#she just want to see it closer

[judas-isariot]

I don't ship them in particulary (because they did not meet each other yet)

BUT when I theorize with a friend Marie is aro/ace and he said "what about Callie?" And we both said at the exact same time "She would be a nasty nasty girl" in a ways she would flirt really hard if she crush.

And this is how this scribble is born and if they meeeeeet, holala ! If they ever meet it would be fun.

[starrysharks]

winter assassin outfit

[angy-grrr]

spoilers for chapter 429

idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.

This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.

He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost? He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.

but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.

the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship. In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.

That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.

Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.

Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…

Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?

[bet-on-me-13]

Johnny 13 is the Black Racer

I like the idea that Danny would promote many of old rouges to higher positions once he became King, and this one seemed obvious to me

(I looked it up and apparently the Black Racer uses Ski's, not a motorcycle like I had thought he did. Either way, it works)

Johnny is promoted to be a representation of the Concept of Death. He uses a Motorcycle, and has Shadow make him look more intimidating when he is on the Job.

When Johnny complains to Danny that he isn't fast enough to catch any Speedsters, he has Ellie (the Speedforce) give him some of her Power so he can catch them.

So now Johnny 13 is the Black Flash.

Idk what to do with this, but I liked the idea too much to let it just go unsaid.

Thoughts?

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.

[bacchuschucklefuck]

love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest

[whydotheycallmechimney]

I find it interesting that hayley clearly sees the mikaelsons as her family and feels a deep sense of love and loyalty towards them, but she’s been consistently shown to be wary of hope being raised around them.

[bitchthefuck1]

you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.

There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.

[batcavescolony]

I saw a comment awhile back about Tommy Shepherd and how they didn't understand why Tommy didn't stay with the Kaplan's. they're such nice, kind people, and they felt it was wrong that Tommy didn't stay. but I can't help thinking that that was the problem. They were kind, they were nice, and they were everything Tommy didn't get.

Imagine finding out you're the reincarnated child of the Scarlet Witch, and your brother got reincarnated too! But you got shitty parents who don't care about you and didn't fight for you when you were being turned into a human weapon. Then you meet your soul twins parents, and they are kind and loving to everyone, even you, and you just can't help but wonder. Why did my twin get kind, accepting parents, and I got ones that couldn't care less? What did I do to deserve what I got? So I think the Kaplan's were nice and kind and loving, and everything that Tommy didn't get was just too much.

[kinoshi]

Basically, I bet you'll see

At first, I'm not quite what I seem

Every day is just the same

(Picking names, repeating faces)

Everything is show and tell

And things are played off somewhat well

Holding hands, we're rather bored

Nothing lines up anymore

The Chattering Lack of Common Sense

Это сигнатурка Недотеп в масках, я уверена

Just... accept the mask

Пыталась написать небольшую предысторию, но так как я не писатель то,что вышло мне не понравилось. Как к этому все пришло-история умалчивает.

[almondpants]

so i replayed dmc 2 (crazy, i know) for dantelucia content, and playing on lucia's side of the story is so crazy bc it's literally what dante has been going through throughout his whole life

when lucia found out she was a demon and that she could lose herself to that side of her it scares her to the point of wanting to die/to be killed, going as far as to tell dante and arius to kill her bc she doesnt want to hurt others which can be reflected with dante's own views of his demon heritage which is something he feels he couldnt control if he ever taps into it so he does rlly reckless things to cope with it

dante even secludes himself from people and forming relationships outside of trish and lady bc of the fear of hurting them. even with dante's very reckless behavior it can be seen as him self harming which says a lot about his mental health plus the fact that in dmc 2 hes carrying the weight of grief which makes it even worse as seen with him going to hell not even caring on how to get out of it

like both of these characters became reckless ppl when they find out that they have demonic powers and the fact they both cling to the their love for people/family says a lot about their characters

but heres the thing....what makes these two so good to see is the fact that dante comforted lucia and even validated her human idenity by telling her that "devils never cry" and i feel like this line truly stuck with dante bc of what Lady said to him when he cried (basically devils dont cry and u arent rlly a devil if u cried over a love one), its just 3 simple word and yet it holds so much meaning for dante and probably for lucia too which she probably needed at that moment showing how emotionally smart dante is...

dante and lucia's views on their demon heritage is such a good way for them to have a long talk with one another about their feelings and thoughts of being demons and how to control the urge and how protecting people is what makes them human but also feel like its their responsibility bc of their demon heritage....like i need capcom to write more of their relationship or maybe someone just writes it in a fanfic bc their dynamic has so much potential the parallels...the love they have.....it makes me go insane

[transmascutena]

thinking about how akio sees his younger self in utena and wondering if there's any fondness there. doesn't change the horror of what he does to her obviously but i do wonder

[mickeym4ndy]

One of my favourite things about Fiona and Debbie’s relationship is how it’s such an accurate portrayal of sisterhood when the older sister has always played the role of a mom.

It’s fine when Debbie’s little because she wants a motherly figure. But when she becomes a teenager, she just wants Fiona to be a sister and not a mom. You can see the roles start to shift. Up until then Debbie was the daughter and Fiona was essentially the mother. But at the beginning of the middle seasons as Debbie gets older, they become each other’s sisters. Debbie wants to be Fiona’s equal and to be able to talk to her about things the way sisters can without Fiona lecturing or mothering her.

But Fiona desperately wants to stop Debbie from making the same mistakes she did and to make her see things the way she does, because at the end of the day teenagers still do need guidance from adults. And there were no other adult female figures to do that for her. She can’t just turn off parent mode and be the sister Debbie desperately wants.

One sister having to play the parent role is often unavoidable but it can drive such a wedge between sisters, especially during the younger sisters teenage years.

[syn0vial]

NEW HELLSPAWN PLOT BUNNY JUST DROPPED:

KARLACH TEACHES ASTARION HOW TO RAGE

[rearranging-deck-chairs]

Hi hello I watched all of carmilla in a weekend when I was 17 because a student teacher who in retrospect I had a bit of a crush on mentioned that she knew one of the actresses. also I am pretty invested in all your recent vampire stuff because I watched iwtv in 2 days last week because your edit intrigued me

oh hiiii 🫶 thank you for indulging me. thats so cool that you watched iwtv! did it live up to the expectation?

i also watched carmilla at 17! or like, 17-19. i found it when s2 had just started and followed it to the end. did something permanent to my brain but i think it was a good thing. on rewatch now im like, i was right to like this. like it's a solid show, it's good. it has its flaws obviously but it's well written, the emotional moments still get me, i can see why i liked it and i still like it now even when it's not anymore, you know, meeting every need that baby gay me didnt even know they had

what it doesnt reaallyy do though - i dont remember if i posted abt this or if i left it in my drafts but - is explore vampirism as a concept. their subject matter is more lesbianism than vampirism. which is great! thats what they wanted to do and they did it and it's very good. but reading interview with the vampire the book rn im realising how much potential vampires have to be metaphors for like so many things and i started wondering like 'wait, did carmilla just not really engage with it or did it all go over my head'. but it just didnt really engage with it all that much. which again is fine bc that wasnt what they were doing. im glad they were more about the lesbianism than the vampirism

but there's this interesting difference in framing, because in iwtv they keep calling armand 'ancient' right? and emphasising how old he is. and he's like 500? and i was like 'wait isnt carmilla like 400?'. she isnt, shes 340, but still, thats getting there, you know? and we know quite a lot about her history, but kind of just the Big Events. when she was turned, the events of the novella, coffin of blood, silas. thats sort of what we know. but none of the long lonely slog of history day to day you know? with armand i feel like we can really feel how much time everything takes. how every one of those years is made up of single days. with carmilla i dont feel that as much. i keep kind of thinking about daniel, when louis calls him a boy in the first episode, saying "im an old man, with all the triggers that come with it"

because carmilla might look 18 (or mid twenties at this point) but she has lived all that time. shes also seen her native land be claimed by like a succession of ruling powers, right? like armand. shes been buried alive, like louis. when lestat is born, shes already 80 years old, shes lived a whole human lifetime, and the entire adult part of it shes been a vampire. shes lived through 1680-1870 being a lure. i compared her to abigail hobbs in some tags on a post, i dont know if youre familiar with hannibal the tv show, but i do also kinda keep thinking about that comparison

if youre not familiar, in the first episode of hannibal the murderer of the week is this guy garrett jacob hobbs who kills and cannibalises girls who resemble his daughter. and later on it turns out she was made to be his lure. like they'd go places and he'd sent her to the victims to make friends and maybe get them back to their home or smth. not sure if they specified all the details. but that's what carmilla did for mother. and in s2 we hear from mattie that while every couple of decades carmilla had to lure victims for the fish god, she also seemed to just enjoy humans between those times, right? like the doctor, gets lonely, gets a new companion. but we've only sort of got mattie's mocking word for it ("dont eat him, hes a poet! or her, shes got such a wonderful voice. or that one, shes just too pretty to ruin"), we don't know exactly from carmilla's point of view what she was doing or why. if mattie's talking about stuff that happened after the blood coffin, 1950-now, then i think it's a fair assumption based on what carmilla says in the s1 sock puppet show that after she'd figured out what the real situation was and what her role in it was, when she'd started trying to save girls from being sacrificed, that she mightve been doing the same trying to save people from becoming mattie's victims. it's probably more likely that she was just trying to find excuses to stop mattie from sucking someone dry rather than actually having like an aesthetic based morality. but it might be a bit of both. im still trying to figure out what her philosophy actually is, like i dont know what existentialism actually means ghkfjghkj but i will

i also found it pretty striking in the movie when shes turning back into a vampire she says like "this was supposed to be done, you know? the blood lust, the self-loathing, the sleeping tied to a chair in my own bedroom". thats what defines her vampirism, wanting blood and hating yourself for it (the third part is a joke/reference to s1 but also i think meaningful for how she sees her relationship with laura when she IS a vampire. little bit of that 'she will reject me for my monstrousness' shining through). and thats what defines vampirism for lots of vampires across the genre obviously, but i dont know, it struck me. we dont get a lot from carmilla's pov, we know a fair amount about her, but the story is always told through laura. we get laura's diaries, but just snippets here and there from carmilla, what shes thinking, how shes feeling

and i love that shes a philosopher. i love that thats how she seems to try and find something to hold onto, in a world that kind of moves around her, having been murdered, kidnapped, turned and groomed to be a lure on the cusp of adulthood, never having been properly loved (the relationship with her father wasnt good she says in s3, and her mortal mother i dont think has ever been mentioned (like laura's)). the only good relationship she seems to have had for the better part of 3 centuries seems to have been mattie, and mattie seems to love being a vampire. i can imagine carmilla just sort of going along with anything mattie wants to do just because shes so desperate for that friendship. not like, against her will necessarily really. but more like, she hasnt even had the space to develop her own will, you know? and philosophy lets you do that. philosophy gives you frameworks to understand the world and to develop your own opinions on it. and by the 21st century she seems to have developed those opinions, she has a sense of her own values, but shes also still stuck in that same situation. shes jaded and cynical in the face of laura's optimism and strong moral code a lot of the time in s1 because she feels probably pretty powerless. like she does what she can to save some girls but at the end of the day shes scared of her mother and she has nowhere else to go really, right?

i like how she grapples with that over the course of the series, in tandem with laura grappling with her black and white morality. she sort of jumps ship from her mother to laura bc theyve fallen in love, but then laura still stuck in her hero thinking refuses to see her monstrous side. not literally bc i think the biological vampirism never seemed to be a problem for laura, but morally. the having murdered. carmilla needs laura to see that and love her while seeing it bc the last girl she loved rejected her for being a vampire.

but you see her kind of swing back and forth in s2. she softens first with laura but then they break up and she leans back hard into the sarcastic cynic defense mechanisms, leans hard into "im a monster, dont expect heroism from me". but thats like, it's sort of learned helplessness i think. it's powerlessness, resignation. bc morally shes not a monster. maybe she doesnt have as strong a drive to help other people as laura does and is a little more selfishly hedonistic in that she just wants to enjoy her/their life, but she doesnt hurt people for fun, she never has. she just sort of didnt have another option for a Really long time. so she pretends she doesnt care. "im a vampire, this is what i do, this is who i am". but clearly from the way she talks about it when she turns back into one, she doesnt enjoy it

and i like how she goes even further in s3, where she starts swinging even more to the heroic side, bc she sees hope. shes like "wow if we kill my mother, i'd be free". theres hope and she becomes like a lot more active. and shes like that at the start of the movie too, a lot happier, a lot more relaxed, and then vampirism is back and bam depression gfhgkjh like shes immediately more gloomy, ashamed of her past and her self, retreats into herself

sorry i just took this as an opportunity to dump all the carmilla thoughts floating in my head on you. you didnt ask fhkghgjh consider this an open invitation to you or anyone else to come talk to me about carmilla

[sunmoontruth-stiles]

I need a completely rewritten teen wolf series with Derek Hale as the main character. I think it would heal me.