#so i tried my best not to put his face on the gifset and tried not to focus on him too much

[bringiton]

🎄 25 DAYS OF CHRISTMAS → DAY FIVE 🎄 EDWARD SCISSORHANDS (1990), dir. Tim Burton "I'm not finished."

[eddiediaaz]

Hi! Can I ask how you did the double exposure gifs for your merlin set? They're beautiful btw!

heyy, thank you!! of course!

it's actually not very hard, the trick is to find the right shots for this. here's how i did it (reference gifset), under the cut.

for this tutorial i will be: — using photoshop cs5 on windows — assuming you know how to make gifs using the timeline — have basic coloring, sharpening, groups, and layer masks knowledge

I. CHOOSING THE RIGHT SHOTS

the ultimate trick to pull this off is to choose the right image. in order to do the double exposure, you need a silhouette shot that has these:

a defined and dark silhouette with a background that is not too busy

enough contrast between the silhouette and the background

the silhouette should take at least 50% of the space

not too much movement

here are a few examples of why they work and why they won't:

gwen: perfect example since this shot is already quite contrasted with a defined silhouette. there won't be a lot of work needed to make this one work.

merlin: not a great example because even tho there's a somewhat good contrast between him and the background, the silhouette is just too bright, not dark enough.

arthur: another good example, even if there are some bright spots on his face and armor. since he's not moving too much, you can definitely brush some black over him to make his silhouette darker (i'll explain/show later)

morgana: this one could work because the contrast is great, but of course her skintone is very bright against the black clothing. that being said, since the movement is not too bad, it could be possible to brush some black over her and move these layers with keyframes (as mentioned for arthur's example). i haven't tried it tho, but i think it would work well enough.

once you have your silhouette shot, you need another gif for the double exposure. what works best, in my opinion, are:

wide, large shots

shots with no to little camera movement (no pan, zoom, etc), but the subjects in the shot can have little movement of course

pretty cinematography/scenery shots

i find these are easier to find and make it work, it's not as "precise" as with silhouette shots. it's mostly just trial and error to see what works best with the silhouettes.

II. PREPPING THE SILHOUETTE

for the effect to work, we want a silhouette that's dark as possible. i'm gonna use the gwen and arthur shots as examples.

for the gwen gif, i started by sharpening, and then upped the contrast by quite a lot so her silhouette is mostly black, while retaining some nice details. i've used only 3 layers here:

selective color layer: in the blacks tab, playing with the black slider (value: +10)

brightness/contrast layer: added a lot of contrast (+61) and a bit of brightness (+10)

black and white layer: on top, its blending mode set to soft light and at 20% opacity. gives a bit more depth and contrast

then for the arthur example, i've also sharpened it first, and added contrast layers in this order (the skintone looks horrible, but it won't matter soon lol):

levels layer: black slider at 0, grey slider at 0.76, white slider at 104

selective color layer: in the blacks tab, black slider at +10

brightness/contrast layer: brightness at +1-, contrast at +47

black and white layer: on top, its blending mode set to soft light and at 20% opacity. gives a bit more depth and contrast

as you can see, half of his face is still quite bright. to correct that, create a new empty layer and put it between the gif and the coloring layers.

using a really soft brush and the black color, brush some black over his face and body on that new empty layer. you can edit the layer's opacity if you want, i've set mine to 71%. since arthur doesn't move much here, there's no need to keyframe this layer's position. for the morgana example, this is where you'd need to play with keyframes to make it work. here's where i'm at now after this:

you can always edit this layer later if you need, after doing the double exposure blending.

once the silhouette is all ready, you can put all layers in a group and rename it (i've renamed mine silhouette).

III. BLENDING

now the fun part! import the wide/scenery shot in photoshop, then resize it to the same height of your silhouette gif. make sure the gif is a smart object layer, and sharpen it. finally, bring this gif onto the silhouette canvas (by right clicking the smart object > duplicate layer). once you have both gifs onto your canvas, put the wide shot gif layer in a group, and set this group's blending option to screen.

you can then position the wide/scenery gif the way you like it in the canvas. this is how it looks for both examples after i've done that:

if the blending mode screen doesn't give you the best result, so you can play around with other blending modes (such as lighten and linear dodge in these particular cases), but generally speaking, screen is the real mvp here haha.

IV. COLORING

now that the double exposure effect is done, we need to color the gifs to bring them together. i went with simple coloring here, simply enhancing the colors that were already there. just make sure that the coloring layers for each gif are in their respective groups. here's how i've colored both examples:

gwen silhouette group: i added a gradient map layer on top of the contrast layers in black to green and set the blending mode to color

scenery shot group: multiple coloring layers, with a green color fill layer (blending mode set to color), with a layer mask so it only affects the top half of the gif

for the arthur gif, i did something very similar but with warmer colors. i didn't use a gradient map for arthur though:

arthur silhouette group: i made the yellow warmer, closer to orange/red, with a hue/saturation layer, and added more vibrance. didn't feel like it needed a gradient map layer here though.

wide shot group: basic coloring layers to enhance colors from the merlin & daegal shot, and an orange color fill layer set to the color blending mode.

at this point you're pretty much done. just need to add some final touches and typography (if you want).

V. FINAL TOUCHES

a small and completely optional detail, but i wanted to soften the edges of the wide gifs. to do so i've duplicated the smart object gif layer and removed the sharpening filters (right click on smart filter > clear smart filters). put this layer on top of the other smart object layers (but still below the coloring).

then with this same layer still selected, go to filter > blur > gaussian blur... > 10px. this will give you a very blurry gif, but we only want the edges of the canvas to be softer. so add a layer mask to this layer. with a very large and soft brush (mine was at 0% hardness and about 800px size), brush some black onto the layer mask to remove the blur in the middle of the gif.

you can play with this layer's opacity or gaussian blur amount if you want (by double clicking on the gaussian blur smart layer filter). here how both examples look with this gaussian blur layer:

you can also mask some of wide/scenery gifs if you'd prefer, so it shows less outside of the silhouette. just put a layer mask on that whole wide shot group and brush some black or grey on the layer mask. it's what i did for the gwen gif, with a very soft brush and i set the mask density to 72% (i kept the arthur one as is tho):

and that's how i did it! hopefully that was clear enough :)

[bianca-mii]

One of the most iconic kisses between our guitarists from the 2022 tour. I can't write as beautifully as @woodswallow, but I made this gifset as I thought there is a very interesting thing to point out.

The Auslaender outro started almost as usual, with Richard feeling the music probably somewhat more.

But this moment shows one massive difference from arguably every other Auslaender's kiss: Richard is not smiling. He's not focused on seducing Paul with that evil grin. There's no tension, no predatory stare. He is... sad? He looks Paul in the eye, and while Paul is in that playful-teasing-I'm-not-that-easy-to-get mode of his, in which he rather avoids eye contact with Richard, he must realize something is off with the lead guitarist...

But they both go for the kiss. In the beginning, I thought maybe Richard was sad, at least partially, because during some of the 2022 shows Paul seemingly didn't feel like having that little smooch. From what I've read, Paul is very uncomfortable with PDA and, in general, tries to keep his private life as far from the public eye as possible. 2019 kisses were fun and outrageous, which Paul loves, and also had a political impact. But by the half of the 2022 tour, it was obvious nobody cared about any political impact anymore and the guitarists kissed just because they like it. Richard doesn't care if people are watching, he may even like it better that way, so perhaps he couldn't entirely understand Paul's hesitation. Also, on the previous show, still in Europe, their kiss was very quick, too quick for Richard's liking:

He made that gesture with his mouth as if he wanted to say: "Ahh, it ended before I could even taste it!" On which Paul said something, maybe like: "I've told you already: quick pecks - for the audience, the actual kisses - only you and me, no witnesses..." And Richard was like: "Oh, okay, but a boy can dream, can't he?"

Going back to Chicago's kiss: so it's not the case that Richard is sad because he thinks Paul wants no public kisses: they go for it as usual. I also don't think he's sad because he'd prefer the kiss to be longer - that doesn't sound like an actual reason to feel sad. It has to be something else.

Whatever it is, Richard tries to pull away first as he probably thinks the kiss will be over by that time anyway. Indeed, it's usually been (if not any other time) Paul who pulls away first; I also think Richard's hand on the back of Paul's neck used to be there for that extra control, to keep him in place just a little bit longer, but it wasn't hugely sufficient. This time though, again, Richard thinks the kiss will be over just after a moment. But what happens next? Especially from this angle, it seems very clear: Paul doesn't let go. And his reaction is really intense: he keeps his lips locked with Richard's, his right hand, put on Richard's shoulder, grabs it more firmly; you can see all his body leaning on his partner; if you look at his butt, it slightly goes up as he maybe even gets on tiptoe.

I remember reading suggestions Richard was that surprised because maybe Paul slipped him some tongue. I'd love to think that, but what I believe really happened was that Paul sucked hard on Richard's lip to keep their mouths together as Richard tried to pull away.

This is not the best quality, but it sort of confirms that theory: you can briefly see Richard's mouth, and then how it literally gets sucked:)

Paul pulls away when it's over but also slightly pushes Richard: "now, that should do!", but Richard, despite experiencing a massive WTF?! moment, remains sober enough to put some pressure on Paul's nape, doesn't let him go, and pulls him back close again, for a hug. He also starts to laugh so heartily that it makes my heart melt. Perhaps he's realized what face he's just made and laughs, just a little bit, at himself too. Paul, on the other hand, briefly returns the hug, but then is all like: "there, there, don't overdo it, babe." He gives Richard a few pats on the back, like the male friends with no benefits would do - he is back into his no PDA mode, and puts his right hand back on Richard's shoulder, this time trying to push him away.

But now Richard does not have it: "nah love, not so fast, you should have expected now I need to thank you for what you've just done... *mwah*". Another kiss on the lips, brief one this time, and finally Paul can go, obviously showing to everybody: "look! Just look at this little naughty thing right there!", Richard is doing something similar for a moment, too (what a complete pair of dorks:D).

So, I imagine Richard was so surprised because Paul not only didn't want to end the kiss quickly but literally forced it to be longer. I love this moment so much for two reasons: it totally makes sense Paul is uncomfortable with PDA, but as soon as Richard feels worse, or Paul gets sentimental himself (like by the end of tours), Paul stops thinking about any discomfort and goes for it with no hesitation, which pretty much says that comforting Richard is simply much more important for him. I think we saw it here, we saw it during Puppe 2023 or this tour after the German football team lost.

What I also more than love, is how Paul's little mouth-to-mouth treatment really brings Richard back to life and turns the night into the day for him (no wonder, who wouldn't be more than alive if they just got a kiss from Landers himself?). Richard is over the moon here, and seeing him undergo such a 180-degree mood switch is an almost otherwordly experience...

Here's the whole video cropped by me, original credit to till_lindemann_pics on ig. One of the other gifs by @davecumstaine, the other one - I can't tell, I downloaded it a long time ago and can't find it here anymore, many apologies;(

[galedekarios]

Dropping by to say I hope you're having a wonderful day/night. I love the new Galeboo ❤️ icon! I was wondering why I haven't seen some of your recent gifsets and vg photos but it's because Tumblr mobile keeps putting my feed onto the "for you" page instead of the "following" section 🤮

I wanted to point out that Gale always look so soft and adoring in all your gifsets (I also adore that you put him in comfy robes because that would be his thing tbh). Did you install a previous datamined face of his or am I tripping? Either way, fucking gorgeous coloring and angles on both gifs and photos!!!!

thank you so much for your message! 🖤i'm not particularly good at making icons, but i tried my best. (':

also don't worry that sometimes happen to me too until i realise that hey, something's wrong. it doesn't help that tumblr's theme is now essentially the same as twitter's. v confusing.

and yes, i am using gale's ea headmorph + eye colour mod from @padme4000, which largely restores gale's previous ea design.

i'm sort of attached to the "old" gale after having played early access for almost three years and larian only changing gale's appearance shortly before release.

i discussed it in a post here and posted a little comparison as well:

thank you again for the kind message and support! 🖤 i hope you have a great day/night, too!

[sweetestlamb]

The Best Revenge

Author's note: I saw a beautiful gifset from @seawherethesunsets and it's been a beautiful trip down the rabbit hole ever since. This drama really swayed my heart and I just needed more happy moments of my stray cat couple together.

Summary: Camping can be in tents. 🏕

Drip.

Drip.

Drip.

The rain cascades down in soft patter hitting the tarp that Dongjin had so effortlessly and diligently put only moments before the rain storm began. He had purposely came camping knowing it would rain, said he enjoyed listening to the sounds of drops on the tent.

She hates the rain.

When she was young and lightning would clash in the sky like two kids battling with pots she would run into her father's room and straight into his arms. And he would be waiting, arms open to catch her and soothe her with a large hand on her head and melodic hums in her ears.

She hates that the rain brings back happy memories, hazy recollections that seemed like another life that she couldn't get back no matter how she wished.

It hurt in a crevice of her heart that she refused to acknowledge. The same heart that she tried to turn stone cold since she was seventeen and it shattered for the first and last time.

She'd been successful until him.

She lifts her eyes from her sausage sizzling away in a metal pan to watch his long body as he stands still with his head tilted towards the onpour. He's beautiful. There is a lightness to him now that she never thought could be possible a year as she watched that dejected back walk away time after time.

The humidity leaves his bangs wet and partially plastered to his forehead, her gaze lingers there before traversing down the slope of his nose and convening on his chapped lips. Further transfixed as a pink swipe leaves them glistening and moist. She recognizes that bubbling in her stomach now.

Hunger.

"What are you staring at?"

She blinks slowly as his low voice cuts through the loud silence of the rain and not much else.

"You. I don't want to forget a thing. I want to look at you until I get my fill."

But that's a lie. There's no filling the void in her chest that remained when she walked away from him that dreadful day.

Her ears perk at his low chuckle, more tightening in her belly.

"Your sausage is burning." He teases nodding at the meat hissing in front of her.

And with a curse she shifts her gaze poking at it with a chopstick and thankful that it didn't burn too much, it was still edible. She bits a large piece and hums at the succulent array of flavors that burst on her tongue.

"Mmmm."

She takes another hardy bite and chews until his prolonged quiet catches her attention.

When their eyes meet the contact is electric, a live matter that surges from her heart and fills her body with anticipation.

"Is it good?"

He watches her swallow and his Adam's apple bobs in reply. His expression is too bright and she feels caught under his gaze.

"Delicious. Do you want?" She holds the meat out towards him and gulps as he accepts bending those infinitely long legs and sinking his teeth into her offering with a low grunt of satisfaction.

They haven't kissed since they decided to do.....this. Again. Seeing him again was enough for her, being here with him is more than enough but watching him this close, only a breath away from her has her feeling greedy for things she's never yearned for before.

"You're staring again."

That's new. Him teasing her and smiling so brightly it's as if he's trying to make up for lost time. He has the perfect lips, made for smiling. But perhaps that's not all. She can think of other activities they would be great at.

"What's on your mind?" He's level with her now, finally taking a seat beside her.

She feels her face flush in embarrassment but knows that if she utters the words on her mind then at least that feeling can be shared between them.

"Your lips and activities they would be great at."

Her assumption is correct and his cheeks redden at her insinuation but he never looks away, bold as ever. Not backing down.

"Independent activities or paired ones?"

She doesn't miss his eyes lingering on her own lips but the moment is broken as a thunder grumbles in the sky, they both jolt back as if pulled back by invisible strings.

They awkwardly go back to eating in silence and she pretends not to notice as he rocks his chair a bit closer to hers until their knees are brushing against each other and she can feel his warmth all over her like a blanket.

"Is that my shirt?"

She glances over her shoulder, long strands of her hair following as she turns her head.

She feels naked under his intense gaze sweeping up and down her figure, she's wearing his shirt and not much less. She had her own shirts of course but she was allowed to do this much, he was hers after all.

"Mmhmm" she responds airily turning back to arrange her bedding, fluffing her pillow and smoothing the sheets.

"If you continue this I might have to go out and stand in the rain."

She doesn't turn but she can feel the heat of his words caressing her ears. He was closer than he was before.

"Don't. You'll get sick." She responds with steel in her words.

"I feel sick right now. I can't think straight."

Bliss blossoms in her stomach, aching at the longing in his voice.

She doesn't know how to reply. This game is not one she's accustomed to.

"Turn around." She twitches at the light command in his voice but almost bursts into laughter at the hesitation on his face, it's so easy to read him now. That's new too.

"Come here." He reaches for her, cupping her cheeks in this warm steady hands and she lets out a dizzy breath as he draws her closer still.

"What do you think?"

She's dazed at his sudden questioning and all she wants to do is close this damn gap remaining between them. Pry his mouth open and stick her ton--

"About camping in the rain? It's not too bad right."

He smiles down at her and she stops second guessing herself with an equally bright grin she nods, "It's amazing. I wouldn't want to be anywhere else with anyone else."

And as his eyes are widening from her confession she makes her move, dragging him down to meet her and stealing his breath. Kissing him is sparks and comfort all in one, like coming home after a long journey. She presses even closer eager to taste all he has to offer, thirsty for him. Starved even.

Her hands dig into his hair, her hips lock into his own, her tongue takes control of his mouth thrusting and swirling.

As the rain continues to fall around then, she decides this will be her memory of rain. A happy memory that won't hurt.

His love has already given her the strength to forgive and although she can't forget her past she can choose how to live in her present.

She's choosing happiness and never looking back.

[dainesanddaffodils]

More Good Omens posting from me, still someone who has only consumed this season via spoiler posts, tumblr gifsets and youtube compilation videos -

anyway, I'm not letting my lack of actually watching s2 get in the way of today's post: "things I see people say they want in s3 that make me scratch my head"

namely, wanting Aziraphale and Crowely to fight. not necessarily in a physical, real war between heaven and hell (or humanity), but rather as like, bitter divorcees taking shots at each other. and i just... don't see that after how they left each other

(well, maybe for Crowley's side, but not at all from Aziraphale's)

I don't want things to be sunshine and rainbows and immediate reconciliation, mind you. I'm certainly not of the opinion that Aziraphale wasn't in his right mind when he made his choice in the last episode, or even that he or Crowley were being threatened (though the latter is more believable imo).

From what I've seen and read, my currently vibe is that Aziraphale did believe that he was making the best choice for heaven and for humanity (until the moment the words "second coming" are uttered - but I'll get back to that). And I think the tone of the two times he does waver sets the tone for what I think the next season is going to be - which is a lot of independent character growth before an emotional reunion.

Because Aziraphale's wavering comes after Crowley leaves. After Crowley says, don't bother forgiving me. which I think he hears as, don't bother trying to fix this. I'm done.

So when first he tries to think of sudden reasons to stay he inevitably doesn't try to push too hard and finally says he's ready to go. He doesn't want to do this without Crowley but he doesn't think Crowley is right, right then, so what would he be staying for? It hurts but he needs to show Crowley that he's serious about this.

And then when the second coming is brought up and he realizes (in my opinion) that he fucked up, Aziraphale looks at Crowley from across a crowded street with this clear conflict, and he still follows. Because his other option is asking Crowley for help.

And the thing is, I think if he had asked Crowley for help, in spite of everything, Crowley would have helped.

And Aziraphale knows this.

And I think Aziraphale knows two other things:

1) the danger that would put Crowley in, danger Crowley has always put himself into to help Aziraphale.

2) after the kiss, after the don't bother, Aziraphale is reevaluating point 1 and realizing how much he has taken Crowley's help for granted.

I think that Aziraphale looks at Crowley and wants so much to say, i was wrong, please fight heaven with me again, help me save this world and these people, but he how can he, after everything? How can he ask Crowley for anything anymore - even things he knows for a fact Crowley would give him - after what he's done?

He doesn't feel he deserves that anymore. He doesn't feel he deserves Crowley anymore.

(see the look on Aziraphale's face when he thinks he's fallen and the look on his face after Crowely kisses him and leaves. It's the same face of 'I have lost the thing most important to me; it is my fault and I cannot expect forgiveness.' He is resigned to this heartbreak.)

So I think next season we're going to see a lot of angst that comes after their tragic breakup, but also a lot of Aziraphale standing up to heaven on his own because he feels he has to. I think when he and Crowley do finally have a proper reunion, they'll still argue (especially if Crowley, in true Crowley fashion, has misread Aziraphale's silence as further confirmation of unrequited feelings), but I don't think it will really carry any real anger, you know, especially from Aziraphale's end.

[sebstanns]

The Vigilante Thing

Summary - Adrian returns home after the events of 'A Choad Less Traveled.'

Sad Adrian / angst / smut.

Warnings - 18+ for sexual content, minors dni.

Tagging - @nellethiel-aranel and @kindnonny23 based on this gifset.

When Adrian finally walks through the door just before midnight, your nerves are shredded. Having not heard from him for almost 2 days, you're out of your mind with worry, tearful and angry.

"Where the fuck have you been?" You demand, as he limps into the kitchen, eyes downcast.

Adrian sighs, he looks so sad and tired it makes your heart ache.

"I can't tell you." He says quietly, getting a glass down from the cupboard.

You get up from the kitchen table, pulling your robe tightly around you.

"Do you know how worried I've been? I called you a million times. I even called your dad, he's worried too, by the way."

"I'm sorry." Adrian says, his back to you. He fills his glass from the tap and gulps it down.

Standing behind him, you just want to hug him, you're so relieved. But you're also still angry and in need of an explanation.

"I don't want an apology, I want to know where you were." You say, shaky-voiced. "When I found out about the Vigilante thing-"

"It's not a thing." He snaps, still facing away from you. "It's my calling."

"After I found out, you promised no more lies, remember?" You say softly, feeling tears prickling your eyes. "Adrian, look at me please."

He turns to face you, pouting. "I remember."

"So where were you? And who was that woman in the car?"

He tuts and shakes his head. "I knew I should've told her to drop me off down the street."

"Who is she?" You repeat, irrational jealousy twisting in your gut.

"I can't tell you." He says again.

"Fuck, Adrian!" You explode, your anger getting the better of you.

"It's for your safety ok?" He yells. "I don't want to put you in danger by telling you too much. You'll become a target to those who I bring justice upon!"

"Wait a second." You frown, thoughtfully. "Is this anything to do with Chris Smith and his psycho father? I heard the old man was arrested."

Adrian blushes and his eyes slide away from yours. "Um....I cannot confirm nor deny that information."

"I knew it." You sigh. "I told you, that family..."

"He's my best friend." Adrian says, stubbornly.

"So that's where you've been? With Chris?"

"I tried to help him." He murmurs, sadly. "But it didn't work."

"I'm sorry, baby." You say, softening. "That blonde lady, is she something to do with Chris?"

Adrian nods, miserably. "I let everyone down."

"Oh honey." You can't help yourself, you go over and wrap your arms around him.

"Please, don't ask me anything else." He whispers into your hair. "If I lost you..."

"You're not going to lose me, dummy." You sniff, burying your face in his shoulder. "I just need you to check in now and again so I know that you're not dead."

"OK. I'm, um, not feeling emotional or anything." He mumbles, holding you so tightly that you can feel his heart hammering in his chest.

"I love you, Vigilante." You murmur.

You feel him tense and a soft groan leaves his throat. Of course - you calling him Vigilante, especially in these circumstances, leads to an instant boner.

Adrian pulls back, his eyes searching yours for permission. You know that he needs this, he needs YOU. He blinks as you remove his glasses and slip them into your robe pocket, then you stretch up to kiss him, pulling him down by his hair. In response he moans into your mouth and kisses you back, spinning you around and lifting you onto the counter, slotting himself in between your knees. Fumbling with the tie on your robe, Adrian kisses his way down your neck and slides his hand up your t-shirt, palming your breast. Your nipple instantly pebbles from the contact, his cold skin on yours sending tingles straight to your cunt.

Desperate to get closer to him, you wrap your legs around his waist and unzip his cardigan, running your hands over his broad back and shoulders. You can feel his erection pressing against your thigh and you undo his jeans, taking his cock in your hand, making him whimper against your neck.

Adrian thumbs your panties aside and pushes into you, his other hand gripping the back of your thigh as he lifts your leg to fuck you as deeply as he can. You cry out as he slams into you, his thick cock hitting that sweetest of spots, and slip your hand between your legs to touch yourself, your throbbing clit begging for attention.

The sound of the cabinet rattling beneath you mingles with your moans, echoing through the house as he fills you over and over again. You reach up and touch Adrian's face, he looks so beautiful - cheeks flushed and eyebrows knitted in concentration, chasing a release to his frustration. Your clit twitches under your fingertips as you feel the familiar heat blooming at your core.

"I'm cumming, Adrian." You whimper, as your walls start to flutter, and you tighten your legs around his hips, digging your nails into his shoulder.

He fucks you harder, grabbing your hair and pulling your head back for a bruising kiss, before making a desperate gutteral noise, his hips stuttering as he pulsates into you.

"Thank-you." He says, breathlessly, slumping against you.

"You're welcome." You chuckle, stroking his hair. "Also, why are you limping?"

[canary3d-obsessed]

Restless Rewatch: The Untamed, Episode 25 part two

(Masterpost) (Other Canary Stuff)

Warning! Spoilers for All 50 Episodes!

Jin Jerks Continued

Jin Furen is all judgy about Wei Wuxian, so it's hard to like her, since WWX is our protagonist and whatnot. But! Jin Furen is actually totally awesome. She adores Jiang Yanli and takes sides with her against her own son. She knows he likes Yanli and works her ass off to do all the courting for him, since he sucks at it, rather than picking a random wife for him and sticking him with her choice. She's always gentle with Yanli in her tone and body language. And Jin Zixuan had to get his good side from somebody.

Wei Wuxian politely tells Jin Furen that it's all over (again/still) between Jiang Yanli and Jin Zixuan, and cousin Jin Zixun rushes up to argue with him, saying he's being too proud and that he shouldn't talk to Jin Furen that way, since she is his senior. Wei Wuxian, still politely, explains the clan politics that underlie every one of these Zixuan-Yanli interactions. As a matter of clan pride, the Jiang Clan can't allow Yanli to be insulted.

Cousin Jin Zixun immediately goes all in on the clan rivalry, beefing with Wei Wuxian about how much prey he caught. Everybody forgets all about Yanli's situation while they talk about the hunt results instead.

The Jin cultivators--parroting what they heard from Jin Guangyao--say that Wei Wuxian has flute-walked 30 percent of the prey into nets by himself. Lan Wangji actually decides to react to something, saying "30 percent? and giving Wei Wuxian such a series of LOOKS, oh my god. 

This Wangxian moment is an important one, I think, because it shows where Lan Wangji's priorities are, and they're...wrong. He's continually telling Wei Wuxian "be good," in one way or another; trying to help him back to the correct way of being a cultivator.  Meanwhile the Lans are totally fine with the Jins being murderous shits who feel entitled to insult high-ranking ladies.

CJZX continues to snipe at Wei Wuxian and Lan Wangji continues to judge WWX for being unsportsmanlike.

(more after the cut!)

Wei Wuxian says that he's just showing his capability, and CJZX tries to tell him both that 1. he's practicing evil cultivation and 2. he's just playing the flute. WWX offers him Chenqing and says "show me your capability" which I think is cultivator speak for "fight me, bitch." 

Cousin Jin Zixun moves the goalposts, saying that Wei Wuxian broke the rules, and starts in with class-based dogwhistling, saying "it's understandable that you don't know the rules," and citing examples of Wei Wuxian’s previous bad manners at cultivation events. 

Things escalate and pretty soon Wei Wuxian is yelling at everybody, threatening to tell them why he doesn't carry his sword, (which would actually clear up SO much) and saying he's going to beat them all using necromancy whatever is just this side of necromancy. 

Cousin Jin Zixun tosses his birth status at him, and then it's ON. Scary music, shaking fist, Chenqing booting up...

Lan Wangji, who has been singularly unhelpful since CJZX started talking, suddenly forgets his judginess as he's swept into motion by his constant fear of whatever is going to happen next time Wei Wuxian loses his temper. 

He rushes to Wei Wuxian’s side, grabs his wrist, says his name, and wills him to chill the fuck out. Jiang Yanli joins him, grabbing Wei Wuxian's other arm, and Wei Wuxian manages to get control of himself.

Queen Yanli

Yanli has had it, and she has Wei Wuxian stand behind her while she goes to politely reduce Cousin Jin Zixun to a heap of smoldering cinders.

First she recaps CJZX's accusations against Wei Wuxian; says she doesn't know a lot about the hunt, and apologizes formally on her brother’s behalf. WWX says "Shijie!" but she shakes her head at him and he shuts up.  

CJZX laughs and tells her, in a tone designed to infuriate Wei Wuxian even further, that Wei Wuxian doesn’t rate her apologizing on his behalf, and says that their clans are like family; reinforcing WWX's outsider status. I don't think CJZX is taking orders from Jin Guangyao, because he's way too big of a snob for that, but he's definitely helping JGY to move his agenda forward.

Even Lan Wangji is having trouble staying cool during this exchange; he is focused on keeping Wei Wuxian in check but he’s also angry himself, judging from what his neck is doing here, anyway. *Stares at his neck for way too long*

Wei Wuxian is super upset about Jiang Yanli apologizing, and he’s unable to hold back tears, even with Lan Wangji using the power of extreme staring to help him. 

Jiang Yangli is nowhere near finished, though and she turns around and proceeds to tell everyone that they suck, that it's not Wei Wuxian's fault if he's more talented than everybody else, and that they are just making up rules because they are a bunch of losers. 

Clan Leader Yao has the nerve to say that they know the rules "in their hearts" which is just another class-based dogwhistle. 

Yanli defends Wei Wuxian's cultivation method to everybody, saying it's something he worked at and put effort into--that it's different, not wrong. She's literally the only person who defends his cultivation style, even though they all have benefited from it.

Then she gets right up in Cousin Jin Zixun's face and tells him that it's not ok for him to insult WWX by calling him the son of a servant, and she wants CJZX to apologize. (full gifset here) All of the Jins and Captain Blowhard Clan Leader Yao are SHOCKED at this idea. Jin Furen tries to talk Yanli down but Yanli politely nopes her away, so JFR tells CJZX to apologize.

He's saved from having to actually do it by the arrival of Jin Guangyao and Lan Xichen, who jump down off a box fly over to find out what's wrong.

Jin Furen yells at smiley, blinkey Jin Guangyao, telling him he should be able to figure out what's wrong, saying "aren't you good at judging the situation," i.e. aren't you a conniving little creep? She's bitchy but she's not wrong.

When the "30 percent" thing is explained again, Lan Xichen gives Wei Wuxian the same Lan Glare of Sportsmanship Disappointment that his brother did. 

Lan Xichen: It's fine for my boyfriend's obviously power-hungry family to insult my brother's war-hero best friend in a bid to reduce his social status, but him using magic powers in our magical creature hunt is super wrong.  

Jin Guangyao and Lan Xichen explain that they're going to open up more area for the hunt, but it's too late to make Cousin Jin Zixun happy. He takes his ball and goes home. 

The Breaking of the Fellowship

The remaining group stroll slowly through the woods, Jin Furen and Jiang Yanli together, while Wei Wuxian walks at a bit of a distance and Jin Zixuan follows right behind his mother. His mother offers to beat him to make Jiang Yanli feel better. See? Perfect Mother-in-Law material.

Jiang Yanli tries to leave again, and is stopped again. This time Jin Furen tries to convince her to come back to the stands to sit with her and Jin Zixuan, and not to go with Wei Wuxian. First she tries saying that it's not appropriate for her and Wei Wuxian to be alone together. Yanli shuts that right down, saying that Wei Wuxian is her didi. Then Jin Furen says that Wei Wuxian has "strong wicked energy" and that he may do something evil. Like fighting back when he is ambushed on his way to a party.

Jiang Yanli repeats that Wei Wuxian is her didi, and says that she'll never leave him. JFR keeps trying but Wei Wuxian steps up and takes Yanli by the wrist and goes to lead her away. Jin Zixuan finally, FINALLY admits that he likes Jiang Yanli. 

He is embarrassed, Jiang Yanli is delighted, and Lan Xichen is amused. 

Jin Zixuan runs away and Jiang Yanli agrees to go back to Jinlintai with Jin Furen. Wei Wuxian is super immature unhappy about it....

....but he accepts her decision, in a nearly wordless exchange that we’ll see echoes of much later, between him and Lan Wangji. (Exceptionally cruel gifset here)

Wei Wuxian formally bows to Jin Furen, asking her to take care of his sister. Because he recognizes this for the parting that it is.

Jiang Yanli isn't wrong to make this choice. She deserves to be happy, and married women in this environment can't live with their original family. But she told Wei Wuxian, over and over, that the three of them have to stick together, only to change course and leave him behind with no warning. It’s not even five minutes since she said "I will never leave him."  Wei Wuxian isn’t the only person making impossible promises in these parts.  

Jiang Cheng and some Jiang cultivators show up, and everyone, including Wei Wuxian, tells Jiang Cheng that he missed an important scene, but nobody will tell him what actually happened. 

Wei Wuxian says he's going into town, and he leaves Jiang Cheng behind just as abruptly as Jiang Yanli left him.

Jiang Cheng asks Lan Xichen what happened, and Lan Xichen says "there was an argument but it's mostly smoothed over now; also, Jin Zixuan says he likes your sister."  Ha ha ha ha! Of course he does not say that, he says "You should ask your sister at the banquet" and Jin Guangyao says it wouldn't be appropriate for them, as outsiders, to comment.

I would like to see Jiang Cheng respond to this by beating the crap out of them with Zidian for being a couple of coy bitches, but he just furrows his brow. 

JGY hangs back from the group for a second to tell JC that WWX is sooooo great, before they all head back to Jinlintai.

Insecurest Boi

As everyone is walking Jiang Cheng hears Captain Blowhard saying that Lotus Pier made a strong impression today, and that they'll be able to recruit a whole lot of disciples. The cultivators are of two opinions about whether having Wei Wuxian is a good thing for a clan. 

Then a Jin cultivator says he heard that the Yin tiger amulet is made of the missing piece of Yin iron. He says he overheard it from Jin Guangyao. He says even if it's not for certain, the timing fits. Jiang Cheng reacts to this as if he 100% believes it, because Jiang Cheng is a dumbass sometimes. 

He should just frickin’ ask Wei Wuxian about the amulet. Lan Wangji asked where he got it and Wei Wuxian told him, and Jiang Cheng, while they have their issues, is officially on WWX's side, so there’s no reason for WWX not to tell him.

The Jin cultivator goes on to say that the Jiang Clan ain't shit, that all their deeds belong to Wei Wuxian.  Jiang Cheng takes all of this on board totally unfiltered. Literally everything that any Jin cultivator other than MianMian says is propaganda coming from Jin Guangyao, but Jiang Cheng thinks they're friends and doesn't know how to recognize manipulation. 

Jiang Cheng is hearing the exact same criticism that Jiang Yanli heard, but he's not equipped to handle it, and instead of fighting back he gets angry at Wei Wuxian. Despite all his recent growth, he is still crushingly insecure, and this is hitting him right in his tenderest spot. Jiang Fengmian has a lot to answer for.

Instant Replacement Sister

Wei Wuxian is off working through his own feelings; he's wandering the street in Lanling with a bottle of wine in hand. Wen Qing, in her red Wen robe and her hooded cloak, is wandering the street in the opposite direction. They pass each other without seeing, in a moment that's excruciating to watch the first time. 

But then some Jin cultivators obligingly push her to the ground, and Wei Wuxian, with his beautiful heart of fucking gold, hears someone who needs help and turns around.

For a moment he smiles in recognition, before the smile clouds over. Wen Qing, for her part, looks horrified; perhaps it’s everything she’s going through, but perhaps she can see that he, in his own way, is struggling nearly as much as she is. Meeting with her will galvanize him and give him the life direction he desperately needs.

A Day Late and a Tael Short

Lan Wangji wants to solve Wei Wuxian's problem, but he lacks imagination, so his best idea is to hide him in Cloud Recesses. 

Lan Xichen points out that Wei Wuxian might not be on board with that. This conversation is short, but it has some layers, once you know about their parents' relationship. Lan Wangji frowns but doesn't have a second idea.

[flutter2deceive]

this fic is 20 years old 🙈

@vera​ just reminded me that i mentioned this fic i wrote in 2002 in the tags of one of her gifsets last year. and i totally forgot that i found that fic a couple months ago on an old cd-rw, along with a livejournal icon i made of this rarepair couple: dana foster from step by step and kennedy from btvs (in name and face only; she’s not a slayer in this.)

so if you want to read a ~4k word exploration of dana coming out to her family after she meets a new girl at school (which may or may not have also been me trying to manifest a similar conversation with my family...), then read on! and be gentle, this was written by a 15 year-old lol

She's A Wonderful Girl

“Hey, Dana. Meeting still at your house tonight?” Melissa asked on the way to class.

 Their conversation piqued the interest of a young girl walking down the hall. Kennedy was new to the area, having moved there for college.  She was worried about not fitting in and making friends, but she had to try.  And this girl seemed like just the place to start. Judging by their conversation, there was a chance that the two women were gay, if Kennedy was lucky.  And they didn’t seem to be together.  

 “You bet! I can’t wait to hear the opinions of all the smart women in our community. And I’ve made sure that all the men of the house are gone so it won’t get messed up like last time.” Dana frowned, still slightly mad at Cody for his antics.  

 “Maybe,” Kennedy thought, “I have a chance with the pretty blonde…”

 --*--*--

 Kennedy walked up to Dana as they approached the water fountain.  “I overheard part of your conversation before. What were you two talking about? It seemed interesting.”

 Dana turned to face the attractive brunette.  “Oh, I’m having a women’s rights meeting at my house tonight,” Dana answered. “Would you be interested in coming?” she asked excitedly.  

 Kennedy smiled and nodded her head yes.  “Of course. I’d love to come. My name’s Kennedy, by the way. I just moved here from San Francisco,” she extended her hand.  

 Dana took it in hers and smiled.  “I’m Dana.”

 They remained smiling at each other until Kennedy broke the silence.  “If you need any help setting up or anything, I’d be glad to help.”  

 “You don’t have to,” Dana said.  

 “I insist. Plus, I kinda don’t have anything to do, what with no friends yet…” Kennedy admitted.  

 Dana laughed.  “Well, I guess I could put you to work. And you do have a friend. Me.”  Kennedy once again smiled, realizing that she had to get to class. The two parted ways after arranging to meet when their classes were over.

 --*--*--

 “I love your house. It’s so nice,” Kennedy observed, helping Dana set chairs up.

 “Well, it’s nice now because no one is home. When everyone’s here, it’s crazy.”

 “How many people live here?” Kennedy asked.

 “Well, there’s me, my sister Karen, brother Mark, half-sister Lily, step-sister Al, step-brothers Brandon and JT, Mom, Frank, my cousin Cody, and JT’s best friend Rich.  So…eleven,” Dana counted.  

 “Holy crap. That’s a lot of people. Well, if it ever gets really crazy, you can come stay with me in my dorm,” Kennedy offered, testing the waters.  

 Dana smiled, “Thank you. I might have to take you up on that offer sometime.”

 “So, do you do this thing often?” Kennedy asked.  

 “Well, I try to hold one once a month. Last month’s got messed up, though. Cody decided he wanted to come to the meeting and my so-called feminists jumped all over him. And then he tried to help the situation by recruiting more members by promising them dates with him,” Dana explained.  

 “You don’t have to worry about that with me,” Kennedy said, looking into Dana’s eyes.  

 “I don’t have to worry about that with anyone. All the men have left the building.”  

 “Smart girl,” Kennedy stated, eyes not leaving Dana’s.  Dana returned her gaze, getting lost in the depths of Kennedy’s brown eyes.  The door bell rang, interrupting the staring contest.  

 Dana didn’t know what she was thinking.  For some reason, she found herself wanting Kennedy to look at her. For some reason, she didn’t want to answer the door.  Instead she wanted to remain alone with Kennedy.  “What the hell is going on?” Dana asked herself, opening the door.

 --*--*--

 The meeting had gone pretty well.  There were thirteen women in attendance, and fortunately, they were all there for the meeting this time.  Everyone had left, leaving Dana and Kennedy alone again.  Having cleaned everything up, the two were now in Dana and Karen’s bedroom, sitting on Dana’s bed.  

 “So…tell me about San Francisco,” Dana requested.  Kennedy told stories of her childhood and growing up in California.  Dana, in turn, told her own life story.  During this time, the two had drifted closer together.  

 They were practically sitting on top of each other when Dana decided to address their situation.  “Uhm…Kennedy, I need to ask you something. I’m kind of feeling something here…” Dana’s voice trailed off.  

 “That’s more of a statement,” Kennedy said, tentatively resting her hand on Dana’s knee.  Dana looked up into her eyes, finishing her train of thought.  

 “Are you feeling it too?” she asked.  

 Kennedy slowly moved her mouth closer to Dana’s.  Dana closed her eyes, waiting to feel Kennedy’s lips descend upon hers.  Their lips met in a soft kiss, effectively answering Dana’s question.  They both pulled away after only a few seconds, searching each other’s eyes.  This time Dana was the one to lean in for the kiss.  

 She really didn’t know what she was thinking.  She had never considered herself to be a lesbian, but she felt so right with Kennedy.  She also wasn’t sure what surprised her more: that she felt this way about a woman or someone she just met.  “I guess it doesn’t really matter, though. They say when you find the one, you know,” Dana thought to herself, breaking for air.  Her lips quickly found Kennedy’s again.  

 At that moment, the two heard a voice in the hall.  “Dana! Are you home?” Carol yelled.  Dana and Kennedy practically jumped off of each other.  

 “Yeah, mom.”  

 Her mom opened the door and walked in.  “How was the meeting? Oh…who’s this?”  

 “This is Kennedy. She just moved here from San Francisco. The meeting went fine, by the way,” Dana informed her mom.  

 “Hi, I’m Carol, Dana’s mom.”  

 “Pleased to meet you,” Kennedy said.  

 “Okay, well, I’ll let you girls get back to whatever it is you were talking about,” Carol said as she left the room.  As soon as the door was closed, Dana moved back onto the bed.  She leaned in to kiss Kennedy, but the other woman moved away.  

 “As much fun as I was having doing that, I think we should talk,” she explained.

 “Okay,” Dana began.  “I am feeling very attracted to you right now and I can’t really explain it. I just know that it feels right.” Dana tried to explain it to Kennedy, even though she wasn’t really sure what was going on in her own head.  

 “I feel the same way. When I heard you talking in the hall before, something just went off in my head. If you don’t think it’s too fast, I was wondering if you wanted to go out sometime,” Kennedy nervously asked.  

 “As in dating?” Dana wanted to make sure.  Kennedy nodded her head.  “Well, it is a little early, but I don’t see what waiting is gonna do. My heart is saying yes.”  

 “Aww…such a romantic,” Kennedy smiled, moving forward to kiss Dana. They were once again interrupted when they heard footsteps outside the door.  “You wanna go to my dorm?” Kennedy asked.  

 “Sure.”  They stood up to leave just as Karen entered the room.  

 “Hey Dana, Dana’s friend,” she greeted.  

 “This is Kennedy. And this is my sister, Karen. I’ll see ya later, sis,” Dana said.  

 “Bye,” Kennedy said.  The two got into Dana’s car, driving off to the dorms.

 --*--*--

 “Will your roommate mind?” Dana asked as Kennedy unlocked the door.  

 “What roommate?” Kennedy mischievously asked as Dana took in the room. Single bed.  

 “Sweet.”

  Locking the door behind her, Kennedy took Dana into her arms.  “You’re sweet,” she said, running her hands down Dana’s back.  She brought her lips to Dana’s neck, gently sucking the skin into her mouth.  Dana maneuvered them so they were sitting on the bed, Kennedy still hungrily sucking on Dana’s skin.  Soft sighs were coming from Dana’s mouth as she ran her fingers through Kennedy’s hair.  

 Kennedy gently pushed Dana’s body down onto her bed.  She moved her mouth up to cover Dana’s, trailing her tongue along Dana’s lips.  Dana quickly parted her lips, inviting Kennedy inside.  Their tongues dueled for a few moments, Kennedy’s hand slowly moving to cup Dana’s breast.  Dana froze at this movement.  

 Moving off of her, Kennedy quickly apologized.  “I’m so sorry, Dana. I didn’t mean to…”

 “No, it’s fine. I just think we should slow it down a little. At least for now,” Dana took Kennedy’s hand in hers.  

 “Fine by me. Come here,” Kennedy held her arms open, Dana snuggling into them. They held each other for a long time, almost falling asleep.  

 Rolling Kennedy over, Dana pressed a kiss to her forehead.  “I gotta go.”  

 Kennedy frowned and sat up.  “If you must,” she said, bringing her lips to Dana’s again.  Dana parted her lips, pushing her tongue into Kennedy’s mouth. Ten minutes later, Dana left the dorm, heading back to her house.  

 Al and Cody were watching TV in the living room when Dana came in.  “Where’ve you been?” Al asked.  

 “Out,” Dana answered evasively.  

 “Dana finally has a life,” Al joked.  

 “Shut up, you,” Dana started to say, stopping when she noticed Al staring at her.  “What?”

 “Is that a hickey?” Al got up to look closer at Dana’s neck.  Dana’s hand moved up to cover the spot on her neck where Kennedy had branded her.  

 “I don’t know what you’re talking about,” Dana said, looking at the floor.

 “They’re all over your neck,” Al exclaimed after further inspection.  Dana hadn’t realized it, but Kennedy had been a tad bit voracious.  “Where were you?” Al asked again.  

 Again, Dana answered, “Out.”  

 “Did you at least know the guy?”  

 “There is no guy,” Dana stated.  

 Al rolled her eyes.  “Okay, you get into a fight with a vacuum cleaner?” she asked sarcastically.  

 “There was no guy, okay?” Dana said before walking up the stairs to her room.

 “Methinks the lady doth protest too much,” Cody pondered out loud.  Al shrugged her shoulders and went back to watching TV.

 --*--*--

 A month had gone by, Dana and Kennedy still dating.  Dana had spent many nights in Kennedy’s dorm, claiming that she needed to study.  The two had progressed to experimental touching, never losing their clothes, though.

 Dana had done a lot of thinking during those four weeks, deciding that whether she was gay or not, she loved Kennedy.  Maybe that meant she was bi, or maybe she didn’t need a label. Either way, she loved Kennedy and was having a hard time holding back whenever they were near each other.  

 They found themselves in Dana’s house, once again empty.  This was a very rare occasion, so they were making the best of it.  Dana knew that the rest of the house’s occupants wouldn’t be back for quite some time, so she led Kennedy up to her bedroom.  

 Shutting the door behind her, Dana walked Kennedy over to her bed, pressing her lips to Kennedy’s.  Dana’s hand reached for the bottom of her shirt, pulling it over her head.  Kennedy stared up at Dana, taking in her topless body.

 “Are you sure?” Kennedy asked.  Dana nodded her head, smiling at Kennedy as she pulled her back down on top of her.  

     Meanwhile, downstairs, Al had just gotten home from the movies.  Realizing that no one was home, Al made her way up the stairs.  When she got to the top, she could hear loud moaning coming from Dana and Karen’s room. “No guy, my ass…” she thought to herself, returning to the living room.  

     “We should probably get dressed now. I don’t know how much longer the house will be empty,” Kennedy stated.  

 Dana looked up into Kennedy’s eyes.  “Unfortunately, you’re right,” Dana agreed.  The two gathered their clothing from the floor and headed downstairs.

 Al was sitting on the couch reading a book when the happy couple emerged. Looking towards the stairs, she expected to see Dana with some hunky guy.  Her jaw hit the floor as she openly stared at the beautiful brunette woman who was walking down the stairs with her sister.  

 When Dana saw Al staring at them, she cleared her throat self-consciously. “Al. When did you get home?”  

 Al looked at Dana.  “A little while ago.”  Al returned to staring back and forth between Dana and Kennedy, taking in their frazzled appearance.  

 Kennedy looked at the door, straightening her shirt out.  “Uhm…I’m gonna go now. Nice meeting you,” she said, quickly opening the door.  Dana followed her outside, closing the door.  

 “Do you think she heard us?” Dana asked.  

 “Your neighbors probably heard us. Damn, baby…you’re vocal,” Kennedy laughed, opening her car door.  Dana blushed, pulling Kennedy in for a hug.  

 “That was wonderful. I’m writing a thank you note to whoever pierced your tongue,” Dana joked, pulling back and kissing Kennedy’s lips.  

 “I love you,” Kennedy said after they parted.  

 “I love you, too, baby.”  Dana pulled her in for one final kiss.  Kennedy got in her car and pulled out of the driveway, blowing Dana a kiss as she drove away.  Walking back inside the house, Dana sighed at having to face Al.  

 “So…is that book any good?” she asked in a lame attempt at avoiding the topic.

 “Not as good as that girl, apparently,” Al looked over to Dana whose face was hidden in her hands.  

 “So you heard?” Dana asked.  

 “Well, you weren’t exactly discreet. She must be one hell of a lover.”

 “She is,” Dana answered before actually thinking about it.  “Sorry. Are you freaked?”  

 “As much as anyone who hears her sister having sex. But the girl? Not really. Just as long as she makes you happy, which clearly isn’t a problem,” Al said.

 Dana once again found herself blushing.  “Please don’t tell anyone. Not now, at least,” Dana asked.  

 “Your secret’s safe with me. Just be careful next time, or more people are gonna start finding out. Half the neighborhood probably already knows as it is,” Al joked.  

 “You’re never gonna let this go, are you?” Dana asked.  

 “Nope.”

 --*--*--

 Three months had gone by now.  Dana and Kennedy had been more careful where their intimacy was concerned.  They no longer had sex in the Foster-Lambert house. It was too risky, Kennedy proving to be just as loud in bed as Dana.  Instead, they spent most of their nights at Kennedy’s dorm.  Every time she left the house, Al smirked at her, earning a glare from Dana.  

 On one of the rare nights Dana spent in her own room, Karen decided she wanted to talk to her sister.  “Hey Dana? Can we talk?” Karen asked.  

 “Sure. What’s on your mind?”  

 Karen sat up in bed.  “You’re spending an awful lot of time with this Kennedy girl. Is there any specific reason?” she asked.  

 Dana sighed.  “Well…I guess you had to find out sometime. Kennedy and I are kinda dating,” she explained, trying to gauge her sister’s reaction.  

 “Oh. That’s…great…”  Karen said with as much enthusiasm as she could muster.  

 “I understand if you’re uncomfortable with this,” Dana said.  

 “I don’t want to be uncomfortable.”  

 “But you are.”  

 “It’s gonna take some time for me to be alright with this. I’m sorry,” Karen said.  

 “It’s fine,” Dana said, rolling onto her side and sighing deeply.

 --*--*--

 The next morning, Kennedy drove over to Dana’s house, picking her up for breakfast.  It was relatively early, Dana not expecting anyone else to be up.  She invited Kennedy in to her kitchen while she got her shoes on.  Ready to go, Dana pulled Kennedy in for a quick kiss, which soon turned more passionate.

 The two froze when they heard JT’s voice.  “Oh, sorry Barkey. Didn’t know you had a date,” he said, reaching in the refrigerator.  JT quickly turned back around when he realized Dana had been kissing a woman.  “Oh my god…”

 Dana and Kennedy quickly stepped away from each other.  Dana turned to face JT.  

 “Barkey…I knew you were a lesbian!”  

 “Shut up!” Dana hissed. She did not need her mom overhearing this conversation.

 Karen and Al walked down the steps to see what the commotion was.  Taking in the grin on JT’s face, Al immediately knew what had happened.  “Geez, Dana. Can’t keep your hands off her?” Al asked with a laugh.  

 A blush began to creep up both girls’ cheeks.  “Once again, shut up!”  

 Karen turned away, claiming she had to use the bathroom.  JT just kept staring at Kennedy.  

 “Okay…we’re going to get breakfast now,” Dana said, taking Kennedy’s hand in hers and pulling her out the door.  

 JT turned to Al.  “This is freaking awesome!” he said before returning his attention to the refrigerator.

 Meanwhile, Lily had been sitting on the stairs while all this was taking place. She got up and went to her parents’ room, wanting to ask what that word meant.

 --*--*--

 Lily opened the door after Frank said she could come in.  “Mommy, what’s a lesbinim?” Lily asked, pronouncing the word wrong.  

 “A lesbinim? Do you mean lesbian?” Carol asked.  

 “Yeah, that’s it!” Lily said with a smile.  

 “Why do you want to know that, sweetie?” Carol asked, a little concerned.  

 “Because Dana’s a lesbinim!” Lily informed her parents.  

 “What gave you that impression?” Carol asked, now concerned about a different daughter.  

 “Well, JT came into the kitchen and said, ‘Sorry Barkey, I didn’t know you had a date.’ And then he said, ‘I knew you were a lesbinim!’ What’s a lesbinim?”

 Carol stood up, walking to the door.  “I’m sure JT was just kidding. You know how he likes to bother Dana.”  Carol laughed self-consciously.  

 “Lily, a lesbian is a girl who loves other girls,” Frank explained.  

 “Oh, well that makes sense. Dana loves Kennedy,” Lily said very simply.

 “What?!” Carol asked.  

 Lily just rolled her eyes as if to say “Duh!”  Carol walked downstairs, encountering Al.  “Have you seen Dana?” she asked the young girl.  

 “Yeah, she went out to breakfast with Kennedy,” Al informed her.  

 “Al, can I ask you something?”  

 “Sure. Shoot.”  

 “Uhm…are Dana and Kennedy… more than just friends?” Carol asked tentatively.

 “I don’t know…” Al said, not very convincingly.  

 “Are you sure you don’t know?” Carol asked more pointedly.  

 “Look. Even if I do know, it’s not my business to tell. This is something you really should ask Dana,” Al said, walking out the door.  Carol sighed.

 --*--*--

 Walking back up to her bedroom, Carol sighed once again.  Was it possible that her little girl really was a lesbian? She opened the door and sat down next to Frank.  

 “Did you ask Dana?” he asked his wife.  

 “No. She was out with Kennedy so I asked Al. She told me I’d have to ask Dana, but she pretty much gave the impression that there was something going on,” Carol said, leaning up against the headboard.  

 “Well, honey…does this really surprise you?” Frank asked.  

 Carol sat up again.  “What do you mean? Of course it surprises me! It doesn’t surprise you?” She looked to Frank to read his expression.  

 “Well, there’s the whole feminist, woman power thing. And JT always jokes with her about becoming a gym teacher with short hair and tons of cats. Plus, there’s Kennedy,” he summed up.  

 “I guess it’s not all that shocking. I mean, there have been some signs that I guess I just chose to ignore. And once again, there’s Kennedy. Hell, even Lily could see that one…” Carol was trying to process the information.

 “That’s because you’re older and less wise than Lily is. Children have this ability to see the truth. It’s weird. Every time I sneak a piece of cake before you cut it, she knows it was me,” Frank told her.  

 “I guess I just need to talk to Dana. If Kennedy is her girlfriend, I don’t want her to feel ashamed. I’ll talk to her when she gets back from class,” Carol resolved.

 --*--*--

 Dana walked into her house, Kennedy in tow, prepared to help her mother with supper.  “Hey mom. Do you mind if Kennedy eats supper with us?” Dana asked.  

 “No problem. We’re having pork chops and mashed potatoes. That okay?”  

 “That sounds delicious,” Kennedy said, smiling at Mrs. Lambert.  Lily came running down the stairs at that moment.  

 “Hi Kennedy!” she giggled.  

 “Hey munchkin!” Kennedy reached down and scooped Lily up in her arms, twirling her around.  “And how are you today?” she asked.  

 “Good,” Lily replied as Kennedy put her back on the ground.  Lily grabbed her hand, pulling her towards the living room. “You gotta check this out, Kennedy. It’s so cool!” Lily dragged her off to see some cool toy she just got.  

 Dana smiled at the scene that had just played out.  Carol took in Dana’s smile and spoke softly.  “She’s a wonderful girl, Dana.”  The tone of her voice left little doubt as to what she meant by that.  

 Dana’s eyes became large, fear striking her insides.  She turned to face her mother.  “I know,” Carol said, once again in a soft voice, not wanting to scare Dana.  

 Dana opened her mouth to say something, but nothing came out.  She was speechless.  She hadn’t exactly planned on when or how she was going to come out to her mom, so she didn’t know what to say.  

 “Dana, it’s okay. I’m not mad or anything. I just want you to know that I support you no matter what. So don’t be ashamed of her. You obviously love her, and I can tell she loves you and makes you happy. I can see it in your eyes, Dana,” Carol went on while Dana stood there staring at her.

 “Uhm…how…?” Dana tried talking.  

 “Lily told me, as a matter of fact. From the mouths of babes, you know?”  

 Dana was relieved that Al hadn’t betrayed her trust, at least.  She was still a little uneasy about her mom knowing, but that uneasiness was replaced with joy when Kennedy walked back in the room.

 “Hey, you,” Dana said, brushing Kennedy’s arm.  “You wanna go outside for a minute?”  

 Kennedy glanced at Dana’s mom self-consciously.  “Uh…sure.”  The two moved out into the back yard.  

 “She knows,” Dana said simply, a small smile on her face.  Kennedy felt her stomach drop, then noticed Dana’s smile.

 “You’re smiling…”  

 Dana nodded her head, smiling brighter and taking Kennedy’s hand in hers. “She’s completely fine with it.” At that information, Kennedy smiled too. Dana placed a light kiss on her lips before heading back into the kitchen, hand in hand with her girlfriend.

[mustardprecum]

We all think of the little things that could have change the story.

Just saw @disdaidal‘s gifset and could help but get to thinking:

“Then who is that?” 

Steve didn’t actually have to look to know what he was going to see. In fact, he knew even before he left the house that he probably wouldn’t be able to get rid of Billy. The guy was practically obsessed with him, so Steve’s greatest hope was that he could buy the kids some time to hide. 

But of course, he looked and could easily look at each individual face before the kids realized they’d given themselves away and ducked. 

Oh shit. This probably looked bad. 

Should he try and explain? How much could he even explain? Would Billy Hargrove who picked fights while they were in the shower of all places even listen? 

Of course not. 

In the split second between making eye contact and the kids disappearing, Steve instinctively slipped into the same mode he used with his parents. Play dumb. Play very dumb.

“What the hell?” He turned fully toward the house and jabbed an accusing finger at it. “I saw that! Mrs. Byers said no girls!” 

Steve did his best impression of storming to get distance between him and Billy. It seemed like it was going well because he heard Billy’s boot digging into the gravel, stomping out his cigarette. 

“Did you bring her here?” Steve snapped. He was so close to the door and to relative safety. “Are you trying to get me in trouble?” 

He heard Billy start to follow so he quickened his pace. “That’s fucked up, man. I’m just trying to babysit, I don’t need this!” 

The door was right there, Billy was saying something, Steve made the most of the distance he put between them. He darted inside and slammed the door shut, locking it less than a second before Billy’s weight crashed against it. 

“Harrington!” He roared, and it was even scarier than Steve’s dad. “Give me my sister you fucking perv!” 

Steve mouthed ‘perv’ with offense and confusion while Max begged him to let her stay inside. 

“Look man,” he tried calling through the door. “It’s not as bad as it looks. If anything, seems worse that she’s terrified of you.” 

“I am not!” Max stomped like she wasn’t clinging to the edge of Steve’s jacket. 

The door thudded, and despite being the first kick, Steve could easily see it coming down far too quickly. He glanced at the couch, it might be better than his body. 

“Should we tell him?” Lucas whispered. 

“No!” Mike scowled, more at the door than at Lucas. “If we aren’t trusting him with Max, we definitely aren’t with El.”

Max muttered something but Steve wasn’t interested in their arguing, or Billy cursing up a storm on the porch. All they had to do was stay away from the window and everything would have been...well not fine, but definitely better than this. He couldn’t help but feel as though everything bad always started in this house. 

Billy, the end of his relationship with Nancy, the knowledge of the Upside Down. What he wouldn’t do to have avoided it all, the loneliness, the sleepless nights, the chill that ran down his spine every time he looked out at the woods too long. It was torture and he wouldn’t wish it on his worst enemy. 

... or would he?

Another kick split a huge crack in the middle of the door and Steve was done. 

“Billy, meet us in the kitchen!” 

The kids followed him, yelling, demanding to know what he was doing; thankfully no one stayed in the living room. He didn’t want them to get hurt, he just wanted Billy to suffer as much as he was suffering. 

He opened the fridge and the demodog flopped out on the linoleum just as the front door splintered inwards. Steve chose to believe that it was mostly because it had already been weakened because Billy calm face and manic eyes promised murder. 

At least, until he noticed the slimy monster at Steve’s feet. 

Billy slowed to a stop and everyone held their breath. His expression didn’t change, but Steve didn’t blame him. Maybe he would have been in more shock if the monster he encountered hadn’t been about to kill Jonathan and Nancy. 

“Billy-” Max started but she stopped when he reached behind him. 

He pulled out a pack of cigarettes and lit one. The kids were quiet again while he took a deep drag. If only they would behave that way for Steve. 

“So,” Billy said around a plume of smoke. “What the fuck is that.” 

[perfectpaperbluebirds]

House Calls (2/2 )

Hannibal (TV)

This part took much longer than the first. The muse eluded me for quite some time but it has finally returned! And the fact that this beautiful gifset from the show is making the rounds again certainly helped. ❤❤ Shoutout to @mongooseblues for inspiration for and assistance with this fic! A small note for those that read part 1, I'm retconning the fact that Hannibal had a digital thermometer that beeps. He would definitely have a mercury one.

Read part 1 here. (Recommended, it is referenced quite a few times in part 2)

Read my other works here (works best on desktop) (Also on AO3)

My asks are always open for prompts!

For the second time in one week, Will Graham was awoken by the phone ringing. Granted, a week ago it had woken him because it rang at an unusually early hour. This time it woke him because he was still getting over the godawful bug he'd caught, and he was going to bed earlier and sleeping in later. 

He fumbled for the device and picked it up with a groggy " H'llo?"

"Will, it's Hannibal." The doctor paused to clear his throat roughly. "I'm sorry to wake you, but I have a favor to ask of you, if you're up to it." There was a strange noise on the other end of the line, a kind of shuffling noise-- or perhaps a sniffle?

"Sure," Will said with a yawn and a sniffle of his own, rubbing his eyes. "I've been feeling pretty good since yesterday. I can help with whatever you need."

"That's very promising. As to the favor...  It appears I've left my medical bag at my office." Here he had to stop to clear his throat again and cough before he continued. "I was wondering if you would be able to collect it for me and bring it to my home. I'm… well, it seems I've caught your illness and I don't believe it would be wise for me to leave the house."

By this time, Will had slid to sit on the edge of the bed as he listened, stifling further yawns. The damn flu still had him feeling so unbelievably tired and groggy. 

"I'll head out right away," Will replied, rubbing his face. "And… I'm really sorry to have put you in this position, Dr. Leh--Hannibal. I never meant to get you sick."

"Occupational hazard, and I don't regret any of my actions concerning your care. But I appreciate your assistance in getting my bag. I will see you soon I hope."

"See you soon." Will ended the call with a small sigh. Now he felt guilty *and* tired. He was almost glad there was something he could do for the doctor to help assuage his own conscience. 

Less than an hour later, Will arrived at Hannibal's stately house. It had been no problem to retrieve the black leather medical bag from Hannibal's office. Due to the late hour of their therapy sessions, Will always arrived after the office front entrance was locked, so he knew the code to the building’s back door. The bag had been hidden behind a table leg and it was easy to see how Hannibal had overlooked it  Now it was simply a matter of delivering it.

 Already a bit overwhelmed to be approaching such a house, Will hesitated after mounting the porch steps. Hannibal hadn't told him what to do when he arrived. If the doctor was sleeping he didn't want to rouse him out of bed, but he didn't want to just walk in either. However, the safest option seemed to be to bite the bullet and knock. As he raised his hand to do so though, he realized the door was slightly ajar. A man like Dr. Lecter wouldn't accidentally leave a door open, no matter how ill he was. It stood to reason, then, that it had been left open for him. With more than a little trepidation, Will pushed the door open and stepped in.

The house was dim and still, and just as stately and pristine as everything else of Hannibal's. Will heard the sound of a harpsichord from somewhere inside. Hannibal was awake, then. At least that was something. 

Will followed the sounds of the music, which led him into the cavernous kitchen. The stainless steel appliances were silent and eerie without Hannibal's bustling presence giving them life. The music was louder now, seemingly coming from the next room, and echoing slightly against the polished surfaces. A strange sixth sense kept Will from calling out that he had arrived, as if there was a spell on the house that didn't want to be broken. Will paused before he approached the corner that turned into the next room. As he did, the music stopped abruptly, and instead a different noise punctuated the air:

"HrrrrRRISHyuu! ErrrrRREISH-shooo! ISSSHH-chuhh! Hh'rrrsshh'CHHOOF!" 

It was of course Hannibal who had sneezed. Logically Will knew this was to be expected when a person was sick. Yet it seemed so strange to hear such a mundane noise from such an extraordinary person. It was as if he'd accidentally witnessed something exceedingly private. 

Still, the sneezing had broken the spell. The doctor said something in Lithuanian that sounded suspiciously like swearing, then began to blow his nose. As he did this, Will retreated several steps and reentered the kitchen more noisily:

"Dr. Lecter! I'm here! I've got your bag!"

"I'm in the study," came the congested reply, annexed by a chesty cough.

Will found the man where he said, seated in front of the instrument as he tended to his nose. Yet still, the doctor tried to smile warmly upon seeing him, though his shoulders had a limp sag to them, and he shivered as he sniffled into his handkerchief. He was wearing a fine blue silk robe with a plain white tee shirt and blue plaid pajama pants, neat but still a far cry from his usual suits. His hair was combed but lacked the crisp, styled look it usually had, hanging more naturally around his face. His eyes were fever-bright, and his cheeks were flushed from the same. He looked overall rundown and quite unwell. 

Will handed him the black leather bag right away. Hannibal took it, looking grateful. 

"Thank you so much for coming, Will. I didn't know who else to call." His voice was husky and thick, more than hinting at a miserable sore throat. 

"No problem. But what are you doing out here? I thought the reason I fetched this was because you were too sick to get out of bed."

"I'm really not very ill. I was merely trying to avoid getting anyone else ill by my going out. But you've already had this illness, so you are safe from infection, which is why I thought to call you."

"That's logical I suppose," said Will wryly. "You look pretty sick to me, though."

"I assure you I'm fie- fine…. '' Hannibal quickly disappeared behind the handkerchief again, his breath hitching to sneeze. His shoulders leapt violently several times, and the motion made his hair fall across his forehead. However, any other sneeze side effects were thoroughly stifled into silence. After finishing the fit, Hannibal wiped his nose and flipped his hair back again with a toss of his head. Noting how familiar the doctor seemed to be with the gesture, Will could only guess at the number of sneezing fits he had had prior to this one. 

Seeing the poor man’s sinuses take such abuse from the forceful stifles though made Will's own still-congested sinuses start dripping in sympathy. He hastily pulled out a tissue and wiped his nose.

"Ah, but you are still ill yourself. Where are my manners? I'll make us both tea." Hannibal quickly stood, but staggered before he could take a step, a hand going to his temple. 

"Dr. Lecter--!" Will was at his side in a moment to steady him, one hand on the doctor's arm and the other at his back, just as Hannibal had steadied him earlier in the week. Will was prepared to do whatever was needed to keep Hannibal upright, though his swaying made Will more than a little nervous, for Hannibal was much taller than he, and would more than likely take them both down if he fell. 

Thankfully, the doctor quickly righted himself, pulling away from Will's grasp. "Forgive me, I stood up too quickly." Dr. Lecter cleared his throat harshly, rubbing a palm across his eyes. 

"Are you sure you--"

"I'm fine, Will. Now, tea." He strode away to the kitchen, effectively ending the conversation, as was his talent. 

Will held his tongue for the time being and silently followed, sitting at the kitchen island while Hannibal puttered around making tea. The silence was companionable, only broken by the doctor's soft sniffles and coughs. At one point though, the doctor was overcome with a nasty coughing fit that bent him over at the waist as he grasped the countertop for balance. When the barking coughs subsided and he could breathe relatively normally once more, he flipped his hair back into place yet again and proceeded with what he was doing as if nothing had happened. Will noted all of this without comment. 

Once the tea was poured, Hannibal seated himself beside Will, and they sipped together in continued silence. Will found it odd, though not unpleasant, to be sitting next to Hannibal without speaking, for their usual interactions dictated that conversation was necessary. Will found the quiet enjoyable. Yet Hannibal could not relax, for he was forced to tend to another harsh bout of coughing, turned away from Will and muffled into his elbow. His lungs sounded as if they were trying to tear their way out of his chest. Will could only look on in concern, and it was several long moments before he quieted. 

"My apologies, Will," the doctor rasped as soon as he was able, the exertion having turned his face an even deeper shade of red.

"You don’t need to apologize. But you sound sick. And you look like you're running a fever. You should be in bed."

"I rest better down here with my music and my cooking. I couldn't lie in bed all day."

"I don't think you should do any cooking. You're shaking."

The doctor quickly hid his hands, which were indeed trembling with chills. "Even so. I find it hard to rest in bed during the day. I have trouble getting settled. It's too… quiet I suppose." He sniffled wetly, and was forced to dab at his nose with his handkerchief.

"Hmm." Will thought for a moment, studying his own hands, currently wrapped around his mug. "I suppose I have the same problem. And it's worse when you're not feeling well. But you helped alleviate that for me when I was sick." Will met the doctor's eyes, reddening slightly. "You should lie down after we're done with tea… and if you want, I'll stay with you for a while... If you think it'll help, I mean."

Hannibal regarded him in his penetrating way. "Are you that worried about my health, Will?"

"You're sick, Dr. Leh-- Hannibal. And I know how bad this flu is. I don't want to see you get worse."

Hannibal was quiet for a moment, aside from another moist sniffle. "That is very kind of you to offer. I suppose you are right. Some rest would perhaps do me good."

Will nodded. "When we're finished, I'll stay here and do these dishes while you go get settled. I'll come see you as soon as I'm done. But let me know if there's anything else you need."

Hannibal gave a tiny smile. "Thank you, Will." With that, he obediently swallowed the last few gulps of tea and stood, moving toward the back of the house.

"Hannibal?"

The doctor turned.

"You don't… have to keep pretending you're fine. If you are pretending, I mean. I know how badly you're probably feeling better than anyone. You don't need to fake anything for my sake."

Will watched as Hannibal's shoulders slumped almost imperceptibly--a thin crack in the veneer. The sick man gave the barest of nods, then proceeded on to what Will assumed was his bedroom. 

Will felt quite out of his element in more ways than one as he cleaned the dishes from their tea. Having no idea where anything went, he left it all out on a towel to dry. Once the kitchen was as clean as he could make it, he steeled himself to go check on his therapist.

The master bedroom was as luxurious as the rest of the house, and Will did his best not to gawk or make comparisons between this and his own tiny house. Hannibal had hung up his robe and was huddled in bed. He wasn't fully lying down, but was propped up against a stack of pillows, his breathing noticeably thick and raspy in the silent room. As Will expected, lying down evidently made the doctor feel the full impact of his symptoms (or perhaps he was simply done pretending). Hearing Will enter, he turned his head, lethargically opening heavy-lidded eyes. Against the cream sheets, the contrast between his pallor and fever flush was even more striking.

"It seems I'm more unwell than I thought," Hannibal murmured with a cough. "This is why I wanted to avoid lying down."

Will made a sympathetic sound. "That means you *need* to be lying down then. Have you taken your temperature recently? If not, we should."

Hannibal glanced at the medical bag he'd brought up with him. "The only thermometer I own is in there, so I have been unable to."

"A doctor that doesn't own a thermometer?" Will chuckled, moving to the bag. "I wouldn't have expected that."

"I do own one. I've never seen the need to own two."

Will deigned not to reply as he rummaged through the bag, quickly finding what he needed. He shook down the mercury as he returned to Hannibal's side. Hannibal held out his hand to take it, then shakily inserted it under his tongue. He leaned back to stare at the ceiling while Will stared at the floor, hands in his pockets.

Will waited what felt like an awkwardly long time before he finally shuffled his feet and cleared his throat. "How long does it take to get a reading? I've never--"

Hannibal held up a hand and waited a bit longer, then removed the device from his mouth, glanced at it, and handed it to Will without comment.

Seeing the reading, Will gave a low whistle. 104.1… that's high, Hannibal."

"My body temperature is always above average. This is more pronounced when I'm ill." 

"Do you have some medicine? You should probably take something. Or do you want a cool rag?"

"I have just taken medication." The doctor gestured to his nightstand with a thick sniffle where there was a small collection of unmarked pill bottles. "And there's no need for cooling methods. A fever is a natural physiological response to infection. Nothing to be alarmed about." He swiped at his nose with his handkerchief, stifling a cough.

Will was skeptical, but before he could respond, Hannibal jerked forward at the waist, pressing the handkerchief to his face again:

"Gghnxt! Kppshht!" 

The expression on the doctor’s face indicated that he could have (and maybe should have) kept sneezing, but he harshly pinched his nose with a wet squelch and blew, forcing the tickle to subside. 

Will sighed and shook his head, then made a face upon noticing the state of the handkerchief Hannibal was using.

"That handkerchief is...sodden. It's practically dripping. I'll get you a fresh one. Where do you keep them?"

"I only have 3 others and they are in worse shape than this one. I've rather been running through them."

Will chuckled. "I can't imagine why." He rummaged through his pockets, finally producing a nearly full, cellophane-wrapped travel pack of Kleenex which he handed to the doctor.

Hannibal made a face. "I despise using these." 

"I'm not sure you have an option right now. These have to be better than your soaking wet cloth ones."

"Debatable," Hannibal muttered. Still, he shook one out and gingerly brought it to his face. He gave several thick, gurgling blows, productive to the point of starting to disintegrate the tissue. Seeing this, Hannibal made another face.

"You really need to use 2 or 3 of those at a time," Will said, trying not to laugh. "But let me get you a trash can."

"There is one in the master bathroom," Hannibal croaked, looking peeved and sounding more congested than ever. 

Will quickly fetched the bin while Hannibal tried again to blow his nose, using 4 Kleenex this time. The 2nd round of blowing was equally productive. When he was finished, Will held the bin out and Hannibal tossed the tissues in as if he were tossing in a dead rat. 

"This is most unsanitary Will," Hannibal muttered with a slushy sniffle, yet still pulling out more to continue wiping his streaming nostrils.

Will only chuckled. Hannibal was breathing slightly easier now, but his eyes were heavier than ever. 

"You should sleep, Dr--Hannibal. You don't have to stay awake for my sake. I'll be here when you wake up."

The doctor nodded, obediently closing his eyes with a sigh. 

Will didn't expect such a quick response, and for a moment he watched the doctor to ensure he was truly going to sleep. When it appeared he was, Will perched on a nearby chair, unsure what else to do. It seemed he was to be staying with Hannibal in the most literal sense, for he wasn’t about to go wandering around this house by himself.

Half an hour passed, the minutes dragging slowly. The doctor lay perfectly still the entire time, but Will knew he wasn't sleeping. His frame was too alert. Meanwhile Will, with nothing to do except scroll through his phone and listen to Hannibal's deep breathing, was struggling to stay awake and wishing he too had a bed. Killing time was only making him more groggy, and his head was beginning to ache. 

Getting fed up with it, Will went with his instincts and tried something else. Swallowing a yawn and rubbing his eyes, he navigated to the e-reader app on his phone and pulled up one of his favorite novels. Clearing his throat, he began to read aloud: "The year 1866 was signalised by a remarkable incident, a mysterious and puzzling phenomenon, which doubtless no one has yet forgotten…."

As soon as there was another sound in the room, Hannibal began to visibly relax, angling his face toward Will even as he got more comfortable in the bed, though his eyes never opened. Slowly, slowly he sank deeper into the pillows as Will read on. Will sensed he was trying to follow the story, but it seemed the doctor's fatigue was overwhelming, especially since Will was trying to make his voice as soothing as possible. Within another 30 minutes, Hannibal's hand had gone limp around the Kleenex he was holding as he softly snored, sleeping at last. 

Will finished the chapter he was on, just to be sure the sick man wouldn't wake again, before he finally closed the book. His mouth was very dry and he needed a glass of water. Before he left the room though, he turned on the white noise machine he'd noted near the bed (he had a similar one in his own room), hoping some kind of continued noise would help Hannibal sleep longer. Will then tiptoed to the kitchen, pouring himself a huge glass of water right away. As he sat and drank it, he thought about what else he should do, for he didn't want to just continue sitting around. 

"What do you do for someone when they're sick?" he murmured to himself. Another moment later, he answered himself: "Make them soup, I guess." 

Hannibal's soup had been wonderful, but Will was no chef. He could prepare many basic things, but spices and seasonings, and thus soups, eluded him. He cringed at the thought of preparing something from scratch for a culinary master like Dr. Lecter. 

However, another idea occurred to him, and he smiled to himself as he considered it. It might work, but he would need to run an errand. He stood right away and strode to the front door, wanting to go and be back as quickly as possible. He only hoped Hannibal would sleep the whole time he was gone, for Will had promised to be there when he woke, and he intended to keep that promise.

~~~~~~~~~~

Hannibal didn't wake until many hours later, and Will was indeed at his side when he did. It was Hannibal's treacherous nose that did it. Will had noted subtle signs of him nearing consciousness again for a while, but the final straw was an uncontainable volley of sneezes:

"HRRIIZZSHH-uh! HhURRSHH-shuh! hrrRIIIZZSHHD! Hhh-KKRRCHHSSHHooo!"

The sighed exhale that followed bordered on a groan as that doctor shakily grabbed the tissues at his side and tended to his cherry-red nose yet again with several gurgling blows. Will had been at his side from the first sound, looking for any way to be useful. Eventually Hannibal met his gaze, taking a moment to survey the younger man. 

"You look tired, Will."

Will huffed a cheerless laugh. "You haven't doctored me enough yet this week?"

"A physician's nature doesn't change just because he's ill," Hannibal sniffled. "And you've also been ill. I don't want you to overtax yourself on my account."

"I'm fine. But you look tired too. How are you feeling?" 

Hannibal didn't reply immediately, seemingly taking inventory. A shaky breath caused him to cough harshly before he could speak, and Will winced in sympathy. 

"I feel thoroughly disgusting. And ill," Hannibal mumbled through congested-sounding consonants. "My head and chest feel achingly thick. Heavy." He put his own wrist to his forehead for a moment. "Feverish." 

"Here, you need to drink." Will handed the doctor a tall glass of ice water. Hannibal took it and drank it down with a grateful look, but the chill from the ice immediately caused him to cough into his fist yet again.

Will watched all of this, feeling uncomfortable. "I'm still sorry I got you sick, Hannibal. I hate seeing you like this."

Though Hannibal's eyes shone with fever, he eyed Will keenly. "This is not your fault. Illness is an expected part of the human experience. You must not blame yourself." It occurred to Will that congestion was not the only thing making Hannibal more difficult to understand--his Lithuanian accent was also far more pronounced than usual.

"I still feel terrible."

The doctor quirked an eyebrow at him, looking faintly amused. "What a coincidence. As I've just told you, so do I."

Will couldn't think how to respond, so they merely shared a wry smile. Then, without warning, Hannibal's torso whipped forward, and he exploded into another pair of thick, spraying sneezes:

"Hhht-KNNXT! hhnnxxt-CHUUHG!" Evidently his ability to stifle was weakening as his symptoms worsened. The sick doctor stayed hunched forward, blowing and wiping his raw nose for the hundredth time, looking utterly miserable as he shook the last few Kleenex from the package. 

"At least that's something I can help you with," Will said, nodding at the empty wrapper. He bent down and came back up with 2 new boxes of tissues. He opened one and handed it over. Hannibal took it reluctantly.

  "Those are the best ones you can get. They should be almost like real cloth."

"I rather doubt that," Hannibal muttered. "But I thank you nonetheless. They are sorely needed." 

"And I plan to take your cloth ones home and wash them and bring them back tomorrow. Including the one I still have. So you'll only have to deal with these for a bit longer," Will said with a little grin.

The doctor's eyes lit up in pleasure. "I would be most grateful for that."

"Is there anything else you'd like? Either now or tomorrow?"

Hannibal again coughed into his first before he spoke, sounding thoroughly phlegmy. "I should likely take some food. I'm feeling weaker than I ought to."

It was Will's turn to light up. "There's another coincidence… I have food ready for you. Some soup and stuff."

"I thought I smelled something simmering, even through this dreadful congestion. That explains why I'm suddenly hungry," Hannibal said with a thick sniffle, leaning back into his pillows. "Thank you for thinking of it. Though I would hardly call your predicting my needs a coincidence, but rather proof of your capabilities as a caretaker. Just something to think on.” The doctor gave him a pointed look even as he sniffled again. 

Will was now embarrassed and quickly moved to the doorway. "I'll go bring some for you now."

Hannibal let the subject drop and nodded weakly, closing his eyes as he massaged the bridge of his nose. Will hurried to the kitchen and ladled a bowl of chicken soup from the pot warming on the stove. He had the ingredients for grilled cheese ready as well, and a hot griddle waiting, so it was only a matter of minutes before he had a fresh, hot sandwich to accompany the soup. As a final touch, he peeled an orange and placed it on the plate with the sandwich, then grabbed the bottle of soda he'd bought, and transported it all to the sick room on a large tray.

Hannibal was clearly a bit taken aback upon seeing it all. "This is quite the spread, Will," he croaked. "Did you make all of this?"

"Define 'make', Will chuckled. "I turned the stove on, yes."

"The soup isn't yours then?"

"It's Campbell's chicken noodle, fresh from the can. The genuine, original sick day food. Grilled cheese made with the finest Kraft singles of course. An orange for the Vitamin C, no seeds. For the drink, we have ginger ale, the beverage that can cure any ailment. And for dessert, if you so desire, we also have hot chocolate."

Hannibal was speechless for a moment. Then, a tiny smile began to play across his features. "This is ...really something, Will. I haven't been served a meal quite like this in a very long time. I can't even remember the last time I had a cola." 

"Only the finest. Or at least the finest I could manage on short notice."

"You bought all of this just today?"

Will nodded. "This is what I used to like when I was sick. I figured I couldn't go wrong with classic comfort foods. I'm sorry I couldn't give you something higher quality. But I hope it still helps."

"Indeed." The doctor chuckled hoarsely. "This is quite satisfactory. I'm sure it will help. Thank you once again." Without further ado, the doctor dug into his feast.

To Will's surprise, the doctor easily finished not only the orange, but the soup and the sandwich as well, and seemed to enjoy them as much as could be expected. He was most skeptical of the ginger ale, but he finished half of that as well, pronouncing it "very interesting." Will also made sure he drank plenty of water to round it all out. Finally Hannibal pushed the tray away with a contented sound.

"In a practical sense, I always knew the restorative properties of chicken soup, but it's been many years since I experienced them first-hand," Hannibal managed, after blowing his streaming nose several times. "My throat and sinuses feel significantly better. As does my headache. Perhaps we should save the hot chocolate for tomorrow however, for I am comfortably full now." 

Will thought he was going to say more, for he paused oddly. Instead the doctor's breath hitched violently:

"Gihh-chuuh! Chnnggh!..." 

Only the first two in the fit were audible. He seemingly sneezed several more times, but he stifled them into oblivion, with only the movement of his head to indicate what was happening. Watching such forceful suppression was still painful, but it heartened Will slightly to know that Hannibal was feeling well enough after some food to worry about his dignity once more.

Finally the doctor ended his fit and fell back against the pillows with a weary sigh and a weak cough, flipping the hair off of his forehead yet again.

"That looked exhausting."

"Perhaps it would have been if I weren't exhausted to begin with," Hannibal mumbled, an arm over his face.

"Then you should sleep more."

Hannibal uncovered his eyes to meet Will's. "It would be terribly rude of me to sleep again while you are here."

Then I'll get ready to go. I'll clean up all of this then head out. Let you have some peace. But like I said, I'll be back tomorrow with your handkerchiefs." Will grabbed the tray, preparing to carry it to the kitchen. 

"Will?"

Will paused, turning around.

Hannibal looked slightly imploring. "If it's not too much trouble, would you mind reading a bit more before you go? I was quite enjoying the story."

Will couldn't help but smile. "It would be my pleasure."

[thinkingisadangerouspastime]

What do you think about the "Katara and Aang idolize one another" agruement?

it’s bullshit

I think this argument is a lot like many ship-related arguments in the A:TLA fandom: while perhaps it contains an inkling or two of truth, it is by and large an inaccurate assessment. Here’s the thing about Katara and Aang idolizing one another: they did! But only for a brief portion of Book 1. That is all. People who insist Aang and Katara idolized each other for the entirety of A:TLA are incorrect, plain and simple, and I encourage them to rewatch the show, lol.

Before I go any further, here is a definition of “idolize”: to admire, revere, or love greatly or excessively. Obviously, the qualifier of “excessively” is what demands attention, as “great” admiration and love are not emotions inherently bad.

So let’s jump right in - I’ll start with Aang, since fandom launches most of its “critiques” on him when they examine Kataang. Aang’s idolization of Katara in early Book 1 is pretty straightforward: he had a crush on her!

(Note that Katara had a crush on Aang, too, but her idolization overall presents itself in a different form that I’ll discuss later.)

But yes, Aang had a crush on Katara. And like anyone who’s ever had a crush, he definitely idolized her in the beginning! We see in “The Fortuneteller” the rose-tinted lens he views her with; the scene is cute and relatable, as a majority of alloromantic people have had That Moment where they’re a little bit overwhelmed by their feelings towards their crush.

But Aang’s perception of Katara does not remain this way. The idolization argument implies that throughout the entire series he saw her through rose-tinted goggles, but the fact of the matter is that he doesn’t! Aang sees Katara at her lowest points (just as she sees him at his, which I will expand upon later); to name only a few:

- her frustration about her waterbending abilities in “The Waterbending Scroll” that she unfairly takes out on him

- her anger as a result of sleep deprivation in “The Chase”

- bloodbending in “The Puppetmaster”

- and, of course, much of “The Southern Raiders”

Why is this relevant? Well, human beings are flawed by nature. To idolize someone generally involves either a lack of exposure to a person’s flaws, or to see but to then actively ignore someone’s flaws (and, for the record, ignoring a person’s flaws is entirely different from accepting their flaws). So, it’s plain as day that Aang has been exposed to Katara’s flaws, meaning the former doesn’t apply. But does Aang ignore her flaws?

Short answer: no.

Long answer: no, and the series clearly demonstrates this fact.

Example - Aang experienced firsthand Katara’s frustration about her waterbending abilities, so what does he do? When they reach the Northern Water Tribe, he sacrifices a night’s rest to teach her waterbending in direct defiance of Pakku’s orders, and would have continued doing so had Pakku not found them. Aang understands her struggle, he acknowledges her frustration for what it is, and he seeks to help her resolve it! If Aang still “idolized” her by this point, then chances are he wouldn’t have recognized Katara’s conflict in the first place, namely because idolization = rose-tinted lens that would have clouded his vision and prevented him from identifying her flaw/struggle.

To jump to the end of the series, “The Southern Raiders” is a titular example of how Aang does not idolize Katara. TSR is perhaps Katara’s lowest point; if Aang idolized her as some people like to claim, he probably would have shied away from her during this episode. He would have avoided confronting her anger and her hate, because acknowledging someone’s flaws means destroying the image of perfection one has created for that person. But Aang doesn’t shy away. He tells Katara, straight to the point, that she is going on a revenge mission. It hurts, but it’s the truth. That is the thesis of the entire episode, and it is what Katara herself comes to term with by the end of it.

Basically, my point is that Aang not only bears witness to Katara’s flaws, but actively confronts them. That is… pretty much the exact opposite of idolizing someone?

To put it simply: it makes no sense to say Aang idolizes Katara, seeing as he refuses to shove her flaws under the rug rather than pretending they don’t exist (which is what idolization would suggest). He sees them, he acknowledges them, and in fact he always seeks to help her resolve those problems, which is a sign of a healthy, mutually supportive, and respectful relationship. Over the course of A:TLA, Aang gets to know Katara (and she him), thus the series itself and plain logic demonstrate how his rose-tinted lens fades away with time.

Also, please examine the progression of how Aang looks at Katara throughout the series. He clearly starts with a cute crush, but by the end of the show? No idolization in sight. That’s acceptance and love, babey.

Now let’s talk about Katara. Her idolization is less related to her crush (there are aspects to look at there, too, of course; however, most of them track with what I just discussed about Aang) and instead is largely connected to Aang being the Avatar. And tbh, can you blame her? Katara had faith in the Avatar’s return well before she met Aang - of course she’d be a little starstruck after they first became friends!

Think about the very first episode, where Katara insists that Aang is full of wisdom. Yes, she is technically correct about that, but she really hasn’t known Aang long enough to justify that conclusion - she believes it solely because she believes in the hope and power of the Avatar. (I think technically she may not have known Aang was the Avatar at that point, but like, Katara isn’t stupid lmao. An airbender who’s somehow alive after 100 years?? And yet he’s not the Avatar? Sure, Jan.) Later, in “The Storm,” she defends Aang’s actions (or lack thereof) as the Avatar. And of course she would do so at that point (i.e. early) in the series! She doesn’t want her hope (read: her idolization) to be dashed that the Avatar will save the world!

But again, Katara’s perception of Aang does not remain this way. As aforementioned, Katara also sees Aang at his lowest points. To quickly name a few:

- in “Bato of the Water Tribe,” where Aang hid the letter from her father

- in “The Avatar State,” where Aang is trying to forcibly trigger the Avatar state (not good lol)

- after Appa was stolen; when Aang learned what had happened to Appa; when Aang tries to stop letting himself feel because of his grief about Appa being gone

- after the failed invasion, when Aang is heartbroken over his own failure

Again, Katara is exposed to Aang’s flaws as he is to hers, and just like Aang, she does not ignore them. She gets understandably upset when Aang hides her father’s letter, and after thinking about his action she recognizes what incited him to do so and thus chooses to forgive him. It is not an immediate decision (had she idolized him, it most likely would have been, as idolization implies there’s no way the idolized person can be in the wrong). Similarly, in “The Avatar State,” she disagrees with Aang’s decision, tells him so, and sticks by her opinion (a direct parallel to Aang’s advice to her in “The Southern Raiders”!). Later in the series, when Appa is stolen and when the eclipse invasion fails, Katara does not look away from Aang’s pain (versus to idolize him would mean to ignore any demonstration of his flaws); like Aang with her, she faces his negative feelings head-on.

So after a while? Katara still admires Aang as the Avatar, as any normal person does, but she knows him. She knows his flaws. And she loves him regardless. Not only that, but she seeks to help him address whatever problem is at hand (e.g. her comforting him after Appa is stolen and even her simple decision to put a hand on his shoulder after the failed invasion), just as Aang does with her.

(There is a FANTASTIC gifset here that demonstrates how whenever Katara and Aang disagree, they acknowledge their disagreement in healthy ways. Quite the opposite of idolization.)

And again, take a second to examine how the way Katara looks at Aang changes, too. That’s love, babey!

So do Aang and Katara idolize each other? Sure, they used to. For all of… ah, yes. A few episodes in the very first season. But by the end of the series? Sorry, that assessment couldn’t be further from the truth. Katara and Aang know each other better than anyone, from their positives to their negatives, and that is why their relationship is a titular example of healthy and supportive best friends to lovers.

[struggle-but-its-all-ocean-floor]

Are the gifs recent? I also noticed it in the live. But why does jk's face look so skinny. He seems to have lost a lot of weight. His eyes seems different too..

Also yes! Dark hair suits him the best. I'm not a fan of blonde jk. But the red hair was really good too! I just don't find them doing anything different when he has long hair. They could do so much. But I also prefer short hair bcz of that.

Which gifs? I think most of the gifsets I have queued up are recent, yeah. His face is skinnier... It was really noticeable on the vlive, even if I can't tell that he's lost weight just looking at his body.

I think JK's hair is too thin for most hairstyles? Remember when he tried to slick it back for the My Time performances, but his hair wouldn't behave and the hairstyle fell apart completely? It happened at MMAs or MAMAs (can't recall which) too. Any time they try to push back his hair or style it with a lot of gel, Jungkookie's hair gives out on him, haha. It's easier to just let his hair fall naturally and style it a bit, or to put it up into a ponytail. I also think perms don't last very long with him. But Jungkook's hair seems to be naturally a bit wavy, and that's why they sometimes style it like that, although it's not a look I particularly enjoy on him.

[canary3d-obsessed]

Restless Rewatch: The Untamed Episode 18, second part

(Masterpost) (Other Canary Stuff) (Previous Post)

Warning: Spoilers for All 50 Episodes!

Hey OP where’s the funny header gif for this post? Sorry, it was murdered by an angst demon and the framing of these shots.

My Found Family Came to Find Me

Continuing our flashback from last time, we see Baby Wei Ying up a tree, refusing to come down because he's afraid there are dogs. Eventually he falls out of the tree, like a dumbass a child, and Yanli tries but fails to catch him. 

Unlike his grownup counterpart, Baby Wei Ying doesn't pretend he's unhurt when he is hurt. I'd like to put the change at Yu Ziyuan's door, but actually he admits to being hurt during his Gusu summer - he mimics Lan Zhan's stoicism when they're getting beaten, but it doesn't come naturally to him, and he whines a lot afterwards. 

By the time of the Animatronic Dog incident, however, he's laughing off obvious injuries that have secret trauma behind them. By the time he comes back, coreless, from the burial mounds, he won't confide in anyone about his hurts any more, except possibly Wen Qing.

Yanli carries Wei Ying, in a sequence that will be echoed much later in his life when Lan Zhan carries him (gifset here). While they head back, she tells him that Jiang Cheng has a bad temper and to ignore whatever mean things he says. This will also be echoed in the future, when Wei Wuxian says it to Lan Zhan after their argument with Jiang Cheng in the shrine.

Yanli also explains that Jiang Cheng loved his dogs and that he's been very sad since Jiang Fengmian sent them away, demonstrating once again that Jiang Fengmian is a terrible father. Yanli says that Jiang Cheng will be happy to have a friend with him, though. This kind of makes Wei Wuxian's role in Jiang Cheng's life "replacement dog."

Jiang Cheng, after getting over this particular snit, got worried about Wei Wuxian and woke up Yanli to find him, and then went wandering around in the dark like a dumbass a child, and is banged up and crying when the other two find him. Yanli encourages him to apologize to Wei Wuxian and he does, which will not happen again until the very end of the show.  

They all smile and laugh together, as Wei Ying looks to Yanli to guide him through the insanity that his life has suddenly become. 

(more behind the cut!)

They head back to Lotus Pier in a sweet montage of walking and smiling together, with Jiang Cheng carrying the world's most beautiful candle holder with the world's most wind-resistant candle in it, to light their way back. Back in the present day for a brief moment, Jiang Cheng pretends to sleep and listens to his sister insisting that the three of them should always stay together, while a single tear rolls down the side of his face.

Soup is Love, Chapter 1 of 1000

Then we head to the past again. In Jiang Cheng & Wei Ying's now-shared room, Wei Ying sits on the bed trying to figure out how to deal with his grumpy new roommate.

Wei Ying is unsure what to do when confronted with pajama game this strong. Tiny Jiang Cheng is already a fashion king. 

Then he tells Jiang Cheng he's not going to narc him out to the clan leader, since it was his own fault that he hurt his leg. This is all Jiang Cheng needs to hear to decide Wei Ying is all right, and he says that he will help Wei Ying chase away dogs in the future.  In fact, Wei Wuxian will protect Jiang Cheng from punishment basically forever, while Jiang Cheng will continue to threaten Wei Wuxian with dogs...forever.

They shake hands on their new understanding and then jump up and down laughing, Wei Ying's leg being all better now, apparently.  When Yanli arrives (carrying a tray of...can you guess? I'll let you guess), they stop jumping. Wei Ying dives in to give Jiang Cheng a little tickle/embrace in an adorable moment that would have me saying "oh, my ovaries!" if I hadn't surgically sent my ovaries to hell a few years ago.

Yanli introduces Wei Ying to the emotional and gustatorial miracle that is her lotus and ribs soup. He hesitates a long time before tucking in because he's so unused to being fed.

Consent? I Don’t Even Know Her

The flashback wraps up with Yanli conked out on the table from the drugs in the incense burner, while Wei Wuxian, who is somehow unaffected despite sitting almost as close to the smoke as she was, checks on her. Jiang Cheng and his Uggs period-appropriate sock thingies get out of bed to come stand with Wei Wuxian, and have feelings about sending Yanli away after she JUST said she doesn't want to be parted from them.

Wei Wuxian: If she didn't want us to do this, she shouldn't have signed that blanket consent-to-medical-treatment form.   Jiang Cheng: Wen Qing made me sign one of those plus a durable power of attorney, is that bad?

This episode is all about people overriding each others' agency and making massively important decisions without the consent of the people who will be affected. But in a feudal context, it's not a violation, no matter how it feels to the person being controlled. In feudal life, your body belongs to your lord -- your sect leader, in the world of CQL. Jiang Yanli and Jiang Cheng's choices are overridden by their clan leader's final command to Wei Wuxian.  Wei Wuxian's core is arguably Jiang Fengmian's property--Wei Wuxian certainly sees it that way, just as his hand was Yu Ziyuan's to take if she wished.  

The brothers tenderly tuck Yanli into bed in the rolly cart and hand her off to Song Lan. They talk about how important it is to get her to Lanling and that she's probably going to be mad, as they thank Song Lan for helping them. 

Yanli listens while she sleeps and, in what is becoming a trademark Jiang move, lets a single tear roll down the side of her face. Jiang Cheng points out that Yanli never gets mad at Wei Wuxian and Wei Wuxian is like, true dat.

How Can You Mend a Broken Heart?

Song Lan is always so emotional about every damn thing, I love him. Here he's like OH GOD NO DON'T FORMALLY THANK ME! STOP!!!

Then he starts to ask Wei Wuxian to pass a message to Song Xingchen for him, but then decides not to say anything, making it super obvious that they fought and aren't together. 

Wei Wuxian reacts to this with confusion and distress, probably because he doesn't want to imagine ever having a breakup with his own soulmate. Which he soon will be having.  But possibly he's just upset that his OTP broke up.

After Song Lan takes off, Jiang Cheng gives Wen Qing a rude & perfunctory thank-you bow, turning away before she can return it. Wei Wuxian tells her not to take it to heart - basically everyone who deals with Jiang Cheng gets a version of the "ignore what he says" speech. She says she understands and that in his place she would have behaved worse, which is so totally not true.  

Then she asks Wei Wuxian if he's sure about the core transfer (not in so many words, because the script is being kind of being vague about it, without actually hiding what's happening). His reply pretty much encapsulates the whole Wei Wuxian experience.

Then he and Jiang Cheng walk off, with Jiang Cheng giving us a rear view that had me googling Wang Zhuocheng's fashion shoots to determine if that wagon he's draggin’ is really as delightful as this belt makes it look. Alas, there is not a wealth of photographic evidence for this research, as compared to, for example, photos of Xiao Zhan's outstanding ass.

Wen Qing and Wen Ning see them off, with Wen Qing wishing they valued their lives more. Although, what she and Wen Ning are doing is massive treason, so their lives will be pretty much forfeit if they're caught, so...

The Sunshot Campaign of Like 60 Dudes

Wei Wuxian and Jiang Cheng walk up the mountain for the whole beginning of the Sunshot campaign, which...okay. Maybe it's like Dunkirk or The Witcher where they intercut stuff that is happening in different timeframes, which is one of my least favorite new film style thingies.

You know, for a guy Wei Wuxian constantly calls "peacock," Jin Ziyuan really doesn't wear a lot of adornment; just some subtle metalwork on his belt with no dangly bits at all, and a single reasonably-sized hair crown. Compared to the extremely fancy Lan Wangji he's almost plain. We already know that Wei Wuxian is a massive hypocrite when it comes to his idea of a perfect boy, however.

So, this is the Lanling Jin army, which consists of literally 60 guys, including the ones on the stairs and Jin Zixuan and Douchebag Dad. How are they going to fight a war with this tiny group? Why do they have such a big plaza? Hasn't anybody on this production learned CGI cloning?

That’s better.

Nie Mingjue and his best bitch Baxia make quick work of the 4 Wen guys who were assigned to hold the Unclean Realm. 

Hello, Daddy Da-Ge!

Squeeee, it's Lan Wangji! He's taking back Cloud Recesses! Ooooohhh we've missed you Lan Wangji.

Look guys he's here! Look how beautiful he is. He's looking at the gate of cloud recesses and thinking thoughts that Lan Xichen or Wei Wuxian could probably see in his bewitching eyes if they were here to see him, which they aren't. But at least he is here!

....and now he's gone again. *cries*

Hares On The Mountains

Jiang Cheng and Wei Wuxian continue roaming prettily around this pretty mountainside. The locations in this show are such eye candy. 

Young laddies they run like hares on the mountains Young laddies they run like hares on the mountains  Young laddies they run like hares on the mountains  If I was a young lass I’d soon go a hunting

Jiang Cheng starts to have doubts about the whole Baoshan Sanren thing. Wei Wuxian's reply pretty much encapsulates the whole Wei Wuxian experience.  

Then we have just the tenderest blindfolding scene, (more gifs here), which is fodder for your ChengXian dreams, if you have those.

Here's a good place for a sidebar about what is and isn't incest. Whee! In the CDrama context, relationships tend to be more clearly defined than in western media. The mechanism of confession & acceptance means that people either are or are not in a romantic relationship, with few grey areas. So a character can literally say "we grew up as brother and sister, but now we are dating" and when someone looks startled they just say "there's no blood relation" and everyone is like "cool cool" and that's the new definition of the relationship.

For a strong example of this, the extremely wonderful Go Ahead is about a contemporary family in which a girl and two boys, who are not blood relatives, are all raised together, and call each other brother and sister. When they become adults, they and everyone around them expect the girl (now a woman) to marry one of the two men who have been her brothers, while whichever one she doesn't choose will carry on as her sibling. It's treated as the most natural, logical thing in the world; the only question is whether she wants to make that transition, and with whom.

Looked at through this lens, Wei Wuxian's relationships with his adoptive siblings have just as much potential to turn into romances as his relationships with his friends do, and there's nothing creepy about it. As such you can expect my meta to always get into ChengXian moments without treating it as a wrong or forbidden love. Hopeless, of course, because Jiang Cheng is such a prick the power of WangXian is stronger, but that's a different matter.

What is wrong is wearing this fantastic hat & veil combination when the most fashionable person on the mountain is blindfolded and can't see it.

In the course of this blindfolded encounter with Wen Qing, Jiang Cheng gets to kneel before a powerful woman, be led along by a length of silk that's placed in his hand, and then knocked the fuck out and operated on. He'll wake up in a hotel room in a tub full of ice with "we took your kidney" written on the mirror in lipstick, and he'll love every minute of it.  

Soundtrack: 1. Still Fighting it, by Ben Folds 2. Hares on the Mountain, by Steeleye Span

Writing Prompt: The NEXT time somebody blindfolds Jiang Cheng

[waywardrose]

On Babbushka

There is a group of well-known writers in the fandom who have been discouraged and put down by one of their own, Zannah - @babbushka​. It happens behind the scenes in DMs. It happens in posts and tags.

In DMs, she has started conversations with seemingly innocent questions. When she doesn't receive the response she was aiming for, she diverts the conversation to criticizing and humiliating the person. She has attacked writers for tagging—or not tagging—a post in a way she deems appropriate. She has gotten into arguments over how characters were portrayed and then tried to claim victimization when the other person wouldn't knuckle under.

She will appeal to her following to attack any fan or creator who has an opinion that differs from her own. She will encourage friends to send rude anons. Those same friends will also DM the target with rude remarks.

Several creators have stopped writing altogether because of their interactions with her.

We are tired of being discouraged. We are tired of being talked down to. We are tired of being bullied. Enough is enough. Under the cut we share our stories, let the chips fall where they may. It's up to you, the reader, to decide whether to support her.

We can only warn up-and-coming writers, artists, fans, and supporters of her behavior.

-

Hope - @callmehopeless

The Australian bushfires of the 2019-2020 season were nightmarish—for those living through it and those witnessing. As the season went on, cries for help increased. Joaquin Phoenix used the time during his Best-Actor acceptance speech at the Golden Globes to call for unity, action, and accountability. Regardless of what we may think of him, it was a thoughtful speech.

Hope, who is an Australian, found Mr. Phoenix's message encouraging and reblogged a gifset of his speech.

That morning, Zannah made a post about Mr. Phoenix's shady past and his association with a known sexual predator. The main reason wasn't because his speech was inappropriate or not timely, but because she didn't think he should be the one to get the attention over other actors who had spoken of the bushfires during the Golden Globes.

While Hope confessed she was scared of the bushfires, scared for her loved ones, Zannah was more concerned with purity. To Zannah it was about the face of the message, not the message itself. It didn't matter that Mr. Phoenix was amplifying support for Australia, what did matter was that he had done bad things.

It was virtue signaling on Zannah's part.

Still, this remains a complicated argument. Can a person who has done bad things actually have something positive to add to a cause? Should we listen to a problematic person if they share an insight? Does it reflect poorly on us to agree with their isolated statement? Will we be canceled, too? What about the bigger picture?

In this case, the bigger picture was hundreds of homes were destroyed in the bushfires and families were displaced. People died, thousands of animals died. And it was because of climate change. Mr. Phoenix called for his rich peers to examine their respective lifestyles and to give back.

Yes, Mr. Phoenix has done bad things. Yes, he has associated with people who have done bad things. His words resonated with people on Tumblr, and they reblogged part of his speech. He said something that gave Hope hope.

Hope was asked by a third party how they could help. She came back with a resource guide for those who wanted to send aid to Australians.

When it became obvious Zannah wouldn't silence Hope, Zannah decided to sub-post about the interaction. There, she accused Hope of being a rape apologist for reblogging a gifset and finding a little comfort in it. Zannah placed her ego before someone who was facing a very real danger.

Side-eying an actor is one thing, shaming a person you know for finding solace during a scary time is another. Hope isn't responsible for which voice got picked up. The only "colors" being shown here are Zannah's. She put her own concerns about being perceived as morally pure above actually supporting a friend.

I'll keep this brief - I knew Zannah for many years. And on one of the lowest weeks of my life, when my suburb was burning down and I feared for my family: she convinced me I was a rape apologist for sharing Joaquin Phoenix's speech asking for action on bushfires. In all my life, I never felt more alone. To add insult to injury, she then posted memes mocking me - something that has stuck with me to this day.

I've had dear friends quit the fandom because of her kinkshaming. I've had people I love message me distraught over what she's said.

Enough is enough.

— @callmehopeless

-

Rose - @the-wayward-rose​

This PM exchange started after I tagged my reblog of Zannah's fic Feast (Cameron Bistle x Reader) with cw: white reader. I had been on her taglist, and I wanted to show support because I liked the fic overall. For context, the reason for my tag is because of this sentence:

"But then you're blushing so pretty and squeezing his hand affectionately and reaching for the handle to the passenger side of his car, and then you're laughing when he swats your hand away to open it for you, and then you're beckoning him down as if to ask a question – only to place a chaste kiss to his lips instead."

This is from Cameron's point of view.

She asked the reason for the tag, and I explained it was because of the use of "blush" to describe Reader's appearance.

She misunderstood my premise. I did not mean only white people blush.

According to Merriam-Webster, blush means "a reddening of the face especially from shame, modesty, or confusion" or "a red or rosy tint."

It is an autonomic response, though. It happens in all humans for body cooling and nonverbal communication. The main problem with using it universally is that melanin obscures the appearance of said autonomic response.

Here's an example of three runners:

The two pale women, left and center, are pink in the face. They are blushing. The woman of color on the right is likely blushing, too. However, the melanin in her skin obscures the blood in her cheeks. She is not pink.

That's the pitfall of the word "blush." The observer can't always see it. We know what it feels like. We all do it. The face and/or neck gets hot. The use of "blush" is shorthand in narrative, and I understand that. Nevertheless, when writing to cater to a reader-insert audience of unknown heritage, writers need to consider describing with universal terms.

Again, she misunderstood my premise. I clarified by asking how Cameron sees the Reader blush under an abundance of melanin:

She sidestepped the physiological explanation to go straight for justification. She tried to legitimize "blush" as "perhaps [this]" or "perhaps [that]" when I stated earlier that blush by definition is pink or is to redden. That's the logic. A noncommittal, covering-all-the-bases, complicated defense diluted the conversation.

With her earlier "I have friends of color, hence I can't be exclusionary" statement, I wasn't sure she would get my point. I take full responsibility for not explaining, too. I should've asked for some time to gather my thoughts, but I didn't. Truthfully, I was unprepared, because I didn't think my insignificant tag would be an issue.

Also, I was confused why she was trying to police my blog.

Her replies came rapidly—before I could mention my confusion—and felt aggressive in the moment. Maybe that wasn't her intention, but the road to hell is paved with good intentions.

That doesn't take away from the fact that words have meaning. It's why we use specific words. It's not understood in the narrative that her use of "blush" could mean a bunch of things. If I had known, I wouldn't have tagged as I did. How is a reader of color supposed to know that? How does Cameron see Reader's blush if she has darker skin?

As writers, we don't know who is reading. Someone could be very pale or very dark. A person with medium-toned skin can turn a shade of pink or red. A person with darker-toned skin will not. We can't assume all readers are medium to pale. We need to develop better writing skills. We have to include everyone.

Readers of color > White-writer feelings

When I stood my ground, she doubled down, stating I made no sense in my tagging and that I lacked the ability to learn from her. She then diverted the argument, attacking a ficlet I wrote a few days beforehand—which had nothing to do with this argument. The Christian imagery in that ficlet was upsetting to her and "in such poor taste" because she headcanons Flip Zimmerman (BlacKkKlansman) is 100% culturally and ethnically Jewish.

Flip stated in the movie:

"I'm Jewish, but I wasn't raised to be. It wasn't part of my life. I never thought much about being Jewish. Nobody around me was Jewish. I wasn't going to a bunch of Bar Mitzvahs. I didn't have a Bar Mitzvah. I was just another white kid. And now I'm in some basement denying it out loud[...] I never thought much about it. Now I'm thinking about it all the time. About rituals and heritage. Is that passing? Well then, I have been passing."

By his own admission, Flip is ethnically Jewish, but not culturally. These are two separate things, and that should be recognized. While Judaism is ethnically and culturally entwined in ways that other religions are not, one does not equate the other. You can be one and not the other.

At the time, I didn't want her to sic her 3000+ followers on me. I wasn't going to argue further. I asked myself if the ficlet was important and worth anon-hate and realized, no, it wasn't. It was a throw-away.

And since I'm not culturally Jewish, maybe I had misstepped. And since Zannah is both culturally and ethnically Jewish, I asked for her guidance.

She flatly refused my request. I don't know how I was supposed to learn from her if she wouldn't teach me.

It sounded as if she wanted me to delete the whole fic. Like none of it was worth saving because it hadn't been Zannah-approved. I had gone against her headcanon, and the fic was too offensive to fix.

The last sentence was supposed to cover her back from criticism, and it placed all the responsibility on me. Obviously, she was above such petty concerns as someone else's blog or writing. Never mind that she had just attempted to get me to change my tagging system and rewrite my ficlet. On my blog.

Later, I figured out she was only criticizing and not offering a constructive critique. Her argument was not in good faith. It was retaliation for not giving her the obedience she thought she was owed.

This is the passage that offended her:

"It’s because of the way he fucks you. Like it’s confession—though he’s never been much of a church-going man. Every touch, every thrust, is a truth between you. Even when it’s rough and greedy. It feels like flagellation when you claw his back. He wears the sin proudly."

This is what I edited it to:

"It’s because of the way he fucks you. Every touch, every thrust, is a truth between you. Even when it’s rough and greedy. It feels like flagellation when you claw his back. He wears your marks proudly."

Yeah, I'm not pleased with the revised passage. It's lost its teeth, but I keep it.

The anonymous message(s) she mentioned weren't very anonymous, either. Unfortunately, I've since deleted the two messages. I had apologized to Anon for disappointing them. I said that if the fic was too much, they should unfollow and block me. I meant that in a self-care way. At the same time, I did not—and do not—owe anyone discourse. I don't have to explain my art when it doesn't hurt anyone. And no one was hurt by some purportedly misplaced religious imagery.

I have been silent about this since late January/early February. I was embarrassed. I had been bullied into changing my blog and my fic by someone who proclaims to never do anything of the sort. I had been a fool. Since this conversation with her, I have been blocked/blacklisted by third-parties, most likely at her behest, when none of this exchange had been necessary.

-

Kassanovella - @kylorengarbagedump​​

Zannah's followers have asked her about Kassanovella’s Fix Your Attitude. For context, it's currently one of the most kudo-ed fics for Kylo Ren x Reader on AO3. It had a bit of a renaissance earlier in 2020 because a TikToker wrote a song for it.

There is nothing wrong with not wanting to read a fic. If the subject matter doesn't work for a reader, they don't have to partake. Easy as that. So, these tags aren't a problem.

However, it led to this...

She lashed out, calling Kassanovella's fic a joke. A joke.

She implied her fics should be as popular as Kassanovella's because she works really hard on them. She admitted she's tied to the metrics. She implied she wouldn't be writing fic if not for the external validation.

Here's the thing about fanfic: readers like what they like. They don't care about a writer's effort. They only know what works for them. They comment and give kudos, reblog and like what they connect with. That is not under the writer's control. All a writer can do is try their best and concentrate on what they're passionate about.

To bash another writer's fic because it's popular is disrespectful. This whole bitter rant drips of entitlement and is an affront to Kassanovella.

Some time later, an incident happened in a chatroom during a streaming event for veterans by Arts In the Armed Forces (Adam Driver's organization). At least one fan brought up Fix Your Attitude while waiting for Mr. Driver to make an appearance. They were also disrespectful towards the other presenters by demanding to see Mr. Driver. It caused a big stink within the fandom, and Zannah had some choice words.

While mentioning the fic during the livestream was inappropriate, it was also inappropriate to throw all fans of the fic under the bus as she did in her tag. Sweeping generalizations and incriminations of a subset of fans certainly reads as if she resents those fans for a perceived slight.

Next, Zannah made an earlier disparaging comment about Kassanovella's fic, Little Bird. Unfortunately, that comment is lost. However, the messages supporting the comment remain. (For context, Little Bird is a Kylo Ren x Reader The Handmaid's Tale AU. It has been well received in the fandom, earning thousands of kudos on AO3.)

What an author wants to write about and sexualize is their business. Fantasizing about being dominated by Kylo Ren isn't cringe. It's a sexual fantasy. Some sexual fantasies can be disturbing to those who do not share the same kink.

Sexual fantasies are like ice cream. There's a reason why there are different flavors.

Also, "I will never ever be a person that tells an author what to do or not do" is an absolute lie. As evident in this post, Zannah most definitely tells authors what to do or not do.

Again, she bashes Kassanovella, claiming her writing isn't good. Her motivation for bashing Kassanovella can only be speculation. With Zannah's previously stated opinion of Fix Your Attitude, though, it indicates a certain level of negative emotions.

-

Anonymous

An anonymous person came forward with a case of Zannah policing their blog. Anon has a sideblog for their personal AU with Flip Zimmerman. They reblog gifsets and post headcanons. They were an enthusiastic fan of Zannah's and reblogged a few of the gifset she made. Anon tagged their reactions, and Zannah blocked them for it.

Anon went to Zannah and asked why they were blocked, because all they wanted to do was have fun and support fellow Flip lovers.

Anon was under the impression that because they were shipping themselves, and not Zannah, with Flip, she blocked them. Their personal AU doesn't align with Zannah's headcanon that she alone is married to this character and has his children.

While Zannah's reply may sound innocent, and perhaps it is, it also speaks to someone who has set herself up as the owner of Flip Zimmerman. (Wait until Spike Lee or the real Ron Stallworth hears about that...) It appears that if a fan does not comply with the Zannah-approved headcanon, where only she is married to Flip, that fan shall be blocked. If a fan uses tags on their blog that she does not approve of, that fan will be blocked.

Zannah's policing is disturbing. Going into a blog to look for something as a reason to block is disturbing. Any fan is allowed to use any tag on their blog how they wish. If the OP has said their post can be reblogged, how a reblogger tags is beyond the OP's control. To punish that reblogger for not behaving in a way she finds acceptable is uncalled for and unjust.

-

Anonymous

Backstory: Zannah does not view Ben Solo's arc in the Star Wars sequel trilogy as acceptable canon. However, she does view the story she created for Flip Zimmerman in BlacKkKlansman as completely canon.

This is not the first time she has been asked to clarify her position. Nor is it the first time she has avoided giving an on-topic response. A question asked in good faith should be responded to in kind.

If a creator doesn't want to address the issue, they can state that they don't. Deflecting from the question only muddies the waters. Fans feel dismissed. The creator feels hounded, and comes across as irritated and unapproachable. No one has a positive fandom experience.

There is nothing wrong with having a headcanon. What is wrong is Zannah mandating her headcanon for Flip on the whole fandom. As evident in this post, if a fan does not comply with her headcanon, they will be summarily blocked.

Also, there is nothing wrong with rejecting canon. Writers of transformative works have always done this. The problem is shaming fans who have accepted canon while not offering justification for that shaming. A creator saying they "can't help them" is the creator washing their hands of responsibility from articulating their thoughts when they themselves began criticizing the canon in the first place.

Again, this is a bad-faith argument. Creators can't ask for discussion and attention and then get mad when their viewpoints are challenged. Just because a discussion isn't going a creator's way doesn't mean it's an attack, either. It means people want clarification, and if one criticizes, they should be able to back up their criticisms.

-

While sharing our stories has been freeing, it's not our aim as fellow fans to cancel Zannah. We would hope she would take the opportunity to reflect on the damage she has done to the fandom. We hope we all can move forward with a more approachable and supportive scene.

No one person speaks for our fandom. The actions of one fan do not represent the entire fandom. Whether creator or consumer, you are welcome here.

[posted July 25, 2020]

[himbo-buckley]

The Big Buddie for Dummies Guide

Hello party people and welcome to whatever this was supposed to be!

Quite a while ago I got an ask by someone about doing a guide on all the canon indicators for Buddie to explain the ship to non-shippers and about 5 anxiety attacks and four weeks later, I finally did it!

So read, enjoy, reblog, validate, disagree!

Also here are some notes before we get started:

Buddie has been around a while now and there are some incredibly people writing about them and doing meta posts for them, some of which I asked for their opinion which I will link at the end and some of which I am quoting in a way / have been inspired by (Also feel free to send me all and every post related and I will link it in the text as I will try to do the same)

This Guide is organised by the following themes we find in the show with Buddie: trust - coparenting - connection and love life - subtext

I’m not gonna lie, this is incomplete af because tbh? There is so much stuff that can be interpreted as evidence for Buddie but this is too long already so I left some stuff out, I hope ya’ll don’t mind … (also the reblog  option exists for reason, just add on what I missed, I’m not gonna bite!)

I’m gonna assume the person who reads this has a general understanding of the show and its scenes because I cannot explain every scene down to it’s very detail (I mean I can but that’s another 20000 words worth of meta and not sure anyone wants to read that … again) but I will try and link fitting gifsets (again, send them my way if you feel I should include sth.)

I should also add a warning for the fact that I, personally, think I am hilarious but others might not but fellas, Idc! (Also I cuss, some people don’t like that?)

So let’s get this show on the road then, shall we? I call this meta : „We might end up real close.“

(alternate title: „Buddie stans ship hard but canon ships harder“ or „This is Timbo’s story (of becoming more famous than Joss Whedon) and I’m just it’s vessel“)

Trust

We’re gonna start this off strong (I mean all of them are strong themes) by talking about the biggest theme with Buddie which is trust. It goes all the way back to 2.01 and the gym scene and Buck basically telling Eddie he doesn’t trust him (complaining about Eddie’s comfort level, anyone?) and that he needs to earn that - which rude but also I get it.

In fact there are two main themes which I combined into Trust which begin in 2.01:

„You’re my problem“ and „You can have my back any day“ both of which sort of sum up Buddie, because from the get go Buck decides hey, this guy is my problem and then he proceeds to make everything about Eddie his business. Eddie meanwhile tells Buck he’d love to have him watching his back - meaning Eddie trusts him and wants Buck to be his partner.

(Side note: isn’t it beautiful how that is a complete reverse of their usual attitudes? Usually Buck trusts way to easy and Eddie never does but with each other it’s the opposite!)

Let’s look at the episodes in order, okay?

2.01: „I think I’ve seen this happen in porn before“

- „You’re my problem“: I’m gonna talk about the gym scene later a bit more but this sort of establishes the dynamic Buddie has? Because both are fascinated by and focused on each other from the get go. I mean: Eddie got to the 118 and everyone seemed to be nice to him except this one guy and instead of giving him a few days, thinking he’ll come around , Eddie is like: nah, I’ll confront him! Why? Maybe it’s gay, maybe it’s Maybelline, maybe Eddie „I am not enough“ Diaz was just sick and tired of everyone putting trust in him because soldier and craved the vibe check?

- „You can have my back“: Basically what happened was, they got the bomb out (being partners and in sync even when they didn’t like each other yet) and they stood outside and Eddie tries a new approach cause for some reason Eddie decided out of everyone at the 118 he needed Buck to like him specifically and so he pays the guy - who was nothing but rude to him so far but who is also very competent - a compliment and Buck gets all flustered and thankful - and „You’re my problem!“ gets rephrased into „Or you know, you could have mine!“

(Also the look of pure elation on Buck’s face when Eddie compliments him, you know the person Hen has basically said is so awesome and pretty it transcends sexualities? And he picks Buck of all people to have his back? Buck has no choice but to stan!)

- In terms of Trust we also get the pool scene which is our second instance of them being in sync and partners by both jumping into the pool and getting the guy out basically at the same time

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- „Where do you want us, Cap?“: Now looking at the timeline of 2.01 they’ve known each other for approximately four days as this is their fourth shift together (we see) and yet Eddie is already comfortable enough to answer for himself and Buck several times. He’s the one who decides they will go in and he answers the roll call later for the both of them. This is our first real instance of them being in sync and just their whole interaction, from Eddie going along with Buck’s plan about the elevator to everything else just shows how much they already trust each other.

- „I, uh, I love kids“: Also Buck in this episode, why was it so important that Eddie knows you like kids? Please share!

- “Eddie, you’re kid is in the safest place he can be.“: Connected to this is a sub-theme I like to call: ‚They know each other better than anyone else does‘ which is established here with Buck realising that Eddie is full of shit when he pretends not to worry about Chris so Buck spends some time trying to assure Eddie Chris is safe at school.

- „Is everything okay?“: Of course, the fact that Buck was the only one to check in with Eddie’s mental state from the truck scene onwards is very telling, because everyone else likes and trusts him but they don’t really care (yet)

- And the episodes end with everyone reuniting with their families, including Eddie - while Buck watches from the car because Buck drove him there because he has his back (also see Subtext)

2.04: „Hearteyes, motherforker“

This whole episode is what made several people ship Buddie and well, I can see it and I will talk about a lot of it with the other themes but for now:

- „I just feel bad for him. (…) Eddie’s working on it“: This episode really leans into the whole „You’re my problem“ with Buck apparently driving Eddie to the hospital (or at least coming along) to Buck clearing Chris coming to the station with Bobby to worrying about them at home until finally he introduces him to Carla.

Mind you, they haven’t known each other that long, yet Buck feels the need to meddle in Eddie’s life and fix his problems for him which, yes, is very Buck thing to do but still: Considering Eddie was introduced to us as this super capable guy, it’s interesting that Buck immediately saw through him and decided: yeah, that guy needs me to take care of him.

Or you know, to have his back.

2.07: „*Tommy Wiseau voice* Oh, hi Shannon!“

- „I needed someone to have my back“: This episode establishes the significance of „You can have my back“ even more because in this episode Shannon comes back and you know what they fight about? Eddie not having her back. Shannon quite literally says „I needed someone to have my back“ which is almost the same exact  Eddie tells Buck in 2.01 and with that wording as well ...

In the same scene Shannon also says how Eddie always knows best and is the one to make the decisions which  is another parallel you can draw to Buddie where Eddie began like that in 2.01 (the scene at the mechanic’s) and then began to follow Buck’s lead (the elevator shaft) / let Buck help him (Carla))

2.10: „It’s all about ‚figured it was none of my business‘“

I love this episode very much because there are several Buddie hints in there.

- “I think it’s none of our business.“: Connected to the topic of Trust is the scene between Chimney and Buck when they buy the Christmas tree and Buck keeps talking about Shannon coming to the station and the fact that Shannon and Eddie hooked up while Chim seems exasperated by this and frankly doesn’t care and he tells Buck as much, saying it’s none of their business. Except it is because Eddie is Buck’s problem, remember?

- „So … not gonna say anything?“: And then the „None of your / my business“ gets repeated in the scene when Buddie sits at the fountain talking about Chris and Shannon and they both say it’s none of Buck’s business. Yet Eddie then still tells Buck all about it sounding all defensive.

- It’s also the first instance of Eddie willingly searching out Buck’s advice about Christopher.

- And related to the topic of knowing each other well, considering how surprised Buck is by all of this, one sort of has to wonder how often they hang out outside of work. Because the way Buck acts makes one assume it’s quite a lot, which is why Buck is so hurt he doesn’t know about it.

- Also the fact that they so casually go somewhere with Christopher and the way Buck talks about him making it clear they have done this before.

- „Trying to protect your kid.“: On the topic of Trust I also wanna mention the fact that Eddie doesn’t trust Shannon with Christopher. Which is a direct parallel to 3.03 when Eddie tells Buck there is no one he trusts more with his son. And also 3.09 when Buck gets to be back in Chris’s life after the lawsuit as soon as Buddie made up yet Shannon needs to really beg for it? I mean, yeah.

2.13: „ Evan *I colour coordinate with bae while my sister is abducted and my brother is dying* Buckley“

- „Oh, no, I know what you were thinking.“: The scene at the hospital between Buck and Eddie does have a bit of subtextual relevance but I do think we should note the fact that this scene was in the show at all like this because wouldn’t Bobby have made a bit more sense? After all they spent one and a half Season before that making him the guy Buck goes to for advice and he has sisters as well, yet here we get Eddie being the one to talk to Buck.

We get Eddie basically telling Buck exactly what he needed to hear and while not exactly condoning his actions, he is also not judging them. Instead Eddie is telling Buck he might have done the same, because Eddie and Buck know each other and see each other.

So I wouldn’t necessarily call that scene Buddie-hinting but it does definitely play into the whole ‚having each other’s backs‘ and ‚knowing each other well‘ thing they got going on.

Also compare it to 3.06 in the way that both times Buck did something wrong and it was Eddie who actually took the time to listen to Buck’s reasoning and be the one to understand him, which is a very important part of their dynamic.

And the line „I wasn’t worried about that.“ in response to how Buck thought he would get away with all of this might be one of the top 10 heartbreaking lines of this show for me and that is saying a lot with 911!

2.14: „‚It’s a miracle… bro #nohomo’“

I am not fully sure if the scene of Buck freaking out about Eddie going back in to save the kid really fits in here, but I’m also very unsure were else to put it, so Trust it is!

- „Eddie, what are you doing?”: It does fit into the whole having each other’s back thing with Buck immediately jumping into action to try and help Eddie

- But in all honesty prior to 3.14 this would have not made the cut as I would have been like: eh, that’s just who Buck is as a person - but as 3.14 will proof / has proven, he can be calm and collected even when his sister, his ACTUAL family is in danger and while I would argue it was in part because there was less he could do to actively help in 3.14, it still deserves to be mentioned now

- Side note: considering 2.13 / 2.14 and 3.14 / 3.15 this marks two occasions were Buck being worried for Maddie’s life was followed by an episode of Buck being worried for Eddie’s life and that too deserves mentioning

2.18: „insert *Jane Austen film*-gif: It’s about the hands!“

- I’m not really sure if this is really connected to Trust but Eddie holds Buck’s hand the whole time, even after he has dragged him out from under the firetruck until they disappear in the ambulance.

- Also the fact that Eddie, who is probably stronger than Chimney, is the one helping Hen drag Buck out from under the fire truck while Chimney helps lift it is … worth a mention.

- Definitely connected to Trust is Buck’s insistence to going to Eddie’s ceremony because this is Eddie and he has his back

3.01: „How you know he no sleep naked?“

Yes, this scene has a lot to unpack. In terms of *trust* / how well they know each other:

- „He’s just sulking, Cap“: Eddie says about Buck. In my opinion the phrasing combined with how before that they were talking about how Maddie can’t get Buck to leave the house and he won’t answer any of Bobby’s calls implies that either a) Eddie too has tried to contact Buck with no success or b) is actually in contact with Buck, has talked to him and has concluded based on what he saw that Buck is sulking - and yes, I am leaning toward b).

- “Maybe you’ll learn something.“: Which brings me to the fact that it’s Eddie who makes the  plan to get Buck out of his funk and prove to him that he still has stuff to live for, despite how dismissive he had been about Buck’s feelings before, calling it sulking and saying Buck should just brush it off. Because Eddie has Buck’s back despite it all and is there for him and trusts him.

- „He’s hanging out with his Buck today“: In terms of actual Trust there is the fact that Buck is very much depressed in this episode - and what does Eddie do? Puts his son in his care, you know, the most important person in Eddie’s life, convinced that Buck will be able to take care of him despite how low and bad he is feeling about himself. One) because it has been the case for Eddie probably. Two) because this is who Buck is as a person even while depressed and Eddie trusts that. And three) because even before the Tsunami Eddie was very sure about how much Buck loved Chris.

- „Honestly I don’t know how to help him.“: This also parallels Maddie with Eddie in an interesting way because Maddie spends the whole episode worried about Buck and thinking he cannot take care of himself, while Eddie trusts in Buck to not only take care of himself but also his son. Which yeah, interesting.

3.02 „Eddie hates earthquakes - the remix“

- The episode sort of proves that while the others may have known what Eddie was gonna do, Operation „Buck up Buck“ was his plan because he is the one who has Buck’s back. (Considering for example Maddie doesn’t know about it as she thinks Buck is home and had Chim been involved he would have told her beforehand meaning this was Eddie’s plan and he executed it and then told the others about it while at work.)

- Also in terms of literal Trust: LA is hit by a Tsunami and Eddie doesn’t worry about his son once because Buck said they are going to the movies next and also because Eddie trusts Buck to protect Chris like he would.

3.03 „‚Do it for the trauma!‘ - Buck-edition“

Once again a subtext-mill but there is some textual evidence as well:

- “How do you tell your best friend that you lost his son?“: At the VA hospital Buck calls Eddie his best friend when he talks to Maddie which I always found weird in this context? Because it should always be hard to tell another person about how you got their child killed (which is not my opinion but the way Buck sees it here, okay?), yet the writers choose to put in a reference to how much Eddie means to Buck.

- Which connects to another subtext and text thing which is the voiceover which has Buck say the lines: „To be seen. To be found. Isn’t that what we’re all looking for?“ after talking to Eddie, which no longer just implies this is about Eddie but actually straight up says it - and it connects to the sub-topic of how well they know each other, cause Buck says in this episode: Eddie is my best friend and he sees me for who I really am. Which, yeah, is stuff one usually finds in connection to a love interest. (Will talk about it more with Subtext though)

- Also before that the voiceover has Buck say „Sometimes being lost is not knowing how to get from where we are to where we wanna be, where we need to be.“ right as Eddie knocks on the door, which basically states that Eddie and Chris might be where Buck wants to be but also how Eddie apparently knows how to get Buck there. Because he knows him so well. (He literally calls Eddie his life raft in the voiceover!)

- „Buck, there is nobody in this world I trust with my son more than you”: Now the Trust theme in regards to the loft scene is interesting in how it compares Buck to two people in Eddie’s eyes / life: Shannon and himself. Shannon, as I already said, we have with 2.07 and 2.10, both of which talked about how she left Chris (and Eddie) and how Eddie no longer trusts her because of this and refuses to let her back into Chris’s life. Which is different to how he always lets Buck back into Chris’s life, even after the lawsuit with virtually no hesitation once they made up as far as we can see. Meaning he trusts Buck more than he trusts Shannon. Who is, you know, his wife?

As for Eddie himself, I’m gonna flashforward a bit to 3.08 and the conversation between Eddie and Bobby. Because in 3.03 Eddie talks about messing up with Chris, yet how he never stops trying and how he knows Buck is the same way - which is interesting considering 3.08 has Eddie basically say that he has not forgiven himself for all those mistakes. Yet he forgives Buck both for the Tsunami and abandoning them during the lawsuit.

And now I wanna say something very controversial and hurtful but also connected to how I read Buddie and Trust which is that in my opinion? Eddie includes himself here. Eddie tells Buck here he trusts him more or at the very least just as much as he trusts himself with his son. Which is pretty big, considering he barely trusted his wife, the mother of said son, who he has known for at the very least about 11 years during Season 2? Someone he himself said he loves? Someone he at one point planned his future with? (Meaning he most definitely plans his future with Buck in it now…)

3.04 „discount!Buck in the house“

- Two things are in this episode, both of which are very much not about Trust in the literal sense but how much time Buddie spends together outside of work:

“Can’t fight city hall.“ Eddie being the only one on board with the fire drill Buck’s leading because he is a boy scout who follows all the rules but also because Buck probably talked to him about his job as fire marshal beforehand and so Eddie knows how important what is happening here is to Buck.

„You don’t know math.“: now, you can think this is another dig at Buck’s intelligence but you also have to acknowledge that at one point Eddie might have either heard someone reference Buck’s math knowledge in front of Eddie or Eddie has seen Buck try doing math and has remembered that well enough to immediately be able to pull out that dig. (Which brings us to a parallel I will talk about later!)

- “Uh, who - who’s that?“: I also firmly believe that Buck would have not been as willing to go along with the lawsuit, despite Bobby’s betrayal, had Eddie not immediately rushed off toward Lena at the firehouse, making Buck think Eddie (his partner) has replaced him. Does no longer need him to have his back.

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

Ah, yes, that episode! Filled with Buddie signs!

- “And if Cap says he’s not ready, he’s not ready.“: What I find interesting in terms of Buddie and Trust is the fact that Eddie apparently trusts Bobby’s judgement more than he trusts Buck’s. Which I find OOC. Or not because Eddie is a soldier and Eddie grew up fairly authoritarian it seems his first instinct will be to follow the chain of command / do as the person in charge tells him to.

- Now everything else that happens after including and specifically the street fighting storyline? That was a direct result of the lawsuit and the deposition in which Buck betrayed Eddie’s trust by revealing the info about Shannon. Which Buck is aware of because up until this point we see him still looking up, yet after this he drops his eyes and doesn’t really look at anyone again during the deposition.

- “And I’m not allowed to talk to Buck.“: Yet. YET despite this massive betrayal in Eddie’s eyes what stops him from calling Buck later is the fact that he wasn’t allowed to do so! Nothing else. Also the phrasing is very interesting as it gives us three entities Eddie considered to call: his abuela, Buck and the 118, meaning Hen, Chim and Bobby - the people he will call his family about 6 episodes later - are an uniformed mass but Buck is his own person - because up to this point Buck always had Eddie’s back. And we all know he still would have had! (Sidenote: this line is what made me an actual shipper and why ya’ll can read posts like this, so maybe say thank you to Lyndsey Beaulieu? Or fuck you, depending on your opinion of me ;P)

- „And now I can’t even talk to you.“: This whole scene gives huge character exposition and I’ve talked a shit ton about the fight in the grocery store before as have a lot of other people, but basically what it boils down to is that Eddie is mad at Buck because he revealed things about them to his lawyer but mostly because Eddie thought they had each others back and trusted each other and apparently Buck doesn’t trust and care about him the same way Eddie does for him because he didn’t even consult Eddie about the lawsuit? And Eddie misses Buck a lot. And Chris misses Buck a lot. And Eddie is already mad because Shannon wanted a divorce despite how hard he tried and then she died, meaning she left him again and now Buck left him as well and why is Eddie never enough for anyone?

And of course, as always, Eddie is mad at himself the most because he wasn’t enough for Shannon and he wasn’t enough for Buck and he’s probably not enough for Chris who is struggling so much and Eddie just feels angry and lost all the time!

I think this is the moment Buck finally understands how much he means to Eddie truly. How Eddie meant every word in 3.03. How for once someone actually trusted him, depended on him - and he let them down. Which was never his intention because Buck never understood that he could (which is not the topic of this post though).

- “Why can’t you see my side of things?“: On Buck’s side, while he isn’t nearly as mad as Eddie, he does raise the question of why Eddie didn’t have his back - which is a very fair question but Eddie is still too mad at Buck here to hear it.

- What is also very interesting about this scene is that no one, not even Bobby who was actually sued by Buck, is as mad at him as Eddie is and no one dares steps between them. Probably because everyone recognises they are closest with each other, so the conversation hits a bit different and also is about a lot more than the „stupid lawsuit“. Yeah.

(Real talk I have been very mad at friends before and I am known to make scenes but damn, this scene does not read platonic at all, it reads ‘married couple fights in grocery store in LA - what happens next will surprise you. News at 11.’)

- In other news, Eddie didn’t come to the rage room in the end and Buck was very very sad about it.

3.06: „*cries about the framing*“

(Sidenote: I feel Eddie so much in this episode, I too would be too embarrassed to talk to Buck had I just screamed at him in a grocery store in full view of all our coworkers. I too would avoid everyone like the plague and maybe join a fight club just so I would not have to deal with those feelings. I get it, my dude!)

- “Whew, dude, are you okay?“: We’ll talk about it with 3.08 as well, but it is very significant and pointed that Buck immediately knows something is wrong with Eddie when no one else at the station had seemed to be aware of that.

- “I don’t know what you want from me, Buck“: The apology scene is very subtext heavy but what it comes down to in the whole having each other’s back / knowing each other well / Trust - column is the fact that after being mad and avoiding him all day Eddie still sticks around and more importantly actually listens to Buck - which, as shitty as that sounds, but considering how he acted before if Eddie hadn’t wanted to still be Buck's friend he could have said something shitty and left or stayed and not actually listened to what Buck had to say - but he didn’t because as hurt as Eddie had been by Buck’s betrayal he still trust him and he wants to understand, which I do think sets Eddie apart from everyone else because Hen and Chim forgive Buck but they don’t ever try to figure out where he is coming from while Bobby is … being Bobby about all of. Eddie meanwhile, who has the most or maybe the only right to actually be mad about the lawsuit, still trusts Buck enough to know that he had his reasons and actually takes the time to listen to them. Even if he is being sassy.

- And on Buck’s side we do have his need to reconnect with Eddie the whole episode and we have him notice stuff about Eddie no one else did and we also have the really beautiful and mature line of Buck saying: „I just want you to talk to me. Even if it’s just to say you’re still mad.“ Which I love very much and tells us a lot about Buck and communication, because Buck values openness so much.

- “And I just wanted to…“ - „Punch someone?“: Also while it was important for Buck to explain himself to someone - it was especially important for him to explain himself to Eddie, both because he considers Eddie his best friend and also because the grocery store scene showed him how much he means to Eddie which probably floored Buck because as we learned before and also after: Buck is not used to people needing him as much as he needs them.

3.08: „XOXO gossip (fire)fighters“

- “Whoo. Nice truck.“: One thing about 911 is that it’s a very plot and action driven show, meaning sometimes it will lack the time to actually show us certain things, especially when it comes to relationships, so it relies a lot on telling us things about characters and their relationships and as these scenes here show us they do a good job at it. Buddie talking about Eddie buying a new truck is very casual and banter-y / flirty (this is a Buddie post so I call it like I see it) and light and shows us: hey, they are friends again and close again and they know each other very well - while also showing us: Eddie still keeps stuff from Buck but Buck knows something is off.

- “Eddie too.“: Which brings me to my next point and the thing I love most about this episode aside from Heidi which is Buck running around and going: ‚something is wrong with Eddie‘ while everyone else is like: ‚Eddie? Are you sure? I haven’t noticed anything‘

Which leaves two ways to read this:

Eddie and the rest of the 118 aren’t as close as it seems and they do not care about Eddie that much - which considering all the deep talk between Eddie and Chimney in 3b especially and the fact that he calls them his family would be fucked up and also doesn’t seem like the vibe they are going for OR

BUDDIE! I mean, look at what has been going on with the street fighting storyline, essentially the writers went: okay, so Eddie can't talk to Buck so he goes completely off the rails but no one will know because Eddie hides it so well - EXCEPT Buck will realise sth is wrong the second he looks at Eddie and once the lawsuit is done he will spend two episodes running after Eddie and trying to figure out what is going on

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- “He’s kind of obsessed with natural disasters.“: Honest question: Is Buck really obsessed with natural disasters or does Eddie have earthquake related trauma and Buck has been googling stuff and telling him facts to calm Eddie down every time the earth vibrates a little because a train or something passes them by?

In any case it’s a very cute scene with Eddie once more revealing how well he knows Buck and the writers confirming to us that yes, these boys spent a lot of time with each other and talking to each other - without needing to show the scenes

- “I could still take you“: AFTER ALL they needed the runtime to do this other little scene this fandom has not talked about at all ever mainly because it is so very straight basically people stopped shipping after.

I’m just kidding, obviously the whole scene was very queer both in subtext but especially in text, I mean, what even was that line about still taking him, Buck? There is a child not even 15 feet away, where is your sense for decency and decorum? DO YOU WANT TO TRAUMATISE HIM EVEN MORE???

A few notes on this scene:

- It’s been pointed out to me that Maddie complains about how everything around there gets shared with the 118 and how Buck … turns around and shares everything about his sister with Eddie, which I love because it seems so normal and comfortable between them like they do that all the time, which is way cute and domestic!

Added to that considering the conversation Eddie had the week before with Bobby about Shannon and the throwaway reference about thinking his marriage having been complicated, I wonder: Did Eddie talk to everyone about the street fighting and Shannon after his talk with Bobby in 3.08? Did he just talk to Buck about it? Did Buck know about Shannon wanting a divorce all along? (Yeah, you know were I am leaning, right?)

- “Especially if you aren’t around to see that they need saving“: As for the apology in and off itself, I’m not gonna talk about the character implications again cause been there done that, send an ask if you wanna know more, but what it comes down to is: Buck acknowledging that he should have been there for Eddie and he didn’t consider the Eddie of it all when he sued Bobby, which is interesting because OFFICIALLY Eddie really is just his best friend and coworker at this point so did he really have to consider his feelings all that much?

Also Buck is saying - and Eddie is not contradicting this - that Eddie street fighting would not have happened if Buck had been around, which, to quote a good friend of mine: Uff!

I think we can admit that while Eddie was mad at Buck, his anger was not primarily about Buck but it was amplified by Buck abandoning him. We can admit that Buck was what ultimately caused Eddie to lose his control and considering everything that Eddie went through in the past year with Shannon and considering everything Buck went through in the past two years: this is as close to unconditional love as these two can manage at the time and that is very beautiful and does support Buddie 100%. They are each other’s anchor and person the one they turn to in a crisis.

Or well, Buck is for Eddie. Buck does have more people like that in his life with his sister there and I do think before the lawsuit he wasn’t fully aware that he could depend on Eddie so fully because Buck always doubts how committed other people are to him because abandonment issues.

3.11: „Bist du single? Nein, eher Album!“

- „This is Eddie’s house. I’m not really a guest.“: Incredibly strong indicator / implications toward how much time these two boys spent with each other, considering how comfortable both of them are in each other’s space (and I don’t mean physical but material space). Eddie has a key to Buck’s apartment and just let’s himself in willy-nilly, while Buck is around in Eddie’s place often enough to not think of himself as a guest there. (And while that might be normal best friend behaviour to some of us, Maddie’s words imply that it is not for her / the Buckleys.)

3.14: „Frank says ‚Thank you, this paid for my new house!‘“ / 3.15: „MY therapist also says ‚Thank you!‘“

I’m gonna group these two together, since 3.14 in itself doesn’t have any relevance considering Eddie isn’t even in the episode but it does become relevant in regards to 3.15!

- Basically what it all comes down to is the contrast between Buck’s reaction to Maddie being in danger and his reaction to Eddie nearly dying!

Now I already said while talking about 2.14 part of it was that Buck was aware he was in no position to help Maddie and might actually make stuff worse if he intervenes while with Eddie he was HIS ACTUAL LIFELINE! He was actually responsible for getting Eddie out of the well and home to his family. BUT (!) it’s still very pointed, especially remembering they apparently changed the order of episodes around? Meaning we are really hit with the contrast and we have to consider the implications of it all!

- Also just Buck’s reaction in general, even with Chimney and Maddie in Season 2 he wasn’t this frantic, he wasn’t freaking out like that! This really seems like all those scene’s shows like that usually do to confirm one person is in love with the other by having them completely loose it at the prospect of the other dying.

And damn, does 911 delivers here, not just with Buck literally trying to dig down to Eddie with his bare hands but also with his conviction for the rest of the episode before going sort of catatonic near the end. Basically Buck was going through the 5 stages of grief over Eddie during the course of this episode and we just? Let him?

- Of course we should mention Buck has Eddie’s back always, so he doesn’t give up on him and doesn’t entertain the notion of Eddie possibly being dead for even a microsecond because this is Eddie and Buck needs him!

- And to add to the list of heartbreaking lines we have Hen saying: „Why? So we have two cut lines?“ because yes, Buck would choose to stay down there rather than let himself be saved if Eddie was already dead - and if Eddie wasn’t he would force Eddie to trade lines with him so Buck could be the one to die because Buck thinks Eddie’s life is more valuable than his and also he is a selfless idiot who loves Eddie more than himself - which frankly is a mutual thing if we look at 3.03

Option #3 btw would be that Hen knows Eddie has a legitimate reason to cut his line and he would explain that to Buck and - considering who they are - Buck would immediately agree and cut his line as well.

Anyways, no matter which option the writers were thinking off this line is heartbreaking and the implication interesting!

To sum it all up, the episode basically said: Buck would die for Eddie and he loves him more than anything else

- The Eddie implications of this episode are mostly Subtext, so we’ll get to them later in case you thought I forgot!

3.16: „The rope was a metaphor after all“

Tbh I do not think that this episode was really about how no person can be happy / live without regrets / not be lonely unless they are in a relationship with someone or they would not have put that much focus on the relationship between Maddie and Buck and the fact that his abandonment issues stem from her leaving.

- “He’s not gonna do it alone“: As for Buddie, the episode goes back to them being partners and in sync with the roof thing and yay, it has a different ending then the reversed situation the episode before but also it features a metaphor we will talk about later

- “Hey, you’re more than welcome to come and celebrate with a bunch of 9 year olds.“: Just like we will talk later about Eddie inviting Buck to the sleepover! Because while I don’t think the invite was all that serious and I don’t think even considering everyone else, Buck would have taken him up on it because celebrating with a bunch of 9 year olds around isn’t what Buck had in mind, it’s very interesting that the first person taken out of the equation is the guy Buck is closest to and probably spends the most time with.

- And now let’s talk about the playing pool scene because it once again shows that 1) Buck and Eddie are very alike, 2) they know each other very well and 3) they care about each other the most!

Because for 1) I do wanna point everyone to the fact that Eddie doesn’t have anyone outside his family and the 911 either or they would have mentioned him staying in contact with his army buddies or something.

2) Eddie is the only one who actually listens to what Buck says and gets what Buck is really asking, while Bobby, Hen and Chim are all too focused on their own experiences to get that the reason Buck tries so hard to help Red is because he thinks he is Red (I mean they do get it, but they don’t really realise how serious this is for Buck - yet)

3) There is also a lot of focus on Eddie in this scene which we will talk about later as well but it picks up the whole ambiguous „us“ from the grocery store which technically refers to the whole firefam but the way it’s said still implies that it is about the two of them especially.

To anticipate a bit: every time the word „Us“ is used in this scene Buddie only looks at each other. When Buck says „I mean that would never happen … to us.“ he looks at everyone else but turns to look at Eddie as he very pointedly says „to us“ and keeps his focus there for a moment. Eddie meanwhile technically turns to the pool table while he says the word „us“ but he only focuses on Buck before this and doesn’t look at anyone else because to him: Buck is the important aspect here. And no one else!

Not to mention the intense look Buck gives Eddie (and only Eddie) when he says „Better not.“. Like damn, in 3 Seasons Buck has never sounded this threatening before!

Basically the way this scene is acted combined with the words that were written it sort of reads like them going: We’re all family here but you and me will most definitely never leave each other!

I mean there is a reason why Buddie used the ambiguous „us“ while everyone else talked about the firefam being friends or being family.

(And yes, that might be a bit of a reach but this is a Buddie guide after all, so we are going with the buddie-est interpretation!)

3.17: „‚Don’t say her name‘-challenge“

- “Uh no, someone else.“: More of a subtext scene but it does seem pointed that Buck refuses to admit that he was thinking about Abby here, considering Bobby most definitely knew that Buck was talking about Abby because he was there for the hot-air balloon date, so even if he did not remember right away he knew the second Buck said he didn’t know from Maddie and since Hen and Chimney weren’t there in the truck (and also, they probably would have known who Buck was talking about as well) the only one Buck was hiding from was Eddie.

Which makes sense, even if you only look at them as best friends, because Eddie only saw the aftermath and what we canonically know that he heard about Abby were things like Buck’s speech in 2.08, so … even as just Buck’s friend he must really dislike her

(Also there is that whole parallel one can draw between Abby and Shannon which I talked about here)

- „Buck invites Eddie“: So I’ve been going back and forth on what to write here for a few hours now and what it comes down to is this: despite being 6500 words deep into a meta on Buddie and knowing full well the writers so far have no intention of actively doing Buddie, I would not accuse 911 of queerbaiting. HOWEVER, if the show ends and Buddie doesn’t happen I will consider this scene queerbaiting because there would have been ways to write this that did not leave the implications it did because the way it has been written the text is:

„If I bring my romantic life-partner to dinner with my best friend he will bring his romantic life-partner who will invite her brother who will invite his best friend and then we have to invite this other couple we are all close with.“ and well, one of them is not like the others, right?

(Well, technically two but Maddie and Buck are most definitely siblings despite that scene in 2.01)

Because essentially what that scene did here was say: If I bring my wife the evening turns into this couples night with all our friends - except Buck and Eddie aren’t a couple.

And sure, just like all great queerbaits there is a reasonable explanation as well as a completely platonic way to read this because of course Buck would not wanna be all alone with two couple so he would bring his best friend and the we’d have to invite the other couple we know as well so they don’t feel left out.

EXCEPT - and this is why it feel pointed and queerbait-ey: We have already seen the 118 hang out without Athena and Bobby at Chimney’s birthday and it was never mentioned to us whether they were invited and didn’t come - or Chimney didn’t invite them. Both explanations sort of make Hen’s point moot because it does proof that they can hang out without their boss slash friend and his wife slash her best friend without it being a big deal meaning especially if this was a make-up dinner for Chimney’s birthday they wouldn’t have needed to be there.

There is also the fact that supposably Alfred is still in town? You know, Chimney’s brother? So if they wanted to avoid the Buddie implication they could have also thrown in how Chim might bring his brother like:

„I invite you, so he invites Maddie, Maddie invites Buck, Buck invites Eddie, Chim might invite Alfred,  and now we gotta invite Athena and Bobby“ - see how that has a completely different feel? Now there are three single guys and two of which are siblings of someone else in the group while the third is friends with the rest of the group, making this sound less like couples night out and more like a group of friends hanging out.

But they didn’t do it like that so now it feels like they are pointedly equating Buddie with the canon couples of the show which is quite queerbait-ey.

3.18: „TrainCRASH? More like train WRECK? *cries*“

Okay, so this episode is a little hard to do because there is so much going on and a lot of it is very hard to categorise! As for the topic of Trust and having each other’s back:

- I do think that a lot of Eddie here come down to having Buck’s back - even when Buck might not think that’s what Eddie’s doing like in the train car, but he probably realised later which is why we see Buck talk about it with Bobby but not with Eddie because they are at this point where you no longer need to have clarifying talks (about stuff like that, once romantic!Buddie hits they’ll have to do all the talking).

And that’s basically it when it comes to Trust because most of what is happening in the episode when it comes to Buddie is Subtext!

Coparenting

I think this theme needs less of an explanation - though I do wanna point out that while I think Buck has fatherly feelings for Chris and Chris loves Buck a lot, Buck is not actually his parent / father. He is slowly getting there and if or when Buddie happens he might become Chris’s other parent but right now he is not. So this theme is about Buck being a honorary member of the Diaz family in general and Eddie’s treatment of him most of all.

Because the way I see Eddie him dating anyone would always be tied to his son. Eddie has been shown to be someone who would do anything for family and his son in particular, so the fact that Buck is tied into this family is important. It also shows how much they are already a family without actually dating and proofs they spent more time with each other than we see and more than with anyone else.

I should also say that there is a very heavy overlap between this and the category of Subtext so some things will be repeated but all of them deserve to be repeated so there is that.

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- Like I already said when I discussed Trust Buck is the only one asking who Eddie is trying to reach, he is the only one trying to reassure Eddie and he does so even though Eddie is being sarcastic and pretending he doesn’t need to be comforted - also a staple in their relationship

And I think this is also were their dynamic of Buck being Eddie’s go to person when it came to Chris came from. Buck told Eddie he liked kids and then he proceeded to actually show Eddie he means it and he cares and considering Eddie says the mother isn’t in the picture and Chris has no one else (which as we learn throughout the show is not 100% true because technically Eddie's parents are there, even if they have no idea how to properly raise Chris, but in LA Eddie doesn’t really have anyone (yet) he feels comfortable burdening with his fears about Chris), so that must mean one hell of a lot.

- “Hey. Service.“: There is also the moment at the end of 2.03 when Buck immediately tells Eddie: hey, service is back! and then he drives Eddie to pick up Chris which is a scene that has so much subtext so we’ll talk about it later! It does however give us our first‚ Diazs plus Buck‘-family moment because while we see everyone reuniting with their loved ones, we see Buck with Eddie and Chris and yeah.

2.04: „Hearteyes, motherforker“

- One of my favourite things about Buddie is how they manage to be exactly what the other person needs - or in case of this episode figure out exactly what the other person needs and giving it to them. It’s happening here and again in 3.01 and 3.03 and some other smaller moments as well (see 2.01 honestly).

It’s also interesting that Buck is the one to drive Eddie again because we saw he has a car! So why is that? Maybe because he knows the way better?

As for the coparenting happening here, aside from Buck introducing Eddie to Carla because he knows she is what Eddie needs, we also have Buck clearing Chris coming to the station with Bobby which is something Eddie apparently hadn’t considered but Buck had and instead of telling Eddie he needs to do that - he does it for him! Because that’s who Buck is but also because Buck realised in this episode how much Eddie really needs someone to have his back and just do stuff for him.

2.07: „*Tommy Wiseau voice* Hi Shannon“

- And in terms of having each other’s back this episode really shows the significance of this phrase with Shannon pointing out, like I said before, that from her point of view Eddie didn’t have her back. She needed him to be her husband and her coparent and he wasn’t.

Now we can argue whether that is true or not but it’s still an important parallel and puts Eddie turning toward Buck for advice into a new light.

Because as Shannon points out Eddie was never good at letting other people make decisions for him or with him before yet we continuously see him turning toward Buck for exactly that: sharing the load with him. And to put that even more into perspective: Buck is the youngest from their friend group, he is the one considered immature and he is the one without kids or younger siblings, yet he is the one Eddie choose for helping.

2.10: „It’s all about ‚figured it was none of my business‘“

- The interesting thing here is that Buck as Eddie’s friend really doesn’t have any right to know about what was happening between Shannon and Eddie if Eddie didn’t want him to, but Buck as Eddie’s family does (a little).

But either way this episode gives us another instance of Eddie confiding in Buck about his family problems - problems he again is the one most inexperienced with. In other words Eddie talking to Buck about it was really about Eddie wanting Buck’s opinion specifically.

There is also the fact that Buck came to see Santa with Eddie in the first place which is most definitely a family affair as far as I know US customs? (We don’t do this in Germany / Bavaria, okay? We have the Child of Christ and around the 6th we gather in the town square and shoot at it.)

It’s even brought up in text with the Elf telling Buck they make a beautiful family - and Buck not disagreeing because honestly it’s just easier and he probably knows how they looked. But yeah. That!

- Also not to repeat myself but the topic of trust is important here! Eddie not trusting Shannon in 2.07 / 2.10 with Chris vs. trusting Buck in 3.03 / 3.09 / 3.10 is important!

Yes, sure Shannon is his actual mother so Chris has stronger feelings for her and the potential to get hurt is way bigger. Yes, Buck was only gone from their life for a few weeks while Shannon was gone for about 2 years. Yes, Buck apologised twice while Shannon just played the victim card tbh (even though she did have a point with some of the stuff she said). But still:

Eddie is very hesitant to let Shannon back into his son’s life (and really his as well) while he does have no such qualms about Buck once Buck apologises to him in 3.06. In fact their relationship returns to normal with Eddie asking Buck for help with Chris numerous times while say 2.15 makes it clear Eddie still keeps Shannon at arms’ length and out of a lot of aspects of raising Chris.

Of course, giving advice to Eddie is not the same level of involved as actually parenting the child and part of it is probably growth on Eddie’s side when it comes to Season 3 but right here: it’s a stark contrast and it deserves a mention!

2.17: „*fridges female character for man pain* Haha, we’re so random!“

- „Ice cream? Oh, I do not envy you putting him to sleep tonight!“: There is the scene here where Eddie facetimes with Shannon and she is out and about with Chris and Abuela and they are getting ice cream and Eddie is all like: damn you’ll regret that later - which is the same thing he says about Buck in 3.02

3.01: „How you know he no sleep naked?“

- Buck gets a card from Chris which is a child thing to do but also should be mentioned because Buck does not get a card from Danny or Harry. And considering how much Buck likes children and how good he is with them we do have to mention that we only see Buck interact with Danny once and never with Harry while it’s been implied several times before the tsunami already that Buck does spend a lot of time with Chris. (Of course, in part this is due to how much closer Buck is with Eddie than Hen and especially Athena but still)

After all the season ends with Chris giving a card to his literal father, tying these two scenes together. And pointing out once again how important Buck is for Chris and the Diaz family.

- Also as I mentioned during Trust there is that parallel / contrast between how Maddie and how Eddie see Buck with Maddie sort of treating him like a child who needs to be dealt with while Eddie is basically like: let’s give him something to do so he feels less useless! (Guess who had the right idea! Just guess! And you have one try!)

- „Are we the only one’s without kids?“: There is also the cut from Madney talking about being the only one’s without kids and then remembering Buck to Buck getting woken up by Eddie so he can babysit Chris which I won’t say confirms Buck being a father to Chris but does accentuate everything he does for Chris after and gives the vibe that Buck does indeed have some fatherly feelings for Chris. It does at least place the idea of the Diazs WITH Buck being a family firmly into our heads.

3.02 „Eddie hates earthquakes - the remix“

- „How’s operation Buck up Buck going?“: Buck sending Eddie updates and pictures of Chris and himself hanging out is just really cute

- Also Eddie isn’t worried about his son at all!

- And we do have that tweet from Oliver Stark about jumping into the receding water at the end of 3.02 being basically suicide but Buck still doing it because the director told him, he’d do it for his own kids.

3.03 „Do it for the trauma - Buck-edition“

- I talked about it before with Trust but basically Eddie, who has parents who are still alive and physically able and love his son very much, even if they have different ideas of how to raise his son, and a sister with at least one child not that much older than Chris and a grandma and an aunt and probably some more family in LA AND Carla who he literally pays to take care of his son, literally tells his best friend he is the one he trusts the most with said son. That is fucking meaningful!

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

- „You know how much Chris misses you?“: The fact that Eddie brings Chris up at all and to hurt Buck specifically is - in part about Eddie deflecting from himself but also about Christopher actually missing Buck, which says a lot about the relationship Chris and Buck have and how much time they spent together if that is something Eddie would bring up here.

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- „I’d rather be at home with my kid, enjoying the one good thing I got going on.“: Eddie says these words during therapy and where do him and his son spent the following evening or at least an evening that same week? With Buck at his loft. Because even though Buck wasn’t mentioned here as part of the family time Eddie would much rather have, apparently he is part of it.

3.10: „Parenttrapping for Beginners“

- „Well, I thought it would be nice to bring the boys together for a playdate.“ - „All three of `em.“: this speaks for itself, Buck being invited in the first place was … an interesting choice? A dig at Buck’s mental age? Exposition? What exactly, Tim? Like what was the vibe in the writers room here?

- „Hey, Buck? (…) Can I spent Christmas with you?”: The fact that Chris would rather spent Christmas with Buck than with his grandma and the rest of their family is interesting as well and again points toward Buck being an integral part of the Diaz family.

- The way Eddie looks at Buck here and the little head shake implied to me that Buck and Eddie had the same conversation Eddie and Hen have right then already.

3.11: „Bist du single? Nein, eher Album!“

- “Well, that’s what the 118 is. The family we chose.“: Again maybe more subtext than text but when Eddie talks about the 118 being his family the camera pans to *drumroll* Chris, his actual blood family, Albert, Chim’s actual blood family - and Buck, who is basically Chim’s little brother and Eddie’s, well, best friend? Coparent? Partner in work and life? SOULMATE?

Yes, it’s a little subtext, but it’s interesting that this scene shows only one character neither of them are related to and it’s Buck, emphasising once more that these two and especially Eddie (because he’s the one talking here) think of Buck as their family.

3.12: „There’s a horse loose in a hos… school“

- “(…) we should try it together”: Again with the emphatic inclusion of Buck in family scenes! (But this time Carla gets to be there as well - though only to record them?)

This episode introduces Ana Flores as a potential love interest for Eddie and then spends the whole episode contrasting and paralleling her with Buck, as one does …

In this episode as well Eddie gets advice about Chris from several people and it’s interesting that the one person whose advice he follows without disagreeing or trying something else first is once again Buck. 

The episode also maybe implies that Buck was the one to built or buy or find out about the skateboard.

But really what matters here is Eddie reaffirming that there is no one he trusts more with his son (because he refused to take Carla’s advice right away but he did listen and think about what Buck had to say right away - despite his joking) and Buck being included in the family scene.

3.15: „MY therapist also says ‚Thank you!‘“

- „I’m always gonna fight to come home to my family.“: I’m not gonna comment on the lack of Shannon in the montage because I do believe part of it was that they didn’t really have scenes that fit and would have had to film them specifically which would then have to fit into the timeline / storyline before and also mostly it was about Shannon already being dead meaning she is no longer part of the family Eddie can come home to, so it makes a hell of a lot of sense for her not to be included, guys!

That being said I do believe Buck being in it quite a lot means something about how much of a part in Eddie’s family he is! Which is a big part and something I love about them a lot!

- Also Buck was so very happy Chris came to visit and then immediately walked over, which doesn’t really have any relevance except I thought it was cute and this is my guide.

3.16: „The rope was a metaphor after all“

- Obviously it was meant jokingly, but Eddie would have loved if Buck came and not just because being alone with a bunch of 9 year olds is no one’s idea of a fun evening and Eddie could probably use the help (still hoping Carla was there with him and still surprised Eddie was in such a good mood during the pool scene after), but because he likes to spend time with Buck and he did wanna celebrate with him - but he was also very aware that spending the evening with 9 year olds was not what Buck envisioned so he said it jokingly.

3.18: „Traincrash? More like train WRECK? *cries*“

- “Whoa! Whoa! Two weeks from home? Isn’t Chris kinda young for that?“: I don’t think I need to say more about that scene really, I think everyone who saw it understood that it confirmed the 118 but especially Buck being fairly involved in Christopher’s life and how that confirms: Buck = part of the Diaz family.

- Also all the interactions between Buck and Chris at the party both with and without Eddie around I mean, yeah, again, meaningful!

- In conclusion: Eddie, Chris and Buck are family and dems the facts!

Connection and love life

Now, this is where we are slowly going subtext and also really interpretation heavy!

The title might be a bit missleading but I didn’t really know how else to sum all aspects up. Basically this theme is about their love live but also about the parallels between their storylines - especially when it comes to their love life!

Also this theme isn’t organised by episode but by subtopics because I summed up so many different aspects here.

Parallels in their storylines:

- 3.15 / 3.16 and the rope metaphor as a metaphor for their dating life:

Technically the rope is a metaphor for their lives and them letting go of things in general but especially about their dating life because for Eddie in my opinion this is when he really fully comes to terms with Shannon’s death while Buck finally admits to his abandonment issues, in part caused by Abby leaving.

(Side note: the fact that Eddie choose to cut his line just like he choose to actually do therapy to deal with his issues for Christopher’s sake while Buck’s burns away and he is literally forced to deal with his issues through being confronted with Red and running into Abby at the train crash is … something.)

Their dating life is being paralleled:

This really isn’t technically something that explains why you should ship them but I do think it��s interesting that from the get go their love lives have been happening in parallels / contrasts to each other? As if they were connected? Magnets?

So yeah, that and also it goes like this:

- 2.01: Eddie references Buck being single

- 2.02 / 2.03: Eddie first mentions Shannon but indicates a break-up / Buck meets Ali and seems to bond with her

- 2.04: both refuse to hook up with any of the girls at the bar and don’t want to date because they consider themselves taken (I know Eddie says it’s about Chris but Buck called bullshit here and text told us to trust Buck on what he says about Eddie)

- 2.06: Buck flirts with Taylor and Eddie acts a bit jealous

- 2.07: While Buck finally comes to term with his break up with Abby in her absence, Shannon returns and we learn that Eddie has sort of been holding out hope so far (they kiss in the end) (Also Eddie and Shannon and Buck and Taylor both happen in parking lots which probably only means they ran out of location money but still!)

- 2.08: Buck hooks up with Taylor, then meets with Ali and begins dating her

- 2.10: it’s revealed that Eddie has been sleeping with Shannon and Buck is miffed

- 2.11 - 2.16: we get a few mentions of Ali and some scenes between Eddie and Shannon reminding us both these relationships are happening and they are growing closer

- 2.17: Shannon thinks she is pregnant, Eddie wonders about their relationship, Shannon wants a divorce but dies before they can go through with it

- 2.18: Buck gets a new apartment because of Ali, their relationship seems ready to become more serious, then Buck gets hurt and Ali is traumatised by this and tells Buck she needs to rethink the relationship

- 3.01: it is revealed that Ali and Buck broke up

- 3a: both of them work through the trauma of the past few months, no references to either of them dating are made, romantic and / or domestic scenes happen between them instead, the ambiguous „us“ happens

- 3.11: they are asked about their relationship-status to remind us about them being single (AND THEY LOOK AT EACH OTHER? Wow.)

- 3.12: It’s pointed out again that Buck is single but he says he prefers it that way while Eddie meets Ana and shows some interest in her, then during a call Buck indicates that he might not be as happy being single as he told Madney and Josh while also seeming a bit happy Eddie won’t be dating Ana (probably)

- 3.15: Eddie finally fully comes to terms with his past, including his relationship with Shannon and her dying

- 3.16: Buck reveals he might still be hung up on what happened with Abby and he realises he needs to move on, the ambiguous „Us“ is brought back

- 3.18: Buck runs into Abby and actually moves on

- Side note: considering 2.08 and 2.10 and 3.09 and some remarks made throughout the show, Buck and Eddie are somewhat aware of the relationship struggles the other had which isn’t really relevant but also sort of is

Parallels with canon couples

This is TV and TV and especially shipping lives through tropes and parallels inside the story to subtext tell you something you need to know without actually having to say the words, but just to plant the idea in the viewers head.

For example, and please I am just spitballing here, you are writing a show about Lifeguards. And there are these two characters who are named … Paddie and Tucker. They have amazing chemistry and they are best friends and love each other a lot. Now, you, as the showrunner, are considering making them a romantic item but you need to do it slow cause while you do have queer characters and a queer following this show is fairly mainstream and also the characters have presented as straight in text so far. So you need to do crumbs, right?

Okay, so how do you best do that? Well, Tucker is known as this really caring guy and very open with his feelings and he freaks out when someone he loves is in danger - so you put Paddie in danger, right? Proofs he loves him, right?

But then you want it to have some deeper queer implications, right, in case you do decide on making them romantic? So how do you best do that? Well, lucky for you, Tucker has a sister. And you were planning on putting her in danger as well this season anyways, so you just have Tucker react a bit more subdued here, right?

But then you really want it to hit people, like you need people who are more casual and mainstream and might not have noticed the romantic undertones Tuddie has had to notice that, right? So you put these two episodes back to back.

Except „Paddie Begins“ is set to air first and well, Tucker IS known to lose his shit about people he cares about being in danger, so they might not actually notice anything more. Or they will just consider Tucker not reacting as hard about his sister, Sadie, being in danger bad writing. And you can’t have that!

So how do you fix that? Well, you just change the episode order! Now the episode with Sadie in danger airs first and people will spent a week complaining about how out of character Tucker was and it will be still on their minds when „Paddie Begins“ happens and Tucker goes feral and it will hit EVERYONE! Like damn, apparently Tucker cares more about Paddie than Sadie? Why? What makes Paddie so much more important?

Anyways, this is how you test out an idea in TV and why tropes and parallels are important…

Moving on:

- 2.14: „‚It’s a miracle… bro #nohomo’“: Now I have already written a bit about Buck’s reaction to Eddie potentially dying to safe the kid and while it is fairly tame for Buck it’s still something you usually see a guy do for a love interest (Any of ya’ll watch „Chicago Fire“? Because I watched like the first two Seasons and the main „Will they / won’t they“ - couple had a scene like that about once every three episodes. Cause it’s a trope!)

- 3.02 „Eddie hates earthquakes - the remix“: This is a teeny tiny bit of a stretch and there wasn’t even any nice cuts to anyone in the firefam to indicate they were referenced (which I found odd, considering this would have also fit for Bobby) but the guy who got impaled with his son in law said: „She‘s the love of my life but he‘s her‘s.“ which considering this episode has Buck doing everything to protect Christopher means a lot and I think about it once a day, okay?

- 3.14 vs 3.15 vs. 3.16 vs. 3.17 vs. 3.18 - Losing the love of your life and how to deal with that:

This may be the biggest parallel of all, and maybe I could have included 2.14 as well but I didn’t because it’s a whole season removed. It also seems meaningful that this episodes happen one after the other, making us naturally compare the scenes and see / look for patterns.

But to explain real quick:

In 3.14 Maddie is in danger and Chimney, who is her boyfriend and told her he loves her just one episode earlier, freaks out completely

In 3.15 Eddie might die / is considered dead by several of his friends already and Buck utterly looses it! We are talking frantic screaming and trying to dig Eddie out by hand and running around trying to figure out ways to save Eddie only to turn full on catatonic when none of that works. I mean, his mood turns faster than mine when I am hangry while on my period and that is saying sth!

3.16 could be considered a bit of a stretch but we do see Red lash out a lot when he realises that Cindy, the woman he considered the love of his life and someone he pined after for quite a while doesn’t exist like that anymore.

In 3.17 Athena is put in great danger and Bobby is forced / able to listen to it and while I am not sure if the blank look on Bobby’s face is bad acting, a deliberate but accidental acting choice OR done consciously in a way that mirrors Oliver’s acting in 3.15 - it’s there and it’s a parallel and we can watch it and compare it and see it.

To bring this whole thing home for us they contracted another outside player in the form of Connie Britton playing Buck’s ex-girlfriend Abby, who similarly to Red and Buck, turns frantic upon possibly loosing her fiancé and starts panic and lash out a little, which is fair and also part of a motherforking pattern, ya’ll!

- Another fairly obvious parallel between 3.14 and 3.15 is Buck telling Sue - as the watch Maddie and Chimney hug - that Maddie already has everything she needs when Sue asks him why he didn’t immediately rush toward his sister. Which can be compared to 3.15 were he does immediately rush to Eddie’s side and support and hug him!

-  I’ve already written about 700 words on 3.17 and the line „Buck invites Eddie“ so I’ll just point you back toward that part of the guide where I pointed out that Buddie was actively compared to the three main canon pairings here. Which is a lot and also could have been avoided and probably queerbaiting.

- Again, teeny tiny bit of a stretch maybe but like, we’re here to talk about anything in canon pointing toward Buddie and also this is my guide and I do what I want but in 3.18 we learn that Abby is now engaged to a single father and considering she was only gone for about two years (Season 2 takes place over the course of one year and in 3.13 we learn that Madney has been dating for just under 11 months so unless there was a time jump somewhere in the last 5 episodes we weren’t really told about, we clock in at about 2 years and maybe one or two months, tops, at the end of Season 3), they have been together for less than that time, even if we think Abby already knew him when she was still dating Buck. Which timeline wise puts them meeting maybe around the time Buck met Eddie, maybe a bit after, meaning Abby met and began dating and fell in love with and decided to marry a single father in the same timespan Buddie did … whatever it is they are doing! Which is meaningful because for the viewing of the Abby/Buck relationship which I am glad more and more people are realising was very unbalanced and provides an interesting parallel to Buddie because this means Abby and Buck met and developed feelings for a single father around the same time. Idk, I understand that the whole father thing was to make Buck care even more but damn, it’s a parallel so I mention it!

- Michael and Doctor Hale vs Eddie and Ana (3.17/3.18 vs. 3.12ff.)

Now, of course we need to realise that Eddie and Michael are fairly different characters and Michael has way less relationship related baggage than Eddie has which is why he goes after what he wants way faster (also, carpe diem, he just found out he won’t die). Also of course, there is no moral component to address in Michael dating some doctor vs. Eddie dating his son’s teacher, but still:

Michael and Dr. Hale had one scene together and it wasn’t even overly flirty and yet, we knew where it was heading, we felt the chemistry and everyone ended the episode saying: I ship it, more of that - which they did give us, just one episode later. They had some awkward moments, yet the show never left a single doubt in your mind where this is heading.

Now look at Eddie and Ana:

First of all we learned more about Doctor Hale in the two short scenes than we did about Ana in four scenes. That seems deliberate.

Second, while we do realise Eddie thinks Ana is attractive from the get go she repeatedly shuts him down by pointedly saying „Mr. Diaz“.

Third, every scene between Michael and Doctor Hale was romantically coded and we know where this was heading while aside from the initial scene between Ana and Eddie and maybe the second scene there were no hints of romance between the two. In fact in 3.15, an episode that is about Eddie moving forward in his life and letting go of the past she is both mentioned and actually appears, yet there are no hints of romance and romantic interest, not from Eddie and not in form of teasing from Buck and especially Carla, who pointed out Eddie’s interest in her previously. Soooooo…

Parallels with Love Interests

Now, obviously we also cannot talk Buddie without talking about them dating in general and then relating this to each other. In other news: there are parallels between each and every love interest Eddie ever had and Buck and also between Eddie and Abby.

(Side note: I could probably also find parallels between Eddie and Taylor and Eddie and Ali but tbh both of these barely qualify as love interests, especially Ali, who despite actually being in a relationship with Buck we know nothing about (hi, original Ana! You did good and I am sorry people hate you for having boundaries!))

Eddie paralleling Abby

I mean the truth is we don’t even need Eddie paralleling any other girlfriend of Buck cause there are so many between Abby and Eddie!

- Abby and Carla vs. Eddie and Carla:

The biggest one might be parallel that both employ Carla and why. Which is in part because Buck brought Carla to Eddie but goes deeper than that.

There is that conversation between Bobby and Buck about Abby and her mother in 1.09 when Buck wanted to break up with Abby and Bobby basically said: if you wanna date someone you have to love them baggage and all and should be there for them as well - and while Buck did try doing that with Abby, well, Patricia died before he could fully step into the ring and then Abby left, BUT he showed no hesitation after that to step right into Eddie’s life, into his issues, with him. And he even brought in Carla as a baggage carrier, isn’t that nice?

Also the whole reason why they need Carla around in the first place as both of them are taking care of a family member (plus the fact that Christopher is a literal child so even without CP Eddie would need help taking care of him working the hours he has).

Also tía Pepa quite literally calls Eddie a saint and I am pretty sure Abby was called sth similar by Carla and Bobby in Season 1 though I don’t care enough to check mainly because the implication was there all through the first ten episodes about how Abby was such a great person for taking care of her ailing mother.

But really it comes down to the parallels between Bobby telling Buck that a real relationship is about sharing the load and the conversation between Maddie and Buck as well as anything else in 2.04 where Buck is so desperate to be there for Eddie and help him.

- There is also a definite parallel to be drawn between the conversation Abby and Buck had in the Jeep while looking for her mom about how Abby hasn’t had sex in a year and Buck asking Eddie about dating in 2.04. It’s a little subtextual, but between the expression on his face and the topic and the teasing and the walking shoulder to shoulder it does feel alike to me so I mentioned it.

- street fighting vs. the apology: losing yourself

Now this one I love a lot because while it does happen half a season apart and isn’t explicitly expressed on the show: Eddie’s whole ark in Season 3a is about losing control and by extent losing himself because Buck wasn’t around. Abby meanwhile talks about how she found herself after she left LA and how she would have lost herself again if she returned to Buck (which is absolute bullcrap but not the point).

- There are also some parallels to be drawn between Buck, Eddie, Abby and Shannon (and technically also Maddie) and the whole leaving each other thing, with Eddie leaving Shannon for the army without consulting her about it while Abby left Buck for Ireland and then also the lawsuit where in a way Buck left Eddie like Shannon did, being so caught up in his own feelings he didn’t consider what Eddie (and Christopher) were going through.

But we can also acknowledge how it must have felt to Buck with Lena / Eddie taking Bobby’s side like he was once again replaced / left for someone else, much like Abby left him for Ireland and Maddie left him for Doug.

Buck paralleling Ana, Lena and Shannon

Buck on the other hand side parallels Eddie’s love interest a lot sometimes down to the clothes (and yes, technically Lena isn’t a love interest but Ryan Guzman thought she was and aside from the fact that he’s into women that could beat him up (which for once, not judging you, bro) and considering the parallels with Buck … that means if Buck was a woman, well, ya know?) so let’s talk about that

- Buck and Shannon:

I’ve already talked about that one a lot so I will only mention it here real quick but the whole Eddie not trusting Shannon vs. trusting Buck despite his betrayal again like right away once he apologised (which yes, what Buck did was not as bad and far more justified) and letting him back into Christopher’s life IS a parallel, considering for example how Shannon asks about Chris missing her (though it’s been over two years, at one point children just stop asking as we know Chris did) and Eddie telling Buck Chris misses him in the grocery store scene.

Also Eddie not trusting his wife and Chris’ mother with him fully even after they reconciled and him telling Buck he was the one he trusted most in the world when it came to his son is … something.

There is also a little parallel to be drawn between 2.17 when Shannon goes for ice cream with Christopher and Abuela and Eddie is all like, well, don’t come crying to me when he won’t sleep because sugar high and saying basically the same thing to Hen and Chimney in 3.02 when they ask about „Operation: Buck up Buck“ because Chris ate loads of pancakes.

Also Shannon in 2.07 said she needed Eddie to have her back and Eddie says he always did but Shannon disagrees (which might be a little how Buck felt with the lawsuit) and you know, Buck and him agreed to have each other’s backs just six episodes earlier.

- Buck and Lena:

 Now, with Lena, despite her being most connected to Eddie, the first (and second) time we actually see her is in 3.01/3.02 through Buck, which connects the two from the get go.

Eddie then finds out she was at the pier in 3.02 (before meeting her) just like Buck (though he doesn’t know that) and then meets her in 3.03 and she spends the whole episode running around LA trying to find her Captain while injured, much like Buck is doing in the same episode.

I also mentioned in my meta-series how I think one of the reasons why Eddie likes Buck so much was that Buck wasn’t impressed by his military background like everyone else (or his looks, I mean, it was probably more about his looks tbh) and how when Buck started liking him it was really about Eddie and not whatever he had heard about him - yet Buck was / is still never afraid to call him out bullshit, much like Lena from moment one.

There is also the fact that Eddie goes to her for advice and she literally uses Buck’s locker (and will I ever stop laughing about the tape? Probably not, I think it was hilarious, okay?)?

Then of course we have Buck in 3.04 reacting quite similar to seeing her for the first time as he did with Eddie in 2.01, even saying basically the same thing.

- Buck and Ana

Now, Ana is an interesting case because we see her a total of four times and she is mentioned two more times throughout the show and each and every single moment is connected to Buck somehow and sometimes so very unsubtle to.

In „Fools“ we cut from Buck saying he likes being single to Eddie doing parent-teacher conference and yes, meeting some other teachers first but also Ana, showing us that while Buck is fine with being single - Eddie might not be. And then Eddie introduces himself as Eddie and Ana knows immediately this is short for Edmundo - unlike Buck in 2.01 who guessed Eduardo? Also, Carla’s „big blue eyes“ line which is a little clown-y, so take it with a grain of salt that it could connect us to Buck.

Then of course her next scene is Eddie getting in her face about Christopher being hurt. Later in the episode we see Buck reference this on a call, meaning either Carla or Eddie told Buck about it (I am leaning a little toward Carla making fun of Eddie in front of Buck and Eddie then having to come clean about all of it, because I cannot wrap my head about the idea of Eddie telling Buck about having a crush, I’m sorry.) (And will I ever be over Buck being so gleeful that Eddie will now be dating the teacher after all? Because boy was close to cackling which even if he was in love with Eddie at the time and therefore happy he wasn’t off the market - still quite rude for a best friend if you ask me! Like, sure, do that but in front of strangers?)

Her next scene is Eddie coming to apologise to her and she gives her speech about limitations - which we can of course connect to Buck and Eddie talking about Christopher and his limitations before that and then afterwards going skateboarding with them. (It does feel a little deliberate.)

And then of course we have „Eddie Begins“ and you guys, they could have very very easily have either Carla or Buck make a joke about Mrs. Flores and Eddie’s crush in the firehouse scene, but they didn’t! And then we do get to see her at the end where she has one whole line and Eddie barely looks at her and you know what happens? They have a child ask the same question Buck asked at the beginning about ever just wearing the medal (which sounded very not straight in its delivery, Mr Stark, what were you thinking about?), making us think of Buck. Like, it would have been enough to establish Eddie doesn’t feel like a hero if the question was asked only once - twice in the span of 45 minutes constitutes a callback, meaning we are supposed to think of the other scene and that means thinking about the other person that asked, which was Buck.

Is this … flirting

Now, some of these are quite ambiguous but there are several scenes that imply they consider each other attractive or feel like flirting and here they are:

- 2.01: „I think I’ve seen this in porn before“

Now, we all know Buck’s initial dislike of Eddie was about Eddie being to good at the job and Buck being afraid of being replaced, but considering one of the first things we hear about Eddie is Hen saying that boy is so fine it transcends sexualities and considering they talked about the calendar which chooses them based on hotness just before and then all the references to the calendar throughout, it stands to reason that Buck considers Eddie attractive.

Also their whole conversation during the gym scene, what was any of that? I mean, Buck thinks the pictures of Eddie are professionally done which means he thinks they are good which means, yes, Buck thinks Eddie looks good in those!

Plus the whole scene is riddled with (sexual) tension. From Buck constantly increasing the weight he is lifting, while throwing looks at Eddie as if double checking that he sees he could bench press him and the way he gets in Eddie’s face to Eddie’s veiled barbs about the girlfriend breaking up with him and doing the same thing as a firefighter but he was getting shot at. I mean, what was that if not the beginning of a porno? (And here we have our first parallel between Buck and Eddie as we find out later because Eddie, too, has been left by a woman. Now the real question would be does he consider them broken up?

Not to mention that when Bobby tells him at the end of the episode that he wasn’t chosen Buck immediately assumes Eddie was and also is so very happy for his new friend, because he thinks he’s hot (right?).

- 2.04: „Hearteyes, motherforker“

In 2.08 Buck has a conversation with Chimney about his pick up technique and well, did anyone in production watch this episode because when Buddie walks away from tailpipe-girl-emergency he literally does everything he described.

Also Maddie says the words „Does this man crush on Eddie mean you are finally over Abby?“ to Buck and his only reaction is „Cute.“ meaning one) Maddie has teased him about his Eddie gushing before and two) maybe Buck does have a bit of a crush?

- 2.06: „Bucky Barnes murder strut - 911 edition“

Again with the Maddie and Buck scenes!

Basically what happened was Maddie talked about how cute Chimney was but Buck assumed she meant Eddie because apparently if someone says cute, Buck thinks Eddie. This is just a fact, okay?

- 2.14: „‚It’s a miracle… bro #nohomo’“

Like my name for the episode already says, there is this scene were Buck and Eddie stand next to each other and Eddie says „That was incredible!“ and Buck who is already standing in Eddie’s space leans in further to basically whisper the words „It’s a miracle.“ into Eddie’s ears and then lean back a little and I am not sure if that wouldn’t fit better with Subtext but also Buck looks at Eddie like he wants to eat him alive and Eddie looks like he would let him and say thank you after while still embarrassed because he cries during sex.

You know, acting.

- 3.04 „discount!Buck in the house!“

Listen, I am convinced this is all Ryan considering the reaction of Kenny / Chimney and Aisha / Hen but that doesn’t change the fact that they used a take which had Eddie stare at Oliver / Buck’s butt the whole time and I mean, what horrible things happened in the other takes that made production choose this one unless they want us to see Eddie looking at Buck’s butt while Chimney and Hen stand around looking amused?

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Listen, from the moment Buck says „Cause you would prefer working it out in the ring?“ and then does this dorky thing with his arms while Eddie smirks into his beer about how he fought in a cage not fenced in (which, I’m a little unclear on the distinction I think, but I am nitpicky af so who am I to judge? Probably just stuff getting lost in translation) that whole scene changes vibes, going from apologising to teasing. And I think it’s very interesting that this is when Buck chooses to come closer (and then keep coming closer until he is right in Eddie’s personal space while touching his belt which we all learned by now means he is thinking about sex) and they have this whole conversation about who could take who which happens in sort of half sentences and does not feel like they are talking about fighting each other at all.

I mean, Buck keep coming closer, while Eddie stands there rooted to his spot, leaning against the bar, smirking, like every hot guy in a bar ever who knows one smile and a bit of smolder and they will come to him (which Buck does, playing right into it, I mean, come on, bro, weren’t you once a serial dater? How do you not know how to play hard to get?) and holding the beer (you know, phallic shaped obj- okay, I’ll stop here, it’s a reach), occasionally drinking, like maybe he tries to draw attention to somewhere or he has a very dry throat and honestly: this is how porn starts!

I don’t think my writing (or anyone’s writing really, not that ya’ll aren’t talented af) can properly express how very not platonic and innuendo-heavy this scene felt.

- 3.13: „‚Bro, what if I flirted with you in a bowling alley while out on a call?‘ - ‚Bro, what if I invited you out to lunch after telling a friend to say I love you before it’s too late?‘ - ‚BRO 😍‘“

Again, the title gives everything away but like so many scenes between these boys that moment at the bowling alley when Buck channels Arnie and Eddie is all: you’re a dork and also wrong! and then later when Eddie invites Buck to get lunch (which is sort of Eddie’s thing, remember 2.01?) after earlier telling Chimney to tell Maddie he loves her if he has a chance because he might regret it. And to really drive the point home or maybe make it in the first place, after Eddie asks Buck - and only Buck - to have lunch with him, Buck then declines because of a little blood (Evan, come one, you’ve seen worse! I know I have!) - only for Chimney to consider this the push he needed to invite Maddie for dinner so he can tell her he loves her.

So, you know, platonic.

- 3.16: „The rope was a metaphor after all“

I mean, what was that scene in the locker even with Eddie leaning against the doorway all cheeky and grinning like: yeah, come hang out with me! - obviously it was about Buck never saying yes to babysit a group of nine-year olds when he could be out drinking (as someone who works with kids, I approve), but yeah, that’s not what it felt like? So unless ya’ll cannot act anymore this was deliberately a bit over the top and ambiguous.

Jealousy

Now, no good ship works without jealousy and neither does Buddie so here are some examples of Buddie being jealous.

- 2.06: „Bucky Barnes murder strut - 911 edition“

Now, your probably saying: Bucky Barnes murder strut? That’s a tall order! But damn, Ryan nailed that, okay? Listen, we’ve seen Eddie walk out of uniform several times at this point and NEVER before and never after has he struted this predatory. Eddie walks tall and military, you know, the way he stands, Eddie doesn’t strut!

Yet, here he does! And what I love about this scene is that we see him in the background while Bobby talks to Taylor, working out with no care in the world - and then Buck comes over and flirts with her, suddenly Eddie feels the need to be part of the conversation?

And he doesn’t even wait until he is standing next to them to talk, he calls over while still sitting on the lifting things.

So yeah, that one is him being jealous.

- 2.10: „It’s all about ‚not my business‘“

- Now 2.10 is a great episode for Buddie and in part it is due to Buck’s facial expressions in the background and out of focus of the camera when Shannon comes to the station.

I mean, Oliver always plays Buck very intense and expressive and with his whole face but that was a bit much, you’d think he just found out Eddie broke a vow of chastity or had an affair while being married (which technically is what Buck compares it to later so kinda makes sense he looks like that but also doesn’t, Buckeroo, what’s the big deal? Did Eddie show up at your doorstep a week earlier telling you what a punk ass bitch his wife was, or…?)

- 2.17: „*fridges female character for man pain* Haha, we’re so random!“

„Talk to Bobby. Maybe he can get you guys a discount.“: There is a point to be made about Buck just not liking Shannon considering everything he knows about her and has heard about her, the same way Eddie doesn’t Abby, but still. This scene and this line, Buck does not sound happy for Eddie or truly interested and yeah, it’s off and it seems jealous.

- 3.04 „discount!Buck in the house!“

It’s actually not just my interpretation, it’s actually - between the similarities to 2.01 and everything that happens after with the lawsuit and how Buck explains himself - literal text that Buck was jealous here with Lena. So there!

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Tim Minear please send me over some scripts or have someone call me and explain what they were going for with the „You had sex with your therapist?“-scene because Eddie was so huffy and offended and I need to know!

- 3.12: „There’s a horse loose in a hos… school“

Buck sounds awfully gleeful Eddie will probably not date Christopher’s teacher and while that might just be him making fun of his best friend being so very overprotective and short tempered when it comes to his son (Mr. Control has left the building!), still, it reads a little like jealousy over some unknown pretty woman Chris might have mentioned some time and Carla probably described in great detail when she told Buck all about Eddie losing his cool!

- 3.17: „LegsTM“

It’s technically not really a jealous moment because it’s not Eddie being jealous but Buck simply refusing to mention his ex-girlfriend here, but considering 3.18 and also and most importantly the fact that there are only two other people in the truck, one being an unknown firefighter driving the truck and the other Bobby, who very much knows how Buck was supposed to take a hot air balloon ride with Abby, for who but Eddie was Buck concealing her identity for because Bobby already knows?

There really is only Eddie left, who probably figures out what Buck was about as well because bro may not be Buck and his out of the box thinking smart but he is fucking smart and he can figure shit out as well! Yet Buck refuses to mention Abby’s name and for what? So he can pretend Bobby and Eddie don’t know he is still bitter about her? I mean, fucking hell, send over the motherforking scripts, Minear, I am done with you!

- 3.18: „Traincrash? More like train WRECK? *cries*“

While I think Eddie is being more protective than jealous here, he is awfully involved and he is uncharacteristically out of control and emotional here and I wanna know why? Does Abby being back remind you of Shannon? Is it jealousy? WHAT IS GOING ON??? WHY YOU SO MAD, ARMY BOY???

Subtext

Now, I am first gonna talk about Subtext things in general like clothing choices, music and cuts between scenes and I am gonna be honest, I probably missed quite a few!

- One of my favourite is that while Buck wears the same colours in 3.03 as Shannon does in 2.07, Eddie wears the same exact shirt - and considering the fact that Ryan got buff between Season 2 and 3 that was deliberate, someone bought that shirt again because we are supposed to connect these scenes with each other!

- As I wrote before in 2.10 we can see Buck and his reaction out of focus when Shannon comes to the firehouse to talk to Eddie and ya know, why?

- Tim Minear himself said the elf in 2.10 was an easter egg for us Buddie shippers and he also said we can make out of the fountain in the background what we want, so there, Buddie is talking about Shannon and Eddie having sex and how much that messes shit up while a fountain shoots water in the background and yes, that is an innuendo and subtext and I hate it a little.

- 2.13 has this hospital scene I love a lot and you know what? Buddie is basically dressed the same, because the subtext of this scene is these two are alike and connected and they GET EACH OTHER.

- Another scene I really love is in 3.01 when Buck comes in for the surprise party because not only does he not hug his sister or Athene but runs up to Eddie first, Bobby actually shoves Eddie at Buck so he is the first person Buck hugs (and then the hug itself, what was that? The way they hold onto each other for a moment just looking while their hips are still touching?! Is that how you two hug because I want in!).

- Also they are dressed basically the same, should we discuss this as well?

- And still in 3.01 when Buck thanks Bobby and they talk and Bobby tells Buck he’ll find someone better and then asks him if he is doing okay, the first person the show cuts to is - nope, not Evan Buckley’s sister who is also there but his best friend, Eddie! Jup!

- And still in 3.01 when the firefam talks about helping Buck in the firehouse, Eddie first acts dismissive but the scene ends with Bobby saying Buck has them even though he may not believe that right now and half of that is said while the camera is on Eddie’s face who looks thoughtful - only to cut from them to Maddie and Josh discussing the same thing and mainly how Maddie doesn’t know how to help Buck and what he needs from her. Which you know, the episode ends with Eddie basically giving Buck a swift kick in the butt like she though he might need (and then 3.03 has Eddie basically telling Buck everything is gonna be okay, so we see Maddie talking about helping Buck but never see her doing it and instead we get two scenes of Eddie being there for Buck and also no Maddie in relation to the lawsuit but an extreme focus on Eddie? Writers, I see you and you aren’t wrong!)

- Also worth another mention is the cut between Madney talking about children, saying Buck didn’t have any either - to Eddie waking up Buck so he can babysit Christopher and specifically calling Buck „his Buck“ to make us think on their relationship and let us know how close they are and also to tell us to not trusts everything Maddie says about her brother because she gets shit wrong.

- In 3.03 after Buck tells Eddie he lost Christopher and then Eddie sees Christopher and rushes over and and Buck collapses and while Eddie holds Chris after he checked for injuries and Chim and Hen and Bobby hold Buck and Bobby asks Buck if he is okay, well, this whole time Buck is staring at Chris and Eddie and Eddie is staring back at him and Bobby, if you wanna know about me, gotta tell you, I am not okay?!

- And then we have the loft scene and yeah, okay, this deserves 5000 words of his own, from the fact that they played „Photograph“ by Ed Sheeran which includes lyrics about how they will never be alone and how loving can heal and mend your soul and the fucking song ends on the words „Wait for me to come home“ just as Eddie knocks and brings Christopher over and tells Buck there is no one he trusts more with Christopher than Buck and I am sorry, what are we supposed to think here? This show is from the US, these people speak english, it’s not like these lyrics leave much room for interpretation!

Not to mention the whole monologue Buck did about being lost and not knowing how to get from where you want to be to where you need to be before Eddie showed up and then talking about how a few choice words can sometimes be the life raft one needs to get home and how we are all just searching for someone to see us? I love Maddie and I love the Buckley siblings, but damn, she’s not the one he has been searching for!

(And I keep bringing up Maddie here because as his sister she is the person Buck could feel closest to and should care about the most and be cared about the most by and yet all canon evidence points to Eddie being that person! Also she is the person next to Eddie Buck has the most scenes outside the firehouse with.)

- This one is a bit of a stretch but Buck looks very uncomfortable during the whole deposition in 3.05 but he looks everyone in the eyes until the lawyer mentions Shannon and suddenly his lap is so much more interesting and yes, after is when all of them get asked the really hurtful question but still, this is when Buck stops being despondent and realises, fuck, I went a bit to far

- Someone please find for me where the director talked about purposely framing them as romantic in the apology scene because I cannot find the post for the life of me, but never the less: In 3.06 during the apology, in the beginning of the scene we see Buddie from quite a distance and Eddie has his back turned toward Buck and there is a column in the shot to visually indicate the divide and yeah, the whole framing is quite something and the way the camera angle goes from far away making it seem like unbridgeable distance cutting to closer shots and how we slowly see alongside the words hey, they aren’t actually that far apart, like yeah, this scene was something else!

- Not a direct cut but during therapy Eddie talks about how he wants to be at home with Chris because he is the one good thing he has going for him and the one thing he gets enjoyment out of (because he is so fucking depressed and I cry), yet when we later see Chris and Eddie together it is neither in Eddie’s house nor are they alone, nope Buck is there as well, meaning Buck is considered a part of that one thing even if he wasn’t explicitly mentioned!

- During 3.10 when they take the photo with all of them Buck is grouped between Madney and the Diaz family, like right between and not just next to them. Also earlier when the eat Buck sits next to Christopher who sits next to Eddie and therefore on the opposite side of his sister and her boyfriend.

- Yes, they were probably amused by the meddling mom asking then „Are you boys single?“ in 3.11 but come on! They look at each other and smirk? For real? Hand over the script, Timbo!

- Also as mentioned before the fact that when Chim and Eddie talk about family and the 118 being the family they choose the camera is on Albert, Buck and Christopher, no one else is in the shot. And of course the song that is playing here, another song about home.

- The callback to Buck in 3.12 of Ana immediately guessing Eddie is short for Edmundo unlike Buck as well as Carla saying blue eyes (which Buck has) is also Subtext.

- Said it before but: the scene in 3.13 when they arrive at the hospital and Eddie asks Buck out to eat and then Buck changes his mind but Chimney runs off to call his girlfriend because he wants to have dinner so he can tell her he loves her like Eddie told him to do at the beginning of the episode is … interesting.

- I already explained why I think Shannon wasn’t in that many scenes in the video in 3.15 yet Buck was in most of them but it bears repeating. Also again it’s subtext that Buck is part of Eddie’s family and Buck is very important to Eddie and Eddie loves Buck.

- Also the question about the medal in 3.15 and the little boy at the end repeating the question, sorry, were we not supposed to think of Buck here, Tim???

- Also just in general 3.15 focuses very very heavily on Buck and Buck’s reaction - much like 3.18 later does with Eddie. All the non-Eddie scenes feature Buck and Buck freaking out about Eddie potentially dying and Buck making plans and being frantic and the driving force of hope cause homeboy cannot even for a second entertain any thoughts on Eddie’s passing.

- The rope metaphor in 3.15 / 3.16 is of course also subtext but I already explained that one and don’t have anything to add really.

- This one is a little bit of a stretch but I do think there is a reason Eddie was the first one to be taken out of the equation in 3.16 and because of his son and not a love interest.

- Also the pool playing scene in 3.16 there visually we see Eddie and Buck together in nearly all shots, there are two shots of Eddie without Buck in it but not a single one of Buck without Eddie in it and considering camera angles and actors literally being told were to stand it is deliberate that Buck is only seen with Eddie by his side here.

- I’m repeating a lot of things here but Buck refuses to say Abby’s name in 3.17 even though Bobby clearly knows who he is talking about.

- „No. He stopped waiting for me a long time ago.“ cuts to „Summer Camp?“ I mean sorry, what were we supposed to think here? Because this does imply he really did stop waiting because now he has Christopher and Eddie!

- Not to mention it sort of hammers home what I wrote before how Abby is dating a single father and Buck is sort of dating a single father.

- Also 3.18 puts a lot of focus in general on Eddie and his reaction to everything when say, Bobby, who actually knows Abby and was there for the relationship would have made more sense - unless they are pushing an agenda here!

The first person we have Abby interacting with at the traincrash is Eddie and then Buck joins them and the scene literally goes: Eddie *talking to Abby* > cut to Buck, coming closer > Buck: „Abby?“ > cut to both Abby and *Eddie* > Abby: „Buck?“ while the camera is still on her and Eddie > cut to just Eddie’s face having a realisation > cut to Buck

So sorry, why do we focus so much on Eddie here, Mrs. Lynch? Is there a particular reason, oh director, who art also directed 3.01 and which has also loads of Buddie subtext?

There is also Eddie coming to stand visually between Abby and Buck when Sam is loaded into the ambulance as if he is physically putting himself between them and then Buck running back toward the traincrash and Eddie following him after and all the shots of them and Christopher during the party together and once again having Bobby asking Buck if he is okay visually connected to Eddie, though in reverse this time because the scene goes from Eddie and Chris having fun to Buck and Bobby talking. (And should we talk about how this is the first time Buck actually answers the question because finally he has an answer or are we thinking about that right before sleep today when it’s easier to cry?)

- Also very interesting subtext is the fact that Buck and Eddie wear nearly the exact same colour and a similar cut pullover when Buck talks to Abby at the end and when Eddie says goodbye to Christopher and I mean, thematically both scenes are about saying good bye and letting someone go? But also it connects Buddie with each other and connects these scenes, which Idc, I probably wouldn’t have done without the clothes?

Not sold seperatly

- Also subtext / visual thing is the fact that Buddie is basically always with and next to each other at the firehouse and on calls (and before anyone says: well, they are partners, Hen and Chim aren’t as much), and that is a long list so I am just giving examples: in 2.05 they sit next to each other at the table while in 2.06 they sit next to each other on the couch and in 3.08 they sit next to each other at the table again and then we have 2.02 standing outside and 2.04 walking away from the scene together and Eddie handing Buck a weapon in 3.17 and walking toward the ambulance together in 3.13 and several other times, the point is there are a shit ton of scenes of them being right next to each other in case you thought that was a fanfic thing!

„The Buck lens“ / „The Eddie lens“

I’m pretty sure there is an actual technical term for what I am trying to describe here but basically there are several instances where we see Eddie the way Buck does, meaning while the scene shows us Eddie doing something the focus is on Buck watching this. Sort of POV but not quite I guess? Also the reverse is true as well, even if those scene aren’t as pronounced!

- Let’s talk about 2.01 once again as we have done for most of this meta and finally, finally look at Eddie’s first scene which we all know is sort of gay and the first time we see Ryan shirtless because Tim accidentally wrote a certain quota of shirtless scenes he needed to do into Ryan’s contract and he needed to get started on those right away.

Also please remember while we as well as the core four are watching Eddie get dressed „Watta man“ plays in the background, which, considering we are introduced to Eddie through Buck’s point of view might be the song playing in his head here? Anyways, back to the topic at hand and how we as the viewers don’t see Eddie until Buck turns around and sees him as well. Which is significant because several times through the conversation between Buck, Hen, Bobby and Chimney we see the locker room in the background so they could have filmed that differently.

Instead they had Chim, who stands off centre, noticing something while Buck banters with Bobby about how he will get to represent the 118 in the calendar, then the camera changes angle so we no longer stand between Bobby and Chimney but rather behind Buck, making him centre stage and putting a focus on his reaction to Eddie. In this scene we have Buck framed by two people commenting on Eddie’s attractiveness. Now we don’t get to see Eddie until we have gotten all reactions of the core four to him, with special attention to Buck, both in filming and text with everyone taking a jab at Buck before walking over to introduce themselves to Eddie which leaves Buck alone, watching.

(Now keep in mind this scene also has Hen basically say Eddie is so hot it transcends sexualities while „Whatta man“ plays as Buck slowly turns around and Idk, mate, that does seem shippy to me.)

- Another scene that focuses very heavily on Buck is when Eddie rushes and hugs Chris at the end of 2.03. In fact for most of the scene we see Buck in the car watching them.

- Also, the hospital scene in 2.04 and how once again we see Eddie interact with Chris while Eddie watches them because fuck knows why.

- Similar to the Buck lens we have 3.10 where Eddie talks to Hen about Chris while the two (or rather Eddie since he sits at the centre) watch Buck play with Chris and Danny. This is significant because Buck is also placed in the middle, putting him opposite Eddie and also making him the focus of the camera for most shots when the scene was about Christopher and Eddie feeling guilty. Huh, we say!

- Something similar happens in 3.11, which is the next episode several months removed when Eddie talks to Chimney about the 118 being their family and while this time Chris is the one sitting in the front, Buck once again is in the middle and also in focus in a scene shot from Eddie’s POV.

Other people reacting to them / commenting on them

Now, I am not sure if this is really Subtext but who knows where else it fits in? (This is a rhetorical question, only my opinion counts around here while I write!) So It goes here! And I think the title is self-explanatory enough.

- I’m a little on the fence on the Bobby looks because - no offence to Peter Krause - he doesn’t have that many facial expressions in general, but yeah, at the mechanics Buck watches Eddie and Bobby watches Buck.

- Our first real one of those scene is the truly savage tía Pepa who is a woman after my own heart because she says the mean shit to your face and the nice things behind your back because she loves you but she loves vibe checking egos more! And well, she is understandably confused by Buck’s being there at the hospital and asks Eddie who that is and why he is here and gives one of the best lines of the show by being so sarcastic, because oh, you work together? Damn, wouldn’t have guessed from the fact that both of you wear LAFD t-shirts! (I love her!)

- In the same episode Maddie comments on Buck’s boycrush on Eddie and while I am unsure whether that is supposed to make it sound less gay or it’s Maddie saying: Bro, you sound 12! but oh well! It’s a comment on them!

- I loath a little to include the elf in 2.10 because Tim has said that was an easter egg for Buddie shippers and a tongue in cheek thing but yeah.

- Also Bobby watches the whole „It’s a miracle“ exchange in 2.14 with that look.

- In 2.18 we get some text on the screen when they help instagram girl about how hot the both of them are and also how THEY should be dating which I’m putting into the same box as 2.10.

- The fact that Bobby shoves Eddie at Buck in 3.01, like sorry, why was it so relevant that this is the first hug?

- When Eddie / Ryan stared at Buck’s / Oliver’s ass in 3.04 we see Hen and Chimney grin about it.

- I know I have said myself that Maddie’s reaction in 3.08 was due to the fact that she just said: can ya’ll stop gossiping - and Chim and Buck were like: sure thing! and then started gossiping but still.

- There is Buddie flirting at the bowling alley in 3.13 and once again Bobby gives them the look and yeah.

- In 3.15 everyone seems very worried about Buck especially and they keep reassuring as if he were Eddie’s next of kin.

- Again a Bobby look I am unsure of but in 3.17 we see him giving them the look in the truck and yeah.

Other people’s heartache

Now, as I’ve said in the beginning, I didn’t wanna just include my perspective on Buddie, so I asked a few other people about this and while this isn’t a representative statistical number it��s still interesting, right?

(Also originally this Guide was organised by episode and I would have included the comments when the things came up but alas that didn’t work and I think I turned a little grey because of that)

@buckleysbabe:

When i first watched 9-1-1, I had no idea that Buddie existed (i hadn’t been on tumblr a lot at the time so I hadn’t seen gifs or anything) and when i started s2 I really thought they were just best friends, but then 2x10 and the ”you two have an adorable son” scene happened and Buck’s ”thank you” and the shy smile AND I WAS ON BOARD!! That was really the first moment, then I got the confirmation after 3x03 and the scene where Buck sees Eddie in the tsunami scenery, and then the whole Eddie saying theres nobody in this world....like in that moment I felt like they were seriously in love 😍❤️

About the 2x10: that scene has so many things. Like the water fountain in the back, Chris in the scene with them (like they are a family), then the elf saying what she said, Buck being for a second like ”huh?” and then you see the light bulb going on when he’s like ”ohhhhhhhh yeah” and then he says thank you 😍😍😍 saying HE IS CHRIS’S COPARENT. AND THEN THE SHY SMILE

@theleftboobgrabber

Right off the bat I thought they had chemistry but I think the entirety of 2×04 is when I genuinely started shipping it. Like.... the constant heart eyes, the support, Buck trying so hard to be there for Eddie and Eddie absolutely never questioning it, the look Buck gives Eddie at the fire house was absolute fire (when Bobby tells Eddie Buck asked for Chris to stay with them) like Eddie's like you did this for me??? And Buck has just this massive Big Buck Energy from where he's sitting like "get used to it" and I remember absolutely loosing my mind that Bobby got the hug and not Buck at the end of the scene like in what universe??? And yeah the rest of the episode is just the same but that feeling of 'that's the wrong man you're hugging' was the tipping point

@emotionalsupportfirefam

Okay so mine was kinda two moments?1) when Buck took Eddie to Chris' school after the earthquake and we see his reaction to Eddie's joy and relief as he holds Christopher and then spends the next episode trying to find ways to help Eddie with finding a suitable caregiver/ support for Chris and 2) the fact the took them whole of five minutes to go from 'rivals' to the 'dynamic duo' after the grenade call.

@evaneddie

Honestly? Literally every scene they have is romantically coded. The first scene of them, with Eddie being shirtless and us seeing it from Buck's perspective with „Whatta Man“ playing? That's subtext.

You can have my back any day? Yo.

The scene when the elf Blair(e) said they have an adorable son and Buck just said thank you instead of correcting her before he literally skipped away?

Eddie showing up at Buck's apartment and Buck not even questioning how he got in?

The way Buck is like a second father to Chris and protects him like one in the tsunami?

"THERE'S NOBODY IN THIS WORLD I TRUST WITH MY SON MORE THAN YOU"?! REALLY EDDIE? WHAT ABOUT LITERALLY ANY OF YOUR FAMILY? OR CARLA? Baby, that's love.

THE HALLOWEEN HUG?!

THE KITCHEN SCENE, THE WHOLE SEXUAL TENSION IN THAT SCENE?! BUCK'S HAND ON HIS BELT, THE GLANCES, "I'D STILL TAKE YOU", ON THE COUCH EDDIE LOOKS TO BUCK'S LAP, LIKE COME ON!

"You boys single?" *Looks at each other*

"This is Eddie's house, I'm not really a guest"

Buck's breakdown when he lost Eddie under 40 feet of mud. That was not the breakdown of losing a friend, that was the breakdown on losing someone you love. There's a meta I saw once literally just for this scene alone, the way Buck dug so desperately at the mud with his bare hands, the screams of heartbreak, the way he collapsed into Bobby, the pure dissociation as Bobby was giving instructions later on, Eddie's memories filled mostly with Christopher and Buck. Sure, the others were there, but, it was FILLED with Buck and Chris.

Then the ending scene of the season?! What was he trying to do with the necklaces? Thrusting his hips towards Eddie, hitting him in the face, then that soft touch on his face?

@adamngoodbuck

Hey! Nice question and for me really easy to answer. I started watching the show back in 2018 when it first aired but I was a casual viewer. Very casual. So casual I actually watched everything up to 2x10 and then I thought it was the season finale so I forgot about it. And then season 3 started. And nothing made sense. So I checked and welp, I had to catch up. And I did and something started brewing inside of me. I wasn't part of the fandom yet. And then. The THE SEARCHERS happened. And that scene. The there's nobody in this world I trust with my son more than you scene. My icon scene. And I was done. Hook, line and sinker.

@the-family-we-choose-118 

My main ones were all the big ones: the kitchen scene, the end of 3x03, the Christmas episode one where Buck is helping Danny and Chris make gingerbread houses and then plans a whole party for the firefam, Buck clawing at the ground in 3x15, Eddie interrupting Taylor Kelly when she came to the station to do the documentary in Dosed, the fact that Eddie was introduced from Buck's POV with „Whatta Man“, the entire earthquake episode where Buck is reassuring Eddie his kid is okay and then drives him to get his kid later on, and the scene where Buck introduces Eddie to Carla in (I'm pretty sure it's) the same episode where Maddie asks him if his boy crush on Eddie means he's over Abby (that was my main one). And I was fully convinced when Eddie walked in Buck's apartment in the beginning of S3 and ripped his blankets off him and was so sure he doesn't sleep naked/wouldn't have anybody over.

And the „official“ part of the guide is done but I do wanna say something else real quick which is:

You have just read about 20.000 words I painstakingly wrote over the course of several weeks and while I get that meta is even more harrowing to reblog than gifsets or fics because meta involves so much opinion and interpretation and what if you disagree with parts of it?

Well, again, I invested a lot of time in this and also: IF YOU DISAGREE TELL ME!!! TELL ME IN THE REBLOG OR IN THE TAGS!!! Because different to fics and gifsets meta is a dialog and I can’t have a dialog unless people talk to me! I’m not here to lecture you on right or wrong, I am here to tell you: okay, this is how the scene looks from my point of view, what do you say? So honestly, please consider liking and reblogging and tagging and maybe talking a little about it with me, because screaming into the void is so very boring

(And also in general: reblog reblog reblog! All these funny posts you see on buzzfeed and instagram screenshoted from tumblr? Half of them were made great by reblogs and all of them were noticed by these sites because of reblogs)

Anyways, before I (REALLY) let you go it would be hypocritical now to not talk about some people who inspired some of this (but ya’ll have to understand I cannot talk about everyone)!

I can however say these four especially helped me write this:

- @diggorypuff , who I have never talked to but whose posts about interesting parallels actually sort of got me into thinking deeper about this show: (X)

- @ingu, who fairly recently did a series of gifsets on Buddie and how Buck is framed as Eddie’s love interest which gave me life: (X)

- @matan4il, who is such an amazing friend and does the most concice and well thought out metas on Buddie without having to watch the show a million times like other people we shall not name have to (me, I am talking about me). Find her buddie metas here: (X) 

- And most importantly my girl, my babe, my love, @chimbuckleys who is the voice of reason between us and always lets me rant about stuff and was the sounding board for this and so much else I have written - I couldn’t do this without you! (ALSO I AM GOING TO BED NOW, BABE!!!)

AND DEAR READER, you made it! Now go have a blessed day and plant some trees because earth is dying and we with it!