#she doesn't want them to be lonely.......

[raayllum]

Amaya's arc (S1-S5)

On the surface, Amaya can come off as a very flawless character.

She's a total badass, she's gay and pretty, she sees through Viren's bullshit (er, droppings?), she's kind to those in her employ, she's loyal and forthcoming, she loves her nephews and her sister, and she's not unreasonable in her elf prejudice in addition to letting go of it fairly quickly. She's also Deaf / perceived as disabled (noted here as many Deaf people do not view themselves as disabled) and, in addition to being gay, that can sometimes make people overly sanitize a character due to notions of disability making someone (particularly women) more 'innocent' or 'pure' due to infantilization.

However, I've touched briefly on her main flaw of being callous and dismissive in the past, and I've always wanted to talk more about Amaya's general arc, specifically in how she grows in empathy throughout the seasons. So let's talk about it

Just a quick disclaimer: S2 will not be really touched on as she only appears in two episodes, and they mostly serve as plot set up for S3 rather than doing any real emotional work or characterization for her. Cool? Cool

Cyclical Limbo

Amaya in S1 both perpetuates the Cycle, and she doesn't. On the one hand, like Viren, she's deeply concerned with the safety of the Breach, enough so that she's willing to return to it and delegate the search mission to Gren rather than insist upon undertaking it herself.

She hates elves and considers them monsters, much the way Claudia does in S1. In spite of a lifetime of fighting Sunfire elves at the Breach, she considers Moonshadow elves to be "the worst kind" of elf, like a monolith of loathing and fear (perhaps because of their sneaky ways or associations with death).

At the same time, she's not purely an antagonistic force to anyone. Corvus, her trusted tracker, offers Rayla a deal that shows reason ("Give me the boys peacefully and I'll let you go") and, more importantly, she foils Viren's plans to be king with her entry and reaffirmation in 1x04 and 1x05. This leads to him not having the throne all the way until two seasons later, and is undeniably a good thing.

So while Amaya is an ally to the boys and an antagonist to Viren, this plants her firmly in the middle, of both perpetuating the cycle and helping to stop others from perpetuating it. We see her increased antagonism with the Sunfire elves in s2 lean along the former vein as well.

Until of course, we don't, and we get to the heart of Amaya's arc:

Seeing Yourself In Your Enemy

This is most evident in some ways in season three and season five, with season four being an effective turning point in a dual sort of way. We see this most clearly in her bond with Janai, as Amaya sees a fellow warrior in her and that encourages Janai "to do the same" over warrior's honour. The show ramps this up in 3x07, as Amaya witnesses and comforts Janai through the most devastating loss in Amaya's loss: that of a sister.

A: When I was growing up, my big sister Sarai was the smartest, strongest, bravest person I knew. When she died, I felt lost and weak without her. I hated feeling that way, so I learned to be strong alone. Stoic, strong, and lonely.

From this point onwards, her and Janai are allies in going to the Storm Spire and in fighting Viren. It's worth noting that Amaya had no knowledge of or reason to expect finding the boys when she arrived there, so she'd clearly decided to throw her lot in entirely with Janai and her troops and fight "until the last [person] standing" alongside them.

However, Amaya's expanding heart and loyalty doesn't mean all her elf related biases disappear overnight (the same Karim's reservations about humans don't), and this is where we get to season four. Much like in season one, Amaya here stands in a limbo position. She's marrying into the elven royal family, but isn't aligned with all their traditions, most notably the full significance of the Soul Candle and initially foreshadowed due to the messed up proposal dance.

Amaya is at first solely on Lucia's side, which makes sense; Amaya is more practical than not, and this is part of the reason she can make quick and fast but strong alliances and see through Viren's bullshit.

However, her old flaw of being dismissive and sometimes insensitive also comes back.

A: What do you mean 'injustice'? All Lucia has done is put out a candle. And she was the one who was burned. K: She profaned a sacred rite. What would the punishment be in the human kingdoms? A: For blowing out a candle? Usually come clapping, followed by a slice of birthday cake. K: You see? This is the problem! Like all the other humans, even your wife-to-be thinks this is a joke.

That said, it's not as though Amaya is wrong; we are, of course, supposed to understand immediately as audience members that while what Lucia did was wrong, sentencing her to death over it is also wrong and to root for her to live (even if, at this point, she likewise doesn't think she's done anything wrong).

I think it's doubly worth noting then, her speech at the trial that she gives for Lucia, and about herself:

I came here to defend Lucia, but now I see that I cannot. She is not innocent. Prince Karim is correct: she had every opportunity to consider the pain she could cause, and she did not. She was callous. She was careless. She was cruel. And in truth...

She places herself in Lucia's shoes. This is her amends to Karim for her insensitivity, and an extension of both support and consideration for the position Jana is in, as well as a plea.

But all I ask is that your justice is compassionate. Death is not the answer. We gain nothing if we throw away the chance to learn and grow.

This is, of course, a lesson Amaya has learned personally, through her relationship with Janai — first as an enemy turned friend, then as a lover turned wife — but, of course, through her relationship with Rayla, which she first hand acknowledges in S5:

But her arc with this general theme of empathy doesn't stop there. Not only is there a nice piece of irony with Amaya initially not believing Rayla's assertion that she's alone (even when Rayla arguably does):

A: 'We'? How many of you are there? R: It's just me. I'm alone. A: Liar.

5x04 gives the two women a chance to talk and reconcile beyond that, with Amaya reminding Rayla that she doesn't have to be alone, and that she can rely on the people around her. Namely, the very nephew Amaya once attacked Rayla to protect.

A: Love and trust grow a kind of strength that is much bigger than we each possess. To have that kind of strength, it is not enough to love someone. You have to trust them to share the burdens you carry.

Likewise, this scene also brings Amaya's arc of seeing herself in others full circle, as this parallel makes plain, as well as it being a parallel that Rayla is not only able to acknowledge, but it gets through to her:

R: That does sound like me sometimes. [...] Thank you.

While Amaya can still be coarse and is undeniably clever, she's softer, more open, and more compassionate than she was two years ago. Elves are no longer monsters. People are far more capable of change, herself included, her adaptability to life and its sudden swerves in many ways one of her greatest strengths. Amaya is a warrior yes, but more than that — like her friends and family, the people she surrounds herself with — she has an even bigger heart, when given the chance.

[chefkids]

As much as I love sydcarmy, I really don’t think they’re going to become romantic. Especially after this season. If Storer really only planned for 3 seasons and had to split it into half, it doesn’t make sense. The show doesn’t have enough episodes to really develop them to where both realize their feelings (if they’re really there) and then be in a place to get together in a way that it doesn’t feel rushed

I don't think Storers big plan for this series is to leave Carmy in a miserable lonely place.

This season already set up a few things with Claire. Mainly that she does not seem interested in getting back together with him. She's a pushy person, she was not afraid to push him to be with her once. If she really wanted to she would have pushed again and talked to him to get him to apologize and be with her again just how she forced him to apologize on the phone for giving her a fake number. I think she's hurt he hasn't talked to her at all or apologized, but she does not want to be with him again. She told Tiff he basically said he would blame her if anything went wrong in his life. Which is really not what Carmy meant, and I think that will be part of their fight when he does apologize to her. She also told the Faks "it's done." when they were saying she's the peace and that he loves her and that she should get back with him to "take care of him because no one else does". I don't think she wants to be with him again and has accepted they shouldn't be together, and I think that will be the end of their relationship once he apologizes to her. I do not think Storer plans on making Claire his emotional caretaker. And the same goes for Syd. She's not his babysitter either.

She's running out of time to decide on her partnership offers. Which I think will be address right at the start of the next season and will be the turning point for Carmy to get his shit together.

This story is about family and found family, they have made that very clear and it has always remained true though out all the season. Sydney is stuck because she doesn't want to leave her found family, but Carmy is a toxic family member. Carmy left his family because of his toxic mother, but we've seen how Nat and her were able to rebuild their trust and come back to each other. Jimmy told him his mom wants to speak to him. He knows he's been avoiding her, but he will see her again, even if he doesn't fully forgive her for what has happened between them, I think Donna and Carmy will be on an okay place even if they don't stay close and speaking with each other. Which I think also mirrors Storer's relationship with his own mom that he has talked about.

We already know next half will be all about him rebuilding his broken relationships with everyone by apologizing to Claire and getting closure, fixing things with Richie, and reuniting with his mother. There has been evidence for all of these. And I'm sure finally fixing things with Sydney in the end will also be a part on the next season.

I think she will make moves to leave and tell him about the offer, and I think she will likely develop some sort of relationship with Luca. But we also know that he comes with an expiration date, he's only here for a few months. That was the set up, while Carmy was not paying attention to Sydney, she was getting scooped up professionally and personally. I really don't think her and Luca will work out long term. But I'm still uncertain about Sydney leaving The Bear. We know Jimmy was going to cut them off if they got a bad review, which is apparently what they got, and I think that might actually happen. I could still see The Bear closing next season and everyone going their own ways professionally, but remaining a family at heart.

That conversation about Legacy and family trees Carmy had with Marcus really seemed to me to foreshadow Sydney starting her own place and taking bits of The Bear with her and also Marcus perhaps starting his own place or going somewhere else. Carmy said he wants to leave behind something "panickless and anxiety free" and I do think he will get there in the end, but I think that might involve closing The Bear or at the very least him stepping away from it and handing the reins to Sydney. I think there was a lot of emphasis on his drawings especially from Chef Terry, and I think that will still play a role in his future and him pursuing his passions which might be beyond cooking.

I do not think this is all going to end on a sad and miserable note. If this part's theme was about funerals, Marcus's mom and Ever. The next will be about weddings. We know Tiff and Frank's wedding is coming. A big theme for Richie was the idea of him being alone/lonely. He's also very clearly starting something with Jess and I think that will continue in the next part. I think Syd and Carmy's "partnership", be it professional or romantic, working out will also be a part of these "weddings".

I don't think Storer is as stupid and oblivious as we sometimes think he is. He knows that Syd and Carmy have a crazy transcendental celestial bond that Claire and Carmy don't. He knew the implications of the Season 2 panic attack. As much as Season 3 felt like retcon to justify Claire and Carmy being true loved or something, he still doubled down on Syd and Carmy's invisible string, on her being his muse, and on her being his actual peace in panic attacks despite any lies Carmy tries to tells himself about it being Claire.

I think they will unambiguously break the platonic allegations by the end of the series. Will they have the guts to show us their relationship and partnership outside of the kitchen in the show beyond just them getting together at the last minute? Unsure.

I think he probably intended on ending the series with Syd and Carmy getting together at the last second. Especially if you consider John Hughes' Some Kind of Wonderful, which I do think inspired his Claire/Carmy/Syd dynamic, ended with them getting together and kissing right before the screen turns black. Which would honestly be a lame cop out and really quite offensive to Syd to not show their full partnership in motion after giving so much screen time to Claire/Carmy's romantic life and would only feed the people that will claim it's fanservice to end with sydcarmy.

I think that's what the ambiguity of there being a Season 5 or not is. We know the studios want it, sydcarmy is making them a lot of noise and a huge subset of people would love to actually see it play out on screen for more than 10 minutes at the series finale, but does Storer want to actually make a season about more than Carmy being miserable and show that people can heal and exist in a functioning relationships and a functioning kitchen and still be funny and exciting and entertaining? Who knows.

[moon-song-and-star]

@graveyardparade look what you've done to me.

They wrote a lovely post about how justifiable Riz's fear of being alone is as an Aroace person who's only seen financial stability in romantic couples, I'll link in at the bottom.

~~~~~~

Adventures end, and Riz is terrified of the inevitable settling down of his party. One day, the Bad Kids, all grown up now, finish a campaign and leave for separate houses, and Riz just knows it'll be the end. They'll fall apart, like Lydia Barkrock's party did, and he'll be alone. He fights tears tooth and nail that night.

Then, it happens like this:

Fabian's never not lived in a big ass house, why change that? So he buys that big ass house and immediately hates it. It's lonely. He stumbles through an awkward, fast confession style explanation of this to Adaine and both of them hear an invitation when it's over.

Adaine's living in a shitty apartment with Aelwyn. This Elvin Oracle gig still doesn't pay. Adaine loves her sister so much, but damn does that woman not take care of herself. She's ace and comfortably single, and she immediately agrees to move in. He's got a tower, come on, that's her thing.

Neither Fabian nor Adaine remember when Kristen decided to stay. Grown up though she is, she's still a fucking mess when her relationships end, so crashing the guest bed and crying about her ex girlfriend eventually turns into fully living there. Kristen remembers. She'd had thought that she'd never been happier, and started calling it home the next day.

Eternally stable mechanic Gorgug and his chill partner buy the more orc acessibly sized place across the way, and they eat dinner at the house Fig lovingly calls Bad Kids Headquarters, or BKHQ, nearly every night.

Fig and Ayda don't settle. Both of them want to travel the world, and Aydas got her nest in Compass Points already, but there's a door from the HQ that goes straight there, and they come and hang at least once a week. Fig has a bi-weekly jam sesh with Gorgug, and her room has a rad four poster bed.

When Riz gets back from his -admittedly a little time-fucky- undercover gig for Angel Dad, a guest room's been converted to an offic space. It's got one door to five places (Bastion City, Leviathan, Fallinel, home in Elmville, and Gravalvia in the Baronies, which Fabian thought would be funny) and another door to the conjoining room, also redone. Said room includes a second and third murder board, a desk, a fully stocked mini fridge for the hyperfocus hours and no bed. All the walls are decked out like a cat tower with plenty of places to obsess, theorize, scramble around, and hunker down when sleep finally comes to catch him. His friends smile at him when they tell him it's his. Kristen and Fig drag him around the rooms, pointing, and Adaine tells him about spell building with Ayda for the Howl's Moving Castle style office door, while Fabian grabs his suitcase and Gorgug mentions the Small size accessibility stuff they'd just finished installing.

Riz was wrong. As if his friends (no hey, The Ball, we're family, don't you know that by now?) sorry, family would ever give up on him.

Riz cries. It feels better than he thought it would.

Link to the post that inspired whatever the fuck that was:

[bairdthereader]

It's Imogen's turn now.

[I'll preface this by saying that I usually hate when tv or film adaptations of books add new characters, and I'm immediately biased against them when they show up on screen (hi, I'm the problem, it's me). I'll admit I felt that way about Imogen at first. But Alice is such a genius, and they wrote Imogen into the storyline in such a way that she feels not just essential to the plot, but also to some of the other characters' development. And to top it off, this girl gets one heck of a character arc. For this post, I'll focus on just one aspect of her journey: her gradual movement from loneliness to connection.]

At the beginning of season 1, Imogen is one of the few girls who hangs out regularly in front of the boys' school. On the surface this could look like a typical way to attract a boyfriend within a known and relatively safe group. But, unusually, she's never seen interacting with anyone else in any meaningful way, the first clue that this group might be all she has. The other boys in the group seem to engage her minimally, and only mention her in terms of her attractiveness and as a potential match for Nick. Compared with their indifference, Imogen can clearly see that Nick is a good choice--attractiveness and rugby king status aside, he's a kind and attentive part of their friend group, and she's known him a long time, even if only superficially. Cue an awkwardly aggressive pursuit that includes:

A lack of respect for Nick's privacy;

Nonconsensual touch;

Inviting herself into his life in public where it's hard for him to say no, then broadcasting an inaccurate relationship status to their friends;

And petty, self-protecting revenge for perceived rejection.

None of these behaviors are particularly pleasing to watch happen, especially when we know everything Nick is struggling with internally, but they are very typical of someone who desperately wants connection but doesn't know how to achieve it in a non-superficial way. Imogen is genuinely fond of Nick, and even amid all of the obnoxious but socially acceptable ways she tries to hold his attention you can see glimpses of that fondness and care (letting him off the hook when he clearly doesn't want to say he likes her back at the dance comes to mind). The fact that she still pursues him the way she does doesn't make Imogen a bad person; it shows us she’s a lonely person, particularly vulnerable to the currents of peer pressure and expected societal norms, long before she admits in season 2 that she doesn’t actually have that many friends.

And then, we get the hugely important conversation in the park with Nick (and Nellie, the emotional support dog we all need). It must be said that Nick is choosing to share a really complex part of himself with Imogen here; he could easily have left it at “I don’t like you like that.” But instead, he takes this moment when Imogen isn’t distracted by posturing or fitting in or flirting to tell her what’s really going on in his mind. On some level, he trusts her with this truth—not the whole truth, obviously, but a big part of it—which tells us he recognizes that beneath her façade Imogen is a caring, trustworthy, and kind person. Naturally most of the focus in this scene is on Nick, but this talk also marks the beginning of Imogen's journey toward authenticity. It starts with the realization that she feels at least some of the same things Nick is feeling about being afraid to change and not fitting in, followed by a shift in her perspective on Nick himself.

Once Nick is no longer a romantic prospect, there's room for her to consider him as a whole person and a true friend, not just someone she "hangs out with every morning." She can begin to see and value the things about him that are intrinsic parts of his nature, rather than the outward trappings of just a datable boy. Imogen can let down her guard with him because he let his down with her first. She can give more of her true self to this friendship because Nick has no expectations of her beyond that she be kind and be herself. There are no popularity points to earn, no hoops to jump through, no fear of rejection. So now, she protects him from the scorn he might have received from their friend group by saying the decision not to date was hers. She begins respecting his personal space. She cares for and observes him on a deep enough level to understand at least a bit of what is happening when Nick takes Charlie off the field at sports day. She’s learning what it is to both be and have a real, authentic friend, maybe for the first time. This helps her to view other people in her life through this more discerning and nuanced lens as well.

Clearly Nick has grown to appreciate Imogen's friendship on a deeper level too, since she's the first person from his old friend group he really wants to come out to and tell about Charlie, so much so that he and Charlie make a fairly elaborate plan to create a safe space for him to do so. The sleepover at Charlie's house is another quiet watershed moment for Imogen, because Charlie's friend group welcomes her so unreservedly. They might be a little surprised to see Imogen there, Tara and Darcy may have not had the most positive feelings toward her before, and the rest of them might have some lingering reserve based on her attachment to the Harry cadre, but... They put all of that aside and draw her in with warmth and enthusiasm, partly because that is just the kind of lovely people they are, partly because Charlie and Nick are implicitly vouching for Imogen, and partly because when Imogen lets her guard down, when she's not trying to impress or flirt or maintain a certain image, she's quite lovely and fun herself.

Nick has been making a parallel journey toward connection and true friendship, but in a slightly different way. While Nick actively seeks points of connection by using his emotional intelligence and intuition, Imogen journeys into deeper friendships by enjoying the genuine kindness of the people in Charlie's friend group enough to be herself around them. She realizes that there are people who do like her just the way she is--a novel experience for her.

Of course, this is a gradual evolution for Imogen, so it doesn't all change overnight. She still spends the bulk of her time with her old friend group, who often leave her alone, and her ever-present desire to be liked and loved draws her into a relationship with Ben, who uses her in the worst way.

When she begins to suspect that Ben cares less for her than he should, that perhaps he’s even using her to get at Nick and Charlie, she starts to pull away. She recognizes that her true wants and needs are speaking more loudly than the old desire to have a boyfriend or to be part of the more popular group. She’s listening to herself, finally.

She starts spending more time with Charlie’s friend group, with people who appreciate her sunshine personality, her quirks, her big smile, who listen to her problems and give her honest advice. People whose company she enjoys on a complex level.

Once she has people in her life who accept her the way she is, Imogen can finally begin to accept herself, see herself, and value herself. Which leads us to this truly phenomenal moment, Imogen’s catharsis, her break for freedom from not only Ben's manipulations and toxicity, but the suffocating pressure of being someone she's not.

This must have been simultaneously liberating and terrifying for Imogen, but now, when she has to be brave, she has true friends to bolster and support her. She's not alone anymore.

And then, then, we get Imogen's final layer peeled away, the moment when she looks deeply enough into her true self to see this:

Imogen's self-realization is so powerful and, I think, just beginning. We are ready for season 3 Imogen.

[bengiyo]

Marahuyo Project Eps 7 & 8 (Finale) Stray Thoughts

Last time, the kids struggled to pick a name for their LGBTQIA+ organization while discussing their strategy before the school board. They eventually decided to focus on connecting their hopes for the island's future with its past, and set about researching. Archie gave Venice some files from the church, Lorie looked through files her dad had, and Ino suggested interviewing people after providing equipment. We learned that Archie is struggling with the path to holy orders (manifested in his neck scratching), Ino said aloud that he was gay and kissed King, and Lili is probably intersex. Each of our our kids is holding confidence about this. Lili read Marco for filth, read him for blood, but unfortunately we left at Marco outing her.

Episode 7: Aswang

You know King isn't the violent type, because some of my people would have curb stomped his ass by now.

Oh, Ino. I understand.

Okay, Lili's story is so sad and lonely. I'm glad she told Lili before this.

Oof, Lorie was not ready for the friends to lovers kiss.

That was difficult, but King is right. He shouldn't ask Ino to come out, but it doesn't stop him from getting hurt.

King's grandmother is great. It's making me sad that Ino has no one else to talk to after that.

Wow, Marco is really doubling down on being an asshole.

I appreciate this show now disguising the kinds of casual homophobia you run into.

It's hard to recognize when you need to give someone you love space when you want to help.

I do like the idea of them reclaiming the balagtasan as a way to present their ideas to the island.

I knew it was Ino who graffitied the mural.

Gay people really will turn their relationship problems into a public spectacle.

This poetry is beautiful.

Oh, Ino, I'm proud of you.

My boy is bleeding!! Marco, it's on sight!!

Man, what a concise breakdown of how it feels to know your truth and have your caregivers try to stifle that in you for the sake of appearances.

Episode 8: Babaylan

Ino and King opening up old wounds.

Yes, King, tell your mom. Shame is learned at home. A kid can face the world if they're safe at home.

I love King so much for not sugarcoating how bad public scorn can get.

Swimming at night is very dangerous, but I'm always happy to receive an underwater kiss BECAUSE IT STILL BELONGS TO THE GAYS.

Oh good. Lorie and Lili are finally talking.

See, this is the thing about doing queer media versus making QL sometimes. Apologizing for loving someone is such a queer experience. Your love isn't something that you should be ashamed of, and you shouldn't have to apologize for caring a lot about someone.

This feels like the right place for these two as friends to possibly more.

Oh shit Lili got me when she held back tears at getting best friends.

It really is exhausting how hard authority works constantly to police and enforce heteronormativity. There are so few of us. Why is it always this constant bullshit?

Oof, I actually like this choice to have Archie vote to impeach Ino, become the new president, and then immediately return to the site where they honored Christina to cry about it. Venice understands that taking care of other queers is a long term project. At least Archie said her name.

Many of my beloved elders have passed. I wish I could talk to them sometimes. Especially Barry.

I love that Venice is eating in almost every scene.

Hey! They finally picked a name!

I love how homophobes talk about history, and then storm out when confronted with uncomfortable truths.

Crying over these outfits. They're so right. Formal acceptance by the status quo doesn't erase our existence, or the bonds between us. We will make space for ourselves and those like us.

Oh, Archie. I understand you, too. I hope you find peace with yourself and others.

I love Sue Prado, but does the mom really deserve to be here? I'll accept them trying to extend grace to struggling parents since Grandma has been with them the whole time.

This march works though. Before it was only three of them. Now look at them.

A post credits scene! Wait, I love the idea of Juvy and Jose going to visit them!

Final Verdict: 9.5, Finally Some Good Fucking Food. I am just so relieved to have another show from JP Habac. It's clear he and his friends have such strong ideas about where queer people fit in our society today, and I love that his work is never about defeating homophobia and is instead about connecting others to queer joy. Despite how this show stirred up all sorts of old hurts in me, I feel so much love for these characters, and I'm so thankful that I can point to a show with a wide spectrum of queer experiences delivered in such a beautiful package. It's so rare to see a show treat the closet seriously, and I will be thinking about this show forever, alongside JP's previous work: Gaya sa Pelikula (aka Like in the Movies).

[inferno-0]

Kaiju cuddle session, with Godzilla, Mothra, Kong, Rodan and Ghidorah? 👀

Embrace / All Kaiju x reader /

────────────────────────────

Sorry for the English

And I also got a little burned...

────────────────────────────

Godzilla

* Your hugs happen quite often, as our big guy happens to be too needy. The struggle does not give him any pleasure, except for scars and bad memories, so he has to look for peace. If before he was just dozing in the colosseum (in the temple before destruction), now this Titan automatically begins to look for you in order to snuggle up to you. Basically, this is already an everyday part of the day.

Sleep in an embrace.

The time when he can put his tail on you and smell your scales. If you are a human, then his paw comes into play, which presses you to the muzzle like a plush toy.

Mothra/Mosura

* This is the lady whose touches are gentle and affectionate. Despite its size, it still manages to somehow snuggle up to you. He loves to do it to death and never refuses. Her chirping turns into a quiet and rhythmic squeak as your hands bury themselves in her fluff.

She becomes the most timid at such a moment. Her forelimbs try to touch you as gently as possible and hold you close to them while her antennae cover your back. If you are a Titan, then it effortlessly, but still gently warms itself with your body. If you are larger than it, then it will definitely sit on top of your head.

Rodan

Lord, he is the hottest hug of all listed. Although his impudent temper sometimes prevents him from doing this, if only jealousy can play its cube and make him come to you to get your whole body. Sometimes he can do without it in case of a depressed mood.

This Kaiju's body is very hot, but I think he knows how to control the temperature. Or just cool down, after a long stay in the volcano.

He never refuses if you offer a hug, it's just that when Rodan himself is thirsty, then it is difficult to ask, as mentioned earlier.

King Ghidorah

All three want them in their own way. Ichi and Ni are just splinters waiting for your offer. They never ask you themselves.

Only if Kevin doesn't get away from your body and pokes you in the stomach all day.

His brothers, let's say, don't really understand the meaning of this gesture, although watching San purr relaxed under your touch encourages them to do the same, and it annoys them. But these two still get what they want, despite their nervousness and pride. Sometimes they can do it silently, without any negative actions, which, roughly speaking, surprises you.

King Kong

Your hugs are very long and strong. Kong at such a moment treats you as something fragile and cute and he tries to make it as good and pleasant as possible for you. He is also a lonely warrior, but wiser and more understanding. His embrace is something dear, it is not just a touch of the body, but a deeper feeling. Let's say, Intensive.

Kong at such a moment will silently enjoy such moments and try to put all his emotions into them and feel yours.

This is not a Titan who will proudly deny his love for this physical attention. Kong, on the contrary, seeks and craves it. And you are more than a suitable person (Titan?) who can give him what he wants.

────────────────────────────

[incandescentflower]

I finished Wedding Plan. The ending actually had a similar vibe to me as Bad Buddy. It felt real in a way that these endings often don't - where everything doesn't necessarily get tied into a bow, but there's some hope there that Lom's mother will continue to grow to understand her son. It was really moving how she seemed to get it - that her son's reactions and what he had told her about himself meant that there was a risk of him leaving her life the same way Yiwa left her family.

Thanks to @lurkingshan for the push to watch and also some of the challenges to my reactions. Some of the things you said made clear to me that Lom is inherently the more vulnerable one in this, which was not how I was reading it. But if I step back and think about their situations on the face of it, that would absolutely be the case. I think the show focused so much less on his pov in the first half and so much more on Nuea (and the risks for him emotionally and professionally) that it didn't exactly feel like they were playing it that way. But once they were more open with Lom's pov, it was clear that was the intention.

In the second half Yiwa explains that Lom is actually more isolated than she is, that he is more controlled by his parents, that she wanted this more than he did because she can use the marriage to get her freedom - all things that were very unclear earlier.

Lom says he wishes he was braver and had explained the situation sooner only after Nuea leaves town. I didn't read his avoidance in telling Nuea earlier as fear or understand what he was afraid of. This became so much clearer when Nuea said he would continue to be Lom's wedding planner. The relief Lom felt finding out his situation wasn't going to end what they had together was palpable. They way he cried in Nuea's arms was heartbreaking.

I've been thinking a lot about how his relationship with Yiwa is so important, but it was framed as kind of them against the world. So when Marine came into the picture, I'm sure Lom was so happy for Yiwa, but it meant he was a little more alone with it all.

Early on Lom asks Nuea if he's lonely and now I read that as him expressing his own loneliness, but I didn't in the moment. I think the show could have spent more time giving us a little more glimpses into Lom in the beginning and his loneliness in particular. I think it would have made it easier to empathize with him sooner since I didn't seem to be the only one with that problem.

Still, what they gave us when they gave it was really affecting. It was really a beautiful story of love in so many ways. I'm very glad to have watched it.

As an aside, one of their songs is also Achi's love confession song from Cherry Magic Thailand and it was sweet and a little jarring to hear it so often for them haha.

[chipistrate]

Gregory and Vanessa saving Cassie after RUIN but in the process also saving the Ruined animatronics and taking them to Vanessa's storage shed and fixing them up with whatever usable stuff they can find in the Pizzaplex or laying around in the shed and making the shed like the animatronics comfy little home that they all visit in their free time and it's like silly family yknow

Doubles as the animatronics home and also a work place where 3 star fam + Cassie plan how to trap Mimic again

Family time AKA let's plan how to destroy this really fucking old endoskeleton that just refuses to die

[uselessnbee]

what i wish people would also explore more when it comes to Percy is the other side of his feelings about his mom about family and his childhood but this fandom is too afraid to paint Sally even in the slightest bad light (even if it's not bad just acknowledging her flaws because she's a human being and not perfect) that no one will touch on that subject. like yes Sally is the best mom but she also isn't and that's the thing! She isn't perfect! but she tried her best but her best still got Percy hurt and it isn't her fault at all but that's the tragedy of it. i want Percy's feelings about this explored. how he grew up with a loving mom but an abusive step father. how his step father would humiliate him and call him stupid but then his mom soothed him and told him he's not the things Gabe calls him. how Gabe would hurt him and Sally would be there to make him happy and loved but at the same time she stayed with him. i want Percy's feelings explored about how he knows his mother loves him but her absence still hurt him. she would work so much to have money to raise him she did that for him but at the same time it meant Percy was left alone or with Gabe. Sally gave up so much for him, she sent him away to protect him but at the same time he was sent away from his mom. she's the only parent he has because his father is absent and Gabe is not actually a parental figure at all but she's also often absent in his life too and that must have left him with such mixed feelings because it's not all black and white! Sally's love protected him but also hurt him. Percy loves his mom so so so much but there's also this deep-seated bitterness and hurt and anger he never let himself feel and then the guilt for having those feelings because his mom loves him he knows that and she gave up so much for him and she married a monster that abused her to protect him, he knows that but it doesn't make it hurt any less. the mess his emotions are because he knows his mom suffered for him and did it from her love for him but he still desperately wishes she never married that monster that he wouldn't have to have the childhood he had with him that he wouldn't have to live with the trauma he was left with. this all is exactly what makes their relationship so fascinating and also heartbreaking.

or the idea of Percy having weird mixed feelings after Estelle is born because that's his little sister and he loves her with his whole heart and would do anything for her and wants only the best for her but there's also this little jealous monster deep down that wonders why she gets to have a loving mom and a loving dad and a happy normal life but he never got that. why does she deserve it but not him? why couldn't he have that too? doesn't he deserve that too? he was just a child too so why why why??? and then the guilt of feeling that way too it makes me want to scream. emotions are fucking messy and they can be really ugly and they can make you hate yourself and there's no way Percy's feelings aren't a mess when it comes to this and i want to see it explored so badly!

and with Sally too! her feelings about Percy because she did so much and tried her best but sometimes unfortunately your best isn't good enough and it still got her beloved son hurt and she hates it and feels so guilty but she just has to live with that but she can't help to wish it was different. that their lives would be different. better. normal. she can't help but to wish she didn't have to do the things she's done, didn't have to suffer so much just to protect her child. can't help to wish she didn't have to worry so much, didn't have to be so scared about Percy, didn't have to be terrified that one day he won't come back home to her, that she won't be able to hold her son anymore because he will be gone, she just wishes he didn't have to suffer so much, she just wishes and wishes and wishes

and i just wish people weren't so afraid to explore this because it's so heartwrenching and yes if you want something do it yourself but unfortunately i cannot write nor am i able to handle this topic in a way it deserves so i am left only with rambling about it on here thank you

[bacchuschucklefuck]

"friends of lava" new lgbtq+ euphemism

[uncanny-tranny]

I always think it's funny that a terrible life is one where "you're alone with no lover and you will only have the company of cats to keep you scarcely tethered to the real world.

Like... don't threaten me with a good time. That is a dream to me

[retributory]

when you think about it clive and flora are actually perfect narrative foils on complete accident. like what's up with that. professor layton and the completely imagined literary devices

[fluffs-n-stuffs]

More Pokémon Horizons Episode 25 spoilers under the cut!

As much as I laughed from how this played out like an unintentionally comedic moment---can I mention how much this actually does to separate Amethio from the rest of the Explorers; how he's actually honorable and respects Friede as a rival of sorts?

The rest of the Explorers tend to use underhanded tricks to get what they want (Spinel brainwashing Liko and attempting to wipe her memory, Onyx and Sango trying to overwhelm the others against direct orders whilst causing the destruction of everything else around them), but Amethio has been unique in how he's regarded as 'by the books' (by Friede) and constantly tries to be on equal footing with his opponent- even if it means putting himself at the disadvantage when he has more resources to utilize.

He could've very easily overwhelmed Friede by having both of his mons attack at once (given how Captain Pikachu hadn't arrived yet)---and yet he- doesn't. Which is just so interesting to me as he's meant to have a similar goal as the rest of the Explorers (which is to retrieve the pendant/Terapagos by any means necessary).

So in this case, was it really a matter of defeating Friede so that he could easily confront Liko afterwards,,, or,,,,, was he trying to prove himself somehow? 👀✨✨✨

[red-moon-at-night]

I keep thinking about yonah meaning dove in hebrew and the idea of kotoko viewing herself as a symbol of peace and salvation....... I'm so *crosses one leg over the other and leans on the table with my elbows, cupping my chin with my hands and batting my eyelashes* it's just so intriguing y’know

[starfoam]

//I really do want good things for Lo but it also occurs to me that, given the mental and emotional place she's in right now, she could probably be fooled by a bad guy flirting with her a little bit all over again

[siriuslynephilim]

you ever hangout with someone and their company is actually much worse than being alone?