? are they in trouble?? does… skinner know japanese??
(mulder asks and he does not 💔)
skinner says they have to let the guy (kazuo sakurai) go because he is a high ranking diplomat. so if you’re a diplomat can you just… walk away from a murder scene and that isn’t a problem?? at all? i did not think it worked like this.
skinner asks what they’re doing and mulder says he’s tracking down a “video piracy thing” LMAOOOO least convincing lie ever. 
skinner tells him to go back home, and then very purposefully brushes into his shoulder before walking away. yowch! that has got to sting. mulder looks like he just got caught and is trying to charm his way out of it
scully rightfully points out that this makes no sense, and asks if he wants to drop it, but mulder says he paid his $29.95 and he is gonna get his answers!!!
LMAOOO he “forgot” to turn in the suitcase kazuo was carrying. it has a list of members of a ufo society with a local woman’s name circled!! was she gonna be their next target…?
he tells her to get a motel and he is going to go back to D.C. and be “a good boy” for skinner… LMAOOO, and he’ll show the files to his besties 
back in D.C., and woah, mulder looks like a real slut with his hands on his waist and his jeans and tucked in turtleneck sweater. i am NOT complaining. just merely observing. it’s kinda giving that one photo of the rock. i see where he took his style inspo from.
so the lone gunmen say that the japanese were looking for a sunken ship from wartime, and it looks like they found it, but they brought it to virginia? very weird. maybe they did not find a sub… but something else.
the diplomats are heading home. or not. because someone is beating up kazuo! huh?! WHAT!
scully on da scene in allentown pa. serving. knocking at a door of the person whose name was circled in the files.
but the person goes to answer the door and she says they know her. she’s like umm not sure about that?? until another person comes to the door and says “oh my god… she’s one” WHAT??
(is this like a secret society of people who were abducted or like. are they trying to scam her or something?)
she looks super freaked out. she’s trying to explain that she’s here for murder investigation reasons, but the lady in pink (penny) is calling and saying everyone needs to come over right away. this will surely make scully even more stressed.
they ask her if there was some unexplained event that happened last year. and also to please sit down. so you KNOW things are about to get wild.
mulder is asking about the ship that allegedly was returning through panama. and the boat was stopped! but then kept going? the guy he’s asking to look into this does not seem to be pleased to discuss this subject. 
scully is freaking tf out but trying to gently explain that she does NOT KNOW THESE PEOPLE. but they’re talking about being taken to “the bright white place” and that she was only taken once, but these other women were taken many times. WHAT IS GOING ON.
they ask her about regression hypnosis and she’s like i do not want to talk about this. (and yes i even TRIED IT) and she looks around at all the other women and it is creepy. SAVE HER… save them all.
mulder is running away from the guy he asked for the files from. he’s always going somewhere. looking at a boat. looking at another boat. is he gonna sneak on the boat? YES HE IS. HE IS JUMPING ON IT. elbowing a window open to get in. this is a wild man!! he will break into your boat!!!
he’s going through drawers looking for stuff and i’m thinking, oh man i really hope the boat doesn’t start heading out to sea… he has nothing to survive on. and we’ve seen them kill people, so don’t say “accidental” boat abandonment with a guy on it is out of the realm of possibility. but it IS the boat he was hoping for. and now he’s sneaking about its underbelly. 
NO! he has been caught. the boat is being swarmed by men with guns. he seems too tall to hide…. but he did!! AND HE JUMPS INTO THE HARBOR LMAOOOOO, NOOO, THE POLLUTANTS!!
back to scully. i was so caught up in the boat espionage i had forgotten about scully’s dilemma. and they say that she won’t remember what happened to her for a while. cut scene to her being blowed up again like we saw in s2.
and she is really freaking out now, because they point out that they all have the mark and she just wants to learn about this murder, damn it, not unpack trauma!!
but betsy, who she came to see, is dealing with very severe cancer. and they say that what she is dealing with is going to happen to all of them. WHAT??? “we’re all dying because of what they do to us” OH MY GOD??? she has tears in her eyes. WHAT!!! what. 
back to the boat. do i look like i give a damn about the boat!! no!! but mulder is crawling- at night- from the harbor. so did he stay there all evening or….
so he’s once again on the run. and soaking wet. please take a shower, my friend. you know not what they do in that harbor. 
he sees people pulling in to the warehouse nearby!! with guns!!! and we see him sneak by!!! no, mulder, consider going home and not getting caught!! but what if he finds something that can help scully…? and oh my gosh, he doesn’t even KNOW she’s slowly dying yet. oh my gosh wait i need to sit down (said by the girl who is literally sitting)
the orchestral score is popping off, too. he peeks in a window and sees a giant… thing? being gassed. with cameras out and about. like a blimp looking thing. 
somehow he gets a change of clothes. and he goes home but his apartment door was unlocked! so he has his gun. is it skinner? 
IT IS!! whew! that was best case scenario, so it was just wishful thinking on my part, but maybe i really am deeply attuned to this show. skinner is sitting there in the dark. we see some photos on mulder’s desk but they kinda just look like random places. one is some sort of field? and the other is a house, i think? not recognizable to me. but back to the plot at hand.
skinner tells him to put the gun down. sort of like you tell a dog to drop it. he obeys. aww, he is a good boy for skinner, like he mentioned earlier.
so skinner has some tea; kazuo’s body was found in a canal!!!! he didn’t make his flight!! and they government thinks he was killed over his BRIEFCASE!!! 
mulder plays dumb. then he admits that scully has the briefcase in her car. he seems like he’s trying to play it cool but skinner is NOT having it. “this is bigger than me, you, or the FBI, agent mulder” okayyyy king of being vague. and he says he is not getting involved!!! woah!!!
so mulder goes to… a senator!!! yes, the senator we saw very briefly a few times before, whose name is richard matheson? i didn’t really understand that in the past, but maybe it was building up to this. richard says to return the photos, but mulder says he’ll be entangled in a murder investigation, which he cannot afford because he is so close to the truth!
this senator claims to be telling mulder the truth about what is going on. and he explains what happens in tennessee, how the japanese doctors were murdered doing a secret thing. 
“what am i onto here?” , he asks. “monsters begetting monsters”, says the senator. ohhhhhhh that does not sound good.
(i hope he exposes the alien people and the torture and they blow up all the people that hurt scully and the rest of those women and then hold hands)
he’s back in his office with his glasses on. and i would be glad for a glasses mulder win under normal circumstances, but my heart is sick over scully. i take what i can get when i can get it, though, because he is a beautiful man in glasses. 
SCULLY’S BACK!! and she is still freaking out. she relays the news that she might be dying, and he looks up at her so innocently and says “but you’re fine, aren’t you scully?” OHHHH BABY. BABY. GROWN MAN. BUT BABY. OHHHHHHH MY HEART. MY HEART ITS MELTING. MY EYES ARE TEARING. “but you’re fine, aren’t you?” oh lord… he cannot lose anymore people. 
she is terrified- “am i? i don’t know, mulder” NOOOOOOOO MY BABY. STOP. DO NOT DO THIS TO HER.
he pulls up a photo and she says she knows someone in it, but that guy has been dead since 1965. mulder seems to find this difficult to believe, but last episode he was suggesting that someone was bleeding another person’s blood, so i feel he of all people should be open to this idea.
(oh…. they’re using unit 731 for the storyline here. and they have done that in the past as well but. wow. awful lot of baggage to dredge up there. very very painful and unhealed wounds)
((and i guess before they have done similar things involving nazis, right, remember victor? and his experiments? even if it was done before though, it doesn’t make it any less chilling to me. i’m not sure how i feel about using real horrific war crimes as plot points in an alien show))
but my reckoning with history aside, mulder says that four of the men in that photo were in the alien autopsy video. and they were murdered.
“murdered for what? or murdered by whom?” oh scully, you deserve none of the suffering that the world has given to you. NONE OF IT. if i were mulder, i would hug her and never let go ever. ever ever. 
he thinks they’re still trying to make an alien-human hybrid, but she still isn’t buying it, even after everything; she needs proof. she says believing is the easy part, but he disagrees. “you think that believing is easy?” he asks, and it hangs in the air.
oh, i want to linger in that space forever. the tension it creates, the things it reveals about him. how belief is centered on hope, how he has to fight for it, that it doesn’t come as natural as breathing as he might have you thinking. it’s hope for a better future, it’s hope for righting old wrongs, it’s looking where no one else will go find the answers. it’s about getting family back. it’s about fighting and sneaking and learning and even killing to get what you need to know. but it’s never easy. 
FUCK. I’M LIKE GONNA JUMP UP AND DOWN. THIS IS WHAT I’M TALKING ABOUT!!!!!! THIS IS THE STUFF!!!
they hold eye contact for a bit, until she sighs and breaks it (fuck me, i’m emotional) and he points out that they DO have proof, as he reaches for her arms- the spy photos were tracking a ship that pulled a UFO out of the ocean, and the UFO is in that warehouse that he saw earlier!! that thing i said looked like a blimp!!!
he says the US has a secret railroad. i yearn so desperately for accessible transportation. if the government said tomorrow, yeah, we have a secret rail system, i’m not sure how i’d react. perhaps relief?
there is very very very charged eye contact. 
okay, bringing the thingy from her neck to a guy who can understand it. it’s a “micro processor”, and there are a few companies that make them. and they are being used for many things. so was it made by ordinary people, and not alien tech…? who is doing the torturing and testing…? and to what end???
it’s all women in that room… is it for alien breeding purposes… oh, i shutter to imagine
back in west virginia!!! mulder has a leather jacket on and a dream as he climbs up into some sort of railroad building’s roof. his hair blows dreamily in the wind as he busts out some binoculars. if he were to be caught, he could probably convincingly claim he was a birder. i understand they go through a lot to find their birds. 
people are showing up. they’re speaking japanese and getting what looks like a LIVING ALIEN onto the train? mulder is on the move. the train is taking off. is he gonna play subway surfers irl and try to jump on that thing? yes, he is SPRINTING. but he realizes he cannot outrun a train. 
back to scully cam. she is watching footage. a japanese surgeon is taking off his surgical gear and she recognizes him!! OH MY GOSH SHE RECOGNIZES HIM FROM HER TESTING! NOOOOO!!! NOOOO!
she answers the phone like she wasn’t unpacking horrific information and mulder reports from west virginia. and she points out that she recognizes the doctor… but not from the video tape. NOOOOOOO. realization crosses his face, and i’m sure only adds fuel to his fire to get on that damn train.
so mulder is trying to catch up with the train. a handsome japanese man is being followed by the dude that killed the other guy earlier. AND NO!!!! the killer just killed the handsome japanese man and locked him in the bathroom. then adjusted his hair???
mulder JUST misses the train. perhaps this is for the best?
scully going home. WHY IS X THERE?!?!?!? he’s telling her to tell mulder to get OFF OF THE TRAIN. she rightly is suspicious but he is NOT playing around.
mulder is about to leap on top of the train when he gets the call from scully. and he asks who told her what he was doing and to stop it, and like me, she is also probably realizing she doesn’t know this dude X’s name. 
and he jumps on the train!!! but loses his phone in the process!!!!!
TO BE CONTINUED!!!!
WHAT THE HELL.
okay, my yelling aside, THIS is when the show is at its best, imo. THIS is the blueprint for me. character driven. heart of the plot. reveal after reveal but vague enough to keep me wanting more. the government is evil and every conspiracy has more conspiracies. getting to know what is ACTUALLY going on in snippets. skinner is there. this episode truly had it all.
EXCEPT an ending, of course, because now i have to WAIT to watch the next part. SO TRULY DIABOLICAL!
no no, i jest, i can take a cliffhanger most of them time. i just better not have ANY distractions tomorrow. 
whew, so much to unpack. i think there are two things that are sticking out the most to me here: scully’s terror and mulder’s belief.
her not knowing what to believe is true about herself and the world she has studied so carefully, being surrounded by strangers who claim to know her, that know things ABOUT her, and who tell her she is going to die slowly and horribly. how she tears up when she learns this. how she tried so hard to get control over the situation by pivoting to the murder case, only to be denied. how the reigns of control slip from her hands, and it is left to fate. and how horrific that is. how she cannot handle processing what was done to her, but is forced to, by seeing this guy who did unspeakable things to her again. how she says she needs proof. as if she’s biding her time, waiting for a full answer so that the reality of what she has gone through can sink in. if there’s never proof, maybe she’ll never have to process it.
and mulder, who thinks that belief is hard. who has sacrificed so much of his life to belief, put himself in danger countless times to find the truth that everyone around him either denies or ridicules him for. how he has little more than his work, because he needs there to be hope. if belief is terror for scully, to him it is a source of possibility. how they’re both wrapped into the same tragedy with entirely separate takes on what it means and how to proceed but whatever is bringing them together keeps weaving them tighter and tighter. 
AUGHHHHHHHHHHHHH. i could scream.
i actually typed all of that, took way more notes than usual, and STILL feel like i’m barely scratching the surface. i feel like i need to give a lecture on this subject matter to even sort of drain the giant well within me of feelings regarding them. his face, how he insists she has to be okay, right? right? and her terror when she admits she doesn’t know.
now. i hate to say it, but i have seen vague spoilers about what happens in the next season, involving illness. and i have a feeling i’m gonna cry like a baby because i’m so messed up just by this. maybe it’s a sensitive topic for me, or maybe i’m just too deeply attached to these nerds and need them to be happy. 
but the depth of my feeling is indicative of how amazing this episode was. it was fast-paced, but not too fast to follow. it explored our character’s hopes and dreams and fears. the dialogue and acting was excellent. how much can be said with just eye contact, and then it breaking, is stunning. i want to know what happens next, and despite my eagerness, i am too disciplined and sleepy to go onto the next episode. 
(i have some thoughts that i need to gather and articulate at a later time regarding the use of unit 731 as a plot point, but they’re still loading, and frankly it would be better to make a post just on that subject once i can figure out how to verbalize them and if i feel that i can confidently tackle the subject matter)
goodnight world, i’m gonna scream. 
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canichangemyblogname · 5 months ago
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@trans-buckleyy (this is my main), I got into watching 911 ~September 2022 and looking back through some of my old message/posts about it I was talking about how the gifs I'd seen on tumblr made me think buddie were together. So yeah I definitely got 'baited'/misled by the fans (I didn't start watching for buddie specifically, they just came up on my dash the most) - I commented at the time that a lot of the posts on tumblr about 911 felt like they were only through the lens of buddie shippers so I can see how so many people were misled, fortunately for me the illusion shattered as soon as I actually started watching the show. Though there's been a massive shift in attitude, when I first joined the fandom most people were happy shipping buddie and not believing it would ever become canon, now it seems like everyone has convinced themselves it will. Imo they're kind of setting themselves up for disappointment.
I’m sure I’ve said this before on my blog: capitalism combined with the white supremacist suppression, homogenization, or sterilization of cultures & traditions leads people to make consumption and products part of their identity. Fiction and fandom fill a need to belong that often replace real support systems and community (this is why so many in fandom feel lonely). Rather than a hobby, fandom is part of some people’s identity. So, pushback against popular fan interpretations— or fanon— can feel like a personal attack.
It seems to me that the blogs that just do fandom things to do fandom things—like shipping, that are happy to delineate between canon and fanon, and that understand that fanon is fanon and will likely never go canon are also the same blogs that love things like “rare-pairs” and “multi-shipping.” They seem to approach it from a “it’s never that serious” mentality and really just seem to want to have fun with it. It’s a hobby, not part of how they define themselves. Hobbies and interests are welcome to change, whereas people see identity as fixed and deterministic (it’s not, but that’s a whole other discussion).
There’s been a massive shift in attitude because the landscape has changed. Many of the most hard-core fans have staked their group belonging and (fandom) worldview around buddie. It was *the* singular 9-1-1 fanon relationship (the rest are all canon). It brought them together with people, people who they now see celebrating more on-screen queer representation. They feel spurned. Videos are surfacing of some of the most hard-core sobbing over Buck being confirmed as bi, but not getting buddie. They're telling their audience/followers that if buddie never goes canon, their quality of life will decrease, and they’re repeating many of the same things you (and many other fans) mention: they were led to believe this was a done deal, a foregone conclusion. How does one admit they’re likely wrong about “endgame” when they’ve spent the better part of 6 years supporting this and believing in it? They’re having far more difficulty accepting this than you did. Unlike you, actually watching the show did not set their expectations for what canon will likely be.
I also think there has been a massive shift in the way fandoms approach shipping since the end of Supernatural. A good chunk of the SPN fandom simply stopped watching the show, but continued creating for it. The fandom still dominates on fan-driven sites despite the show now being off-air for 4 years. Many SPN fans had largely given up on canon, preferring fanon, and admitted as such. Until “Destiel” went “canon.” (It didn’t, not really and not technically.) People shifted to this idea that they— the fans— could pressure networks and producers to canonize their ship (they can’t) or make decisions the fandom, a very niche part of an audience, would prefer (they can't). After Buck was confirmed bi, some of the most popular takes were, “This is revolutionary! Just 4 years ago, Supernatural was queerbaiting us all to superhell, and now we have 9-1-1 making a character bi 7 seasons in."
Ultimately, this idea they can pressure shows into making fanon a reality reveals that they have no concept of how television shows are made and produced or how decisions are made at the production and network levels. They are not going to persuade a network plus every writer, every producer, and every showrunner involved to agree to do what they want. But we still see fans in fandom believe they can get all these people to make decisions for the sake of fandom. Just look at the Our Flag Means Death fandom and their billboard fiascos.
Because buddie is part of how this subset of 9-1-1 fans define their sense of belonging, if Buck is in a relationship with anyone other than Eddie, this threatens their community and their relationship with the media itself. Tommy is to these 9-1-1 fans what Eddie was to Buck in 02x01: competition. This is why this same group treated the actresses who played former love interests like shit, too, including death threats and attempts to doxx or "cancel" them. Everything that challenges their (fandom) worldview must be removed. They can't and won't get the network to budge, so maybe they can try to get the actors themselves to quit or the producers to budge. After all, they have "direct" access to these individuals (they don't).
This all seems fantastical just writing about it. The logic doesn't logic, but logic isn't going to logic when social media creates parasocial relationships. Social media makes it seem like we plebians are closer to the patrician class because of how we're exposed to personal aspects of their lives. Repeated exposure to a media persona causes a media user to develop illusions of intimacy, friendship, and identification, and the more prevalent social media is in the media user's life, the more parasocial the online relationship becomes. So if your belonging and part of your sense-of-self identify with being a buddie shipper, then so, too, does the media persona, leading to people like Oliver Stark or Tim Minear being "number one buddie defenders" (they don’t care, y'all, I promise).
Now, add to this the way that m/m shipping has been constructed as inherently subversive (despite the reductive and sometimes regressive tropes that slash-fic uses) and as a form of activism, and you now have people not just identifying with shipping and staking their well-being on a ship, but also believing it is a morally righteous cause to campaign for. To them, they're fighting for representation and the expansion of queer stories. So, when the network and show expand queer representation without them or their ship, they're confronted with the reality that what they're doing doesn't do a damn bit of help. They're forced to ask themselves if their feverish promotion of and support for this ship may not have been about representation. I've seen some of them conclude that 1.) being forced to look critically at shipping is just misogyny because the majority of people in these fandom spaces are women, 2.) they're a queer woman, so, of course, it was about representation, they support and care about queer men and are an m/m ally (yet reblog posts about shooting us if we flirt with men in ways they don't like with the excuse "I'm a woman, I'm allowed to hate men"), 3.) actually, the buddie ship is "superior" representation because it is culturally diverse because Eddie's Latino (yea tokenization!!).
This all plays a large part in why they aren't taking it well when called out for homophobia and the xenophobic hypersexualization of Latino men because, to them, shipping culturally diverse m/m relationships is inherently "progressive" and "subversive" (again, despite the reductive and regressive tropes they use in their writing). They don't need to look critically at what they're saying or how they're hurting marginalized men because they believe they are putting moral pressure on the networks to be more progressive or subversive. Meanwhile, they're drawing rhetoric and ideas from existing queerphobic worldviews and legal structures (like echoing the rhetoric similar to gay panic, a US legal strategy to excuse crimes such as murder and assault on the grounds that the victim being queer led the perp to violence - a.k.a shooting a man for the way he flirted with another man) to tear down canon queer representation, just as they previously used misogynistic tropes to tear down Ana or Taylor or Ali or Marisol.
TL;DR— Many factors have contributed to the wide meltdown and "fandom schism" we've witnessed, not just the fact that some people explicitly started watching for buddie and have skipped whole swaths of the show to fit a "buddie interpretation."
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pettyprocrastination · 2 years ago
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here are my thoughts on a poly ship with ghost+soap and how it would begin because our heating still isnt on and it’s too cold for me to do anything productive right now
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Ghost and soap began before you. You’re a newer addition to the 141 meanwhile these men have years of trauma, camaraderie, and connection that has led to a mutual relationship that has been going on for quite some time. 
Ghost doesn’t like labels. He and Soap have been together for years, will share a bed and fuck like mad before going down to the pub together to watch a game but he doesn’t call him his boyfriend or partner because he still is skittish about saying it out-loud as if it would cause something horrible to happen to Johnny. 
the classic “can’t say i love you x the person who says the soft “I know, its alright” 
Ghost is the jealous and possessive type pre-relationship when it comes to other people flirting with Soap. He gets quiet and brooding and more content to push johnny away to protect his own feelings. Once they’re in a relationship he’ll just make a dry joke about how “somebody’s popular” before fucking him stupid that same night because he doesn’t care how many people laugh at his jokes and squeeze his bicep with a lack of subtlety. He’s Simon's and Simon's alone. 
Of course, until you. 
Johnny takes to you quickly. You're smart, good in a fight and you laugh at his jokes, it’s a clear shot to friendship from their. 
He’s the mediator between the two of you, the one that sort of bridges you to Simon who is more content to be silent around you until after going through several missions with the task force you find yourself melding into the group with ease. 
Simon of course, is old enough and smart enough to see Johnny’s attraction to you. He’ll bump shoulders with you in a quiet moment with that little smile, taunt you on the mat during sparring sessions that he leaves just a bit too winded to be normal. 
It’s nothing more than a crush, really. You’re attractive and strong. He gets it. 
Doesn’t mean he likes it. But it’s not something Soap would ever act upon so he lets it be. 
Soap will make a light joke at it when they're together, that “you’ve got nothing to worry about, old man. I’m not switching you out for another pretty face anytime soon.”
Because even Simon could admit that yeah, you were easy on the eyes and good at your job. 
However there would have to be a big event to make Ghost go “okay, yeah, I’m attracted to you.” 
Rescuing one of them in an ambush, keeping them alive in a vital moment while putting your own life at risk for one of them in a way that is incredibly stupid and as a Lieutenant, he would rip you a new one for when the dust settles and wounds are tended to.
But after, he’d go back to his room and think of you until he fell asleep.
Soap sees it in his partner’s eyes a month later. You and Ghost had been sparring late at night, both battling our own demons that wouldn’t let your sleep. 
Quickly, using your own size as an advantage you were able to get him to the floor and trap him in a leg lock.
Now, Simon is twice your size and easily a hefty 220 pounds. He could have simply stood up and slammed you back into the floor until you fell limp on the ground.  
But he lays beneath you, large hands gripping the muscle of your thighs as you tighten your grip on his neck, eyes almost falling into a dark haze before he quickly taps against your calf and you release.
John Mctavish had his suspicions before, but know its clear as day to him of his partner’s desire for you. 
And knowing Simon, he’s going to have to be the one to take the first step for them both. 
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booasaur · 2 years ago
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Pinned post - F/F Fic Recs
  Anonymous asked:
Hi, I've see you saying that you're reading a lot of fic lately and I was wondering if you could rec some? I so trust your taste and I think we have so many fandons in common...
Hiya! So first, what I was reading over the summer were some new fandoms that I'm still mulling over. Those ships and fics, I'm not ready to recommend anything for, I'll come back to them later.
As you know, I find it hard to pick out faves and recommend things but coincidentally, some time back, when I hadn't read fics for years, I decided to see which I could easily remember. It’s not close to being an exhaustive list, I just noted down whatever came to me over a few hours, and almost all are pretty old, often from my first go-around in each fandom, but it’s a fair number. I've read other great ones that might not be as easily remembered for any number of reasons, like if I was in a particular frame of mind or if I read too many good ones at once so none really stood out, if I read them in between other things going on in life, etc. These ones slotted into the ole memory bank but that doesn't say anything about those left off.
I'm not sure how many of these are fandoms you're into, but when I'm in a real fic-reading mood I'll often try fandoms I don't know, so hopefully you can still give some of them a shot. I tried to organize by fandom though they're mostly in the order I remembered them, so it's not alphabetical or fave first--though it did end up being pretty chronologically backwards. I was literally going back through the years and I don't think I've read some of the anime ones in like, more than a decade? And while for my own list, I often was like oh, all of that author's fics for this ship and would know what I meant, here I tried to narrow it down to one fic per author, since it can be hard to know where to start, but definitely give their other fics a try if you liked that one.
Added a cut for length. All stories are f/f and complete unless specified. As I go through some of these, let me come back here to add that it’s worth keeping in mind as you read these that they are products of their time, some more than a decade ago. 
Gilmore Girls - Paris/Rory
The Best Of It - by dollsome - 74k words » Canon, fake dating, set after the original series (so ignoring A Year in the Life). To win a point on a talk show, Paris announces she's dating Rory. It's incredibly in voice and matches the show vibe so it's just so funny and sweet and just a plain delight. It's what actually made me create this list, I was idly wondering what else I'd read that brought me this much joy.  
Boston Marriage - by Jae - 5k words » Canon, college years, Paris has a proposal. The first fic for this ship I read, I think? Where I was like, oh, so it’s possible to be that in voice and replicate everything about a show even as distinct as this one. One of the ship’s classics (and being from 2005, just a f/f classic overall?).    
The Unbearable Weirdness of Being - by klynkey - 3k words » Canon, assumed high school years, Rory and Paris get into a debate. After having read the one above, I found this soon after and was like, okay, is everyone able to easily replicate that Gilmore Girls patter? (No.) Another ship classic.
Agents of Shield - Bobbi/Jemma
To Keep My Wolves From Your Door - by pirateygoodness - 41k words » Werewolf AU, so elaborate and for a ship so relatively rare, I’m not sure how this exists but I’m glad it does. It’s got some plot, a sweet romance, smut with feelings, just a rewarding read every time I go back to it, which is pretty often. Given my main audience, I’ll mention there are some flashbacks to Bobbi and her ex husband but that didn’t affect my enjoyment at all.  
Soulmate AUs (just chapter 2) - by alittleunstable - 3k words » Canon, cute little soulmate AU, which I’m always a sucker for. 
Star Trek Voyager - Janeway/Seven of Nine
Where the Dream Takes You - by nejvit - 27k words » Canon, one of the tamer getting together Trek setups, more introspective rather than caused by some alien tomfoolery, but I really like how it handles the very commonly featured J/7 conflict of Janeway dating someone in her crew. It is a bit dense but I found the character and dynamic exploration so insightful and interesting. When I first read J/7 fics years ago (in the late ‘00s), this author’s fics didn’t particularly stand out but when I came back to the fandom more recently, they were among my very favorite.  
The Rod and the Staff - by Trek in Tandem - 13k words » Canon, deals with the aftermath of an existing ep where Janeway went on a mission and ran into trouble. The religious stuff comes across as more the writer playing with the episode’s actual religious references than anything heavy-handed so I found it easily ignorable. Really great, clean prose, one of the writers who always stuck out to me for that.    
Not Just Strip Poker - by Pink Rabbit Productions - 15k words » Canon, a funny, lighter piece that definitely starts out as full comedy, after a misunderstanding, but there’s some deceptively interesting discussion later on in this one too.
Stargate SG-1 - Janet/Sam
Bits and Pieces series - by Pink Rabbit Productions - 278k words, WIP » Canon, this series integrates Sam/Janet into the first season of the show and I don't think it was ever finished, and the last one especially was left on a cliffhanger, but the rest of the “episodes” are worth the read. Also, when I put this down for my own list, I just said "Pink Rabbit's Sam/Janet stuff", because I remember going through all of them at some point, the stuff outside this series was fun too, and if this full incomplete series is too daunting, definitely some of the one-shots might be more fun.
The Devil Wears Prada - Andy/Miranda
Truth and Measure - by Telanu - 272k words » Canon, diverges from the end of the movie as Andy decides to stay with Miranda. What even is there to say about this one? A true f/f classic, has been in the top three of my general f/f recs for more than a decade and still holds up. Just a perfect continuation of the movie, same world, same characters, continuing growth and development of characters and dynamics, a true believable slow burn romance. And the author’s published it without taking down the fic. :)
Facts of Life - Jo/Blair
Ribbon - by Della Street - 15k words » Canon, diverging in the college years. This is the first of her fics I read for this pair and I fell in love with her writing. Back in an era when a lot of authors started off with lots of exposition and setting up the scenario, I was so impressed by how quickly and easily she did her worldbuilding and character development, and how in-voice and and close to the show everyone was. Definitely recommend going through the rest of her Jo/Blair fics.
Birds of Prey (2002) - Barbara/Helena
And Another Thing - by fembuck - 12k words » Canon, a straightforward getting together fic, things come to a head after Helena starts pulling away. After seeing which of the fics I remember best and like most here, I think I really just favor a great execution of a simple premise. And because this is fembuck, whose fic was a load bearing pillar of f/f fandom, there’s a nice balance of humor and angst with the romance.    
An Empirical Question - by harper_m - 30k words » Canon, an accidental fake dating situation spins out into something much more. In a funny coincidence, the same things I said about fembuck apply to harper_m, such a significant contributor to f/f fic over the years (see also this older archive account). This fic is again mostly a well done exploration of the characters and their dynamic if suddenly an explicitly romantic layer was added to canon.
Skins - Effy/Katie
An Imperfection in an Otherwise Perfect Plan - by harper_m - 21k words » WW1 AU, they’re nurses in the army. As with the Mockingnerd werewolf AU above, I’m surprised that for such a rare ship, there’s such a specific (and good) AU, but definitely not complaining. It feels that much nicer to find a true gem in such a tiny collection.    
fate is overgrown - by thememoriesfire - 53k words » Post-series, years later, Katie’s in a rut and stumbles into Effy again. I do find it funny that I have no Glee rec from TMF and instead went for the Skins fic that isn’t even transatlanticism but I really love this one, to the point where there were a couple of months where I just reread it constantly, even downloading my own version to fix formatting and typos. It’s almost slice of life, as Katie and Effy find themselves surprisingly healing together, after their fraught history. 
The Sarah Connor Chronicles - Sarah/Cameron
Resistance - by Anklebones - 120k words, WIP » Canon, diverges from season 2 as Cameron continues to glitch. Like a lot of the good Sarah/Cameron fics, this is a great dissection of AI and sentience and what it means to be human and have free will. I mean, within a great story, not just characters debating. It’s not finished but I really like what’s been written so far.   The author also has a three-part complete fic where Sarah and Cameron are already in a messy thing and then have to confront some things when there’s an attack at school: Just Another day in Paradise… 1 2 3 (19k words).    
No Rest for the Wicked - by InspectorBoxer - 172k words, WIP » Firefly AU, River Tam takes the place of Cameron while Sarah’s a new character to the universe. This is such a fun blend of the two universes and the romance is such a good slow build. As with most of the WIPs I’m linking, there’s enough to really enjoy even if not complete yet.
Once Upon a Time - Emma/Regina
The Secret's in the Telling - by pyrophoric - 250k words » Canon, set pretty early on but where Emma and Regina are at least nominally getting along. Things are set into motion when a mysterious thief shows up and keeps bullying Emma. This is one of my favorite iterations of their dynamic, with long-suffering secretly fond Regina and hapless too-earnest Emma.    
You do not have to walk on your knees - by dollsome - 10k words » Canon, mid-season 2, Regina and Emma learning to get along. As is dollsome’s specialty, a lot of character work and humor. Also would recommend Teenage ... Dream? (12k words), where Regina gets like...kind of emotionally aged down? You’ll see. The premise sounds cracky but again, the character exploration and humor and sweetness. :)
Once Upon a Time - Aurora/Mulan
a story, a tale - by maleficently - 27k words » AU where it’s Maleficent who casts the original curse on Aurora and her true love, not Regina on Snow and Charming. This is so fun because you can see all the similarities and differences in how the story unfolds compared to the show, including flashbacks to the fairy tale world before the curse is cast.    
Object Permanence - by badlance - 18k words » Canon, after Aurora and Phillip have made it to Storybrooke. Aurora’s still furious at Mulan for leaving them to go off with Robin Hood, but suddenly something happens to Mulan and Aurora can’t stop thinking about her. It starts off an interesting look at Aurora and how someone acclimatizes to the real world after Fairy Tale Land so like, therapy, jobs, but it’s quite romantic and sweet in the end.   Also Could Have Been A Year (5k words) and its sequel Bear It Out Even to the Edge (17k words), where Mulan learns the price of staying away from Aurora and gives up everything to make sure Aurora’s okay.
Wicked - Elphie/Glinda
Gelphie Trilogy: 1. Easier Said Than Done 2. Inevitabilities & Eventualities 3. Possibilities and Certainties - by mecelphie - 3.8m words » Rape trigger warning for the very first chapter: Elphie suffers a violent attack and much of the first story is her healing from that, though the other two stories also occasionally bring up the lingering effects on Elphie.     Back when I read it, the first story had some typos, missing punctuation and the like, that might also make it hard for some to get into it, but the world really unfolds into something incredibly rich and rewarding. Note that full series word count, it IS that detailed and extensive a story, almost slice of life, except for the precipitating event and things like homophobia and when Elphie's background is tackled. I haven't actually finished it yet, I pause every once in a while till I have a large chunk of chapters and then reread from the start and get sucked in anew each time.    
The Thrill, Basis Determined - by Ridiculous Mavis - 24k words » Bookverse, just delightful, beautifully written fluff. Everything this writer writes is beautiful. The further down I go on this list the less restraint I feel in linking multiple stories by the same author, so of her other Gelphie fics, I'll also specifically rec The Way Out of Myself (22k words), bookverse bodyswap with Avaric and Elphie where they both learn something about the other and Invitations Under False Pretences (27k words, WIP), bookverse fake dating, it's not marked as complete but it doesn't leave you hanging, if you know what I mean.    
The Week of Ill Repute - by Chudley Cannon - 37k words, WIP » Bookverse again, which, I don't prefer them over musicalverse, it's just worked out that I've remembered (liked?) these fics best. This one I remember from my very first Gelphie fic-reading tour and thinking, wow, this is so good. It never updated after that and I believe it actually does leave you hanging, but I mean, you specifically remember a fic more than 10 years later, it's gotta be on the list, right?
The Bletchley Circle - Millie/Susan
In the Blackout - by RidiculousMavis - 11k words » Canon, set during the Bletchley years, Susan’s just arrived and meets Millie, her flighty and irreverent roommate. A wonderful look at how they start to get along after their personalities and keen minds first clash.    
Clerical Work - by Kivrin - 3k words » Canon, also set during Bletchley, Susan tries to figure out her feelings the way she would a code and then things fall into place in a surprising way. Relatively short but I loved the sharp little characterizations of the main four, including Jean.
Legend of the Seeker - Cara/Kahlan
All the Days - by tcbg77 - 67k words » Post-series, some years after, everything seems to be going well until Richard and Kahlan’s child is kidnapped. Cara, now Richard’s general, sets off with Kahlan to rescue the child. I love the pacing of this one, the length allowing for a full quest and a slow burn, and combined with the well-written action makes it seem like a fantasy story with romance on its own. I basically treat it as exactly that and reread every few years.    
Within My Heart There Is Another Heart - by badlance and pirateygoodness - 26k words » Post-series as well, magic pregnancy. This is pretty in a way that makes my heart ache. i was surprised to see it was 26k words, since it feels so much longer and shorter than that at the same time.
The 100 - Clarke/Lexa
Within Me An Invincible Summer - by badlance - 62k words » Canon post-s2, Clarke gets over her anger at Lexa. One of the many great fics written during the hiatus, I’d put off reading it when I first got into the ship, during the start of s3, wanting to focus on what was canon at the time. And then of course 307 happened and I moved even farther away from canon, but this fic, its two-line summary, it showed up again and again in rec lists and bookmarks and was so haunting at the time, you know, seasons and people not changing, but finally I caved, and it was as wonderful as it had promised to be.    
Love on the Ground - by hedaswolf - 19k words » Also canon post-s2, taking the s3 knife scene from the trailer and again spinning it into eventual forgiveness. There’s a bit in it that is one of my favorite moments in fic ever.     
they take their shots but we're bulletproof - by nightshifted - 10k words » Again, canon post-s2, it’s like a whole genre of amazing fics just within one fandom, all the more precious for how that all turned out in canon. Like Within Me An Invincible Summer above, I couldn’t bear to read it for a long time but I knew it was one of the classics, I’d seen it pass by my dash very early on because of our shared Glee past. And yeah, it was very good, like all these post-s2 fics, allowed to be a little rougher and harsher because they didn’t yet know how much comforting the ship and fandom would need.    
More Women than Warriors - by steklir - 172k words » Boarding school AU, new American student Clarke arrives at a British boarding school where Lexa’s the Head Girl. I don’t know what was going through the author’s mind when they were writing this but given the timing and content, it felt like an extremely low stakes and ultimately fluffy take on these two kids. There’s a lot of the show’s language and customs worked into this school, so that only adds to the impression, but in the end I’ll remember this for being a rewarding sloooowwww burn and really flowery, pretty writing.    
Stud: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, Pride - by coeurdastronaute - 61k words » Modern AU, Clarke’s a teacher and Lexa’s a CEO. Really plays into the effortlessly cool Stud!Lexa thing that was going around at the time, but tbh, she was confident but nice, so I liked it. coeurdastronaute tends to write most chapters as self-contained, so it’s more like a string of connected stories than one long narrative. They’re super prolific and have a lot of stories I liked, I picked Stud as the one I remembered first, and then grabbed a few of the other more memorable ones, all modern AUs: Strip:  1, 2, 3 (10k words) -  Lexa gets a lapdance HSAU (37k words) - College AU, I’m kidding, high school AU Heart: 1, 2, 3, Thanksgiving (30k words) -  Lexa’s a heart transplant patient at the hospital where Clarke works    
Aftermath - by MaraudingTurkey - 8k words » Canon, diverging from the middle of s2, Clarke accidentally courting Lexa. It’s super charming and cute (and because of how early it was written, avoids a lot of the angst to come).    
Prompts Collection: Clexa - by nutalexfanfic - 114k words (as of 2022-12-30) » Lots of various short stories with all kinds of premises, canon and AUs. The author has several popular longer stories going as well, but they’re at various levels of completion and I actually remember really liking of the one-shots here. If interested in the longer ones, the firefighter AU Polis 433 (131k words, WIP) is quite popular, and I think the first one I read was the Olympic AU Individual Medley (95k words, WIP).    
Abby Doesn't Ask - by onlyasdark - 3k words » Canon, some vague point past 307 where Lexa doesn’t die, short vignettes in Abby’s POV. A great example of an external perspective on a ship, because you get deliberately limited glimpses, and in this case especially colored by Abby’s not exactly positive feelings about Lexa, but despite all that, the relationship shines through.    
The Library - by ethiobird - 55k words » College AU, they work at a bar (called The Library). I think what drew me to this one is that the Lexa characterization is more stoic than you often see in modern AUs, especially high school or college. I’ve ended up liking a lot of different takes on her but as much as it’s obviously nigh impossible to recreate the circumstances that created canon Lexa, I do have a particular fondness for that version so I like any fic that approaches it.    
although i'm not making plans (i hope you understand there's a reason why) - by brokendevil - 6k words » Modern AU, friends with benefits but secretly in love. The kind of second person fic that really lets you wallow in the angst before the rewarding payoff. The author has several other popular works, especially a year of sundays (98k words), a small town AU, but this one just stuck in my mind.   
To the Victor Go the Spoils - by exfactor - 11k words » College AU, Clarke and Lexa’s sororities are locked in a fierce competition. The author has some other very popular (and angstier) works but this one’s cute and fun as hell.    
the business of caring - by coldmackerel - 72k words » College AU, pretty much a workplace comedy set at campus police. Someone’s painting graffiti masterpieces all over the place and as the head of campus police it’s Lexa’s job (she thinks) to catch the culprit. This author is so good at humor, and also can be really poignant at times, like in it's called contraband for a reason (54k words), a jumbled up timeline of the two in prison. I’m told the canon amnesia fic is quite good but I’ve not yet felt emotionally up to it.    
The 300 - by Bucklethorpe - 66k words » Modern AU, Clarke accidentally burns down 300 of Lexa’s trees. This starts off as a bit of a joking take on canon, and is laugh out loud funny the whole way through, but also quite sweet. Definitely a frequent reread.    
sworn under an oath - by faithtastic - 14k words » Canon, diverges from 307, smut with feelings but the feelings are so good. This authors probably far more famous work is don't wanna be your girl (105k words), with one-shot extras and even AUs, in which Clarke is a porn star, and that is funny and hot, but this fix-it so soon after ep 307 will always be a particular balm.    
beat the devil's tattoo - by isawet - 53k words » Modern AU, they’re in college but Lexa’s secretly actually planning to take back the leadership of her small country. They fall in love anyway and it’s funny, hot, sweet, romantic, just a great well-written story with excellent reread value.    
Your Heart On My Sleeve - by aredpen - 58k words, WIP » Soulmate-marking AU set in canon, if that makes sense. Starts when Clarke’s still up in the Ark and it’s just an interesting exploration of how it all would work in those circumstances. I love the little details and insight into what would change and how.     
AGAINST THE MULTIVERSE - orphaned - 13k words » Modern AU, art student Clarke reads an article Lexa wrote and fires off an angry response, starting a correspondence. Despite not being particularly long or having a unique premise, I remember this one because the writing’s so confident and sure of what it wants to be. It feels like a lot of fics--most writing in general, really, tends to flatten itself to not stand out and it was nice to read something so strong.  
To Wear it Like a Crown - by Laney_builds_cathedrals - 42k words, WIP » Teacher/student, kinda, and definitely an age gap, so don’t read if that’s not your thing. Clarke’s the new art therapist at a school for troubled kids and realizes things aren’t quite right. It hasn’t been updated in years but the writing is just gorgeous and I couldn’t leave it off, it’ll always have a place in my lists.    
Remember Me. - by C_AND_B - 11k words » Amnesia AU, they were in a relationship and then Clarke gets in an accident. God, the perfect mix of angst and fluff. This writer has a bunch of adorable one-shots, so check the rest out too.     
tear down the walls - by wariangle - 5k words » Modern AU, Lexa’s an MMA fighter but it’s not really about that, just Clarke falling for her. Extremely hot in a very matter of fact way, but also plenty of feelings involved.    
five times clarke and lexa aren’t sure if they're a couple or not - by nutmeg101 - 8k words » College AU, everyone keeps on thinking Clarke and Lexa are together. They’re not so sure they aren’t. It’s cute! I mean, it’s exactly what a fic like this should be.    
Help, I Need Somebody (Not Just Anybody) - by thesummerofrain - 92k words, WIP » College AU, Clarke volunteers at the college helpline, Lexa writes in. It’s an anonymous line, so no worries about weird tracking or anything like that, things just organically progress so that they meet and slowly become friends. It’s mellow in general and includes lots of slice of life moments with other people as well, and of course the romance is slow burn as heck.
Maleficent - Aurora/Maleficent
The Queen of Sunshine and Bright Things - by alittlelesspain (oprhaned) - 31k words » Canon, after the first movie, Aurora has to learn how to rule while Maleficient has to learn what her place in Aurora’s life is now. Through time skips, distance, and political crises, they relearn how much they still mean to each other. It’s beautiful and romantic and a great fic for those who wanted their connection from the movie to go further.
Glee - Quinn/Rachel
This Kiss - by poetzproblem - 141k words » Canon, set in s2, starting from a game of spin the bottle. Rachel and Quinn are shaken by their kiss and Quinn especially doubles down on her mean girl persona. Faberry’s had a lot of great fics and I’ve loved so many but I remember thinking while reading this one that this is probably how it would go, if it ever happened. It’s patient and takes its time and is one of my definitive fics for them.     Also the Don’t Blink series (788k words as of 2023-01-13) is this expansive, ever-growing universe set after graduation. I haven’t read it all, but I’ve reread some of the earlier parts many times, for the super rewarding payoff to them realizing their feelings are mutual, and others finding out about them.    
A Family of Trees - by powergrapes - 8k words » Canon, diverging after s1, Quinn keeps Beth. Rachel’s somehow the only one the baby will calm down for and Quinn is reluctantly forced to call on her for help. It’s sweet and funny, my favorite from this writer but they’ve written several great fics, most popular being Head Full of Doubt, Road Full of Promise ( 1, 2, 3, 4, 5, 6, 7, 8 - 60k words), a real Faberry classic, where to cheer up Quinn up after giving up Beth, the club goes on a road trip.     
Summer Mornings (oldest chapters at bottom) - by freshtilapia - 35k words » Canon, post-s1, we follow Rachel every morning of her summer vacation as she sees Quinn pass by on her daily run. Slowly they begin to hang out and bond. I think this was one of my first Faberry fics? I was a late bloomer, it took me a while to see their potential, but I really loved how authors saw their post-s1 dynamic and this was a super cute, endearing version of it.    
Boats in the Sky - by WaveGoodbye - 39k words » Canon, diverging after s3, now both in college, Rachel and Quinn are actually friends. Such good friends that Quinn’s roommate thinks maybe there’s something more. As with Clexa above, it’s so interesting how much character dynamics and fandom attitudes change depending on when a fic is written, because unlike the tension in s1 or s2 fics or Quinn being strung so tight with internalized homophobia, now she’s chill, they’re getting along. I love seeing a fic starting with them as friends, plus, a good chunk of it is external POV, which is a fave.    
Our Brilliantly Tangled Thanksgiving - by Elly-Bells - 4k words » Canon, diverging from s1, Quinn has kept Beth--actually, kind of AU too, because her parents are super nice here as well. But it’s just a super fluffy, super cute funny little fic. The author has a fair number of other fluffy fics of varying length to check out as well.    
Crazy on You -  by roxystyle011 - 82k words » Canon, futurefic written early on, Rachel’s a big celebrity now but gets into trouble and is court ordered to see a therapist, who turns out to be Quinn. This is written so early on I’m not sure if people would consider it the most in-character fic out there, though what is in-character when it comes to Glee, but it’s bold and fun and, as with the Clexa multiverse fic above, I just like when people take big swings with characters. There’s a moment near the end of the fic, when a certain page is turned, that still remains one of my favorite, most memorable reveals in fic to this day.
Dune - Chani/Irulan
Serendipity - by Tamoline - 26k words » Canon divergent, Duke Leto survives and Irulan ends up living in the Atreides household as a guest, while Paul is openly with Chani. When Irulan is called off world to testify, Paul sends Chani as her bodyguard. I’m always so grateful that I picked that year to randomly go through the f/f Yuletide entries because this is such a good fic and I could so easily have missed it completely. It’s got politics, action, enemies to lovers, just this great little novella that happens to be set in the world of Dune. It’s fics like this that have me going through the lesser kudosed out there because it’s a genuine fave.
Marvel - Carol Danvers/Jessica Drew
Smell Like I Sound - by Sineala - 7k words » Comicsverse, Carol meets Jess who’s great except Carol can’t shake an unpleasant feeling whenever she’s around. Mostly fluff surrounding the concept of pheromones.    
He Picked the Wrong One - by beckydawolf - 34k words » Comicsverse, Carol and Jess are knocked out in a battle and wake up in an alternate universe where most things are similar, except that Carol is dead and there’s no Jess. They have to figure out what happened and why they were brought there and certain feelings come to light. It’s plotty and fun and the reveal of why they were brought to the alt universe is actually pretty great.    
put them back in poetry (if only I knew how) - by singalellaby - 31k words » Coffee shop AU, Carol and Steve Rogers are best friends and come back from the army to open a bakery together. It’s a lot of slice of life stuff, making friends in the neighborhood, developing crushes on the regulars like one Jessica Drew, grad student, that kind of thing.
Teen Wolf - Allison/Lydia
Untitled - by elvesarebad - 13k words » Canon, post-s2, after recent reveals they’re no longer friends but Lydia asks Allison to help kill Peter. It’s angsty, a lot of raw edges and slow thawing of their frosty relationship in the middle of difficult circumstances, but the canon characters and friendship are so interesting and the writer captures that.
Bleach - Soi Fan/Yoruichi
The Art of Transformation - by siyentista - 30k words  » Mangaverse, mostly, Soi Fan is injured during a big battle and Yoruichi realizes how much Soi Fan means to her. Despite an action-filled start, it settles into more of a slower character-centric fic, lighter and often comical. Given their canon relationship, it’s refreshing to see the dynamic be more mutual and balanced, and despite the relatively short length, the story feels satisfyingly built up (perhaps because of how much history they already have in canon?).
Brooklyn Nine-Nine - Amy/Rosa
Farm-to-Table, Non-GMO, Responsibly Sourced - by impertinence - 6k words » Canon, going undercover as a couple to bust a maple syrup heist ring. I mean, what more is there to say, except that it’s appropriately funny and cute.     
Margin of Error - by idiopathicsmile - 8k words » Canon, Amy needs a place to stay and Rosa offers. The humor matches the show so well, and it’s great to see Rosa’s POV since she’s so deadpan.
Les Misérables - Cosette/Eponine
Any More Obvious - by idiopathicsmile - 2k words » High school AU, Cosette decides to befriend the school goth. It’s just sweet and cute.    
This Longing I Inherit - by myrmidryad - 44k words » College AU, Marius starts dating Cosette and brings her into the friend group. Cosette’s so shy and sheltered, she’s thrilled to meet new people, including the cool and intimidating Eponine. As they all become closer, Eponine realizes maybe she’s crushing on her friend’s gf. It’s much more gentle and sweet and friendship-focused than how soapy and angsty this description makes it sound, and the length allows it a slower burn. A frequent reread, especially to get to the payoff.     
she knows her way around - by lavendersgreen - 18k words » College AU, Marius is too nervous to talk to Cosette so Eponine, pining after him, volunteers to be their go-between. Cosette turns out to be surprisingly fun and as they become friends, Eponine starts to question some things about herself. The premise is already cute with even a but the characterizations and dialogue are so snappy and flow so easily, it’s a great execution of this trope.    
to be loved and to be in love - by missandrogyny - 7k words  » Soulmate-marking AU, they’re musical artists who meet at a concert and immediately get along. They start challenging each other to try songs outside their main genres, much to their fans’ excitement. The soulmate reveal is pretty satisfying as it’s seeded early, and the whole fic is sweet and cute.
The Lizzie Bennet Diaries - Gigi/Lydia
get loved, make more - by allthingsholy - 10k words » Post-series, Lydia feels uncomfortable around Gigi, given what they share in common and that everyone knows. In a series of vignettes over time, for each of the family events they meet up at, she slowly gets over it, given they have so many other things in common, including a love of gossip, fashion, and teasing their siblings. It’s a great character exploration and the writing’s so sharp and pretty.     
Searching For a Sound We Hadn't Heard Before - by Care - 13k words » Post-series, again things are uneasy at first but they thaw and the two end up taking a road trip. That’s a trope with a lot of potential, now that I’m thinking about it, the way people get to know each other under those very specific circumstances, and this is a great execution of it.    
from the dark with you above - by cairophoenix - 22k words » Post-series, again, an awkward meetup to slow friendship and in this case some prime pining afforded by the longer length. The strangers to friends to lovers pipeline just applies really well to these two, what can I say.    
Improvising - by krakens - 3k words » Post-series, some years after, Gigi decides to surprise Lizzy and Darcy with an epilogue posted on Lizzie’s vlog. She enlists Lydia’s help and things escalate. It’s cute and perfect for this particular series, it would have to be that vlog as the catalyst again.    
Candid - by rhymeswithblue - 5k words » Post-series, by simply hanging out with their famous siblings, Gigi and Lydia face some of the same online scrutiny. Again, I kind of love this aspect of a fic set in this world, because of course part it is that there’s a whole audience watching them and it influences them just as much they influence it.
She's the Man - Olivia/Viola
Loose Ends series - by fraidy_bat - 38k words » Post-movie, Olivia comes to terms with the fact that Sebastian isn’t Viola. By the time I was branching out and reading popular f/f fics many years ago, this was already a classic, both as a general f/f fic and in this particular fandom. One of those ships that makes so much sense, and this is an angsty but ultimately very rewarding take on what should have happened after the movie.
Tomb Raider (2013) - Lara/Sam
she traces your scars and rebuilds your world - by lescousinsdangereux - 18k words » Post-2013 game, Lara and Sam are still traumatized by what transpired on the island and lean heavily on each other, even as Lara heads off on another research mission. It’s a great character study at their PTSD but also building on the relationship from canon and sweet and romantic and funny. This was my definitive version of post-game canon, not the other games or the movie or the comics.
Game of Thrones - Margaery/Sansa
Keep the Bouquets series - by Netgirl_y2k - 7k words » Canon diverging...earlyish on, I don’t know the series, but most characters are still alive. Not thinking either’s worthy of Joffrey, the Lannisters arrange a marriage between Sansa and Margaery and they...make it work. Despite being relatively so short, each individual part under 3k words, they’re so effective, these two finding something in that brutal world.
St. Trinian's (2007) - Annabelle/Kelly
This Town We're Painting - by Fahye - 8k words » Post-movies, they’re an established couple, going about the not so normal lives of St. Trinian’s graduates. Funny and in the vein of the movies, bringing in many of the other former students, and solidifying the Annabelle/Kelly dynamic that seemed so full of potential.
Mai Hime - Natsuki/Shizuru
Inter Nos - by ethnewinter - 1.2m words, WIP » Ancient Rome AU, this very detailed, intricate story with all the Mai Hime characters, Shizuru’s a general and Natsuki’s assigned as her bodyguard during a visit to an allied kingdom. I’m gonna be honest, I haven’t read this in many, many years and definitely haven’t caught up, but even back then when it was a fraction of the size, it was already considered a classic. At this length, I feel like just reading what’s there is a reward in itself.
Kim Possible - Kim/Shego
Alone, Together - by Failte200 - 108k words » Canon, Kim and Shego accidentally get sent to an alternate dimension, same Earth, but no human. They have to get along to survive. Another f/f classic, I remember being much younger and the scale of the fic, the years they lived alone and grew older together, took my breath away.   
BSP01: Best Sidekick Possible - by Sobriety - 62k words » Canon, there's a King of Thieves competition and Shego wants the best sidekick possible, i.e., Kim. I think I ended up really liking the romance in this one.
Phoenix Wright - Adrian/Franziska
Follow the Fool - by CantFaketheFunk - 53k words » Canon, post-Phoenix Wright 2, Franziska feels guilty about advising Adrian to perjure herself so when Adrian asks to see her, she invites her to Germany to stay with her. The setting can be a bit goofy, as it is in the game, but the characters and relationship are taken seriously.
Sailor Moon - Haruka/Michiru
FwB - by harukaze - 321k words » AU, no powers, they meet as adults and decide to become friends with benefits. I remember this one Greyhound trip I took from NYC to Toronto, I was riveted to this fic and just read for most of the trip, wanting to see how it'd end. Soapy and angsty and very addicting.
Annnd then these two het fics:
The Big Bang Theory - Penny/Sheldon
The Paladin Protocol - by SpaceAnJL - 88k words » Canon, the guys take Penny LARPing and she ends up enjoying it, and bonding with Sheldon while Leonard feels left out. Very character driven slow burn romance while being funny and presumably true to the characters, I've not actually ever watched the show, but I've seen a few clips on Youtube. Just a great fic and one of the few m/f fics I've read more than once.
Star Trek (2009) - Spock/Uhura
The Place Between - by PsiCygni - 309k words » Canon, set before the movie, Uhura needs an advisor for her project and Commander Spock needs a partner while negotiating with a particular alien species. The only answer? Fake dating! Slowwww burn and since I like both the characters in all their forms, an enjoyable fic.
And ya know, however old some of these might be, if you liked them, think about leaving a nice review. I had a saved fic from a site that’d gone down and like, more than 10 years after it was written I sent an email to the address provided and actually got a reply! 
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equixen · 2 months ago
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Happy Anniversary to 'Run To You'!
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This video became 1 year old a few weeks ago (original post) and also just passed the milestone of 3 thousand views this week. So, because this one happens to be my favourite of all my Caspeter videos, I thought I’d celebrate by talking a little about it. Specifically, about why it’s my favourite and also do a little deep dive into the lyrics and how they’re represented in the video. 😃
So yeah, this one is my favourite of all my Caspeter videos because it’s a culmination of a series of events that started with me creating this video edit of an Aslan’s Country reunion for Caspian and Peter which then inspired me to venture into writing and posting fanfic for the first time (Live With Me Forever Now) in order to continue the story. Then there was a certain moment of that fic that I’d constantly be picturing in my mind whenever this song was playing (specifically the moment of them running towards each other when the ‘run to you’ lines of the song were playing) which then resulted in this video.
After my first attempt at writing a fanfic for a school assignment 20 years ago not going anywhere, I’d never in a million years expected to write another fanfic. OR that I would write as much as I have done for this fandom. So, the fact that this video in particular is a product of that writing journey, makes this one rather special to me because of it being a full circle moment. 😊
Also, I just adore this song for Caspian and Peter. This song had already made its way onto my regular Narnia playlist because of this lovely video about Lucy and Aslan. But as soon as I started associating the song with Caspian and Peter instead, it quickly started to feel like this song (and therefore the video) perfectly encapsulated the version of Peter and Caspian that live in my head and, at the same time as this video was coming together, it’s those headcanons that were forming the basis of my other fic, Our Hands Are Tied. 😊
So, in short, it seems most of my early Caspeter creations were interconnected and drawing inspiration from each other and I LOVE that!
Also, interesting fact… this is the only one of my Caspeter videos where I’ve tried to show both of their points of view. All my other Caspeter videos have stuck to one character’s point of view per video.
Now, let’s get into the lyrics 😊
‘I would run to you, If you want me to, Just give me some kind of reason’
Caspian POV: I love these opening lines! For me, they’re perfect for Caspian’s feelings about Peter. Caspian knows how he feels and wants to make the most of the time they have. Peter on the other hand is reluctant to proceed with a relationship because of his sense of duty. Towards Narnia and his family. Not to mention Peter KNOWS his time in Narnia is going to be limited. Just like it was the last time. So of course, he’s going to put up walls around his heart to protect himself. All Caspian can do is wait and hope that Peter will change his mind.
‘I'll take the pain, take it all away, Give it some kind of meaning’
Peter POV: And yet Peter has the biggest of hearts. He knows how much pain Caspian has suffered at the hands of his uncle so, despite him holding himself back when it comes to telling Caspian how he really feels, he’d still do anything to take Caspian’s pain away.
‘Let's let go, let it be the start, You know I'm feeling the same thing’
Caspian POV: Peter wears his emotions on his sleeves, particularly where Caspian is concerned, so of course Caspian knows how much Peter loves him. He sees it every time Peter looks at him. But Caspian is patient so he’ll wait as long as he has to for the moment when Peter does finally give in to what they’re both feeling. And that shot of them facing each other after the confrontation with Jadis feels like the best representation of this sentiment. How anyone can look at these two and not see the potential for this ship is beyond me.
‘Let's let go of our broken hearts’
Both POV: The ‘enemies’ phase will always be a defining part of their story. And during that fight outside of Aslan’s How, they both knew exactly the right buttons to push to get under each other’s skin. But they came through it stronger together then they were before and also grew to truly understand each other as a result. Before they could reach that understanding though, they each had to let go of the hurt they felt in that moment.
‘Cause you'll be safe in these arms of mine, Just call my name on the edge of the night, And I'll run to you, I'll run to you’
Both POV: Of course I had to use the moment where Peter pulls Caspian out of the pit as well as the moment where Peter puts himself between Caspian and Jadis. 😊 Both are defining Caspeter moments. As for the moment when Peter hands Caspian the sword, though we don’t hear it, I like to imagine that Peter says Caspian’s name in order to invite him onto the duelling ground. And in it, Caspian will hear all the things Peter hasn’t been able to put into words. Also, I feel like essays could be written about the look on Peter’s face when Caspian first arrives at the duelling ground (and the way he walks forward a step but holds himself back at the last second) and the look on Caspian’s face when they’re facing down the Telmarine army from the top of Aslan’s How. They love each other sooo much. 🥰
‘Even if it's gonna break me, love, Gonna make my way to you, Anyway it's gonna take me, love’
Peter POV: Finally, the moment that Peter has feared right from the very first moment he realised his feelings for Caspian were real. He really doesn’t want to leave Caspian behind but he has no other choice. Despite how much he feels like he’s falling apart, it’s time for him to say goodbye so he takes that first step forward and hands over his sword.
‘I run to you, I run to you, Run, run’
Both POV: Yep, it’s this part of the song that kept making me picture all the moments where they run to each other, both in the movie and in my fic. So, if it wasn’t for this section resonating with me, this video would never have existed. And not only does it perfectly represent their need to be closer as soon as they are near one another but also the fact they’ll run into danger to save the other as well run into battle by each other’s side. They are each other’s ride-or-die.
‘Cause you'll be safe in these arms of mine, Just call my name on the edge of the night, And I'll run to you, I'll run to you’
Both POV: This is, BY FAR, my favourite part of this video. The mid-duel scene including the shot of Caspian helping Peter to stand was made for this line of the song. If only we had a front facing shot of that moment! And then being able to combine the moment of Caspian using the horn with Peter’s return to Narnia for ‘call my name’… yep, I could not love this sequence more.
‘Even if it's gonna break me, love, I run to you’
Caspian POV: And then because of this video being inspired by the Aslan’s Country reunion video edit and the subsequent fic, I simply HAD to include that reunion sequence somewhere in this video. Putting it here specifically meant I got to mirror, ‘Even if it's gonna break me, love, Gonna make my way to you’ that represented Peter’s departure, by showing their reunion with this line. I LOVE mirroring things and highlighting parallels in my videos when I’m able to and I rather like how this turned out. 😁 And of course, it’s at this point in my fic that Caspian does in fact run to Peter. 🥰
Bonus:
‘Let's set fire to the lonely night, You're beautiful when you look at me, Let's give love another life’
Caspian POV: Though this line from the song wasn’t included in the video, I do rather love it as another line showing Caspian’s thoughts about Peter before they get together. He wants so badly to take a chance on what he’s feeling while Peter is still reluctant.
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So yeah... Happy 1 year anniversary to this video! 😃
At this stage, I don’t have any plans to do other video analysis posts like this for my other Narnia videos. Basically, I just wanted to give this one some attention because I love it so much 😁 But I may reconsider if there’s interest in me doing more? Let me know! I could potentially make a series out of it when I’ve got the time. 😊 Although first, I need to finish my latest Caspeter fanfic. 😉
Also, I’m open to questions about this video—or any of my others—if there are any (either here or via Ask/PM) so feel free to reach out!
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sitp-recs · 1 year ago
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Happy birthday to the one and only @writcraft! I know you probably feel this year hasn’t been as productive as you’d like fandom-wise, so this is both a reminder and a token of appreciation, a short rec list that hopes to highlight a little bit of your immense contribution to fandom. This is ofc 100% self-indulgent and my picks might be a bit too obvious - I doubt that anyone who’s been around for a while hasn’t heard of these classics before, but those who are new to the fandom (or just new to Writ’s works - I’m so jealous!) might enjoy this “starter pack” with my personal selection of must-reads.
There’s a little bit of everything: Drarry, Snarry, femslash, dark fic, kinky fic, angst with a happy ending, romcom, hurt/comfort. No matter the tone or trope, they’re not only perfectly thought out and executed but they also deliver profound human experiences that resonates within, and thought-provoking explorations of romance, queerness and hope. I have often wondered how Writ could be so prolific over the years, always impressing me with such flawless depth of characterization across different ships. Now I realize this comes from the amount of passion and research they pour into their work. Writ commits to fandom - and to writing - both intellectually and emotionally, bringing together their creative, fannish, militant and intellectual sides like nobody else can do. This combination breathes life and heart into every love story they create, making them all bright and unique, inspiring universal emotions while remaining deeply personal.
Writ, I cannot thank you enough for being such a kind, witty and welcoming friend, always up to discuss fandom meta, gritty fic plots, old and new ship obsessions, dog parenting, queer & pop culture references! I learn so much from you and it’s a privilege (and a delight) to have someone to share both silly and deep, insightful convos with. Becoming friends with you - an author I’ve been admiring and looking up to for so many years now - still feels a bit surreal but it’s easily one of the best parts of 2022/2023 for me. I hope you enjoy your day to the fullest, and have an amazing time celebrating with yours. Happy birthday my friend! 💜
🎵 True Colors (E, 6k) - Harry/Teddy
Teddy spent the last year running away from his feelings for Harry. Now it’s time to come home.
🧵 Independent Love Song (E, 6k) - Ginny/Millie
Millicent Bulstrode is a tailor and Ginny is losing her mind over a woman in a tweed blazer and burgundy brogues.
🪞 Doppelganger (M, 7k) - Drarry, Romione
It was just a silly dare, but one ill-advised trip into the Forbidden Forest changes Harry’s life forever.
🎼 Hopelessly Devoted To You (E, 10k) - Harry/George
Harry and George watch a lot of musicals and accidentally fall in love.
🗞️ Potterzine (E, 11k) - Snarry
When Severus Snape finds a fanzine with a picture of Professor Potter in a compromising position with Draco Malfoy on the cover, he confronts Potter about the offending literature.
🪩 An Aching Soul (M, 14k) - Drarry
Draco Malfoy escapes to the Muggle world to avoid his parents, memories of the war and Harry Potter. However, some things prove harder to escape than others as Draco realises when his favourite Muggle haunt is rudely invaded by a post-war Harry who is struggling to cope with grief, growing up and the battle with his inner demons.
⛓️ Dirty Little Secret (E, 22k) - Drarry
When someone threatens Harry’s life, Kingsley decides to send him to a safe house with only Draco Malfoy for company. As the two men are forced together, memories of the past resurface and secrets are discovered.
🥐 A Life Worth Remembering (E, 23k) - Drarry + Snape
Severus Snape wakes in St Mungo’s, to discover that a potions accident has wiped the last forty years from his body and mind. Just twenty-five years old, Severus is reliant on Harry Potter and Draco Malfoy, now both in their forties, to help him fill in the missing decades.
🚘 Harry Potter and The Bisexual Awakening (E, 23k) - Drarry
Harry is perfectly content being single, heterosexual and living in Godric's Hollow with his very clingy rescue dog, Snitch. When Draco Malfoy turns up on Harry's doorstep demanding that Harry teach him how to drive, things quickly become a lot more complicated.
⌛️ Collapse Amongst the Dying Stars (M, 26k) - Drarry
After the final battle nothing is quite as Harry expected. Death Eaters remain unaccounted for, Malfoy is in prison and there is something rotten in Azkaban.
💋 The Beating of This Fragile Heart (E, 33k) - Snarry
After the war, the last thing Severus Snape needs is the memory of a fleeting wartime kiss and a very persistent Harry Potter thwarting his plans to live a peaceful and solitary life.
📸 Expecto Patronum (E, 35k) - Drarry
As Draco Malfoy negotiates his feelings for the wizarding world's brightest star, he becomes increasingly attached to Harry and unravels the secrets he keeps hidden from the rest of the world.
🗽How We Were Warriors (E, 51k) - Snarry
A homophobic attack in London’s Soho brings Harry to New York City to discover more about the past. Still haunted by love and loss in the eighties, Severus just wants to forget.
🥃 The Beauty of Thestrals and Other Unseen Things (E, 63k) - Drarry
Harry has terrific friends, an amazing girlfriend and his job as Head Auror enables him to work on challenging cases and Ministry reform. He just wishes he could work out why he’s been so out of sorts.
🏳️‍🌈 Little Compton Street verse (E, 150k) - Drarry, Sirius/James, Minerva/Will
Draco is lonely, Harry hates the press and it won’t stop raining in London. Harry discovers a magical street that’s close to disappearing forever and Draco realises he’s one rainy night in Soho away from finding everything he’s been searching for.
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((This originally comes as my response to someone saying that ppl don’t like The Sun and The Star because it’s a middle school book and we were expecting the series to grow along with us.))
Valid point I keep finding BUT I recently read the PJO series again in preparation for TSATS and those books still slap!! They’re so good even tho I’m reading them as an adult even though they're meant for kids. (Also I recently read ToA because of course I’m gonna keep reading Rick’s middle school books until the day I die or they stop coming out lol. And that series while more goofy at points I still really liked) I also read one of Mark Oshiro's other books in prep for this book because I was excited for The Sun and Star to be released and I just COULD NOT get through it 😭 the writing was just giving me the ick and the characters where all kind of samie like that sassy talking wit. Which was a bummer because I liked the premise of the book “Anger is a Gift”, which was about underfunded schools mainly facing ppl of color and immigrants which leads to the school-to-prison pipeline because of the defunct way America funds public schools that keeps the poor poor and the rich getting richer & it was ACAB & had a lot of queer representation & etc. So I thought I’d really like it but I just couldn’t get through it because of the writing and I noticed this same writing style showing up in TSATS. Just because it’s for kids doesn’t excuse it from being bad. Like early Pixar and Studio Ghibli is still so good to watch back again and my 50+ yrs old parents like it. Book examples would be Harry Potter (screw JK Rowling tho fr) & the The Little Prince
Not to bash on ppl who say this is the main reason ppl don’t like the book but it feels like a straw man argument to say that the books not growing with us is the main reason ppl didnt like it. All tho I’m sure ppl have argued this but that is definitely their fault because Rick is staying in middle-grade fiction forever like that’s his thing! Why would ppl expect different 🤣 You think he wants to write a sex scene?! LMAO
(Here’s my review, it’s unhinged and not great because I should be doing productive stuff but am distracted until I can at least write down some of my thoughts on my disappointing experience)
Here are some things I didn’t like about it from a piece of art standpoint:
The pacing was bad
This book was filled with the first thing they teach you about writing which is: SHOW don’t TELL
It made me not ship Solangelo surprisingly like how??! I used to love Solangelo but I think this mainly is because of the collective consciousness of the fandom and because we wanted Nico to find happiness with someone. But if you really look back on their moments canonically from the books Will is a background character (who honestly kind of gaslights Nico by invalidating that ppl treated him differently as a son of Hades and that he didn't feel welcome at camp) and they kind of have a quick meet cute in the last book of The Last Olympian. They get together without us seeing their developing relationship and we now know they’re dating in The Trials of Apollo where we see them briefly in the first book and then more so in the last book. Honestly, this canonically alone doesn’t give me enough information or examples to really know or care about their relationship in comparison to Percy and Annabeth who we get to see develop. So TSATS just kind of felt hollow to me because I’m supposed to believe they’d die for each other but I DONT KNOW THE POWER OF THEIR LOVE?? This could just be a first love fling type thing like I was never shown the depth of their romance just told constantly in the book how much they love each other so it just felt kind of empty and emotionally unsatisfying to me.
Solangelo's relationship has always been in the background and the fans are what really made it cause we love Nico and want him to be happy. So when Will and Nico are fighting in this book all I can think is that this is just their relationship period.
So the reason it made me not like Solangelo was because Tarturus was supposed to bring out the worst in them and strain their relationship but, like, I haven’t really seen much of their relationship so I don’t have a “control group” to base this off of. So Will just seemed rude when he was so mean about Nico’s underworld home and about Nico's darkness which I also didn’t understand wtf he was talking about because Nico has killed just as many monsters as other campers and what else was his darknes based off of. cause he’s emo/goth?? Cause he can raise the dead?? Like guys we’ve discussed this just because a character wears black doesn't automatically make them the bad guy. I honestly thought Will just thought that was hot and they’d have that normie x alt relationship dynamic (that meme of: My hot witch wife. Me doing whatever she wants) I thought THAT was Solangelo not Will constantly trying to bring this light side to him and trying to change him. I agree that Nico needs help w his trauma and PTSD and things like that but this felt like if someone tried to “cure” a goth person, like actually screw you
I thought Will was supposed to look like a normie but be secretly a freak (in a good way lol) / goth interest. Cause this is meee I thought I was like Will as someone who looks like a normie and has a sunny disposition but I have a lot of alt/goth interests and I would let an alt girlie step all over me tbh lol. So does he like Nico for who he is or not?!
This is more in line w what I thought their relationship was like lol:
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The flashbacks and forwards I thought were ok even if they took you out of the story a bit but this device is supposed to be used for an IMPORTANT event not just as a way to quickly give context to their relationship and when we got to the scene this was taking place in I was like that’s it?? He what? fell down and is suffering from sun withdrawals and this is the book's big moment to justify jarring flashback scenes?
Mark Oshiro is not a fantasy adventure or horror writer and it shows. Maybe it’s just me but their depiction of Tarturus and the nightmare and the journey were just not up to snuff with good horror and fantasy books I’ve read. (And if your gonna say something about how it’s for kids then I raise you the book series “Goosbumps”) So as a genre in itself, it was just disappointing. It was mainly a relationship guidebook book but I didn’t really like that or feel like it was done well, It felt lectury and also idk if that's the genre middle schoolers really like?? 😅
It had too many references which really dates a book, A lot of professional writers say not to use too much slang or modernreferences (unless you’re trying to make a book expressly about a time period) because it really dates a book and doesn’t make a story feel timeless for future generations if you use too many references (this doesn’t include political novels tho which are very much based in that time when the events happening) Anyways for future writers keep this in mind, you don't need to keep in touch with the youth through urban dictionary you can just write about the emotions of being young or whatever. If you’ve tried to read a comic book aimed at teens from the 50s like I have you’ll realise how funny that is.
(Also the carebear reference that I didn’t even understand and I watched carebear as a kid & Lil Nas video which if this was written for kids that music video feels a bit inappropriate for them 😂 it had a reference both too old and too young for middle schoolers AND how in the world would 1930s born, dropped out of elementary school, can’t use the internet or phones half blood, NICO DI ANGELO know these references???)
The writings giving:
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Bad alt representation. (This is my most out-of-pocket opinionated bullet point rant so if you don't agree that’s a-okay :D ) This could be a whole post in itself but although I know ppl joke about Nico as the Emo kid I would really like to get into how Nico is actually, or it would be cool, as having some goth subculture inclinations. And ppl probably think of Trad Goths with the whole makeup and teased hair look but it’s mainly a music-based subculture and/or it just has a different idealogy around the ideas of death and what is deemed beautiful while most ppl see it as ugly. (Like listen to “Gallows Dance” or the Bauhaus's “Bela Lugosi’s Dead” & “The Passion of Lovers”, to name songs off the top of my head) This bullet point is definitely MY OPINION and doesn’t contribute exactly to the book being bad but aren’t those songs the vibe of an underworld kid like Nico?? Embracing the darkness and dancing in graveyard vibes fr!! Anyways most alt subcultures and especially emo are seen as a phase in life that you grow out of and then become normal. This book just really gives the energy of being written by a normie who would be confused by the choices of alt ppl and just doesn’t get it because it’s not their personal interest, which isn’t exactly bad even tho I want more philosophy from Nico on the chillness and acceptance of death (all tho greek mythologies view on the afterlife sucks fr and THAT is a whole other post haha) So this isn’t exactly a problem BUT what gives me the ick is WILL NOT ACCEPTING THESE THINGS LIKE SIR STOP BASHING YOUR BOYFRIENDS LIFE!! Will asking Persephonee, “How do you love someone from the underworld” SHUT UP!! 😤
Will was useless and I know what they were trying to go for but if I had a girlfriend (oh I’m a lesbian btw just in case ppl think I’m going harder on this book more than the other books because I’m homophobic bruh I swear I’m not I’m only disappointed in the art itself, NOT the representation which I actually liked) and if I was super good at fighting and they weren’t, I’m sorry but I wouldn’t take them BECAUSE of my love for them. If they were going to be useless on a mission of such life-threatening danger and importance I WOULD NOT TAKE THEM OUT OF KINDNESS. Like skills in medicine and art and music are great and there’s of course nothing wrong w not being a badass fighter (lmao this is me and most readers) but then DONT GO TO SUPER HELL!!! Especially if you have something that makes you more pathetic than being a normal human in Tarturus, his suffering from no sunlight is out of pocket and just makes the story draggg and makes him seem boring and the story more boring. I know they were trying to go for a fish out of water storyline and roll reversal but I think it wasn’t done well enough and overall hurt the story
Also, I’ve heard ppl talk about how it would have been nice to have a book focus on their relationship while at Camp Half-Blood. Like maybe it takes place pre Jason's death and we can just see them living at camp. It’d be chill and we can actually see them as a couple & It would give the energy of readers wanting to go to camp half-blood again like how everyone wanted to go to Hogwarts. Cause we haven’t seen the camp as a fun home since the very early PJO books ;-; (this is just a fun idea I like and I think would have been more manageable for an author but this is FR my opinion on a fun book idea i’d like to read) ALSO this would have been so nostalgic for the older readers who have been here since middle school gobbling up this universe 😌
I know ppl get mad at ppl making fun of Will for being pathetic in tarturous. As saying he’s a child and no one can be happy and sunny and doing well 24/7 which is valid but that’s not really my argument. I like watching characters put in situations where we watch them bend against what we thought they were when put in a hard situation (the masochist in me lol jkjjk). But this I think didn’t work for me because as I’ve said before he’s mainly a background character at the end of one book thrown together with Nico and we as a fandom have mainly made him up. Also, Tarturus was just not as scary or adventure-filled as like any of the other missions from previous PJO books, It didn’t feel as trauma-inducing as everyone in the series tried to explain it as. (again show not tell from the book) Also, I would have liked to have seen Will cool at least once or one reason for me to like him with Nico but I saw him as pretty bland as a character
The writing style felt bad to me because of the show don’t tell part for example telling as “it made him sad and traumatized” when showing would be, you know, actually showing the scenes and this book just felt like 80% telling what they were feeling instead of letting the reader feel the emotions of the scene for themselves
I think that’s another thing I really didn’t like related to the Show Don't Tell. And another hallmark of bad writing was this book was really telling the audience how to feel instead of allowing the story to be powerful enough to do that for itself. This book follows a trend I’ve seen a lot in TV shows where everything kind of feels like detached irony from being on Twitter where you hear everyone’s opinions so the story is written as a wink and a nod like we know what we’re doing and we know what your thinking and how twitter will react to it. Like it’s hard to describe this trend I’ve mainly seen in TV shows and movies recently which always gives me the ick cause it doesn’t feel funny it feels like I’m in a response piece that is breaking the fourth wall and reminds me that I’m in reality watching or reading something instead of actually feeling like I’m in the story. It’s like pseudo-wittiness or something. Tell me if you guys feel this way about some modern tv shows or books, I can't be alone please 😭!!
The stupid toast scene at the end lol The book is like: Do you get it? Did you get it?? They’re opposites! And they attract!! We did the trope you guys!! Also, the stupid Darth Vader scene to start off the book 💀
This whole book made me cringe where I had to constantly get up walk around and lie on the floor before I could continue, only to constantly repeat the cycle 😅
Anyway, idk how to end this review/rant I just had such strong emotions I had to get out probably because I was so excited for this book to come out for like over a year and got back into PJO for a bit and read some of Mark Oshiro’s books and greek mythology and stuff, so I think it wasn’t just me reading any random bad book it disappointed me more that it was poor quality because I wanted to love it so much.
It did have some actually good parts, the troglodytes were cute … I can’t remember the other stuff but it was there I swear lol! If you enjoyed it I’m happy for you! Don’t let me ruin a book you like, you deserve to feel joy 😘💐
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my-name-is-jefferooni · 11 months ago
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Have you ever even heard of…
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BECAUSE OH MY GOD SEARCH FOR THE LOST IS SUCH AN UNDERRATED GEM OF A FAN-MADE SONIC SHOW
Okay, allow me to give you some additional context before just bombarding you with all the many reasons why you need to watch this show.
Search for the Lost is a fan-made production created by Creative Planet Entertainment on YouTube. This shit has been around for 6 whole years, and it is such a good show! Made entirely out of g-mod screenshots/screen recordings and Sonic gameplay, Search for the Lost is a show about Silver the Hedgehog and his friends figuring out what Melhiles of all people is doing back in action, and why the fuck he’s working with Eggman of all people. Also, why is Infinite back… AND WHAT’S ALL THIS TALK ABOUT A PROPHECY!?
OH AND BLAZE IS HERE TOO!?!?
AND THERE’S THIS NEW GUY CALLED FORGE WHO IS LITERALLY THE BEST IN THE ENTIRE SHOW HANDS DOWN 100000P0/10 BEST BOI BEST ROBO BUDDY EVER HE’S SUCH AN IDIOT AND SUCH A HILARIOUS GUY HE’S LIKE THE ONLY ONE WHO MAKES GOOD JOKES HE IS LITERALLY THE BEST EVER I LOVE FORGE
Aight lemme just give a quick spoiler-free explanation about Forge because I know yall are looking at this like “Who tf is Forge?? Some kinda fan character or something??” Because… Yeah, he is a fan character, BUT A VERY GOOD ONE AND HIS DYNAMICS WITH EVERYONE WORK LIKE A CHARM I TELL YOU HE IS NOT JUST SOME RANDOM SONIC RECOLOR.
Cuz he’s a Metal Sonic recolor! 🤩 Haha, well to be fair, they literally call out Sonic recolors in the show with this fact. It’s in Forge’s story! Basically, Forge once worked with Silver in his bad timeline in Crisis City, but the ashes and the chemicals were too much for his small little itty bitty bird lungs. So, to keep himself from slowing everybody down, he managed to shove his consciousness into an old Metal Sonic model. A black-and-yellow one, kinda like the one from Archie except a lot less like Sonic personality-wise and a lot more like Sonic visually. With all these new robotic upgrades, Forge became a force to be reckoned with, and became one of Silver’s bestest friends after the whole Iblis thing. Oh, and he ships Silvaze like it’s nobody’s business, so that obviously gets an A+ from me lmao
I may have gotten carried away with that explanation and maybe there’s some spoilers in there but it’s late and I’m sleepy so you’ll only know if you watch the show~! ✨🙂
Seriously tho. This show is very underrated. I’ve been keeping tabs on it for years now, ever since episode 5 came out! Trust me, that’s a long time. They have their plates full when it comes to personal things and it’s a big project so episodes come out after a long time in production.
There are only 7 episodes so far, but each episode is jam-packed full of lore and giving us more questions on top of every answer! It brings back characters we haven’t seen for a long while, and it always provides a reasonable explanation as to why some of them have been gone and why some just like. Cut contact or something. There’s characters from previous games, from Sonic X, from Archie, from IDW, BRO WE GOT GAMMA IN HERE BAYBEEEEE IF THAT AINT FREE REAL ESTATE IDK WHAT IS.
AND DON’T FORGET HEAVY AND BOMB FROM KNUCKLES CHAOTIX. PLEASE. PLEASE DON’T FORGET ABOUT THEM THEY’RE HERE TOO AND THEY’RE LOVELY
So. Please. Please just watch this show. Please look at all the additional content with Forge on their channel too, it’s fucking hilarious! Just… I wanna talk to someone about this show who isn’t just my lil bro. Like I love getting to bombard him with bullshit about characters he’s never even heard about until watching this show but I gotta know I’m not the only one. Please. These people are working so hard on Search for the Lost and I’d really appreciate if you even saw just one or two episodes. The story is very intriguing, the characters are all so well-written, TEAM DARK IS THERE, FORGE GETS A WEAPON OF MASS DESTRUCTION, so I say it’s all totally worth it!
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eddiediazismyhusband · 3 months ago
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Still with you in the wait and see approach. I need to be confident that relationship is bones and there won't be signs of it until at least the premiere.
that’s where i’m at too. i also just think someone needs to remind tim minear of what exactly his job is. his job isn’t to stir up fandom drama (and then complain about drama that he himself is partially to blame for but then refuse to directly call out the toxic ones) his job is to tell a story; but he decided that wasn’t what his job was the moment he scrapped 7b to rewrite it into whatever that mess was rather than just giving us an (admittedly) rushed backhalf of the season, and then open s8 up for NEW content.
No instead, he’s rehashing old storylines (gerrard), driving (literal) dead plotlines even further into the ground by creating new elements that there has never been any evidence of before (shannon), as well as actively giving the toxic fans he complained about the ammunition they need to continue being toxic (bt).
it feels like when he came back, he got this kind of god complex and is deciding to use 9-1-1 as his dollhouse for his wacky “masterpieces” that aren’t even that well thought out, and thinking that he needs to come up with these convoluted crazy plots to keep audiences interested, when most of the fandom have been vocal about how they miss the s2-4 era where it was just a procedural drama… not a hitchcock remake or an homage to classic b-movies.
i miss the energy of past seasons when yeah there was drama, but overall it was still a silly feel-good show; but then in s7 rather than emulating s1 and having it be a shorter reestablished character-focused season, he had it be both a character focus season (that decided to retcon and rewrite entire character traits of some people) as well as trying to cram in crazy drama plots (like listen, the cruise ship arc was decent, but it should have been focused on the storm/wave ONLY rather than the dumbass pirate plot that only took 10 minutes 💀).
so yeah, i’n trying to still remain positive and interact w headcanon/fanfiction content and posting the occasional “i hope we get this in s8”, but as far as actively speculating and teying to figure things out from photos or 2 second clips that will most likely only result in disappointment or frustration upon seeing the finished product, i’m not gonna hold my breath for anything.
Again if you wish to engage in spec and have fun with that, then by all means do! I just don’t have the mental capacity to do that healthily so i find it oftentimes more rewarding to keep my expectations low (especially after i got kinda spec crazy last season)
but also if you DO engage in spec, don’t try to gaslight and bully people, telling them that their interpretation is wrong just bc it’s not yours (meaning if someone is cautious about whether or not we’re getting buddie canon, don’t tell them they are delusional and insane bc ‘we absolutely 1000% are and there is no possibility we aren’t’ even tho it is very likely that we unfortunately won’t get buddie canon) i’ve had to make the decision to unfollow so many larger buddie blogs that i used to enjoy bc seeing the way they interact with fans’ concerns, low expectations, etc made me feel so icky bc they were beginning to sound like a certain part of the fandom (👀) and i don’t like that.
like i’m not going to go on someone’s post where they’re voicing their concerns and say “this is stupid that would never happen you’re delusional”
it’s one thing to be like “hey, i get that you may be stressed, but i look at it this way and that seems to help me” or to be like “good points, but if you look at this and this” but to actively make people feel stupid for having (objectively based on how s7 went) concerns about s8? that’s icky behavior to me idk
anyway i kinda hijacked this ask and went on alittle tangent, but no i am right there with you too on the “wait and see” of it all bc so far i have not seen anything truly promising about this season, and i honestly probably won’t until the show comes out and we actually get a feel for where tim’s brain is at this season (which…. knowing where his brain went last season doesn’t fill me with excitement)
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x-reader-things · 1 year ago
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hello! cant tell if you’re still taking requests or not, so if it’s no then i apologize. if you are could i request ezra bridger x platonic!reader? an imagine in which the reader is apart of the ghost crew and is friends with ezra, they’re always by each other’s sides and have a sibling-like dynamic, sorry if it’s not specific enough. thank you! i hope you have a great day!
Hello!
Lord I am so sorry I’m just getting to these requests very late - kinda forcing some stuff out so that I can just feel more productive and everything, so if it’s not exactly what you want, I apologize - seriously.
When I first started this acc it was literally right before my senior year of highschool and then that year hit, so yknow-
Anyways, onto the request!!
“Is karabast like - a curse word or something?”
Platonic! Ezra Bridger x reader
Summary ; In which you and Ezra have a debate on the entomology of karabast. Kind of. And who gets involved in this debate? A very annoyed Lasat.
Requested? ; Yes
Warnings ; none, besides a bit of cursing.
Word count ; 1.1 k
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You and Ezra have been best friends since the moment you guys met on the Ghost.
You joined a little after he did, securing your spot as the beloved Specter-7 of the ghost after a lovely run in with some imperial storm troopers.
One of which was Kallus, who was in the middle of detaining you in the market place when Ezra and Kanan were the ones out for a supply run on Lothal.
Kallus annoyed the crap out of you.
And Kanan and Ezra.
One thing led to another, and you kinda latched onto the pair.
They were funny.
Ezra was your age, you both got along well. Clicked together, almost immediately. And Kanan was one of the few adults you actually felt comfortable around immediately. One you could trust.
So you kinda, maybe, followed and tracked them down without a trace back to the Ghost and snuck on.
Well, Kanan knew of course.
Decided to test Ezra to see if he could sense you following them.
Ezra, still new to the whole force thing, did not. He felt like he was being watched, sure, but he always felt like that. It was a normal feeling that dulled out with the rest of the hyper vigilance he had grown accustomed to. He’d been dealing with it since he was seven years old, after all.
It was nothing new.
Soon enough, when you got onto the Ghost, Kanan asked you, without turning around, if the walk was nice.
Ezra turned around and you swore he almost jumped two feet in the air in surprise.
“What the - how did you—? When—?”
“I’ve been following you guys since you helped me in the market place. Thought you needed some extra stuff so I decided to come here.”
Blatant lie.
Kanan could tell.
Ezra couldn’t. But he would soon be able to, since you had no where else to go, and Hera figured they could use an extra hand on the ship since repairs were becoming more and more frequent and needed. Luckily you knew how to repair ships.
Your father had built ships and imperial machinery for a living before he left you on Lothal.
And one thing led to another.
You were family now.
Especially to Ezra.
It’s been a couple years since then. A lot of stuff happened; Ezra got scarred in more ways than one, as did the rest of you, Kanan was blinded, you were pretty sure Kanan and Hera had a thing going on (but no one said a thing - everyone knew, but that wasn’t a primary focus), Ezra almost went to the dark side, and his hair was cut.
Big change.
You still hated it.
Kind of.
But, it was after lightsaber practice with Kanan - this time to help Kanan hone more of his skills as a blind Jedi master as opposed to Ezra needing it (although Kanan said Ezra could always learn something new too) - and you and Ezra were just laying on a couple of large crates.
Hidden away on Chopper base, to escape from the bustling noise and busy people and missions and just—
Everything.
You stubbed your toe on the way there.
Ezra laughed at your reaction, a quick shout of “Karabast!” being hissed through your teeth as your foot hit a rock.
A stupid rock.
He kept laughing on the way there.
You shoved his shoulder.
“Hey!” He grumbled, still smirking at you. “That was mean.”
You just shrugged. “Thats nice—“
He nudged his shoulder against yours. You grumbled under your breath.
So - once again, there you two were.
Laying on the crates, lost in thought.
“Is Karabast like - a curse word or something?” You broke the silence first.
“I think so.”, Ezra said, putting a hand behind his head. “I don’t know. Never really asked. I just copied off of Zeb.”
“And I copied off of you.”
Ezra lightly snickered at that.
“I bet you it’s probably the most horrendous thing translated into Basic that no one knows.” You said.
“Yeah you might be right. But i dunno, it might not be one.”
You scoff. “Yes it is. You hear how Zeb says it all the time?? Definitely a curse word like shit or fuck.”
“What if it isn’t though? What if it’s some kind of fruit from Lasan or something—“
Now you know Ezra’s just saying this to egg you on.
“I doubt it.”
“Oh do you? Wanna bet on it?”
You squint at Ezra. “Terms and conditions.”
“Loser gets to do the others chores on the ghost for a week.”
“And the winner?”
“Gets Kanan’s stash of snacks in the top left cupboard in the kitchen on the Ghost.”
“And what do we do to win this bet?”
“Whichever one guesses the meaning behind the word Karabast correctly after asking Zeb what it means wins.”
You hum in thought. “You asking for a race to see who’s the first to get to Zeb too?“
Ezra shrugs, smile growing on his face.
A race.
You guys haven’t raced in a couple years.
That’ll be fun.
“Usual rules?”, he asks. You answer.
“No head starts, no using weapons, no shoving or tripping the other, and no - under any circumstances unless if it’s an emergency - use of the Force to win the race.”
Ezra holds his free hand out to you. “It’s a deal then.”
You shake his hand, and the both of you get up from the crates, get ready with a couple shakes of limbs in anticipation, and dash off through the base.
Both of your shouts for Zeb - and snide comments against one another for being too slow, saying “hey, I always win these”, among various other things - reach the already irritated Lasat’s ears a couple minutes before he even saw you guys.
You took a couple short cuts, and got to Zeb first before Ezra did, which caused the taller boy to groan in protest.
You both bickered a little about who won, until Zeb couldn’t take it anymore and asked in a gruff, annoyed voice-
“What do you two bolts-for-brains want from me?”
You both opened your mouths to speak, but before Ezra said anything you pinched his ear and pulled him down a little, which made the boy shout your name in protest, and seethe in pain. Hurriedly, you continued.
“Zeb, what does Karabast mean?”
He paused, and looked at the both of you.
After letting go of Ezra’s reddening ear, said padawan rubbed at it with one hand, but stood back up to full height, looking at Zeb expectantly for an answer.
As were you, right next to him.
The expectant look on both of your guy’s faces mirrored the other. It was almost uncanny.
Karabast, you two were so much like siblings he forgets you guys aren’t related in the slightest.
Zeb pinched the bridge of his nose, sliding his hand down his furred, exhausted face.
“Oh for fucks sake—“
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oddygaul · 7 months ago
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Spiritfarer
This game was a weird experience for me. I wanna say that a story like this is more about the journey than the destination - and that’s copacetic narratively, as the unfolding stories of each of the passengers are far stronger than the capital p Plot the game builds towards - but from a gameplay standpoint, the journey itself largely felt like a tedious timesuck, and I kept finding myself wishing we could get straight to the point.
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Let’s do a compliment sandwich here.
The overall vibes are immaculate, and the world of Spiritfarer is incredibly cozy. The dialogue is delightful - and not only with the main characters! Even the random villagers always have something charming going on. I think the last time I was actually this enthused to talk to minor NPCs was A Short Hike.
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They’re not always cheery, either; the game has a lot of that old-school Animal Crossing edge that got sanded away over the years, where characters are actually allowed to be abrasive or even straight up dislike you. Spiritfarer has multiple passengers that, upon meeting you, are anything from fully disinterested to straight-up jerks. Some of them will warm to you over time, as in the OG Animal Crossing, but some will just never really like Stella all that much… and they will loudly, vocally share that fact with you. Even some of the friendliest, most open characters sometimes need their space. This wider spectrum of interactions goes a long way toward making the characters feel real and engaging, and it’s something I’ve missed in this space for a while.
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The art and especially the animation work is absolutely stellar, too. Each of the characters have strong silhouettes, and the animators really make the most of each design’s unique attributes: Stella’s big wide-brimmed hat puffing up when you use it to glide, the Everlight’s infinite transformations into whatever’s handy for the current situation, Bruce and Mickey’s big guy little guy dynamic*, Gustav mightily leaping from floor to floor. A 3D game with this concept would likely stick to a handful of rigs for the characters and keep their movement simple, so I give a lot of credit to the Spiritfarer team for going the extra mile and putting such care into making the passenger animations lively and creative.
*Well, this one is only fun until you find out the why behind the dynamic
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Daffodil is the cutest fucking name for a cat btw
Unfortunately, despite how fun they’ve made the basic movement, the actual gameplay bits get pretty tiresome. It turns out that much of the moment-to-moment gameplay is actually doing chores on your boat, and they start to feel like chores remarkably quickly; while running, jumping and ziplining all feel great, most of the production minigames, like watering plants or smelting, are tedious and time-consuming. 
For the first third of the game or so, you’re unlocking new building minigames regularly, so they all feel somewhat novel. Plus, the density of the early game lends itself to a constant multitasking that feels satisfying. You’ll set your boat’s navigation system off to a location, then decide what form of crafting or farming will be the best use of your time; the result is a great “just one more turn” loop that's pretty engaging. The thing is, due to the length of the game, the pacing simply doesn’t stay that tightly engineered. You’ll run out of new buildings and minigames to unlock, start to get tired of the ones you’ve done dozens of times, and have to return to the same islands to farm materials over and over again. 
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I will say, I quite liked the cooking system. There was something satisfying about guessing what different ingredients would pop out a new dish, and the illustrations for all of them are cute enough to make the experimentation feel worthwhile.
And unfortunately, this pacing inconsistency applies to the story as well. At first, you’re running into new faces constantly, and at any given moment will have half a dozen passengers on your ship, making it feel like a lively community. The rate of new passengers slows down dramatically, though, and for much of the back half of the game I had only 2 or 3 passengers aboard, leaving the game feeling empty and rote. 
This is not an easy problem to solve - it’s gotta be near impossible to keep the pacing curated if your game is this long - but maybe Spiritfarer didn’t need to be this long? 30 hours is fuckin HEFTY for this kind of game. I dunno, it’s certainly possible other people found the management sim side of things engaging and equally as worthwhile as the character interaction, but to me it mostly felt like busywork keeping me from the story bits, so my patience for it grew thinner and thinner.
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For the first half of the game or so, I had a running theory that Stella didn’t actually know any of the passengers, and these people were being enchanted by some sort of Spiritfarer glamour that presents you as someone they’re comfortable / familiar with. The game makes the truth clear as it goes, but a part of me really likes that idea of the ferryman taking the form of someone that can put the departed’s minds at ease. I think that’s how the reapers in Dead Like Me work..?
Now, the reason my frustration with those elements was intense was because boy I got invested in these characters. A few missed the mark for me (I’m sure everyone who plays this game has a different group of passengers that really pushed their buttons and those that didn’t), but so many of them were memorable and heartbreaking.
Gustav, with his desperate hope that the transcendence of art can outlive any individual, really speaks to some existential crises I’ve gone through myself
Alice, who in her old age finally has the means to travel and go on the adventures she always wanted to, only to be betrayed by her failing body... I literally watched this happen to someone close to me weeks before playing this, so the moment was a gut punch. And then that development is tied into the gameplay, by making you move Alice's house to the ground floor because she can't use the ladders anymore, and you have to walk her out to the deck and back every day... inspired, and soul-crushing.
The reveal that the reason Bruce does all the talking and initiates all the pair's movements is because Mickey's been in a coma the whole time... broke me. And then Bruce decides to end his own life because he can't bear to go on alone anymore? Jesus, man.
Okay, I get that I'm a mark for any story touching on Alzheimer's, but Beverly's depiction of the disease was particularly brutal. The Alzheimer's I've dealt with was a very language-based version, so Beverly getting halfway through a sentence and realizing it wasn't right, saying things like "Just give me a moment" or "Let me just take a little break and I'll finish" then giving up in resignation... fucking hell. Too real.
In general, the amount of spirits whose arcs aren’t resolved when they go out is rough. Despite being a work that’s clearly focused on death from the start, Spiritfarer initially feels like it’s going to be a somewhat sanitized look at the topic. You’re going to take these spirits to the door of oblivion, sure, but we’re going to get complete character arcs, we’re going to work through trauma, and people are going to go through the door when they’re good and ready. And for the first few passengers, that’s true… but things get dark quick. Bruce’s tale, as previously mentioned, ends with him killing himself. Atul, one of your most easygoing, dependable passengers, simply disappears one night, never to be seen again. Jackie, who embarks rather late to start a journey of self-improvement, gives up halfway and straight-up tells you he can’t find anything about himself worth living for and suicide is all he deserves. Spiritfarer even twists the knife by letting us read some of his journals afterwards, showing he feels a deep regret and self-loathing for his past actions… he just can’t find any way to live with them.
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This is what I respect the most about Spiritfarer’s musings on death, I think. Rather than dressing everything up in neat metaphors and giving you emotional catharsis, it’s not afraid to show death as sudden, as unsatisfying, as desolate, as lonely. By presenting itself so whimsically, it gets the audience to let their guard down so the hard moments hit them with full force. I wish they could’ve had the confidence to lean on those moments without feeling the need to pad the time in between with monotonous crafting systems.
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medievalthymes · 7 months ago
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How are the female characters treated/written in rote, if you don’t mind me asking?
robin hobb is a woman so the representation is pretty good imo. All the characters are flawed, including the women in the series, which humanizes them. They’re not the same and all have distinct personalities that stand apart from each other, which is more than you get from most male authors in the genre imo. They don’t just exist to be a plot point for the male characters or whatever. In the six duchies women are pretty much equal to men. I did find that her writing of female characters got better as the series went on (I think this is partly because she was writing Farseer in 1995 and had to go with some of the classic fantasy components to compete with a male dominated genre, but broke away from that mould a bit more later on, but that’s just my opinion), but two of my favourite characters (lady patience and kettricken) are in the first series though and they’re both badass. I wasn’t a huge fan of fitz’ love interest in his youth, Molly, because I felt like she wasn’t written with enough personality BUT I feel like she fleshed out more in the second and third fitz trilogy now that she wasn’t being seen through fitz’ young rose coloured glasses anymore, and I ended up being very fond of her
I do have a problem with how Hobb writes SA in her books (it comes up a bit, especially in liveship) and for the most part I thought it was unnecessary and not handled well (ship of destiny would have been 5 stars for me if not for that, I had to take off a star). So keep that in mind and maybe just skip those chapters if you need to.
Also, she has this problem where pretty much every happy ending for female characters end up with a baby which gets annoying pretty quickly, but that’s a product of hobbs age (she’s like 70 now) and the values that were important to her generation so do with that what you will.
Overall though I think it has pretty good female rep, the characters feel as real and multifaceted as the male characters, and all have their strengths, flaws, and motivations, despite being a 20 year old series. Though the series does show signs of when it was written/robin hobbs age at times, it’s pretty progressive for a female fantasy writer trying to break into a male dominated field in 1995 and she still managed to write some of my favourite female characters ever — and write female characters better than a lot of male authors today in fantasy. Hope this helps!
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