#science fiction films 2024
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pedroam-bang · 7 months ago
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Alien: Romulus (2024)
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allwhiterain · 3 months ago
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Margaret Qualley in The Substance (2024) directed by Coralie Fargeat
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one-time-i-dreamt · 10 months ago
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When I was in high school, someone in Hollywood heard about the science fiction novel I was working on and wanted to make a movie about it. I said yes, but the final result was a mess. Will Smith starred the movie, the villain was now the main character, and it was so bad and controversial I got bullied at school.
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sahind · 11 days ago
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ALIEN: ROMULUS (2024) Directed by Fede Álvarez
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savage-kult-of-gorthaur · 10 months ago
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"BUT THE REAL DIVERSION IS PUGH'S PRINCESS IRULAN..."
PIC(S) INFO: Spotlight on film stills of English film actress Florence Pugh as Princess Irulan of the Bene Gesserit in the American epic science fiction film "Dune Part 2" (2024). Costume Design by Jacqueline West. 📸: Niko Tavernise/Warner Bros. Pictures.
OVERVIEW: "But the real diversion is Pugh’s Princess Irulan, whom [Jacqueline] West describes as the film’s voice of reason. To that end, she wanted to eschew the grand headpieces in favor of a more subtle nod to her Bene Gesserit roots. Irulan is often seen in smaller, metallic headpieces, which West likens to armor. “She’s the moral compass in "Dune Two."
[The Bene Gesserit have] been assigned to control the future and make it go on a certain path. She sees through that and she’s playing the long game,” she says. “She’s seen beyond the manipulations of Bene Gesserit, so I kept her out of that a bit.” Still, she managed to incorporate the nun look into Pugh’s costume.
"I remember when I was a little girl, how the nuns’ habits framed their face. I tried to do that with her, to keep a certain aspect of the Bene Gesserits without giving her the shape, the Virgin Mary-esque mantle," she says. "I thought I could do that best with headdresses.""
-- VOGUE, "Tarot Cards, BDSM, and Nuns’ Habits: How the "Dune: Part Two" Costumes Came to Life," by Hannah Jackson, published February 26, 2024
Sources: www.vogue.com/article/dune-part-two-costumes-jacqueline-west-interview, Vogue [Scandinavia], Vogue [Singapore], Pinterest, Buzzfeed, X, various, etc..
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browsethestacks · 5 months ago
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Bumblebee Cosplay
London Film And Comic Con 2024
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giveamadeuschohisownmovie · 4 months ago
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Okay, the more I think about it, I think the main reason why I wasn’t that impressed with “Alien Romulus” was how safe it felt. It didn’t hurt the franchise, but I felt like I could live without it. It doesn’t really add anything to the Alien series, apart from Xeno-Baby. Also, it felt like Fede Alvarez just redid the first movie but with better special effects. That’s technically not a bad thing, but I was definitely thinking to myself in the theater that the movie felt lacking in substance.
And sure, the scares may be well done, but it’s also nothing new. I’m pretty sure I’ve seen the, “We have to stay quiet or else the monsters will hear us” shtick in like 10 other horror movies. Also, lowering the temperature so that the monsters can’t see you is straight up Tremors 2. Once again, just because it’s cliched doesn’t mean it’s bad. But it does make you feel like you’ve seen this shit already.
If I had to make a comparison to a similar series, it’s the “Predators” (2010) of the Alien franchise. Not bad, not great, doesn’t really add much to the series…it’s just very safe and passable.
(EDIT: I take back what I said about Xeno-Baby. Even that’s not new since that’s just the Newborn from Alien Resurrection)
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agentnico · 10 months ago
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Dune: Part Two (2024) review
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I’m fully aware that the Dune sequel has been hit by acclaim from both critics and audiences, and I shall share my own thoughts in due course, but also whilst presenting itself as a serious and sophisticated piece of artsy science fiction tackling challenging themes of religion and politics, from a marketing standpoint this film has been a major farcical meme. From the popcorn buckets shaped like suggestive sand worms (or more so accurately as deformed buttholes) to the viral TikTok video of an unnamed man riding a makeshift sand worm around a cinema lobby on his way to Arrakis, or more likely to one of the gazillion screenings of Dune: Part Two. But yes, absolutely mad bonkers advertising techniques, and not at all reflective of how seriously and straight faced the actual film plays. Anyway, let’s talk Duuuuuuuuuuuuuuuneee…..
Plot: Paul Atreides unites with Chani and the Fremen while seeking revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the universe, he must prevent a terrible future only he can foresee.
Controversial opinion - I was not a fan of the first Dune. I thought it was all spectacle and no substance, and even then in regards to said spectacle, it was just sand. Lots of sand and bland dark visuals. I understand that the first movie acts as a massive exposition piece with lots of world building and introductions of all the characters and various political families and the spice trade and all that sweet jazz, but honestly it all felt so dragged out. Also a lot of narrative choices felt really immature and I did not buy it. In fact, the only memorable part for me was that female voice screaming on the music score every time something crazy happened, and my does that woman have some strong vocal pipe work! Like damn, her screams…. I really felt them!
Going into Dune: Part Two, I was very much of two mindsets. One was more so a feeling of obligation to watch it, as I wasted 3 hours of my life watching the first one that I felt I deserved some kind of closure for my efforts. The other being Denis Villeneuve. Aside from the first Dune, he’s a director that has constantly impressed me with his unique vision and style. Simply look at his past filmography! Prisoners. Enemy. Arrival. Sicario. All impressive pieces of genre filmmaking. Then there’s Blade Runner 2049, that took the classic Ridley Scott movie and managed to improve on it and become one of the most thrilling science fiction epics of the last decade. Also the trailers looked appropriately exciting, and it seemed like the second movie was actually gonna deal with some serious shit finally. Again, my problem with the first Dune wasn’t that it was slow. I mean, I can happily watch Paris, Texas any day of the week and be mesmerised by the empty yet beautiful takes of the American desert. It’s more-so that the first Dune felt aimless and messy. As for Dune: Part Two?
Well, if we’re going to use The Lord of the Rings terminology, and boy am I happy to refer to the dear-to-my-heart Middle Earth whenever I have the chance, then Dune: Part Two holds the scale of The Two Towers. I may not agree with all of it, and there are still some moments that drag, though The Two Towers is also guilty of that - I’m looking at you Treebeard! But overall this is one hell of a cinematic experience and achievement. Visually for one this is eye-candy. And yes, yet again there’s lots of sand, but this time around Villeneuve manages to find very creative ways to add/take away colour to make many sequences truly impressive. There’s an early scene where the Fremen are fighting Harkonnen goons in the desert and the entire thing is seeped in this blood orange palette, reminiscent of the Martian Chronicles, and then there’s the part where we are introduced to the Harkonnen home planet where the entire screen is drenched in hardcore intense black-and-white due to their sun only giving out white and black light, and instead of fireworks there are these watercolour stroked exploding in the sky, to of course the much talked about eye-dropping sand worm riding into battle scene that had the feel of the giant elephants appearing in The Return of the King, and yes that was another most delightful reference to Lord of the Rings! As I was saying though, the entire movie visually is certainly something to be in awe of.
Also Hans Zimmer’s score!! Of course the man’s a genius, having composed so many of cinema’s greatest musical compositions. I can recommend his Live in Prague performance! Hit after hit, and I find myself spinning it on my record player a good few times. Hans Zimmer’s Dune: Part Two soundtrack feels like a thunderously bombastic continuation and expansion of the first film’s more quiet and moody opener, and that shift in tone allows for some truly spectacular weaving of the composer’s thematic tapestry for Dune – with the finest new thread being the absolutely gorgeous love theme for Paul and Chani. A truly beautiful piece that echoes the heartbreaking tragic nature of the central romance of the film. Needless to say I’ve already pre-ordered the limited edition coloured vinyl of Dune 2’s soundtrack from Mutant (the new Mondo).
As for the narrative, as that is where I felt the first film faltered the most in my humble opinion (which I share so publicly online). I really do feel like the sequel is a major set up, for since the first one focused more on the endless word building and set-ups, this movie is all about the character developments. The scope is still big with the various political and religious elements that are tackled and explored throughout, however at the same time Dune: Part Two manages to feel more intimate compared to its predecessor, with the unravelling of the romance between Paul and Chani, but more so the inner struggles of Paul Atreides, as he tries to balance his emotions of revenge with the feeling of wanting to belong somewhere, as well as his denial of being called the so-called Messiah to the Fremen people. Look, the idea of the chosen one has been a concept that has been done over and over again, however I felt here they managed to really make it feel unique and different, with Paul choosing not to take this major responsibility due to visions of the future where he sees this choice result in darkness and dread, yet at the same time realising he has no choice but to follow his destiny and calling. It’s powerful stuff.
The cast list is stacked in this one. Timothee Chalamet is a rising star, having previously excelled his dramatic chops in Call Me by Your Name and his charismatic whimsy in last year’s Wonka, but this is by far his most impressive acting feat. You truly feel his character turning from boy to man, and it’s a real and raw performance. Zendaya shares great chemistry with him, but also in her own right gives a strong turn as a warrior Fremen conflicted with what she sees and thinks. Javier Bardem’s Stilgar adds a slice of surprising humour to the mix, being so obsessed with Paul being part of the prophecy that anything he’d do, Stilgar would find that to be part of what has been foretold. Paul Atreides could literally fart and Stilgar would observe in wonder proclaiming “as it was written”. There’s also a tiny No Country for Old Men reunion with Bardem being joined by Josh Brolin, who’s alright by the way, though it’s a typical Brolin brute role. Charlotte Rampling as the Reverend Mother continues being truly despicable and honestly that wench deserves to be put in her place - the movie’s ending is very satisfying in this regard. There’s also some newcomers to the Dune world too. Florence Pugh as the Princess reminded me a lot of Padme from Star Wars, and Christopher Walken I felt was tad miscast as the Emperor. Don’t get me wrong, Walken is a great actor, but his way of speech has been impersonated and overdone so many times that it is difficult to take him seriously in a role like this. Minus a couple of strong deliveries Walken felt really lazy here. You know who wasn’t lazy though? Austin Butler! This guy understood the assignment, playing the psychotic nutter Feyd-Rautha and he’s truly unrecognisable. Even his voice is different. Gone is Elvis and in cometh his Skarsgard impression! He’s brutal and maniacal and was honestly superb, and I wish there was more of him in this movie.
Again, it’s far from a perfect movie. There are parts still that drag, and certain times where things feel surprisingly rushed, but overall this is an experience through and through, and unlike my feelings after the first film, here I find myself really looking forward to the inevitable third part. In fact f*ck it, who am I kidding - this movie is bloody incredible!! Like I can’t even - it’s abso-fricking-lutely spectacular!! And by the way I read a bit about the Frank Herbert Dune books now and the future sequels are gonna be mad, just saying. Paul’s son becomes this half-man half-worm known as the God Emperor! Things are gonna get weird! Anyway, Dune: Part Two - go see it if you haven’t already. And in Austin Butler’s voice: “may thy knife chip and shatter”.
Overall score: 9/10
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midnight-bass · 6 months ago
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Furiosa's The Stowaway
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willtasker · 3 months ago
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NYCC 2024: A (Redacted) Review
I had planned out NYCC months ago, back when they announced Hayley Atwell in the spring. Everything else in 2024 had the volume turned down after that announcement. And with time, they also announced some of the cast of Starship Troopers and then Rachael Leigh Cook.
I'm happy to say that everyone was wonderful, glowing even. Some maybe a little more than others but over all, this was by far the best year I had at a convention in terms of people just being... nice.
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So foremost is that I overbooked myself. Five cast members from Starship Troopers was at the same table and I'll be damned if I'm gonna let that slip by. I had to go Thursday, as Dina Meyer ((see above)) was only there for one day only. She was an absolute sweetheart, despite trying to duck out to make her plane on time. I almost walked away before they called me back because I forgot to take this photo with her. "Give me some sass" is what I heard in my ear over the deafening crowd and ... well, its not my worst photo but certainly not my favorite either. But she has these huge, chonky glasses I wish she'd kept on for the photos.
Michael Ironside was incredible. I've been a fan of his for decades and despite having a voice like a gravel quarry and that constant sneer painted over his face, he was very funny and very warm. He noticeably perked up when I mentioned his performance in "Crime & Punishment In Suburbia" and how Roger Ebert said it was the best work of his career. He nodded in approval, "I'm glad someone saw that. The director is a a good friend of mine."
Casper Van Dien was ... actually exactly what I suspected. He was standing in front of his table, talking to everyone, pitching the new SST Extermination game. He's high energy, happy to see you, quick with a joke.
Unfortunately, I didn't get a lot of time with either Seth Gilliam or Denise Richards. Seth was on his way out but seemed to be overly kind with everyone there? Does that make sense? Denise was rushing to get out because she had some sort of socialite appointment elsewhere in NYC but she was trying so hard to be accommodating and patient with people. I think she was aware of what her legacy is with men of a certain age. I purposely didn't take too long at her table - it was 7 pm and everyone was tired - and I think she appreciated the fact I didn't make a bad pass at her or stop the line for 5 minutes to show her art I had done in the hopes she'd follow my Instagram (witnessed both of these things happen in real time).
Now on to the main event:
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I didn't know what to expect from Hayley. I'd never met anyone who had interacted with her, so I was a little pensive at first. I had brought two photos for her to sign - the one above I had blown up to an egregious size - but it was the other one that rang her bell.
The person running the cashbox passed my photos down and said "Hayley we have some very nice photos from this gentle..."
"This is from Howard's End!" Her eyes popped, a mix of genuine surprise and appreciation behind them.
We talked a little bit about her Margaret Schlegel versus the 1992 movie. She asked me a couple of small questions before we really hit it off on something I wouldn't expect: I told her how I found a lot of American television too "active" and how much comfort I found in rewatching not only Howard's End but just UK television in general. She sized me up quietly before agreeing, telling me she watches the same handful of shows over and over to unwind, as a comfort.
She signed the Howard's End photo first (not pictured here, I've determined it is a little too personal), then the above photo before going back to the first photo with "May I add a quote to this?"
I was left with words in my mouth for a second. I managed to say "Please!" once my brain rebooted and she said "I loved this character so much. And this quote." After we said our goodbyes - she's so effusive, high energy - I quietly found a corner of the convention hall to see she'd written "Only Connect" under her name and I sighed like an old dog sleeping on a cold kitchen floor.
I later had a photo op with her. I look pretty stiff and not my best but I've taken worse photos. She was extremely gentle with everyone in line, I think getting a sense that most everyone was having the same "Holy shit, thats Hayley Atwell" realization.
Finally, and certainly not the least of all...
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Rachael Leigh Cook came out an hour late, wearing a cream colored sweater and necklace. Laugh as you must, gentle reader, but I'm absolutely going to my therapist this week to ask why a stranger like herself is so completely nice to everyone (but especially: why is she nice to me). She's the type who touches people on the hand or arm as they talk - she hugged the couple in front of me when they mentioned their engagement - and she has this natural ... I honestly don't know what to call it - grace? vibe? spirit? ... that makes the cold hearth of my soul blaze like a Christmas fireplace. I don't mean to suggest theres any sort of connection, simply that she gives off a vibe of generosity and familiarity that I've only ever felt with old girlfriends.
I thanked her for her performance in Stateside, which made her eyebrows go up like a Tex Avery cartoon, and complimented her on getting her character's diagnosis so wonderfully right. She listened to me, stopped writing, listened some more, would write some more. I'd hate to think I somehow overwhelmed her - I am often told I don't "play my cards" despite my being afraid I'm overplaying them - but she was sincere and gentle, her voice this almost ASMR tone. We took a selfie (THAT photo looks awful, I need to learn to not only pose in photos but not to cock my head away from the other person) and later a photo op (Which looks better! But like the one with Hayley, I look rigid compared to her practiced grace) where she invited me into her hooked arm with a "Hey you, wow, sharp dresser!" and straightened the front of my shirt with a pinch.
And finally! Mystery solved?
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This is an update for @justrachaelleighcook - this photo was taken at Cannes! She'd not seen Anna in some time and the press (or whoever was behind the camera) asked for a photo together! "I've never seen this photo but I remember taking it because Bookies was running out of competition". So that dates this photo as 2002? (She'd also not heard Anna had been unwell of late and regarded what little I said with a bit of a furrowed brow.)
Needless to say I wish I had more time to talk to her but I'm forever aware theres a line of people behind me hoping for some time as well.
It was an exhausting two days at NYCC. I probably spent 15 hours there and of that, more than 13 hours was standing in lines. Overall, it was one of the - if not THE - smoothest and more effortless visits to a convention I've ever had. If any of them come back around, I'd love to meet them again. <3
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marcovaleyeah · 3 months ago
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01.10.24
#Marco-Marathon | Deadpool
Film; Name: Deadpool & Wolverine (2024); Production Studios: Marvel Studios, 21 Laps Entertainment, New Zealand Film Commission, TSG Entertainment, Ontario Creates, 20th Century Studios, Maximum Effort, Québec Production Services Tax Credit, Creative BC; Director by: Shawn Levy; Screenwriter: Shawn Levy, Paul Wernick, Ryan Reynolds, Wendy Molyneux, Lizzie Molyneux-Logelin, Rhett Reese, Zeb Wells, Len Wein, John Romita Sr., Herb Trimpe, Roy Thomas, Frank Miller;
Starring: Ryan Reynolds, Hugh Jackman, Emma Corrin, Matthew Macfadyen, Morena Baccarin; Genres: Science-fiction, Action, Comedy, Adventure; Running Time: 2 hours 8 minutes;
"Deadpool & Wolverine" (2024) is a fun and chaotic superhero film that pairs Ryan Reynolds' Deadpool with Hugh Jackman's Wolverine. Directed by Shawn Levy, the movie blends sharp humor, wild action, and unexpected emotional depth. The chemistry between the two leads shines, with plenty of meta-jokes and multiverse madness. While the action and visuals are generally strong, some moments feel uneven. Still, it’s a highly entertaining experience.
My rating:
⭐⭐⭐⭐
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pedroam-bang · 3 months ago
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Furiosa: A Mad Max Saga (2024)
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pixelsunshine · 1 year ago
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Okay as someone who is EXTREMELY nerdy about non-humanoid aliens depicted in media I LOVED this movie. The Vuvv are super weird, and tiny, and POWERFUL. Incredibly unsexy weird capitalist aliens. Go watch it!
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curatorofthisdigitalmorass · 6 months ago
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ALIEN: MONDAY (2024)
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blackcatfilmprod · 3 months ago
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youtube
Tonight Boys 'n' Ghouls Film Review Podcast reviews V/H/S/Beyond here. https://www.youtube.com/watch?v=nZ3xnUBe5zA via YouTube
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savage-kult-of-gorthaur · 10 months ago
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"PROPHETS GET STRONGER WHEN THEY DIE. LET THE CONFLICT TURN TO WAR. YOU THEN BRING PEACE."
PIC(S) INFO: Resolution at 2666x3999 -- Spotlight on British actress Florence Pugh as Princess Irulan Corrino of House Corrino, from the American epic sci-fi film "Dune: Part 2," co-written & directed by Denis Villeneuve. Warner Bros. Pictures.
Costume design: Jacqueline West
Cinematography: Greig Fraser
Photography: Niko Tavernise
Sources: www.vogue.co.uk/article/dune-part-two-costumes-jacqueline-west-interview, Pinterest, & X.
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