#said she was just depressed

[tokifanclub]

PSA

[kristoffs-lullaby]

At the end of Everything, hold onto Anything

[strryhaze]

bobby & david kennedy

“There was some level on which David tapped his father’s sensitivity. You would find him walking with David or with his arm around David. David just seemed to need it.”

— chuck mcdermott.

“If his father’s death hit David harder than the others, it was because there had been a special bond between them—both were the runts of the litter, sandwiched into the middle of a large family. He was the only one in the family who hadn’t been enthusiastic about the run for the presidency. For weeks after his father’s announcement, David had been plagued by recurring nightmares about Bobby’s death. Distraught over episodes that seemed premonitory, and missing the special attention his father had given him, David had gotten in trouble for throwing rocks at cars passing by Hickory Hill. The day of the California primary, he had joined his father in Los Angeles. The two of them had been swimming and he had felt himself being carried out by the undertow when his father grabbed him, scraping his own head on the ocean floor as he reached for David’s slippery arm. With a teenager’s melodrama, David had decided that he owed his father a life and would look for an opportunity to pay him back in the years ahead. That night as he sat in front of the television set in his room in the Ambassador Hotel and watched [his father] bleeding on the floor downstairs, one of the thoughts he had was that the debt would be forever undischarged.”

“As the worst year of their young lives came to a close, they decided to surprise their mother at Christmas with a book comprised of letters about their father. David’s said: ‘Daddy was very funny in church because he would embarrass all of us by singing very loud. Daddy did not have a very good voice. There will be no more football with Daddy, no more swimming with him, no more riding and no more camping with him. But he was the best father there ever was and I would rather have him for a father for the length of time I did than any other father for a million years.”

— the kennedy’s, peter collier & david horowitz.

“David looked at himself in those pictures like they were a strange sort of mirror. He looked at them half a dozen times at least, mesmerized by them, and he kept asking me questions. There was a tremendous desire to know his father, to really know him.”

— john seigenthaler.

“David and Bobby were so close. They were inseparable. David was small, a runt like Bobby had been.” Ethel then explained to Noelle (her secretary) that David had always been a very sensitive youngster, very introverted, "not like the other boys. He and I would go and pick flowers while his brothers were killing each other with their crazy games", Ethel recalled with a smile.

— ethel kennedy.

“I think about death a lot. Time hasn’t erased the death of my father from my mind. My family thinks I’m no good and that I’ll never beat my problem. They’ve written me off. I’m trying to get it together, but it’s so difficult. I’m having a terrible time at it. And the thing I want most in the world is the approval of my family, but they want nothing to do with me. All I want is to be with my father.”

— david kennedy, april 1984.

“Like his family, his friends had all wondered at one time or another if he would kill himself; but when it finally came his death was nonetheless shocking. ‘I keep asking myself why. Why David? Why now? All I can come up with is that maybe his father was looking down from heaven and saw all the hell these people were putting him through and said, ‘Come on, You’ve suffered enough. It’s time you were up here with me.’”

— nancy narleski.

Years after David Kennedy’s death, his cousin, Patrick Kennedy recalled a haunting and heartbreaking recollection he had with his father, Teddy, sitting beside his cousin’s casket: “My father remembered Bobby telling him that, as a father, he needed to spend more time with David. He also recounted a story Uncle Bobby had told him just before his own death. On the day before the California primary, the Robert Kennedys had gone swimming in Malibu, to relax together. David had been knocked over by a wave and got caught in the undertow, and his father had come to his rescue. When Uncle Bobby told my father this story, he talked about ‘the undertow’ in broader terms, how there was an undertow in life and David, who was only then thirteen, already seemed vulnerable to it. And then, just hours later, Uncle Bobby was murdered as David watched the TV coverage in their hotel room upstairs. It was unbelievably poignant to hear my father tell this story. David was in the casket next to us. And I wasn’t that much older than David when his father worried whether he could survive the undertow.”

[i-may-be-an-emu]

(grape depression spoilers)

UHM OKAY WAIT

IN GRAPE DEPRESSION

ALESSANDRA (the blue fairy) SAYS PINNOCHIO WILL JUST BE A DEAD KID.

WHEN HE DIES AND TURNS TO WOOD HE REFERENCES THIS.

HE HEARD.

PINNOCHIO HEARD THIS. HE HEARD THE FAIRY SAY HE WAS “a bit sh**“ AND HEARD HER SAY HIS DEATH WOULDNT MATTER BECAUSE GEPPETTO ALREADY HAS A DAUGHTER AND A VINYARD.

THIS POOR CHILD.

HE ALSO HEARD HIS FATHER’S DISTRESS AT THE IDEA OF LOSING HIM BUT HE HEARD HIM STILL NOT MAKE A DECISION.

NOW IM WONDERING HOW MUCH ELSE HE OVERHEARD. WHAT IF HE KNEW HE DIED. WHAT IF HE JUST SAID HE JUST “had a little sleep” TO COMFORT HIS FATHER.

WHAT IF HE FEELS RESPONSIBLE FOR MAKING EVERYONE FEEL OKAY ALL THE TIME. WHAT IF HE FEELS GUILTY.

[not-with-you-but-of-you]

Rory on Jess + text posts (seasons 4 & 6 edition) | (season 2 edition) (season 3 edition) (AYITL bonus edition)

[kit-kat-jo]

SO glad that this woman does fingerguns and is awkward GOD SHE IS SO ME

[bumblingbabooshka]

T'Pring and Stonn from the @startrekswimsuitspecial

[moeblob]

Huevember 22

Brent, the most expressive bard to ever bard.

[fingertipsmp3]

Thank you Natasha Pulley for my old man yaoi

[ganondoodle]

so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-

but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again

(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)

i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)

weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon (which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( ) AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward

but i suppose i was very wrong with that .__.

right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)

[ace-and-the-rpg-horrors]

i found Ena5 a nice story for the most part, but i seriously need Mizuki to straight up say "i am a girl" or at least "i'm not a boy" soon because the vagueness by itself wouldn't be all that annoying if there weren't transphobic idiots clinging to it as their "proof." but there are

[thebirdandhersong]

Lol

[gallapple]

Haha imagine Lillith is in Heaven cause she was killed in Hell and was secretly redeemed.

[messytoplipkisses]

mann im going to get my blood reports tomorrow and im lwk scared

[stuckwith-harry]

i am handing in my b.a. thesis (on motherhood in gothic fiction) in a few short days and though i have been complaining about having to write it for six months straight, right now i am actually feeling bereft of future opportunities to write academic papers about my silly little interests. for instance right now i really want to research & write about dracula daily & genre & the impacts of the newsletter format on the narrative (the addition of a timeloop)

i think about format and the specifics of narration a lot when i'm writing my own little things and i loooove when the narration - not just the narrator, but the act of telling the story - is part of the narrative. love when the narration is diegetic! love an epistolary novel (like dracula!) for this reason. should read more of them

inventory by carmen maria machado (short story! read it immediately!) is a GREAT example of this. the format of the narration is so integral to the story. does more than elevate it imo, i would argue the story genuinely wouldn't work any other way

g*d. i'm gonna have to become a video essayist

[mercymaker]

as if struggling to crawl out of the mental illness pit™ and accidentally causing a chronic pain flare up wasn't enough the deer god said 'sickness be upon ye' and gave me full body shivers and a cough