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"just as I did, in 1983."
you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable
#my art#interview with the vampire#iwtv amc#iwtv#armand iwtv#daniel molloy#armand#armandaniel#devils minion#drew this before the finale but idk maybe this is during the unspecified amount of time between armands divorce and daniels press tour#the titian painting doesnt fit at ALL with the timeline btw#i THOUGHT it did bc i assumed 1508 was when armand was turned into a vampire BUT upon reflection thats more likely the year he was born#and even then the painting was made in like 1510 so fuck me i guess. also im foggy on when armand was taken to rome#idk man i havent read the books and i failed art history on two separate occasions i cannot endeavor for accuracy#anyway as much as i love 70s/80s devils minion i have equal love for old man daniel#his cynicism has been tempered by time... refined like a diamond... he dont gaf and bullies his loser vampire and its hilarious#like ''sure yeah fine all these old italian renaissance guys saw ur ethereal otherworldly beauty but literally anybody can see that''#''IM the only mf who gets to experience the incandescent joy of seeing you be a messy idiot''#sidenote trying to make armand look unflattering is impossible u can blame the show for casting the worlds most beautiful man
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ok stupid question my bad
#ace attorney#is he joking or is he serious? this is the power of autism.#sorry if its hard to read i thought about posting them as separate images but it it just didnt have the same impact i wanted#the amount of times ive drawn just stupid comics making fun of edgeworth im sorry guys#id in alt text by wright-phoenix. thank you
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Need guidance from a professional Psychic? I have read for thousands of clients from all over the world. I have limited availaibity today. Lock in your session now.
#psychicmedium#psychicreading#psychic advice#separation readings#love readings#witchyboutique#witchy#witchcraft#witch community#love reading#tarot community
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take me home, country road
[ao3]
You have nothing on your person apart from a hastily packed suitcase and the dress you came into town wearing, on the run from trouble back home. Too bad John's missing a bride that matches your description. Or: the 1800s (mistaken) mail order bride au (chapter 16 + 17) tw: violence, injuries, and misogynistic language
first chapter >> last chapter
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Sinking into fear is the body’s natural response. You let it envelope you without putting up a struggle. It wouldn’t be one that you’d win anyway. Resistance already leaks out of you like tar, pooling around your quivering legs.
It makes you feel lighter than air, almost buoyant; and conversely, heavier than lead.
You can’t feel the cold metal of the gun through the layers of fabric separating it from the skin of your back, but you can feel its weight. And you can imagine it burning into you, burning a ring into the flesh, the muzzle leaving faint depressions behind, circular indents.
“Don’t feel so clever now, huh?”
Fear chokes as well as it binds. When the man you remember as Graves (appropriately named, you think, the gravity of the situation sinking into you as well) drawls the words into your ear, any moisture in your mouth dries.
“Well?” he prompts, shoving the gun harder into your back, almost sending you toppling into the shelf still in front of you obscuring you from sight. “Got anythin’ to say?”
You open your mouth but nothing comes out.
“You a mute, girl? I know you ain’t deaf since you heard I’d been sniffin’ around lookin’ for ya. ‘Least I’m guessin’ you did, since you managed to give me the slip for the whole time I was in town.” He sniffs. “Took me a while to find out you were shacked up with the sheriff. Hiding in plain sight. Couldn’t believe I missed ya when Sheriff Price was damn near the first person I met in this two-bit town.”
You finally muster up the nerve to speak. “Y-you’re making a mistake.”
The furled upper lip is audible in his voice. “I’d try not to piss me off too much, sugar. Lyin’ just rubs me the wrong way is all.”
“No, you—you really don’t—”
He shoves the gun harder into your back, making you wince. “Now, I know you’re a slippery little bitch, so I’ll level with you, alright?” Graves murmurs, pitching his voice low to ensure that only you hear. “You make so much as a peep—so much as a fuckin’ whisper—and I’ll shoot. Wink and I’ll shoot. I am dyin’ for you to give me a reason to go with the better half of the dead or alive question.”
There’s no point in lying. It might’ve worked had it been anyone but the man holding you hostage; not a man as stubborn and mulish as him. You nod when he asks if you understand.
“Now get to steppin’.”
He doesn’t tarry long, leading you out of the shop with a hand on your shoulder and . You stare at Miles with mounting horror, wordlessly begging him to look up from the ledger open in front of him on the counter. Your prayers go unanswered though; he doesn’t so much as glance towards the door before it’s swinging shut behind you.
“Remember,” Graves says in a low voice as the two of you step out onto the porch, “not a word. I will shoot anyone that tries to interfere.”
That kills the impulse to shout for help.
The thought of letting Graves take you away without voicing so much as a single plea fills you with horror, but you can’t see any other way out. He walks you through the streets like an old friend, the pistol still wedged into your back obscured by his coat. No one seems to notice the wild look in your eyes or the strained edge of your smile.
Your behavior infuriates you. Demural and soft and wretched. You’ve only allowed one man to put you under their thumb; only one has ever earned the right.
The thought of your husband is an ache in your chest that doesn’t abate. It thumps with the terrified flutter of your heart. You half wonder if he’ll suddenly appear from around a bend and wrench you into his arms, gun already drawn and aimed at the man attempting to take you away from him.
“My husband—” you start, tripping over your words. Almost tripping over a rock as well since your spine is too stiff to let you look down at the ground while you walk. “—He can—he can pay you.”
He laughs, a nasty, mocking sound. “I’m sure he’d like to, sugar. Jus' ain’t sure he’s got the cash to pay your price.”
“At least let me ask—”
At that, he jams the gun violently into the small of your back, making you wince agaun. Petrified. Sweat sluices off your brow and drips down your face. “What part of shut the fuck up don’t you get?”
That silences you. Hard to muster up the nerve to retaliate with a gun lodged against the base of your spine. Still there’s so much that bears asking. Why did he come back? Why here—why now?
The town takes on a dull, listless quality as he steers you away from the more crowded areas. It’s almost like looking through muslin; a veil between you and the world.
Your eyes dart from person to person as they pass by in the opposite direction, but even those that bother to meet your gaze only smile politely, a couple passing gentlemen chirping, “Morning, Mrs. Price” before sweeping by in a hurry.
None question the wild, frantic glint in your eye, the look of a horse about to bolt. If they paid you more than a moment’s notice, they might, but even the lady who frowns curiously at Graves, his hand still resting gently on your arm as if he were an old, dear friend, abandons her momentary curiosity when her companion says something of interest, pulling her back into their conversation. The flicker of hope in your belly dies a soundless death.
There’s something almost phantasmagorical about the entire ordeal. Almost like it isn’t quite happening, like you can’t quite make yourself believe that this is, in fact, real. Like you’re watching from outside of yourself. Though you can see the wooden facades of the nearby buildings and smell the scent of hay and manure from the livery stable, it doesn’t resonate within you as real.
He meanders through town with you stationed in front of him. A meat shield. Collateral damage. Simply by the way he maneuvers you through the crowd, he reduces you to a body, stripping you of any semblance of personhood. You’re less than meat to him, less than human even—no more than a meal ticket.
When you muster up the courage to open your mouth the next time someone passes you by, Graves’ hand slides up to your shoulder and he digs his fingers into the bone. A warning.
“If you think I was kiddin’ before, just try me,” he sneers into your ear, thumb pressing into your shoulder blade until you wince.
Again, his voice dispels any thought of getting someone’s attention.
He doesn’t lead you towards the train station like you expect. Instead, he heads to an awning beneath the saloon on the periphery of town where a couple horses are leashed to a post, waiting for their riders to come untie them. The roof of the awning is strung with a dense cluster of overlapping cobwebs. A spider scuttles across the web and into the dark inner recesses of the canopy.
This far from the center of town, there’s hardly anyone. When you give your surroundings a quick glance, you can’t find a single other soul within earshot, only a single man pushing open the batwing doors on his way into the saloon. Then you’re alone again.
A tawny gelding chuffs when Graves approaches. When he suddenly unhands you, it doesn’t click until he’s several paces away from you, running his hand down his horse’s neck and rifling through the saddlebags, emptying the contents of his coat pockets into them. You have to glance down at your shoulder just to be sure. He sheathes his gun as well, tucking it into the holster fixed to his belt.
“Bought the horse off a drunk three towns back,” Graves explains while loading up the horse.
You don’t respond, still unsettled. It’s the first time since he led you out of the general store that his gun hasn’t been aimed at you. It wouldn’t be practical for him to dress and load the horse one handed. The sun beats down on you, burning the top of your head. This could be your moment—a moment to scream or run away.
But you don’t. You don’t scream and you don’t run because you are, above all else, a coward. Through and through. You’ve been running from your problems for months now, leaving someone else to take care of the mess you left behind.
Fear paralyzes you; it makes you think too much or not at all. Even now, with Graves giving you the perfect opportunity to turn and run, you can’t stop thinking about the potential consequences. What if he were to shoot you? What if he were to haul you back into town and expose your sins to everyone who gathered around? What if the people in town that have come to see you as one of their own were to gather around your crumpled form and stare at you with vitriol and disgust?
“How did you—” you start, then pause to breathe, the nausea building again. “I thought you’d left town.”
“You’d’ve liked that, huh?”
You don’t answer that. You know better than to antagonize a man with a gun.
He sighs when you don’t rise to the bait, almost pettish. “Wedding announcement. I saw it in the paper—by then, I’d moved on to Lexington, so it took me awhile to backtrack, but I just knew somethin’ about that bit in the paper about the sheriff’s wife hailing from the east coast didn’t sound right. Too big of a coincidence. Had to at least be sure—retrace my footsteps. Lotta money on the line, you know.”
You stare straight ahead at that. You ought to have known.
(“In the paper. The county sheriff got hitched—of course it’d be a story.”)
“To be honest, that kinda cracked me up. Murderess marrying the county sheriff.” He snorts out a laugh, shaking his head. “Sorta thing you’d read about in a dime novel.”
A new emotion wells up within you. It simmers in your belly, hot and cold at once. Righteous fury. All this time, you’ve been betraying yourself with your silence, allowing men to read your fear as guilt. Complicit in your own ruin.
“I’m not a murderer.”
The look he gives you is withering. “Sugar, I hate to break it to you, but you did kill a man.”
You open your mouth, but nothing comes out. Nothing ever does, it seems. But the more you hold it in, the uglier the thought seems, until it erupts from your chest like Vesuvius, lava and tephra shooting out.
“He deserved it,” you finally spit out, the words coming from deep in your chest.
Graves doesn’t even pause in his ministrations, back to tightening the saddle straps.
“He deserved it,” you repeat, spittle flying out of your mouth and landing in the dirt between the two of you.
“That’s not somethin’ I usually concern myself with,” he finally says, looking distinctly unimpressed when he meets your stare. Bored blue eyes.
You’re struck by the sense that your life means so little to him that the circumstances surrounding your bounty hardly merit more than a passing thought. If he could spare less, he would.
It’s the vilest thing in the world to be regarded with such bored contempt.
“He would’ve—he would’ve raped me otherwise. I didn’t have a choice.”
At that, Graves pauses. When he looks towards you, his eyes are curiously blank.
“Better that than what’ll happen now,” he says, the words so perfunctory that it takes a moment for them to sink in. When they do, you have to swallow back bile.
His glibness shatters whatever hope you’d had left.
In that moment, you finally acknowledge that appealing to his sense of decency won’t lead you anywhere because it simply doesn’t exist within him. You’ve known men like him before—those more concerned with lining their own pockets than taking care of the vulnerable people around them. The archetype is not uncommon. You should’ve expected it even, especially from a bounty hunter.
There won’t be any bribing him or talking your way out of the situation you’ve found yourself in. Whatever facinorous end awaits you back east, he’s happy to shepherd you there so long as it earns him his thirty coins.
How many times do you have to ask yourself if you’re brave enough to do something before you answer?
When Graves turns to face you again and takes a step towards you, likely to urge you up onto the saddle, you recoil, stumbling away from him. His eyes sharpen at your movement, fulvous wolf eyes narrowing on you.
“And here I thought you’d stopped pissin’ me off,” he says lightly, a hard edge underlying his words. His hand lifts to rest against the handle of the revolver tucked back in its sheath, thumb flexing over it.
“What’s the point?” you retort, nostrils flaring. “You either kill me here or I die there.”
You sound braver than you feel, fear making you shake so hard that your knees almost knock together.
Graves’ smile is all lip, no crinkling around the eyes. “Oh, I won’t kill you, sugar. I’m a better shot than that.”
Your heart pounds against your ribcage, stomach turning over at the thought of him putting a bullet through your shoulder or leg.
“I’m surprised you won’t just come quietly. You think the sheriff wouldn’t hand you over to me himself if he found out what kinda woman he married?”
That’s been your fear from the very beginning. The one thing that’s kept you awake at night, the nightmare shaking you out of a dead sleep. You’d convinced yourself that him calling the authorities or even escorting you back east himself was an inevitability. That John Price, paragon of virtue, wouldn’t bend the rules for anyone, much less you.
But the more you think about it, the less sense it seems to make. Every tender word and touch rises to the forefront of your memory. If John has shown you anything, it’s love. He’s proven his devotion a thousand times over, shown you time and again that were you to leave, he’d come running.
Suddenly, the thought that your husband would let someone take you away from him seems preposterous. It doesn’t align at all with the man you know. He’d go to hell and back for you, would rip out a man’s tongue for speaking to you the way Graves speaks to you now. Hindsight makes that clear.
You meet his eyes, intention set. “I’d rather just ask him.”
Blue eyes turn to flint, flat. Droll candor shed for ruthlessness. Silence before a storm.
He’s on you before you even have a chance to whirl around and make a run for it, arm cutting into your windpipe when he wraps it around your neck. He drags you back into the shadows of the awning, out of sight from anyone on the street; your heels score lines in the dirt. You choke, wheezing on your next breath, but his arm tightens, trapping the scream in your throat.
“Shoulda done this before,” Graves grunts, reaching into his back pocket and pulling out the pair of cuffs he had tucked away.
When he unhooks his arm from around your neck, you gasp for breath, sucking in deep lungfuls of air. Panic swirls and rises in your chest.
“Get your hands off—” you hiss, beating his arm with your fist to no avail. He yanks your arms in front of you until your wrists are pressed close together. Your blood curdles at the feeling of cold iron against your skin and the gut-wrenching sound of handcuffs being fixed around your wrists, tightened to the point of pain. You can hardly flex your hands with how tight they’re bound. “Let me go, let ME GO—”
He pulls you in close again. “Don’t think I won’t tape your fuckin’ mouth shut too,” Graves snarls in your ear. Nausea swells in your belly.
“Please— please don’t do this—” you beg, a sob breaking from your chest now.
He sighs, long suffering. “Lord knows I tried to warn you.”
Despite the threat, Graves doesn���t tape your mouth shut. Instead, he fastens a rough piece of rope around your head, fitting it between your teeth like a bit. You don’t have it in you to be thankful for small mercies this time. The hemp cord scratches the corners of your mouth when you try to move your lips around it.
“There,” he says, giving you a rough shake, satisfied. “That’s better. Can finally hear myself think.”
The tears leak out of the corners of your eyes in big, fat droplets, clouding your vision. When he wipes your cheeks with a calloused hand, the nail of his thumb catches on the delicate skin under your eye, leaving a thin cut. The pain makes you flinch, staring daggers at the man in front of you, but he doesn’t apologize for his rough handling.
Graves heaves himself up onto the saddle first, swinging a leg over with practiced ease. You yelp when he hauls you up after, setting you on the saddle in front of him. Heat crawls up your neck when your skirt billows around your waist, horrified.
“Save your tears, sugar,” he tells you, gathering the reins in one hand. “You’ll need ‘em for later.”
The horse whinnies when Graves pulls upward and guides him towards the road leading out of town, hooves clopping against the dirt. Your heart shoots up into your throat.
Galloping out of town, you chance a glance back, head spinning as the world blurs around you. A man stands under the awning you just left, his head cocked as if stupefied. He’s too far away for you to get a proper look at his face though, no way to tell if he’s someone that might recognize you and alert John. You try to scream or wave your hands—anything to get his attention, to let the stranger know that something is wrong.
You watch until the figure melds into the surrounding town.
You keep waiting for someone to appear from behind you. A tall figure to darken the horizon, blot it like the moon passing over the sun.
The last bastion of your hope collapses into rubble the farther away you ride, no man nor horse following you in pursuit. And then a hand grabs a fistful of your hair and wrenches your head back around, cutting off your view.
The plan is to leave the horse in the next town you reach and take a train back east. Graves would’ve done that back in the town you just left, he tells you, but he wanted to put as much distance between you and the sheriff.
“You never know with men who’ve gotten a taste of married life,” he says when he finally deigns to stop miles from town, sitting on a rock and having a drink while he leaves you tied to the horse by your wrists. You shift from foot to foot, a cramp winding up your legs. “They get themselves a little pussy and lose all sense of dignity or morality. Can’t be trusted to do the right thing.”
Steam practically billows out of your ears. You have the good sense to keep your mouth shut though, cognizant of the fact that you’re alone out in the middle of nowhere with a man who’d be happy to bring you back dead or alive. Though he hasn’t been quite so explicit, it’s apparent in the way he doesn’t offer to untie you or let you rest as well. The skin under the cuffs on your wrists are rubbed raw from your attempts to free yourself, and from the journey itself, with all the jostling and the persistent cramp in your right shoulder.
The animal awareness dawns on you during that first rest. He’d taken the rope out when you were far enough outside of town that it didn’t matter if you screamed or not. That’s what stays your tongue now—the creeping notion that you are far from anyone that would be remotely sympathetic to your plight.
“How much was the bounty?” you ask, more out of morbid curiosity than anything. You balance on one foot to shake the cramp out of the other.
“Now, I hate to be rude, sugar, but what does it matter to you? It ain’t you collecting the reward.”
Your lips flatten into a taut line, already regretting prying. It’s not like knowing would change anything.
The break ends sooner than you’d hoped, Graves urging you back onto the horse before taking a seat behind you. It troubles you because you’re not far enough away from town that you couldn’t still be rescued. There’d be more of a chance of John or someone else—one of his deputies, perhaps—coming across you out here. But you don’t have much of a choice.
Out here, the land stretches on without end. Only the faint blue of a mountain ridge paralleling your route breaks the horizon. The land is flat, sparse apart from the dense shrubbery and trees twisted and bent by the wind. Cottonwood and boxelder. Chokecherry. Dogwood and hawthorn. Lush blooming saltbrush.
The clear blue sky overhead is almost mocking, the rain from earlier long since abated. There’s hardly a cloud in the sky now. It’d be scenic if you could abstract it from the circumstances. A perfect day for gardening or a brisk walk after being kept indoors because of the rain. You’re still damp from riding through the rain earlier.
A few bison congregate in a small dip in the terrain, grazing on the wild grass. You stare at them wide-eyed as you gallop along the upper ridge, startled by the sight of so many in one place.
Despite the sublime beauty of the land, you remain on edge, unable to take anything in or truly enjoy it. Panic and revulsion leave you as gnarled and knotted as the krummholz trees out in the middle of the open plains. Riding with Graves feels nothing like the few times you and John shared a horse. It’s impersonal; transactional. Entirely against your will.
The sun has only just begun to descend under the horizon when you and Graves approach a ramshackle house situated by itself in the middle of the open plains. Barely more than a barn, and long since abandoned by the looks of it. Age has done the place no favors; wooden slats sag and separate from the exterior of the house, the gaps in between the boards letting in all manner of insects and rot.
Graves dismounts his horse about a stone’s throw from the hovel. His brow furrows with dissatisfaction as he surveys the abandoned property.
“Shit,” he remarks, sucking his teeth. “A local back in town swore a family still lived here. Don’t look like anyone’s lived here since Abraham.”
Part of you wishes the former tenants still resided here, on the off possibility that one might take pity on you, but a much larger part of you is grateful for the dwelling’s vacancy. You’ve heard stories before, of families living out in the middle of nowhere. Rumors. Not all bad, of course; it’s common enough for families migrating west sometimes to stop along the way for a generation or two, building more permanent dwellings than the caravans they began their journey in. Many such families were also known for putting up travelers passing through in exchange for goods or help with chores.
But you’ve also heard other stories. Like the Riley family out near Cherryvale and their homestead just off the Great Osage Trail. They lived out there for more than two decades before the number of lone travelers vanishing off the trail within walking distance of their property pointed the finger of suspicion at them. When the authorities finally got around to procuring a warrant for their property, they found the house deserted apart from the furniture that couldn’t be loaded into the wagon and an infant boy, dehydrated and petrified.
You shake the story from your head. “…Are we spending the night here?” you ask tentatively.
He looks at you from the corner of his eye, nostrils flared. “Don’t go gettin’ any ideas in that head of yours. Jus’ because a man’s gotta rest his eyes, don’t mean I gotta give you a peaceful night’s rest. No, I’m leavin’ those hands of yours tied.”
Your hopes deflate at that.
He helps you dismount before hobbling his horse with a pair of leather straps around its front legs to keep it from darting off in the middle of the night. You wince sympathetically; you have more in common with a horse now than any man.
The inside of the cabin is just as derelict as the exterior. At the very least, he feeds you. A couple scoops of pemmican straight from the tin. The fact that he insists on feeding you instead of letting you feed yourself puts you on edge. Your spine is stiff as a board through it all, your mouth barely opening up to receive the spoonful of pemmican, the metal clanking against your teeth. You wince, the sound itself tasting of rust.
At all times, you are aware of the precarity of your situation. You can’t imagine there were any stipulations in the bounty to bring you back unscathed. Though he hasn’t tried anything untoward so far—not so much as made a licentious remark—you don’t know how long your luck will last. You flinch every time he so much as twitches in your direction, sure at any moment his mood will flip and he’ll drag you across the floor and haul himself over you.
It’s enough to make your stomach hurt, turning over itself. He doesn’t try anything though, and for that you exhale shakily, the tension running off you in rivulets.
One hour drags into the next. Night blackens the sky, seeping in through the crumbling walls of the cabin.
“Well,” Graves says, wiping his hands together to dust off any lingering crumbs. “I’m gonna hit the hay.”
“Do…do I get to sleep as well?”
He cocks a brow. “Not much I can do to stop you.”
“It’s just that…” You lift your hands as you trail off, silently pointing out the handcuffs still secured around your wrists, the implicit assertion being that you won’t be able to sleep with the metal digging into the bones of your wrists.
Graves scoffs. “You can’t think I’ll just uncuff you ‘cause we ain’t in town no more. I got a little more sense than that, sugar.”
“You could use rope instead?” you suggest.
The seconds he spends considering it are long. You hold your breath as you watch him weigh the pros and cons.
Finally, he shrugs. “Alright.”
The relief that washes over you is almost palpable.
He pulls a blanket out of one of the saddlebags to function as a makeshift pillow, setting it up on the floor in the center of the room. True to his word, Graves uncuffs you and loops a double knotted rope around your wrists instead, fastening the rope tying your hands together around his own wrist. Your stomach sinks as he pulls the knot taut.
He levels a heavy stare on you after giving the rope one last tug. “I don’t usually repeat myself, sugar, but I will this one time. Don’t go tryin’ anythin’ stupid. I’m gettin’ a good night’s rest and so help me if you wake me up—” his eyes flash, gray going steely “—you won’t like the consequences.”
You nod. Swallow back the phlegm clogging your throat.
True night plunges the old house into darkness, cricket songs slipping in through the cracks in the walls. The temperature also plunges with the setting sun. It gets cold at night, even in the summer months; the draft makes you shiver, the rotting exterior letting in the elements.
You keep to the wall with the least amount of rotting boards, as far as the rope tethering you to Graves will allow you to go. It would probably be in your best interest to try and get some sleep, but you’re far too restless to calm down. The atmosphere in the house is far too eerie to settle your nerves either; you can’t help but wonder about the family that must have left this place to rot and fade away into memory.
It’s all you can do to blink back the tears that spring to your eyes when you think about the memory of you that John will have to carry into the future now that you’re gone. It isn’t fair. After everything you’ve had to endure in this lifetime, you thought maybe that this might have been your reward. That John was your reward.
Your hands drop from your chin to your knees, hopelessness plaguing you again. The thin, sharp whistle of defeat. High and reedy as a death rattle.
Then your eyes drop to your wrists.
The cord is fastened in a bowline knot around your wrists, difficult to undo without considerable effort, but the material is softer than the cuffs Graves had you in before, and it gives when you pull one hand down while pushing the other up. Your skin bunches around the cord, but it doesn’t cut into you the way the metal did.
Graves is still fast asleep when you glance over at him. He doesn’t snore, but the rise and fall of his chest under the blanket is steady. Stable.
The fatigue dissipates from your body the second you put it together. That there’s a sliver of a possibility of slipping your hands out of the rope tying you to Graves. The exhilaration is almost overwhelming. You have to sit with it a beat before acting, wary of letting your guard down too fast.
Time passes slowly as you fiddle with the knot, reaching your fingers as far as they’ll go and gritting your teeth through the ensuing cramp in your wrist. You nearly groan in frustration when your hand twitches and you accidentally retighten the knot. A near crushing blow.
Please, you mouth more than whisper, frustrated tears clumped in your lashes. Teeth sinking into the flesh of your bottom lip, pinching off the wail rising up your throat.
Your heart skips a beat when the rope loosens around one of your wrists, enough for you to wiggle a pinkie underneath and slowly shimmy it up the length of your hand. A cramp makes your pinkie spasm, almost causing you to lose your grip. Sweat pools in the cup of your palm.
When your wrists are finally free, the rope clutched in trembling hands and the basal joint of your thumb scrapped raw from the fibrous rope, you can only sit there, heart beating wildly in your chest. You have to force yourself to remain calm, wary of waking Graves up after all that effort. His eyelids quiver only with his dreams though.
You glance towards the door on the other side of the cabin. It seems either farther away now that you know it’s within reach. You know better than to just run straight for it though. Weeks of being on the run before finding John have taught you to pace yourself, to push down the fluttering evocation in your chest to make a mad dash for the closest way out.
Instead, you take a deep breath out, closing your eyes until you’ve calmed down. Then you rise slowly to your feet.
Your eyes, having long since adjusted to the darkness, scan the room for any loose floorboards. Aside from one obvious corner of the house which has begun to rot away and collapse, it’s hard for you to discern at a glance which boards will groan under the weight of your feet. You have no choice but to guess.
Each step has you on edge, heart in your throat. Your focus shifts quicksilver between the floor and Graves. Waiting for any sudden movement.
Halfway to the door, you take another cautious step forward and the floorboard creaks under your foot. Your heart stops, eyes flitting instantly over to Graves’ sleeping form. He doesn’t so much as shift. It’s another beat before you’re able to move again, confidence shaken by the noise. You keep imagining him suddenly shooting up from the floor, pistol in hand, the hammer striking the primer, the hiss of gas escaping the barrel.
The door gives a faint creak when you push it open, so you open it only enough for your body to slip through, wincing when you twitch and accidentally push it open another inch, dragging out the creak. Still, he doesn't wake. You slip past the door, shutting it quietly behind you.
The moon glows cornsilk gold in the sky. A vast, uncharted land stretches out around you, untouched by human hands, or so changed over the years that any human presence has long since been buried beneath the loam. But when you stare out into the distance, you realize that you have no idea where you came from. Everything looks the same in each direction, no landmark familiar enough for you to orient yourself. You’re out in the middle of nowhere and nothing looks right.
If you had less strength, you’d fall to your knees. The despair is so immense that you hardly have the strength to hold it all at once.
The silence lulls you into a false sense of security. You linger for too long, stuck contemplating your options. Coyotes yip in distant packs, their barks carrying across the plains. You shiver at the sound. It reminds you again that you’re on your own now. No husband to come chasing after you if things get sticky.
Your first few steps away from the cabin are tentative, gliding your legs through the grass and staring up at the cornsilk moon. A combination of indulgence and bewilderment. If you knew the right way home, you wouldn’t waver, but these days, you have no faith in your instincts. They’ve only ever led you off course.
The gelding that Graves rode in on sits in the grass with its hind legs folded underneath it. With its legs still hobbled, you know removing the leather will take more time than you'd like, but you figure it'll be easier to make your way across the plains on horseback, with the added bonus of leaving Graves stranded. If God were just, he’d starve out here and leave his corpse for the coyotes to feast on.
You approach the horse cautiously, conscious not to make any sudden movements. Its ears angle towards you as you draw near. Attentive to your presence.
“Hey there, honey,” you whisper, reaching out a hand and trying to show that you aren’t a threat. Its nose twitches.
Another step forward. Easy does it. One leg in front of the other.
“I won’t hurt you. I promise.” You try to mirror your memory of John in your voice, honeysuckle soft words.
You aren’t John though. Not even close. You take another step towards it.
It brays when you get too close, skittish. The sound pierces through the night, louder than the coyotes in the distance. Louder even than the creaking door.
The hair on the back of your neck raises, lips numb. Then the prickling awareness of movement in the house, like an itch on a phantom limb.
Behind you, the door to the cabin bursts open with a bang, slamming off the wall and ricocheting back. You whip your head around to look only to find Graves’ towering form under the shadow of the doorway, his hair mused and clothes askew. And he looks enraged.
“Hey!” Graves bellows from the doorway, breaking into a run towards you. “Get back here!”
There’s no time to sit with the regret, no time to bemoan the fact that you didn’t exercise enough caution, that for some reason without a gun leveled at your head, you allowed yourself to forget the very real danger this man posed to you.
All you can do is run.
The grass whistles around you. You run so hard that your lungs burn, your arms pumping furiously beside you, dress swishing between your legs. You don’t have to look behind you to know that Graves is gaining on you. His body is built for pursuit. Still, you push yourself past your breaking point, not stopping even when you taste blood in your mouth. Mindless; directionless. No idea where you’re going—just away from him. You’d jump off a cliff if you came across one.
He’s close enough for you to hear now, heavy breathing right behind you. But by then it’s too late. A heavy body rams into you, sending you careening towards the earth, the ground rushing up to meet you halfway. The dirt hardly cushions the blow.
You hit the ground hard. Head knocked loose of thought, agony ripping across your face. The double blow of a body heavier than yours forcing you into the dirt, so solid that it crushes the breath from your lungs.
Blood leaks from your lip, most likely split. When you breathe in to fill your lungs, you taste dirt and rust and earth.
“Insufferable bitch,” Graves snarls, putrid breath wafting under your nose and making your eyes water. He grabs a handful of your hair and wrenches your head up before slamming it back down. Something crunches. Distantly, you wonder if your nose is broken.
Your ears ring, the rest of his words drowned out by the blood rushing to your face.
“Please—” you beg, blood dripping from your split lip.
“Knew I shouldn’ta trusted you—conniving little cunt—c’mere now, get up—”
He rises to his feet over your body, big hand curling around your wrist. You hear your shoulder pop when he yanks your arm behind your back. A rush of cold. A sweat breaks on the nape of your neck. Shock sets in the moment after, adrenaline flooding your body.
Then a sharp, focused surge of pain. It radiates from your shoulder outward, so intense that you can’t believe it at first. Your whole world reduces down to it. Feathering out down your back; irradiating waves of it. Thoughts scattering and then coming back together around the pain. If you scream, it comes out unbidden.
“Ah, hell, I didn’t mean to do that,” he grumbles from behind you, likely staring at the unnatural jut of your shoulder. “Alright, sugar, one second—I’ll pop that back in.”
“Nononono—” you gasp, panic lancing through you, but he pays no attention to your words.
The pain of popping your shoulder back in is excruciating. Relief follows shortly after, but the time between dislocating and relocating your shoulder is so short that it hardly comes as a balm to the pain.
“You…bastard…” you gasp.
“Wouldn’ta had to do that if you hadn’t run,” he sighs, the sight of your pain subduing his rage.
It doesn’t stop him from grabbing you roughly by the arm he just dislocated when he finally gets you on your feet though, steering you back towards the house. The pain that radiates up your arm is almost blinding.
He drags you back to the cabin with a punishing grip. There’s no sympathy when you stumble. Moonlight illuminates the path back to the cabin and shows you the trenches in the wild grass made by your feet. Hardly more than a couple rods.
The defeat that courses through you upon being dragged through the ramshackle front door is ten times that of earlier. When he lets go of your arm, you collapse in a heap on the floor, aching and sweating. A bag of bones and blood. You’d rattle if someone shook you.
“I hate you,” you mumble from your spot on the floor, shaking through the pain. “Rot in hell.”
Graves doesn’t respond, but you can almost hear the way he grins.
No rest for the wicked or the good this time. Graves wakes intermittently throughout the night to check up on you, wary now that you’ve tried to run. Your regret is palpable. You should’ve waited. Bided your time. There won't be another chance now, not after you played your hand so soon.
The ache in your shoulder keeps you from finding sleep. Every time you get close to it, the pain radiates down your arm and it slips from your grasp, your hand closing around the empty space it leaves behind. Teeth grit, breathing through the pain. Loosening your jaw and panting because the pain overwhelms you when you so much as shift onto your side, the hard floor digging into your elbow.
Right on the edge of sleep, just as you're about to latch on, a boot catches you in the ribs, jostling you back into the realm of pain. You wheeze, breaking into a coughing fit.
“Get up,” a hoarse voice grunts above you, empty of sympathy. “We got places to be.”
He has the two of you back on the horse as soon as dawn breaks. Your escape attempt the night before must have spooked him, and you regret it now in the light of day because you know he won’t let you out of his sight again. The metal handcuffs digging into your wrists assures you of that.
There’s no time for breakfast or time to wash up. Graves makes it a point to be back on the road as fast as possible, repacking his bedroll and stuffing it back in the saddlebag before dragging you up with him.
The pain is a dull throb after sleeping most of the agony away. It comes back when you move too quickly though, which is hard to avoid on horseback when each gallop echoes through your sore bones and joints.
The arching sun immixes with the heavens above, rising higher as the hours pass. You ache for a hat; something to keep the heat of the sun off your head. On the horizon, the mountain ridge sits like a spine bursting out from the earth. It’s all wastelands and portents. Evil omens.
Your heart feels swollen and bruised, like something trampled under elk hooves.
“Cheer up,” Graves says, tipping your chin up when the sun reaches its peak around midday, the gesture making you so uncomfortable that you almost shudder out of your skin. Your face still throbs with pain. “You should be glad I didn’t jus’ shoot you.”
Your lips pull back, baring your teeth to nothing.
A shot rips through the air at that, his words commanding it into being. Your head instinctively ducks and even the horse under you staggers, spooked by the sound. Graves curses, tensing up behind you.
"What in the hell—"
You whip your head around to stare behind you, looking for the source of the gunfire. When you find it, your eyes widen.
#this is a long one because it's 2 chapters that i didn't feel like posting separately#but they're separated on ao3 if you wanna go read there#ceil writing#cod x reader#price x reader#john price/reader#john price x reader#price x you#john price x you
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The real reason they got divorced: couldn’t agree which turtle to name “Red”
#u should read my separated au Leo and Raph both end up getting called Red it’s great#rottmnt#rottmnt fanart#rise of the teenage mutant ninja turtles#baron draxum#master splinter#michelangelo#leonardo#donatello#raphael#splinter rottmnt#rottmnt mikey#rottmnt donnie#rottmnt leo#rottmnt raph#art#my art#au#separated au#rottmnt separated au#red rover au#red rover art
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Canaan crew appreciation post ^
(All scenes from Reinaeiry's Take Me to Church but it's EPIC video.)
Also, there was a lot of thought put into the details and compositions for this video, and it was like 4 months of my life so I want to talk abt it ! For lack of better place to do so I've dumped everything under the cut again:
Some details/process I personally enjoy:
I used images of pluto as my color scheme for the ninth house:
And last but not least, perhaps one of my favorite details of the whole project...we took inspo from religious and classical imagery for a big handful of the compositions or poses. The art I chose to pair with each scene was very intentional:
#sorry there's so much in this post lol i didnt want to be annoying with 100 separate ones#but i really wanted to share all of these images so my solution was 1 huge compilation#my art#animatics#the locked tomb#gideon the ninth spoilers#reinaeiry#gideon the ninth#cw blood#ty for reading my rambles and appreciating the art <3
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I wonder if anyone has ever followed me for my fics
#ive had people say they read my fics separately before realizing who i was#which is Hilarious#my fault my ao3 is under a different name
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My first ever comic con! And first cosplay too. Of course it's gonna be my boy :] Ramblings about the process are under the cut(Let me know if?? You would want me to elaborate with process images for any of the steps?)
The costume took me forever to make, as I've never done any machine sewing, sculpting, fabric dying or spray painting before but learning all of these was so fucking fun!! I never realised just how many different skills go into making a cosplay but it was so worth it!!!
Almost all of the clothes(except the hat) were purchased first as bases, but all of the detailing was added by me. All of the fabric used was originally just scraps that I was given for free so I needed to learn how to dye and dye all of the stars, they were originally white.
The sewing machine was its own beast that brought me tons of frustration from the lack of skill and knowledge (it was devastating to find out that 95% of fuck ups were my fault and not the machine's lmao). But as a result, a hat sewn from scratch, all of the fur trims, embroidery on the corset, stars and the collar(which is very hard to see on the pictures unfortunately) was all added manually. The stars and the stripes(on the back of the cape) were attached using heat-and-bond adhesive (I WISH I knew about such thing just when I started working on this. It would save me so much time and nerves.)
Then I found out about polymorph(mouldable plastic) and it has become the next thing I wanted to learn, to sculpt the claws and the fangs(yes, they're handmade jfksjs). The claws I then primed and painted in trillion coats because I wasn't satisfied with the colour of the spray paint. The fangs I moulded to my own teeth and then stained with tea to match the colour of my teeth :)c
As for makeup, I used Mehron Paradise water activated paints. At first I wanted to try to save money and bought myself Snazaroo instead, which unfortunately turned out to be a waste. Snazaroo didn't hold on my face for longer than 2 hours, cracking and peeling awfully. Mehron on the other hand survived 11 hours of me smiling, talking, emoting and such and didn't even crease at the smile lines(I'm actually shocked about that). It obviously works like any other makeup which means your skin texture and wrinkles won't go anywhere but Mehron's elasticity pleasantly surprised me. It did obviously smear from sweat and saliva(if you're eating and licking your lips) but if you don't touch the skin it just dries again, self setting. But if it's dry it's fully smear-proof. Highly recommend!
And last but not least, I've decided against painting my hands as it was very risky that I will stain everything I touch at the smallest hint of sweat. So instead I got myself gloves-tights(? Not sure how they're called but it's made from the same fabric as tights) and painted them with normal acrylic paint(did you know you could dye fabric with acrylic paint? I personally didn't), then heat set with an iron and voilà, they're reusable, my hands are not stained after an exhausting day and I don't stain everything I touch. It worked wonderfully which honestly was a surprise as I was really sceptical that acrylic paint will somehow stay in place.
I think this whole thing took me minimum of 6 months with big-big breaks for my school and life in general. But I'm really proud! This project taught me so many new skills and I couldn't have been happier about learning new knowledge, even if it sucked to fail in the meantime.
Everyone at the con was really nice and gave me a large confidence boost even tho it was my first time and I had no idea what I was doing. Taking photos with other people was really awkward/new for me as I hate cameras so I really had no idea how to pose/behave in front of one. But that's okay I think. This whole experience definitely made me want to do this again, so I think that will come with experience. Thank you for reading this far, hope you enjoyed this little summary :)
#my art#cosplay#biting the hand that feeds au#moondrop#fnaf moondrop#fnaf moon#moondrop fnaf#moon fnaf#bhtf moondrop#i had such a good time#little awkward moments of me being autistic and not reading social cues and/or having trouble processing didn't go anywhere#but that's okay#i don't think i was ever complimented as much as i was complimented at the con so that's a W#artist alley was definitely an experience of me just finding out how actually autistic i am#because i really Am Not Interested in anything aside from my special interests#literally got myself a singular Moon sticker and a singular Mothman print#that's it lmfaooo#i also had people come up to me to just give me a tiny plastic newborn toy and run away#10/10 hilarious#bhtf au#i MIGHT just draw Moon in some of those poses because 👀#also maybe will make a separate post just showing off all of the details that are not as noticeable on camera? maybe? if yall would want#the cape and the hat ARE SO FUCKING FLUFFY#thank you silvermizuki for the fur🫵
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part 2!!!! [read part one here]
transcript below the cut arranged into stanzas to help show where the rhymes are:
“that’s why they brought gem in? as a failsafe?” as a pawn. we were told to point her at whoever we need gone
“gem won’t hurt her allies. …yet.” the curse she carries will it’s had its eye on her since she lost the other eye she was specially selected for her hunting skill it’s quite the high honor. “wow. how generous.” we try
think about it: why does almost no one fight the curse? “given how fast scott killed skizz last season, i can guess.” [“any pain you spare your friends, you’ll have to suffer worse”?] it’s designed to shut down higher reasoning with stress
#if you still can't see the rhyme scheme try reading it out loud#if that doesn't work uh. idk. can't help you#my art#grian#geminitay#smajor1995#bdoubleo100#inthelittlewood#secret life#grian and his terrible horrible no good very bad eldritch coworkers: the sequel#cant wait to post the next part so i can be like 'my three secret life comics. and yes they all rhyme'#this one narratively doesn't work nearly as well as a standalone compared to part 1#however i accidentally went way too hard and could probably upload the middle page + second to last panel as their own separate art pieces#tbh i'm considering putting an explanation of everything below the readmore buuut i don't feel like it atm. :3 later maybe#me and my 20+ life series headcanons i only allude to without explicitly stating don't need to explain ourselves#still experimenting with this webtoon-esque vertical comic style#still not sure i like it#it gets long too quickly#among other things#but it's very easy to read on a phone so
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She tried 😔
#dungeon meshi#farcille#marcille donato#falin touden#delicious in dungeon#lgbtqia#my art#read right to left#this took 57 hours#drawing when its cold asf is not fun#the bottom drawing on the 6th page is actually a separate piece i made then gave me the idea to make it into a one shot#if this does well i might make more
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This is definitely the largest bulk post I’ve ever done,,,,
#mushyrt#svsss#scum villain#scum villian self saving system#bingqiu#why is the image limit on mobile 10 pics???#I couldn’t figure out how to separate all these into 3 different post#posts*#so I decided to get on desktop tumblr to post them together 😭#it’s all mostly my doodle illustrations#I didn’t want to post them with some of my comics since I thought they would break the flow a bit#ALSO POT JIU!!!#POT JIU IS FROM SANADAMUSIO FROM TWITTER#THEY’RE SO CUTE#BUT MY HEART IS DESTROYED FROM READING THEIR COMICS#IT’S SO SAD 😭😭 BUT THE CONCEPT IS FUNNY#I’m gonna have a heart attack from their comics#I want them to be happyyyyyy
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took wyll out for the first time this run and he literally can’t stop flirting with lae’zel. relatable king
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Historians will say they were best friends!
#to be fair they were/are best friends that's a true thing#at one point they were even roommates believe it or not#the whole nine yards#answered#anonymous#own art#own characters#Machete#Vasco#should this have#cw homophobia#?#just in case#this is extra relevant if you've read the third chapter of Separation
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RIP Will Campos the only person who was murdered this episode.
#I fucking loved this episode but also FUCK- OH UH DON'T READ MY TAGS IF YOU HAVEN'T FINISHED YET CAUSE UH SPOILERS LOL#dndads#dungeons and daddies#the peachyville horror#dndads spoilers#dndads s3 ep 5#tony collette#ebenezer white#[breathes]#TONYYYYYYYYYYYYYYYYY#FUUUUUUUUUUUUUUUUUUUUUCK#choosing to believe there's a chance they save him#I REALLY hope they save him#please these tags were gonna be me rambling about how I'm so ready for him to accidentally become an actual spy#and how Ebenezer is just one more person I need him to have homoerotic tension with#BUT NOW WHAT#Anyways poor Will but also not poor Will cause it was REALLY funny how much everyone was screwing with him this episode zkbfeskgzl#stupidly it was the moth bit that got me the most and particularly Matt describing its journey lmao#Somehow- like I knew the Trudy stuff was gonna be dark but somehow it was even darker than I imagined like fuuuuuck#Also sounds like the people who theorized there'd been an og human Trudy were *probably* right?#Heh. But was it a normal death or was she *murdered* dun dun dun#*Very* excited for Kelsey's boxing match#Francis UH OH GOD??#the two scoops line was perfect though#what else what else... No I'm just caught on that ending now god DAMN it I don't care if they pull some cheap shit to save him#oh actually I know exactly what I want out of this but I'll make a separate post about that one sec lol#undescribed
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if i keep seeing so many people refer to ayden as an indication of an unknown softness in pelor i will start setting things on fire. just because YOU cannot handle nuance does not mean the story of exandria has not contained it and done so consistently. in fact the first in depth interaction that any party had with pelor (vex becoming his champion) was a portrayal of him that was explicit in his complexity. taken straight from the transcript for 1x104 elysium, “[vex you] spin and look, whereas there once was a burning star-- and to the rest of [vox machina], you see the painful, endless light that averts your gaze-- it doesn't hurt your eyes as much, and you can see the faint features, the soft cheeks, the hairless head, and the bright warm eyes of he who brings the dawn. And you can see the smile there, behind the light. “there is hope.”” sunlight can warm you and burn you in equal measure.
that burning image of the sun has much in common with a teenage boy who steps into a dark room, and reminds the dm that it’s not dark. the same way that a teenage boy who stands by as a woman who will not give up her worship of pelor is punished because he has more important responsibilities he must honour has much in common with a seemingly benevolent lord of the dawn might respond harshly to a cleric who asks if he is worth saving while he is trying to find a way to survive so he might keep helping to provide light. the gods aren’t simple and they never have been. i am as psyched about the particular angle that downfall is taking as anybody but it is already frustrating watching people act like the gods are suddenly more nuanced because they’re in literally mortal bodies when the entire Point of the gods in exandria in the various stories we’ve seen so far is that the only difference they have with mortals is the bounds of their power. they carry all the same flaws and the same profundity. just because so much of the fandom has reduced that to black and white flatness or faulty mapping onto real world religions (or the various traumas those might have caused individuals) doesn’t mean that complexity has been missing at all from the story.
#this reads like a vague post ik but i was just tryin to vibe and enjoy the liveblogs n tweets n stuff and the good good energy#and then i saw 4 separate posts in succession bein like ‘woah new dawn father just dropped’ get a grip. why don’t you watch vex’s arc in c1#and ponder the god who accepted her as champion and saw her as a source of hope . for a Moment#like yes pelor is a cold and ruthless bitch .#so is vex. so is percy. but wouldn’t ya know. that’s not it. strange#like yes i Do think we are absolutely seeing where some of the harshness of pelor grew more impenetrable#but acting like the only thing we’ve seen of the dawnfather is cruelty. foolish and textually incorrect#cr3#cr downfall#cr spoilers#critical role#pelor#the dawnfather
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the brainrot won
#GUY S i know i haven't posted anything in a while and thats because im working on a big cool project that i really want to finish without-#distractions. but uh. as you can see. ive been distracted 😔. still working on it tho!!!! and im very happy with it turns out its just-#super time and energy consuming so ive tried to limit my intake of other media to not make myself want to draw other stuff#i also haven't read the last two (two already?????) chapters of RnS and im very sad about it and i want to read it but you know that if i-#read it ill want to make fanart and then ill never finish my project :(#SO. sorrey for the lack of art itll be coming when im free to draw!!!!!!!#but also. yes ive watched new life because i dont want to go insane with nothing but this project on my mind and umm. had to take a little-#break to do a couple designs for fun... and to switch it up a bit because for real im going insane i think#ALSO. friend got me into zelda botw and i haven't played a whole lot yet (because project) but ive tried to take some inspiration for-#designs from there. at least for joel and scott. everyone else not so much...#WELL ANYWAYS this is getting long. i should really stop rambling in the tags and just make separate posts for all this but i dont want to#umm. tags.#new life smp#smallishbeans#mythical sausage#geminitay#pearlescentmoon#smajor1995#inthelittlewood#my art#sketch
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