#s2 was better! much more fun!

[dykeandballs]

!

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[pennybunpirate]

Oh I was absolutely not done after just the seagull, it seems 🙃

Thank you to the art person who did Lucius' sketchbook💚

[sualne]

hi I just wanted to ask who's your favorite arcane character(s)?

ekko!!! he's just the best and i'm so sad he has so little screen time, he literally steals every scene he's in!! my other favs are viktor, jinx, silco and sevika! i actually like viktor and jinx a bit less after season 2, they weren't handled all that good ☹ but they were both amazing in season 1!!

[lumiilys]

Ughhh so many external bad things happened today that the newest ofmd episodes have been tainted by it and I can’t go to the ofmd tag for fun and comfort rn :( I guess I won’t rewatch those episodes until I’m feeling better but MAN I was having so much fun while watching them and then minutes after I finished everything fell apart!!!!

[nostalgjc]

arcane season 2 really happened. it’s all out and it’s over and it can’t be changed

[something-about-sunflowers]

Oh, hey, @Arty_Sunflowers on twitter is me lol.

I gotta say, this theory (and variations of it, like my own) is fairly healing with regard to my ability to reconcile with canon and canon-compliant fic (speculative future fic as well). I can't say I think it IS what's going on, just that it'd be nice if it was (nicer than the alternative at least, the 'it was all a dream' trope IS a little tired at this point, though this is a slightly different take on it I think? I digress) and/or it's a good jumping off point for post season 2 fic. (And an easy out that David can take if he needs help with season 3, we promise we won't tell if you take the idea Davey.)

That said I think some people replying to this (or making their own posts talking about this theory and similar) need to kind of. Chill out?

I'm seeing a lot of people be kinda. Mean? About it? 'This sounds like johnlock conspiracy theories lol' like? Don't be the bullies. We've had enough of the bullies. You have an issue? Take it up with David for giving us such an unsatisfying finale that we have to come up with theories like this to make it better or even just to COPE with what we WERE given. Don't be a dick to or about someone who's just trying to find a way to continue enjoying the story they thought they were being told. I KNOW we're feeling bitter. Don't let that bitterness turn you into a dick to people who don't deserve it.

Stede is in the Gravy Basket, Izzy is Alive

The season 2 finale of Our Flag Means Death is odd.  It hits weird. I think I know why. And this is going to sound bananas, but give me a chance to explain.  Maybe you’ll agree.

It has a huge tonal shift. It seems to speedrun Stede and Ed’s romance. It feels like we’ve missed out on something from the end of episode 7.  The fight scenes and pirate plans are nonsensical, even for OFMD. And most egregiously, a prominent character is killed off in a way that feels disingenuous to his story arc, just for starters.

But I’m getting ahead of myself.  We need to go back to the beginning of season 2.  The season opens with Stede looking more piratey than ever. Beard, sash, earring… oh he’s his own fantasy of a real proper pirate.  He’s clashing swords with Izzy Hands and demanding to know where Ed is. He’s dreaming. In the dream he kills Izzy. He and Ed run into each other’s arms while screaming each other’s names. They crash into the surf. Ed says “I knew you’d find me, Babe.  I knew you’d find me, Love.” Stede keeps asking if they’re good. Ed dodges the question. Then Ed asked about the smell. Stede wakes up in a crowded room with farting and shushing roommates.

At first I thought the finale was supposed to be just a “satisfying” mirror to Stede’s dream. Stede and Ed call each other’s names and run into each other’s arms in a display that resembles a more grown up version of Stede’s dream fantasy. There’s some wild sword fighting not unlike Stede’s dream duel with Izzy. And Izzy dies.

It does mirror, but I didn’t find it satisfying. All of the characters except Stede feel flattened. Stede gets to make the heroic plan (that we never even hear) while there’s at least five pirates with better skill sets for it in the room. Ed, as Blackbeard, was described last season as “History’s greatest tactician”; Zheng Yi Sao conquered China; Jackie just took out a room full of British soldiers. Izzy and Auntie are right there. You could make arguments that Jim or Frenchie, or pretty much anyone could make a better plan. Then Stede says “It’s only suicide if we die,” which is horrible considering the plan gets Izzy killed.

Stede’s really the only person in that room who thinks Stede should be making the plans.  So I got to thinking, what if it's not just mirroring the dream? What if it is a dream? Last shot of episode 7 is an incoming cannonball. Maybe he’s unconscious.

Huge shout out to @Arty_Sunflowers on twitter (I’m not calling it X, fuck Musk) for pointing out that that isn’t the only episode that ends with a cannonball. Episode 2 ends with Jim swinging a cannonball down at Ed’s head.  Stede’s not just dreaming, he’s in the Gravy Basket!!!! (Stede even screams “Oh my God!” at the end of episode 7 in the same tone he screams “Oh my God, I don’t want to die.” in s1e9.

Stede’s hopes, dreams, and insecurities shape everything in the finale. And it helps explain the absurdities in the episode when you remember that Stede is living out pulp adventure and romance novels in his head. (He even looks like someone on the cover of one in his episode 1 dream.) But Stede can’t be dead, you say. He’s literally the main character. Well, Ed was dead for a whole episode. Let’s take a closer look.

I could and probably will do another essay on Lucius as a POV character and Ed’s mental health and how the threads they seemed to have dropped aren’t as dropped as they appear. But all of that hinges on me proving the Stede is in the Gravy Basket theory. So for this essay I’m focusing on that.

So for starters we’ve got the cannonball scenes. They’re eerily similar even if the method of cannonball propulsion is different. We don’t know Ed is dead and in the Gravy Basket for about half of episode 3. Neither does he. It makes logical sense you can be there without realizing it for a while. Buttons even said Ed didn’t know whether he was in the Gravy Basket or not in episode 4. It definitely messes with your reality.

One of Ed’s issues is self hate. He manifests Hornigold as his companion. Stede is desperate to be a good pirate and have people be proud of him. And he lives in his fantasies a lot.  So his dream shapes his experience. There’s a whole bit about Zheng needing “soft” and Auntie saying she’s proud of her. That isn’t their issue. It’s discordant with the show previously. But it is Stede’s issue. He’s manifesting.

When we first see Stede and Zheng in episode 8, they’re in a familiar spot for Stede, the bridge from episode 1. But why are they alone? When we last see Stede and Zheng in episode 7, several characters are within 5 to 10 feet of them. Did none of them decide to escape with Stede? Izzy, Lucius,  and Jim are closest. But we know Pete was there begging Stede to stay down during his fight with Zheng. Archie was definitely in the bar. That's why Jim entered the fight. So why is it only Stede and Zheng at the bridge? Because, going back to rescue others fits into Stede's hero fantasies. 

Zheng and Stede also argue about who pulled who to safety and how they got there. Stede waxes poetic about being a failure his whole life, but things always seem to work out for him. He’s such a main character mediocre white guy in this scene. He saves Zheng from two random soldiers, then she has to save him from them. Then they fight a bunch more soldiers on the beach until Blackbeard manifests in full leather from the ocean.  It looks cool. But it's absurd, even for OFMD.

Speaking of Ed, he begins the episode waxing poetic about nature and calling fishermen simple.  Those things are more Stede than Ed. Pop pop tells Ed, “You have no skills” which is something Izzy said to Stede in episode 5.  He also tells Ed, “If you were ever good at something, go do that, you bum.” If Stede’s insecurities could be distilled into one sentence, it would probably be that. (He also talks about being like a wave. I’m not 100% sure it's a The Good Place joke, but it would be thematically appropriate.)

Pop pop also tells Ed he “ruined dinner.”  Back in season 1, in Stede’s flashbacks to life with Mary and the kids, Stede thinks he’s ruined dinner. But remember, we also see another version of the scene where Stede is laughing with Mary and the kids.  Stede isn’t exactly a reliable narrator. Even in his own head.

Despite it being beyond unlikely, Ed finds soldiers reading one of Stede’s letters. I know physics in this show is sketchy, but this seems like a good time to point out no one found the red silk. Stede wants Ed to read a letter and for it to fix everything between them. The letter, plus Stede being in danger, make Ed swim out, find his leathers, and emerge from the sea with them on, while the music is the Swede’s solo from Stede’s fuckery in s1e6. Stede wants to be rescued by his handsome pirate in leather, again, just like a pulp adventure romance novel. Little chance of Ed swimming out and finding his kit.  Even less of him getting leather pants on under the water.

Back to the beach… for some reason two squads of soldiers are wandering around out on an empty beach. A visually incredible fight scene occurs. It honestly reminds me of Pete’s story in s1e2, including flips. Ed and Stede yell each other’s names exactly as in the dream. Like I’m pretty sure they used the same audio track. The same song (I Love My Baby, Nina Simone) starts playing. Ed says “I love you.” Stede says “I know.” (We’ll come back to the Han Solo joke in a minute.) They have a bit more absurd fighting then Ed, Stede, and Zheng sit on the beach complimenting each other. And Ed calls Stede “babe”.  He’s never done that outside of Stede’s dream and this moment. He’s called him mate a couple of times.  Babe is exclusively in Stede’s head.

Back in the Republic of Pirates, the crew are locked in a cell that is actually the “vista suite” at Spanish Jackie’s.  Izzy gets a heroic entrance. It’s as cool as Stede thinks Izzy is. And he gives a speech that sounds like what he probably told Stede to get him to relinquish the suit in episode 5. Piracy is about belonging to something. You can’t ignore the wishes of the crew.  Izzy also knows details about Captain Kidd and Pinocchio. Not impossible, but not exactly Izzy’s wheelhouse. It is Stede’s though. He’s obsessed with pirate tales and he read Pinocchio to the crew.

Stede, Ed, and Zheng show up just as Jackie has poisoned a bunch of soldiers. Stede makes a plan, despite everyone else being more qualified. Everyone disguises themselves as soldiers. Now we’ve seen the crew of the Revenge wear disguises. They never do the weird free styling they do here. Only Stede actually looks like a British officer. Zheng at least wears the disguise properly. Suddenly Ed has a multi gun bandolier like Blackbeard in the books. Pete ripped the arms off. Izzy is still wearing his vest. Doesn’t make sense if we’re going for stealth. Neither does not checking hostage Ricky for weapons or putting Izzy and his wooden leg at the front of the group.

If I'm right, Stede wouldn't know Ricky was behind the explosions. However,  Ricky is basically evil Stede. He's Stede's perfect foil. All of this is reflecting Stede's psyche. So, of course, it's Ricky.

Izzy gets shot and says quite a lot of nonsense in his death scene. “They love you, Ed.” Um, 3 of them were going to leave like five minutes ago. Ed has made some progress with the crew, but we’re not at “they love you Ed”.  The only person who thinks the crew loves Ed is Stede. Stede who weeps for Izzy while most of the crew aren’t showing much emotion. Stede can barely deal with his own big feelings. His fantasy doesn’t give the crew room to have them. Also, given the rest of the season, having Jim just let Ed be the person cradling Izzy doesn’t fit. The crew is also pretty stony at Izzy’s funeral.

I feel like it should be noted the last shot of Izzy in episode 7, he’s got one are around Jim and a hand on Lucius’s shoulder. He sat in Wee John’s lap in episode 6. Reactions to his death don’t make sense.

Also, Izzy’s terrible grave marker is very … Stede. He’d think it was a brilliant idea.

I didn't understand at first why Izzy had to die, even in Stede's dream world. Stede clearly likes him a lot better now. Why kill him? Well, it's because we're supposed to think Buttons is there to go to the Gravy Basket for Izzy. When actually he's already arrived in the Gravy Basket and he's there for Stede. Also, mentors die in pulp adventure novels. Stede sees Izzy as a mentor.

They go aboard the Revenge for Lucius and Pete’s wedding. It’s cute that the crew performs the ceremony, but I’d venture a guess that’s because Stede doesn’t know a captain should do it if it's legally binding. Stede does love the romance of it all.  The sudden uptick in monogamy is also very Stede. He barely understands monogamous relationships. Polyamory is beyond him.

Then Stede and Ed, who earlier told Zheng they’d help hunt Ricky, go back to the island where Izzy is buried to start an inn in a run down shack.  Stede knows Ed wants to do this because Ed told the (Taika’s) kids that they ran an inn.  We hear Ed ask “Jesus, what is that smell?” Now, at first, I thought Izzy, because Ed “knows the smell of my rotting first mate”. But what was the last thing to happen in Stede’s dream? A fart joke.

Last scene is Buttons landing on Izzy’s grave. To retrieve Izzy from the Gravy Basket? No, Izzy’s not dead. He’s with Jim and Lucius, probably watching over Stede’s corpse. Buttons is there to retrieve Stede.

This theory fixes the plot holes and dropped threads problem. We’re coming back to them next season. Ed's amends making should be far from over. And we see several moments during the season where he acknowledged that. And yet here on the island they've set up a horror movie and called it a happy ending.  Well, Stede is the type of boss who thinks things are fixed with a pizza (Calypso) party. In Stede's mind, this is a happy ending.  But really Ed is still off finding himself,  Stede is (temporarily) dead, and Izzy (who is not dead!) is probably guarding Stede's corpse.

They haven't resolved the domestic violence thread, but they haven't dropped it, either. Izzy is alive. Stede and Ed aren't together (yet). There's still time.

This also explains some of the freewheeling nonsense David Jenkins has been spouting in articles. Ed doesn’t see Izzy as a father figure and mentor, Stede does.  Stede almost turned to mush when Izzy approved of him. And David is writing a three volume adventure novel. Han Solo (Stede) is in carbonate (the Gravy Basket). The perfect end to the second act. See, I told you we’d get back to the Han Solo joke.

I still have problems with the season.  I really think they need a sensitivity reader. Even just implying a newly disabled character was fridged is certainly a choice. Especially given the amount of time devoted to how the character handled the disability. The DV scenes were brutal, as well as the suicide attempt, and the Human Puppet joke. I think they need someone trauma informed and disabled in the writer's room. (David Jenkins hit me up!)

Overall, I liked season 2. Especially once I realized Izzy wasn't dead. I'm looking forward to season 3, the conclusion of the Gentle Beard arc, and hopefully 6 seasons and a movie of Izzy (to be clear, he's not captain) and the kids sailing up and down the coast being gay and doing crimes, occasionally checking in with Stede and Ed.

Seriously, David, call me.

Historical Note: IRL Blackbeard died on November 22, 1718, killed in a naval battle off Ocracoke Island in North Carolina. IRL Stede Bonnet died December 10, 1718, hanged in Charles Town, South Carolina for piracy.  IRL Israel “Izzy” Hands survives piracy, death date unknown. I know this show doesn’t actually care about historical accuracy, but this lends a little support for my Ed died, then Stede died, and Izzy isn’t dead theory.

[aliceinborderlandsquidgame]

One hell of a team | In-ho x Wife!Reader |

Summary: You will follow your husband anywhere.

Warnings: S2 Spoilers - Violence - Different back story for In-ho - Blood - Death - Use of (Y/N) - Reader gets called "love" -

The Frontman, the man with the most power within the island, to who the guards obey without question.

Was currently trembling under his wife poited look.

"You want to enter the games?" You asked him, your tone cold and almost jugdmental.

In-ho calmed himself down. It was an idea that stayed with him after the death of the Chairman and even mor with how player 456 had insisted the last two years in finding them. He had played before and won, he knew how terrible others could be, he had walked out like a new man, used the money for himself and you. Never really gave much thoguht on how life were lost.

But, for some reason he wanted to go again.

"Im going with you"

His glass of wishky fell onto the floor, the loud crash did nothing to bother you while you ate.

"No, thats not happening. I need you here to control the games and guards" In-ho started trying to get a valid reason to why you defenetly should not come.

"Oh, you need me to? Well I need you here. With me. With our family. How do you think I would do seeing you there ? I still remember how you got when you came back from these the first time"

"That was different" The Frontman said taking a deep breath "I wont be just one more player, it will be like when the Chairman went in"

"That still does not ease my mind" (Y/N) responded "Till death do us a part and follow you anywhere" you recited showing him your weeding ring. "Remember?"

In-ho felt his chest got thight at the sight and the memory of the small yet full of love weeding you two had back when life was more simple.

"Alright, you can come with me. Its not like you would wait for my approval" he responded smiling at the end "But no one must know that we are married, you understand that ?" He added now serious

"Of course, its what makes more sense, we will just casually meet there and see how it plays" You nodded to him "And please, better clean up that glass before someone steps on it"

"On it, love"

~☆~☆~☆~☆~☆~☆~

For the most part pretending not to know each other was easier than expected. While you knew the guards knew who you two were you were still a bit scared. Specially during the green and red light, since both of you had got separated and now you were froze in your spot.

"You need to move" In-ho said from behind his arm playing along "Follow me in the next sing, alright? Just take my hand"

"Im scared, im sorry" You said feeling guilty over wanting to be there with him and starting to fail on the first game no less.

"I know, I was too. But im here, just follow me"

~☆~☆~☆~☆~☆~

You had to hide your smirk when he pressed the circle to go on with the games, you knew he would do it just to piss off Player 456 and make things more cahotic.

He went with the rest and stood besides you trying himself not to smile at you.

~☆~☆~☆~☆~☆~☆

The first approach to Gi-huns team was tense to say the least. You two had voted circle and even worse In-ho had been the vote that ended the tie.

But with his own charisma and yours you two got to be on his good side.

Till In-ho decided to talk, really you sometimes forgot who sassy he could be.

"And some picked umbrella?" He asked faking suprise when he had seen it on first hand. "Most of them died I assume"

You could see the look on player 456 and decided to be more sensitive

"Hey, dont be like that. Im sure they went in blind and did not know what it was about" You said keeping a safe distance so no one would think you two were together or knew each other before the games.

In-ho was having too much fun.

~☆~☆~☆~☆~☆~☆

That first night they both were in their respective beds. Still keeping their false relationship. However once (Y/N) was sure all were asleep she went towards In-ho who was awake like he knew she would be coming to him.

"Are you alright?" He asked in a whisper, worried that for her this would be too much.

"Im fine, I wanted to see if you were fine"

He nodded not saying a thing but taking her hand.

"Also, I saw you break that fight, really ? When did you even learn to do that ?" This made him smile and hold her hand thighter "Really! I only see you in your office all the time"

"You think I would come in here without knowing how to defend myself or you?"

She smiled at him, blushing in the dark. "No....I just thoguht all you did was be in your office and give orders"

In-ho rolled his eyes "Just wait till we are out of here, i will show you just how fit im"

~☆~☆~☆~☆~☆

The six legs game was both a chaos and funny. Honeslty you could not help yourself on hugging him and player 456 (who was slowly getting on your soft side) as you saw a team win.

However the shoots that came for these who did not survive were too much. You would swear In-ho gave the guards a cold stare because you would flinch sometimes.

"Hey, dont worry they wont shoot the ones who havent played" Player 456 reassured you with a calm tone

You nodded, knowing that even if you lost they wont shoot you or In-ho. It was still sweet to see him trying to calm you down.

~☆~☆~☆~☆~☆

"Not a word" He said during the night when you two were able to talk again.

"I was not going to say a thing, but you did in on purpose or were you really missing ?"

In-ho closed his eyes knowing you would later get the recording of him missing during the game and use it against him.

"It was all planned" he said trying to sound as convincing as he could.

"Whatever you say Honey"

~☆~☆~☆~☆~☆~☆

The game of making pairs gave you nausea because of the carousel kept spinning around. And the rounds were stress again. The worse part was getting separated from In-ho who find you seeing how two players were dragging you so they could have the number they needed.

You havent see him get that angry in years, his protective self being on as he pulled one from the neck and punched the other one.

He kept punching almost forgetting there was a game you two were supposed to play.

"Leave him we still need two more" You urged only for a guard to shove two confused and scared players besides you and In-ho.

"We got them" He assured getting your hand and going to one room.

~☆~☆~☆~☆~☆

"In-ho!! (Y/N)!!" The worried screams of Gi-hun filled the place as he looked for both of you.

Even if he had promised to try and dont get attached to new players and survive he could not help but feel a connection with both of you.

"Gi-hun!" In-ho's voice called making him look over and see him coming towards the rest with you by hand something that made him curious but decided not to ask.

"Im glad to see you two alright" Gi-hun said seeing just a few bruises on you, and noticing blood on In-ho knuckles.

You catched his eyes and went to explain "He saved me" you told the rest looking at them then at In-ho who was looking back at you "I would have not made it otherwise"

The look of love you two shared was so genuine, some wonder if you two were together but trying to be discrete to protect yourselfs.

~☆~☆~☆~☆~☆~☆

"They will most likely attack us tonight" Gi-hun explained as he showed the fork the guards had left when the food was given.

The idea only assented itself when the men returned from the bathroom, with blood on them. 

"And what do you propuse us to do?" In-ho asked all of the Xs were in a circle trying to listen to what Gi-hun had to say.

Gi-hun told the others his plan, honestly you thoguht it was nusts, it wont work. They were far suprassed on numbers but you had to shut yourself up.

You could tell your husband was both amazed by it and even kind of respecting it. Or at least that what he showed to him. He needed Gi-hun's trust after all.

~☆~☆~☆~☆~☆

"Hide well" In-ho said besides you in a low tone "We can trust the guards but till they get here we cant trust the others"

You nodded knowing that very well since this was a typical phase of the game for years.

"We will be safe" You said holding his shoulder. "Do what you have to do, dont worry about me" You tried to make him feel at ease but he could not. The only thing that scared him more than anything were the other players trying to get to you.

"Just hang in there" He responded his forehead against yours.

~☆~☆~☆~☆~☆

The fight was on its hot spot. The players were killing each other without a second thought.

Nothing like living it, even if you have seen this type of thing multiple times. Its was unnerving to see them just going at each others troath. The screams and cries were too much for a moment, the dark did nothing to help.

Thats when you felt it. Someone had dragged you out from under the bed and was now on top of you. You saw the player move their left hand ready to Strike at you. You tried to punch and defend yourself but the person on top was too strong.

A cold scream left your mouth as the fork pierced your shoulder.

You could not help it, the adrenaline and anxiety was getting on you.

"In-ho! In-ho help me please" You screamed for him, your husband the love of your life.

"Shut up, the next one will be your neck" The person said and for a moment you saw it. Dying in here and leaving In-ho.

Till you felt the person being pushed and the screams of them. You blinked trying to make sense.

It was In-ho, he had taken the fork from the player and was now piercing the neck of the player, not even leaving a chance for them to survive.

"GO HIDE NOW!!" In-ho ordered, he being scared himself and angry. He saw red when you were dragged and it was for the brutal grip Gi-hun had on his arm that he did not move faster.

You did as told getting under another bed and making sure no one could reach you.

"You fucking scum! How dare you lay hands on my wife" In-ho almost screamed too angry to see that the player was now dead. All his face and hands where covered in blood.

"Stop it!! They are dead, we need to continue the plan, the lights will be back soon" Gi-hun said taking him and pulling him away from the dead player.

"Get (Y/N), and be ready" Gi-hun told him trying to keep himself calm even when he was close to jump over and save you and In-ho. He wondered if he had hear it right, you were his wife?

In-ho did not waste time, searching for you in the dark till he noticed you. He went quick, pulling yourself out from the bed telling you its was him.

"Shh shh its me, its over dont cry Love" He said trying to make you feel better.

"In-ho?" He nodded and you cried harder "In-ho I was so scared"

"I know love I know, just a bit more alright? It will be over soon. Listen once the guards come in and we follow Gi-huns plan do not come. Someone will come and get you"

"Im going with you, im not leaving you in a bullet fight!"

"You know nothings gonna happen to me, I want you here, safe, alright?"

Finally you accepted.

"I love you In-ho"

"I love you too Love"

~☆~☆~☆~☆~☆~☆

As In-ho had said when the guards got back after the fight one took you, Player 120 tried to protest but was put back in her place by other guard.

"You are under suspect of have been part of the riot. You are now eliminated from the games"

The guard said playing his role, starting to get you out of the room while you screamed following the act.

~☆~☆~☆~☆~☆~

"Apologies Madam, orders from the Front Man" The guard said bowing once you two were outside and out of reach from the others players.

Even if you were still breathing hard you nodded. "Dont worry, just take me to him". The guard nodded.

~☆~☆~☆~☆~☆~

He knew he was needed in the control room but refused to let you alone like that. He went to your share room, his heart broke at your image, bruises and blood over you. A guard was checking your shoulder but left after he order them to.

Silence fell over both of you as he went to you and hugged you careful not to hurt your shoulder.

He removed his mask to look at you properly.

"Im sorry, I should have never let you come, I should have stopped this sooner" He said with pain in his voice

"Dont blame yourself, I told you I was going in with you. This was not your fault In-ho" You reassured him feeling sad and worried over him.

"I cant not blame myself" He gently passed his hand over your cheeck "You are the best thing in my life and I almost lost you because of my own desires, never again"

You two kissed softly grounding yourselfs. You two were safe and together nothing else matters from now. Only the love and devotion you two had for each other.

~☆~☆~☆~☆~☆~

[melrosing]

also if there is one thing i'm finding grating about S2 so far it's that they're having a bit of fun with the headspaces of Daemon/Aemond/Aegon etc, like the freudian stuff, the inferiority complexes, etc etc, but when it comes to Rhaenyra/Alicent/Rhaena/Rhaenys etc it's just like 'it's hard to be a girl in man's world' like I feel as though I've seen Rhaenyra complain about a dozen times re. feeling dismissed by her vassals and stuck in passive role, and it's just not fun. it makes her less interesting as an individual character, and more of a symbol of How Things Were For Women And Kind Of Still Are Really Makes You Think. asoiaf is a lot more deft w this. characters like Cersei, Arya, Brienne etc do constantly grapple with the whole 'it's a man's world' shit and it's important that they do, but you've still got Cersei wrestling with the legacy of her father's violence/the mad complexities of her incest with Jaime/her complex relationship w trauma and Arya's got the impact of war/her wolf visions/her complex relationship w home and Brienne has her relationship w knighthood/her gender trouble/her romance w ole jam, and all of that is complementary to 'god does it suck to live in an uber patriarchy'. Rhaenyra and Alicent etc have so much scope for this stuff as well but the writers just clearly aren't having as much fun w it as they are the guys. the writing of the women is a lot more 'worthy'. i want them to get weirder with it!! Rhaenyra is married to her goddamn uncle and they're only exploring how deranged that is from Daemon's POV! Rhaenyra's kind of just sighing at the sidelines like 'i guess men will be men even my uncle'. Alicent's sons with their burgeoning oedipus complexes and Alicent meanwhile just like 'it's hard having such crazy sons when you only want peace and prosperity'. like i could go on. I am glad HOTD is trying to wrestle more meaningfully with these questions than GOT did but we're venturing a little into Barbie 2023 territory here of the ole Patriarchy 101 and wouldn't it be better if girls ruled! anyway

[mayasaurusss]

hello!! how are ya??

may I request a jinx x FEM/GN reader who is shorter than her and has cat-like features almost like lest from arcane s2?? thank you and happy holidays Maya :D

A/N: hello anon! I'm fine, how about you? I hope you're okay with this, it's not a full oneshot but a series of thoughts/headcanons.

Thank you for requesting, and I wish you happy holidays as well!❤ (not gonna lie, when I read that I squealed 'cause of happiness😂)

Not proofread!

Jinx was transfixed with you from the first time she met you.

She met you during one of her raids in the undercity, and you, coincidentally, were one of the people who were near when she attacked. The enforcers, as usual, had entered the city's grounds and wrecked havoc. She, on the other hand, decided to bring her trusted granades and gun. Silco had explicitly ordered her to stay away, but she's Jinx: she does what she want and today, all she wanted was to have a little fun and distract the voices from her head.

You were one of the people running away from the enforcers. Blood caked in the small layer of fur you had, eyes as tight as slits and panic on your features. And when she drove them away, too scared to face Silco after her last little stunt, you looked at her with pure adoration.

And Jinx? She just has to admit that she was smitten with you from the start. Not immediately, let's make that clear, but somehow you tugged at something inside of her and slowly reached out into her heart.

Jinx who was at first, despite her interests, a little freaked out from you. She doesn't want you to know that, but something about how you looked just made a little alarm bubble pop off above her head. Overtime though, she started to get used to you and with it, became more and more infatuated.

Jinx who, every day, runs her hands into your fur. She likes to warm her cold hands in it, consequentially making you freeze. She smiles devilishly when she does so, while you try to pry her away or run from her grasp, but alas, she's too strong. You're gonna warm her up for a while.

Jinx who is utterly amazed by your eyes, far more intense than any she's ever seen. She wouldn't admit it to you right away, but she gets cranky whenever trying to draw you because no matter what shades of colors she uses, she can never replicate your eye's colours quite right.

Jinx who plays with your ears. They're very sensitive so she is careful, but she likes to play with their tips, twirling and pinching them. She likes to run her fingers in the floof at the base. When you're stressed, she'll scratch the back of your ears, making you fall asleep above her.

Jinx who just loves to annoy you for your height. She didn't even thought that there could be people shorter than her; you know, besides Isha and the yordels.

Jinx who, despite all her good will, sometimes will be pretty oblivious to social standards. Cut her some slack! She has only ever had relationships with Silco and... Sevika, in years! So she'll blurt out stuff without really thinking too much about it. "Do you need to do drink some milk, kitty cat?" and she says that every time you're cranky. Oh she's so lucky you love her, or by now she'd be scratched all over.

Jinx who boops you! All. The. Time. Throughout the day, few are the moments she doesn't spend her time with her fingers on the tip of your nose. She has the habit of booping your nose with her thumb and then pressing a kiss on it. The second after doing so, she let's cute aggression get to her and she starts to bite your cheeks and squish them.

Jinx who is all happy and fidgety when you bring her your "preys". Those are, of course, just little things you found around the under city that made you think of her. Usually they are shards of the most beautiful blue glass, copper coloured gears or some new set of crayons you bought. On that note, maybe you were better off as a bird. She always gasps and marvels at each of your gifts, always shocked by how much you know her. "Kitty cat! These are amazing!" she rolls the blue and pink polished shards of glass in her hands, "I'm going to make a beautiful necklace out of this for you!".

Jinx who tries to not be mad when she finds your fur on her clothes. "Please" she begs you, "please, one pair of pants. Leave me one pair of pants!".

Jinx who falls asleep immediately ever since you've entered her life. Her nose is pressed on your torso, limbs tangled in you. The voices are gone, and you are so soft and warm, so nice and loving... And as she drifts to sleep, she knows her place is here with you.

[daryltwdixon]

Hi! I saw your request for some drabbles and was wondering if you could do a fluff Daryl x Fem Reader set in S2 Ep7 where she comes to Daryl's defense (maybe a slap to the face 😆) after Shane's rant about how Sophia would run away if she saw him.

Daryl x Reader requested

author's notes: helloooo!! I loved this and I was cracking up rewatching the scene. Thank you for the request!!

Not much of a sweet fluff but still a fun fluff

"We can't just sweep this under the rug," Andrea's voice is insistent as Shane paces, pushing his hat harshly onto his head. The blue brim shades his angry eyes as he steels over the group. The sun beats down on all of you as you stand in front of the large dilapidated barn. Snarling echoes in the barn ahead, making your skin crawl. Glenn had been acting antsy all morning, finally announcing to the group that Hershel and his family have walkers locked in their barn like they’re just sick relatives waiting to get better.

"It ain't right," T-Dog says flippantly, crossing his arms. "Not remotely."

"Okay," Shane sighs, loud and impatient. "We either gotta go in there, we gotta make things right, or we just gotta go." He adjusts the brim of his hat as he looks at Rick. "Now, we’ve been talkin’ about Fort Banning for a long time."

You roll your eyes. Shane had been running his mouth about Fort Banning since the second you met him, and it was exhausting. He just would not shut the hell up.

"We can't go," Rick hisses, holding up a hand to silence Shane, but of course, Shane doesn’t stop.

"Why, Rick? Why?"

Carol’s small voice trembles as she steps up. "’Cause my daughter’s still out there."

Shane’s face shifts, softening into a strained mask of patience. His eyes close for a brief second, like he’s trying to summon every ounce of strength before speaking again. "Okay," he sighs, dragging a hand over his face. "Carol, I think it’s time we all start considerin’ the other possibility."

"Shane—" you bark, but Rick cuts you off.

"We’re not leavin’ Sophia behind," he says firmly, his tone brooking no argument.

Daryl, still battered from his fall down the ravine, steps forward. His voice is rough, but there’s conviction in every word. "I’m close to findin’ this girl. I just found her damn doll two days ago!"

"You found her doll, Daryl, that's what you did. You found a doll." Shane says incredulously.

There’s a beat of silence before Daryl’s voice rises to a roar, his arms swinging out as if daring Shane to keep going. "Man, you don’t know what the hell you’re talkin’ about!"

"Look, I’m just sayin’ what needs to be said!" Shane shouts back, voice booming. "You get a good lead, it’s in the first 48 hours—after that—"

"Shane, shut up!" you shout, your frustration boiling over, the barn of walkers becoming more and more riled as voices continue to climb.

"Let me tell you somethin' else, man!" Shane barks with a humorless laugh, "If she was alive out there and she saw you comin'—all methed out with your buck knife and geek ears around your neck, she would run in the other direction, man!" he says, pointing across the farm.

Rick is in between them in an instant, Daryl lunging at Shane, his arms swinging in anger, but it's your temper that gets the better of you, and no one stops you as you stalk over in front of Shane.

A loud smack rents the air, your palm stinging on impact as it hits Shane's face. Suddenly, everyone goes still and very, very quiet.

"You," you hiss, jabbing a finger into Shane’s chest. "You shut your damn mouth, asshole. If you’d done half the work Daryl’s done for that little girl, we might’ve actually found her by now. But instead, you’re worried about what, exactly? Fort Banning? Give it a rest. We’re not leavin’ without Sophia. End of. Until you’ve got something useful to say, keep your damn mouth shut."

Your seething breaths come out heavy and hot as you look at the man whose skin is hot pink where you slapped him across his face.

The barn seems quieter now, the walkers’ snarls muffled compared to the buzzing tension in the group. Shane stands dumbfounded, but there's anger and disbelief rising behind his eyes as he takes you in.

You feel a hand on your shoulder from behind you—gentle, trying to ground you—but you shove it off and turn on your heel, storming away toward the camp.

જ⁀➴

Later, you’re at the campfire, your temper still simmering like the embers in front of you. You hold a stick of spam over the flame, your grip tense. Most of the others have scattered to chores or hushed conversations, but the sound of boots crunching on dirt draws your attention.

Daryl approaches, looking uncharacteristically unsure of himself. "Hey," he mutters, his voice rough and low.

You grunt in greeting, not trusting yourself to speak yet without snapping.

For a moment, neither of you says anything. The fire crackles between you, and Daryl shifts his weight, chewing on his bottom lip as he fiddles with an arrow in his hands. You steal a glance at him—his bruised face contemplative—and something softens in your chest. You hand't really gotten to know Daryl in the past few weeks you'd come to know the rest of them. He had a temper, much like you, and wasn't necessarily the most friendly of the bunch. He kept to himself, especially since his brother went missing and you didn't want to bother him, knowing how easily he could be set off these days. But there was something about him, you had to admit to yourself when you glanced at him now. He was handsome, under all the ruggedness and sweaty dirt-smudged skin. He had a tender heart too, and that was something that surprised you most when Sophia had first gone missing. He was the leader of every search party, spent almost every day out looking for her or coming up with plans, and you felt like he deserved so much more recognition than he got. The others chalked him up to a dirty, no good redneck. But you see more than that, especially now. He’s the only one who’s been fighting as hard as you for Sophia, and it feels like no one else recognizes it.

“Didn’t have t’ do that,” he says finally, his southern accent thick as he mumbles.

“Do what?” you ask, though you already know.

He shrugs one shoulder, his eyes still locked on the flames. “Smack ‘im like that. Standin’ up for me.”

You roll your eyes. “Shane pisses me off, that’s all. Asshole thinks he runs the place.”

Daryl nods faintly, his lips twitching like he’s holding back a smile. “Still,” he says, glancing at you briefly before looking away again. “Kinda hot.”

The words catch you completely off guard. Your cheeks heat instantly, and you finally turn to face him, blinking and startled. “Hot?” you repeat, your voice incredulous.

He doesn’t look at you, his mouth tugging into a sheepish smirk as he scratches the back of his neck. “Yeah,” he mumbles. “Ain’t no one ever done somethin’ like that for me before.”

You stare at him for a moment, then let out a breathy laugh, shaking your head as you look away. “You’re unbelievable,” you mutter, though a small, embarrassed smile tugs at your lips.

Daryl shrugs again, a faint blush creeping up his neck. "Guess I owe ya."

“Nah,” you say, the grin lingering on your face despite yourself. “Just... keep doin’ what you’re doin’. That’s enough.”

He hesitates, looking down at the arrow in his hands before glancing back at you. “Come with me next time,” he offers, his voice softer now, like gravel under tires, “I’ll show ya how...to track n' all.”

Your smile widens, a shy warmth blooming between you as you nod. “Alright,” you agree, the tension easing into something lighter. 

He nods, the smallest hint of a smile playing at his lips as the two of you settle into a companionable silence by the fire.

[starryinkart]

{CLICK FOR BETTER QUALITY!}

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START HERE ->

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NEXT PAGE (COMING NEXT SUNDAY!)

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Hey guys! Welcome to the next update of MD:Totality! Things are about to get fun in a few more pages, so hold tight, our boy N isn't looking so hot...is he...:P

Are you guys excited for the finale of Murder Drones? 2 MORE DAYS LEFT!!! The quality looks absolutely BONKERS GOOD in quality! Im so scared for all the characters, I've grown to love all of them so much, but hopefully we get a decent ending or cliffhanger! I know alot of people are upset they aren't announcing a S2 and the show feels rushed, but who knows, maybe it'll end in a cliffhanger and the show will be picked up someday again after TADC and GASLIGHT District come to a close! Don't give up hope yet!

In the meantime, the comic will be aiming to do the characters justice that 8 episodes couldn't give them on Glitch to the best of my ability! Just adding more characterization and info/personality of the universe/The Solver/JCJenson/characters etc. So I hope you all enjoy my spin on things!

(P.S Sorry for the late upload guys, real life stuff got in the way, got super sick and am feeling a bit better, but I'm aiming to have this comic out on time, minus exceptions!)

____________

Here’s the synopsis!:

Barely escaping the mass destruction of Copper 9, as well as losing Uzi to the Absolute Solver, N, V, J, Khan, Lizzy and Thad find their way through the galaxy to the Earth-like planet “Jericho”; where they look for refuge and plan to fight back. Their new goal, stop the solver from destroying the last remaining human colonized planet by any means necessary, find JCJENSON and report their findings. It shouldn’t be THAT hard…right?

_____

The idea is to have pages coming out @ around 7 pm US EST or every 2 Sundays (if life gets busy lol, I will let you guys know!)

I hope you guys really enjoy this comic, as well as the character development I have planned for it! Enjoy! <3

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< COMIC CONTENTS >

COMIC COVER < Get Comic Synopsis HERE!

The ASTRA Family INFO

SNEAK PEAK #1

ASTRA REFERENCES #1

(MORE COMING SOON!)

[starbylers]

After spending some time listening and re-listening and thinking a lot, I think I finally have my head wrapped around all these songs. This post is an exploration of what they could tell us about Mike’s story, and also a sort of theory I noticed once I saw the full picture. This playlist is—in my opinion—the story we’ve been theorising for the past two years reflected in 12 songs. That might sound hyperbolic but it’s simply what I heard and interpreted, and wanted to share because I enjoyed writing it. I hope this is an interesting read!

If you didn’t see my last post about why I do believe this is Finn’s Mike/ST playlist despite the somewhat ambiguous title you can read that here. It’s totally okay if you disagree but I’m not interested in debating it, and this analysis is coming from a perspective of assuming we've guessed correctly that the playlist relates to ST (obviously we can't 1000% verify that, but for the purposes of this post that’s my stance).

I’m going to focus on themes and overall meanings in the songs because in my opinion that’s where any connections are going to lie, rather than specific lines holding anything important (aside from a few which I’ll highlight) because I feel like that’s closest to how Finn would’ve thought while making it. Basically a macro level representation of Mike and what he goes through next season, something that would help a person get into the headspace of a character. Oh and my larger point is about the playlist as a whole, which will come together at the end :)

➠ Track 1 | Ballad of the Texas King

The first song is an anomaly in that I think it’s meant to set the tone more than anything else. These explain better than I could hope to:

"Itʼs a murder ballad, and as is common in murder ballads, deals with promise and innocence being snuffed out.” [link]

"Clarke sings of a chance encounter with an ominous figure that feels akin to selling your soul at the crossroads" [link]

Hey kid come along, something is wrong, I believe you now / All this to say only one way that this can go / Come with us for a ride / Don’t it feel like hell? Boy let me tell you, that’s where you are

• • •

A nice little coincidence, Finn himself is quoted as saying season 5 is a “crossroads”. I can see this song being an allusion to inevitable big choices with life-altering consequences next season, and also more mature themes being tackled within Mike’s story. I mean he’s stepping back into his role as leader, and now they’re older that will come with a lot more weight and responsibility in situations where the fate of the world is likely hanging in the balance. Not to mention how his personal struggles will be tied up in that, it’s probable that a slightly darker, more self-reflective—and transformative—tone is waiting for us in regards to season 5 Mike.

➠ Track 2 | What You're Doing

A simple song about a turbulent relationship where one person is unhappy because their partner is messing them around, and they're pleading with them to stop.

Look what you’re doing, I'm feeling blue and lonely / You got me running and there's no fun in it / Please stop your lying, you've got me crying, girl

The partner is the one holding control in the situation, while they feel at the mercy of their partner’s careless choices. The mood here is one of helplessness and desperation while still remaining open-hearted, hoping they’ll change.

I've been waiting here for you wondering what you're gonna do / If you should need a love that's true it’s me / Why should it be so much to ask of you what you're doing to me?

• • •

This is heavily M!Ieven coded. What do we know about their dynamic? Mike is always the one chasing El (trying to “win her back” in s3, terrified of her not needing him in s4, stressing about her being in danger all the time). El is consistently seeking autonomy (choosing to learn about her identity over pursuing romance with him in s2, choosing to break up with him in s3, choosing to leave him behind in s4, and I’m willing to bet she’s the one who removes herself from his storyline in s5). We know their separation will happen early season, and naturally things between them must be unstable leading up to this. El being the one to pull away while Mike stresses over it checks out considering these past patterns, and also the end of s4 with her already closing herself off while Mike appears at a loss.

➠ Track 3 | After The Earthquake

A song reminiscing on a relationship and the failure and death of it, with a sense of lingering nostalgia and unwillingness to let it go. It’s set to the backdrop of a metaphorical car crash.

It wasn't built to last / If you wake up you’ll remember the awful things I said / Looking back to the vibrant days / Those days I'd never let you fall apart but things fade / Why would I ever fall in love again when every detail’s over the guard rail? / Velvet curtains drawn, flowers at your feet / Say you’ll climb your way out of your wake now / Are you awake now?

• • •

In simpler terms…this is a break up song. The longing tone makes sense to me for M!Ieven because I’ve long suspected the initial split between them is not going to be super clean cut (this should make more sense later). Mike and El were together for a long time for their age, and have a lot of intense shared memories. El was also his first and only experience of relationships; it’s going to be difficult to detach. It being the right decision to end something doesn’t mean it’s easy or simple. Even if Mike is gay and didn’t truly like her romantically, he still loved her and in my opinion that distinction isn’t something he’s going to have figured out and made peace with the second it ends.

➠ Track 4 | Promises I've Made

Very straightforward and repetitive, and follows on seamlessly from the last song: this is about having trouble moving on from someone who’s left your life.

Ever since you have gone the days don't seem so bright and I wish I could forget you but I can’t / I have promised myself I wouldn't dream of you but I find that awful hard sometimes to do

• • •

Based on what I’ve seen people might fight me on this, but to me it’s M!Ieven coded mainly because of its positioning in the playlist (directly after a struggling relationship song + break up song) but also because it is technically about an ex love. Could we say it doesn’t need to be interpreted that specifically? Yes. I suppose it could be Byler coded too but personally...the way I would interpret it is as Mike moping over whatever happened with El. There’s not any intense emotional pining going on; if you listen it has a very laid back, chill sort of mood and is honestly very upbeat. There’s no deep heartbreak. It’s just about missing someone. Plus it sort of perfectly closes out the process we see over the last two songs of being unhappy with someone, to breaking up and grieving, to the typical post-break up struggle of navigating this hole in your life and naturally missing what once filled it. This is a whole sub-arc for Mike.

➠ Track 5 | Angst In My Pants

We’ve reached the gay section! This song is about trying to fit yourself into an acceptable—aspirational, even—life but never feeling content, and continuously trying to squash this troubling Feeling, the titular phrase: angst in (your) pants. Some people think it’s a reference to literal physical arousal but others including me think that in context it’s intended more as a metaphor for sexual frustration/dissatisfaction.

I hope it doesn't show, it'll go away / It's just a passing phase / When you’re all alone, you and your head / When you think you’ve made it disappear it comes again, hello, I’m here and I’ve got angst in my pants

The queer subtext here is very clear, I don’t think I even have to explain (check out the cover art too lol). The song closes with a realisation/acceptance that no, this “phase” won't ever go away i.e. it’s just who you are.

Give it a hundred years, it won't go away

I also thought one of the opening verse lines was an interesting segue from the last few songs:

But when you’re all alone and nothing bites you’d wish you stayed at home with someone nice

• • •

Angst In My Pants may aswell be titled Forced Conformity the thematic parallels to ST are that blatant. Another point for team Mike Wheeler actually is connected to the main themes of the show like all his other friends, and no it’s not because he’s somehow oppressed for being a nerd. Also rather than being about feelings for another person the song is about personal struggle with sexuality which excites me to think about in relation to Mike because we’ve been saying he needs to explore his own identity outside of being a love interest.

➠ Track 6 | The Better Side

A very sweet, slow, slightly melancholy song. I’ll be honest I cannot decipher more than 2/3 of the lyrics but here are the most meaningful ones of those I could:

I know you cry and I’m trying to keep you by my warmth

You’re never gonna see my eyes, you’re coloring all the skies you want to / I tried staying alive, keep my head on the better side when you’re far away

You’re on the better side you’re always the better one for me

You’re all that I need, I’m not gonna miss you anymore

My understanding is it’s about pining over someone who is a “better” choice, whatever that means in this context. Deciding you want someone, someone who you don’t currently have, someone who is maybe distracted, distant or physically absent? But vowing to change that because you recognise that you need them.

• • •

This directly follows the Gay Thoughts song, and precedes the Gay Thoughts song 2.0 so I feel safe interpreting it as Byler coded and about how it’s Mike’s turn to pine. (Also because “better” implies that there’s a “worse” i.e. this is a situation where you’re differentiating between two things i.e. in Mike’s case, Will vs El). I can envision Mike and Will getting moments together away from whatever chaos is surely going on, having the space to connect more where Mike starts becoming conscious of his feelings, realising slowly that Will is the “better” one for him. And as the song also suggests, perhaps Will has pulled away from him in the beginning. I think this is possible because the torment Will's likely going to endure from Vecna could understandably cause him to push Mike away, fearing his safety or him finding out how Will feels, and also I just don’t think he’ll be able to stand the pain of being M!Ieven’s couple’s counsellor for much longer without cracking. But I think Mike “it’ll be easier if we’re a team” Wheeler would make it his mission to fix any rift between them, the final line literally being I’m not gonna miss you anymore.

➠ Track 7 | Don't Ask Me To Explain

As far as I can tell, this song is about being afraid to face queer feelings for another person who is also hiding this about themselves, and being conflicted about whether to confess because you're not sure how they feel.

How will I ever know you enough to love you if you're hiding who you are? / How am I supposed to let it show when I don't even know? / Don’t move on without me, who will be watching my body when I sleep? / I don't want to be the one who's coming out first, I'd really like to but I'm just too shy

The end is an admission of…something. I’m not sure whether to interpret it as wishful thinking over this queer relationship you believe you can’t have, or as an offhand comment about forcing yourself to love someone you can’t because of your sexuality. Interesting either way:

It’s so easy to lie to myself and pretend that I could love you but I can't

I did do some research and the alleged true explanation of this song is it’s from one queer friend to another (man to woman, I assume both closeted, maybe a failed romance?) but I could only find one uncited source for that and everywhere else seems to agree with my interpretation so it seems when listening to the song that’s the story people hear. (Plus either way the song is about being queer. Undeniably so).

• • •

It’s not Byler coded we’re way past that, it literally just…is them. It does seem to suggest a level of internal conflict in Mike regarding coming out that I can’t say I expected (yes I have no doubts about canon Byler but I’m also a pessimist by nature—that should tell you how obvious their endgame is though lmao—so I assumed the Duffers would go wrong somewhere). I always thought he would be almost consciously clueless about himself until he finds out Will loves him, and the focus be more on him liking Will back rather than him liking boys (and obviously wasn’t a fan of that), but the prospect of Mike actually being aware and grappling with his sexuality is what we’ve been praying for and builds on the more low-level thrum of sexual confusion in Angst In My Pants. Oh and the song also could suggest Mike suspecting that Will likes him/is queer too before anyone confesses.

➠ Track 8 | What Do You Want Me To Do?

Another straightforward one. It’s quite angsty, a big contrast to the more sad feelings about a relationship from the earlier songs. This is about someone who left you for someone else/someone who walked out on you, who decides they want you back.

You walked out took your chance, turned your back on our romance / You said the change would do you good / But then the bubble burst your dream, turned into a nightmare scream / You came crawling to me your knees, and you were asking me to love you please

The main message of the repetitive chorus is basically: you want me to need you, but that’s not real love. You’re just using me to feel better about yourself.

What do you want me to do? Say that I need you more? Is that what real lovers do? Or only what you use me for?

• • •

I mean isn’t that last part how we’ve always described M!Ieven’s dynamic—all about aligning with the other’s needs whether for safety, validation or feeling ‘normal’, rather than genuine romance? I don’t think there’s any chance at all of El leaving Mike for someone else lol, as I said I don’t think we need to interpret these songs super specifically. But it does make me wonder: could we possibly see a moment of regression for El at some point in the season, after they separate? The focus here in my opinion is frustration at someone trying to re-enter your life when you know they don’t truly love you. Reflecting on their dynamic I talked about with earlier songs and their history in the show (El walking away, Mike scared to lose her), is it possible the break up could leave Mike struggling initially then he progressively understands why it was the right choice (especially after spending time with Will), meanwhile for El it’s the opposite—she’s more sure about breaking up but something happens later on that shakes her belief in herself. Her having one last hurdle to overcome in her dependency on Mike to finally break that pattern of hindering her growth by retreating to him could make sense. And based on this song…Mike would not be receptive to being El’s safety net. Growth for both of them.

➠ Track 9 | Substitute

Again, very angsty compared to earlier. It’s about a relationship characterised by false perceptions (focused on class), and those being what is holding it together. One partner is pretending to be something they’re not, cosplaying as someone else, and the other is also being dishonest/fake.

You think we look really good together / My fine looking suit is really made out of sack / The simple things you see are all complicated / Substitute your lies for fact / I see right through your plastic mac

The relationship breaks down because of this and their partner doesn’t truly want to fix things, and ultimately trades up.

Those crocodile tears are what you cry / It’s a genuine problem, you won’t try to work it out at all, you just pass it by / Substitute me for him / Substitute my coke for gin

Essentially: your partner not knowing the real you because you’re putting on a facade—the facade being the version of you they really like, the thing that was making you compatible—leads the relationship to fail. The literal title suggests neither of them as they are are what the other truly wants or needs.

• • •

Obviously this does not directly parallel M!leven in terms of the topic of the lying but in terms of the themes and core relationship issues…yeah. To me this could be about point Mike has reached after gradually coming to realisations about the nature of their relationship after it’s over, like I mentioned before. I can envision a mid-late season confrontation (or something less aggressive sounding lol) between them, pairing perfectly with the topic of the previous song. El scared trying to fall back on Mike and he’s like…no, we don’t work, I can’t be that for you anymore and this is why: betraying who he is (nerd) to impress her, trying so hard to play the “boyfriend” role (yet they never successfully emotionally connect), if he’s gay then there’s also the facade of straightness, etc. I think it would show a lot of emotional maturity from him honestly, and I really need him to have a strong grasp on what went wrong with El for them to have a shot at forming a healthy friendship, and also to psychologically process all that stuff before getting involved with Will.

➠ Track 10 | The Rebel Kind

A short song about life being tough when you don’t have much (this one is class-focused too), but still craving the freedom that comes from not following societal rules and pressures for how to do life “right”, and instead living on your own terms. Basically the struggle is worth not having to conform. The first verse sums it up pretty well:

They call us the rebel kind but they don’t understand the things a man must do to prove that he’s a man / It’s not easy but I don’t mind, I just wanna run with the rebel kind

• • •

Again, obviously the specific topic is not relevant to ST but the thematic parallels blew my mind, I mean the entire show is about people being outcasts and learning to find strength in that, and the final season is going to majorly drive that point. We know this from the fact that Will “being different” Byers is the one who’s arc is said to tie up the whole show. Now in regards to Mike…if this doesn’t scream forced conformity and deciding to reject it for your own happiness I don’t know what does. It perfectly captures the thematic end point of his arc next season (and not just his but probably the entire party’s in one way or another). Also the toxic masculinity reference in that one line applies heavily to Mike with his history of trying so hard to do what he thinks he supposed to do in going from boy to man i.e. We’re not kids anymore. Did you think we were never gonna get girlfriends?

➠ Track 11 | Block Rockin’ Beats

Another one I think is mainly to set a tone; no real lyrics just beats. In my opinion it comes after The Rebel Kind for a reason. Somehow it just makes sense, it’s got this really loud, frenzied, unrestrained energy to it.

➠ Track 12 | Just What I Needed

We end off with a love (or desire?) song. It’s interesting because it’s quite aggressive sonically but at the same time it talks about being with someone in a simple uncomplicated way:

I don’t mind you coming here and wasting all my time / I don’t mind you hanging out and talking in your sleep

…but it’s also very intense how you feel with them.

Cause when you’re standing oh so near I kinda lose my mind

There’s a repeated line that stuck in my head. It’s obviously written about a female subject, but there is such a rejection of the feminine going on:

It’s not the perfume that you wear, it’s not the ribbons in your hair

It’s saying those feminine attributes are not why this person is attractive—and yeah logically that means the subject must have those things, but as I’ve said I don’t think these songs need to be interpreted on such a specific level. The point being made is about a deeper connection. The line is just intriguing to me from the perspective of Mike being into boys, I mean he could’ve picked literally any other romance song.

I needed someone to feed / I needed someone to bleed / I guess you’re just what I needed

The message here is basically: I was craving the rawest form of connection/intimacy with another human being (that doesn’t have to necessarily mean sexual it’s just those visceral words feed, bleed in comparison to perfume and ribbons which sound very fluffy lol)…and now I’ve found you and it’s exactly what I was looking for.

• • •

With all the themes through the songs of rejecting fake relationships and conformity, and accepting and exploring queerness…Will Byers is obviously going to be the thing Mike needed. I’ve been saying (and so have many) but Byler isn’t happening till the end. Also the playlist finishing with this song is telling in my opinion. Aside from the Castle Byers Classics link, the title itself implies searching for something which is now found, a journey being over. I say this for the purposes of pushing my agenda about this playlist painting a narrative. Hear me out:

Personally……that’s not accidental. It just isn’t. Even if my more specific interpretations aren’t correct, I just cannot believe that this wasn’t curated to draw a particular picture. I believe in coincidences and if the playlist had been titled as it was with a bunch of random unconnected irrelevant songs I’d be the first person to file it under that. But the title and the inclusion of a song from Will’s official playlist and these specific songs in this specific order? Yeah it’s about s5 Mike and I cannot wait to see him! If you made it this far thanks for reading <3

[alien-bluez]

raahhhh guh. another lineup, s2 kiddads. i love them so much they're rotating in my mind like a rotisserie chicken. god.

design notes for them under the cut if ur interested!

Grant

blue sweater bc blue is symbolic of titanic ep (something borrowed, something blue)

his tie color is the same color as Darryl's hat in my design

Wears Frank's watch that Darryl gave him, even if it's broken he doesn't take it off.

Green creeper socks because it's a Must. He wouldn't be Grant without them.

Sparrow

curly hair he got from mercedes' genes. he grew out his hair like lark

has a pink flower tucked in his hair like my henry's design

his jewelry and clothes are mostly borrowed from mercedes, he got really into crystals and other things like that growing up and got closer to his druid roots.

earrings are a feather and an oak leaf maybe i dunno i'll figure it out later lol

tattoos! there's supposed to be a bird outline there and other plant/nature related stuff on his arm. I'll draw it out better in the future mayhaps.

colors are brighter, more lifelike cuz he's closer to nature and all that jazz.

Lark

his hair has strands of white hair because of stress/trauma/Everything going on

hair is messier, unkempt because he cares less about appearances and doesn't have time anyways.

darker forest colors, less in tune with nature than sparrow.

his pants are the same color as my Henry's shorts :0) i needed a connection somewhere to his parents, and it just had to be henry.

Terry Jr.

purple shirt because his color is purple to me

fish motifs!! everywhere! i hc that when he and ron get closer bonding thru fishing they'd get each other fun fish printed shirts or something. This was Ron's gift to Terry. The colors of the fish are color picked from my Ron's design.

Fish tail tie and the shirt is also split like a fish tail maybe.

he's the tallest of the kiddads forever and always

Nicky

he wears glenn's sunglasses on his head

he grew out his hair long like morgan's because it's like the one thing he still really has of her. has her hair type and he takes very good care of his hair.

still has the ripped leather jacket from his time as nick and various patches of bands he likes (didn't want to draw them out yet.)

blue shirt because of his time as nicholas/reminder of jodie. blue holster belt and pants are also blue for jodie association

[warblogs17282]

Still thinking about the Truth Seekers line where Loona said,

"Blitzo was using a total of zero euphemisms, innuendos, or swears. That means it was serious, which means I don't open it until--"

And now, I'm thinking about all the different emotional and heavy-hitting moments from Blitz, but from the lens of that statement, and I'd like to explore that in a little more depth.

Because I feel like looking through some key moments of Blitz through the lens of that statement helps to add another layer of depth to what Blitz has been saying.

S2 E9:

Blitzo: No, I just- This was the final stop on the apology tour I've been on today.

Stolas: Oh, yes, I recall. Everyone but me is getting your cheap apologies tonight, hm? Well, you certainly have your work cut out for you.

Blitzo: Look, how I acted this morning... It was fucked, okay?

Stolas: This morning? Ugh, why did you show up there? Why'd you show up here?

Blitzo: You already asked that, but look, I-I just really need to... To talk to you, to- to explain.

Stolas: Oh?

Blitzo: I've always been real shit at sorries, 'kay? They're for pussies and no one fuckin' deserves them anyway, but I felt maybe you actually needed one.

Stolas: Ooh, lucky me!

Blitzo: Oh, shit. Okay, what I mean is, I said sorry a lot today and, honestly, didn't really mean any of it. Because the only one I wanted to say it to... Was you, Stolas. I just... This whole thing we had going... I'm- I mean you're a fucking prince. How could you ever actually care for an imp... Me? How could anybody?

Stolas: Blitzo. There is a crowd full of people here, who cared so much, they'd throw an entire fucking party about hating you, every year! Do you know how much you have to care to do something as stupid as that?

Blitzo: Stolas, you are better off without me. 'Kay? You deserve so much... I don't even know why you would want to be with me.

'I mean you're a fucking prince.' Blitz is technically correct here, but if we consider the Truth Seekers statement, I believe it tells us that Blitz, at least subconsciously, sees Stolas as more than just a prince during this scene, he sees Stolas the man here, not just Stolas the prince. And honestly, that probably makes it hurt more to Blitz, since he's still in disbelief/denial that Stolas has these feelings for him at this point.

Especially considering what it's followed up with, which I'd like to mention doesn't have a single swear word in it whatsoever, telling us even more just how sincere Blitz is when he said that final line.

Verosika: How do you think I felt? When the fun guy I was dating decided to just bail on me because I made the shitty mistake of saying I love... Ugh! It was the most embarrassing feeling. To be vulnerable for once and... you really just know how to send a message in the shittiest, fucking way.

Verosika: The worst part is you still make me feel like a bad person for being angry at you now.

Verosika: But, hosting this party, for everyone else you've dicked over? At least I can help others cope with the shit you did. What? No snarky comeback?

Blitzo: No. You're right. I actually am, ya' know... sorry. I-I don't want to be this way. Not forever.

Verosika: Looks like Stolas is having a good time.

Blitzo: Yeah, well. He needs it.

Again, just pay attention to the fact that Blitz didn't swear once during the part of the conversation I just showed, showing once again even more just how sincere Blitz is being here, to not be the way he is forever, to let Stolas have his good time at the party.

S2 E8:

Blitzo: What?! FUCK you, Stolas! You spring this feelings bullshit on me, are you fucking kidding? Can I get a FUCKING minute to think after everything you put me through, you pompous, rich ASSHOLE?!

Blitzo: Treat me like one of your little butler imps?! You can't just dismiss me like that! I mean, you royal fucks think you can do this EVERY TIME, like you can just play with our feelings because we're smaller and not as IMPORTANT! Well, I'm not letting you, BITCH! LET'S GO!

Stolas: Blitzo... I think so very highly of you... I didn't realize you think so low of me...

Blitzo: Stolas, wait! I'm s-

You know, the amount of swearing in that part of the episode tells me something, that what Blitz said during the peak of his outburst was exaggerated a little. Does Blitz make some completely valid points during that outburst? Yes. Is what Blitz said during said outburst a bit exaggerated because he was in the heat of the moment? Yes. Both of these can coexist, and I do completely understand why Blitz said what he said during that argument. (I'm not choosing a side on who was in the wrong in the full moon argument here, btw)

And, the lack of swearing when the realisation hits to Blitz of what he's just done, right as he tries to apologise to Stolas just further tells me that Blitz did genuinely mean that 'I'm sorry', he said right before Stolas teleported Blitz out.

S1 E8:

Blitzo: Fuck, Fizz was right. I'm gonna die alone, aren't I? Just a wrinkly, old, withered, waste. Will you be there, Loonie?

Loona: Be...where?

Blitzo: I dunno, jus- ...lonely... Die alone...

Loona: I'll be there, Dad.

Loona: Now go the fuck to sleep... okay?

Blitzo: Millie... Moxxie... Stolas...

Again, pay attention to the lack of swearing in that part of the conversation, minus one 'fuck' at the start of it, it just adds to showing us just how raw and genuine Blitz's emotions are during this scene, showing us that Blitz genuinely believes that he's gonna die alone, and also showing us just how much Blitz still cares about Fizzarolli, Loona, Millie, Moxxie and Syolas.

S1 E7:

Stolas: You know, I have some more wine in the house. Octavia's with her mother this weekend. So, we could--

Blitzo: I'm not fucking you tonight, okay? I'm really just I'm really not in the mood, Stolas.

Stolas: We could talk, or... watch a movie, or... maybe cuddle?

Blitzo: Stolas, don't act like what we have is anything but you wanting me to fuck you, okay? You make that really clear all the time. But, I just, I-I can't do it tonight, okay?

Blitzo: I'm sorry.

Stolas: Okay. Goodnight, Blitzo.

Blitzo: Night.

What I find interesting here is that the two times the word 'fuck' is used throughout this scene, it's used to replace the word 'sex', so thinking about this scene through the lens of that statement, it shows us even more just how much Blitz believes in what he's saying, especially when he says "Stolas, don't act like what we have is anything but you wanting me to fuck you, okay? You make that really clear all the time."

Finally, S1 E6:

Moxxie: Do you remember what you said to me after my first day with the company?

Blitzo: ...Not really.

Moxxie: I remember. You told me I did a good job and that you were proud to work with me. I feel like you wanted to say something more judgmental, but... you said that because I needed it... And it helped.

Blitzo: Look, I'm hard on you, because I know what you're capable of, Mox. You care too much about what everyone thinks except for... me, because, y'know, my opinion is correct, but just... keep doing a good job. 'Kay? You shoot 'n kill good, you escape things easy... you can be strategic and cold-blooded when you need to, aaaand don't expect any more compliments; I'm maxed out.

Moxxie: Thank you, sir.

Blitzo: You know my name... Use it.

Moxxie: Thanks, Blitzo.

No euphemisms, innuendos or swears, showing us that when Blitz was talking to Moxxie in this scene, that he was 100% being serious in what he said.

So in conclusion: I have shown multiple examples where if you think about them through the lens of the statement "Blitzo was using a total of zero euphemisms, innuendos, or swears. That means it was serious, which means I don't open it until--", you start to see more depth within those examples I have shown in this post.