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maxwell-grant · 11 days ago

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The Penguin: Episode 8 "Great or Little Thing" Series Finale Breakdown

So first and foremost I need to give a shout-out to everyone who's been following this with me and helped me week after week process and articulate this show, this brilliant Penguin Braintrust without which I would be incredibly lost on how to even begin breaking this thing down this way: @davidmann95, @wil4x, @book--wyrm and my friend Lucas who is not on Tumblr.

And so we're here at last, in the end of the show. This took forever. I need a goddamn break. This isn't enough and will never be enough but it'll have to do. So let's get to the episode that has had the world joining hands in the unanimous urge to see the absolute shit kicked out of Oswald, and has made the character at last earn this:

(Episode 1) (Episode 2) (Episode 3) (Episode 4) (Episode 5) (Episode 6) (Episode 7)

So who would have guessed that cartoon dirtbag Rex Calabrese was still gonna turn out to be less of a cartoon dirtbag than Oz the moment we stop seeing him through Oz's eyes. Still a terrible person by every metric, but terrible in the same way a lot of Sopranos characters are terrible: this is, at the end of the day, a job, and you can talk to them, you can sit at a table to get down to business with them, and you probably know people in your life like them, and maybe you can even count of them to get real and even help you when the chips are down, even if it doesn't mitigate everything else that they are or do. At the very end, he was neither the benevolent god-king that Oz saw him as, nor was he the absurd dirtbag gangster we had him pegged as - there was never anything exceptional about Rex Calabrese, he's just a real criminal. Maybe the realest in the show.

I said in the last post that Francis burned with hate at everyone in the world except the person who most ruined her life and haha WOW was I wrong, because it turns she's known the entire goddamn time, and quite possibly no one has ever hated him more than Francis.

Most people in the show who hate Oz do so because he's a destructive bastard who craps on their lives directly, or because he's a lying sneaky fuck who does nothing while their lives are ruined, and Francis has had to deal with both longer than anyone else. I can't possibly count every single way this wildly recontextualizes every single interaction, every moment, everything that Francis has shown us and done since the first episode, because I'd have to recap EVERY scene and line of dialogue she has and we still have so much else to get through.

Why was Francis was so effectively able to withhold affection and hold his feet to the fire and give him that bottomless pit of yearning in his stomach that's driven him to move mountains in pursuit of it? Because Francis wouldn't have loved him even if he gave her the entire world at age 12. She never had any affection or love left for him. Oz was always chasing nothing.

And all along it was Rex who shaped the entire course of Oswald's life, as well as prefiguring his dynamic with Victor, with a single conversation. Oswald spend his childhood wanting for Rex Calabrese to notice and like him and be his friend, and he has no idea how much Rex actually affected his life.

That fateful night at Monroe's was never the feel-good story about his Ma summoning the willpower to live by dancing away the grief, and it was never even just the night of the eternal promise that Oz thinks back to, it was a fucking trap to kill Oz. Nothing he has in his life is real, nothing he says is true, he has never not lived in complete total delusion.

The sheer disgust in Deirdre O'Connell's face at the "I do too". How much of her personality we completely understand was born from this absolute resentment she's nursed for decades towards Oz.

And this rotten little turd comes at her with a perfect speech that hits her every insecurity and bitterness and spite and situation and convinces her to give him another chance. The nature versus nurture thing again - Oswald was shaped by hardship, by decades of hard work and neglect, by the total absence of his mother's love while in turn being forced to live in stunted childhood dedicating himself to always taking care of her, and maybe what we're seeing here is heavily distorted by Francis's POV - or maybe he was always a little monster, because this guy talking to her is The Penguin, the same guy doing the same things in the same way, either way it doesn't matter. Again, born fucking ready.

So now we see our three major supporting characters - Sofia, Victor and Francis - all of them have shown that they had a chance to walk away from Oz, to not let him ruin their lives further. All of them could have left Oswald behind, and all of them should have left Oswald behind, but they had to come back and justify the choice to do so, they had to get satisfaction, it couldn't have been for nothing. Victor had his car and a girlfriend in a bus waiting for him, Sofia had a jet to take her to Italy, and Francis had Rex Calabrese ready and waiting to put him down without a word. All of them had a chance to get out of the show and never look back, but like Oz, they had to rectify and overcorrect for an insult.

Sofia can't walk away from Gotham without punishing Oz for turning her in, for killing Alberto and further lying to her, she can't accept that this man, this embodiment of Carmine's legacy and hold over her, is still out there unpunished getting away with what he's done. Victor can't walk away from Gotham knowing that his parents did everything right and still died for nothing, that every hurtful thing Oz said was right, he can't let "They don't give out awards for dying in the projects" be the last word in his and their lives. And Francis can't walk away from Oz, who killed her two sons and keeps lying about it, who ruined her life and now keeps promising he will take care of her and acting like everything will be fine, she can't let this pass even if she can't kill him either, and so she'll make him give her the world and die trying.

The tragedy of what happened is what hurt/broke them - the added insult of what Oz said or did is what they just can't live with. It can't be for nothing.

Goddamnit it, it was really just too telegraphed for it to not happen the way it did.

I fucking knew it the moment the episode started and we got the grungy boss orchestral take on the funny Penguin chords that we were in for some calamitous shit.

We see at first that, in spite of seemingly failing, Vic has graduated to the point he can give his own speeches, gain his own allies, run his own cons - he's not just Oz's proxy, but will manage to convince the others to become such as well, and he's coming at this from a place of complete sincere belief in everything that Oz says, all of the man of the people rhetoric he will so thoroughly pervert and then sell to the people actually responsible for everything he told Victor he was fighting against.

Zeke walks up to him nearly crying about how Sofia blew it all up and Vic instantly asks back where's Oz - not because he doesn't care about Crown Point, but he's already processed it and has already learned with Oz how to just barrel forward regardless, now it's time to get to work. Victor who so readily throws himself into rescuing Oz again and again. Victor who's lost everything - he doesn't have his family, he doesn't have Graciela, he doesn't have the other mobs backing him up, and right now he doesn't even have Crown Point anymore, all he has is Oz.

The man in red who reads the Law Gave him three weeks of life, Three little weeks in which to heal His soul of his soul's strife, And cleanse from every blot of blood The hand that held the knife - The Ballad of Reading Gaol

Sofia dressed in two thematically appropriate outfits - the red scarf echoing both the first outfit we see her in, back to covering her neck but in control of her own collar, and the outfit we see her the farthest back in time with at the start of Episode 4, and with her final crimson fur coat outfit accompanying her final greatest triumph and ultimate defeat in the show. Not only that, but in this episode she also gets to perform characteristically appropriate stylized torture - holding a family intervention and therapy session with mafioso torture tactics to try and wrench the truth out of her victimizer, enacting calculated sadistic yet righteous justice via psychological breakdown, and ultimately allowing the woman he victimized and wronged to take her killshot at him.

See, it's not just that Sofia Gigante is a Batman Villain, or that she's well passed the threshold of supervillain. Cristin Milioti doesn't play Sofia like she's a new character, which she basically is, and she isn't just playing a tortured gangster lady protagonist dipping into camp villain territory, which she also is - she plays Sofia Gigante like she's been a Batman Rogues headliner for decades now stepping into the spotlight once again, like she's the dark modern revamp of someone Adam West would have thought and she's just always been around showing up in stuff along with The Penguin, like she's only not fighting or teaming up with Two-Face in this because he's not here yet. It is crucially important that Sofia passes every standard of Batman Villain imaginable with flying colors, in part because it helps to reinforce that The Penguin is a monster all his own.

Even here, with as much power as she's ever possibly held over him, reduced him to a whimpering begging mess to be killed off in a second, she is so shocked at the sheer brazen selfishness and delusion and level of bullshit on display, that even now he won't break character and think about his actions and admit to what he's done not even to save his own mother from mutilation, that she just loses the script entirely. Her entire show of power collapses and she physically recoils from sheer disgust at just how low Oswald is, at just how much he lacks the ability to even suffer for what he's done. Realizing that there is simply not enough of a soul in this filthy beast to even torture, and that however much she hates Oswald for ruining her life, someone had a prior claim all along.

Eve - Sofia - Francis in the end united in, however much they may dislike each other, however different their circumstances may be, there is nothing they could possibly do to each other that would be worse than what Oswald has done to all of them, joined in silent agreement that their rage ultimately belongs in a bullet fired at Oz's head and that they deserve their kill shot at this man.

"I had enough to give, Oswald".

This really is gonna be the high point of Francis's life from this point on.

Aw man, I liked Sofia's scruffy dirtbag detective, I wanted him to stick around as one of the reocurring characters like the movie cops

Oh Victor, sweet kind Victor, you couldn't possibly ask for anything worse in the entire world.

Oz feebly already beginning to lie and spin his new version of the events, that Sofia stabbed him and fucked up with Ma, and here comes Victor with the reversal of their dynamic, seeing this guy who's been brought low by the oppressive force looming over his life that he must defeat (because all that Victor knows about Sofia at this point is that she used to be Oz's boss and is now out to kill them, that she is scary as hell, and regardless of whether or not she was the Hangman, she just bombed his fucking neighborhood) and reaching out to him with a speech about solidarity and dignity and self-worth and picking yourself up by your fucking bootstraps to save the day. And Oz responds by coaching him on how to be a better bullshitter. Because to Oz, he knows the playbook by heart, but Victor meant it all.

Victor rebuilds Oz from basically nothing by providing him with the validation that he so desperately always craved and never got, saying all the things he always wanted to hear, poised so they can finish this together, poised to give him not only the army he asked for, but a full-blown revolution, and he never once asks for anything in return. Just, goddamnit this isn't hurting any less.

"She, sh-she'll never look at me again, all right?....unless I get this done. Got a promise to keep." Maybe the one and only time his mask ever fully cracks. For a second. He rebuilds it right back up and gets to work, but it cracked. He knows what he's doing, up until the moment he doesn't. It's that simple.

A lot of what drives Oz is acceptance, and a lot of what drives him is his desire to be accepted in worlds that have been declared, by how they run themselves and by the people that inhabit these worlds, as worlds that he was never going to be included in. And one of those worlds is the hierarchy and the hoi polloi of the political realm and the power within the political realm because he understands that all politics are corrupt essentially, and the damage that he could do then in being part of a political infrastructure of Gotham interests him. I thought it would be nice if, in that time jump, he had been invited to maybe a gala or two, you know what I mean? It'd be awkward. He'd be slurping out of the fucking teacup, there'd be stains on the table, he wouldn't really fit in, but he’d fucking love being there. - Colin Farrell

Mirroring the scene in Episode 01 where he adjusts himself next to the car, scuffing himself up to look like the sleazy funnyman the Falcones keep around for kicks, now he's dressing up as much as he can and asking Victor for input, because he truly values what the kid thinks and, goddamnit.

"C'mahn, I don't bite", pfft yeah, not in this movie universe anyway. And to the same guy you did the nose-gushing-blood bit to, even.

Minutes inside of City Hall and he already parks his ass right on Bella Real's seat - not as any kind of intentional slight against her, it's just naturally where he goes to, even before the scene ends and we see his new plans start to come to fruition.

Guy who takes offense at Viti calling Sofia a psycho and then goes up to Councilman Hady talking about the unhinged loony bin broad who went "full psycho" that he's handing to him on a platter, pointedly calling her Falcone.

At first I thought it was funny that Sal Maroni was getting blamed here for Bliss and the underground lab, but then I remembered that he was actually the one who introduced Drops to Gotham and the whole epidemic that became, so if anything it is an extremely easy part of the story to sell, even without his body being down there and all.

"You're gonna have some trouble, Oz" - pointedly smiling and calling him Oz instead of Oswald as he had up to this point, because by that point he's already a crony and already willing to work with this guy handing him all these miracles.

"You wanna be welcome? You gotta look, clean" Yes Father Pal, I Shall Become A Capitalist Caricature

You can see in the walk around, in his look at Bella Real and the mayor's office high up above and the steps, how little Ozzie's gears turn once again and rebuild his life after losing the streets and everything that happened with Ma - This is the next nest, this is the next throne, this is next schmuck I gotta cozy up to, this is the next boss looking down on me that I gotta destroy, there's the reward waiting for me if I do. This is the one that matters, I did everything in the shit and now I'm gonna get me sum goddamn respeck, Feh Ma of course.

And before all of this we see Sofia's next move, showing the ways in which she is good at this, the ways in which she truly is something outside of the worldview of what these gangsters are used to, and why she is going to lose. "Because I can". She is good at commanding a room and promising rewards beyond the wildest dreams of these street crimelords because she can offer everything they want and lose nothing she cares about for it, she will hand them everything and dip because she can, and she is going to lose because she can lose. Because she still thinks there is an end in sight for her, she thinks she will get to walk away from this universe and go meet a happy ending at a cafe in Florence.

It's not just that Sofia was born into privilege and never really lived in Gotham and could just hop onto a plane out of here anytime, it's also that she has room in her life for introspection, self-awareness, consideration towards others, and all those things that come easier when you're "born full", and not when you're the starving hustler for whom leaving the city was never an option even if he had all the money in the world, the hungry animal who wants this, wants everything, harder than anyone has ever wanted anything. The guy who has no room for anything else in his brain other than a perpetual bullshit generator set to a 24/7 chorus of "I GOTTA WIIIIIIN"

Another element to her that I really love is, she's good at this. She knows she's good at this, she was supposed to take over the family. She may not know the ins and outs of the game as it currently stands, but she is good at this. Some of it is, I think that's the only world she knows, and some of it is there's something in there, that's always been there, and she believes it is rightfully hers. There's an element of, "I need to have made it worth it for something", and if that means power, then okay. - Cristin Milioti

There’s a level for both of them that they enjoy each other’s suffering, and that sort of leads to Sofia’s downfall. If she didn’t need to see Oz suffer she might have been free. And she really gets in her own way in that regard and largely because Oz is this crutch that she just cannot let go of. - Lauren LeFranc

And here we get to the end of season 1 of HBO's The Sofia Show, the bittersweet in hindsight but extremely cathartic torching of the set as a last hard-earned spiritual victory by our hard-done-by lady protagonist. All of her family is dead, the city is out for her blood, she gathered all the remaining criminals for One Last Job with everything on the line, and she is having a very fun time with her montage destroying her home and family name beyond recovery. She is going to finish her character arc, get to finally kill her former comedy sidekick turned mortal nemesis, and hop on a plane to The White Lotus resort straight away into greener (if only marginally less fucked up) genre territory away from this ugly nightmare city. Alas, this is not The Sofia Show, and it's time for her theme suite to catch up to her once again and tell us of how very badly this is all going to go for her.

And she can't even be that shocked, when the high of burning it all down goes away, when she sees that old Ozzie Cobb wriggled his way out of this jam regardless and is now coming at her with a speech, she can't even react to it. Deep down she knows how the rest of the night is going to go. She may not have expected Arkham outright, but she was braced for a loathsome fate.

It rules so much they give him a big fat fight the power speech with a bloody revolution montage, and we can only sit there aghast with Sofia at the sheer audacity of him to act like this, like a man of the people, thinking he truly has the right to be talking like this and to her of all people.

And now we see how Oz won the gang war, and the next domino to fall on the downfall of Gotham City, and the first effect of his own rise to power: like The Riddler, he has toppled the order of things and he has turned people into extensions of himself, Victor being the first and the one who gave him this revolution, of all the little mini Penguins out there devouring the social structure of Gotham crime forever. You kill the boss, you become the boss now. Everyone can bleed and everyone can be killed and everyone must be killed in the quest to the top, no handrails or codes, they wouldn't invite him and so he crashed. After he unified the criminal underdogs, Victor rallied the underdogs beneath the underdogs, and now the streets are a jungle where there will never be an end to the wars over who gets to be atop the food chain, because they are all fighting to see who gets to be the next Penguin.

For decades people have written Oswald Cobblepot as a creep and a sleaze and an incel who hurts/kills women for rejecting him, or who is chronically insecure about them and I can very confidently say nobody ever did anything half as horrible and half as truthful and half as meaningful as LeFranc did here. We see the other reason why it was so imperative to her that Oswald not be a misogynist, and it has nothing to do with just making him more likeable or sympathetic or honorable. We get in this episode the pay off to the thoughtline: okay, he's actually a gangster who respects women, he does not act like every other prestige drama gangster who ever lived, we are going to center women in this show and he will treat them with respect - now let's watch how he HORRIBLY screws them over in the name of this respectful gentleman persona he lives by, let's watch how he betrays them in the ways that matter most, how he even makes them wish they were dead without personally ever lifting a finger to harm them, let's do some grown-up feminist commentary in Batman for a change and highlight the ways in which men profit from belittling and oppressing and destroying women even when they're pointedly not misogynistic and even self-professed genuine allies to them.

And so it is that the only Falcone mobster who isn't misogynistic towards Sofia is the one who screws her the most horribly. He will murder every man he comes across, he will murder every man he could have been and every man who is even marginally better than him in any way, he will push all of his brothers out of the nest and not tolerate any other big shot in town bigger than him and not even the only man, the only person, in town who loves him will be spared. But he is a gentleman, so he leaves the women alive (well, except for Nadia Maroni, but she was a rival big shot and worse, his boss for a day or two, so she obviously had to go eventually).

I thought about his greatest fear, and it made a lot of sense to me that his greatest fear would be that love is transactional. That if he does not achieve a level of power and give Francis certain types of things that he’s promised her she might not love him. And that informs every relationship he has on the show It was always important to me, and this was always part of my initial pitch, that if Oz was to achieve a level of power—and that is something that was not up for discussion, that was my job that I was tasked with for the season—that he has to lose something emotionally. It can’t come without a cost. - Lauren LeFranc

"the crooked politics that have allowed wealthy elites like Sofia Falcone to wreak havoc". Oz has weaponized the status quo against her so throughly that she is going away under the exact same image that she did it the first time, as a privileged serial killer and Falcone. She doesn't even get to have her new name anymore, and the rest of Gotham does not see her as the new and strange and horrific new threat that she embodied in Oz's life - she is going away as just another upper-class monster like her dad.

The triumph that Oswald has fought his entire life for, the Big One that he's scraped and fought and hoped his entire life would happen and he'd get to show his Ma at the end, the thing that he's going to throw a party for at this moment, is just a politician on tv saying things that Oswald claims he told him to say.

All of our 3 major supporting characters will thus reach the high point of their lives, on the moment before it is ripped away and they are destroyed forever. Francis gets to finally spit all of her hatred back to Oz and take her revenge on him, and her babies appear before her alive and unharmed. Sofia gets to burn down her father and his legacy once and for all, and is on her way to kill her nemesis and finally be free of it all. Victor succeeds in helping Oz win, they have revolutionized the gangs and defeated the big bad Falcone and he's done right by his new family what he couldn't do with his old one.

And of course, Oswald finally wins - he is the last man standing, he's defeated his greatest enemy, he is the big shot of Gotham and his victory is, so he claims, right there on the tv for his Ma to see, he can finally get what he's always wanted now - and then he doesn't, and then his soul crumbles, before he finishes the job by murdering his heart.

Oz didn’t need to do that, like it wasn’t actually necessary. In that moment, Victor did not betray him. He did nothing wrong. In fact, the thing that he did “wrong” in Oz’s eyes is that he loves him and that he cares about him and Oz actually cares about Victor. I think by the end Oz sees that as a really big problem because he loves his mother so deeply and Sofia took advantage of that love, and then it became sort of a weakness in his eyes. Victor saw him at his most vulnerable and for Oz to achieve the power that he thinks he needs, he can’t have that level of humanity. He can’t have that heart with him anymore. So he stifles his own heart. He kills it. - Lauren LeFranc

When he said to Vic in the sewer, “They'll tell stories about us one day, kid,” he meant it. At that stage, he actually saw that he could rise and Vic could come with him. It's only when the vulnerability and the shock of his mother being taken from him, and the place of vulnerability and danger that puts him in, that he realizes there's no more love, there's no more affection, there's no one else I'm going to have in my life that can lead me to such vulnerability as my mother has led me to or as this kid could potentially lead me to. - Colin Farrell

He's not relishing being horrible. When he realizes, "Oh God, Victor makes me vulnerable. I can't have that shit anymore." The way that Lauren wrote it, and the way Colin played, there's such sadness under the horror. You're like, oh my God, how fucked up do you have to be that the one person who you feel you have any connection with now, you have to snuff out because it makes you weak. What happened to you? - Matt Reeves

"You think she forgives me?" Once again, the mask cracks. Only around Victor. Only because of Victor. And he can't have that again.

And thus we get to the final parallel between our 3 side characters - that in the end, all they did was serve Oz's own rise to power, and hand him the world in exchange for their lives. All they were to him were additional steps in the ladder that began with his brothers. Francis gave him his life, his drive, his motivation and eternal justification, the insatiable pit in his gut driving him to do this forever. Sofia got him his promotion to Falcone lackey, and then she got him another promotion by handing him the tools with which he could become an underground boss and rally them, and then she got him another promotion by handing him the keys to his political career on a silver platter. And Victor saved his life, more than once. He helped him, provided the justification he has craved for a lifetime, rebuilt him, gave him his revolution, gave him the streets, and showed him the last thing he needed to kill to make it to the top.

Wow man let me tell my good friend, The Family Butcherer, who butchers every family he gets his hands on whether a crime family or a literal one, how much I think of him as family.

"They don't give out awards for dying in the projects"

Just like with Squid, Vic's emotional intelligence dooms him. He sees this man whom is like family to him brought to his lowest point, crushed beyond measure, in what he assumes was just a phenomenally terrible stroke of fate and not something he had any blame whatsoever for, and reaches out to pat him in the back, emotionally reassure him that it wasn't all for nothing, that his family would surely be proud of him, and that there's things to look forward to.

Vic threw away his chance to walk away into the sunset with Graciela and he just had to come back to save Oz (AND Sofia, the one who'd bomb his neighborhood) from the Maronis, the least of all possible evils in his life and his city and who never even noticed him. Victor only narrowly missed out in 2 situations that Oz would have absolutely left him to die in, so there just had to be a third where he'd die in the absolute worst way possible. Not with Sofia's gunshot to the head, not bombed to rubble along with his neighborhood, no, Mr. Carmine 2 had to make it as painful and intimate as possible.

Vic the only Number Two in town who couldn't kill his boss and in fact never even considered doing so, and so he dies - there is just no room for him anymore, not in Oz's life, nor in the new Gotham that the two built together.

LEFRANC: "You see Oz become this next level monster, I remember the take too. Jennifer and I look at each other, Colin transforms his face in this really remarkable way, that I don't think any of us fully anticipated could be achieved in that way." - The Penguin Podcast Episode 8

I knew that the general sentiment was that, by the end, they kind of wanted to, in a way, kill the Oz that we met in the film. I felt that there was a sense of creative responsibility that leaned towards, “We cannot have this man as a likable character,” which is hard I think they wanted that in the earth by the end of the eight hours. They wanted that RIP. That's gone. I hated that scene. I really did. I was fucking so pissed off. It felt in performing it as — guess what? — you would like it to feel in viewing it. It felt gross, it felt cruel, it felt absolutely insane, and it felt like Oz was reaching a point of no return. - Colin Farrell

So the day after I watched this episode, my friend Lucas messaged me in the afternoon sending me audio messages, "Son of a bitch! Son of a bitch! He stole his identity, he didn't even die with his fucking name! They'll never find him! Fuck, goddamnit!" "ELE MORREU COMO INDIGENTE, PORRA" and, yeah. Yeah. That gets to the heart of it.

If Vic was just a guy taking his money, if Vic was purely transactional, if he was just another Link, he'd have made it. Oz wouldn't have given a shit about him, Oz would have died on the sidewalk when the Maronis hit at minimum. All this piece of shit wants is love, and when he gets it, when it's finally non-transactional, from the ONLY person in the entire show who loved him, he has to kill it, he doesn't know how to deal with it, he has to smother his heart.

He has to become Carmine Falcone 2, strangling the poor and vulnerable of Gotham while pinning all of his crimes on Sofia.

Vic just wanted his family back, man. He just wanted a family again, to at least show his family that they didn't die for nothing. The thing that Oz spits in his face as he dies. It wasn't for nothin.

This show has so many dozen little variations of Penguin getting his heart broken and retaliating cruelly, but this one hurts the most partially because it has no basis whatsoever on any pre-existing insult or cruelty, there was nothing that warranted this, and you still get why Oz felt that he had to do it. The lowest, weakest moment of his life, and he can never permit anything like it ever again.

Victor was his heart, and The Penguin remembered that his heart only exists to be broken.

Victor punctures the illusion, and he cannot have that. Everything about The Penguin hinges on that singular fact of his life: he cannot and will not break character. He cannot break character, otherwise he dies, otherwise Gotham City will eat him alive, otherwise he has done it all for nothing. That is the ultimate threat Sofia posed to him, and why his ultimate victory comes only from creating a perfect delusion and spinning everything that happened in service of it. Because all those things said at Monroe's? They weren't true - his Ma, y'know, it was just her disease acting up, that psycho did something to her, she wasn't thinkin straight, and it was really Sofia that stabbed him and did all that fucked up shit, and his Ma is really happy that she got the penthouse in the end and that he didn't put her down, look, she's crying tears of joy even, I gotta keep doing everything for her.

Everything and everyone in his life, he can spin in service of the delusion, they can all play dress-up with him forever, except Victor. Victor may not have the slightest clue as to what Oz actually did, but he's seen too much, he knows he has vulnerabilities, he knows the thing that Oz needs to bury far, far more than all the horrible things he's done. Killing Victor is maybe the one thing that he absolutely cannot in the slightest spin a decent delusion out of, that he did it for him or did it for noble reasons or anything other than out of disgusting self-serving weakness.

But who's Victor? Some kid who died in the projects and didn't even have a name? Someone with nobody left to mourn him, not even a street to get back to, nothing but a guy who's already forgot him?

That Victor Aguilar? Never heard of him

“I will never think my mother doesn't love me. She was having a bad day when she stuck that bottle in me. She was under a lot of pressure. She nearly lost her finger. She stuck a bottle in my belly. It was a bad day. She didn't get a good night's sleep the night before.” It's that kind of thing. He'll make up fucking whatever. He's already lying when he goes, and he's stitching up his belly, and Vic says, “What happened?” And he says, “Sofia, she stuck me with a bottle.” He's already beginning to bury the truth. - Colin Farrell

He needed your love, and then you didn't give it to him, and you didn't obey, and you didn't do those things that he needed, and then you mentally aren't there for him in the way that he needs, but he's got to physically keep you around because he's too weak to not do that. He can't give you the gift that he promised you in Episode Six, he's too weak of a man to do that. And so he needs to hold onto you, but under his terms. - Lauren LeFranc

There's a thing that happened on that last day that made my blood run cold, which was I felt Oz not love me anymore. I felt his coldness, and I think that Francis felt it too, and she always had so much of his attention and so much of his love. I don't even think she realized how much she had until he withdrew it. And when he withdrew it, it was utter and… slightly terrified. I was just lying in that bed, I just felt the love leave the room. It's a real thing, and it's gone, yeah, and I think Francis feels it, too. - Deirdre O'Connell

He's this man who is clawing his way to the top, and I knew he wanted power, but what what does that mean for him? That's where I started to conceive of like, he wants his mother's love, and he wants people's affection. He wants to be revered. That was like the main thrust for me of what defines power for Oz, and then by the end you realize that, when he doesn't get those things, he doesn't get his mother's acceptance, he still gets it. He makes sure he gets it. - Lauren LeFranc

So bowled over and miserable I was that I didn't even notice until later that he was wearing a version of the classic Bronze Age/Triumphant get-up.

If the pattern of his life is unjustifiably cruel retribution for slights and insults, perceived or not, by the end Francis had done it to him as well. That she never loved him and in fact always hated him more than anything and anyone else is the biggest insult of all, and so he punishes her the most cruelly, knowingly or not.

"You are who you are, and you couldn't change if you tried."

He will never stop telling Rex Calabrese stories, he will never stop bringing up his brothers and mom as a sympathy ploy, and even if he will never truly love her again, he will never stop ruining the world in her name, he will never stop, he will never stop, he will never stop.

You had to sit through 8 hours chipping away at all of his fun and charm and wacko comedy antics and motivations and all the scruples and principles that he turns out to have less and less of, until he butchers them all in the very end along with the heart of the show. Penguin burning through all of his lovable quirks and charm, everything that we loved about him in the movie, until he comes through as a black-hearted bastard of unlimited malice who will never stop growing and getting worse and putting more lives in danger. Not only as much of a lowlife backstabber as we initially assumed him to be in the movie, but far worse than what we could have imagined.

I said as much that the first episode marks the transition from The Batman to The Penguin with the titlecard, and this brings it back around. The show dies with Victor, we get Sofia's post-credits Nick Fury Tease with Selina's letter and with Selina's theme playing and a final grace note of hope for Sofia, and thus the only character in the show to end with anything resembling positive, and then we get the first scene of The Batman Part 2. showing us the horrible thing in this world that Batman will have to defeat for us.

RIP Bella Real, we all know this asshole is gonna become mayor, and he's not waiting for the next election.

Credit to @book--wyrm for pointing out one more horrible fucking thing, that at the final dance, his hands are covered in scratches, much like the hands of Carmine Falcone when he comforted Sofia.

“One of the very early things that Lauren pitched was that ending with Eve where she looks like Francis,” said Reeves. “He can’t get what he needed from his mother because she’s no longer in that state because of the dark events and what he’s done, so he recreates it in this other way with Eve, and it’s very disturbing,” said Reeves. “That was something we thought was a great idea and was so emblematic of this guy’s internal state. It’s like, even as he now seems to have gotten that first major step toward being the kingpin, you know that some part of him will never be filled. - Matt Reeves

When I read that, I was like, “Oh my god, we're going full Bates Motel here.” But again, it speaks to what has become a pathological inability to accept the world that he has played such a heavy hand in creating. As far as he's concerned, he's just doing what he needs to do to live the life of a good son. And look, his mother can't talk anymore, so he needs a surrogate. I mean, it would be kept out of the sexual realm — it wasn't about that. It was about the intimacy and the tenderness and the pride that Oz always so deeply needed to feel his mother had for him, and pride in him, that he never really got from her. The one time when he finally can say to her, can go to her bedside and say, “It's done. Everything you said that I was capable of, everything you said that I should aspire to, it's done. I am now the boss. I took it from everyone else.” And he gets nothing back. His mother's already gone. That's just too horrific for him, so he needs a surrogate. He would say to Eve, “Look, I'm grieving. I'm finding it hard to deal with the fact that my mother's alive, but she's not here. She's gone, but she's fully present at the same time, physically, but she's nowhere there. She doesn't recognize me. I don't recognize the woman she's become. Do me a favor. We used to dance together and talk at the end of the night. Would you put on her dress and just let me pretend?” But it was twisted. It was twisted, but I dug it. He needs it from his mom so much. And again, his imagination is so potent that he just cast her as that figure, that most prominent and most powerful figurehead in his life, which has always been his mother. She's got to stay alive. He's got to hear that he did well from her. He's got to hear that she's proud. Look, by the end, he's bananas, as they say in the film. Good cop, batshit cop. At the end, he's batshit. - Colin Farrell

Remember when this show had fun Dolly Parton end credits, remember when this almost looked like it was gonna be fun and light-hearted compared to the movie and The Riddler: Year One

So turns out all along they actually had something real twisted planned with the name Karlo, and the Clayface concept that evokes. Asking his prostitute girlfriend to shapeshift into his crying comatose mom in the room upstairs so he can finally get the dance with her atop the world that he craved his entire life and have her tell him how proud she is that he ruined everything forever.

It is not a good ending, but it is his happy ending. He achieved everything he wanted in the smallest possible amount and at the highest cost imaginable, and thus he burns more than ever to take more and more in the name of a satisfaction he will never, ever have. He ended his arch-nemesis, and he didn't have to kill her, that's not what a gentleman does. He got the streets, and he's poised to take political power, and there is nobody left to care about, nobody except the only person who's ever mattered. He can still keep taking care of Ma as a justification for all the shit he will do now and forever, but he doesn't actually have to take care of her anymore, he doesn't even have to love her or grovel her for validation anymore: He has a Ma who will tell him everything he wants to hear, forever.

Of course, he may not have his three dance partners anymore - his Ma is in a vegetative state, Sofia has been locked away once again, and that kid, what was his name again, ain't around. But then, he will simply move on to new ones: He didn't actually lose his first dance partner, his Ma is fine, look at her telling him how proud she is of him and everything he's done and how unstoppable he is now. And he has a new partner in City Hall who is all too eager to play along to everything he says and does, who will receive and spit back his rhetoric just as Vic did to the streets of Gotham. And if he's defeated his nemesis and dance partner, well, not for long. There's a new one waiting for him. He never wins without losing. He will never again live without his next dance partner there to hound and foil him at every turn. There will always be something in the way.

It was exciting to me, the idea that we’re going to meet Oz as a mobster, and to play him as just a man. There’s nothing fantastical about him. There’s so many people like Oz in our world who hold a lot of power, who also connect with people because they speak, on some level, the truth. They can be charming and engaging, but also really terrifying and calculated, and not necessarily doing what they say that they will do or caring for people in the way that they say that they will. It felt so timely and so important to really engage with a guy like Oz and not turn away from him, but actually turn towards him so we can start to unpack, in our own society, what makes a man like Oz so appealing, and what makes him equally appalling. - Lauren LeFranc

I think Oz has always been someone who believes that everything he’s saying in the moment is true, and he creates worlds and illusions for himself to merit his actions. He does it sometimes very briefly in impulsive moments, and then sometimes more methodically, and in the end the fact that he didn’t get from his mother what he’s always desired isn’t good enough for him. So he has to create this strange fantasy live in this delusion of his own making, and pay Eve to dress as his mother and force her to tell him he she’s proud of him. So mentally, emotionally, Oz is embracing his own delusion. I think, for the audience, I hope they more deeply understand him psychologically and realize that there is a deeply broken man inside. He is violent and problematic and and very emotional. And that’s really the man that will carry into the next film. - Lauren LeFranc

And it has to end in a total reversal of the movie ending - The Batman ends with showing there is a light in the darkness, that this tortured broken man can fix his mistakes and lead us into something better. The Penguin ends by grabbing your face and desperately yelling at you SOMEBODY FUCKING SAVE US, HE WILL ONLY GET WORSE. The Batman ends with telling us Batman can save us all, and The Penguin ends with telling us Penguin will kill every last one of us in real life if he hasn't already, if nobody stops him.

And so I'll leave these last partings words to the Penguin Braintrust as we close off this series - see you all in therapy and in theaters when The Batman: Part 2 drives us all completely insane once more.

@wil4x

I don't think this Penguin is someone Batman can tolerate, I don't think Bruce can ever save Gotham's soul with a force of corruption as big as Penguin taking root in the seats of power. No amount of informant work can justify letting a monster like Penguin stay "King of Gotham". I think there's an argument to be made that Oz is a bigger threat to Batman's overall long-term mission than guys like Joker or Riddler. Those are huge immediate threats, but Penguin does a lot more long-term damage to the very soul of Gotham and its people. As long as The Penguin is on top, there's no hope, Gotham will never not be the most corrupt and nightmarish place on earth with him in charge

@book--wyrm

He will truly climb anything no loss so great it can't be flipped into an asseet A nuke Francis armed out of pain and grief and desperation and despair And poor vic Only wanting to do good And instead he saves gotham’s own typhoid mary of misery

@davidmann95

so the thing is Oz kills hope for Gotham forever in this

he's replacing the mayor who stands for hope at the end of The Batman with a corrupt comics rando built on a lie so he can install himself as the power behind the power forever Batman can't be alluded to in the slightest until the very end because it can't be until there's no lingering 'aw, I don't want my boy to get Batman'ed' it can't be until we understand truly and completely why this man proves the necessity of someone out there to stop him

The other stabs at this with Oswald, from what I’ve seen, are trying to make him low-down and dirty and vile enough to be a ‘proper’ Batman villain. But this already made him low-down and dirty and vile. And made us love him for it. This isn’t about ‘fixing him’, this is about taking him all the way to the top He’d accept no less

This is about making him operatically nightmarish enough to be a guy Batman is going to fight forever

Lucas

VENGEANCE, GET OUT RIGHT FUCKING NOW.

#dc comics #the penguin #the penguin hbo #hbo max #max #oswald cobb #oswald cobblepot #sofia falcone #sofia gigante #victor aguilar #francis cobb #colin farrell #cristin milioti #rhenzy feliz #deirdre o'connell #matt reeves #lauren lefranc

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powderblueblood · 11 months ago

Text

HELLFIRE & ICE — eddie munson x f!oc! as enemies to star-crossed lovers

CHAPTER EIGHT — SEWN UP

PREVIOUS | MASTERLIST | NEXT

summary: you'd need a hacksaw to cut the tension between you and eddie, but that's not your weapon of choice this time around. a newspaper pitch, a patchwork girl and a tasteless prank all work together to make things ever more awkward between you and the boy you keep senselessly calling your friend. content warnings: MINORS DNI, THIS IS NOT SAFE FOR YOUR PURITAN EYES - reader is an ex-bitch on a journey of self-discovery through being an even more specific kind of bitch, angst in the form of an elizabeth munson mention, miscommunication, lacy engaging non-platonically with someone other than eddie, mention of lacy's surname and dad's name, REEFER RICK CAMEO, billy hargrove slander as per, violence, a humiliating prank, smut in the form of public hand stuff (f!receiving), me feeling insane about this chapter word count: 14.3k

Dear Mom,

She hasn’t got warm hands. She hasn’t got the kind of smile that draws people to her. She hasn’t got a kind word for everyone, no matter where they come from. She hasn’t got a lot of patience. She hasn’t got a fixed sense of herself–well, she does kinda. But, not totally. Not yet.

She’s not like you.

Other cheerleaders wore ponytails and they’d bounce. But when she wore a ponytail, it swung like a sword. She used to be cruel and exacting, but now she’s just exacting. She’s honest and observant to a degree that’s, like, almost psycho. She’s a cold front, but she laughs like a lightning strike. I feel like thunder, powerless to do anything but roll after her. Can’t help myself.

She knows what she wants, she thinks. Other days she doesn’t. I keep trying to tell her that’s okay, in ways where I don’t actually have to use the words. My words wouldn’t be as good as her words. Her words burn clean through me like a lit tip of a cigarette.

But she does have your book.

Y’know, I always thought it was kind of creepy the way some guys would try and look for their mom in other girls.

So this might be a good thing. Less Oedipus-y, more ea–…

Shit. I was gonna say something I’m so sure you’d smack me around the head for. But you’re not here to do that. I might be in better shape with this girl if you were.

Anyway. I miss you.

Eddie Munson stands in the midst of an incredibly awkward aftermath.

See, for two people so purportedly self-assured, he in his freakshow roguishness and you in your prim-perfect knife-edge sharpness, you’re both entirely dogshit at acknowledging… well… anything.

You both tried to snap back to normal so quickly, with Wheeler and her science experiment pregnancy scare smashing through the ice. But the water underneath that ice is still freezing cold– and you’re both pretending you’re not gasping for air, pretending like you don’t remember gasping for each other’s lips.

This is totally cool. This is totally fine.

And then Eddie comes to see you at The Bookstore, which has become just as routine as nearly never brushing his hair, and sees you fixing your seller’s tag to your pick of the week. Your face in that arresting, self-conscious smile that he wants to melt off with the blowtorch of his mouth.

It’s The Patchwork Girl of Oz by L. Frank Baum.

Now, he noticed that you would habitually drop writers’ names into conversation like they were your lit professors– Didion said this, Bukowski said that, Bronte yadda, Burroughs yadda. Always some genius-adjacent, formative-thinking, socio-politico-boffo brainwad, more often than not with a substance abuse kick that you romanticized from a safe distance.

But then you unearth this book, a green clothback cover yellowing with age and roughness, red and yellow inlaid titling blasting out a name he ought to know. It makes his visual memory brrrrrrring! like a bright red tomato shaped kitchen timer.

The Patchwork Girl of Oz was with Elizabeth Munson wherever she went. Her records were her plane tickets, her escape to another world, but you couldn’t take your records with you to the hospital. Escaping to Oz was a decent substitute. She must have read it a bajillion times; she even took to calling Wayne Unc Nunkie after the elderly munchkin who only ever had one word for anybody. And whenever Eddie would drop an egg when they were baking or come running through the house with his knees all cut up, she’d coo, “Oh, my li’l Ojo the Unlucky!”

The book lingered everywhere– on the kitchen counter of the house on Pennsylvania,on the vinyl seat of the booth at the now-shuttered Benny’s when she could afford to take Eddie for a treat, on her bedside table.

Up until the end.

It knocks the wind out of Eddie when he sees it on the display shelf. He does a bad job of hiding that.

“What, too shocked to make fun of me?” you say, perching yourself on the rickety stool behind the counter, and your voice betrays a little embarrassment. “That’s a first.”

“I–... huh?” He tears his eyes away from the book long enough to catch the specks of blush high on your cheeks.

“It’s not my usual flavor, I know, but I’m capable of whimsy too.”

“Why that one?” His limbs feel stony like Unc Nunkie’s, as much as he wants to languidly lean over the counter and bother you like he always does.

You shrug, but you tilt the opposite shoulder. A reverse, a peek behind the looking glass. He notices that about you, which goddamn shoulder is your shrugging preference.

“I think it was one of the first books I kept checking out of the library when I was little,” you say, glancing back at the display, “It’s about this poor little kid who has to find a way to reverse a spell on his uncle who’s been turned to stone, and the eponymous patchwork girl is–”

“I know the story.” It comes out a little blunter than Eddie was intending it to. So much so that it knocks you back a beat.

“Oh,” you say shortly, eyes flaring down at the counter. “No need to cut me off mid-stream about it.”

Eddie winces, knowing he’s coming across as weird and stilted but with no idea how to safely climb down. “No, just– I know the story, yeah. My mom…” That is not a safe dismount, dummy! “...she… liked it a lot.”

“Yeah?” your tone stays even, yanked back from him a little. He wants to be like, sorrysorrysorry. “She ever read it to you?”

“A bunch, actually.”

“No shit.” The corners of your mouth tick up. “Wanna hear something super dorky?”

Just the mere invitation of your little smile loosens him up a bit. Eddie twists a ring around his finger, head kicking to his shoulder as his foot kicks to the counter. “Always,” he says, squinting.

You straighten your spine up on your stool and clear your throat. Hand goes over your heart, like you’re about to recite the damn declaration. Your eyes shutter closed.

“Here’s a job for a boy of brains– a drop of oil from a live man’s veins; a six-leaved clover; three nice hairs, from a Woozy’s tail, the book declares; are needed for a magic spell, and water from a pitch-dark well– the yellow wing from a butterfly to find must Ojo also try; and if he gets them without harm, Doc Pipt will make the magic charm; but if he doesn’t get ‘em, Unc…” your crack one eye open. “...will always stand a marble chunk.”

Eddie is silent for… for a while. For a good handful of heartbeats, for a beat so long that makes you knit your brow up, your eyes needling into him. Eddie’s looking at you with rose-colored soft focus. His elbows are eagerly pitched on the counter now, chin in his hands. The last person to recite those words to him was his mom, her voice raspy and tired but still willing to read to him. She hadn’t smelled like herself. It was sad.

And now, your voice, with all its snippy chainmail thrown off, gone all soft and lyrical and dedicated.

He thinks about a littler you, one he could vaguely pick out of a lineup if he really, really tried, criss-cross applesauce and pouring over that book so often that that little spell jams itself into your brain.

The mage before she donned the mink coat.

Eddie is looking at you and can’t force his heart out of his throat.

Well, until he can.

“Ew,” he cringes.

“What?!” you exclaim, your eyes getting all incredulous and kind of mad.

“And they call me a fuckin’ nerd, what the hell was that?” Eddie’s laughing, mocking, not with his whole heart. But it’s enough to make you scoff, irritated with him again.

See, you thought you were being cute and he knows you thought you were being cute. He needs to put you back in a place where you’re marginally unlikeable enough to just be a friend.

Restore the natural order. Don’t think about how he wants to recite that same verse back to you in front of an ordained Elvis in Vegas. Because he would, in a heartbeat. If he wasn’t committed to not being stupid.

Christ, you’re pretty. Christ, he’s gonna do something stupid.

“You are… completely undateable, you know that?” he nods ferociously, eyes trailing you as you cross out from behind the counter and head for a box of books that need to be shelved. All uh-huhs and sure, Eddies. The bell on the front door jangles and a customer passes behind him.

He yells after you, voice traveling down whatever winding path you’ve taken through the stacks. “You with your black and white movies and your twat rock and your Wizard of Oz… baby, what crowd are you even playing to?”

“What crowd am I playing to? What crowd are you playing to?!” you seethe, shuffling the ten-tonne box of books down the aisle with your feet. “Fucking baggie-pushing, guitar-brutalizing, board-game-...maker-...upper!”

“Woah. Wit’s unmatched as usual, Lace.”

This fucking guy. This fucking guy. You try and do one darling little thing, you just recite a little piece of a book his dead mom used to read to him or whatever, and you get verbally bashed! God forbid, god forbid you let the fucking drawbridge down for half a second! This blows!

You’re trying to be less of a bitch, in case you idiots didn’t notice!

It’s kind of inexplicable, how sensitive you’re feeling about this. Could be that since you kissed and since you pinkie-swore with Nancy Wheeler in the bombed-out boys bathroom, you kind of felt as if you were standing on a blade’s edge with Eddie. Not knowing where to put your hands, not knowing how much or how little to joke around. Not entirely happy with your moment of madness at the Ecker trailer. Not entirely happy that it hadn’t happened again.

But you’re not about to apologize. Not to him. Don Rickles in a battle vest over there. Must he always just poke you like that?!

“You’re undateable!” You shove a bunch of books aside on the shelf. “Me, I’m cu–...”

Right through the shelf, a customer stares at you. Your voice dies in your throat because, unfortunately, he’s looking right at you in your flurry of annoyance toward Eddie. And unfortunately, this stranger, he’s a little…

“What were you gonna say?” he asks, closing Gravity’s Rainbow.

“Cute.”

Guy smiles, doesn’t break eye contact with you for a second. He’s wearing a sweater. He looks fresh out of somewhere stone walled with crawling ivy. “I’d attest to that.”

You forget about Eddie– just for a second. Gesturing to Gravity’s Rainbow, you say, “Gonna attempt to finish that?”

“What’s that mean?” His grin is infectious, or maybe you’re just starved for this kind of attention.

“Nothing,” you say, with a little more tongue than you need to, “Just, I don’t know of anyone that’s ever finished that behemoth.”

Well, you don’t know of a lot of people that read the way you do either. But, digression. He raps a knuckle against the cover of the book and for some reason, you feel it in your belly.

“I always finish,” he tells you.

“Do you now?”

That’s the longest you’ve been quiet in a hot minute, and that’s the kind of thing that gets under Eddie’s skin. Chain on his jeans jangling, he starts off into the creaking labyrinth of lined-up bookcases.

“What, did you expire back here or something…” he mutters, a little whine in his tone– play with me, play with me, even though I’m being kind of a dick to you–

He sees you, a book lying lax in your arms, your body swaying to and fro and you’re–

“--talkin’ to yourself, Lacy? Great look. Real honeytrap, if you’re lookin’ to catch some imaginary di–”

“Eddie,” you grit at him, and he spots the whole other human male you’re talking to through the stacks. Well, not just talking to. Not with that body language.

This dude tilts his chin to Eddie. “Hey, man. I remember you. Didn’t you used to sell dimebags in the woods outside school?”

Fire flares in Eddie’s gut. He vaguely recognizes this guy– class of ‘83 or ‘82, not remarkable enough to be hateable but now, he’s certainly collegiate looking enough to be… distracting to you. So, annoying to him.

“Why, man? You lookin’ to buy? Or just cruise some high schooler tail?”

“Eddie!” you hiss again and he scoffs like, really?! You turn back to this… whoever the fuck. “C’mon, I’ll check you out.”

“You’ll check him out, huh?” Eddie sneers, bearing over you as you pass him in the aisle. Body heat breezing right by, face a mask of sheer disgust. Impulse talks; it totally wants to just grab you and throw you behind him and– well, he hasn’t thought that far ahead yet. But he’s creative. Who the fuck even is this guy? Where did he come from?

“That you?” this guy says, jerking his head toward the staff display, toward The Patchwork Girl of Oz. “Lacy?”

“To my friends and co-conspirators,” you say, ringing up that godawful Pynchon book.

“Which one was that guy?” he asks, watching you jot out his receipt on the carbon copy pad because for whatever reason, Ivana’s cash register is from the fucking 1800s and she refuses to upgrade to anything with a thermal printer. “Friend? Co-conspirator? … boyfriend?”

You wrinkle your nose. And don’t exactly answer, but it’s enough confirmation for him.

“Good. Say, why don’t you jot down your number on this thing?” He pushes the receipt back to you. “I can keep you updated on my Pynchon progress. You can… see if I’m good enough to co-conspire with.”

You like this approach. In fact, you love this approach, because you hadn’t been earnestly picked up in… forever. And he has this certain je ne sais quoi about him, something that screams moved out of state for college. You stay grinning, biting your lip for a good breath or two after he leaves the store.

Then Eddie appears in your peripheral, like some terrible harbinger of embarrassment.

“Undateable, huh?” you say, fully aware that he was earwigging on that whole exchange because he’s a nosy bitch and he can’t help himself. Glutton for gossip.

“You don’t have to throw yourself at the first person who walks in the store just to prove a point, baby,” Eddie tells you, this big face of condescension. You want to smack it off him so bad your palms are itching.

You huff and backtrack to where that box of unshelved books sits. “Maybe I’m tired of waiting around.”

—

Ronnie Ecker and Robin Buckley are looking each other in the eye, wolf-whistling furtively when you elbow open the door of the gym.

“You’re flat. I’m telling you you’re flat,” Ronnie’s insisting, an adorable three inches away from Robin’s face.

“I can’t be flat! A mouth whistle cannot be flat!”

It’s marching band practice. You don’t know what the hell goes on in here and you know better than to ask.

“Would you two get a room already?” you call, heels clicking across the glossed wood of the gym. These dorks have all got their feathered hats and bibs on, a kind of half-assed dress rehearsal for some pep rally they’re having on Friday. You missed the bulletin– kind of stopped paying attention, actually. Extracurricular distraction is a hell of a drug.

“Excuse me, this is a closed–” that’s the voice of Miss Genovese, the band teacher, stomping down from the bleachers in these tragic little loafers with the pleather peeling off. She makes it about halfway toward you, then this exasperated look washes right over her. The teacher dashes for the double doors and you point after her with a freshly painted red index finger. New lease on looking good.

“And that is?”

“Like, the third time in the last hour,” Ronnie shakes her head, taking her flamboyant little hat off. “Biggest running theory is morning sickness.”

What, is pregnancy like, catching or something? you’re about to muse.

“It’s almost contagious, right?” Robin says, tugging at her clip-on collar, “I mean, first your whole thing and now–”

Ronnie doesn't even have a chance to gesture for her to ixnay! before she slams pause on herself, eyes wide and all shit, did I say that out loud?! Your eyes narrow in return. That’s suspicious.

“What whole thing? My whole what?”

Ever and eternally knowing when to call it, Ronnie holds a hand up before Robin can even start to scramble an apology and serve it to you. Panther versus a precious little puppy dog– the fight ain’t even fair.

“Nothing. Scuttlebutt bullshit, the usual,” she rolls her eyes, throws a sympathetic glance to Robin who winces and retreats. Huh.

“What’s going on with you two?” you ask, crossing your legs over the bottom rung of the bleachers.

This actually makes Ronnie’s expression soften a little– her eyes race back in Robin’s direction and you swear you catch a blush. “Also nothing! Compound nothing. Why, does it look like…”

Lips purse into a little satisfied grin. Knew it. Toldja. Point to Lacy. “Looks like whatever you want it to look like.”

Ronnie reaches forward and waves her feathered hat in your face– stop being so observant! You cough in protest– ew, I don’t know where that thing has been!

“Whatever! What brings you to geek church?”

“That’s what they’re calling it now?”

“Stick around, we’ll start speaking in tongues.”

“Satanic Panic bringing about a fun new turn for the pep rally! Put some God back into that wind instrument,” you croon. “No, I actually wanted your thoughts on something.”

Ronnie raises her eyebrows and you feel like you oughta mirror her. You’re not usually one to seek out a second opinion, but the more you’ve gotten to know Ronnie, the more you see that she’ll tell you how it is. Especially now that you’ve dispersed with the whole intimidating it-girl cloud and she’s stopped pretending to be shy.

“I know. I’m shocked too.”

“I’m honored,” she swings her shoulders in girlish delight, “Dish it up, Doevski.”

“Okay, so,” you clap, hiking forward on your creaking bleacher, “I’ve been seeing this guy–”

“--this is the bookstore guy?”

A blink and a beat. “How’d you know about that?”

A face that has Eddie told me with footnotes of and he was kind of jealous scrawled all over it stares back at you. “I ‘unno, maybe I overheard…”

“Doesn’t matter.” You slice a hand through the air, no time for this right now. “Facts are facts, I’ve been hanging out with this guy,” interesting change of phraseology, considering, “and he’s a college guy–”

“If they could see you now.” The royal court of Hawkins, obviously. Older guys are generally an accomplishment. But Ronnie’s half-jesting.

“--I know, shut up. But, he mentioned something that would absolutely rock my college applications is a really, really great–”

“--feature in the Streak?” you’d gasped out in the back of his Ford Cortina (how very European!). College guy’s mouth was on your neck and his hand was inching into your shirt, playing at a faux placket of pearl buttons. Boys can never tell a real button from a fake one, apparently, even if they go to an East Coast school. I mean, shit! You’d gleaned enough information from him over a shake at the diner; relatively well-to-do family that lived near the Wheelers on Maple and kind of underwhelming taste in lit for an English major.

But he maintained eye contact and listened to your witty little bon mots, even if he didn’t… laugh at them. One thing led to another and thus, the backseat college advisory-slash-makeout session.

“Yeah, yeah, they love that shit…” he’d said, moving to your mouth in order to swallow any forthcoming words. But his words had piqued your interest more than his fingers had.

“What about an underdog story?” you said, eyes kind of hazing over in the middle distance.

“Sure, underdog, great…” college guy grabbed ahold of your leg and tugged you into him, “We can talk more about it later, okay?”

“Okay–”

“–okay?”

Ronnie grimaces. “I didn’t need that much detail.”

“Yes, you did.” You stare at her. “I’m a storyteller.”

Ronnie chews the proposal over a little, cheeks kind of bunched up in confusion. Behind her, band geeks badly hide their hickeys and exhibit too-gangly, too-obvious body language. No inspiration to be tapped from there.

“An underdog story… on the society pages? Like, who could you possibly–”

You smile that awful, conniving smile, because you came in here armed. “Ye of little faith.”

“Oh, no,” Ronnie says, and honestly, you’re a little taken aback by that reaction, “Hellfire?”

A shrug pulls your shoulders right up, rapidly on the defense. “Why not, right?”

“Why not– Lacy, you almost guillotined Jeff that one time he asked you.”

True that you hadn’t had the inches of article to spare for Hellfire Club in not-too-ancient history, but, “That was then, this is now! World’s changing– and it’s topical!”

The whole Satanic panic thing really did tickle your funny bone; and you saw yourself having a little fun with that by turning the focus on Hellfire. Subverting Eddie’s cult-leader mythos to show that he is just a kid who might have a propensity for telling a good story, surrounded by other kids who want to get a word in. You’re not looking to turn the tide on his reputation or anything but maybe… y’know. You could do the admirable journalistic thing and scratch the surface a bit. Show what you’ve learned.

It’s a challenge. You love a challenge.

“And it’s a good excuse to get in Eddie’s face,” Ronnie’s voice breaks through.

There is a lonnng beat, one you hold like the last shoes in your size at a sample sale. Your mouth keeps going to make the words yeah, right or it’s not about him! or y’know, something to exonerate you from the notion.

“I know he isn’t…” Ronnie trails off, coming to sit next to you. “that he’s kind of being weird to you right now.”

Go ahead and feign that ignoramus, girl. Shoulders quirking and all.

“Oh. Is he?”

And then Ronnie says maybe the dumbest thing on the planet, regarding the abominable sitch between you and Eddie Munson.

“You should just talk to him.”

“Ecker, there’s fruitless efforts and then there’s barren wasteland,” you scoff, “Guess which category proposing this to Eddie falls into.”

“That’s not what I–”

J’excuse, Ronnie, but you don’t care! Because this isn’t actually about anything other than getting all of those dice-throwing dorks, including Miss Ecker herself, into your damn paper. Okay?

“We have to ambush him! Element of surprise, that’s it,” you smile primly and hop off the bleachers. “I’m just going to show up at Hellfire, photographer in hand and– he won’t have a choice, will he?”

Ronnie’s expression is a mask of reproachfulness. You don’t let it shake you. You’re a cat playing with a now-endless ball of yarn, and you’re unshakeable.

“He’s such a sucker for attention,” you say, tossing your hair, and it sounds a lot more like you’re convincing yourself than anyone else in this echoey gym, “He won’t be able to resist.”

—

Reefer Rick doesn’t call, unless it’s an emergency. All of his communication is inbound, or passed through a shoulder check and a goofy smile at Melvald’s, or a nod of the head across the pool table at The Hideout. He doesn’t frequent there so much, because Bev knows he’s a pool shark and ever since ‘Nam, his ears are a little too sensitive to all that metal racket, man! By all means, rock on, but by then I gotta go rock-a-bye myself to sleep, alright? Anyway, that’s how Eddie knows to ride over to his place, if it’s not through a call he’s placed himself.

You need me, kid, you come and find me.

So when Eddie gets a call that says, “We gotta pow-wow, ese,” his nerves are set on edge. Not that he wasn’t feeling bad enough, what with the fact that some douchebag in a Cortina had picked you up and dropped you off to school the last couple of days. What with the fact he had actively dogged the car down a little bit of the road from the trailer park with his van, resisting every temptation to just run it all the way off into a ditch. And what with the fact he didn’t know what to say to you about that without it coming out in an anti-missive of jealousy! jealousy! jealousy! so what he did say to you was… nothing.

You two can’t maintain a consistent line of communication to save your lives, he realizes. There’s too much left unsaid, and the both of you are too stubborn or too scared to say any of it. Or even think it, in his case! The amount of times he’d had to slap himself sober, his brain going into overdrive thinking, if I had just told her… It’s a ‘friendship’, if you can even call it that, based on barbs and bad behavior and doing things because you know you shouldn’t. For the thrill. Right?

Like. Whatever. It’s not like he’d made tapes of a half dozen Black Sabbath albums because you mentioned you wanted to ‘study up’ on that ‘monster music’ he’s making. It’s not like you’d given him an annotated copy of Still Life with Woodpecker because he wanted to throw some ‘nonsensical curveball shit’ into a later Hellfire campaign.

It’s not like Eddie missed you– he just… should have seen this coming, is all. He’s used to getting left in the dust while people move onto better things, or whatever.

God, Munson, your voice taunts him from somewhere in his hippocampus, need some help nailing yourself to that crucifix?

Anyway, fuck, Rick called him.

Rick had gotten out of lockup about a month ago– some truncated charge or another that Eddie didn’t bother asking too much about, mostly because… well, Rick hadn’t really been himself. Larger and brighter than the sun itself, the great and powerful lion of a man that oozed life ain’t shit if you ain’t havin’ fun energy, Rick had kind of dimmed. Lost a lot of weight while he was inside. Came back a little bit twitchy and fluent in Spanglish, for some reason.

Eddie was worried, because of all the adult figures in his life, Rick was meant to be the one with levity. He’d lost out on a fun uncle when Wayne stepped into his father-figure role. Al was nothing but a dangerous bit player. Rick, he could rely on.

Thinking back to that infamous day when he had gotten loaded at Lipton Landing, before he picked up you and Ronnie, before he… well, you know the rest but, Eddie had sensed that Rick could use the company. He kind of tried to poke it out of him, whatever was wrong. Didn’t work. They had just watched The Godfather in a tense-ish silence and doofed a lot of joints. Sorta freaked him out.

Eddie’s crushing gravel on the descent to the infamously slanted Lipton Landing for his summons. There’s a hum that seems to traverse the window panes, a fond plucking work that could only belong to Link Wray. He puts the van in park and jogs up the steps to the front door, bracing himself for the pungent plume of skunk smoke that always greets him.

“Eduardo,” Rick’s voice curls around the greeting like smoke curls out of his mouth and he yanks Eddie over the threshold. Door slams, arm tightens around his shoulders. “You’re here.”

Rick’s always a handsy sorta guy–not like that!–but this grab makes him seize a little.

“You rang,” Eddie says, voice lilting, “Everything okay?”

Rick clutches him by the shoulders and looks at him for a long, long time. Uncomfortably long. How has he managed to puff on that joint for this long without choking long.

“No.”

And Rick begins a shuffle toward the kitchen. Eddie follows in an awkward half-step, headache threatening to bloom someplace in the back of his skull because he does not know how much more of this vagueness he can take!

“Does it have anything to do with why you called me down here? Because, shit, I would love to get a straight answer out of someone for once!” A mirthless chuckle follows, trying to soften his desperation.

A flick of the refrigerator door and Rick places two beers on his kitchen counter, hands bracing against the surface. “Then let’s sit crooked and talk straight. It’s about your…”

Hss. Eddie takes a notoriously mis-timed sip.

“...neighbor girl.”

Ffflp– Eddie wishes, just one day of his goddamned life, he could act cool at the mention of you. Even the suggestion of the mention of you. But no, he’s got PBR streaming from his nose like a moron and a look on his face that says uh-oh, spaghettio!

“That’s what I was afraid of,” says Rick, taking a knowingly smooth drink from his beer.

With the heel of his hand, Eddie wipes away his spluttering mess and fumbles around for a crumb of nonchalance.

“I don’t know–”

“Eddie,” Rick levels. God, Eddie hates it when adults are adults, and Rick hates having to act the adult even more.

His shoulders drop. “What about her?”

“Well, when I was in the pen–local, I’ll have you know–I got approached by a very interesting man with a proposition I was powerless to refuse.”

With some trepidation, Eddie mumbles, “Oh, yeah?”

“Someone– well, let’s say me and this someone have a friend in common…”

“Rick–” Eddie’s attempting the leveling thing, but he’s not as good at it as Rick is. Or as you are, for that matter. And you’re who he’s attempting to imitate here, even if he won’t admit it.

“--a certain mutual business partner, if you will–”

“Rick.” Eddie tries to punch through the tension with the big man’s name. “It was Lacy’s dad. Right? You can just say it was her dad.”

Rick’s brow sinks into a wrinkle. “...Lacy? The fuck kind of a dumb name is that?”

“It’s a nickname.” Why does Eddie feel defensive.

“The fuck kind of a dumb nickname is that?”

“They call you Reefer Rick.”

“That is a calculated business decision, a calling card if you w–”

“Rick. Can we close in on the point, here?” Ooh! Seems to actually work this time, much to Eddie’s relief. “I only got so many if you wills left in me.”

“Si, pronto,” Rick nods with apologetic understanding; he’s such an empath, this guy, “Long and short of it is, her pops offered me a little bit of cash and some assistance, iffin’ I promised to keep an eye on her.”

“Assistance…?” Eddie murmured out of the side of his mouth. It’s all in the way Rick says it! “Like…” Hand a loose fist. Jerky-jerk.

“Eddie,” Rick chides, “Assistance gettin’ out. In prison, that is just called bein’ sociable. –anyway, I have this conflict of interest, with the whole surveillance thing.”

“And what is that?”

“You.” The way Rick drops it is obviously meant to cause some kinda ripple effect of realization, but Eddie’s still confused.

“So you… didn’t take the money?”

“Huh?” Now Rick’s all confused. “Of course I took the fuckin’ money! What kind of a chump do I look like, man? What I’m getting at is, I knew that rattin’ on her also meant rattin’ on you.”

“Wh– why would it…”

“I got eyes everywhere, man. Dig? I’ve seen what’s been happening.”

Eddie’s heart leaps into his larynx. Eyes everywhere. And the truth was, you two had been stupid enough to be a lot of everywhere, thinking your respective trailers were the only hot zones. The Bookstore, the Hawk, Main Street Vinyl, Family Video, the diner, you name a Hawkins establishment and it has probably seen Eddie Munson and Lacy Doevski good-naturedly bickering in its aisles.

He wonders if Rick even had eyes in the Ecker trailer. Ronnie could be a Lipton informant. That girl can hold a secret about as well as Wayne Munson can hold his liquor, which is gracefully.

“Nothing’s been happening, we’re just–”

“Eddie.” Like a bulldozer, this guy. “I know Ivana pretty well. You ain’t hangin’ around that bookstore for the good of your health.”

“So what, you’re gonna–,” Eddie can feel himself starting to scramble, starting to sweat, backed into a corner like a hunted animal, “...tell her dad that we went to the movies a couple of times? That I go to her job, that I– that we’re–”

“What are you?” The way Rick puts it to him– rock, meet hard place. Should this really feel like such a tough question to answer?

“Friends.”

Rick draws up to his full height (tall, mountain man) and looks at him like he just shoved a cream pie into his face.

“It doesn’t matter, okay!” Eddie froths over, like a snapping dog, “We’re barely hanging out– anymore– so you can… you’re not gonna tell him anything, are you?”

Rick’s hands slowly, slowly rise, urging him to calm the yapping. No need to get into such a tizzy. Which Eddie wishes he could believe.

“‘course not, man,” he shakes his head, “Ray Doevski only needs to know what Ray Doevski absolutely needs to know.” Eddie can feel a little more weight behind that sentence than he’d like. “No reason you need to figure into this story.”

“That– that’s it? You’re not gonna tell him about u– about me?”

“You’re in enough of a shitheap as it is, is how I see it.” A beat. Rick takes him in; really takes him in. Feels like an embrace, his stare. Concern uncrinkles the ever-present smile in Rick’s eyes.

“Eddie, you care about this girl?”

Eddie’s mouth attempts to form around an answer, but he’s just blinking into nothing. Does he care about you? Does he care about you? He wants, needs to say no, to pfft you off, but every molecule is screaming otherwise. And Rick can sense it, operating on the extraterrestrial level that he does.

“Then I’m real sorry.”

“For what?”

As if on cue, car wheels on gravel shuck Rick’s attention away from him. His eyeballs jitter in his head, heading for the door– Eddie close behind him. “Sorry for what, Rick–?!”

“Little bit for that, little bit for… this.”

Standing in the window of Rick’s living room, these two watch an offensively red muscle car skew into the driveway, making a mockery of Eddie’s beat up van. The driver’s door pops open and the first thing Eddie clocks is a blinding glint off some brand new aviator sunglasses.

The second is that trademark Munson smile.

—

“This is exciting!” Nancy Wheeler says, kind of flatly but with a conviction buried deep under her curled bangs.

On the table sits two piles of playing cards, one steadily growing and one steadily decreasing.

You two had taken to playing gin rummy when staring at paper layouts became a little too much. Technically, she actually had a say in layout and you were just nosy, but it’s a decent excuse to hang out. Though, both you and Nancy had this incredible tendency to hyperfocus on detail so hard that neither of you could pull the other out far enough to look at the big picture, so one day she tossed a deck of cards your way and said, “Deal!”

“I know,” you say, trying to focus on these melds of suits you’re making– that discard pile is looking poor, “Fresh turn for me, y’know? Less fluffy, more Didion.”

Nancy snorts softly, swapping out a card from her hand. “Who does that make Eddie? Charlie? Or Linda Kasabian?”

A smile dances across your lips and you shrug, reaching for a cigarette before you go for another card. Usually, smoking in the newsroom was prohibited, as it was prohibited on most of Hawkins High grounds, but whenever that deck came out, you felt it was appropriate for at least one of you to be smoking. Gave a kind of Torchy Blane feel to the whole scenario which fit you and Wheeler pret-ty keenly, if you did say so yourself.

“That’s not what I was talking about, though,” Nancy says, poking Fred Benson’s empty mug toward you to use as an ashtray.

Your eyes narrow; this could be a play to distract you from a winning hand.

“It’s not?”

“No…” she puffs out another soft scoff, meeting your eyes over her fan of cards, “I mean the college guy.”

“Why is it exciting?” and you do want to know why Nancy thinks so. She’s a mile wiser beyond her years, even precocious enough to keep in step with you most of the time. You’d like her take.

“Well, it’s what you wanted, right?” she tells you, watching you puff your cigarette and dig into the stock pile. “Somebody older, decidedly not a grabby high school boy– but someone with more experience, both with girls and with being outside of Hawkins. And the fact he goes to Vassar means–”

“He probably eats kitty like a maniac.”

Nancy lets out this full-bodied Merlot of a laugh, only a little color dashing over her cheeks. She’s gotten used to you being provocative on purpose because it gets a laugh out of her. So far grown out of the prude shoes you were sure she was still sporting. You’re proud of her.

“Not exactly what I was getting at but– more sensitive to the female perspective, sure.” But then she registers what you forgot you’d even dropped. “Hold on, probably? You mean you haven’t–...”

You shrug. It’s a little withdrawn on your part.

“Oh,” Nancy says, and seems to be leaning a degree or two towards unsurprised. That ruffles your feathers a little bit. Again, with the frigid thing. You couldn’t shake it.

“No,” you emphasize, shucking your pitiful melds back again. “It's not as if we haven't–done things. I've copped a handful. Time is of the essence, and I take, y'know, a little more time to get there.”

“So no return on investment...?”

"Not... yet."

Nancy almost tosses her cards at you, the way she jabs them through the air. “You? You, the one who’s been preaching Betty Friedman to me, you haven't been getting–”

“Yes, me! Did you not hear me about time and the essence?”

“I know, it’s just– a little surprising.”

There have been exactly three instances of almost you tying your panties to the rearview mirror of college boy’s Ford Cortina, so to speak, and you’ve come out of each one with this desperate echo of oh well! Maybe next time! careening around your skull. Like you’re trying to convince yourself that by virtue of him not being in your grade, this has been a worthwhile way to spend your time. And listen, no misunderstandings here, it has! At least, part of it. It usually starts like this– the two of you grab some shitty diner coffee or some shitty diner food and then he takes you around in his car for a turn or two, admiring that famous Hawkins scenery (see: shuttered businesses and if you’re really lucky, that one mangy fox that feasts on the overflowing trash can near the Big Buy). You talk (you mostly talk) books and movies and say something that should be a hook of conversation but usually ends up with him screwing his face up in amusement and saying something along the lines of, “God, you’re so beyond this place.”

Which, duh. You’ve been saying this. This is the raft upon which your whole identity floats.

The exchange dies in the air and he puts his hand on your leg and that is just… wonderful. He’s a solid B on the kissing GPA, and he’s cute and sort of funny, even if he doesn’t rally back jokes the way you’d… sort of gotten used to. Sometimes he makes a halfway-interesting observation about like, Philip Roth or somebody. But when it comes down to the minute of it, it still feels like going through the motions. Fumble bra strap, catch nail on his zipper, crank back passenger seat to climb in the back. Hey presto, you’ve distractedly jerked off a boy once again.

You are not entirely sold on the fit of his hands on your body, even if he doesn’t look at you like he’s just solved a Rubik’s cube.

In fact, he kind of looks at you like you’re precious. Virginal precious. Innocent precious. Which you’re not totally sold on either.

Nothing about him that makes you fantasize about what his mouth might feel like on you. What your fingers might feel like wound around his curls. His hair doesn’t even curl. There’s just nothing about him that calls for your full attention.

“Think there might be a reason for that?” Nancy, your annoyingly perceptive Nancy, presses. Goddamn intrepid girl reporter. She hasn’t stopped staring at you with that smug little look. You haven’t answered the question. “And it might be… living across the way from you?”

“Tch. What?” you snip. “I’m… having fun. What?”

“Nothing,” she smiles. “Just… gin.”

She lays out her dazzling melds, complete with a measly goddamned three in deadwood cards and you toss your own bullshit hand to the side. A dumb amount of spades that add up to nothing scatter across the desk. An accusatory finger jams in her direction.

“You are a fucking card shark.”

“Nope!” Nancy says, popping her ‘p’, “I just know a really great set when I see one.”

Reaching into Fred’s mug, you crush your cigarette with a little too much force. Now, how would Nancy have a read on that? you think, oblivious to your own obviousness. (Like a neon sign. Like a circus tent.)

You hadn’t even reminded her of the catastrophic events of her thirteenth birthday which led to a whole lot of this awkwardness, which, now that you thought about it, actually implicated her in the crime of you kissing Eddie Munson ‘til you were breathless in Granny Ecker’s closet.

If you hadn’t been born and had a birthday, I wouldn’t be in a spiral over some boy with a curl pattern like a fucking backwoods libertine.

“You’re not clever,” you tell her, but she’s looking at you all cleverly, “Like. You’re clever, but I need you to know that you’re not clever.”

With flicking fingernails, Nancy picks up your discarded cards and folds them neatly back in the deck.

“I’m just saying,” and the tone she takes is a little gentler now, “don’t… let yourself miss out on something just because, I don’t know, the thing you’re currently having fun with is what you think you want. What you feel you want and what you think you want are two very different–”

“This isn’t entirely about me, is it?” you realize, defenses peeling down a little bit. The Nancy and Steve of it all had been looming since your (admittedly triumphant!) visit to the war memorial that was the boy’s bathroom. Still no sign of that place getting fixed, by the by. And ever still, Nancy hadn’t told Steve about their little mission. Many a reason for that, you were led to believe. Not a lot she wanted to dissect, though.

Nancy’s face scrunches up and she stops packing the cards.

“No. But let’s pretend like it is.”

A groan escapes you as you sink back into your chair, a twinge of pain running along your shoulders.

“Nance. This is all so much more complicated than you realize.”

“Try me.”

You toss a hand through your hair, slapping your palm down on the desk.

“Fine. But if I tell you this–”

A hand rises out between the two of you– yours, pinkie extended.

“Not a word,” you press.

Nancy clamps her finger around yours in a way that enforces how super-serious she is about this. The reason your usual reserve doesn’t hold up under that x-ray stare of hers is because you can tell she actually gives a shit. She’s not looking for gossip. She cares. Which is still an entirely alien feeling to you.

So the whole thing spills out. Steve’s party, the record store, getting locked up in Eddie’s trailer and getting locked up in feelings, Roane County Quarry’s incredible acoustics, the friendship that made you fold all the neatly arranged origami parts of yourself out toward him only to realize you had no idea how to fold them back. The kiss. The subsequent awkwardness of said kiss. The college guy. The relative radio silence. The fact that…

“...I don’t feel like myself when he’s not around,” you say, lighting a fourth cigarette off your third. “Isn’t that silly? I spent all this time painting this like, fabulous eggshell of myself then this wild-eyed, smart-mouthed, catastrophic ass smashes it clean open and now–”

“All the college boys couldn’t put you together again,” Nancy nods. “You’re a very beautiful Humpty Dumpty.”

“... does Humpty Dumpty die in the end?”

“Maybe we shouldn’t be teaching it to kids.”

“No. They should know. The fall comes for us all.”

There’s a suspended silence. You get this feeling like you’ve emptied your purse on the table and you still can’t find that thing you’re looking for, despite sifting through everything.

“How does that even happen?” you question, biting at the skin on your little finger. Not Humpty Dumpty, the Eddie thing. It comes out idle, but you pray that Nancy, with her feelings scalpel and surgical precision, doesn't decide to answer it.

Instead, she says, “You need a photographer for that piece.”

Thatta girl. Your dimmer switch turns up. “Fred hasn’t even okayed it yet.”

“I’ll deal with William Randolph Hearst, okay?” Nancy says derisively and tosses her eyes to heaven. She pushes her chair back. “Ask Jonathan Byers.”

“He hasn’t taken photos for us in a while,” you remark, eyes searching Nancy. She’s readying herself to leave, so totally dodging this line of questioning before you can even cast it. Clever.

“No, he has not,” she sighs, winding her scarf around her neck, “But he’d be good for this. He knows how to capture action. And his kid brother plays DnD with mine, so this’d be, like… nice for them.”

And this is just as much me making amends with Jonathan Byers as it is you, backwards as it may seem, you nearly hear her say. Or you’re making that up.

Shame Nancy is so dead set on becoming the next Nellie Bly. Under the right circumstances, she’d make a hell of a normal person.

Good thing you prefer freaks.

—

Jonathan Byers is a notoriously hard boy to get a hold of, it turns out. Nancy passed along his number (which, you actually already had but you didn’t bring that little detail up) and when you finally punched it in on the yellowing phone nailed to the wall of your trailer, it rang and rang and rang.

Which, after the fourth time, was just rude. Do the Byers have a thing about not answering the phone, or something?

“Jonathan!” you holler across the parking lot, emerging from the passenger side of Nancy’s car this time.

College guy was decidedly busy and despite the hanging tension, you’d toyed with the idea of asking Eddie for a ride. Alas, the boy in the Dio patched battle vest was nowhere to be seen. His van hadn’t been there since the weekend and he had been MIA from school the last couple of days, actually, which was itching at you.

It also made you miss when you had a goddamn set of wheels at your disposal.

Anyway, Jonathan looks at you with flaring eyes, kind of like you’ve just stuck a shotgun to his snout and there’s no hope of him making a getaway. “Um…”

Now, keep in mind that these are the first words you’ve spoken to him in a measurable high school forever, so his surprise is entirely justified. It’s just not within the beam of your patience right now.

“Hi. Can we chat?” you say, falling in step with him as you head towards the front door. You don’t bother asking for permission, and forgiveness won’t be necessary. “I was hoping you could help me out with a piece for the Streak.”

Blink, blink. Jonathan’s grasping for words– seems to be a lot of that going around lately.

You strike your hand through the air. “Let me put it to you like this– you are going to help me out with a piece for the Streak.”

“Why?” he asks, and it’s prickly.

“Becauuuse,” you draw out, “I need a photographer. And god knows whenever Nicole attempted to work a lens, those snapshots were so out-of-focus they looked like an optical illusion.”

“And, you’re not talking to Nicole right now,” Jonathan nails you, but not totally. In your mind, you revisit flashes of Nicole recounting, in gloriously erroneous detail, those photos Jonathan had taken of Nancy. You had pretended to be scandalized and rolled your eyes, thinking what’s a little peep show among losers.

“Even if I was,” you say, dogging Jonathan all the way to his locker, “I still wouldn’t ask her. This is important to me.”

That avoidant Byers reserve stands strong, with Jonathan grabbing books in hurried succession. He is trying to get away from you, but that’s not happening without an emphatic yes!

“I don’t even really–”

“Take pictures anymore?” you pfft, pointing to his messenger bag, “Twenty bucks says your camera is in there and the film’s half shot.”

“I don’t have twenty bucks.”

“Me neither,” you shrug, “Spent it on that new Echo & the Bunnymen.”

Jonathan hesitates a bit, fingers strumming against his biology textbook. A thread of something long forgotten by the listening booths of Main Street Vinyl tugs between you both, but it’s not weighed down by the prospect of will we kiss about it. He kind of smiles.

“What did you think? I haven’t gotten down to hear it yet.”

You thought it made you want a flowing dress and a place to prance. Like if the more whimsical end of Fleetwood Mac didn’t exhaust you. Those last four tracks snapped your heartstrings like suspenders, with comical aplomb.

“Grandiose! That ‘Killing Moon’ song? It’s got Jonathan Byers written all over it,” you chirp, and mean it. “I’ll make you a copy if you put that camera to work for me.”

He shrugs, but you can see you’re wearing him down. “I’m not much for shooting pep rallies.”

“Liar. Wheeler says you’re top banana in the action shots department,” you counter, “But how about players? I think I want some portraits, too. Non-corny ones.”

“What team?” Jonathan screws up his nose. The distaste for jockery runs deep, and rightfully so.

But you shake your head, face curving into an expression of near excitement.

“No team. Better, and worse, depending on what side of the cafeteria you’re sitting,” your hands splay out, and for god’s sake, you feel like Munson himself, “Hellfire Club.”

Jonathan looks like his record’s skipped. Eyeballs sort of jiggle in his skull and he mouths, oh, like the association of you between Hellfire should mean something. Suspiciously like Nancy, and just suspicious period. Your eyebrows start to inch towards one another.

“What’s that look? Does that mean you’ll do it?”

“Um,” he dillies, then dallies, “Sure. Yeah. You know, my kid brother loves DnD.”

Ah, yes. The other Byers boy, the one who’d gone missing all that time ago. You remembered. Actually, you remembered not being able to figure out how you should feel about it– how you should act, other than falling in line with the majority of people who were giving Jonathan shit at the time. You regret that now, with a chill that runs right down to your toes.

“Could be cool for him to see, no?” you try, corner of your mouth lifting, “A little niche in the midst the high school horrors. To look forward to, y’know.”

The look on Jonathan’s face is more than a little bit screaming, that’s rich, coming from you, you were the high school horror. But he shakes it off, because he’s nicer than you are, even though he doesn’t need to be.

“Yeah… whatever you say, Lacy. When do you need me?”

You tell him Friday and he agrees, much to your satisfaction. You’re just about to punch him on the shoulder like teamwork, buddy! before he saves you such a wildly out-of-character display by dodging toward his homeroom.

You sail toward your locker like the bastard that’s risen alongside the cream, only to be greeted by something… strange. Scratches, all around the maudlin gray paintwork of your combination lock. Like it’d been tampered with, or something. A blaze of paranoia burns at the base of your skull, and you instinctively try to recount where your journal is… in your bag. Phew. Fine. This could be… anything.

Fingers reach forward to twist your lock, and with the slightest touch, the door is forced open by a push from the other side. A flash of bright red, then SPLAT. Yellow, SPLAT, blue, SPLAT, SPLAT, SPLAT! You shriek a real ear-piercing shriek as at least a dozen water balloons spill out of your locker, hitting the floor with an obscene smack. Water dashes everywhere, and you’re barely able to move out of the splash zone in time.

“What the fuck!’

Within seconds, there’s a hubbub and a crowd’s gathering, trading sickening snickers with one another as you peer into the dark of your locker. You gingerly step through the puddle, suede boots irreparably spattered, and yank the door the whole way open. There, sat atop your schoolbooks and a stray water balloon that hadn’t made the fall, is a horribly familiar set of test tubes.

In one of them sits a squirt of blue liquid and that offensive strip of plastic. And scrawled across it in clumsy black marker?

IT’S A FREAK!

Realization hits you like Carol did, making your head swim among all the murmurs of oh my god… and gross! and told you–trailer trash and unconcealed cackles. A voice sparks up like a sizzling ember in a swathe of darkness.

“Where’s your baby daddy at, Lacy? Get tossed in the slammer with your old man?”

The languid tones of none other than Billy All-Balls-No-Brains Hargrove drift by you, sailing right past the back of your head as you stare a hole through the innards of your locker. Then, your stupid hippocampus gears up– Robin, mentioning ‘your whole thing’ while Genovese baby-barfed her guts up, Ronnie urging her to shut the fuck up, even Jonathan Byers was privy to this hot little piece of gossip.

This theory that you were up the spout with Munson Junior Junior.

How many people had seen you, stupid little you, coming out of that drugstore hiking that Advance box over your head like the championship cup? Seen you hopping into Eddie’s van– and out of it, and back in again on what now seemed like countless occasions?

Nobody could have suspected it was Nancy’s test, because nobody saw her. They saw you. That was the whole idea. You just didn’t consider the blowback.

“What’s going on out here?” the softly-coated concern of Ms Kelley rings out in the hallway, doing absolutely nothing to disperse the peanut gallery that’s set up around your locker.

“Lacy?” her voice points to you. Even the goddamn guidance counselor uses your beloved nickname.

You don’t react. You don’t even know what you’re doing until you come to a couple of paces down the hallway, feeling the thin, straining rubber in the palm of your hand. Your footsteps make heavy, wet, slapping noises against the linoleum as you follow the half-slouched shouldered swagger of Billy Hargrove down the hall.

Down, and down, and down towards the boy’s locker room and he doesn’t even register it, and you don’t even register that Ms Kelley is still calling your name–your full name, now–until she’s two dozen paces behind you, losing you in the throng of students making their way to class and you shove past half-dressed seniors in the locker room who guffaw at you in a way that feels like a knife in your gut and you yell, voice shaking–

“Hey Billy!”

And launch the water balloon, making square contact with his smug face.

“Cute fucking prank!”

His reaction, predictably, is way too slowww moooootion for your fucking liking, so you don’t even give him a shot to fully wipe his face off and mumble, “What the fuuuuck is yourrrr probbbblemmm, ssssllluuuutttt…”

You just go for him with the ferocity of a jumping jackal. Hands ball in his stupid sleeveless flannel (it’s winter in Indiana, you West Coast jackass!) and you shove him against the lockers with– well, with the strength only an ex-cheerleader brimming with suffocated rage would have.

Metal clatters and one empty unit even careens over like a big tin domino and you say, “Come up with that idea all by yourself, you fucking nimrod?”

Billy just smirks at you in half-speed, mullet sopping, as if this is a come-on. “I had a little help.”

It occurs to you that right here, right now, you could sell Nancy Wheeler down the river. You could be the you you once were, and you could say, well, primo observation skills, that pregnancy test wasn’t even for me!

But you don’t, because a pinky promise is a fucking pinky promise.

You let go of Billy’s shirt. Step off. “You’re pathetic,” you spit, but it feels more pathetic coming from you. All that molten blood in your veins makes you want to eviscerate him and whoever else was involved in orchestrating this stupid, stupid, stupid prank. But you come up lacking. Fuck!

Tears prickle at the corners of your eyes and you start to rush out of the locker room– but you’ve given Billy a reason now, and he’s gonna follow you.

“Shit, are you crying? Those hormones must have you really messed up, huh?” he faux-croons, the thunk-thunk of his poseur motorcycle boots following you to the back entrance, by the sports equipment. Your eyes are streaming freely now, lashes frantically blinking a path to vision.

But Billy isn’t letting up. And like the Pied Piper of slimeballs, he’s drawing followers– not least of which include Tommy Hagan.

“What about that college dropout you’re banging, Lacy?” his nasally tone slices through Billy’s tarry taunting. “He know you’re knocked up yet?”

“Jesus Christ, Doevski! I’m impressed,” Billy laughs, “Just how many loads are you taking?”

An abandoned baseball bat lies on the ground, having rolled out of the sports closet; instinct behind the wheel of your personal van, you stoop to pick it up and shove through the doors. You can nearly feel the breath of Hargrove and Hagan and all of these horrific, horrific boys with nothing better to do than to torture you hot on the back of your neck.

“Not yours, that’s for fucking sure,” you manage, your voice thick. The bat, at least, feels solid in your hand.

“It’s fun not being frigid, ain’t it, Lacy?” Billy goes on, and you squint against the sunlight as you round the building. “Tell me this, Munson teach you how to suck cock yet? ‘cause if not, I got a little time on my hands.”

Forging ahead, you cross the tarmac of the parking lot. The soft frost hasn’t even totally thawed out yet, sparkling atop the paintwork of Billy’s blue Camaro.

“That a fact, Billy?” you say, tears drying in quick streaks in that brisk morning air, leaving rivets in your made-up face.

You use your momentum to launch one foot onto the hood of Billy’s car, then the other. You nearly slip against the icy exterior, but steady yourself fast. Bat dangling at your side. Stomp. Stomp. You stand on the roof, and turn to face this congregation of assholes. You do not let sense set in, despite it threatening to inch through the white hot flame of your rage.

“What the fuck are you doing,” Billy outright cackles and Hagan and company guffaw along with him.

“Billy,” you sigh, a little breathless from the speed at which you’d booked it from the locker room to the parking lot, and the sheer vigor of your shock, awe and rancor, and everything else, “What the hell am I supposed to do with your limp dick in my mouth? Chew on the fuckin’ thing?”

Billy repeats himself, a touch darker now. “What the fuck are you doing.”

“I’m serious!” you say, a little shrill, a little stomp to punctuate that last word, “One thing you can say for Eddie Munson, is at least the motherfucker can get hard!”

Motorcycle boots advance towards you, and you point the bat at him like a broadsword.

“Do not. Come any closer. Or I’m gonna start doing some serious damage to this ugly piece of overcompensation.”

“She’s bluffing,” Hagan crows, and you turn your flaming glare on him. You wish you had a mirror– you wonder if crazy becomes you. Billy takes a pointed step forward and you raise the bat above your, head bracing for action– that’s enough movement for him.

“Gimme that bat, you stupid fucking cunt–!” But Billy’s cut short by a body barrelling into the side of him, knocking him askew. A jangle of denim and leather. The bat slips a little in your grasp.

“Get the fuck off of me Munson–”

“No way to talk to a lady, Billy!” Eddie gasps, tossing Billy back and letting his limbs hang. “You kiss Karen Wheeler with that mouth?”

Billy rounds on him like a triggered animal, spittle flying.

“Some fucking lady!” he snarls, “Got downgraded to that trailer park and now her snooty ass is spreading it for half of Hawkins! Desperate! Stringin’ you along like the dumb piece of shortbus shit you a–”

Activated, you throw that bat to the fucking wayside and scramble off the fucking car– nobody talks to him like that!

But you’re not fast enough, nobody’s fast enough, nobody can compete with how huge and booming and definite Eddie’s voice sounds when he says, smile glimmering, sun breaking through the bleak midwinter…

“You know what I like about you, Hargrove?”

THKUNCK. Bone to bone, fist meet fucking flesh–

“Nothin’.”

A scuffle goes up, and Eddie can’t even feel the hits of Hargrove’s hands connecting with his face, chest, ribs, wherever– all he can feel are your arms locking in vice around his waist, putting yourself in the eye of the storm in order to yank him back.

—

You got an elbow to the crown of the head, which isn’t too bad, even if you feel like a cartoonish lump should be rising there. But look at these other guys.

Billy with a black eye that’s bulging up rapidly, Eddie with a split lip and more than a couple of scratches on his knuckles. In that fray, he hadn’t exactly considered the implications of punching a guy with all his goddamned rings on. The implications being that shit hurt like hell. There is this radiating pain in his hand, not letting him unfurl his fingers completely.

There’s also this radiating feeling of dread cloaking his entire upper half as you sit three-to-the-wall outside Higgins’ office. You had, in Eddie’s estimation, incredibly bad timing.

See, considering the events of his past week, he was slowly making peace with the fact that he should probably be avoiding you entirely, even if that meant he died a little inside. He should have been doing that from the jump– but you, unbuttoned and reckless now apparently, kept requiring interventions so you didn’t get killed, or worse.

And Eddie couldn’t help himself when it came to you. Especially not when you were standing on top of Billy Hargrove’s sick Camaro, swinging a baseball bat and getting called some shit that no one should ever be calling you.

You’re out of control. Totally unsheathed. End of your rope. Unlaced.

And he’d do just about anything to keep you safe.

Even fuck up his guitar-playing hand. Which is also his…

“I can’t believe you fucking suckerpunched me,” Hargrove mumbles from your left. “With those ugly fucking rings on.”

Eddie can’t help himself, the last shred of propriety knocked out round about the time a knee to the ribs had winded him. “Aw. Billy. Don’t be so hard on yourself–”

“Eddie…,” you start, tone warning in a way that makes him want to pinch you, kind of. He leans towards Hargrove, meaning he’s leaning over you. Hair brushing across your shoulder. You notice that it smells distinctively skunkier than usual. Camping out at Lipton Landing?

“--honestly! You’re no sucker!” he implores, eyes shining in jest, “You totally had that coming!”

You hear Billy seething from his end, Eddie snickering from his and launch a well-timed arm in front of both of them before they can snap at it again.

“Cut it out, assholes! This is becoming increasingly more pigheaded.”

“And you’re the voice of perfect reason now, huh?” Eddie sneers, not giving you much breathing room. “Where’s the bat at, Babe Ruth?”

“In the parking lot, waiting to finish you off,” you grit back, nearly nose-to-nose with him, because you don’t know how to digest the guilt of his aching fingers.

“What are you mad at me for?” Eddie hisses, a smirk threatening to break his scowl, because he doesn’t know how not to provoke you.

“Knocking her up, probably,” Billy mumbles from the side.

“Shut up, Hargrove!” you both snap, eyes never leaving one another.

Higgins’ door creaks open and a quietly livid Ms Kelley says, “Lacy.” She jerks her head, motioning for you to up and at ‘em. You do, but not without one last look at Eddie, cradling his hand. Round, bottomless irises meet yours for a moment, then dart away with an impact that thickens your throat.

His poor hand, you find yourself thinking.

“He needs an ice pack…” you find yourself mumbling, Kelley shuffling you into Higgins’ office. The principal sits behind his beat-up desk, fingers steepled. You absently wonder if he’s been campaigning for a new, shinier, possibly more oaken desk because this doesn’t paint the picture of threatening figurehead that he so clearly wants you to tremble under.

You accidentally kick the thing, crossing your legs as you sit. “Sorry.”

“You should be,” Higgins declares. Here we fucking go.

“Permission to state my case?” you attempt. This hadn’t been your first time in the principal’s office; minor classroom infractions, a saccharine we’ll do everything to help that we can after your dad’s arraignment, but this time was certainly the worst.

“Denied,” he shoots you down.

“Permission to submit a plea of temporary insanity, then,” you try, patting at the sore spot on the crown of your head. “You know this doesn’t bode with my track record. You think I climbed on top of Billy Hargrove’s car completely compos mentis? Please.”

A tense silence from Higgins’ and Kelley’s end.

“You saw what Hargrove did, didn’t you? That disgusting prank?”

Again, nada.

“I’m a honor student, for Chrissake!” you exclaim, and Kelley plucks herself from the windowsill behind Higgins’ desk.

“Were an honor student, Ms Doevski,” she corrects. “Your grades have been slipping since– the events of the last couple of months. You’ve dropped cheerleading, you’ve made really puzzling false claims about peer tutoring, you…”

“Yes! Yes, the events of the last couple of months, if by which you mean familial imprisonment, then yes, I’ve been a little distracted!”

Higgins kicks back in his seat just as you hitch forward in yours, too angry to be pleading but too desperate to defy. His turn to mutter here we fucking go.

“I can turn this around,” redirected to Ms Kelley and her ever-sympathetic expression, “I can turn this around.”

“College applications deadlines are within touching distance, Lacy.” She of little faith.

“I know that!” As if your hands aren’t itching every time college guy mentions Ithaca or… wherever the fuck it is he goes. As if that isn’t a crack in the assuredness that you were going to take flight out of this town in a spectacular fashion.

“Ladies– can we dispense with the hysteria and deal with the here and now?” Higgins insists and you and Kelley, despite your opposition, share a look.

World class, this guy. Top of his field, asshole-wise.

“Two week suspension should do it,” he says, jotting something down.

You open your mouth in protest and Kelley quells you– you’re in no position to start bargaining down.

“Technically, she didn’t do anything,” and for good measure, but pressed, “Sir.”

“She climbed on top of that boy’s car with a baseball bat!” Higgins barks; now who’s hysteric?! “She had intent to do harm!”

“It was justified.” You can’t help yourself.

Kelley stares him down, and that woman’s charm is something that should be studied in a fucking lab, because he relents right away.

“Two weeks of Saturday detention, then. Christ. Am I going soft?”

You shake your head, all the knots in your body releasing just a little bit. You try to dig out what’s left of your once-famously refined charm, while simultaneously dashing towards the door before he can change his mind.

“Au contraire. You’re a paragon of masculinity, sir. Regan could take a hint. Door open or closed?”

Higgins grimaces. “Send in Hargrove. Tell Munson he’s suspended. I don’t have time for both of those pricks today.”

Eddie’s voice travels through the crack in the door. “I heard that, sir.” A beat. “I miss you, sir.”

You bite back a deeply reluctant laugh and jerk your head toward Billy. You’re up, champ.

Then, it’s the two of you. You and Eddie, Eddie and you. Alone, save for the ever watchful jam jar eyes of Janice the secretary. Eddie is still nestling one hand in the other like it’s a baby bird with a broken wing. Shit, you really hope it isn’t broken.

“You’re suspended. They told me to tell you.” It’s a statement made to turkey-stuff the silence more than anything.

The way Eddie lolls his head back makes you want to reach out and push it in the opposite direction. You don’t know why.

“You’re a regular town crier, ain’t ya.”

“Hear ye, hear ye.”

A leaden pause. Your hearts might have thumped both in time just now.

“Wanna get out of here?” he asks.

“No leaving school grounds,” Janice unhelpfully squawks.

Eddie gets up, drawing himself to his full height. Your eyelids flutter. There’s a little purple around that cut on his lip, which you bet is starting to throb something awful. You feel dwarfed beside him, and he uses his good hand to turn you by the shoulder and shuffle you past the nosy secretary’s post.

“I meant the sick bay, Janice,” Eddie pelts, giving each vowel sound a hard flick. “I’m wounded. And she’s apparently pregnant. Or didn’t you hear?”

—

The nurse’s office is tiny and cramped, smelling of bleach with a glaring fluorescent overhead. Eddie has a hard time figuring out why anyone would come here to feel better. Especially given that Nurse Lydia is barely ever present.

Eddie carpes the opportunity to slam himself down on her rolling saddle chair, gliding into your path as you try and snoop around for first aid materials.

“I don’t think you should be driving that thing,” you remark, “You could be concussed. You’re acting concussed.”

“It’s keeping me awake!”

Eddie watches you, digging through drawers and pulling out tongue depressors, your teeth making an indent into your bottom lip. Your eyes are doing that darty thing, quietly frantic in place of an apology. You don’t know how to say sorry you got wailed on by Hargrove for me. Instead, you’re acting like he’s bleeding out.

“Lace, just wait for the professional.”

The clip of your nickname makes you toss your stare over your shoulder, hardness framing your eyes like mascaraed lashes. Eddie stops rolling around at once.

“I am the goddamn professional, as far as you’re concerned.” Your little chin jerks towards the exam table that’s beat into the corner of the room. “Get on the bed.”

Whack-a-mole. Woodpecker. Other euphemisms for his cock developing a pulse. Eddie has to physically restrain his jaw from dropping.

“Yes, Nurse Ratched.”

Scoffing out a little fuck you!, you go about scrambling together supplies and Eddie obediently launches himself onto the bed, the ancient thing creaking beneath him. When you finally approach him, you seem to be holding a lot of alcohol pads.

The look before you admit to a shortcoming is one he wants framed. You always flick your eyes around like a guilty cartoon character, like Betty Boop on her way to gaining a doctorate in the pretentiousness of the English language, and pout. Lean your neck in, like you’re swearing him to secrecy.

“I actually don’t know anything about first aid. Beyond the rudimentaries.”

Eddie chuckles. “You were a cheerleader. You were getting thrown in the air a whole bunch, if I recall. Feels like you should know how to like, resuscitate.”

“Rudimentaries, I said!” and you grab his injured hand a little roughly, alcohol pad torn out and ready, “Like, I obviously know alcohol disinfects a wound, ice for a bruise… I don’t know how to, like, reset a bone. Besides…”

You inch closer to him now, wiping at his torn and tender knuckles a little too carefully. They’re just stupid cuts, Eddie thinks, his breath beginning to shallow.

“...that Cat People remake was premiering at the Hawk the day we had first aid training. Like I was going to miss that.”

He can feel heat radiating off your body, a core change for cold little you. Feel the fabric of your skirt brush the rip in his jeans. A little choked, he mumbles, “Cat People is a remake?”

“Based on the 1942 original,” you nod, flicking the tiny used pad in the nearby trash can. “I like it. But I like that David Bowie song more.”

“That song sucks.”

“You’re injured and wrong. What a shame.” Your fingers close around Eddie’s wrist and slowly, slowly press his forearm to his chest. “Keep that elevated.”

“It’s not broken,” and he’s staring at the quiet tremble in your bottom lip.

“Could be sprained,” head cast down again, tearing open another pad, and he can smell your hair, “Does it hurt?”

Eddie doesn’t answer right away, because he’s waiting for you to look back up. Because he thinks he’s going to carpe something else.

You fall for it, and your eyes sucker him in. He feels weak in the joints. You repeat yourself. “Does it hurt, Eddie?”

He just nods, boyishly. Nearly passes out when your fingertips tilt his face towards the light. Skin buzzing underneath them, you peering at his mouth like you know what you’re doing. The slit in his lip feels raw and strained.

“This’ll hurt, too,” you murmur, and he feels your breath against his jaw. A sharp prick from the alcohol against his cut doesn’t make him wince– worse. As you swipe the cotton against his bottom lip, he whimpers. Unh.

Oxygen stops short in your throat, hearing that. That noise. It sends a wave of motion through your lower body. You’re leaning awfully close to him, closer than you need to be. In fact, his knees are settled either side of your hips. How did that happen. When did that happen. How did you allow this.

How are you allowing your fingertip to trace against his lip, alcohol evaporating without a hope or a prayer. How are you allowing yourself to look at him through the fan of your lashes, his injured hand still obediently propped against his chest. His good hand pressing into your lower back.

You taste the vagueness of the disinfectant on his lips as he presses them into yours.

Jerking back, you’re not far enough away from him to create a distance that matters. All you see are Eddie’s eyes, flickering open, apologetic in themselves. About to tell you he’s sorry.

No.

Hands fly, one woven in the curls at the base of his skull as you kiss up into him, tongue an impolite peak. This is not the closet; this is arguably far more dangerous, with the nurse’s door still open a courteous gap. This is the harsh light of day. This is Eddie’s hand moving your skirt further up the curve of your ass.

He’s grabbing onto you as best a one-armed man can, and your hand travels in turn. A jagged, fevered path drawing up his thigh until, under your palm, is the hard outline of him. The pressure of your hand over the denim-bound curvature of his cock makes him groan sharply, the sound pressed against your cheek.

Face angles back for a look at him. Because this is bad, mindless, reckless, stupid. And he’s always worth a look.

You spot a tiny speck of blood on the pink of his lip from where his cut had split.

And your curious tongue flicks at it.

Eddie’s eyes flare. You, unable to unglue your stare from his, suck his lightly bleeding lip between yours. Fragile. Crushable.

He did this for you.

No one’s ever cared, or known you enough, to do something like that for you.

Desire moves you like a shockwave and your hand leaves his crotch to help you clamber onto the exam table, clamber into Eddie’s lap.

Downright idiotic.

You cast a glance to the door, Eddie’s fraught breath puffing against your neck.

Thought you were a smart girl.

You look right into his face, the poster boy for sheer distraction, pre-occupation, skin-searing annoyance, nervous charm, surprising wit, magnetism, oh my… and feel his fingers edging far past the hem of your skirt, past the binding top of the thigh-highs you’re wearing because it’s fucking laundry day and stopping at the gusset of your panties.

He can feel how wet you are.

Lips a breath away from each other, one set bleeding, one set housing a gasp. Eddie nudges his forehead against yours, the both of you blind to consequence.

“Just friends, right?” His breath is jagged and unconvinced, and your hips kick toward his hand.

You do not answer.

Unbruised fingers push the fabric covering your radiating heat aside and you have to tighten your grip around the back of his neck so as not to tumble over. Eddie is not deft, because this isn’t the moment to be deft. He plunges two fingers into the plush of your pussy and looks to you with pleading eyes. Eyes that say, is this good, eyes that say, don’t make a sound.

You nod in the affirmative to both and he drags his digits out slowly. Rhythm picks up and you’re clenching around Eddie’s hand in a matter of minutes, lower muscles seizing and het-up moans being gratefully swallowed by him. Pad of his thumb moves to create rough, clumsy friction against your clit that elicits a sharp, high, wanton ah! from you, grinding against him in an unquenchable search for more.

“Does he do this? Does anyone do this for you, Lacy?”

Eddie’s eyes keep searching you for approval and you’ve lost the ability to appease or deny him– all you know is the blind, nonsensical want that’s pouring out of you is being lapped up. Lapped up. His tongue, you want his tongue everywhere, but it’s working at your earlobe, your neck, sucking, whispering, “Just friends? Lacy?”

And when you cum, it’s fast and hard and suffocating, an achievement you’re close to angry at him for– because no one has ever been able to break you apart that fast.

Or at all.

He can never know. He’d be so insufferable about it… some bare fragment of a thought passes through your brain, synapses busy firing elsewhere.

You’re rocking against him through the crest, pressing your forehead to his with such a force that you’re frightened it’ll splinter, you’re murmuring, “Eddie… Eddie, d–hmn, fuck…”

And you can tell by the way he’s attempting to press his body against you that he wishes he hadn’t bust that stupid fucking hand of his, so he could hold you properly– and you’re right. You’re right, you’re always fucking right, but you told him to keep it elevated and he’s going to do what you say.

He’s got no choice when it comes to you.

He needs you safe. Needs you happy. No matter what.

Which is why he’s got to pull this bullshit move.

Eddie is patient and watches you regain a little consciousness, faster than he’s sure you’d like. He extracts his hand and, sticky with you still, wipes it on the thigh of his jeans. Heart thundering in his ears, he tugs you into one more breathless kiss and wonders if you can still taste the rust sharpness of his cut in between your lips. He’s strangled himself against cumming up till this point, and this doesn’t help matters. An imperceptible spot of pre-fun lies in his lap but the thing is, the really fucked thing is–

Eddie gently shoves you away, mind silently babbling for the right thing to say. I’m sorry is something you’d see right through, get off is too harsh, oopsie is too fucking whimsical–

But you, ever-perceptive you, you realize your place. Knock yourself back into reality so fiercely that he’s afraid it’ll bruise you, lovely, awe-inspiring you that just softened into his hands like that. You clumsily clamber off the exam table in a hot flash of rejection, which– no, god, no, he doesn’t mean that…

“I–”

“No, I know,” you grit, prickly all over. Thumbing at the edge of your blurred lipstick. “I know. I certainly know.”

Eddie dares to look at you and you dare to look back at him. His lips looking worse off from you, but at the very least kissed. At the very least kissed, but you could cry with the empty feeling inside you. A cavern of a girl. You nod curtly, like this is the conclusion of a particularly charged run-in of acquaintances, not like you wanted him to swallow you whole moments ago.

Slipping out of the nurse’s office, you run right into the myth that is Nurse Lydia.

She looks tan.

“He’s,” you struggle, “He’s waiting for you.”

—

Cheating out sick from school and taking a shift at The Bookstore following the latest in a series of apparently neverending aftershocks was probably not the smartest call– but hell, you’re fresh out of smart calls.

Ivana smells a rat, and she doesn’t take to rats lightly, so she gives you your space.

The morning ticks on at a pace that feels supernatural; like you’re witnessing outside of your body, like you can’t orient yourself in the right direction. You attempt to arrange and rearrange poets from alcoholic to puritan. You sell someone a copy of The Fountainhead without giving them their free blistering evisceration of Ayn Rand.

You’re at a loss. A shameful, dangling loss that almost makes you feel pious. Like you should go to confession.

Bless me, Father, for I have sinned… I let my one-time best friend, current-cloudy object of my affection get beat up for me then bring me to climax in the nurses’ office.

You retread the same sentence in your over-thumbed copy of Save Me the Waltz like a table corner you keep stubbing your toe on.

We couldn’t go on indefinitely being swept off our feet.

You said it, Alabama. Something’s got to land.

And, because someone down there wants you dead, land it does.

The bell of the store’s door clashes upon opening, and all of the energy draws toward one magnetic point. A shock of silver hair, standing on end catches the lamplight, glowing almost eerily.

You feel a zzzzip of static. The air feels charged.

He doesn’t face you right away. Kind of slinks into the place, edging along the shelves.

“Say, Lacy. Ballpark me somethin’,” his Southern drawl is barely contained within the Midwestern flatlands of his accent, bursting through the baseline like a corpse that hasn’t been buried deep enough. “How long… do you think…” His fingers tap along the worn spines of the display, creeping closer to the counter, “...it would take… to read all these books?”

The lilt of his voice is so familiar that you recognize it instantly. Even the way your name falls out of his mouth. Like a funhouse mirror, a distortion of a voice you’d come to…

Well. Let’s not get into that. Let’s get into this.

A roguish smile with a couple decades of road wear on it and a tacky Hawkins High class ring on his finger. You could’ve sworn Eddie told you he dropped out.

“How many years in the big house with nothin’ better to do?” He finally stops and pivots on his heel. The way he looks you over makes you nauseous and lightheaded, like he took a long, long sip out of you. Jammed a straw in your jugular and sucked.

Lot of blood play happening ‘round these parts.

“Hello, Al.”

“Hello, sweetheart. You filled out.”

author's notes: christ alive. i mean WELCOME BACK! i really missed you guys. happy new year, thank you for keeping me on the level with writing this chapter, it was so much FUCKING harder than i anticipated! was it too much warped angst? are the feelings complicated? does the pope shit in the woods?!!!!! you betcha. anyway, be seated for today's lesson - "less oedipus-y, more ea--..." there is an ending to that joke that i felt was too crass for the moment but if you can guess it you win a prize - the patchwork girl of oz is the seventh book in the wizard of oz series by l. frank baum! obviously. it's actually a laugh riot, you should check it out. scraps, the eponymous patchwork girl, is a full tilt lunatic who's kind of a bit of me. but theoretically, the patchwork girl made out of a thousand different scraps of everything else... bit of lacy innit - the mage in the mink coat is self referential lmao we've gotten to THAT point in the story - gravity's rainbow is a book that guys i dated used to recommend to me constantly which is like infinite jest for people who are ran through - i'm really fucking with college guy at this point, making him drive a ford cortina. because i think it is ugly - the plot of the annotated book that lacy gives eddie, still life with woodpecker by tom robbins, is... interesting eye emoji eye emoji. tom robbins also wrote even cowgirls get the blues which was adapted into a feature film starring, say it with me, robin's mom - the link wray song that soundtracked the lipton landing visit in question - "charlie? or linda kasabian?" go ahead and read the white album by joan didion for me wouldja buddyroo, just like lacy and nancy already have - fun fact, i played a two person game of gin rummy with myself to get into the mindset for this chapter. i suck at it - torchy blane is another one of my pre-code wonders-- glenda farrell plays an intrepid newspaperwoman, and this character actually went on to inspire lois lane from superman - and I KNOW some of you are going to be mad at lacy for fucking college guy, but... shit happens when you're a booksmart lovedumb eighteen year old that can't face up to her feelings! i don't wanna hear it! - fred benson i love you baby! i'm almost sorry i called you william randolph hearst, newspaper magnate and all around lunatic and the inspo behind the diss track citizen kane, but i'm not! - nancy wheeler has a photo of nellie bly in her locker where a photo of her beau should be - so echo & the bunnymen's 1984 album ocean rain is obviously most famous for the killing moon (jonathan byers you ARE my donnie darko) but may i point your attention to motherfucking seven seas - OH YOU KNOW I (EDDIE) HAD TO DO IT TO 'EM. this was shameless but i've had this in my heart for over ten years babe - for the purposes of this timeline, you know eddie is keeping higgins in pills. which is why he hasn't been kicked out of hawkins high so fast his lunchbox would combust - nurse ratched, obviously from one flew over the cuckoo's nest and that ill-fated ryan murphy series....tf was that...but also from this fucking sick tune! - save me the waltz is by zelda fitzgerald! my loves, thanks for hanging in for this chapter. i know it was a wait, but i hope you enjoyed! i also know it was a little more angsty pants than my usual fare-- but look baby. we need grist for the mill, okay? as always, reblogs, comments and likes are FIERCELY appreciated! love u all so much. my little hellcats. to die by your side etc

#e. munson by powder #published by powder #in progress #hellfire & ice #eddie munson x reader #eddie munson x f!reader #eddie munson x you #eddie munson x oc #rmr when i used to write 4k chapters.... god be with the days #anyway i love these fuckheads

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syndrossi · 1 month ago

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Can we get a caraxes and vhagar POV of them meeting the lil babies in regnal au pretty pretty pleaseeee🥺🥺🥺 I can just imagine them crooning and gushing over how cute they are and how they're not fully hatched yet ksksksk and them bragging to other dragons about how amazing their dragon riders' hatchlings/grandhatchling are 🤩🤩

When the actual hatchlings come along are they gonna imprint on vhagar like they did caraxes and think that's their mother?

In regnal au what's the craziest thing teen dad!daemon does with the twins that gives rhea almost a heart attack compared to older, more mature father daemon in reverberate au?

I feel like Caraxes will be puzzled at how round and egg-shaped Daemon's hatchlings are, while Vhagar rolls her eyes, all "of COURSE have you not seen a fleshling before?" And then Caraxes grumbles that not everyone is 150 years old. Also if the little one is called Aemon, why is he being taken on VHAGAR for a ride, ahem? He has dibs on all the Aemons. Wait, and she gets the BAELON too? Unfair!

For the hatchlings, it'll probably depend on where Vhagar is and how often she's around relative to Caraxes. I could see Vhagar being the ultimate grump about still more hatchlings and she agrees with Caraxes, they smell wrong. Like the sickness that took Balerion. She settles into a reluctant grandma role, with a suspicious eye on them, and it's Caraxes who ends up defending their oddness to her. So, ultimately I guess they don't view her as a mother? But some kind of relation at least, despite her protests.

Oh goodness, Daemon shenanigans. I think for the first six months, he's incredibly careful with them, since they were born so small and that imprinted itself in his mind: that they're fragile, and he has to be careful. But as soon as they start getting active and crawling/rolling and they've got all that baby fat on their cheeks, Daemon finally feels secure enough to do things with them. Riding is the first heart-stopping activity (from Rhea's perspective), but Baelon beats him to it, so it's not even Daemon being reckless there. And he's definitely a baby-tosser, as he demonstrated with Rhaenyra.

I could see him thinking it's totally fine to give Jon his first knife at an absurd age, like, four. And Rhea has to confiscate it, reminding Daemon that he's a CHILD and he could accidentally cut himself or his brother!

Daemon's also close enough to his Flea Bottom days that he thinks it's perfectly safe to take two baby princes through the more dangerous parts of the city without a single household knight, because he has Dark Sister, they're fine. Baelon and Jaehaerys are both aghast at that one.

Ultimately, I'm guessing it's something fire-related that showcases their fireproofness while Rhea is all THAT DOES NOT EXCUSE YOUR CARELESSNESS YOU CANNOT ASSUME TODDLERS DO NOT BURN WHAT IS WRONG WITH YOU?!

#resonant asks #resonant 'verse regnal au

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thevalleyisjolly · 1 year ago

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As an intrinsic part of their Mortal heritage, I like to think that all the Half-Elven in Middle-earth have at one point in their lives (but most especially their youths) had a fairly unflattering haircut that they genuinely believed was the hottest shit ever:

Dior had a long feathered mullet that was a pure flex to show off how naturally full and voluminous his hair was. He only cut it once the twins were born and it became too much work to maintain while looking after two babies.

Elúred and Elúrin got their hands on an unattended bottle of hair dye when they were five and gave themselves skunk hair bangs that took months to wash out.

Elwing once experimented with teasing her curls into a big 80's hairdo because people told her how her father used to have big hair.

Eärendil had to cut his hair after a lice scare onboard one of Círdan's ships and went for a bowl cut that he thought would be quick and easy to do. Unfortunately, the bowl he used was a little too small and the high fringe made it look like he was wearing a small hat made out of hair. Idril had conniptions. Tuor managed to hold in his laughter until he could reach the privacy of an inner room. Elwing demonstrated the incredible power of love by both saying yes to his proposal and offering to neaten his fringe so that it at least looked a little less choppy.

Elrond stubbornly sported a man bun undercut for two whole years after he lost a bet with one of Maedhros' Mortal retainers and Maglor made a sighing comment about how he shouldn't worry because his hair would soon grow back out "nice again."

Elros gave himself curtained hair in solidarity with Elrond so that Maglor would get off his back, and kept it until the first time he commanded a war party and got good-naturedly ribbed to hell about looking like a 14 year old kid.

Like father like son, Elladan wore a rat tail for a few years after one of the Dunédain wagered he couldn't pull it off. He really couldn't, although he thought it looked great and was forever trying to do fancy styles with it until Elrohir staged a sibling intervention.

Elrohir maintained a buzzcut for nearly fifty years after his parents a little too amusedly said that he could do whatever he liked with his appearance now that he was of age.

Arwen went through a phase in her 200s where she dyed her hair with whatever colours she could get her hands on. The silver was very nice (Celeborn was extremely proud) and the blue highlights were interesting but still managed to work. She even made a decent ginger. However, the attempt at Arafinwëan gold just ended up a washed-out bleach blonde that is to date the only thing that has ever stunned Galadriel into utter speechlessness.

+Although not born Mortal, Lúthien spent a full Valinorean year with feathers instead of hair while trying to shape-shift into a nightingale. It actually made for quite an aesthetic when she took the time to preen them properly, but as she was far too busy running around having adventures with Daeron, the effect was more often ruffled bird's nest than sleek wings.

#lotr #silmarillion #dior eluchil #elúred #elúrin #elwing #eärendil #elrond #elros #elladan #elrohir #arwen #peredhil headcanons

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katelynnwrites · 1 year ago

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All’s Well That Ends Well (To End Up With You) | Felicitas Rauch

warnings: a tiny bit of angst but it’s mostly fluff

word count: 2145

summary: your national teammates have a conversation about starting families and it prompts a conversation between you and feli

a/n: let me know what you think of this please? i got this idea from the born for this documentary and it’s been buzzing around my head for a while because i was kind of hesitant if i should write it…if it’s good i might write a bit more about feli and kids :)

You’re certain that this is the team that will go far in the Euros. Hell, the mood in camp is one so perfect that you are filled with the conviction that you might just win the whole damn thing. It is what every single member of your team is working towards.

The tournament might still be eight months away but things are just shaping up so well.

These people you’re with, they are more than just teammates. They’re good friends.

Good friends that you are happy to celebrate an early Christmas with.

The national team staff and some of your teammates have been kind enough to help set up a small Christmas get together, with food and drinks.

It might be the midst of international break and you might be only two metres away from the hotel entrance but it makes all the difference.

Everyone needs to get their minds off football and relax sometimes, especially when the last game of the year is just around the corner.

Curled into Feli’s side, you giggle at the story Sara is telling. You can feel Felicitas’ body vibrate with laughter and you press yourself closer to her.

Your wife easily slips her arm around your waist in response.

She drops an affectionate kiss onto the top of your head even as she continues listening to her fellow defender.

The smile on your face grows as the rest of your teammates pitch in, the alcohol helping everyone to loosen up.

Feli’s fingers gently running over your side and the pleasant buzz of the mulled wine distract you for a few minutes and when you focus back on the conversation, it’s to Kathy saying that it would be nice if men could get pregnant too.

A round of laughter rings out immediately and you grin at the very thought. It would certainly be helpful for some of your teammates, both national and club alike.

Lina jokes that she would get her boyfriend pregnant right away if she could and everyone chuckles a little harder.

When that dies down though, there is a moment of sobering silence.

‘You’d actually like to have kids though…right?’

Marina directs the question at anyone and everyone, her tone being an indicator of just how difficult this particular subject is. It’s unusual for the typically smiley woman to be so serious.

Both Kathy and Lina nod, Laura following after a moment.

A few of the youngest players like Jule and Obi simply shrug. That’s fair you think, because it’s not something that would be on the forefront of their mind at that age.

But for you, being a few years older, it has.

So you nod too and can’t help but slip your hand into your wife’s when she does the same, a tad shyly.

You’ve talked about it before you even started dating, wanting to be on the same page before starting a relationship that might turn out to be lasting.

You are incredibly happy that it did and are so thankful for having that conversation with Feli.

Being a mom has always been something you want and marrying someone who wants the same thing as you was always important.

It never occured to you while you were growing up that that person would come into your life, in the form of Felicitas Rauch.

Two months into calling her your girlfriend and you knew that she would be the only one you would ever want to start a family with.

It assures you the feeling must be mutual when the brunette squeezes your hand lightly, glancing at you adoringly.

‘I feel ready to start a family now but I guess with football, I will have to wait a couple more years.’ Kathy sighs.

You make a sympathetic noise and your fellow Wolfsburg player looks up.

‘I’m guessing that you can relate. I see how you are with the younger fans. Do you want a girl or a boy?’ She asks softly.

Shrugging, you murmur, ‘I don’t mind either. I just want them to be healthy, you know?’

Kathy gives you a tiny smile and nods her understanding.

Your heart warms just thinking about it and the hopeful smile you give the blonde in return makes you miss the one on Feli’s face dimming.

Felicitas keeps your hand in hers but doesn’t say much more for the rest of the night.

She does not meet the worried looks you give her and by the end of the little celebration, your anxiety is just about eating you whole.

You don’t remember the last time you’ve felt this uncertain with your wife.

As everyone makes their way back to their respective rooms, you trail after her to the room you’re sharing.

‘Liebling?’ You softly prompt and the brunette defender frowns as she shuts the door.

‘What’s wrong?’

Felicitas stiffens and she sits down on her bed, drawing her knees up to her chest.

Her brown eyes are full of emotion when she quietly asks, ‘You want a baby now?’

‘Well not now now but maybe after the Euros…’ You admit.

Your wife’s eyes widen and you reach for her hand hurriedly, saying, ‘Don’t you? We’ve been married for a few years and I think we’re in a good enough place in our careers.’

Feli shakes her head, stammering, ‘I-I love you but I’m not ready.’

As hard as you try to hide it, you can’t stop the hurt that flashes across your face from showing.

‘Liebling, I’m sorry.’ Feli pleads, squeezing your hand tightly and touching your wedding ring.

‘Don’t be. You aren’t at fault for the way you feel. I-I just thought you wanted to have children as badly as I do.’ You whisper, covering her hand with yours.

This, if possible, makes your wife feel even worse.

There are tears slipping down her face as she takes a deep breath, trying to explain herself.

‘I do. Believe me I do. That’s not what I’m not ready for. Liebling I want to have a baby with you, I’m ready to start a family with you. It’s been on my mind for a long time but what I’m not ready for is putting football on hold.’

‘Felicitas…’ You breathe.

‘I love you. I love you so incredibly much and I’ve dreamed of having a family with you but I can’t do it now. I’m twenty six and I know that’s not old but I’m terrified of not being able to get back my current form after I give birth.’

‘Feli I love you too but I don’t understand.’ You murmur.

Your wife makes a frustrated noise, ‘Don’t you see how hard Almuth is struggling? I know that I’m not as old as she was when she got pregnant but I don’t think I can go through it liebling.’

‘I know and I admire her for it but Feli…I’m not asking you to put yourself through that.’

The fullback simply stares at you with clear confusion.

There’s a smile on your face as you tease, ‘You know liebling, the good thing about being in a lesbian relationship is that both of us can get pregnant.’

‘What?’

‘I’m younger than you Feli. I’ll recover faster, and be able to get my fitness back faster.’

‘Y-You want to be the one to carry our baby?’

Your wife’s tone is one of complete disbelief.

‘Yes.’ You answer simply.

‘But why? You’re our star striker for club and country. You are at the top of your game liebling. Hell Barcelona wants you and while I know you turned them down, chances like that aren’t given to just anybody. As a player, you are far more valued than I am. For you to put your career on hold…’ Feli’s voice gets gradually quieter before it tails off.

The Wolfsburg defender swallows hard, her gaze never leaving yours.

It is barely audible when she mumbles, ‘If you get pregnant after the Euros, you might not be able to come back in time for the World Cup.’

‘Felicitas, my love, don’t you know that I will give up anything if it means being able to be a mother with you? Winning a world cup is a dream but being able to have a family with you is the biggest dream.’

If the brunette wasn’t crying before, she certainly is now.

Her hands are gentle as she cradles your face to kiss you. She tastes like the salt of her tears but the action still takes your breath away.

‘Do you really mean that?’ Feli whispers against your lips.

You nod, leaning your forehead against your wife’s.

She presses one more kiss onto your mouth, murmuring, ‘Let’s do it. I want to have a baby with you liebling. As soon as possible.’

‘Okay…okay that sounds like a plan.’ You tearfully agree.

******

You’re pregnant a month after Germany finishes runners up in the Euros.

******

Feli was right. You are far from being able to make it back in time for the World Cup but you never expected yourself to be anyway.

That doesn’t mean that you aren’t there to support your wife, fellow national teammates and country though.

You are in the friends and family section, with your newborn dressed in the tiniest Rauch, 17, jersey.

Where your wife found noise cancelling headphones small enough to fit on his head, you’ll never know but he looks adorable.

He peers curiously at his surroundings during the first half, never once crying but rather being content to be held by you.

Felicitas blows you and him a kiss each as she makes her way back down the tunnel at halftime.

Her bun is messy and it is getting colder as the sun sets but her eyes are shining with adoration.

She mimes catching the kiss you blow her in return and you giggle.

‘Your mama’s so silly.’ You tell your son as you rock him gently.

The newborn sucks determinedly on his fist in response and you giggle.

He has Feli’s eyes and you don’t know how you will ever be able to tell him no when he grows up. You certainly are not able to tell your wife no when she looks at you with her pretty eyes.

******

Your country puts two more into Morocco’s goal before Felicitas is subbed out in the 89th minute.

You cheer louder than anybody when she leaves the pitch because you are always going to be her biggest fan.

The brunette catches sight of you just before she sits down at the bench, her cheeks flushing a bright pink at the look of pride on your face.

You chuckle at that, pressing a light kiss onto your baby’s forehead. He’s fallen asleep, the cool Australian night air giving his cheeks a rosy hue, nearly identical to his mother’s.

The match is nearly over now and Lea fires one more into the opposition’s net to make it a six-nil win before the full time whistle blows.

There’s a tangible joy in the stadium, from the fans and your team.

Everyone is celebrating but you only have eyes for your wife.

She’s making directly for you, climbing over the barriers and pulling you into an excited kiss.

‘I love you.’ Feli declares.

‘Love you too.’ You grin.

The fullback kisses you once more, her hands cradling your face eagerly.

‘How’s our son?’ She asks, bending down to lightly press her lips onto his forehead. He remains fast asleep, not even stirring when you transfer him into the Wolfsburg player’s arms.

Your wife coos softly, adjusting the blanket you wrapped him in, to protect his tiny body from the cold.

Felicitas is entirely enamoured with him, just as she has been since she saw him on the initial ultrasound.

You always knew she would be down bad but when your son gripped Feli’s finger tight the moment she first held him, well she exceeded all your expectations.

The brunette holds him close, breathing in his baby smell before looking up hesitantly.

‘C-Can I take him down to the pitch? I know we talked about keeping him off social media but I want to share this moment with him.’

You don’t even have to think twice about your answer.

‘Felicitas of course you can. I might have carried him but he’s your son too.’

Your wife can’t resist kissing you once more before she leads you back down onto the pitch with her, despite your protests.

‘Liebling this is your special moment, your World Cup debut.’

‘Yes and I want to share it with my family.’ She matter of factly states.

There’s no arguing with her and so it is with a smile on your face that you let her slip her hand into yours.

Being there with Feli, as she holds the baby you had together against her chest…it’s everything you have ever dreamed of.

German Translation:

liebling - love

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hazelkjt · 4 months ago

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Hazel Kha || SMASH or PASS

Rules: pretty self explanatory. include physical descriptions or pics, and propaganda. the “other” label can be used for “sexuality misalignment” (ie: oc is femme and you’re gay, vice versa or you aren’t into smashing but a specific thing you wanna do with them like perhaps hug or study them under a microscope idc).

Tagged by: @this-is-ris Once again I am late to the party so I'm pretty sure 99% of my mutuals are already tagged...but just to be safe! Tagging: @nolanel-corbeaux, @the-white-snake, @sae-mian, @hinganskies, and @cindernet-explorer

Quick Facts:

Height: 6'4" (193cm)

Age: 24 as of the start of Dawntrail

Gender: CIS Woman

Pronouns: She/Her

Sexuality: Bisexual

Pros:

Very openly loyal and affectionate

Highly active and energetic, but still appreciates the quiet moments

LOVES the outdoors, especially the ocean. Any kind of outside activity she will be down for, but specifically hunting and swimming.

Very confident and proud, will do her absolute best to make sure you are happy and proud of yourself as well

Avid reader, enjoys both reading together and reading to you

Good cook, as long as you can handle spice and heat

Cons:

Little to no actual romantic experience and no confidence in being a good partner.

Tendency to jump to conclusions, which can lead to jealousy driven misunderstandings.

Snores INCREDIBLY LOUDLY.

Short temper and holds petty grudges for a long time.

Put her partner's well-being and happiness above everything about herself.

Bottles up all her worries and doubts, has trouble being open about her problems.

Sense of pride is paradoxically strong yet flimsy, specific hits to her ego can land very hard.

Misc. Details:

A morning person, gets up very early to practice and stay in shape. Will try to drag you into her workouts if you let her.

A very competitive person who enjoys all forms of competition.

Curious by nature and very in tune with her heritage. Will always be willing to share about the Kha tribe and will naturally want to know about who you are as well.

Very hygienic and cares a lot about her appearance. A bit of a fashionista who has a variety of outfits, she dyes the ends of her hair red to pay homage to the Kha tribe.

SEXUALLY very much a sub and extremely vanilla in terms of kinks. From her lack of relationship experience she isn't confident in taking the lead in any sort of sexual act. Even beyond that she wants to do whatever she can to please her partner, so they get to be the ones in charge. It takes a long time for her to open up to anything sexual however, even after being in a serious relationship for a while.

ROMANTICALLY Hazel is very affectionate and sort of clingy. She's not overly picky with certain activities or dates. As long as she's doing something with them she'll be happy. Beyond that, her love language is all over the place. Pet names/nicknames, PDA (specifically wrapping her tail around you), flirty compliments, gifts, just about everything is on the table.

#ffxiv #oc smash or pass #ffxiv gpose #ffxiv screenshots #ffxiv oc #au ra #xaela #hazel kha

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soufcakmistress · 1 year ago

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Temptress

Pairing: Erik Stevens x Thick Black OC

The intricate oil painting hanging on the wall threatened to fall by the incessant pounding of the bed frame. “I wonder what they’re serving at the pub tonight…” Sybil Freeman pondered as this sad soul rutted away between her legs. The Viscount Peters was one of her frequent visitors, and always tipped well. A lackluster lover, but always super sweet. The viscount shuddered and finally expelled into the sheepskin condom, with sighs of much awaited relief. Her corset has her abundant breasts grazing her chin, which have now spilled out from the romp that just ensued.

This is the part that the men come for. “Ooooh, the Viscount is feeling very frisky this evening. I’ll be sure to put those juniper berries in your wine every time we meet, sugar.” The short and dumpy nobleman always moseyed down her street for a bit of loving. Black and white men alike patronized the house—a house of nothing but Black bawds and whores.

London is a long way from colonial Charleston. Sybil Ravenel was one of eleven children to an enslaved couple working the indigo crop on Edisto Island. Keen on her surroundings and fierce about her family, one particular overseer would always harass her. She was very shapely and purposely wore baggier clothes to conceal her body. She’d managed to make it this far without getting whipped or separated from her family. The overseer was tired of Sybil spurning him. Easter Day came and the slaves were able to take the day off for once. While everyone was congregated by the fire, Sybil was caught off guard and gagged and pulled around the tobacco barn. Little did that overseer know that Sybil had been preparing for that day.

She sharpened this stick every day and hid it in the waistline of her skirt. Today, she made good on her intentions and shoved the stick into his neck. “I the last Negro woman you try to push up on. Bastard.” Blood drenched her apron and bonnet, and she wrenched them off and hid them under her skirt. Scrambling to the slave quarters, she gathered up the few clothes she had, tied them up and ran towards the harbor with all of her might in the dead of night.

Sybil understood sex and how easy men were guiled once it entered a dynamic. Men had few motivations and if it didn’t involve money, food or sex, Sybil found they didn’t have much use past that. She wasn’t entirely sure of her age, but she was a woman full grown. She had no education but she had the will to live and extremely limited means to do so. Offering what she had between her legs was how she was able to convince the captain of a nearby merchant ship not to ring the alarm for a fugitive slave on the run. She sucked his pecker so good as a matter of fact, he gave her her own cabin, left to be undisturbed until the ship docked.

The manifest was set for London Harbor, with a large store of indigo posed for shipping to the British Isles. England outlawed slavery years ago and all Sybil can remember being in awe of how Black folks roamed so freely. London was expansive, a different feeling versus Charleston. Attempting to navigate the streets, she bumped into a striking woman, with incredible cheek bones and dwarfed almost every man. “Careful, darling. Yuh ‘ave to actually look where yuh walk in this city. Before yuh get trampled.”

Needless to say, her life was changed from then on out. Bellemere Almodovar. Born in Jamaica, she was purchased by Spanish spice traders in exchange for bushels of saffron. She was so beautiful that she was whisked away from the auction block to accompany a lord in the Spanish court in the Spanish royal seat in Madrid.

Bellemere took Sybil under her wing. Showed her the ropes, how to keep herself safe, how to articulate herself, and recognize what the means to the end was. Fuck the frogs until you find the prince. A marquis or a lord having you for his mistress meant security and stability. A binding contract between the two of you kept the relationship mutually beneficial at all times. You provide the cunny and ego stroking, he provides the lifestyle. It’s plain and simple as that.

Until then, Sybil would stack her money. Her and Bellemere have expanded their stable, with an extremely diverse group of Black women with various treasures to offer. Lola and Liza Ibeji, the Sierra Leonan twin Amazons liked to play with the kinky politicians on Downing street on every bank holiday who liked to be tied up and degraded. Sarah Macenroe was a biracial beauty from Ireland, looking for a new home since her last bawd kicked her out. She was a contortionist, and petite like a nymph who loved to stick her finger up a John’s bum. And Sybil’s best friend Janie Smith from Trinidad, always quick to cuss her in patois. She was plump and shaped like you and that brought you both closer. Janie learned that she did not have a gag reflex, allowing any man to aim his prick down her endless throat with no resistance.

And Sybil. Sybil’s prized possession was between her legs. It was wetter and tighter than anyone around, and was guaranteed to make any man lose his pride before he wanted to. Her blue fingertips were a marvel to gaze upon and added to the fantasy. These English nobles ached for the chance of sleeping with a liberated Negro woman from the colonies. Her life was easy now. Fuck her regulars, and live good. She was free. Free to eat in any cafe of her choosing. Led her girls into any social gathering with their heads high and guaranteed to garner whispers and gasps. Music to her ears.

As of late, Sybil had been bored to tears of the social scene. Janie had just snagged her keeper, and she’d been whisked to the northern countryside for the next month. On this particular occasion, Sybil’s carob skin emitted radiance unknown to this world with the midnight blue gown hugging her body close. Her scalp itched under the powdered wig, and she daintily threw back her 6th drink of the night. Her girls worked the room as always, prowling for the next kill, and yet Sybil couldn’t give a fuck about any of these men.

She grabbed her sachet, picked up the ends of her dress and sashayed to the terrace. Some fresh air was needed. A cigarette she already rolled was pulled out and heavy footsteps lurked behind her. “Is this seat taken?”

A puff of tobacco smoke billowed in front of her cherubic face. A pleasant surprise that a Black man with a familiar accent met her. “Do as you like.”

The strange man quietly observes Sybil’s appearance. Their eyes finally meet and she’s enraptured and forgets to mask her intent. He’s very handsome, with a sterling smile and dashing garments. And an American accent. Interesting. “What’s a southern Belle doing mingling with English society?”

“I could ask the same of you. You’re like a fly in a glass of milk with this crowd. American?”

The gentleman wore his own hair out, a beautiful tangle of curls, and an emerald green suit that was immaculately crafted. His scent was alluring, and made Sybil want to know how deep his pockets went. “Yes. I was formerly enslaved, just like you. My father was African however and fell in love with my mother on a trip to the colonies. He bought us and we went back to his country to live. I grew up and wanted to explore this world. So for the moment, here I am..”

He took her cigarette out of her hand and began to puff on it himself. “And how would you know that I was enslaved? I could have been born free for all you know.”

The gentleman blew out the tobacco smoke, and gently placed her hand in his. The indigo dye. Permanently marking her as a piece of chattel. A former piece of chattel, for that matter. He kissed every fingertip on her left hand, and Sybil gulped. Her eyes became glassy, and she pulled away. She adjusted her dress, and stabilized her towering wig. “I didn’t catch your name, miss.”

Sybil took the cigarette back from him, taking a harsh pull. Why did this man make her feel like this? “Sybil. Sybil Freeman.” She had to get out of there. As seemingly progressive as London purported itself to be, Black men were almost never gentlemen and of the ton. He exuded high levels of breeding and class. His skin was gorgeous and he had piercing eyes that never left her….and roamed all over her body. He was clearly different.

“Good evening, sir.” Sybil gave the stiffest curtsy and zoomed away, flustered and confused. Something told her that that wouldn’t be the last she saw of him..

A/N: I totally forgot that I had most of this written up already LMAO. Please let me know if you want me to continue this story. Pleaseeee reblog and comment, love yall!!!

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#soufcakmistress #erik stevens #erik killmonger #erik killmonger smut #killmonger fanfiction #killmonger smut #killmonger x black oc

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wyfy-meltdown · 6 months ago

Text

I did it again!!! Meet my second PMMM OC: Shinoha Murofushi!

More info below the cut *⁠.⁠✧

Basic Info:

Name: Shinoha Murofushi

Age: 16

Height: 5'6

Wish: "'My ultimate dream could come true'... If that's really the case then, I want to get revenge on those bastards!"

Weapon: Dual Swords

Power: The ability to release attacks used against her back at an enemy*

Soul Gem: Bellflower (*also somewhat looks like a skull) located below the chest, with scales on the bottom of the soul gem

Witch: Nemesis

*She can only absorb attacks that have hit her, and will take damage from anything that hits her. She can store damage for as long as she wants, but when she releases it, every attack she's stores gets released at once. However the attack affected her is how it will affect the target she releases on: Ex. Someone punches her causing a bloody nose, Shinoha releases her damage, and the puncher gains a bloody nose and the pain that caused the bloody nose. Ex2. Someone breaks her arm with a baseball bat, Shinoha releases her damage, and the batter gains a broken arm and the pain of a baseball bat to the arm.

Personality:

She's incredibly standoffish and tries her best to be alone at all times. She rarely leaves her room, and hates going to school. She's quick to judge and mistrust others, and it's incredibly hard for her to lower her guard. She's learned to cut her own hair (due to avoiding leaving the house) and while she has exceptional talent doing so, she has no interest in being a hairdresser. She rarely sleeps, and is always tired. She maintains a perfect poker face, but struggles with violent thoughts and self-loathing: becoming a magical girl has given her an outlet for her struggles, although she gets very brutal in fights. Her favorite food is seafood, and she can't stand the taste of sweet things. Despite her dark thoughts, she's very meek, and seldom voices her opinions and feelings. If she's got a problem with someone, they likely don't know until it's too late. Her downbeat nature means she doesn't have many hobbies; she spends most of her time on her phone, and is a closet idol fanatic.

Design Breakdown:

This design was a challenge and a pain. I struggled A LOT to incorporate her "revenge" wish and find a good theming for it, but all I could really work with was "greek goddess Nemesis" (justice/law/punishment theme). I managed to fit in some wing-like shapes (skirt, swords) but I don't know if it's obvious enough(?) Her hair-circle is meant to look like a halo (angel of punishment theme) but I'm not sure if it just looks like a random circle or an actual halo. I included bellflower motifs because... I have no real reason; nice concept, but I can't draw bellflowers well. Her colour palette was the most difficult part (theming second) because no colours fit her??? I don't know how to describe it, but no colours worked right with her personality (not even black or white). I settled on green with grey hair, but it'll probably change if I ever draw her again. I fear her design is a little to "fantasy" not enough "magical girl" (but that might just be my "ruffles/pink" brainrot). I tried really hard to give her a should cloak, then a caplet, and finally I gave up and just went with the sleeves.

Overall: she was a struggle, and I don't think I got across my theming and motifs well. I might try to redesign her in the future, but for now I'm content with this: I think it's good for my current skill level and her current concept.

Trivia:

She didn't believe in magical girls at all, but after much pestering convincing from Komoe, she unseriously made a wish before becoming a magical girl

Her damage absorbing ability causes her to intentionally endanger herself in fights against witches (possible concept)

Originally her plan was to kill her bullies, but she instead opted to use her power to curse them

She would've liked to be the brooding loner type of magical girl, but Komoe had other plans

She has a mini fridge in her room and it's her favorite thing in the world

It's always dark in her room, so she can see well in the dark (potential plot point later[?])

She's a big fan of spy, action, and mystery movies; and has some form of online review blog

She has a mannequin in her room she vents her frustrations and feelings to (she strongly dislikes showing emotions in public and/or around others)

As much as she's tried to fight it, Komoe often comes to her house with groceries, grief seeds, gifts, and other things to give to Shinoha

Although she was initially very unhappy about becoming a magical girl (she kinda became a magical girl on accident), she's slowly learning to embrace her magical girl persona (and becoming more deranged in the process!)

She named her magical girl swords after her two favorite idols, and has begun a personal sword collection (a goal Komoe helped her set was to eventually forge a sword herself)

She once drank a small bottle of vanilla extract without batting an eye (it was dark, she was tired and didn't feel like reading)

She punts around Inkyuu like a ball

#puella magi madoka magica #mahou shoujo madoka magica #madoka magica #pmmm #magical girl #oc #oc art #wyfy's picturebook #pmmm oc #magical girl oc

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catsharky · 11 months ago

Note

It looks like her horns are much bugger and more devil like than tiefling naturally. Would her horns grow back to that shape if sue let them, or is it more like docking a tail and permanent? Would she become more comfortable with her original horns being around tieflings more if they could grow back? Why did she trim them initially?

Ehehe I'm glad you caught that, cause yeah you're right her horns are very much meant to be more devil than tiefling!

I figured if a devil is going to screw someone over by giving them a stolen child, why wouldn't they aim to pick one who would bring as much chaos and misery to that person as possible? Ember has no idea who her bio parents are, but she's definitely no ordinary Tiefling.

I put the rest under a read more because it got a bit long:

To try and kind of match the other companions, I wanted her to have the capacity to be incredibly powerful, but limited for game/story reasons. So for Ember, at least one of her parents is someone Powerful and Important in the hells, and that parent is where her sorcery comes from.

It means she's capable of crazy strong magic (like, on par with Gale before he got nerfed strong) but a combination of being self-taught and a lack of motivation means that she's never had a reason to find out what she's actually capable of. She also grew up very isolated, so until she met Gale she was under the impression that magic was just like that for everyone. And tied to all that, one of the most obvious tells that there's something else going on with her is her horns.

I like to think that for most Tieflings, their horns do grow throughout their lives, but hit what's considered 'full sized' by around puberty- at which point the growth slows to a crawl. I also have to assume based on Karlach's broken horn that if the horn breaks? It's gone for good, though they will still maintain that slow growth so long as the core at the base of the horn remains intact.

For Ember however, her horns are just enormous. At age 4 it's expected a Tiefling will have started growing their horns but that they'll still be blunt, nubby things like a baby goat. Ember's were the size they are in the age chart, and continued to grow even larger as she got older.

She likely would have trimmed them no matter what, because not being used to having horns in the first place made dealing with them frustrating, but they're really just unreasonably huge. She trims them down pretty much as far as she comfortably can, the blue tips being where the darker outer layers were cut away.

To her annoyance, they also grow back and do so remarkably fast, which is where the jewelry she has wrapped around them comes from. Those gold embellishments are actually enchanted so they'll stay the size she wants them! (They also keep them from catching on fire when her emotions are high, but that's a whole other thing) So she could actually let them grow back to their full size if she wanted to, she just doesn't because they'd be way too unwieldy and annoying to deal with.

And while I can see some of this stuff becoming relevant after the events of the game, for the duration of BG3's plot this is all just more or less flavour text. The magic stuff is the only part that would have a notable impact.

Also fun fact, this whole part of her backstory is just because I needed an excuse to make her immortal. I didn't have the strength to give Astarion a companion who he'd have to lose in less than 100 years. My heart can't take that 😭 So fuck it, she's the daughter of some big powerful demon or whatever so Astarion can have one nice thing that won't be taken from him!!!

#agent-jaselin #I do have one fun idea about Karlach having to clarify what is and is not Just Normal Tiefling Things™#but we'll see if I ever get around to it #sharky speaks #baldur's gate 3 #bg3 #my tav #sharky's tav #tav: ember #oc: ember #Ember lore drop #not sharky art

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cacoetheswriting · 1 year ago

Text

celebrity skin. (part five)

pairing: rockstar!eddie munson x popstar!fem!reader word count: 4.6k summary: a party from hell.

content warnings: 18+, minors dni: suggestive & mature themes, adult language, use of pet names, mentions of recreational alcohol & drug consumption, emotional hurt / no comfort in this chapter (sorry, she's a little angsty), blackmail, family drama, mentions of minor character death — if i missed anything, pls let me know!

& psa: images used in the header don’t depict readers physical attributes! these are also described vaguely in the story, only that she’s a little shorter than eddie.

celebrity skin. masterlist

The venue is filled wall to wall with people, half of whom you have not met before this night. They’re swaying to the loud music, talking over one another, and indulging in various colourful drinks from the open bar.

Sitting on a sofa in the corner of the large space, you’re watching the night unfold in front of your eyes. There’s a drink in your hand, a cranberry vodka, however, you haven’t touched it yet. Instead, the ice has long melted, causing lone droplets of water to drip down your arm.

A harsh scent of alcohol fills the air. It gets stronger every time a party attendee sits next to you, congratulating you on an incredible single with the band they never thought you’d ever play with. You go with the flow, the politeness you’ve been taught from a young age showing its wings, and thank each person that engages with you for coming tonight.

They ask how this all came about, you on a song with Corroded Coffin. A collaboration for the ages.

You answer honestly, to the best of your knowledge. “The powers that be organised everything”, and the person you’re speaking with laughs at your answer. Then they ask about a topic much hotter than the new record — your relationship with Eddie Munson.

The second the curly-haired rockstar is mentioned, a smile breaches your lips.

“That’s between me and him, for now.”

Which doesn’t stop anyone from trying to invade your privacy further. Wondering, out loud and with no shame, if what they’re reading in the tabloids is true. Is it just for show, or is it real? And then it goes one of two ways:

“Hope I’m invited to the wedding. It’s shaping up to be quite the party.”

“At least you’ll make a lot of money from this arrangement.”

Not one person wishes you well. Not one person says they’re happy for you, or for the Corroded Coffin frontman. It obviously makes you wonder why because you look happy… right? Why is your relationship such a big deal if you’re clearly happy?

Don’t you look happy?

But then, in between those conversations, your gaze finds Eddie with ease. His own brown eyes land on you every single time, without fail, as if there was some sort of magnetic pull between the two of you. He smiles wide, shooting you a casual wink from wherever he’s standing at the time.

And so, you force the treacherous thoughts deep, deep down. Squish them until they’re miniscule and a problem for later — which in retrospect, not a good idea — ‘cause right this moment in time, you’re definitely happy.

Eddie makes you happy.

You’re also just glad to see the rockstar is having fun, considering how reluctant he was to leave the comfort of his own home. He’s mingling and laughing. A pep in his step as he orders another drink. After all, parties are his element.

“God, my poor fucking feet hurt so much,” Holly sighs, dropping down next to you with an elegant bounce. “I honestly don’t know how you can perform in heels for multiple nights in a row when I can’t even make it through a couple of measly hours.”

You laugh. “No pain, no gain.”

“Okay, Magic Johnson.” Holly snorts while playfully rolling her eyes.

“Actually, I’d prefer to be Patrick Ewing,” you correct her, it’s a tease with a slight dramatic flare, “‘Cause who am I if not a New York Knicks fan.”

The giggle that escapes your friend is infectious. In between the lighthearted chuckles, she does her best not to spill the fruity drink in her hand, pressing the glass to her lips and taking a sip. She relaxes into the sofa, legs now extended outwards, a hazard to anyone walking by.

“Speaking of New York, when are you taking the rockstar to meet your parents?” Holly probes, brow raised.

“Oh god,” you dramatise in response, “That’s like a super serious thing, no? I don’t think we’re there yet.”

But Holly doesn’t give up as easily, seeing right through the front you didn’t even realise you were putting up. As your best friend, she knows you better than anyone. That includes moments like these, when you’re minimising feelings out of fear.

“Babe, be for real. He has already met your grandma and she’s arguably a lot more important than your parents.” Holly states, taking another quick sip of her cocktail. “No offence to Alicia and Brad, but we all know your family is ruled by the little lady who already hates your boyfriend.”

You sigh. She’s obviously right.

“So, what’s the real reason you don’t wanna take him home?”

Glancing over at Eddie, who’s lost in conversation with the producers of your record, you suck your bottom lip between your teeth, wondering what to say to her. “Because I’m scared it’s all moving too fast,” would be an appropriate answer to the question, but then again that’s not entirely true.

Holly nudges your arm and you turn your attention back to her immediately.

“I’ve just been really happy in our little bubble these last few months and I’m afraid if we venture further out into the real world, we’ll lose that feeling.”

Raw, honest. It’s a scary thing to say, but Holly doesn’t judge. She never does. Instead, her arm makes way around your shoulders and she squeezes you lightly when your head rests against her skin.

“With the way the two of you look at one another, I bet my sanity that you’ll be together for a very long time.”

And you hope she’s right.

Eddie walks up to where you’re sitting shortly after, politely asking your friend if he could steal a moment alone with you. Holly of course agrees, saying something about finding Jeff ‘cause he looks mighty fine tonight and she’s a little buzzed, “If you know, you know.”. You watch with a smile as she disappears between the dancing bodies while Eddie sits in the now empty spot, casually placing a hand on your thigh.

“Having fun?”

“I am,” you answer and lean in closer to place a tender kiss to the corner of his mouth. “Even more now.”

He smirks at you. “I’m glad, baby.”

“Seems you are too.”

“I am.” Eddie nods, free hand now holding your jaw, as he leans in to capture your lips with his own.

The kiss is short and sweet, but like everything you and the rockstar do, it attracts attention from pretty much everyone in the room. A click of the camera, a flash of light. But neither of you care. Looking instead into each other’s eyes once you pull apart, as if you’re the only people at this party.

Even though putting a label on things wasn’t entirely necessary, it definitely cemented whatever feelings are floating within your core. And Eddie feels the same way. He actually feels a lot more than he’s willing to admit out loud. Partially because he’s always battled commitment issues, mainly because he’s really afraid of losing you.

Again.

Eddie Munson loved a good party.

This wasn’t always the case, since during his teenage years he was often excluded from every single guest list. Then he started dealing. Suddenly, the metalhead was a hot ticket, and even though people still didn’t care for his company, they liked the stuff he brought. And he’d be lying if he said he didn’t like the attention — as fake as it may have been.

Once Corroded Coffin made it big, and Eddie realised that people actually wanted to party with him for who he was, and not the drugs he had access too, (although, for some, it was a little bit of both), the rockstar decided he was going to throw the best damn parties Hollywood has ever seen.

It quickly became second nature. Make money, then spend it just as fast so other people can have a good time.

When the drinking, and other activities, got a little out of control, the guys tried to talk some sense into their friend with a little tough love: “Dude, those people don’t give a fuck about you! They only wanna hang out with you, ‘cause you’re rich.”. But Eddie was too far gone and he didn’t care to stop. His house was full of people every single weekend, most of whom he knew, and for the first time in his miserable life, the rockstar felt like the most important person on the goddamn planet. There was no way he was letting go of that feeling.

Then August ‘92 happened.

The evening started off as nothing special. Just another pool party to combat the unbearable Los Angeles heat. It was a common occurrence during the summer months, so Eddie didn’t think that night was going to be any different.

Surrounded by a group of girls that undoubtedly only want to get in his pants, he’s laughing at the unfunny jokes and taking advantage of the fact that he doesn’t need to refill his own drinks, the “groupies”, as Marianne calls them, gladly do it for him.

They’re brushing up against him and flirting with no shame while batting their lashes. Eddie usually eats this shit up. Matter of fact, he should be loving every second of it right now, but his focus has long shifted elsewhere, the girls a mere distraction from the actual object of his attention and desire.

From the corner of his eye, he’s watching you.

Jesus Christ. Eddie can’t believe you came. He can’t believe you’re actually here, at his house, seemingly enjoying yourself. And to say you looked fucking hot would be the understatement of a century. Splayed out on one of the lounge chairs, hiding from the sun, you’re wearing a white cotton blouse and skimpy denim shorts, and Eddie aches for his current conversation to be over so he can go and officially introduce himself to you — like he should have at the Grammys.

“Eds, do you want another drink?”

He barely registers the question, even with the girl who has her hand on his bare bicep, rubbing up and down rather seductively. Instead, the rockstar notices how you stand up and look around the party once, before walking in the direction of his big house. So Eddie thinks that now’s his chance, perhaps the only one he’d get, and following a quick internal monologue to pep himself up, he leaves the group of ladies disappointed, following you inside.

That was almost the last party Eddie threw.

You flipped this switch inside of him, one the rockstar didn’t even know existed. After that night, he no longer wanted attention from just anyone. Taking centre stage in his mind — and heart — was America’s favourite sweetheart. Even when he royally fucked things up, he only thought about you.

Though for a number of lonesome weeks, he wasn’t sure you were thinking about him since his actions proved nothing more than borderline douchey. So Eddie fell back into self-destructive behaviour just as fast as he scrambled out of it. The parties got louder, he became more obnoxious.

September 1992. Saturday Night Live.

That will be a night his band, his management, his friends, and even his fans, will never let Eddie forget. Unfortunately, for all the wrong reasons.

The drinks pre-show were free and Eddie had a mountain of feelings he desperately needed to get over, along with memories he wanted to bury deep, until they were nothing but specs of dust, flashes that didn’t resemble anything — especially not you.

He did his best not to slur his words during the live performance, and for the most part, he succeeded. Although that didn’t really matter since anyone in the rockstar's vicinity could clearly tell he was intoxicated. Eddie, leaning half his weight on the microphone, round sunglasses covering his bloodshot eyes, should have never been allowed to set foot on the stage that night.

Let alone twice.

Under the dim stage light, as they hoped to conclude their last song without a major incident, Eddie’s band mates were exchanging worried glances. The Corroded Coffin frontman had a couple more drinks in between sets and was barely able to follow along with the music.

Thankfully, behind the scenes, Marianne convinced production to shift the cameras away from unravelling Eddie, even switched off his microphone, and the only people left witness to his drunken mess were the folks present physically.

Eddie on the other hand couldn’t have cared less about how he was behaving since the alcohol didn’t numb him like he hoped, instead the thought of you being somewhere in the same city, overpowered his senses. Would it be crazy to hope you were watching? Would it be crazy to think that despite how rudely he treated you, you’d still show up like you both talked about?

Would it be crazy to try and find you? Search New York, high and low, in hopes that someone knows someone, who knows someone else, that knows where you live?

Instead, against his better judgement and everyone else’s rather aggressive protests, Eddie goes to the after party planned in his name.

Unsurprisingly, you didn’t come.

His black out was imminent.

The damages done to the restaurant came to just under five thousand dollars. The stress from keeping it out of the press robbed his team about two years of their life, so Marianne says.

And that was the last party Eddie threw.

Considering how out of control things had gotten, how out of control he had become at some point during the night while thinking about you with every drink that burned down his throat, it could’ve been a lot worse.

Eddie still only thinks about you. Difference being, now, almost a year later, you are attending a party together, and the alcohol no longer tastes like regret.

When he looks at you, like he is right now, under the fluorescent club lights, his heart increases tenfold. He wants to kiss every inch of your face, hold you close because that’s where you belong.

Things simply got better because he owned up to his mistakes and learned to open himself up to love, as scary as that feeling is sometimes. He’s not second guessing your intentions, because that would be cruel. He just loses himself in his doubts sometimes, since in the past, no pretty girl has given him the time of day without wanting something in return.

“I can’t believe you’re mine,” Eddie whispers against your lips, thumb gently grazing along your cheekbone. He proceeds to tell you how you make life a little more normal, and he’s grateful for it, despite always wanting fame. You tell him how attention is nothing if it doesn’t come from the right person, and he agrees, brown locks bouncing as he nods his head. Then he kisses you again.

And this kiss is arguably a lot more urgent than the last. Eddie is hovering over you entirely. One hand remains holding onto your face, while the other is on your waist, pushing you deeper into the sofa.

You can hear another click of a camera in the distance and despite your better judgement, that voice in the back of your mind, closely reminiscent of your Nana’s, telling you to push your boyfriend away, you slide your hands up his back and cling closer to him.

An inch of regret courses through your veins the following morning when you receive a call from your quite displeased team, “what the hell were you thinking?!”. You deflect. Unwilling for anyone to burst through the happy bubble you’ve found yourself in, you blame them for poor organisation and security ‘cause who even allows cameras to be brought into a private Hollywood event.

That regret is unfortunately also accompanied by a killer hangover and very little memory of what else has happened the night prior.

The empty spot in bed, usually home to a set of wild brown locks, should have been a warning sign ‘cause Eddie never woke up before you, especially after a party. You find him in the kitchen, at the spot where the two of you first met. His head is in his hands and you’re instantly feeling worried.

The happy bubble threatening to burst.

“Hey,” you croak, hoping to get his attention, “are you okay?”

Eddie’s as still as a statue. He doesn’t acknowledge your presence, or your question, and the worry in the pit of your stomach increases tenfold. So you approach him, movements slow due to the banging headache as well as the apprehension given your boyfriend's current position. Only when your hand hesitantly reaches his back, rubbing once downward while you position yourself next to him, Eddie lifts his head and tilts it to the side, finally meeting your eyes.

“Had a good night?” Eddie asks, shifting his stance so that your hand falls down to your side. This should have been a second warning; him trying to avoid physical contact.

“Y-yeah,” you force a smile, thinking that it’s needed, “You?”

“Not really,” he answers a little too quickly.

His brown eyes scan yours, for what exactly, you’re a little too hungover to realise. But the longer he stares at you, the worse you begin to feel. A certain dread spreads through your insides, causing your stomach to drop. What’s happening right now? Actually, what happened in the late hours of last night that’s causing this sudden rift between you and the rockstar.

“What’s going on, Eddie?”

The tone of your voice is so quiet, you’re unsure he’s even heard you. But then a sigh escapes his lips. He briefly glances towards the back door, out towards the pool, before settling his gaze back on your frame.

“I think we made a mistake,” he says a little too bluntly. “I-I don’t think we should have labelled this so soon, and ehm… This is nothing on you, sweetheart. I’m just not the relationship type.”

Dumbfounded, is a little too plain to explain the feeling that you’re experiencing at this very moment. Betrayed would be a better word, but that would mean Eddie is after saying those things. That he’s really after shattering your entire world in the space of a few mere seconds. Betrayed would mean your gut instinct, the one you have ignored ever since you’ve met the Corroded Coffin frontman, was always correct: he was no good.

Used, is how you begin to feel as Eddie continues to list reasons for why he can’t actually be your boyfriend and how you’re better off simply being friends with benefits, or whatever it is the two of you had been over the last few months. Used fuels the anger inside of you because, to you, deceit is worse than cheating. And he seems so nonchalant about it, which only adds to the fire.

“Are you fucking kidding me?”

Eddie stops mid another lame excuse and for the first time this morning, he reaches for your hands, fingers gently grazing against your skin, which only adds to the pain you’re beginning to endure.

“Sweetheart…”

“No, no.”

You retreat, unwilling to let the rockstar hold you since he’s after breaking your heart like it was worth nothing — Jesus H. Christ, this is some sick and twisted deja vu.

Instead, you cross your arms across your chest like a shield while taking a step away from the man you realised now you definitely loved, yet one that clearly didn’t love you.

“I-I guess I’m just confused as to what’s changed since last night—”

“I’m not the relationship type,” Eddie cuts in, repeating what he’s already said, “But that doesn’t mean I don’t feel anything towards you. I like you, sweetheart. A lot.”

“Eddie, come on,” you scoff, tears threatening to breach through the confines of their home, “Do you realise how ridiculous you sound right now? If you feel something towards me, I-I don’t get how being called my boyfriend and being exclusive with me is the worst thing on the planet.”

When he doesn’t immediately reply, you continue.

“Unless that’s it. You don’t want to be exclusive because the thought of keeping your dick in your pants when I’m not around is too difficult, or having other people throw themselves at you and not immediately act on it is something Eddie Munson simply cannot do.”

“That’s not it,” the rockstar interjects.

“Then fucking enlighten me, Eddie, because you’re making no fucking sense right now!”

Again, he doesn’t say anything. And it’s precisely because he’s not showing any willingness to be honest with you right this moment, after endless prior conversations about how that’s the one thing he will always be, you decide for your own sanity that this isn’t a relationship you can fight for.

“Fuck you, Eddie.”

Three words you’ve spoken to him before, only this time they hold a lot more weight. This time, they signal an end to something that was only after getting a proper beginning. The end of America’s favourite popstar and the Corroded Coffin frontman — a headline that broke on Page Six the very next morning.

Eddie watches you leave. Frozen in his spot as you rush back to the bedroom the two of you have shared the last few months. And his heart aches because unbeknown to you, this is not what he wanted to happen.

Unbeknown to you, this is not how he actually feels. He doesn’t want to end things with you so soon after they’ve begun. He wants you. He wants to be your boyfriend, if not more.

He just can’t.

Last night’s party was the main catalyst behind the rockstar’s actions this morning. The attendance of a certain someone that wasn’t actually invited was a shock to Eddie’s drunken system, and the reason behind why he simply can’t tell you anything, especially the truth.

(Not right now anyway.)

Chrissy Cunningham.

The preppy blonde was the only person Eddie loved before meeting you.

Despite not ever being anything more than friends, at least on a physical level, for the longest time, Chrissy was Eddie’s only supporter. The only person to show him kindness and shower him with care he undoubtedly deserved.

Chrissy encouraged Eddie to follow his dreams, pursue a career in music, because out of everyone in Hawkins, she truly believed in his talent.

Then she died.

Suddenly, Eddie was not only left with a hole in his heart, but he also found himself at the centre of a murder investigation. Despite being declared innocent, her death nothing but a freak accident, the scars on the rockstar’s body remind him of the events of March ‘86 to this very day.

He told you a little about what happened, just failed to mention Chrissy. Not for any particular reason, he just doesn’t talk about her as a rule — unwilling to reopen the wounds he so desperately tried to heal over the years.

And because he doesn’t talk about Chrissy, or mention her name and what she meant to him, Eddie never expected her to be brought up.

Especially not a Hollywood party of all places.

Eddie first spotted your grandmother mid-performance of the band’s single with you. She approached him shortly after, when you excused yourself to take some shots with Holly, leaving the frontman alone.

“Even I cannot deny that it’s a good song,” she states simply, as Eddie eyes her suspiciously.

“With all due respect, ma’am, I don’t think you were on the guest list.”

She scoffs. “Just like my lovely granddaughter, I can get myself on every single list I want, and even though I don’t necessarily want to be here, I do have something to tell you.”

Eddie cocks a brow, “Oh yeah?”

“Hawkins is a lovely little town,” she says, not missing a beat. “It’s quaint. Reminds me of a place I spent hiding my pregnancy all those moons ago, but that’s a story for another time. Or not. Depends how well you listen to me right now.”

“What do you want?”

“Does my granddaughter know about Chrissy Cunningham?”

Eddie’s face falls the second Chrissy’s name escapes your grandmothers painted lips, though he doesn’t get a chance to actually reply to the question, because she’s quick to continue with her agenda.

“I suppose not. Your uncle Wayne was really quite open to tell me about her though, about what she meant to you.”

She pauses, tilting her head to one side.

“I am sorry for your loss, Edward.”

Another brief pause.

“Yet I can’t help the curiosity, why didn’t you tell my baby about this girl if she supposedly played such a big part in you pursuing your dreams?”

“Don’t do this—”

“Do what, Edward? I’m just trying to learn more about the boy my naive granddaughter is willing to risk her entire career for. Again, your uncle Wayne was very helpful in this department, considering you practically shunned me from the dinner I organised for this exact reason.”

“Listen—”

“No,” your grandmother interrupts, “We both know you’re not good enough for my sweet angel and this entire Chrissy situation you are trying really hard to hide from everyone, only proves my point,” she snaps and Eddie’s feeling grateful that the place is a little too crowded and a little too noisy for anyone to hear what’s happening at this very moment.

“Edward, if you have nothing to hide, if you’re really innocent and played no part in the poor girl's death, why can’t the world know? Feel free to answer me, I’m just trying to get some insight into who my granddaughter has chosen to date.”

Eddie swallows his breath, unsure of what to say because it’s these types of conversations he’s been trying to avoid by not bringing up Chrissy.

Ever.

He didn’t do anything to the girl he loved. He is one hundred percent innocent, and the courts proved his side of the story. Yet, he’s been ridiculed and questioned left, right, and centre.

Only Max and Wayne know that the final reason as to why he’s decided to leave Hawkins behind for good, was to get away from the rumours and the people that didn’t believe him. And as he rushed to chase his dreams, he swore he’d never bring this up. Swore to never mention Chrissy’s name to anyone, or the fact that she’s been the inspiration behind numerous Corroded Coffin singles.

In a way, it was freeing. In Los Angeles, Chrissy Cunnigham was nothing but a figment of Eddie’s imagination.

Until this very moment.

“I didn’t kill her.”

“I know,” your Nana states, “But it wouldn’t take a lot to make people in Hollywood believe that you did and then your image is ruined, your career starts to decline, and the only other person that’s affected besides you and your bandmates, is the person you claim to feel something for. My granddaughter.”

Eddie’s heart sinks. He glances behind your grandmother’s shoulder to where you’re standing at the bar with Holly, laughing at something your friend has said seconds prior.

He’s happy with you. He’s happy to be known as your boyfriend.

And it’s because of that happiness, he knows he cannot ruin your life by involving you in something that happened before he was even famous.

“I don’t want to hurt her,” the rockstar mumbles in a defeated tone.

“She’s going to hurt either way,” your grandmother says, “But if you end things with her on your own, I promise to keep Chrissy’s name out of the press, so you’re only breaking my granddaughter's heart and not simultaneously ending her career.”

The metalhead hangs his head low, closing his eyes momentarily to try and gather his tipsy thoughts. His lack of rebuttal is enough for your grandmother to claim her victory. She places a hand on the rockstar’s shoulder and squeezes once, faking remorse.

“And Eddie,” she continues, “I wouldn’t tell her about this conversation, and I also wouldn’t be so brave to tell her about Chrissy yourself, because with a snap of my finger, the whole world will know. Then you gotta ask yourself, what’s more important? Your happiness, her happiness, or the careers you both worked extremely hard for.”

She lets her hand fall and walks out of the party with her head held high. Unseen by you and unnoticed by everyone else here, almost like a ghost. Like the conversion never happened.

But the ache in Eddie’s chest is proof enough. He knows what occurred, just like he knows what he unfortunately needs to do — which is break your fucking heart.

thank you for reading! really appreciate the endless & continuous support!

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& tagging some cool ppl that expressed interest: @eviethetheatrefreak , @thirddeadlysin , @haylaansmi , @nope-thanks , @tlclick73 , @vintagehellfire , @ashlynnkennedy , @avalon-wolf , @sidthedollface2 , @papillonoirsworld , @vol2eddie , @astheni-a , @bebe07011

#sorry this took a while eek.#also sorry she’s rather angsty #eddie munson #eddie munson fanfic #eddie munson fic #eddie munson fanfiction #eddie munson angst #eddie munson story #eddie munson x reader #eddie munson x you #eddie munson x fem!reader #eddie munson x y/n #eddie munson x female reader #rockstar!eddie x reader #rockstar!eddie munson #rockstar!eddie munson x reader #celebrity skin.

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