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harrysfolklore · 2 months ago

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omg i have a question for the bitchy carlos fic -

so nicole piastri came on red flags podcast recently and spoke about oscar and his childhood, what if there’s an au segment of her talking about older piastri & what would his reaction be

okay this turned out being way longer than intended bc i added the scene of carlos and nicole meeting bc why not, i hope i'm not annoying you with too much little bitch content, i'll promise i'll post for other drivers now READ LITTLE BITCH HERE

Host: "So, Nicole, we've heard a lot about Oscar's journey to F1, but what can you tell us about his relationship with his sister, YN? She has quite the personality online, doesn't she? Can you tell us about their relationship growing up?

Nicole:"Oh, those two. They've always had such a special bond. YN is a few years older than Oscar and yes, she's known as the Piastri who fights people online, but she's always been fiercely protective of him. From the moment YN first held Oscar as a baby, she appointed herself his protector. It was adorable and sometimes a bit much, but always came from a place of love.

Host: Can you give us an example?

Nicole: "When Oscar was about six and YN was maybe nine. Oscar had just started school and was having trouble making friends. He was quite shy back then, if you can believe it. One day, YN overheard some kids teasing Oscar in the playground."

Host: "Oh no, what happened?"

Nicole: "Well, YN marched right up to those boys and she told them off in no uncertain terms. She said, and I quote, 'My brother is going to be a famous race car driver one day, and you'll all be asking for his autograph. So you'd better be nice to him now!' The boys were so shocked they just stood there with their mouths open."

Host:"That's amazing! Did it help Oscar?"

Nicole: "It did, actually. Oscar was so impressed by his big sister standing up for him that it gave him a confidence boost. And you know what? Some of those boys ended up becoming his good friends. They still joke about YN's 'prophecy' coming true now that Oscar's in F1."

Host: "That's such a heartwarming story! It's clear YN has always been protective of Oscar. Now, speaking of relationships, we've heard that YN is dating Carlos Sainz. Can you tell us a bit about how that came to be?"

Nicole: "Oh, that's an interesting story! YN actually told us she was dating Carlos a while back, but we weren't surprised at all. We knew she liked him since that time in Singapore last year when our family visited. YN was trying so hard to act mad about Carlos' win, but it was obvious she was impressed."

Host: "So you had suspicions before they even got together?"

Nicole: "Absolutely! Even before that Singapore trip, YN used to go on these multiple rants about, in her words, 'this arrogant Spaniard' who kept pushing Oscar off track. She called him something I won't repeat but I'm pretty sure everyone knows it, it absolutely irritated her. But you know what? We all knew that deep down, she had a crush on him."

Host: "That's quite the turnaround! Have you met Carlos — as YN’s partner this time — yet?"

Nicole: "I haven’t, actually. I’m hoping to do that in Baku after the summer break. But I can see Carlos brings out a softer side of YN that we don't often see in public. Don't get me wrong, she's still fiercely stubborn and outspoken, but with Carlos, there's this gentleness that comes out. He seems to really understand and appreciate her passion, and he's not intimidated by her strong personality at all. In fact, he seems to admire it."

Host: "It sounds like they complement each other well. How has Oscar taken to their relationship?"

Nicole: "Oscar's been very supportive. I think he appreciates seeing his sister happy, and of course, it doesn't hurt that Carlos is someone he respects on the track. It's actually quite funny to see YN now, cheering for both Oscar and Carlos during races. She's always torn between wanting Oscar to win and not wanting Carlos to lose."

Host: "That's nice, Carlos sounds like quite the gentleman. Has YN picked up any Spanish since they started dating?"

Nicole: "Oh, that's actually a funny story. We love to tease YN about this. You see, she failed Spanish in high school - couldn't conjugate a verb to save her life. And now here she is, dating a Spaniard! Carlos has been trying to teach her, but let's just say it's a work in progress. She can now order a beer and ask where the bathroom is, so I suppose that's progress!"

Host: "That's hilarious! I'm sure she'll be fluent in no time."

Nicole: "Bless her, she's really trying. She's determined to have a full conversation with Carlos' parents in Spanish by the end of the year. We'll see how that goes!"

liked by oscarpiastri, carlossainz55 and 498,646 others

ynpiastri our queen is here !! and no one is ready

tagged: nicolepiastri

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username1 NICOLE PIASTRI IS THE MOMENT

username2 SLAY THE HOUSE BOOTS DOWN

mclaren Icon 🧡

lilyzneimer the besttttt 💓

username3 IS SHE MEETING CARLOS ??

username4 oh i can’t wait to see our queen giving carlos a run for his money again

landonorris Coolest ever

↳ ynpiastri her favorite will always be yuki don’t even try it

↳ username1 HEEEELP

yukitsunoda5511 Nicole is brat

↳ username2 I LOVE THEM 😭

oscarpiastri I’m ready, your boyfriend however…

↳ username3 LOOOOORDDD

↳ username1 POOR CARLOS

↳ ynpiastri leave him alone 😤😤

Baku had a special energy during race weekends. The tight streets and high-pressure atmosphere gave you a mixture of excitement and nerves, but today, the butterflies in your stomach had nothing to do with the Grand Prix. Instead, it was about the lunch you were about to have, where Carlos would meet your mom—officially, as your boyfriend this time.

You walked through the paddock with Carlos by your side, his hand wrapped around yours. Oscar was a few steps ahead, casually walking toward the hospitality area where no other than Nicole Piastri waited. She had met Carlos briefly before, like many of the other drivers, but this was different. He wasn’t just a name on the grid anymore—he was the man you were dating, and Carlos seemed to be nervous about the meeting.

"You think she likes me?" Carlos adjusted his hat for what felt like the hundredth time, his thumb brushing over your knuckles.

"Carlos, she’s going to love you," you couldn’t help but smile at his nerves, "She already does. But, you know... as a mum, she's entitled to give you a little hard time."

"That’s what I’m worried about," Carlos chuckled, but his smile was still tight, "I just want to make a good impression, you know?"

"You will," you assured him, squeezing his hand. "Just be yourself."

Oscar slowed down, overhearing your conversation and grinning like he already knew how this would play out. "Mum’s gonna grill you, mate," he teased, throwing a glance back at Carlos. "She’s been waiting for this."

"Not helping, Oscar," you muttered, giving your brother a playful shove. He just smirked, clearly enjoying himself.

When you finally reached the hospitality tent, your mom was already seated at a table, smiling warmly as she saw you all approach. She stood up to greet you, wrapping you in a familiar hug before turning to Carlos with that same welcoming smile—though you knew there was a glint of mischief behind it.

“Carlos, it’s so good to see you again,” she greeted, shaking his hand.

"It’s great to see you too, Mrs. Piastri," Carlos said, his polite smile fixed on his face. His Spanish charm was dialed up a notch, but you could still feel the slight tension in his grip as he held your hand.

“Please, call me Nicole,” she said, taking her seat again. “I’m not that formal, especially not with my daughter’s boyfriend.”

As you all settled into your seats, you couldn't help but notice the amused glances Oscar and your mom were exchanging. You knew that look—they were up to something.

"So," Nicole began, her eyes twinkling with mischief, "how long have you two been together again?"

You glanced at Carlos, who seemed to relax a bit as he answered, "About two months officially, right, cariño?"

You nodded, but before you could add anything, your mom raised an eyebrow. "And unofficially?"

"Mum!" you said as you felt your cheeks heat up.

Oscar, who had taken a seat across from you, let out a low chuckle, clearly enjoying the show. He leaned back in his chair, arms crossed, watching the dynamic unfold.

"That’s what I thought," she teased, making Oscar let out a loud laugh.

You felt your face grow even hotter as your mom's implications hung in the air. Carlos, to his credit, managed to maintain his composure, though you noticed a slight redness creeping up his neck.

"Well," Carlos cleared his throat, his accent a bit thicker than usual, "I think it's safe to say we've known each other for quite some time now."

"Oh, I remember. You two weren't exactly friendly at first, were you?"

"That's putting it mildly, Mum," Oscar snorted, "Remember the time she came home absolutely fuming after a race? She was ranting about 'that little bi—'"

"Oscar!" you cut him off, "We don't need to relive that."

Carlos squeezed your hand under the table, clearly amused. "No, please, I'd love to hear about this."

"Oh mate, you should've heard her," Oscar spoke again, "'Carlos this, Carlos that.' I swear, she talked about you more when she hated you than she does now."

"I did not!" you protested, but your brother's knowing smirk told you he wasn't buying it.

"It's true," your mum added, her eyes dancing with laughter. "I remember thinking, 'This girl protests too much.' I had a feeling even then that all that anger was hiding something else."

You groaned, hiding your face in your hands. "I can't believe this is happening."

Carlos wrapped an arm around your shoulders, pulling you close. "It's okay, hermosa. I love to hear these stories."

You looked up at him, seeing the warmth in his eyes. It was hard to believe that those same eyes had once glared at you across the paddock.

Nicole smiled, watching the two of you with that familiar mom look—part teasing, part proud. "Well, now look at you. I guess all that bickering was just a cover-up for how much you liked each other."

"You’ve gone soft," Oscar rolled his eyes dramatically. "I kinda miss the days when you’d call each other names."

"Don’t worry," you muttered, giving Carlos a playful glare. "He’s still a little bitch sometimes."

Carlos laughed, his arm tightening around you as he kissed the top of your head. "And you’re still my favorite enemy turned girlfriend."

Your mom let out a satisfied sigh, leaning back in her chair. "I knew it all along."

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txttletale · 2 months ago

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i am confused by some self described maoists opposing gun regulations and saying the proletariat must be armed, and i remember you once said most of this comes from misinterpreting one thing marx said about an already-armed proletariat, could you expand on that?

because my thinking is, 1) people are materially, demonstratively safer in places with less guns and less excuses for cops to shoot them and 2) ... it's not like places like the US seem any closer to a revolution unless I'm missing something, right? All of this to me sounds exactly like when some extremely online "communists" oppose a labour reform that will make material improvements for the working class because they perceive worse conditions as more conductive to a revolution, which is something that, if nothing else, is horrible optics for any communist to say since it sounds like they _want_ things to get worse, which rightfully would make any working person want to punch them

SRA and similar types drastically take the quote “Under no pretext should arms and ammunition be surrendered; any attempt to disarm the workers must be frustrated, by force if necessary” out of context in a very silly way, interpreting it as 'basically the 2nd amendment', as marx just saying that the working class should all own their own gun as individuals--when in fact marx said this in a very specific context, discussing an organized working class in the midst of a popular democratic revolution against feudalism (such as the february revolution in russia or the xinhai revolution in china) in which the proletariat and bourgeoisie were united against aristocratic and royalist elements, and the need of organized proletarian militias to maintain their weapons even after the success of such a revolution to guard against betrayal by the bourgeoisie of the sort marx wrote of extensively in the case of the french revolutions. here's the quote in its full context:

During and after the struggle the workers must at every opportunity put forward their own demands against those of the bourgeois democrats. They must demand guarantees for the workers as soon as the democratic bourgeoisie sets about taking over the government. They must achieve these guarantees by force if necessary, and generally make sure that the new rulers commit themselves to all possible concessions and promises – the surest means of compromising them. They must check in every way and as far as is possible the victory euphoria and enthusiasm for the new situation which follow every successful street battle, with a cool and cold-blooded analysis of the situation and with undisguised mistrust of the new government. Alongside the new official governments they must simultaneously establish their own revolutionary workers’ governments, either in the form of local executive committees and councils or through workers’ clubs or committees, so that the bourgeois-democratic governments not only immediately lost the support of the workers but find themselves from the very beginning supervised and threatened by authorities behind which stand the whole mass of the workers. In a word, from the very moment of victory the workers’ suspicion must be directed no longer against the defeated reactionary party but against their former ally, against the party which intends to exploit the common victory for itself. To be able to forcefully and threateningly to oppose this party, whose betrayal of the workers will begin with the very first hour of victory, the workers must be armed and organized. The whole proletariat must be armed at once with muskets, rifles, cannon and ammunition, and the revival of the old-style citizens’ militia, directed against the workers, must be opposed. Where the formation of this militia cannot be prevented, the workers must try to organize themselves independently as a proletarian guard, with elected leaders and with their own elected general staff; they must try to place themselves not under the orders of the state authority but of the revolutionary local councils set up by the workers. Where the workers are employed by the state, they must arm and organize themselves into special corps with elected leaders, or as a part of the proletarian guard. Under no pretext should arms and ammunition be surrendered; any attempt to disarm the workers must be frustrated, by force if necessary.

—Karl Marx, Address of the Central Committee to the Communist League (emphasis mine)

it's a total and deeply unserious misinterpretation of what marx actually said, and imo it is indicative less of anything specific to maoism but of the usamerican individualist mindset, who cannot conceive of 'the proletariat' as conceiving of anything other than scattered individuals making personal purchasing and lifestyle decisions. to paraphrase the least annoying mcelroy brother, if you buy a glock you're not arming the proletariat, you're arming the justin. you and your SRA buddies owning guns is not an 'armed proletariat', it's an 'armed just some guys'.

& of course these people will make much hay about the black panthers' use of firearms while once again completely failing to understand what the black panthers actually were (an organization founded on marxist principles) and what they used those guns for (to patrol, in groups, around their neighbourhoods to prevent police from acting with impunity). not for personal 'self defence' but for organized, community self-defense. which kind of gets to the heart of it, a gun is not actually useful for 'self-defense', owning a gun doesn't make you safer, but because of this individualism the specter of the random street hate crime which you can epically john wick your way out of plays an oversized role in the political imagination of these people who, again, cannot envision what self-defense looks like on a community or class basis.

another argument that will be made is that "well, personal gun ownership isn't revolutionary action now, but if there's a revolution how do you expect the revolutionary party to become armed if not through preexisting individual gun ownership?" needless to say i think this is very silly. no revolutionary or guerilla movement in history has ever relied upon the personal gun ownership of its members, because that's a fucking stupid way to operate a serious fighting force.

now that doesn't mean i actually think that gun control legislation in the usa is prima facie a good idea -- i think if the last few years have hammered any point home it's that the cops don't need excuses to shoot people, and that any theoretical program of firearm confiscation would be accompanied by disproportional leniency for right-wing white gun owners and disproportional violence and brutality against latino and black gun owners. i don't think guns are ontologically evil, i think if you want to own a gun that's whatever--but i do think that SRA types are for the most part wilfully deluding themselves that their particular type of consumerism and hobbyism is serious revolutionary activism in much the same way that people who make a big deal out of buying from their local small business queer owned coffee shop are.

#ask

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torrancefavgirl · 5 months ago

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Percy taking care of you when you're on your period

Literally writing this as I'm dying from cramps so I have to indulge

My god the sweetest motherfucker ever

He's literally top tier at this

If u think his mom didn't explain all of this shit to him since he was old enough??? YOURE WRONG

Okay he may have panicked a bit when it first happened but he's all good now

If you bleed on his bed, don't you dare be embarrassed cause he'll look at you like you grew 2 extra heads

Emotional outbursts/hormones being a bitch, he will take care of you & always understand

This man will never make you feel like you're overreacting or overly emotional ever

He knows how much that shit effects your body

If there's anything he doesn't know he'll immediately ask his mom or go online even subreddits

You cannot tell me he didn't make you atleast one a little period care kit/basket wtv

Will drop everything including waking up at 3am if you have a craving

Also waking up whenever you need him because of your cramps

His fav way to sooth your cramps is to rub your lower belly

He has a whole ass drawer in his bed side table that has any essentials you could need

Will memorize the type of pads/tampons that you use (he called you panicking in the supermarket cause of how many kinds were there)

Like I said Belly rubs, belly rubs, belly rubs.

NSFW WARNING

When he was reading shit on the internet trying to find stuff to make you feel better, he found out about orgasms helping with the pain

Let's just say he'll never ever object to that

There's this stupid quote about a real soldier is not afraid to get his sword bloody & honestly he kinda lives by it

So, that means period sex & no don't ever say you're embarrassed or grossed out

Don't wonder if he's grossed out cause how could you think of such stuff

Will obviously ask you if you're comfortable with that

He'll be so so gentle, literally the most gentle he's ever been

He doesn't think you're glass but he knows how extra sensitive your body is

Speaking of sensitivity, he'll use that to his advantage & make you literally exhausted to the point where you don't even have the energy to pay attention to the pain if it's still there

In conclusion: he's literally perfect (duh)

#percy jackson #percy jackon and the olympians #pjo #percy jackson imagine #percy jackson x reader #percy jackson headcanon #percy jackson x y/n #percyjackson #percy jackson smut

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felassan · 3 months ago

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Edge – The Future of Interactive Entertainment magazine, issue #401 (October 2024 issue) – Dragon Age: The Veilguard story

The rest of this post is under a cut for length.

Update: this issue of this magazine is now available to buy from UK retailers today. it can be purchased online at [this link]. [Tweet from Edge Online] also, Kala found that a digital version of the magazine can be read at [this link].

This post is a word-for-word transcription of the full article on DA:TV in this issue of this magazine. DA:TV is the cover story of this issue. When transcribing, I tried to preserve as much of the formatting from the magazine as possible. Edge talked to BioWare devs for the creation of this article, so the article contains new quotes from the devs. the article is written by Jeremy Peel. There were no new screenshots or images from the game in the article. I also think that it contains a few lil bits of information that are new, like the bits on companions' availability and stumbling across the companions out and about on their own in the world e.g. finding Neve investigating an abduction case in Docktown.

tysm to @simpforsolas and their friend for kindly telling me about the article!!

-----

[image source]

Article introduction segment:

"[anecdote about Edge] We were reminded of this minuscule episode in Edge's history during the creation of this issue's cover story, in which we discuss the inspiration behind Dragon Age: The Veilguard with its creators at BioWare. Notably, director John Epler remembers the studio experimenting with a number of approaches during the early phase of development before eventually locking in to what the game was supposed to be all along, above all else: 'a single-player, story-focused RPG'. As you'd expect from BioWare, though, that was really just a starting point, as we discovered on p54." BioWare draws back the Veil and ushers us into a new Dragon Age

"BEHIND THE CURTAIN BioWare's first true RPG in age age is as streamlined and pacey as a dragon in flight. By Jeremy Peel Game Dragon Age: The Veilguard Developer BioWare Publisher EA Format PC, PS5, Xbox Series Origin Canada Release Autumn

The Dragon Age universe wasn't born from a big bang or the palm of an ancient god. Instead, it was created to solve a problem. BioWare was tired of battling Hasbro during the making of Baldur's Gate and Neverwinter Nights, and wanted a Dungeons & Dragons-like setting of its own. A small team was instructed to invent a new fantasy world in which the studio could continue its groundbreaking work in the field of western RPGs, free of constraints.

Well, almost free. BioWare's leaders mandated that the makers of this new world stick to Eurocentric fantasy, and include a fireball spell - since studio co-founder Ray Muzyka had a weakness for offensive magic.

Beyond that, BioWare’s storytellers were empowered to infuse Dragon Age with their own voices and influences, leaning away from D&D’s alignment chart and towards a moral grayness that left fans of A Song Of Ice And Fire feeling warm and cozy.

In the two decades since, the world of Thedas – rather infamously and amusingly, a shortening of ‘the Dragon Age setting’ that stuck – has taken on a distinct flavor. It’s something director John Epler believes is rooted in characters.

“There’s definitely some standard fantasy stuff in Dragon Age, but everything in the world, every force, is because of someone,” he says. “The idea is that every group and faction needs to be represented by a person – someone you can relate to. Big political forces are fine as background, but they don’t provide you with those interesting story moments.”

Dragon Age: The Veilguard bears out that philosophy. The long-awaited sequel was first announced with the subtitle Dreadwolf, in reference to its antagonist, Solas – an ancient elf who once stripped his people of immortality as punishment for betraying one of their own. In doing so, Solas created the Veil, the thin barrier through which wizards pull spirits and demons invade the waking world. In other words, many of Dragon Age’s defining features, from its downtrodden elves to the uneasy relationship between mages and a fearful church, can be traced right back to one character’s decision.

“The world exists as it does because of Solas,” Epler says. “He shaped the world because of the kind of character he was. That’s, to me, what makes Dragon Age so interesting. Everything can tie back to a person who to some degree thought they were doing the right thing.”

Perhaps BioWare’s greatest achievement in slowburn character development, Solas is a former companion, an unexploded bomb who sat in the starting party of Dragon Age: Inquisition, introverted and useful enough to get by without suspicion. Yet by the time credits rolled around on the Trespasser DLC, players were left in no doubt as to the threat he presented.

Determined to reverse the damage he once caused, the Dreadwolf intends to pull down the Veil, destroying Thedas as we know it in the process. The next Dragon Age game was always intended to be his story.

“We set that up at the end of Trespasser,” Epler says. “There was no world where we were ever going to say, ‘And now let’s go to something completely different.’ We wanted to pay off that promise.”

Yet almost everything else about the fourth Dragon Age appears to have been in flux at one time. In 2019, reporter Jason Schreier revealed that an early version, starring a group of spies pulling off heists in the Tevinter Imperium, had been cancelled two years prior. Most of its staff were apparently moved onto BioWare’s struggling Anthem, while a tiny team rebooted Dragon Age from scratch. That new game was said to experiment with live-service components.

“We tried a bunch of different ideas early on,” Epler says. “But the form The Veilguard has taken is, in a lot of ways, the form that we were always pushing towards. We were just trying different ways to get there. There was that moment where we really settled on, ‘This is a singleplayer, story-focused RPG – and that’s all it needs to be’”.

Epler imagines a block of marble, from which BioWare was attempting to carve an elephant – a character- and story-driven game. “We were chipping away, and sometimes it looked more like an elephant and sometimes it didn’t”, he says. “And then we eventually realized: ‘Just make an elephant’. When we got to that, it almost just took shape by itself.”

2014’s Dragon Age: Inquisition was an open-world game commonly criticized for a slow-paced starting area which distracted players from the thrust of the plot. The Veilguard, in contrast, is mission-based, constructed with tighter, bespoke environments designed around its main story and cast. “We wanted to build a crafted, curated experience for the player,” Epler says. “Pacing is important to us, and making sure that the story stays front and center.”

Epler is very proud of Inquisition, the game on which he graduated from cinematic designer to a lead role (for its DLC). “But one of the things that we ran into on that project was an absentee antagonist,” he says. “Corypheus showed up and then disappeared. You spent ten hours in the Hinterland doing sidequests, and there wasn’t that sense of urgency.”

This time, The Veilguard team wants you to constantly feel the sword of Damocles dangling above your head as you play – a sense that the end of the world is coming if you don’t act. “There’s still exploration – there’s still the ability to go into some of these larger spaces and go off the beaten path to do sidequests,” Epler says. “But there’s always something in the story propelling you and the action forward, and allowing you to make decisions with these characters where the stakes feel a lot more immediate and present. And also, honestly, more real.”

No sooner have you finished character creation than Dragon Age: The Veilguard thrusts you into a choice. As your protagonist, Rook, steps into focus on the doorstep of the seediest bar in town, you decide whether to threaten the owner for information or make a deal. Brawl or no, you’ll walk out minutes later with a lead: the location of a private investigator named Neve Gallus, who can help you track down Solas.

You proceed into Minrathous, the largest city in Thedas and capital of the Tevinter Imperium – a region only alluded to in other Dragon Age games. It’s a place built on the backs of slaves and great mages, resulting in tiered palaces and floating spires – a kind of architecture unimaginable to those in the southern nations.

“When your Dragon Age: Inquisition companion Dorian joins you in Orlais, in one of the biggest cities in Thedas, he mentions that it’s quaint and cute compared to Minrathous,” Corinne Busche, game director on The Veilguard, says. “That one bit of dialogue was our guiding principle on how to realize this city. It is sprawling. It is lived-in. Sometimes it’s grimy, sometimes it’s bougie. But it is expansive.”

Immediately, you can see the impact of BioWare’s decision to tighten its focus. Around every other corner in Minrathous is an exquisitely framed view, a level of spectacle you would never see in Inquisition, where resources were spread much more thinly. “When you know that you’re gonna be heading down a canyon or into this plaza where the buildings open up, you have those perfect spots to put a nice big temple of Andraste or a mage tower,” art director Matthew Rhodes says. “You get those opportunities to really hit that hard.”

BioWare’s intention is to make strong visual statements that deliver on decades of worldbuilding. “People who have a history with Dragon Age have thought about what Minrathous might be like,” Rhodes says. “We can never compete with their imagination, but we can aim for it like we’re shooting for the Moon.”

The people of Tevinter use magic as it if were electricity, as evidenced by the glowing sigils that adorn the dark buildings – street signs evoking Osaka’s riverfront or the LA of Blade Runner. They’re just one of the tricks BioWare’s art team uses to invite you to stop and take in the scene. “A lot of what you start to notice when you’re the artist who’s been working on these big, beautiful vistas and neat murals on the walls is how few players look up,” Rhodes says. “We design props and architecture that help lead the eyes.”

For the really dedicated shoegazers, BioWare has invested in ray-traced reflections, so that the neon signage can be appreciated in the puddles. There are also metal grates through which you can see the storm drains below. “The idea behind that is purely just to remind the player often of how stacked the city is,” Rhodes says. “Wherever you’re standing, there’s guaranteed to be more below you and above you.”

One of BioWare’s core creative principles for The Veilguard is to create a world that’s actually worth saving – somewhere you can imagine wanting to stick around in, once the crises of the main quest are over. To that end, the team has looked to ground its outlandish environments with elements of mundanity.

“A guy’s normal everyday life walking down the streets of this city is more spectacular than what the queen of Orlais is seeing, at least in terms of sheer scale," Rhodes says. “One of the things we’ve tried to strike a balance with is that this is actually still a place where people have to go to the market and buy bread, raise their kids, and try to make it. It’s a grand and magical city, but how do you get your horses from one place to the next? Where do you load the barrels for the tavern? It’s really fun to think of those things simultaneously.”

Normal life in Minrathous is not yours to behold for long, however. Within a couple of minutes of your arrival, the very air is ripped open like cheap drapes, and flaming demons clatter through the merchant carts that line the city streets. A terrible magical ritual, through which Solas intends to stitch together a new reality, has begun.

“We wanted the prologue to feel like the finale of any other game we’ve done,” Busche explains. “Where it puts you right into this media-res attack on a city and gets you really invested in the action and the story right away. When I think back to Inquisition, how the sky was literally tearing open – the impact of this ritual really makes that look like a minor inconvenience.”

Our hero is confronted by a Pride demon, imposing and armored as in previous games, yet accented by exposed, bright lines that seem to burst from its ribcage. “They are a creature of raw negative emotion,” Busche says. “So we wanted to actually incorporate that into their visual design with this glowing nervous system.”

When a pack of smaller demons blocks Rook’s route to the plaza where Neve was last seen, battle breaks out, and The Veilguard’s greatest divergence from previous Dragon Age games becomes apparent. Our rogue protagonist flits between targets up close and evades individual sword swings with precision. In the chaos, he swaps back and forth between blades and a bow. He blends light and heavy attacks, and takes advantage of any gap in the melee to charge up even bigger blows.

“Responsiveness was our first-and-foremost goal with this baseline layer of the combat system,” Busche says. Unless you’re activating a high-risk, high-reward ability such as a charged attack, any action can be animation-cancelled, allowing you to abort a sword swing and dive away if an enemy lunges too close. “We very much wanted you to feel like you exist in this space, as you’re going through these really crafted, hand-touched worlds,” Busche says. “That you’re on the ground in control of every action, every block, every dodge.” Anyone who’s ever bounced off a Soulslike needn’t worry: The Veilguard’s highly customizable difficulty settings enable you to loosen up parry windows if they prove too demanding.

Gone is the overhead tactical camera which, for some players, was a crucial point of connection between Dragon Age and the Baldur’s Gate games that came before, tapping into a lineage of thoughtful, tabletop-inspired combat. Epler points out that the camera’s prior inclusion had an enormous impact on where the game’s battles took place. “We actually had a mandate on Inquisition, which was, ‘Don’t fight inside,’” he says. “The amount of extra work on getting that tactical camera to work in a lot of those internal environments, it was very challenging.”

Gone, too, is the ability to steer your comrades directly. “On the experiential side, we wanted you to feel like you are Rook – you’re in this world, you’re really focused on your actions,” Busche says. “We very much wanted the companions to feel like they, as fully realized characters, are in control of their own actions. They make their own decisions. You, as the leader of this crew, can influence and direct and command them, but they are their own people.”

It's an idea with merit, albeit one that could be read as spin. “It’s not lost on me,” Busche says. “I will admit that, on paper, if you just read that you have no ability to control your companions, it might feel like something was taken away. But in our testing and validating with players, what we find is they’re more engaged than ever.”

There may be a couple of reasons for that. One is that Dragon Age’s newly dynamic action leaves little room for seconds spent swapping between perspectives. “This is a much higher actions-per-minute game,” Busche says. “It is more technically demanding on the player. So when we tried allowing you full control of your companions as well, what we’ve found is it wasn’t actually adding to the experience. In fact, in some ways it was detrimental, given the demanding nature of just controlling your own character.”

Then there’s The Veilguard’s own tactical layer, as described by BioWare. Though the fighting might be faster and lower, like a mana-fuelled sports scar, the studio is keen to stress that the pause button remains as important to the action as ever. This is, according to Busche, where the RPG depth shines through, as you evaluate the targets you’re facing and take their buffs into account: “Matching elemental types against weaknesses and resistances is a big key to success in this game.”

You pick between rogue, warrior and mage – each role later splitting again into deeper specialisms – and draw from a class-specific resource during fights. A rogue relies on Momentum, which is built up by avoiding damage and being highly aggressive, whereas a warrior is rewarded for blocking, parrying, and mitigating damage.

Those resources are then used on the ability wheel, which pauses the game and allows you to consider your options. The bottom quadrant of the wheel belongs to your character, and is where three primary abilities will be housed. “Rook will also have access to runes, which function as an ability, and a special ultimate ability,” Busche says. “So you’re bringing five distinct abilities with you into combat.”

The sections to the left and right of the wheel, meanwhile, are dedicated to your companions. Busche points to Lace Harding, the returning rogue from Inquisition, who is currently frozen mid-jump. “She is her own realized individual in this game. She’s got her own behaviors: how she prioritizes targets, whether she gets up close and draws aggro or stays farther back at range. But you’ll be able to direct her in combat by activating her abilities from the wheel.”

These abilities are complemented by positional options at the top of the wheel, where you can instruct your companions to focus their efforts on specific targets, either together or individually. Doing so will activate the various buffs, debuffs and damage enhancements inherent in their weapons and gear. “So,” Busche explains, “as you progress through the first two hours of the game, this full ability wheel is completely populated with a variety of options and different tactics that you can then string together.”

BioWare has leaned into combos. You might tell one companion to unleash a gravity-well effect that gathers enemies together, then have another slow time. Finally, you could drop an AOE attack on your clustered and slowed opponents, dealing maximum damage. The interface will let you know when an opportunity to blend two companion abilities emerges – moments BioWare has dubbed ‘combo detonations’.

“I like to think about this strategic layer to combat as a huddle,” Busche says, “where you’re figuring out how you want to handle the situation, based on the information you have on the encounter, and how you and your companions synergize together.”

Deeper into the game, as encounters get more challenging, Epler says we’ll be spending a lot of time making “very specific and very focused tactical decisions”. The proof will be in eating the Fereldan fluffy mackerel pudding, of course, but Busche insists this shift to fast action isn’t a simplification. “What really makes the combat system and indeed the extension into the progression system work is that pause-and-play tactical element that we know our players expect.”

The autonomy of The Veilguard’s companions doesn’t end with combat. BioWare’s data shows that in previous games players tended to stick with the same two or three beloved comrades during a playthrough. This time, however, you’ll be forced to mix your squad up at regular intervals.

“We do expect that players will have favorites they typically want to adventure with,” Busche says, “but sometimes certain companions will be mandatory.” Others may not always be available – part of the studio’s effort to convince with three-dimensional characters. “They do have a life outside of Rook, the main character,” Busche says.

"They'll fall in love with people in this world. They’ve had past experiences they’ll share with you if you allow them in and get close to them.”

Being separated from your companions, rather than collecting them all in a kind of stasis at camp, allows you to stumble across them unexpectedly. Busche describes an instance in which, while exploring the Docktown section of Minrathous, you might bump into Neve as she investigates an abduction case. “If I go and interact with her, I can actually stop what I’m doing, pick up her arc and adventure with her throughout her part of the story,” Busche says. “What’s interesting is that all of the companion arcs do ultimately tie back to the themes of the main critical path, but they also have their own unique challenges and villains, and take place over the course of many different intimate moments.”

Some parts of a companion’s quest arc involve combat, while others don’t. Some are made up of large and meaningful missions – as lavish and involved as those along the critical path. “While they are optional, I would be hesitant to call them side content in this game,” Busche says. If you choose not to engage with some of these companion-centered events, they’ll resolve on their own. “And it might have interesting implications.”

The Veilguard promises plenty of change, then, even as it picks up the threads of fan-favorite characters and deepens them, honoring the decades of worldbuilding that came before it. This is perhaps the enduring and alluring paradox of Dragon Age: a beloved series which has never had a direct and immediate sequel, nor a recurring protagonist. Instead, it’s been reinvented with each new entry.

“It’s a mixed blessing to some degree,” Epler says. “The upside is always that it gives us more room to experiment and to try new things. There are parts of the series that are common to every game: it’s always an RPG, it’s always about characters, and we always want to have that strategic tactical combat where you’re forced to make challenging decisions. But at the end of the day, I think what makes Dragon Age Dragon Age is that each one feels a little bit different.”"

Q&A Matthew Rhodes Art director

Q. Early BioWare RPGs were literary, with the emotions and detail mostly happening in dialogue boxes. How have you seen the studio's approach to visual storytelling evolve? A. This has been my entire career. When I first showed up at BioWare, it was at the tail end of Jade Empire, and then I was working on Dragon Age: Origins and early Mass Effect. The games had taken that next step out of sprites and 2D models, and it was like: 'How do we say more? How do we communicate more clearly?' During those early days, a lot of games depended on words to fix everything for you. As long as your character was talking bombastically, you could lend them everything that they needed. But as time went on it also became a visual medium, and it's been this long journey of trying to establish art's seat at the table. I've worked with some great writers over the years, and art is also an essential part of the storytelling. From Dragon Age: Inquisition on, I've been trying to stress with my teams that we are a story department.

Q. Is part of that also letting writers know that your storytelling assistance is available, to help them show rather than tell? A. On The Veilguard, that principle has been operating the best I've seen it. Where you would need a paragraph of dialogue in one of those exposition moments where a character just talks to you, we could sell that with a broken statue or a skeleton overgrown with vines. We've had more opportunities to do that on The Veilguard than most of the projects I've ever worked on combined.

To a hammer, every problem looks like a nail, and so in every department, writing will try to solve it with more words, and art will try to solve it with more art. I've bumped up against moments where it's like, 'As much as we could keep hammering on this design, I think this is actually an audio solution.' And then you take it to audio, and you don't get that overcooked feeling where each team is just trying to solve it in their silo. It's a really creatively charged kind of environment.

[main body of article ends here]

Additional from throughout the article --

Image caption: “Spotlights shine down from the city guards’ base as they pursue you through the streets of Minrathous.”

Image caption: “While most of your companions can be sorted into comfortingly familiar RPG classes, The Veilguard introduces two new varieties: a Veil Jumper and a private investigator.”"

Image caption [on this Solas ritual concept art specifically]: “The name previously given to the game – Dreadwolf – was a direct reference to Solas. Your former companion, now on his own destructive mission, still features, despite the name change.”

Text in a side box:

"RATIONAL ANTHEM The hard lesson BioWare drew from Anthem was to play to its strengths. “We’re a studio that has always been built around digging deep on storytelling and roleplaying,” Epler says. “I’m proud of a lot of things on Anthem – I was on that project for a year and a half. But at the end of the day we were building a game focused on something we were not necessarily as proficient at. For me and for the team, the biggest lesson was to know what you’re good at and then double down on it. Don’t spread yourselves too thin. Don’t try to do a bunch of different things you don’t have the expertise to do. A lot of the people on this team came here to build a story-focused, singleplayer RPG."

Image caption: “In combat you no longer control your companions directly – this is a faster-paced form of fighting – but you are able to direct them in combat, and can even blend their abilities in ‘combo detonations’.”

Image caption: “You’ll be exploring new regions across Tevinter and beyond – Rivain is a certainty, and that’s only accessible via Antiva travelling overland.”

Image caption: “There are three specializations per character class; on the way to unlocking them you’ll acquire a range of abilities.”

Text in a side box:

"MEET YOUR MAKER “Full disclosure: Dragon Age has traditionally not done skin tones well, especially for people of color,” Busche says. “We wanted to do a make-good here.” In The Veilguard’s character creator, you can adjust the amount of melanin that comes through in the skin, as well as test various lighting scenarios to ensure your protagonist looks exactly as you intend in cutscenes. “Speaking of our first creative principle – be who you want to be – we really feel these are the kinds of features that unlock that for our players,” Busche says. “We want everyone to be able to see themselves in this game.” For the first time in the series, your body type is fully customizable too, with animations, armor and even romantic scenes reflecting your choices."

Image caption: “Your companions are a mix of old and new – Lace Harding is a familiar face. Veil Jumper Bellara is new, with a new occupation, while Davrin is a new face with a familiar profession – he’s a Warden.”

Image caption: "Arlathan Forest is home to the ruined city of the elves, now a place of wild magic, Veil Jumpers and (allegedly) spirits".

Image caption: "Bellara is driven by a desire to learn more about the elves, rediscovering the shattered history and magic of her people."

[source: Edge – The Future of Interactive Entertainment magazine, issue #401 (October 2024 issue) - it can be purchased online at [this link].]

#dragon age: the veilguard #dragon age the veilguard spoilers #dragon age: dreadwolf #dragon age 4 #the dread wolf rises #da4 #dragon age #bioware #solas #video games #longpost #long post #simpforsolas #anthem #jade empire #mass effect #obsessed with the idea of helping neve solve cases...

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twopoppies · 5 days ago

Note

hey love, i hope this arrives in one piece and nothing is cut off, as i am not sure anymore how much i can write in a tumblr ask. just to be sure, my message ends with a ":)"

i'm a larrie since 2013, but went on a work-related tumblr break in 2018 (i work in the music industry). i returned to tumblr last week, amidst deep shared grief 💔 to find solace in community. as i tried to cheer myself up by going through my favorite blogs (like yours, it's so wonderful) and trying to catch up -especially about Harry&Louis things that i missed in the last years-, i found the posts really feel like little nuggets of joy and i'm so grateful for that. so i decided i finally want to add to it, now that my industry commitments have downsized significantly. i haven't shared this in almost a decade (never online anyway) and it's not big news or anything, but whenever i remember it, it just makes my heart glow. so, one of my closest work-friends in the industry back in the days (and i'll use neutral pronouns to protect them) did two tours with them in 🦘 in 2013 and 2015. our shared work ethics and also contracts obviously forbade us both from sharing almost all of what was seen or heard (concerning the artists' personal business), but my friend knew i firmly believed Harry and Louis to be together, just closeted (and we both knew this sadly was very common in music or the film industry; meaning mgmt iron-closeting non-straight male artists was completely and automatically still considered The Norm back then, especially with male artists doing these kinds of numbers and having that large of a young fanbase). i never indulged in my reasons or theories, because i felt like i had a professional reputation to uphold and also with me being queer and in the closet as well, it felt too personal to discuss, back then. during the first tour in 2013, we didn't text much, they just said the band was all very friendly and crew was professional, they seemed "like family". the schedule was "brutal". and security constantly needed to be "tightened", due to invasive people trying to steal or replicate tour passes. i didn't ask my friend about Harry and Louis specifically --but admittedly we also weren't that close of friends at that point. during the second tour in 2015, we were though, and only a few days in, they out of the blue texted something that made me smile so wide, i honestly think my cheeks are hurting to this day. :D i quote: "hey so those two louis and h. can't tell you more but you weren't wrong!!!" i replied with ":DDDDDDD" (honestly felt like sending a million heart emojis instead) and about an hour later they sent "every here knows too!!!" and a correction: "everyone" and to this day, almost 10 years later, I keep these imessages saved, because it made me so happy. and i hope that sharing my time-capsuled precious memory will make someone else happy, too. their love is truly something so special. oh, and one of the two was really unlucky at the pokies (slot machines) and quite a sore loser, haha. I always guessed it was Louis, but I don't know. :)

🥹 Oh, we really needed some happiness around here. Bless you for sharing this.

Also, I tend to agree with you that it was Louis on the slot machines. LMAO!

#2015 larry receipts #australia larry receipt #larry receipts #this is like a little ray of sunshine in what was otherwise a super sad week

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guardarecheluna · 8 months ago

Text

You know, i’ve been your baby since the day that we met. (CEO!H)

Words: 8k

Warnings: Pathetic Fluff, Smut (Praise, P in V, Oral, slight daddy kink)

Summary: Harry is bewitched by her, and he would do absolutely anything to make her happy, even though she sometimes doesn’t want him to.

READ THE FIRST CEO ONE SHOT HERE!

A/N: Hellooo my loves! It's been a little while, but now i'm here with a lil CEO update since you all seemed to enjoy him last time. Please let me know what you think of it, it always makes my day to hear from you!

elle x

It was almost like Harry couldn’t remember a life before her. She had filled the bottomless hole in his heart with her warmth, humour, cleverness and love like it was the most simple thing in the world. Harry had never been so happy.

It’s been just 5 months since that night in Harry’s lounge, where his clammy hands were shaking, searching for hers. Where he bared his heart before her, and hoped, hoped that she’d at least tell him she didn’t hate him. Y/N could never hate Harry. Sometimes, when she comes to think about it, she feels absolutely crazy when it comes to him. Like she can’t believe that he is hers. Like maybe she was made just for him. Like maybe they were meant to meet when she started working for Pleasing.

Harry had kept telling her how hard he fell, that he felt like he was jumping from a plane without a parachute, blindly falling and hoping to be caught in his lover’s arms. Harry fell hard, but Y/N fell first.

Y/N’s interview had went better than she ever could’ve expected. It was just the day before that she was asked to Pleasing’s office to do an interview for a position as a senior creative. She left the interview happy and pleased with herself, but honestly?

She couldn’t tell if it was because she had actually done well for the interview, or if it was the Harry-shaped opening in her heart that was slowly cracking her open. The tall brunette had been so kind to her throughout the interview, even offering her a coffee beforehand.

As her first day a Pleasing came and went, Y/N tried to gather up her things from her new office to head home. It had been a wild day, introductions to new people, online courses to help her with their IT systems and endless and absolutely endless pining for her new boss. She could swear that she had never met anyone like him, and especially not a CEO who acted like he did with his colleagues. Harry had this softness to him, almost feminine at times, but with a strong masculine cologne, broad shoulders and deep, gravely voice. He emitted a light and kindness that was difficult to describe if you hadn’t met him. He was like a magnet.

Y/N was sure that if you were to google the definition of kindness, a picture of Harry Styles would pop up on the first page. Don’t quote her on that, though.

Harry had checked on her multiple times during the day, taken her and a few other colleagues out for lunch as a “celebration” he said. He really didn’t act like any other CEO she had met.

“Hey, are you still here? Thought your day ended at five, you must be exhausted.” Harry was doing a final round in the offices. Y/N was the last one left, just wanting to land back on her feet and feel her surroundings after a long first day. She thought she’d be the last one out, but Harry was there as well. Of course he was. Y/N snapped her head up, looking at him. He had almost scared her with his quiet steps into her office space. “Jesus, Harry, you scared me!” Y/N scrunched her eyes shut, putting her hand over her pumping heart. “I’m sorry, I’m sorry I couldn’t resist, I didn’t mean to scare ye’ though.” Harry said with a smirk. Y/N raised her eyebrow at him. “Didn’t mean to, huh? Don’t believe it for a second.” She said, throwing him a suspicious look, but with a smile; she just couldn’t help it. Harry chuckled. “You’ll just have to believe that I’m a kind enough person to not scare away the new employee on the first day, I don’t know what to tell you.” Harry hit back, slight ironic cockiness in his voice.

Y/N just smiled and continued packing up her laptop and the pamphlets she’d gotten from HR, along with a few papers that needed to be signed.

Y/N almost couldn’t look at him without having butterflies erupting in her stomach. Call her stupid, insane, mentally weak, but she could feel a serious crush coming on. Scratch that, it isn’t coming on, it’s already there, burning in her belly and begging to seen and heard.

Or another time, around a month into working for Pleasing when Y/N had knocked on Harry’s office door, almost in tears.

Maybe it sounded dramatic, but getting used to a new workplace, new routines and IT systems; Y/N would find herself frustrated and she hated bothering her colleagues with her questions every 5 minutes.

Y/N knocked on the glass door, her jaw strained and aching with how much she was trying to keep it together.

Harry opened the door, stepping aside. “Hey there, darling. You alright?” He said as he nodded his head to give her a cue to step inside.

He looked so good that day, in one of pristine, ironed suits. The first few buttons were undone, and a fine dusting of hair was peeking out of the shirt as well as the tattoos on his chest that Y/N hadn’t gotten to see the full version of. His lips were chapped, like he had picked on the skin in his anxious thoughts. Y/N swallowed harshly, stepping inside and plopping down on the sofa in his office. “I need your help.” She just said, looking up at him, holding on to her frustrated tears.

Harry could tell she wasn’t her chirpy, flirty and smug self, his heart suddenly feeling gooey and yelling at him to sit down and embrace her.

“Anything, I’m glad you came. What do you need, pet?” Harry said as he closed the door and sat opposite her on another sofa. He was leaning forward slightly, his elbows resting on his knees.

“I just…I feel frustrated because there’s so many things I don’t have the hang of yet and I hate being a bother to everyone and asking questions all the time. It’s either that I don’t fucking get it or it’s because there’s suddenly new things and I can’t seem to keep up.” She said, her eyes stuck on the cushions Harry was sitting on, afraid that she’d break if she looked right at him.

Harry was quiet for a good while, anxiety washing over Y/N when he wouldn’t answer. She braced herself for some kind of lashing out. She knew he wasn’t like any other boss, but maybe coming to him with this was a mistake, a showcasing of her weakness that would be the end of her time at Pleasing.

“Sorry…I-“ She started before Harry spoke up.

“Darling, don’t ever apologise. You need to go easy on yourself, you’ve been here for just a month and there’s a lot to learn, you don’t have to do everything at once, that’s impossible. I’m really glad you came to me, of course I’ll help you with anything I can.” Harry said softly. Y/N relaxed into her seat, feeling almost dumb for thinking he’d lash out at her. She nodded, finally looking up at him, to find him searching her eyes and smiling kindly. “Thank you, H, I just, I know it’s a competitive business, and I don’t want to ever let you down just because I can’t figure out fucking excel.” She chuckled.

Harry laughed and shook his head. “As if you could ever let me down.” He said under his breath, almost like she wasn’t meant to hear it. “Let’s get to it, then, come sit down next t’me and pull out your laptop.”

Harry had arranged a small get away weekend for the two of them. Coming up on almost 6 months, they were yet to go on a trip together, and Harry wanted nothing more than some quality time with his girl. His girl.

He had spent two weeks trying to plan everything down to the food they were going to cook, to what activities they could do to keep them occupied.

Harry had booked them a cabin in the woods, by a small lake. It was around a three-hour drive from London, which was perfect for going away for a weekend.

A weekend where it would be just the two of them, no distractions of phones or other people, just them. Harry was so excited, struggling to keep it a secret when all he wanted was to spill all the details and spoil Y/N with insight into all his plans, but he kept his mouth shut.

They had already agreed to spend the weekend together at Harry’s, so naturally, they’d drive home together after work on Friday. Harry was driving, one hand on the wheel, and the other finding Y/N’s over the centre consol. Fingers lightly tracing knuckles and palms while Harry had their playlist on in the background.

Y/N sat up slightly and her eyebrows furrowed when she realized that they were going towards her apartment instead, and not his.

“I thought we were staying at yours this weekend?”

Harry laughed, the plan in his head was turning out just the way he wanted it to. He parked the car outside of her building. “Get out with me.” He said, meeting her when he rounded the car. His hands reached out and gripped her jaw, placing a few small pecks on her pink lips. Confusion was still prominent on her face. “We’re going to go upstairs, and you’re going to pack a bag for a weekend away. I didn’t want to say anything, ‘cause I wanted it to be a surprise.” He smiled. Y/N melted into his touch. “Are you serious, where are we going?�� Her eyes lit up with excitement at his words. “Not telling you yet, you’ll find out.” She shook her head at his words.

“You’re so sneaky. And here I was thinking that you couldn’t keep a secret if your life depended on it.” Y/N teased as she turned on her heel towards her apartment to pack a weekend bag.

The pair had stopped early in their trip to get some snacks at a gas station, just something to keep them awake after a long day at the office. Y/N had taken off her shoes and cozied up in the passenger seat, manipulating her seatbelt so that her back was leaning against the car door. Her feet was propped up on the centre consol as she observed Harry from her seat. Every little hair on his head, his eyes on the road that sometimes glanced over at her, a smile spreading on his face when he caught her looking at him. One of his hands reached for her, hand spreading out over her knee and squeezing it slightly. “What’s on your mind, pet?” Y/N tilted her head. “Like you don’t know.” She laughed and leant back against the door. “Just thinking about how the hell I landed you.” She continued, a slight blush creeping onto her cheeks with the words, but still confident. Harry sighed. “You’ve got it all backwards, I’m afraid. You’re so out of my league it’s insane, I’m surprised I didn’t have to beg on my knees for you to date me.” He replied to her, once again squeezing her knee. “Well, let’s be real, you kind of did.” Y/N said as a comeback, clearly remembering the anxious, thinly spread Harry that night almost 6 months ago. “Alright, that’s enough or I’ll drop you off on the side of the road.” Harry replied, faking a threat as he felt the embarrassment of that evening come over him. “You wouldn’t, think you love me a little too much to leave on the side of the road.” She continued to tease.

Of course she was right.

“Harry. Is this all for us, have you gone completely insane?” Y/N looked at him without a hint of amusement behind her eyes as she stepped out of the car to look at the so called “cabin” that Harry had rented out. Thing is, it wasn’t just a cabin. It was a huge, sprawling estate, hidden away from neighbours and curious gazes. It had to have cost him thousands of punds just for a weekend getaway, and even though Y/N appreciated his act of love, they had had this conversation before; the one about money.

Y/N didn’t grow up with wealth, and neither did Harry. But as the years had passed, Harry had gotten ridiculously rich. No prize on either cars or estates phased him, he barely looked at the cost of things, which Y/N had thought was completely insane, even though she didn’t exactly know the extent of his wealth.

The first argument about money that they had, was early on in their relationship, just a month after they’d become official.

It had been Y/N’s birthday.

They were newly in love. It had been a month. They spent all their awake time together, at work, at home, in bed and weekends. Their hearts were blooming, still with that wondrous love in their hearts each time they looked at each other. Everything was easy, bright and happy.

Y/N’s birthday was coming up, and since she didn’t want to make a big deal of it, she had told Harry that they’d spend it with some of their friends. She had also warned him, to not get her anything as a gift. Y/N wasn’t really aware of what the code was when it’s your partners birthday, but you’re a new couple, so to avoid any awkward feelings, she straight up told him not to get her anything.

Harry wasn’t like that though. He knew her birthday was coming up long before she’d warned him. It might’ve even been one of the first things he’d memorized about her after she left her initial interview at Pleasing. His nosey ass couldn’t keep his nose out of her application papers that was clearly stating her date of birth and age.

He had been a little bit taken aback when Y/N told him not to get her anything, because he had already gotten her something. Something that, in his eyes it wasn’t a big present of any sort, just an appreciation for his girlfriend that he loved more than the number of stars in the sky.

“Can I just get you something small? Please, I know you don’t want anything, but it doesn’t feel right, I just want to celebrate you, you deserve it.” Harry had mentioned over the breakfast they were sharing. Y/N shook her head at him adoringly. “Does it really mean that much to you? A get together with you and my friends is more than enough for me.” Y/N reached out over the table and entwined her fingers through his. He was warm.

“It does, I like giving gifts, and it can be something small, I just want to get you something. If you really don’t want to I won’t but I can’t lie and say it won’t break my heart a little.” He admitted to her. So, she agreed. It was just something small, and she found his urge to care for her so badly very sweet.

And Harry didn’t necessarily lie, the gift was indeed small, but it was expensive. Harry had barely blinked at the prize when he’d went to the jeweller’s and picked out a piece that would suit her perfectly. And maybe that was the problem in all of this. Harry had spent so much of his life by now, bathing in money, and it didn’t really matter to him anymore what things cost him, because at this point, he had made more money than he’ll ever be able to spend.

Y/N didn’t have that, she wasn’t, nor had she ever bathed in money. She was like everyone else, budgeting her money to see what she could spend and save, and she quite enjoyed it, she didn’t have too much or too little of anything.

So when she opened his “small gift” on his sofa, amongst his friend on her birthday evening, she could feel her blood burning when she pulled out a beautiful, white gold bracelet with tiny charms linked to it. Amongst the charms was an “H” initial and amongst a few others that she could recognize meant something to the both of them. A collective gasp was spread through the room, and Y/N knows she should be happy, but right she felt almost embarrassed. Here she was, sat with her regular friends and millionaire boyfriend, while he gifted her jewellery worth thousands of pounds. Harry sat beside her, smiling widely and awaiting a reaction to his gift. Y/N couldn’t find it in herself to be ungrateful, she wasn’t, but she needed to talk to Harry about the way her stomach twisted and turned, how her cheeks turned red and how she felt guilty to receive something like this. But now wasn’t the time. Instead, she turned to him with a weak smile and kissed his cheek. “Thank you, my love.” She simply said before turning back to her friends and picking up another gift. It hurt her. She could see the slight disappointment in Harry’s eyes as she put his gift to the side.

It had all turned into something much bigger. Y/N wasn’t handling his apparent wealth and need to spoil her very well, and Harry was just confused. He couldn’t understand in his wildest mind how she didn’t want him to spoil her. He couldn’t understand her anger, her guilt, and her refusal to let him love her in this way. Because that was it. Plain and simple he loved her. He hadn’t dared to stutter those words since their first night together, and she hadn’t either, but he sure felt it. He felt in his his whole body, and he had for an embarrassing amount of time.

They made up, at last, and she accepted his gift after a few persuasive kisses and promises of no more gifts like these. She made it clear to him that she did appreciate his effort, and the thoughtfulness, but she didn’t appreciate the huge amount of money he had spent. Harry listened and took it to heart. He wanted to make her happy, of course, and gift giving was part of his love language, he just had to learn to tone it down slightly.

That same feeling in Y/N’s stomach that she had on her birthday had returned as she stepped out of the car and looked at the huge house in front of her. It wasn’t like he had bought her a whole house, it was just a weekend away, but it’s the principle of him spending that much money on her that made her uneasy.

“Darling.” Harry just said as he looked over to her. He knew from the look on her face that the same as the one she wore on her birthday. Harry rounded the car to stand right in front of her.

“This isn’t a cabin Harry. I don’t want to sound ungrateful, you know I appreciate when you plan things like this but…” her fingers played nervously with her rings, tears feeling like they could escape from her eyes at any moment. “Look at me.” Harry said, his hand coming up to her cheek, thumb grazing softly over her jaw. “It’s not just a cabin, ‘m sorry. And I know how you feel about this but you also have to know how I feel. I feel like I could never give you enough, you deserve everything I have pet, and sometimes that shows with money. I don’t want it to bother you like this, because I love y- …doing this for you. You must accept that I want to do this and that I’ve got no bad intentions, just want to show you how much you mean to me.” He almost let it slip from his lips. It felt so easy. Y/N swallowed hard. She didn’t want to fight about money, but being taken care of like this was still so foreign to her that she didn’t know how to handle it. She nodded, and looked up at him with watery eyes. “No more.” She just said as she melted into his body, arms wrapping around his middle and her nose searching for his scent lathered in the neckline of his shirt. “There will be more, I want to give you all of it, pet.” Harry replied. She just nodded into the warmth of his chest.

Overwhelmed was the right word. She didn’t know what to do with all these new feelings of guilt that was put in her, where did they come from? Why couldn’t she just accept that he only did this out of pure adoration for her heart?

They got their bags out of the car and stepped inside the house. From the foyer, she could see straight through the house, with a beautiful lake spread out just a few meters from the house. The water on the lake was shimmering in on the roof, which made the whole house look absolutely magical, like something out of a movie.

The house was massive, white walls and high ceilings with an open kitchen carrying dark wooden details and stone countertops. It was the house of Y/N’s dreams.

They spent the afternoon getting settled in, and going down to the lake to have a splash around. Y/N had discovered a porch swing sitting under the balcony, facing the lake and greenery around it, and if she wasn’t already in love with this place, it only intensified when she saw the swing.

But it wasn’t any old, creaky porch swing, it looked almost like a suspended sofa, blankets draped over it and pillows in the corners.

It was her turn to plan something small for Harry.

As they stood in the burning hot shower after their dip in the lake, Y/N hurriedly scrubbed herself down from the dirt and grime and turned to Harry who looked slightly confused at her erratic behaviour. “You got somewhere to be, pet?” Harry chuckled as she hung up her loofah. Y/N had a mischievous look on her face as she wrapped her arms around his middle. “It’s my turn for a little surprise now. I want you to meet my out the back in 40 minutes, and not a minute earlier, alright?” She said as she reached up and placed a single peck on Harry’s chin. Harry nodded, both his hands coming up to her head, carding through her wet hair and pushing it away from the gentle features of her face, then leaning down and connecting their lips. “I’ll be out in 40 minutes.”

Y/N scrambled to put on her comfortable, yet pretty new pyjamas, and dug out what she needed for her little surprise. She pulled out some candles from the depth of a cabinet in the kitchen, a bottle of wine and her speaker, some fruit for them to snack on and finally, a little gift that she had prepared.

The sun had started to set, a few rays still on the porch swing as she got out. She put the candles in the little lanterns and set up a little table for them, wanting to just have some down-time in the porch swing before their evening ended.

Harry stuck his head out the back door exactly 40 minutes later, a big smile on his face, and his freshly washed curls in a mess on top of his head.

Y/N snapped her head around. “Come sit.” Y/N smiled at him and reached out her hand for him, leading him over to the swing. “You’ve made it so lovely out here, pet. So nice to me, always.” Harry whispered to Y/N’s cheek as he pulled her closer to him. Harry was also wearing some cozy clothes, and through her thin pyjamas, she could feel the heat of his body and ripple of his muscle under his skin. He was home.

They sat down and cozied up with a blanked as Y/N poured them wine. “For you, my good sir.” She said teasingly, reaching him the glass of red wine. As she poured herself a glass, she leaned back into the soft cushion of the swing and into his arms. She was curled up, while Harry had his legs on the ground beneath, softly swinging them back and forth.

“I’m really sorry I was acting like I was earlier. I just have a hard time with you spoiling me like this, but I don’t want you to think that I don’t appreciate it, I do, I really do, H.” Y/N admitted as she looked up at Harry. He wasn’t looking at her, his eyes studying the lake that was still catching the last few sunrays. Then he shook his head as he caught her eyes. “You don’t have to apologize t’me, pet. I know you appreciate it. I just…I need you to know that this isn’t a one-off thing. I want to be able to spoil you. I also know that I’ve told you all of my intentions with you, I want always with you. I want us to enjoy our life, I want us to explore, I want to…I want to be with you, and sometimes I want to spend money on you. I can’t say that it doesn’t hurt me a little when you reject me like that, but I also understand where you’re coming from.” Harry laid out. Y/N felt her insides twist at his mention of her rejecting him, cause in her head, it wasn’t like that; not at all. “I don’t want you to feel like I’m rejecting you. I want the same thing as you, I just…that I don’t want to…bother you, I think. I don’t make nearly as much money as you do and sometimes it makes me feel like shit because I can’t bring the same thing to this relationship as you can. I guess it’s just something that’s always going to stick with me, but I want to be better.”

Y/N said, trying her best to be vulnerable and let him see her side of things. Harry snapped his head to look at her. “Is that really how you feel? Like you’re a bother to me?” He asked her, genuinely, not accusing her of her feelings, but sounding like he was genuinely concerned and interested in what her answer might be. “I do sometimes. I work for you, and I’m your girlfriend, it’s a bit hard to navigate sometimes, because we see each other so constantly, and I just don’t want you to get tired of me.” Harry nodded at her words, and stayed quiet for a moment. Y/N could see the wheels spinning in his head, trying to put the right words into his mouth. “You don’t ever have to feel like you’re a bother. Ever. I want to spend every moment with you, and I know I am so lucky to get to see you every single day at work. I do all of these things because I care about you, and in a world where money is everywhere and everything, I sometimes don’t think about the value of some things. You say that you bring nothing to this relationship, but I wish I could put into words how wrong you are.” Harry said honestly, his thumb stroking gentle circles over her cheek as he leaned in to connect them in a kiss. “I’m in love with you. I haven’t told you since that first night, but I don’t think I can keep it in me anymore, I need to tell you, all the time. I need you to know that you’re it, f’me. I love you so much, and you’ll never bother me the way you think you are.” He said against her lips, breaths switching between them because they’re close, so close. Y/N feels like her whole body is on fire, she’s blushing, her lower stomach filling with arousal and all the love she feels for him is just waiting to explode out of her like a fountain. So she does the first thing that comes to her mind. She kisses him again, again and again, until they’re out of breath and panting. “I love you, thank you for loving me like you do.” Is all she says, and she can feel him smiling into their kiss. Y/N moves around on the swing, and gently places their glasses back on the tiny table in front of them before pushing harry down to lay on his back. “Need to show you.” She murmurs against his mouth, as he welcomes her wet kisses trailing down his neck, making the hairs on his body stand up. “Yeah? You’re going to show me how much you love me?” He teased, as he let himself be pushed around to her liking. There was just something about Harr’s dirty talk that got her going even more, his velvety, low voice, combined with those forbidden, almost taboo words, mixed with his high praises and promise of pleasure. It was her favourite thing.

Y/N straddled his hips, looking down at him with a blown out pupils and slight smile as she tugged on her top to discard it on the floor. Harry’s hands instantly came up to touch. First smoothing over her belly and ribs until he reached her fleshy breasts, pinching her nipples and gauging her reaction. Her body caved into Harry’s as he touched her, leaning over him, with her breasts right in front of his face. Harry seized the moment, sticking out his tongue to tease her nipples, nipping them and working his tongue over them. A frustrated, pleasured moan came from Y/N as she started grinding her hips on his warm, plumping cock. Harry could feel her warmth through her bottoms, opting to grab onto her hips with his hands to pull her closer to him. “Can you feel what you’re doing to me, pet? Feel how much I love you?” Harry breathed into her hair, kissing her pulse point right under her ear, slightly biting on the earlobe.

“Mmmh” Was all she was able to get out before Harry pushed her away from him, grabbing her hand and rushing off to their bedroom for the weekend.

They barely made it through the door before Harry’s lips were on hers again, hands over any skin he could get to as they got rid of the remains of clothes that they still had on.

“Wanna taste…wanna bite.” Harry said to her skin, moving down the bed as he placed wet kisses down her sternum, belly, until he reached her mound. Y/N panted heavily with just the feel of his hands and kisses on her skin as she tangled her fingers through his locks to see his face properly. “Please.” She mewled when he teasingly places feather-light licks and kisses on her inner thighs and mound. “Be good, you’re going to get it, but you have to be my good girl, okay?” He said in reply to her mewl and her hands trying to steer her towards where she wanted him. “I’m good, I want to be good.” Y/N replied absentmindedly. And just as she was about to complain again, she felt his hot tongue inside of her, licking broad licks from her opening to her clit. Shivers of pleasure rippled through her body as he pleased her with his mouth, sucking, nipping, licking, and massaging wherever he could get to.

“You taste like heaven baby, so sweet for me, always.” Harry said as he came up for air. “More, please, H” Y/N said the moment his lips left her. She could feel herself getting closer to her that cliff of pleasure, just about to fall off when he detached. “I know, pet, you’re so close yeah? Could feel it on my tongue. Want my fingers too?” All she could do was nod, frustrated and writhing around in the crispy sheets. “You know I need your wor-“ “Yes, yes please, please do anything” She interrupted him in desperation, her hazy mind not caring about her manners at all. “Good girl.” Was all Harry said before diving back in with his mouth and fingers, instantly feeling her clench around his fingers as he curved them, poking the squishy island of pleasure with the tips of his fingers. Y/N moaned out as she got close, closer to the edge of her orgasm, raising to her elbows so she could see him. His eyes were closed as he worked his magic on her.

“I’m coming” Y/N airily moaned as her whole body tightened and she let herself fall over the cliff. Harry continued to work her through the waved of pleasure, prolonging her orgasm for as long as he possibly could.

Y/N in her post orgasm haze shot up from the sheets, pulling Harry up to her as she kissed him. She could taste herself on his lips, residual wetness around his mouth and chin transferring onto her skin. It was so hot. Without another word, she rolled him over, straddling him once again, like out on the swing. She sat right over his hard length, not yet putting him in as Harry had a lazy, smile on his face, pupils blown out in arousal and pleasure. Y/N put her hands on Harry’s chest, feeling up his muscles and dragging down to his toned stomach as she started moving over his cock, wetting him with her own arousal.

“Pet, Shhi- I’m not going to last if you grind on me like that.” Harry said as he fixed his eyes on hers, a little wrinkle of strain between his dark brows. Y/N said nothing to him, continuing to slick his cock with her wetness with a playful smile and moans of pleasure leaving her lips every time the head bumped her clit. Harry’s hands took a firm grip around her wrists as he sat up.

“You’re just asking for it, aren’t you? Thought you’d want it slow and sweet tonight, but I guess I was wrong.” Harry said in a harsh tone, although Y/N could see straight through him. “Doesn’t matter, just want you to fuck me. You always tease me so I thought you’d have a taste of your own medicine.” Y/N replied sassily with a scowl on her face, but a sparkle in her eye that gave her away immediately. “You…” Harry chuckled as he pinned her down on the bed, giving himself a few cursory strokes before lining himself up with her. “Tell me, pet. Tell me what I want to hear and I’ll give it to you” Harry mumbled into her neck, kissing and sucking on her salty skin. “Mhh, I love you, please get in me” Y/N whimpered out as she reached down in between them, trying any and everything to get him inside of her. “I love you too, pet, tell me again” He spluttered out, kissing her lips as he finally sank in to her, groaning int her mouth. A wave of relief flooded over Y/N, her desperation for him finally calming down as he poked and prodded at her insides with his cock. Harry picked up his pace, giving her deep, long strokes with his hips as Y/Ns legs wrapped around his body.

Missionary was a classic for the two of them, people found it boring and plain, but for Harry and Y/N, it was their preferred position. Easy access to one another, being able to touch, look, and swallow the other’s moans as they chased their highs. Few things were as romantic for them as missionary. And don’t get this wrong, they are the couple to explore new positions and find other ways to pleasure, but they always returned to this. There was something so raw and pure about it, and they couldn’t get enough.

Their foreheads were stuck together, panting into each other’s mouths as Harry hooked her legs into the crease of his elbows, allowing him to hit her at a new angle. “Baby” Y/N moaned out from the change in angle, his cock hitting her spot head on as he continued to work into her. A layer of sweat was building on his chest and shoulders from the strain of chasing their pleasure, and Y/N wanted to lick it off. He looked so good like this.

“I know, I know it feels so good, pet, I feel it too. You’re the best I’ve ever had, should never let you leave my bed.” Harry praised her in response as he kissed the sides of her face, looking at her blissed out expression. Y/N could feel her orgasm approaching again, and Harry could tell, letting go of one of her legs and reaching down between them to touch her. “H, I’m going to come, please, keep going” She mewled underneath him, trying to chase his movements with her hips as she threw her head to the side and into the pillow. “I’m coming pet, so fucking weak for you. Want it inside, want me to fill you up, baby?” Harry replied with a raspy groan, and that, that made Y/N tip over yes. Her orgasm wracked through her body, her nails digging into Harry’s biceps as she let out sounds of her pleasure. “Inside, please, Daddy, I want it inside.” She encouraged as her eyes glazed over, fixing her eyes on his as she knew he was right after her, wanting the most out of his orgasm, just as he did to her. “Shit- pet you’re playing dirty, Daddy’s gonna come for you, I-“ Harry groaned as he let out pathetic little whimpers. His hips stuttered, burying himself deeper inside of her and catching her lips in a messy kiss, warm tongue sliding over hers. She could feel her lower stomach, warm with him, chuckling and pushing the hair out of his face as he collapsed on top of her completely.

Her nails started raking through his hair and down his back as they basked in the afterglow of their intense sex. Harry placed a gentle kiss on her collarbone and put his head on her shoulder, looking up at her. “I wish I had more words in my vocabulary to tell you how much I love you, I feel like I love you isn’t enough.” Harry spoke genuinely in a low tone. “Write me a book, yeah?” She chuckled as she tried to settle into the moment and enjoy it before having to detangle from each other. “Don’t joke about that, might as well happen, you know.” Harry laughed as he detached their sticky bodies rising from the bed. “C’mon, my love, quick wash up and then sleep.”

Y/N laid there looking at his outstretched arm, completely bare for each other as her heart pumped with pure love and adoration for the man in front of her. She took his hand, and they stumbled into the shower together.

Y/N was awoken by a harsh light in her face, and Harry sitting up on the edge of the bed. He put his phone to his ear, and she could hear him talking lowly on his phone. Casting her a glance and then leaving through the door as to not disturb her sleep.

She could hear him out in the hall.

“I don’t know what to tell you, I can’t….i can’t do anything from here, I’m away for the weekend…No…Well you’re going to have to fix It in some way, call Niall, I’m not available. All I ask is one weekend in quiet and you idiots can’t even do that. Fine. Call Niall and head of security at IT and figure it out, yeah? Bye.”

Y/N listened curiously in her cocoon of blankets, what time was it, why did they need him now?

Harry stepped inside once again and lifted the blankets. Y/N couldn’t really tell if it was anger or worry on his face. “I’m sorry I woke you up, pet. Some idiots at the office don’t know how to handle their job. Let’s go back to sleep.” She could tell he tried his best not to let anger spill out on their conversation, and she felt bad for him, always having to be available and never catching a break. This job would be the death of him some day.

“You’re alright, baby. It’s not your fault. What did they need you for?” She tried with a gentle voice, welcoming him into her arms as he settled in bed and turned off the bedside lamp. “There’s been some kind of security breach in one department, and someone is trying to leak personal data and now they want a ransom to not leak the data and get out of our systems.” Harry sighed. Jesus. “There’s nothing I can do, but they’re calling in head of IT and security to have a look at it, it’s happened before, but hopefully it’s just a scare. Didn’t want to wake you up though, I’m sorry,” He continued, obviously feeling defeated and helpless in the situation.

“I’m sure there’s a way to make it up to me.” Y/N tried as she placed gentle kisses on his jaw and neck, and she could feel Harry instantly relaxing and smiling at her wording. “Yeah? Tell me and I’ll make it up to you.” He let her lead him on, feeling her hands playing with the elastic of his boxer briefs. “Guess.” Harry shook his head in adoration as he pulled down his boxers and took her underwear off in the same movement, getting in behind her and pushing inside of her. No preparation was needed. Nothing got him harder when he knew she wanted him.

“Fuck, it hasn’t even been two hours and I’ve already missed being inside of you.” Harry admitted with a sigh as he entered her again.

It was lazy, raw and desperate sex, in the middle of the night. Harry couldn’t stop thinking about her, having her in every way imaginable. And he kept thinking about his life from over a year ago, when he had no idea that she, the love of his life, was about to enter into her life. And even if it was just something small, like having sex to take the edge off from the day, Harry couldn’t imagine anything else for his life as they fell asleep cuddled up to each other, leaving no room for work or security breaches to enter his mind. It was just them.

Back at work, a few days later, Lydia, Y/N’s co-worker and close friend smiled suspiciously at Y/N as she prepared her desk for the workday,

“There’s something up with you, and I can’t tell what it is.” Lydia wiggled her eyebrows with an interrogating look on her face. Y/N blushed slightly, but tries to keep a straight face through the conversation, having a sip of her morning coffee. “I’m an open book.” Y/N tried to play, but she could tell that Lydia wasn’t buying it. “You. Me. Meeting in Atlas in 5 minutes. We need to have a MEETING.” Lydia pressed, gathering her things and rushing off to the free meeting room to have a pretend meeting with her best friend. Y/N rolled her eyes and went after her. She could never keep anything from Lydia. She just knew stuff without knowing. Of course, the whole office knew about Harry and Y/N getting involved, but they kept in on the low.

“Alright. Spill the beans, all of them, right now.” Lydia said immediately when she closed the door and plopped down in a chair opposite of Y/N. Just as she was about to answer her, Harry walked by on the other side of the glass. He glanced inside, smiling his brilliant smile and sending her a quick wink before he was off. Y/N looked up with a smile spreading over her face, just from that small interaction. Lydia didn’t even have to turn around. “It’s him, yeah?” Y/N nodded, eyes stuck on the glass where he had just walked by. “I think I’m going to marry him.” Y/N said as she kept looking through the glass. Her heart grew every time she looked at him. If this wasn’t love, then she didn’t know what was.

And Lydia just burst out laughing, a true belly laugh, like she hadn’t heard anything funnier in her whole lifetime. “Babe, tell me something I don’t know. I’ve never seen two people as dumb in love with each other as you two. I’m sure there’s going to be a ring on your finger in the next year, but probably tomorrow if Harry got to have it his way. Plus, you two wreaked of “I just had the best sex of my life” the minute you stepped into the building”

Y/N just blinked at Lydia, blushing at her comment. She hadn’t heard anyone talking about them like that before, and it made her heart grow three sizes. Was it that obvious to everyone? Even Harry?

“Really, you think so?” Y/N replied with a watery smile. Lydia looked at her with a smile. “I know so. There’s absolutely no doubt. I’ve known Harry for about three years, and he’s never been like this, ever. It’s like a different person, I’m telling you- “. Suddenly, there’s a knock on the door, both Lydia’s and Y/N’s eyes flying up to see Harry at the door. “Hello ladies, I was just wanting to borrow Y/N for a quick second.” He tried to be professional, bless him, but the smile overtaking his features revealed him. Lydia smiled at him. “Of course. No funny business, Mr. Styles.” She teased him with a smack on his arm as she left the room, turning around when she was behind him and staring at her intensely, “I TOLD YOU” She mouthed to her.

Y/N chuckled, rising from her chair and meeting Harry halfway around the conference table. “What a pleasure, Mr. Styles, what could you want me for, huh?” Y/N teasingly smiled as she stepped into his embrace. Harry looked down at her with nothing but love in his eyes, his thumb grazing her cheek as she leaned into his touch, “Just wanted to ask the lady if she would like to have dinner with me, tonight. Was thinking about making my famous curry, and I’d like for you to be there.” Harry continued with his little act. “Well, my good sir, I would really like that. I’ll see you later, then.” Y/N replied courteously as she began walking out; but not before Harry grabbed her hand and pulled her back into him. Both his hand on her face, gently passing his fingers through her hair and picking at stray pieces of hair, lovingly. “I love you, be good, yeah?” He said in a way that made her lower stomach flutter with arousal. “I’ll be good. I love you.” She replied before he attached his lips to hers in a long, soft kiss. A few more pecks for good measure, and then she turned around and left, a glimmer in her eye.

Harry stood glued in his spot, completely besotted with her and everything that was her. “I think I need to marry her.” He whispered to himself as he shook out of his daydream, to continue his workday.

#harry styles #harry styles fanfic #harry styles fluff #harry styles x reader #harry styles masterlist #ceo!harry #ceo harry styles #harry styles smut #harry styles fanfiction #harry styles fic

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quin-ns · 2 years ago

Text

Neighborhood Dilf (Joel Miller x Reader)

Word count: 2.7K

Summary: joel finds out he has a nickname and he asks you what it means

Tags: pre-outbreak this is a happy fic guys!! I didn’t specify a year but let’s put it at 2000 for funsies so sarah is like 11 and joel is like 30ish. also fluff, humor, flirting, age gap, goofy plot (I don’t know what this is honestly), joel being the definition of a dilf and not knowing it, crushes, overall cuteness. also suburbia

A/N: I saw a tiktok where someone said they just knew joel was the neighborhood dilf and they were so real for that I had to write it. and no I don’t care that the word was popularized online we’re using it here. I’m here to provide a cute fluffy fanfic not a historically accurate one lol. also sorry if your name is bee, I tried to come up with a name for the friend that was a nickname so if it was someone’s actual name they could just imagine their full name (I overthink)

TLOU masterlist + main masterlist

The loud music coming from outside woke you up from your afternoon nap. After spending a semester at college struggling to find even an hour of sleep, you were taking as many of those as possible. You were a little grouchy at first as you threw your covers off and stormed to your window, but quickly calmed down when you realized it was the annual block party your neighborhood hosted during the summer.

You’d gotten an in-person invite from Bee, another girl home from college who you’d been friends with in high school before going your separate ways. You still kept in touch since she was nice enough, which is how you found out her family was hosting this year. She’d confided in you personally that she would quote “go crazy if it was all kids and old people.”

As you looked out into their front yard, which was diagonal to yours, you saw that’s pretty much all it was. Since you were such a good friend, you decided that you’d go.

You were getting dressed (at a leisurely pace) when your phone started to ring. You picked it up from your desk after you pulled your pink sundress on and flipped it open. The caller ID read Bee’s name and you answered, ready to tell her you were on your way.

“He’s here,” she said, sounding mistified, before you could even open your mouth.

“Who?” you wondered, furrowing your brows a little to yourself as you went to the window.

“The neighborhood dilf,” Bee replied under her breath.

The nickname made you laugh. It reminded you of high school. It had started as a joke, something you had started calling the new guy who’d moved into the neighborhood with his daughter a few years back. Later you found out his name was Joel Miller, but the nickname spread like wildfire to all the other girls in the neighborhood and it just stuck.

Everyone knew about it; the girls of course, their confused parents, jealous boys who thought Joel was stealing their attention—the only person who wasn't aware of the moniker (as far as you knew) was Joel. Well, you hoped his daughter didn’t know either. Thankfully, after time, everyone forgot that you had started it. It was a bit embarrassing.

You walked away from the window to your closet and slid on your flip flops—it was summer in Texas, after all.

“You need to get over here, Y/N—what?” the last word sounded distant from the phone. “Yeah, she’s supposed to be on her way,” Bee replied, but to someone else.

“Um, hello?” you asked, waiting.

Bee was quiet for a few seconds, then whisper shouted into the phone, “you’ll never guess what just happened!”

“Let me guess, Joel just walked up and professed his love for you,” you teased, laughing at your own joke. “What, were my parents asking for me or something?” you guessed for real that time, recalling the small bit you had heard her say.

“Unfortunately no, and also no,” she sounded a little too disappointed about the first part, which made you chuckle again. “He did just ask me about you though.”

“Who?”

“The dilf.”

“Just use his name,” you told her with a roll of your eyes, heading out of your room to the stairs. “Wait.” You stopped for a second. “Joel asked about me?”

“Yeah. I changed my mind, you’re not invited.” If it wasn’t for her obvious sarcasm you might’ve thought she was serious. “He heard me say your name and asked if you’d be here soon. I—hey!” she yelled, causing you to pull the phone from your ear for a second. You continued your descent down the stairs as she yelled something about ‘kids’ and ‘stay out of there’. “I gotta go,” she said suddenly, then hung up.

You just shook your head with a small, amused smile and left your phone on the counter. Stupid dress and no pockets.

You headed out the front door and walked across the street towards the party.

It was in full swing. Music, games, food table—it looked like something out of a magazine. The Grants had a huge front yard—it was one of the nicer houses in the neighborhood—and it seemed like everyone was there. There were kids running around, adults all mingling—some sitting at the fold out tables, others walking around, others chasing their kids—there was also a group of dads surrounding the grill. You glanced that way and didn’t see Joel. You wondered where he was and if you should find him, but Bee found you first.

“The kids aren’t supposed to go inside alone and two of those little jerks went into my room,” Bee complained right away, straightening out her white blouse over her jean shorts. Her pinned back brown hair was a little messy, though. You wondered what happened, which she quickly answered. “I saw them jumping on my bed through the window.”

“Sounds like fun,” you commented sarcastically. Bee looped her arm through yours.

“My dad set up ring toss and it’s all little kids, I don’t wanna be the only adult playing. Come on.” She dragged you along in that direction and you willingly went with.

You saw a few kids from the neighborhood playing, mostly the preteens who were too old for hopscotch but whose parents had told them they weren't old enough for the mini golf (one of the boys had overshared that little comment).

“Y/N!” a girl's voice called. You looked that way and saw Sarah Miller walking towards you. A few days out of the week when her dad was working late, you’d go over to their house and keep an eye on her (before you left for college). It was the easiest babysitting gig you ever had; she was polite, always did her school work, and hardly caused any problems. Her dad had raised her very well.

She looked older than you remembered her being, but you had been gone for both fall and spring semesters—well, you had been home for winter break briefly, but not enough to see anyone other than your parents.

“Sarah, hi!” you greeted, accepting the hug she offered when she got close. “How are you?”

“Good!” she said with a smile. “Are you guys gonna play with us?” she asked you and Bee. “I keep beating them and it’s not fun anymore.”

You and Bee both laughed at that. “Sure, why not.”

“It feels weird playing with her after talking about how hot her dad is,” Bee whispered in your ear when Sarah went first. “You think he’ll come over here?”

“And what would you do if he did?” you challenged while hiding a chuckle, raising your brows at her.

“Um, probably nothing,” she admitted, cheeks a little pink. “He’s fun to look at though.”

You hummed. “You’re not wrong.”

The two of you played a few rounds of ring toss, although Bee got very bored quickly. “Can we go get some drinks?” she asked after not that long of playing.

“Sure,” you decided. You waved bye to Sarah and the others as the two of you walked off towards the cooler.

Out of the corner of your eye, you noticed some of the other girls in the neighborhood that hadn’t been in attendance before. For a couple that you knew, it didn’t seem like their scene.

“What are they doing here?” you asked Bee.

“I may or may not have also told them the neighborhood dilf was here. They, uh, wanted to… see him,” she answered, avoiding eye contact.

You raised your brows in slight disbelief. “Are you serious?”

“I wanted more people our age here,” Bee defended. “I wasn’t sure if you were even gonna show.”

You scoffed out a laugh. “You’re ridiculous,” you told her.

You reached the cooler and knelt down. You handed Bee a water, but she didn’t accept it. You looked up at her.

“Keep an eye out for the dilf, I haven’t seen him in a while. I’ll be right back,” Bee told you, taking off before you could say anything. You guessed the bathroom given her speed walking inside.

You laughed a little to yourself as you stood back up. You kept the water for yourself. You looked out amongst the crowd, realizing you were now on your own while everyone was in groups. You saw a couple people you were friends with and thought of maybe going up and joining them, but someone else spotted you first.

Joel Miller, the aforementioned neighborhood dilf, was walking towards you. Bee would be jealous, especially if she knew you and Joel were actually friends.

You had thought about telling Bee and some of the other girls that you were friends with Joel, given how much they just loved to gossip about him (how he was still single, how he looked really good in his pajamas getting the mail, that one time he took his shirt off while mowing the lawn—that was a big day) but then you thought better of it, not wanting to be run out of town by a jealous mob.

You were already getting glances by the time Joel stopped by your side so maybe your humbleness was pointless.

“Saw you all alone, thought I’d come keep you company,” Joel broke the ice with ease.

How long had he been watching you? The thought made your cheeks feel warm.

“Wow, what a gentleman,” you teased lightly, causing Joel to chuckle.

“I try,” he joked back, shooting you a small wink.

When you had first met Joel you were nervous around him. It was much easier to talk to him now that the two of you had become friends rather than acquaintances. He was an easy guy to get along with and you found yourself genuinely enjoying his company rather than just gawking at him in his yard from your window (like you used to do in high school). Your crush hadn’t disappeared though, so you joked around with him as a way to keep things casual and avoid getting in your own head.

“Sarah told me you were finally here, she was happy to see you,” Joel mentioned with a light smile.

That made you smile back. “She’s a sweet kid,” you told him. “I was happy to see her too.”

You fiddled with the water bottle in your hand as you spoke, trying to unscrew the cap. The stupid thing was stuck and after a few seconds you gave up.

Joel gave you an amused look, glancing between your face and hands. “You want help with that?”

“Yes, please,” you handed it to him. “There you go again, proving chivalry isn’t dead. Thank you.”

Joel unscrewed the cap with ease and handed it back. “Happy to be at your service.”

“So, you guys been here a while?” you asked, sparking up conversation.

“Not too long, only an hour or so. It’s been fun though,” Joel explained. “More for Sarah than for me,” he admitted, glancing around to find his daughter. He spotted her and she waved, then continued playing with her friends.

“Why’s that?” you wondered, looking up at him just as he looked down at you.

“Just… I mean, everyone is nice and all,” he started. “But I just feel like I got nothin’ to talk about with them, y’know? Except you.”

“Really?” You tried to not sound too thrown off by that, but you didn’t know he felt like that. It was interesting to say the least.

“Is that such a surprise?” he wondered, raising an eyebrow curiously.

You shrugged. “Maybe a little. I get it though, I haven’t really talked to anyone other than Bee yet.”

“I don’t know if you’re friends with them, but I saw a bunch of girls your age walking around,” Joel said as a suggestion.

“Nah, I’d rather just talk to you,” you said casually, before you could even think about what you had said. The look on Joel’s face changed a little, like he was trying to bite back a bigger smile.

“Well, that’s nice to hear,” he said after a moment. Your eyes met his and the way he looked at you made your heart skip a beat. You had to look away to be able to breathe, almost certain you were reading into things. You really, really did not want to be disappointed.

“Hey, can I ask you something?” Joel said, making you realize you hadn’t spoken yet.

“Sure, yeah.”

“You know… young person lingo, don't you?”

You laughed at the awkward wording. If it had been any of the other adults here using the word “lingo” you would’ve cringed, but there was something cute about the way Joel said it. You tried to snap that thought out of your head.

“Mostly, yeah,” you replied with a little chuckle paired with a curious tone. “What’s up?”

“Do you know what a dilf is?” he asked bluntly. That alone told you he had no idea.

You were so stunned, all you could think to say was, “why?”

“Well, those girls I mentioned… I overhead some of them calling me that,” he explained, his eyebrows furrowing a little. “It’s not bad, is it?”

Was this karma coming back to you for starting the nickname? It wouldn’t have surprised you.

“It’s not bad, no,” you assured while also avoiding the main question.

“What is it then?” Joel’s interest was piqued now and while you couldn’t blame him, you also couldn’t think of a way to make this not weird.

“It’s an acronym,” you started. Joel watched you intently, waiting for an explanation. “It means dad I’d like to…” you trailed off, hinting at him the word to fill in the blank.

Joel just looked even more confused. “To what?”

Somehow he made cluelessness incredibly attractive.

Screw it, you thought. This was already weird. Rip the bandaid off, right? “Fuck,” you finished before you could think better of it.

“Oh,” he stated. You knew it took a second for realization to hit. “Oh. So that means they, um,”

“It’s basically like saying you’re hot,” you explained, filling in when he couldn’t. You hoped he wouldn’t find it insulting or anything like that.

Joel looked a little bashful but found amusement in the situation nonetheless. “I’ll take that as a compliment.”

“You should,” you suggested, then sipped your water. You looked out at the people milling about rather than meeting his gaze.

“Do you think I’m one?”

You nearly choked on your water. “What?”

“Sorry,” Joel apologized quickly, trying to laugh it off. “I shouldn't've asked that.”

“It’s alright,” you assured him. You paused for a minute, contemplating what you might say to that. You got a rush of bravery. “If you’re asking if I think you’re attractive… the answer is yes.”

Joel couldn’t hold back his smile. He tried, but it was a failed effort. It was like he was trying to contain his anticipation. “What about if I wanted to ask you out? What would your answer be then?”

“Yes.”

Joel grinned. “I was hoping you’d say that,” he admitted.

“Dad!” Sarah’s voice caused the two of you to look away from one another. You saw her running up to you guys and hoped she hadn’t heard a word of your conversation. “Can you come play with me? Mr. Grant just set up a bean bag toss!”

“Sure, kiddo,” he told her. She grabbed his hand and started to drag him away.

You smiled a little to yourself at the interaction—he was such a good dad.

Joel slowed her down a little bit to look back at you. “I’ll call you later, okay?”

“Sounds good,” you replied, chuckling lightly.

The Millers disappeared into the roaming people. You tried to follow them with your gaze but your attention got torn away.

“Waiting in a line for the bathroom in my own house is messed up,” Bee said, popping out seemingly out of nowhere. “What’s got you so happy?” she wondered, eyeing the smile on your face that couldn’t be erased.

“You won’t believe what just happened,” you replied. A part of you still couldn’t believe it. “I’ve got a date with the neighborhood dilf.”

joel taglist: @the-ice-frozen-ground-red-rose @dontphunkwithmylove @cilliansangel @amethystwonders11 @frogsmuahh037 @andy-rocks @melllinaa @alitaar @melanie451 @b00kw0rmsworld @reverieisaway @avengersfan25 @aheadfullofsteverogers @strangeh0rizons @spideysimpossiblegirl @shannonmariebee

if you would like to be added to the joel taglist just send me an ask or a message! <3

#quin-ns writing #joel miller x reader #joel miller x you #joel miller #joel x reader #the last of us #pedro pascal #pedro pascal x reader #pedro pascal x you

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erika-xero · 2 years ago

Text

Beware, the long post incoming. Pro tips for artists who work on commissions!

DISCLAIMER: I do not have, like, a HUGE online following and can’t be called a popular or viral artist, but I do have some experience and I’ve been working as a freelance artist for more that five years, so I could share a few tips on how to work with clients with my fellow artists. Scroll down for the short summary!

First of all, you always need to have your Terms of Service written down in a document that is accessible for your potential clients. And by terms of service I don’t mean a set of rules like “I don’t draw mecha, anthro and N/S/F/W”. There is much more into it, than you may think when you first start drawing commissions.

You’ll need to understand how copyright law/author’s rights in your country works (for example, US copyright or Russian author’s rights, be sure to check your local resources). There are a bunch of sites where you can actually read some legal documents (. I know it might be boring, but TRUST me, you WILL need this knowledge if you choose this career path.

Russia, for example, is plagued with shops selling anime merchandise. The merchandise is usually printed somewhere in the basement of the shop and the shop owners literally rip off other people’s intellectual property. If the artist ask them to remove their IP from the shop the owners usually try to fool them with lies about how the IP works. They will tell you, that you have to register copyright on every single drawing and if you don’t do it anyone can reproduce and sell your artwork. In reality, copyright law in most countries simply doesn’t work this way. Once you create an original work and fix it, take a photograph, write a song or blog entry, paint an artwork, you already are the author and the owner. Yes, there are certain procedures of copyright registration, which is only a step to enhance the protection, but you become an author the very moment you create a piece of art, and no one have a right to take your creation from you. Knowing your rights is essential.

Some of your commissioners may try to scam you too, but most of them might simply not be aware of how copyright law works. I literally had people asking me questions whether or not the character I am commissioned to draw becomes MY intellectual property. I literally had to convince the person (who was legit scared, since the commissioned piece was going to be a first image of his character ever created) otherwise. If you have an idea of the character written down or fixed in any other form such as a collage, a sketch, or a concept art -- the character is yours. Artist may have rights to the image they create, but not the character itself. Your potential commissioner must acknowledge that their characters, settings and etc. is still theirs, while your artwork is yours, if your contract doesn’t state otherwise. You can sell the property rights on your artwork to your commissioner if you want, but it is unnecessary for non-commercial commissions. And I strongly advice you to distinguish the non-commercial commissions from commercial ones and set the different pricing for them. Even if you sell ownership of your artwork to your commissioner, you can not sell the authorship. You will always remain an author of your artwork, thus you still have all the author’s rights stated in the legal documents.

Another thing that is absolutely necessary to be stated in your terms of service is information whether (and when) it is possible to get a refund from you. You absolutely have to write it down: no. refunds. for finished. artworks.

You have already invested time and effort to finish an artwork. The job is done and the money is yours. I’ve heard stories of commissioners demanding refund a few months later after the commission was finished and approved by the commissioners, because, quote “I do not want it anymore”. Commissioning an artist doesn’t work this way, artwork is not an item purchased on shein or aliexpress that can be sent back to the seller. It is not a mass production. It is a unique piece of art. Example: My friend once drew a non-commercial commission for a client who tried to use it commercially later on. She contacted him and reminded of the Terms of Service he agreed with, offering him to pay a fee for commercializing the piece instead of taking him to the court or starting a drama. He declined and suddenly demanded a full refund for that commission via Paypal services. My friend contacted the supports and showed them the entire correspondence with that client. She also stated that the invoice he paid included a link to the Terms and Service he had to agree with if he pays that invoid. The money were returned to her.

However, partial refund can be possible at the certain stage of work. For example, the sketch is done, but something goes horribly wrong. Either the client appeared to be a toxic person, or an artist does not have a required skill to finish the job. I suggest you keep the money for the sketch, but refund the rest of the sum. It might be 50/50 like I suggested to my clients before (when I still could work with Paypal), but it really depends on your choise. I suggest not doing a full refund though for many reasons: not only you make yourself vulnerable, but you also might normalize a practice harmful to other artists this way.

The main reason why full refund when the sketch/line-art are done must not be an option is that some clients may commission other artists with lower prices to finish the job. This brings us to the next important point: you absolutely need to forbid your clients from altering, coloring or overpainting your creation or commission other artists to do so. This also protects your artwork from being cropped, changed with Instagram filters or even being edited into a N/S/F/W image. Speaking of which. If you create adult content, you absolutely need to state that to request such a commission, your commissioner must at least be 18/21 years old (depending on your country). And as for the SFW commissions you also have to state that if someone underage commissions an artwork from you it is automatically supposed that they have a parental concern.

There is also a popular way to scam artist via some payment systems, called I-did-not-receive-a-package. Most of the payment systems automatically suppose that you sell goods which have to be physically delivered via postal services. This is why it is important to state (both in the Terms of Service and the payment invoice itself) that what commissioner is about to receive is a digital good.

And the last, but not the least: don’t forget about alterations and changes the commissioner might want to make on the way. Some people do not understand how difficult it may be to make a major change in the artwork when it is almost finished. Always let your commissioners know that all the major changes are only acceptable at early stages: sketch, line-art, basic coloring. Later on, it is only possible to make the minor ones. I prefer to give my commissioner’s this info in private emails along with the WIPs I send, but you can totally state it in your Terms of Service. I do not limit the changes to five or three per commission, but I really do appreciate it when I get all the necessary feedback in time.

To sum this post up, the info essential for your Terms of Service doc is:

- The information on whether or not your commissions are commercial or non-commercial. If they are non-commercial, is there a way to commercialize them? At what cost?

- The information on author’s and commissioner’s rights;

- The information on whether (and when) refunds are possible;

- The prohibition of coloring, cropping, overpainting and other alterations;

- The information on whether or not you provide the commissioner with some physical goods or with digital goods only;

- Don’t forget about your commissioner’s age! If you work with client who is a minor, a parental consern is required. And no n/s/f/w for underage people!

- You may also want to include that you can refuse to work on the commission without explanation in case you encounter a toxic client or feel like it might be some sort of scam.

- I also strongly suggest you work with prepay, either full or 50% of total sum, it usually scares off the scammers. I take my prepay after me and my client agree on a rough doodle of an overall composition.

- I also include the black list of the themes: everyting offensive imaginable (sexism, homophobia, transfobia, racism, for N/S/F/W artists it also might be some certain fetishes and etc). Keep your reputation clean!

- Ban N/F/T and blacklist the commissioners who turn your artworks into them anywayss, don’t be shy <3

These are the things that are absolutely necessary but are so rarely seen in artists’ Terms of Service that it makes me sad. Some of these tips really helped me to avoid scams and misunderstandings. I really hope it helps you all!

#artist's terms of service #terms of service #tips for artists #useful info #useful for artists #art #artist #artworks #artists for hire

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