#rock is not dead

[thatnerduknow98]

I know this is cliche, but I saw Green Day in concert last night and somebody apparently woke up Billy Joe before September ended because that concert was LIT

[akascow]

hey uh not for nothing but uhhHHHH

blue... and red ? alrighty

[hamletthedane]

Still laughing at Brian May offhandedly writing the greatest understatement in the history of academia in his astrophysics doctoral dissertation:

Ah, yes - “various pressures.” Like being one of the greatest guitarists ever and playing/writing/singing for the most legendary rock band of all time.

Those various pressures.

[spirk-trek]

captain kirk was allowed out of his enclosure today for some much needed enrichment!!! look at him go!

[tomlinsonandtits]

On one hand pop fans will be like "oh y'all wanna be different so bad and demean pop as a way to do so" and then turn around and demean rock/indie/punk sounds like yall are just as annoying as wannabe indie dudebros

I feel it's not fair at all, poppunk is not my type, On the other hand, I love Louis's voice in 1d songs, and back to you , and couple songs from walls album. And that's it, I don't have anything new to listen to from him. I know this is my problem and my musical taste and it's not Louis's fault. But come on do something like back to you that more people loved it, what's wrong with that? If we want to be logical pop punk has its own fans but they are in the minority.

I know his prejudice fans always says, that's fine, he'll be fine, don't worry about him, let Louis be for us, we don't want to share him, becoming number one is not his goal, but isn't it? Wasn't he happy when he was number one in the UK? I know the fans made it , but it's not like Louis said I'd be upset if I became number one and I don't want it and I refuse to accept it.

He says he doesn't care about commercial success, but who wouldn't want that. When you have the ability and talent, what's wrong with using it and singing a song that will bring everyone's attention to you? I really don't understand why Louis doesn't want to sing something that is popular with the majority of society?

1) this is such a weirdly self-serving ask of an artist like: “create music i want to listen to. if not, i cant listen to it and you’re not going to be successful.” perhaps, louis isn’t making music for you but for himself and if that isn’t for you, that’s fine. but that doesn’t mean he isn’t successful…..?

2) louis made mainstream pop music with one direction for five years. and tried his own hand at it for the first half of his solo career. he’d been in that world for a decade. and for his solo career, it wasn’t really that successful. and most importantly he wasn’t happy??

3) louis has made it abundantly clear that he didn’t want to make pop music. that his heart belonged in the indie rock/pop-punk scene. and always has. there’s been remnants of that in his style, his interests, and some of his music for years. he’s given countless interviews and talked himself about the pressure that was put on him to dress up as someone he wasn’t with these major record labels. to hide his accent. to create radio friendly music. to be a puppet on a string for them. he wasted years of his career dealing with that pressure and those contracts.

4) FITF, an album that was created as the most authentic body of work he’s released yet, is what got him the number one. it wasn’t walls. it wasn’t any of the strictly EDM work he released. it was FITF. it was an album that featured the sound that he loves and wants to strive towards going forward. it was louis clear vision babe.

5) louis has seen a growth in his career and his venue sizes that is exponential in just one year. and this isn’t because he’s releasing mainstream pop music. it’s because he’s being authentically him. his music is better. his tour is bigger. his presence is brighter. it’s gravitating so much good his way because of the content he’s creating and how it’s translating to his crowds and him as an artist. he’s a much more confident person than he was just a couple years ago. he’s a much more self-assured person.

6) FITF is part of the reason he’s being booked for these festivals now. it allowed him the growth in his fanbase and live shows to attract fests. if he was still creating music like Walls, i’m not sure if it would be shaking out the same way. and with how his music sounds now, it is open to attracting new fans especially in these big festival settings. most of the songs from walls don’t have the capacity to do that. and that’s just the reality.

7) there isnt just one metric of success. success has many different forms. numbers and charts aren’t the only way to succeed. and louis has lived in that world of success. he’s done all of those things. he’s hit those milestones. they feel good, but they aren’t a driving force behind why he does what he does. he does what he’s doing now because he’s finally being able to show who he is sonically. who he is as a lyricist. who he wants to continue growing into going forward in his career. he’s succeeding through his own journey in the industry. and he’s doing a damn good job controlling that for himself.

8) there’s nothing wrong with pop music. i love pop music. there’s a reason why pop music is popular. but asking your favorite artist to reshape who they’ve steadily been building themselves to be all because you don’t like the sound and you think they need to follow a one-dimensional version of success is….. sad lmao he has worked so hard to be where he is. to feel authentic in the music he’s putting out. and for someone to be like “um anyways i don’t like this. go back to what you were trying so hard to not be. i liked your music better that way” is just ????

9) indie-rock isn’t unsuccessful. it isn’t dead. it’s very alive and successful. genres don’t have to be pop or mainstream to be successful. give music much more credit than that, please.

[explodingstarlight]

I adore this little family

slightly more zoomed in version:

[dapper-lil-arts]

and somehow, that only makes her fall in love more

[elvispresley]

John Lennon in every Beatles movies

[crabsex]

punk was never white

Mexico city ^

Mexico in the 80's ^

uncredited ^

Not officially credited but tags suggested Myanmar

PURE HELL one of America's first black punk bands

Queens of Marok - Botswana

[restingcorpse]

[technically-human]

Beings and entities, @i-am-as-normal-as-you-are has once again approached me with an amazing concept, so we present to you... a fusion, Steven Universe style! we're calling him Charwin because we can't be creative all the time.

AND there's lore. It's us, of course there's lore.

I tried to include it in the comics themselves, but basically, there was a case of dissappearing ghosts. Just like Esther, the people behind this were trying to use the pure energy to their advantage. These rocks are supposed to amplify the energy, but it kept resulting on the ghosts dissipating. The boys were captured and experimented on (yes that's horrifying. Not pictured here because... the reverse verse is angsty enough, so I wanted this one to be a bit more fluffy), but since they both went through Hell, they're stronger than your average ghost, and the rocks stayed on! The fusion was an unexpected side effect.

Plus he can make a weapon appear! it is just an oil lamp though.

[rocknrollflames]

(See? Rock is not dead!)

Why do I think of all of us 'old man lovers'? Lol. ; )

@nenynra

[vaguely-concerned]

are. are you telling me that if the romanced mage warden dies and alistair is king, he deadass stares greagoir down over her dead body and grants the circle of ferelden its autonomy after ordering it rebuilt somewhere safer. first you have to deliberately leave him behind so he won't die for you and then he does that for you once you're gone, even when you're broken up??? absolute and literal king behaviour of the highest order????? the actions speak louder than words of it all??????? I think I hauve covid

[local-hellhound-steals-spaghetti]

Watching Spirit: Stallion of the Cimarron again as an adult is so great because not only do you appreciate the nostalgia and joy of it, the stunning 2D animation mixed with early 3D techonology and well written tight story with a main character that never speaks.

But also you appreciate that the plot relies on horses, despite not being typical talking horses in cartoons, being extremely intelligent to the point that they are aware of their captivity and exploitation. And it involves a hyper intelligent horse dismantling (or, at the very least significantly delaying) American colonialism's expansion into the west.

This horse also very likely killed many colonialists when they were either launched at high speeds from his back, kicked in the head or blown up in a train explosion.

Good for him.

[valentina-lauricella]

Dormiveglia con le spalle alla tv

Di Charlie fa surf e Destinazione Paradiso preferisco le versioni originali; mi è molto piaciuta la versione, sentita e rispettosa, di Vivere eseguita da Levante; e inossidabile Quello che non c'è di Manuel Agnelli.

Rosa Chemical è molto carino e ha la stessa struttura facciale da modello di Matthew Gray Gubler (il mio attore e la mia persona preferita), ma quest'ultimo mi piace per la sua riservata delicatezza e perché non sbandiera slogan sessuali di facile presa e assoluta inutilità. Musicalmente parlando, Rosa è un "non pervenuto", un po' come Achille Lauro: tutto messaggio, ma poche note che lo supportino. Quindi credo sarà una delle tante meteore penosamente trascinate, più a lungo di quanto meriterebbero, da un certo tipo di giovani ideologizzati, nei cieli musicali.

[bazlk]

🎃🎃🎃🎃🎃🎃