#reviews and rants

[booksandreviewa]

A Good Girl's Guide to Murder

Synopsis:

Five years ago, Andie Bell, a girl in Pippa's village, was murdered by her boyfriend Sal Singh, but the body was never found. Pippa suspects it wasn't an open-and-shut case and chooses to make a study of it for her final year project at school.

Review and Rant:

I love this book. Like no joke, this is one of the books that got me into reading. So I read this book around this time of the year. And I'm still amazed at how the plot went. I loved how Pippa aka Pip had solved the case.

I also like the romance in the book doesn't strain away from the plot and that it wasn't the book's main focus. The subplot of the romance was just done so nicely it's just perfect. Also, I'm finna SPOIL the ending of the book so be aware of what you're going to read.

******SPOILER****** When I first read about the fact that Mr. Ward Killed Sal I WAS SO DISAPPOINTED. I'm not going to lie, Mr. Ward was one of my favorite characters in the book. And when they thought they found Andie I was so shocked it was obvious why I was shocked but when they were like that's not her the way I audibly gasped.

If you read a lot of murder mysteries then you're probably going to guess that her sister Beca (I think; I don't have the book rn) but the reason is what shocked me. Y'all Max that disgusting vale nasty and overall disturbing book character r@ped her and Andie was like what do you want me to do about it.

*****End of spoiler******

But that's the last thing I would say about this book. I loved it. And it will always be my favorite book 4.75 great book would reconmend

[stealingyourbones]

Never will I stop with the steadfast notion that folks in the DPXDC fandom should interact with at least some form of canon DC media.

There are comics, tv shows, radio dramas both old and new, podcasts, movies, magazines, so much shit that intentionally avoiding the media is simply preventing yourself from spawning new ideas and gaining a new appreciation for a fandom that you’re already in.

The Superman Radio Show has episodes 11 minutes long. A lot of the TV shows don’t have episodes that surpass 30 minutes and most are nearly fully clipped on the official DC YouTube channel. The amount of fan made motion comics is astounding. The amount of fanmade animations is equally as incredible.

[inkskinned]

we heard that you were very disappointed in us both as a generation and specifically as a generation of women (emphasis yours), how we had let ourselves go and now we were slutty and ill-tempered and holding onto notions of feminism like "having a savings account" and "equality."

we were very sorry about it, we didn't realize. it is very hard for you, in your life, because your entire definition was centered around the word providing, and that's a really vague and undulating word. it is hard to be a provider. for your purposes, the word provider here can be defined as "having a job", although it sometimes also extends to "doing yard work", "grilling on occasion," and "knowing basic car anatomy."

we had to do some reading but we divided it out. do not worry. high-value women will fill in the rest of the gaps of your life - all those silly feminine things like doing the dishes. we didn't realize we had asked too much when we asked you to pick up after yourself. we did not realize you were rendered small and scared and crying about the possibility of doing the laundry. here is a joke to lighten the sentiment: a man that listens when you talk to him.

we heard about how we had fallen from glory and it sickened us and made us very, very sad. lindsey had to cut all her hair off and tara threw up. we lit one million candles and we are going to have a vigil about it tonight. all of the people in this world that you do not approve of are going to be there and we will all be in mourning colors because we have lost your respect which is of course the only thing that any of us were looking for.

we searched around our bedrooms and our closets and for some of us it took a while but we all found the pricetag that we were originally born with, the one that gave our listing offer, the one that smells like rot and pine needles. we were horrified because many of us had taken deductions and hadn't realized it. i had scraped my knees and decided to be a lesbian so they had to take my voicebox out so i could never call home again. janice had been with too many people overall so we had to put her into the big squisher that will hopefully collapse her walls so that when you're with her, you'll feel so big and powerful. it will be like you're conquering something instead of being close with someone.

we are all going to the funeral of feminism and we will tear at our bodies and fall over ourselves. we will invite you onstage for a live recording of your podcast about the occasional minor inconvenience of self-reflection. you will talk about how we have targeted you and made you feel the sweat slick down your back, and we will teach you basic self-defense out of solidarity.

do not worry, we are seeing to all the outliers. taylor asked to be taken seriously so we have shipped her off to prison. laura asked you to accept her femininity regardless of her presentation. you will be happy to hear all women are now and forever going to have to be small and thin and pretty and white and ablebodied and quiet and unassuming and ladylike, which is different than how society has previously told us to act.

i am going to have to shave off my jawline, which is a little masculine, and they are going to have to reshape my hands, which are very square and thick - all the work i've done with them has made their veins stand out, so we're just going to have to exsanguinate me. i am horrified to have been out in public like this.

we are going to sit around the campfire and we will talk about being weird little girls that made potions in pink teacups. we will talk about the first time we made a difference. we will talk about the private lives of crickets, and then, at the stroke of three in the morning (the witching hour, obviously) - we will all promptly shut up.

and this will be your beautiful world. this silence that spans every corner of every street and every zoom meeting and every alley. i do not think you'll notice at first - it will be the same as every television show and movie and book. we will all just simply sit there in our doll dresses and smile blithely at your advances and none of us will do you the dishonor of answering and none of us will appear to be in distress and none of us will nag you or make a fuss or get hysterical about it. it will just be quiet, and you will say finally, some peace for once! and we will smell of smoke and our teeth will be white and the next day will come.

tonight we are going to bury the last little bits of our humanity. you are not invited. it is going to be ugly.

[pierrotdoesnteat]

"why am i not losing weight?"

- you might be gaining muscle first - it might be water weight - it might be you weighing after eating/still dressed/before using the bathroom/not weighing in a routine - you may not be getting enough protein - you may not be getting enough exercise - you might be losing, but very slowly!

everyone's body is different, and everyone's weight loss will happen differently. its okay to lose slower than others, and its okay to lose faster! just do the best you can to stay healthy while doing it.

[bisexualseraphim]

The whole “your brain doesn’t finish developing until 25” spiel has fucking ruined society I swear. It’s such a gross misunderstanding of the original study it’s laughable, and yet people use it as scientific evidence that infantilising young adults (usually women or people perceived to be women lbr) is ethical actually.

YOUR BRAIN IS CONSTANTLY CHANGING AND DEVELOPING YOUR ENTIRE LIFE. YOU DON’T SUDDENLY WAKE UP ON YOUR 25TH BIRTHDAY WITH ALL THE MATURITY AND KNOWLEDGE YOU NEVER PREVIOUSLY POSSESSED. STOP SPREADING THIS NONSENSE

[ricky-mortis]

Have some Ted doodles- as a treat.

[cherries-in-wine]

𝑷𝒂𝒓𝒂𝒍𝒍𝒆𝒍𝒔 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝒍𝒐𝒍𝒊𝒕𝒂 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒗𝒊𝒓𝒈𝒊𝒏 𝒔𝒖𝒊𝒄𝒊𝒅𝒆𝒔 ‧₊ ☁️⋅♡ ࣪ ִֶָ☾.

People call Vladimir Nabokov a disgusting creep for writing from the perspective of a pedophile when in reality if you read the book, Humbert Humbert is not likeable in the slightest. He's an unreliable narrator that's so stuck in his own delusions that he can't see how miserable dolores is because of him. Nabokov is a great writer and lolita is really well written. It's a great satire in the sense that it's pathetic to see Humbert Humbert think he's sooo charming and these "nymphets" are soooo in love with him. Dolores' trauma is obvious to any competent reader, I don't know how people are so charmed by Humbert Humbert that they can't see how dolores' defiance which he refers to as "teenage rebellion" or "tantrums" is a very apparent cry for help. Lolita is a Gothic horror, a cautionary tale. It's a genius work of art and what's most horrific about it is how society reacted to it, how it's so normalised to sexualise little girls that blatant pedophilia is interpreted as a tragic love story. Nabokov himself referred to dolores as his "poor little girl". He had a lot of empathy for her and it must be so heartbreaking to see her getting sexualised.

When I first read the virgin suicides i thought it was a great work of satire. I adore the Lisbon girls with all my heart, I see a part of myself in all of them by varying degrees. The boys who claimed they loved these girls, only saw them as some fantasy. Even in death they never truly respected any of these girls. How when they found Cecelia's diary, instead of trying to make sense of why she killed herself, they selfishly searched for their own names. I loved the irony of the boys claiming they loved these girls when they didn't know anything about them. It showed how their "love" was really shallow and surface level. I thought Jeffrey Eugenides really understood me in that sense. But in reality he didn't mean any of the things the boys did to be interpreted as satire. According to him, peaking through windows, stealing used tampons, joking about groping dead girls, these grown men still picturing those little girls years later while they had sex with their wives etc was supposed to show that teenage boys are not disgusting horny dogs, but romantic softies (if anything this made me think teenage boys are much more repulsive than i thought). According to Eugenides the book is satire, but in the sense that you never know what was going through a person's head when they committed suicide and you can't make sense of it no matter how hard you try. Everything about how the boys viewed the girls was not satire and was to be taken at face value. This really broke my heart, an author who i thought really did get me and understood me, ended up making me feel watched instead of seen.

It's so interesting how lolita which is supposed to be from the perspective of an unreliable narrator was taken at face value and the virgin suicides which was to be taken at face value was perceived as satire.

The director of Lolita didn't get her at all, even he thought she was some kind of a seductress instead of a child that was abused repeatedly. While the virgin suicides movie was so much better than the book, Sofia Coppola, the director, understood the Lisbon girls so well and she did them justice.

[spiltcandycoatedpunkblood]

so was that legitimately fake outrage at Watcher being "greedy capitalists" that people are now gonna go watch the try guys who are doing the exact same thing?? where's the outrage at their wealth and how they spend their money? why does Keith get people just watching him eat at expensive restaurants, but it's terrible seeing Steven go to expensive restaurants to eat food? it's got nothing to do with "the try guys did it better!!!" it's the fact that you got so outraged because of how much the economy is in shambles and people can barely afford food, let alone another streaming service, and now suddenly it's a great thing seeing the try guys be able to improve their situation with one!! I thought the whole point was that we didn't need another one!! what is it???

it's just obvious that they've both done similar things, but people are taking more issue with the creators of colour for daring to grow and move forward. EVEN AFTER THEY ALTERED THINGS AND GENUINELY APOLOGISED even whilst being fucking eviscerated online. and instead of being helped and understood by their white friends, they get fucking shaded by their friends with a sofa joke and "not to name names" bullshit

what is it with people of colour being left in the dirt by their white friends and/or costars???

[cursedcatchild]

Ok, so I watched TOTTMNT and I am here to rant. Also, SPOILERS ahead!

So First of all, if I had to sum up my thoughts into a single sentence it would be: For the love of God, put those turtles back together, where they belong!!

I didn’t hate the show, but I didn’t come to like it either. And no, I did not have any prejudgment just because it was a new iteration. Honestly I was super hyped for this version, because the movie was a blast. Yea, I ended up being disappointed. But let me just elaborate on that:

First let’s take a look at our turtles from worst to best in my opinion.

Mikey:

Yepp, ladies and gentlemen so far I have never seen a single iteration where I didn’t come to like a Mikey. He’s always among my favs. But this version felt super shallow. He had just as much screen time in the series as his brothers and yet I still have no idea who this guy really is. His jokes were lame not really landing, I couldn’t really point out any particular goal or insecurity that anyone could relate to. Also, the guy is super oblivious. Like he took ten minutes to realize he walked into a robbery when he went for groceries. Heck he was having a casual conversation with the robbers. 

Leo: 

Another kinda shallow guy. Sure we seen a bit of insecurity, he literally quoted Rise Leo saying “ I’m nothing without them!” but it felt irreal. Because Rise Leo had a reason to think that, he wasn’t as much of a functional member of the team and he was always taken for jokes. But right from the beginning of TOTTMNT we see Tales Leo commanding his brothers, they listen to him  and even say it multiple times how planning is Leo’s thing. So at this point this Leo is just fucking blind. ( Also April slaps instant self confidence into the boy.) 

Raph:

Ok, this is also the first time, but I never really took a liking to a Raph before Tales Raph. Boy is filled with anger and sass, yet he’s not coming off as a total jerk like 2012 Raph. And of course he's not a super softie like Rise Raph ( I don’t hate Rise Raph for being a softie, he's my second favorite Raph) either. He had some fun pipe up and overall a personality I got. I think he’s the most perfect Raph I have ever seen. 

Donnie:

The best character of the iteration in my humble opinion. He was relatable, funny, honestly he was stealing Mikey’s job as the comic relief, but at the same time he’s the smart guy. The boy is ranting about not being the IT guy and then goes reprogramming an evil robot. Oh and he saved so many lifes, because he stopped a fucking train crash. He’s epic, I swear.

(My fave screenshot ever 🤣🤣)

Now story wise:

🔥What the fuck was this dumpster fire?! 🔥Who thought splitting up the turtles would be fine?! 😑Especially in a 12 episode season? Look, I don't mind solo or duo time. There were plenty of good ones, for example Rise. I adored the Mikey vs Leo cook off episode or the Gumbus one, but for the sake of my sanity Rise had twice as many episodes and the turtles were not split up for the majority of the story.

Like I'm not joking when I say they were together in 4 episodes intotal.😨😨

Now I heard rumors left and right that the fact that they need to make a show was thrown at the team at the last minute ( IDK how true is that) , but goodness gracious even if I was presented with the task with a “ Due tomorrow label” I could still write a better story. Especially with the goldmine what the writers decided to ignore.

Yes, something that would've made TOTTMNT be really unique….. School people! We were promised that we will explore the turtles from the teenage side. Ummm….Hate to break it to ya all but I think there is no better way to do that than putting them into school.

It would’ve been fire to see them trying to fit in, balancing all the cool hero stuff with school life, maybe wrecking the school, seeing how other teenangers adjust to the fact that now giant talking turtles are their classmates. It wouldn’t be some crazy mind blowing plot, but I swear it would've been amazing.

Now don’t misunderstand me. Despite the story feeling like being all over the place it wasn’t that super bad, but I’m pissed that it could've been better with ease.

Also another thing that bugged me, is the feeling of something missing. IDK if anyone else who watched it felt like this, but I legit felt like if we just grabbed the for example farm arc from 2012 TMNT and aired it as season 1. The fact that the turtles were split and they kept mentioning that they have always been fighting together made me feel like I should’ve seen them do that.

Anyways, If I did not take your will to watch it away, go and check it out. It's not horrible but not great either. I’m disappointed and I'm gonna need Rise back, thank you very much!

[lkaruss]

An extensive KFP 4 rant (spoiler heavy)

So, Kung Fu Panda 4 was… an experience. It took about 3 glasses of whiskey to get through it.

There is so much wrong with this movie, from the pacing to lore breaking issues. However, this is an attempt at trying to formulate my opinions regarding the film, and explain why certain story decisions were detrimental.

My live reaction to the film:

The movie makes it clear right from the start that it was made for very young children. It’s filled to the brim with jokes. If there is a chance to make a joke, then there is a joke. Regardless if it's appropriate or if it hurts the story/lore/characters. In normal circumstances, this would be offset by the fact that the jokes are creative and unpredictable, but they aren’t. I would say most of them can be seen either from a mile away, or they just fall flat. I think I only managed to laugh once or twice when Po’s dads were doing something, but outside of that, the film couldn’t get a chuckle out of me. On the contrary, I found many to be cringe, and some even made me uncomfortable.

But why am I talking so much about the jokes? In the previous Kung Fu Panda films, the jokes were used to break tension. The way the seriousness of the story and the jokes were in harmony is what made those films so memorable and impactful. The story (and films) took itself seriously, but it would sprinkle in jokes that fit the universe, the situation, and most importantly originated from the scene themselves. 

Compared to this, the jokes in KFP 4 are, unoriginal, forced, and usually can be traced back to pop-culture. The last one being important as the original Kung Fu Panda films stayed away from referencing pop-culture as it would break the immersion and authenticity of the setting.

This ties into the ERA that these films depict.

Setting

Based on my limited understanding, the original films have done an excellent job at depicting a world that is supposedly set in an authentic ancient China. From the way names are handled, to symbolisms, everything was well done.

The same cannot be said about Kung Fu Panda 4.

I’m not an expert on chinese culture, but from what chinese friends have told me, „Juniper” city doesn’t sound Chinese at all, or has a meaning in Chinese. It’s essentially a Latin word for a common plant that can be found all over the globe.

The architecture of the city is also questionable. It’s trying to give off a metropolitan feel, which doesn’t fit the ERA. Additionally, the architecture of the buildings is odd. It’s like a mesh of the architecture of several Asian cultures.

Then there are some of the names. „Steve” and „Scott” to be specific. These are the names of some masters and I don’t think I need to explain why these don’t fit the setting at all.

I was constantly questioning what movie I was watching as it was hard to believe this is Kung Fu Panda.

Identity crysis

What made me question the film’s identity the most however is the story.

This 4th film felt like a 1st installment rather than a sequel. It conveniently disregards everything from the previous movies that would contradict its plot and world.

The film immediately starts with Shifu coming out of nowhere and saying Po has to choose a new Dragon Warrior at that very moment. Not only did this feel incredibly random, but it’s also thematically incorrect.

First off, why is Shifu saying this? Why would he want Po to pass on his „title” if it's destiny? Why would he want him to do it now? Why did he not even consider ANYONE FROM THE FIVE and instead got 5 randos as candidates out of the blue?

The issue with the whole premise is incredibly flawed. Let me explain…

Po was chosen as the dragon warrior in the first film. There he proved his worth as such. The key to this is that he is the chosen one because it’s his destiny to deal with threats that no one else can. 

This doesn’t necessarily mean that he is the best. He is the guy who is and will be in the right place at the right time, with the right tools to deal with threats that no one else can deal with. But I digress, it's a different topic.

The point is that Po’s role as the Dragon Warrior is his destiny. The „title” merely represents that role in the world. So you can pass the title to anyone you want, but that does not change the fact that due to destiny, it’s still going to be Po’s role.

This is not just a coincidence though. Po has shown many times that he has a very open view of the world. This is then combined with his traits of being is warm, outgoing, energetic, friendly, goofy, and unorthodox. He represents the Dragon, Yang in the Yin Yang.

All of this is important to understanding why there is only 1 dragon warrior, and that is Po. End of the story.

The film however completely throws all of this out the window and goes with the new Dragon Warrior plot anyway.

That means the new Dragon Warrior is literally right there next to him. Master Tigress.

Now you might be asking why that would be the case.

This film, although throws out all the symbolisms of the previous films, still shouldn’t disregard the other characters that are around Po.

The 2 characters work like the 2 sides of the Yin-Yang, as complementary forces. They are opposite forces that need each other in order to create balance. 

Her influence is extremely necessary throughout the three films, particularly the second and third. It is her companionship, her support, and her constant push against Po’s natural instincts that lead to the best outcome.

Po has achieved a lot of spiritual enlightenment and character development. A lot of it through his own means, but without Tigress he wouldn't be where he is right now.

The Yang is the strongest when it contains the Yin, and the Yin is the strongest when it contains the Yang.

But this dynamic goes both ways. Although we mostly see the effects of this relationship on Po as the films focus on him, it has also changed Tigress. This leads to her opening up more and being more expressive as the films went on, giving us glimpses into the compassionate person she truly is.

While symbolically she is not the dragon, the 4th film establishes that it doesn’t care about the symbolisms or anything that the previous films have established. So naturally a character that compliments Po this well,  should be put into the spotlight and get the character development that she deserves. A character that went through serious changes, but is still left incomplete. You might as well make her the new Dragon Warrior then.

She - altough deserved the title the most even in the first film - lacked the ability to see the world from a perspective that's required to handle certain situations. The Dragon Warrior is way more than just being the perfect warrior. Po's presence was necessary for her to change her attitude. Leading to her slowly becoming her best self. Knowing all of this, it's not such a wild thought that if there has to be a new person who takes over that role, then Tigress would be a great choice for that.

But what is there for her to learn from Po? Spirituality.

Tigress has always been a grounded, by-the-book character. This can be mostly attributed to her upbringing. Her changing and becoming more open, seeing things differently would have been something interesting to explore, and this would also take care of the issue of the „new trilogy” copying the original trilogy’s main character development.

However, the film completely ignores her existence, and the new Dragon Warrior is instead a random Zootopia fox.

The (new) deuteragonist

There is so little to say about Zhen. The best thing I could compare her to is an untreated wooden board. 

It’s rough, full of splinter, and there are many like it. Probably one of the most cliché characters I have seen in a very long time.

She is generic, has an overused „misunderstood fox thief” trope, and a character arc that is so predictable that we all knew what was going to happen just from reading the film’s synopsis at the beginning of 2023.

Her backstory is a copy of Tigress’ except if Shifu was evil. An orphan who is taken in by a master who emotionally neglects her. Said orphan doing what her master wants in order to be loved/accepted by said master. Except that Zhen doesn’t seem to have any attachment or loyalty to the Chameleon. So the „Sad backstory” fails to garner any sympathy towards the character.

Her dynamic with Po is non-existent, which is why their „friendship” is forced. The creators tried so hard to make the two bond, that they forgot to give them time, shared experiences, or anything that would resemble an emotional connection between them. They just quickly went over everything that they have in common in a dialogue and that’s it. There was no prerequisite completed that would make Po care about Zhen or vice versa.

Furthermore, Zhen doesn’t fit the traits that the dragon has, she is not spiritual either or has an open view of the world. So why is she the new one then?

And I wanted to avoid talking about this, but the character is a textbook Mary Sue.

per wikipedia

Zhen is more than capable in a fight to keep up with Po, even though it was not shown why she is so good at fighting. One thing is for sure, she shouldn’t know Kung Fu as she certainly didn’t learn it from her „master” the Chameleon if the film’s plot has any consistency.

She is not only able to manipulate Chi, but also to use Po’s staff without knowing anything about either of those.

A previous character’s role being retconned so that she can take it for herself (See the rant about the Dragon Warrior title above)

She always gets along with characters that matter, getting what she wants. 

No real character drawbacks.

A throwaway character like this, should be a minor support character, not the new main protagonist for crying out loud.

Her inadequacies are so blatant as a character, that no wonder they didn’t even want to have at the very least Tigress in the film as Zhen would immediately become irrelevant to the audience. They put all the spotlight they could on her, at the expense of the story, and in the end achieved nothing in return.

Tell me with a straight face that a character that has an entire movie focusing on them - who still remains a generic, boring character by the end, without any story potential - should be the new main protagonist. The fact that most people don’t even refer to the character by her name, but by the actress’ name Awkwafina should tell you everything about how memorable she is.

Most new characters and animal designs don’t fit the KFP art style.

A good example of this is Zhen.

This is how a fox would look like in Nico Marlet’s KFP style:

And this is what we got:

Sorry, wrong picture. I meant this:

Now, I’m not a character designer, or a professional artist, I only draw a couple of his characters, but I can see that this is way too far off from his work. If not from personal experience, then from the interviews that Nico Marlet himself gave.

The same issue applies to the villain of the film, the chameleon, but atleast with her they tried (somewhat).

The Villain

They say a film is as good, as its villain. This seems to be true in the case of this film too.

The Chameleon sucks.

She has no connection to anyone from the cast. She has no emotional leverage or pressure on the cast. She is not scary or powerful enough to make the audience care about the cast. Her motivation is so terrible, it might be one of the reasons why the Five was kept out of the film because their mere existence single-handedly demolishes her reason for breaking bad.

Outside of this, the character is unoriginal and uninspired. She basically can “lick” people and steal their Kung Fu? I honestly don't know how to put this into words because it doesnt make any lick of sense (I did the funny). If anything it's a budget version of Kai.

They didn’t even bother to give her a name.

What I will say though is that Viola Davis did what she could with what she was given. I found it amusing that she managed to give the chameleon those serious villainous vibes, while at the same time, the character is a joke. If that’s not a testament to the voice actor’s abilities then I don’t know what is. She was definitely wasted on this role.

As for the “returning villains”. I knew they were only there for cash-grab from the moment they said that all of them would return. Shen, is dead. He is not a Kung Fu master, he doesn’t have any connection with Chi, and he hasn’t been banished to the spirit realm. Then there is Kai, whose soul/spirit doesn’t exist anymore.

The only one that could ever return was Tai Lung. However, due to the gravity of his character, if he does return it has to be done perfectly regardless of what direction his character takes.

Now, many of us knew from the start that whatever they were gonna do with him would be bad (I mean there is a massive beef between Tigress and him, and yet she is not even in the film), but I think I speak for all of us when I say that they managed to somehow lowball it even worse than expected.

Basically, the Chameleon brings him back from the spirit realm, licks the Kung Fu out of him, he says like 3-4 lines, and returns to the spirit realm…. what the actual f*ck.

I’m sure I don’t need to go into a 10-paragraph rant on how much storytelling potential was wasted with this, because everyone knows. From reconciling with his dad, to her little sister having a crazy beef with him, to having to accept all the wrongs he did, accepting that he is not the Dragon warrior etc. etc. etc…

There was always only 1 chance of bringing him back. If he came back in a new film or show (again) it wouldn’t have anywhere near the same impact as it should, and it would also feel weird to the audience.

DreamWorks, you had 1 chance to bring this guy back, and you wasted it all on this film.

The non-existent magic system.

Or rather, how this film didn’t care about it at all.

Kung Fu Panda has a relatively grounded world. It’s animals that do Kung Fu based on their natural abilities. The closest thing we got to supernatural was Chi, but it was well handled in the 3rd film in my opinion.

Chi is life force and not magic. This means if you use it, you are exhausting your own life force. This means you would only use it in certain situations, such as healing someone who is mortally wounded, or perhaps to enhance an attack in a desperate fight.

The film doesn’t care about this and handles it as just a regular, inexhaustible force of energy. This can mostly be seen with Po as he uses it whenever he feels like it.

The other type of magic is what the Chameleon is using. It’s not explained, or shown how it works. It’s just there to further progress the plot so that the character can take the Kung Fu from others. (Seriously, how does that work?)

The Kung Fu action

The fight scenes were also a downgrade compared to the previous films.

In KFP 4 they felt less energetic, less grounded, and overall too cartoonish. As an example, Po can jump ridiculously high because… I don’t know, I guess the film just ignores the fact that he is Panda who sometimes even struggles to pull himself up to a rooftop. 

The previous films incorporated the strengths and weaknesses of the animals that fought. Po is not very mobile, but he is very durable, and his fighting style compliments this. However, when he really needs to get somewhere, his lack of mobility is then offset by his friends, the Furious Five.

The Furious Five

Their absence can be severely felt throughout the movie. That is because in their place was a generic character that had forced interactions with Po.

They have great synergy with him, that cannot be replicated, however minor their role might be sometimes. They serve as a great way to fill in those empty spots in the story, and to elevate the villain. Additionally, their fight scenes are entertaining and help to spice up the choreography.

Although they are great companions, if the film really doesn’t have the time to spare for them, then it's understandable if they aren’t around. However the same cannot be said about Tigress.

A Kung Fu Panda film has to have Po and Tigress interact, due to the reasons already explained above regarding her, and also because of the following:

They are direct opposites, which is why their relationship is so entertaining, regardless if you look at them as platonic best friends, or as a potential couple. 

Po is warm, outgoing, brash, energetic, friendly, goofy, and unorthodox, however, he is also serious when needed. While Tigress is introverted, calm, calculated, passive, and intuitive, but deep down she is also a very compassionate and conflicted person that we rarely see. This is then in conjunction with the emotional bond that the previous films have built up between them. These are the reasons why just putting these two in a room is enough to create entertaining scenarios. They add a lot of fun, heartfelt, and emotional moments to every film.

Whenever Po is facing a problem, she is right there to help him through it, whether by talking it through or by beating some sense into him (literally).

She has always been quintessential in Po’s development and motivations.

Memberberries, Memberberries everywhere…

It was jarring to see the film disregarding the existence of the previous movies to justify its plot, but at the same time heavily relied on tropes, and scenes from said films. I’m not kidding when I say that there were moments that were ripped straight out of them.

One of those moments is the standoff between Po and Zhen before the final fight. Zhen wants to stop Po to avoid him getting hurt, but the fight ends with her hugging Po….

Yeah… it was a blatant copy of the prison scene from the 2nd film. However, I think the 2 scenes here perfectly encapsulate why the previous films worked, and why the 4th film doesn’t.

The prison scene in the 2nd film was essentially an emotionally unstable Po being held back by a caring Tigress. Po is so focused on getting to the truth that he forgets the reason they are there, and would put his and his friends’ lives in jeopardy to know what happened to him and his parents. So much so that Po was ready to get beaten to a pulp by Tigress instead of staying down there and waiting until the Five finished the task.

But instead of that happening, Tigress saw how lost Po was, and realized she needed to calm him down to help him understand their situation. And so the person who has always been portrayed as an unfeeling, hardcore, essentially perfect warrior gave Po an unexpected hug and told him he is too important for her to lose him.

This moment has gravity and weight, because of how she is perceived, because of how Po views her, and because Tigress was forced out of her comfort zone to emotionally connect with Po, to help him. It’s a moment of pure comradery and care towards each other that ascends the situation they are in. It’s a moment that in many ways defined their relationship going forward.

In comparison to this, the scene that copied this in the 4th film has none of the emotional underlinings that I discussed, and so it falls flat and feels cringe rather than heartfelt and warm. This is mainly due to Po and Zhen having no connection, bond, or reason to care about each other. But then there is the other element that I discussed when talking about the villain. Po is in no real danger, and it never felt like he was.

Production

From the early leaks, it was blatantly obvious that the production of this film was rushed. Between the artificially forced plot, the generic character designs, the non-existence of the Five, the lack of time, money, commitment, and care was apparent.

However, due to an interview that the Co-director did with some folks on the subreddit discord, light was shed on the nightmare that was the production. I won’t go into details, as everyone should read the Q&A for themselves, but I’ll touch upon a point that was brought up as an excuse for this film turning out the way it did.

(this is a real concept art from the production btw)

Some are saying the reason the film turned like this was due to the budget restriction. That they simply didn’t have the money to have characters like Tigress return due to Angelina Jolie costing a ridiculous amount of money.

But then I have to ask: They had the budget for characters like Shifu (Dustin Hoffman), Po’s dads (James Hong & Bryan Cranston), Tai Lung (Ian McShane), who in the end turned out to be completely irrelevant to the story, but not at the very least for Tigress (Angelina Jolie)?

I’m not saying that you cannot make a story with these characters, because you obviously could make a great one. What I’m trying to point out is if you have such a limited budget, are you really going to blow it all on actors who play characters that essentially add nothing to the story? This is why I call bullshit on them not getting at least Angelina Jolie back to play Tigress. 

Let’s not even mention how you could always recast these characters anyway (although it's clear that the execs are the ones forcing the use of A-list actors).

So for the sake of the argument, let’s come up with a story, that has a reason to exist, has characters that you can do something with, and fits the budget that you are given.

For me - considering that this film was essentially a buddy adventure film - it's an easy task. Just have Po help Tigress explore her origins. I know it's cheesy and basic, but at the very least you have what’s needed for a decent story that would be able to expand on a beloved character, and even help develop Po into a spiritual leader as he has to aid her best friend.

Another idea is what my friend and I had come up with. Have Po bring Lei Lei (now much older, and is a student under him and Tigress) on an adventure. You wouldn’t even need Tigress to appear in the film, because these characters would reference her many times. Lei Lei is a copy of Po in the sense that she wanted to do Kung Fu because she puts Tigress on a pedestal. Because of how influential she was in her life, Lei Lei’s personality is a copy of Tigress’.

I’m just shooting ideas here, but at least these wouldn’t ruin the continuity of the franchise and would be able to navigate the studio limitations that the creators had to face. (from the ones we know of).

"Limitation is the mother of creativity"

KFP 4 was a shallow, artificial story that didn't add anything to the franchise, only degraded it and stripped it of it's remaining value. It's missing the foundations of a KFP film, such as the heart, artistry, and warmth. It's not unexpected as none of the original brains worked on this film.

So what can be expected from this franchise going forward?

Well, not much honestly. It was a weak attempt by DreamWorks to continue the main storyline, not for the sake of the story, but to milk as much money out of it as they can. Even though with a little bit of effort they really could have at least made a good film in the end. However, between the incompetence of the decision makers, the rushed production, and the new people not knowing much about the franchise, that was never going to happen.

The only thing that we can hope for is a spinoff (which is about a decade late at this point), that focuses on Tigress. It’s the only way I see anything for this franchise going forward and hopefully, this film served as a wakeup call for the executives.

Thank you to those who had the patience to read through my inessential rant. Let me know what you guys think about the film.

[justyoursicanon]

Wade would speak louder than usual when rambling cuz the voices in his head get too much

Like "Oh yeah and Mary PUPPINS ALMOST TRIED to-"

Just a sudden increase in volume when he's talking

Despite how unusual-but-looks-normal-because-its-wade Logan would definitely catch on at some point because it gets annoying once he notices

When he asks Wade and he explains it to Logan, Logan tries to take the lead in the conversation to help Wade focus on his voice

Or they try to stay constant in their conversation so there isn't any room for Wade to really pay attention to the voices

[booksandreviewa]

Kill Joy By Holly Jackson

Synopsis: Pippa Fitz-Amobi is not in the mood for her friend's murder mystery party. Especially one that involves 1920's fancy dress and pretending that their town, Little Kilton, is an island called Joy. But when the game begins, Pip finds herself drawn into the make-believe world of intrigue, deception and murder.

Review and Rant:

I really don't have much to say about this book. I really liked it. I liked how we got to see why Pip choose to do that case. And it's really attention-grabbing. Anyways, the book is a short novella with a total of 12 chapters. So it's a quick read.

Also, this book takes place before the series started so sadly you won't be getting any Pip and Ravi moments sadly. But except that it's a pretty awesome book and I would give it a 4.5 stars out of 5 stars. The book is also bittersweet I just wanted to add that because if you read the whole entire series then you would know why it's bittersweet.

Anyways there's not much to say about the book.

[sadjestergirll]

ZOOBLE & KINGER FIGURINE ♟️🌀 !

SO THEY FINALLY CAME TODAY, HERE IS WHAT THEY BOTH LOOK LIKE IN THE BOX ALONGSIDE WHAT THE BACK OF THE BOX LOOKS LIKE, THE DESCRIPTIONS MADE ME LAUGH 😭 I LOVE THEM

AND HERE IS WHAT THEY BOTH LOOK LIKE OUTSIDE OF THE BOX, THEY’RE BOTH VERY GOOD DETAIL BUT I DO HAPPEN TO FAVOUR ZOOBLE OUT OF THIS ORDER I MADE AS THEIR FIGURINE DESIGN IS SO SO COOL AND THERE IS JUST SO MANY DETAILS TO IT

I also did get the big pomni plush, but I’ll make a separate post about that one in a few minutes…

ANWAYS, I LOVE THESE FIGURINES SO MUCH AND I’M LOOKING FORWARD TO GETTING THE FULL SET OF FIGURINES WHEN THE GANGLE AND RAGATHA EPISODES ARE OUT ‼️

[literatureaesthetic]

why is bookstagram the most uninspiring place on the internet

[lucky-clover-gazette]

kings rising highlights & annotations

chapter 3

indented text is from the book. some quotes have commentary, some do not. some comments are serious, and some are definitely not. most of them will only make sense to people who have read the series. and, like, there are spoilers. so please read the books first if you're interested!

also: part of the reason i'm doing such a close reading is to study cs pacat's style, especially in terms of how she does romance and erotica. there are "craft notes" that might seem weird, like i'm being redundant or restating something rather than analyzing, but those are more things that i want to remember/take away from the writing!

i'm going to tag these longer posts with "sam reads capri" in case anyone wants to read them all at once.

this is a google doc i wrote with overall content warnings for the captive prince series. it's not perfect, but i do think it's important to include.

The Regent’s forces were rivers of darker red, driving inroads into their lines, mingling their armies together, like a stream of blood hitting water, then diffusing.

He killed, and it was simply that men got out of his way, or were dead.

He had grown used to something that had been temporary, like the flash of exhilaration in a pair of blue eyes for a moment catching his own. All of that tangled together inside him, and tightened, through the killing, into a single hard knot.

something about the way this is written just hits me in the abandonment issues

‘If the Prince of Vere shows himself, I will kill him.’ Nikandros half spat the words.

nik private twitter venting moment #2

The ground was wet, his legs were mud-spattered above his knees—mud in dry summer, because the ground was blood.

i don’t know man i feel like after a point you have to just be like. hey. why are we doing this again? like yeah i get that fighting in a military force can be for A Cause but unless you’re directly involved in enacting ideological change, aren’t you basically just cannon fodder

On the far side of the field, he saw the flash of embroidered red. That is how Akielons win wars, isn’t it? Why fight the whole army, when you can just—

i’m guessing the part in italics in a previous laurent line, about damen killing auguste at marlas?

He used the little name that Damen had been called as a boy; the childhood name, reserved for intimates.

the fact that is was kastor specifically asking the veretians to call him that…

Damen realised that he was on his knees, his own chest heaving like the chest of his horse.

laurent’s horse will be glad to know that damen’s horse lived. because, as we all know, they’re in love

‘Over?’ The word grated out of him. All he could think was that if the Regent still lived, nothing was over.

it is interesting how, even when he thinks laurent screwed him over (see previous chapter), damen has this uncontrollable rage towards the regent rather than laurent. i think this has more to do with the regent killing his men and trying invade his country, though. and maybe just that it’s easier to hate him than laurent. “regent = bad” is something that’s easy for damen to comprehend right now, while laurent’s whole thing is a lot more confusing and intimate

And with returning awareness, he saw as if for the first time the bodies of the men that he had killed to get to the Regent’s decoy, and beyond that, the evidence of what he had done. The field was a rutted earthworks strewn with the dead. The ground was a churned mess of flesh, ineffective armour and riderless horses. Killing ceaselessly, for hours, he had not been aware of the scale of it, of what he had caused to happen here. He saw flashes behind his eyelids, faces of the men he’d killed. Those left standing were all Akielon; and they stared at Damen as at something impossible.

damen holy shit… i guess that’s one way to reclaim your authority. and he didn’t even mean it as a sign of intimidation, he just wanted to get to the “regent.” who by the way was just some random guy RIP

‘Find the highest-ranked Veretian still living and tell them they have leave to bury their dead,’ said Damen. There was a fallen Akielon banner on the ground beside him. ‘Charcy is claimed for Akielos.’ As he rose, Damen wrapped his hand around its wooden pole and planted it in the earth.

not sure if calling it an akielion victory despite the combined forces is just customary, or intentionally out of spite. i’m leaning on the former, since it’s damen and not laurent we're talking about

The herald came cantering across the devastated landscape on a white, glossy mare with a curved neck and a high, flying tail. Beautiful and untouched, he made a mockery of the sacrifice of the brave men on the field. His banner streamed out behind him, and its blazon was Laurent’s starburst, in blue and shining gold.

here is an excerpt from a post i made while reading king’s rising for the first time:

“damen when he realizes he’s not in a slow burn romance with problematic beginnings, but a complex psychological thriller in which the smartest fictional character i have ever personally encountered has decided to make his life a living hell and also they’re in love with each other but the psychological thriller stuff is way more important to his bitchy blonde nightmare malewife and he is SO down bad and just has to deal with laurent’s mean girls 4d chess petty nonsense bc it’s enrichment for him and damen will kill anyone who gets in laurent’s way and he can’t even pick up the very very VERY clear implications of laurent’s trauma that would probably allow them to reach some kind of vulnerability equilibrium in their relationship”

on a re-read, i think this is a great time to dig into that a little more ;)

SO what i love about so much of laurent’s choices in the next few chapters is the fact that much of what he says and does is entirely petty. like, yes there’s always strategy and trauma and depth as usual, but i think it’s not denying him depth to say that he is 20 years old, this is his first love in the midst of an extremely stressful and messy situation, and despite his own wishes he cannot prevent his emotions from affecting his actions. laurent has had control over so much of the situation with damen thus far, both with the power dynamics between them as master and “slave” and the fact that damen didn’t know that laurent knew who he was. but now laurent knows that damen knows, so all of his previous and future actions are going to be under damen’s scrutiny in that context. they’re equals now, and the secrets reinforcing laurent’s prior cognitive dissonance have dissolved. that leaves laurent vulnerable (especially after being tortured and genuinely letting damen down even if by accident) and emotional compromised (he has no choice but to see damen as damianos, and with that comes all of the auguste baggage and the fact that they’ve already fallen in love and had sex under different circumstances).

all that is to say, the next few chapters are laurent’s mean girls era. he is, again, still being smart and strategic (4d chess), and his feelings are valid and his trauma is real. however, he is also just being MEAN, for the same reasons classic high school movie mean girls tend to be: he feels insecure and vulnerable about his romantic attachment to damen, stressed out by the insane amount of power he definitely should not have, and self-righteous about all the ways the world has conspired against him. regina george might have been the villain of the movie, but she was the hero of her own story. janis and cady methodically dismantled her life as a popular, powerful, and confident person. that’s why she got revenge with the burn book instead of looking inward and acknowledging her own issues, of which there were many. she had a machiavellian view of life, in which mean people always won, and so being mean in retaliation was how she could protect herself from being a victim.

that is laurent’s perspective too, for a lot of this series. we don’t know anything about regina’s backstory, or heather chandler’s (another great example), but we do know exactly why laurent has the worldview he does. he used to be sweet and it made him a victim. so he is mean to protect himself, even if that robs him of his sweetness. damen’s integrity and honor have challenged laurent’s worldview, though, and that has been the source of a lot of laurent’s slow reconsideration. but now that laurent can’t just pretend that damen isn't damianos, now that he has to accept this situation in its full interpersonal and political messiness, he isn’t nearly as inspired. laurent assumes, now that laurent has gone “mask off,” that damen will realize that laurent doesn’t deserve the love he has shown him in the past. because laurent has been mean to damen, by lying about his awareness even at the times damen thought he was being earnest and sweet. that makes damen a victim and fool—two things laurent deeply fears being, and therefore assumes everyone else also fears in themselves. two things the regent had wanted laurent to consider himself, by placing damen in his life in the first place.

therefore, in his insecurity and vulnerability and anger, as a 20 year old just experiencing his first love, as someone with a lot of power and stress who cannot waste time or energy on genuinely confronting his own flaws in good faith, laurent is gearing up to be sososososo mean to damen specifically in the next few chapters. like comedically mean. aimlessly mean. pathetically mean. on purpose. ultimately, if he must be alone (which he obviously must, says laurent's brain), laurent would rather be the villain of someone else’s story than a victim in his own. that, at least, is similar to book 1 laurent—but while he was a cat playing with a mouse in book 1, in a position to do serious damage to his opponent, now he’s more like…. a cat, slapping another cat. evenly matched, but still throwing hands. transparently insecure and pathetic, only effective in doing emotional damage in ways he doesn’t intend. damen isn’t hurt by the petty things laurent says and does, because he sees through them for what they are. he’s hurt because laurent sees them as necessary to protect himself and keep his distance, when all damen wants is to make things okay between them. which laurent would never expect, because he assumes that damen wants nothing to do with him, and would be happier and better off if they stayed apart.

basically: unstoppable force (damen's persistent caring) meets unmovable object (laurent's refusal to be genuinely cared for). the only way for this cycle to end is for damen to choose to stop, or for laurent to choose to yield. laurent will eventually make that choice, but he still has to be a huge bitch about it first. he's going to lash out at damen and challenge him to stop caring, but ultimately fail—both because damen is just built different, and because he's lowkey written as a fantasy partner for emotionally volatile people with attachment and abandonment issues.

rest assured, laurent’s genre is still psychological thriller, but it’s also now a high school drama movie. and damen is about to get a bitter taste of that, with pretty much no choice in the matter. this poor man will have to deal with laurent’s bitchy theatrics as they try to co-parent an army, and he’s already too emotionally invested and aware of laurent’s habit of lashing out when he’s in pain to genuinely fight back.

this could also be called laurent’s s1 catra era, but i’m not sure what the venn diagram of capri and she ra enjoyers looks like. to those who get it—laurent is doing what catra did at princess prom for the next several chapters, down to the “hey adora” = “hello lover.” this dynamic is very fun to read because it doesn’t overstay its welcome. it’s different from laurent in book 1, or catra in general, because it’s so clearly pathetic, damen and laurent are on the same side of the war, and damen could technically make it stop at any point. so i think it’s very very fun, while it lasts >:)

The herald reined in in front of him. Damen looked at the mare’s shiny coat, not dirt-covered, not heaving or darkened with sweat, and then at the herald’s livery, in immaculate condition, unflecked by the dust of the road. He felt it rising at the back of his throat. ‘Where is he?’

damen showed up to the prom laurent planned with him to unite their rival high schools, only to find himself dateless and laurent’s promised fancy party decorations missing. this is the moment where damen checks snapchat (i was in high school from 2013-2017) and sees everyone from vere high at their own immaculately-decorated prom, where laurent is being crowned king. little does damen know, laurent was blindsided by the vere-only prom and forced via social pressure to be there since everyone elected him prom king. they’re mad at each other for a high school drama pacing-typical period of time, and then make up when they realize the misunderstanding and reassert their dedication to each other.

laurent did still murder someone with a chair, though. but like a metal folding chair from the band room

The herald’s back hit the ground. Damen had dragged him bodily from his horse into the dirt, where he lay dazed and winded, with Damen’s knee in his stomach. Damen’s hand was around his neck.

His grip tightened before it opened enough to allow the herald to speak. The herald rolled onto his side and coughed as Damen released him. He pulled something from inside his jacket. Parchment, with two lines on it. You have Charcy. I have Fortaine. He stared at the words, written in familiar, unmistakable handwriting. I’ll receive you at my fort.

lamen hr complaint #5 (unnamed herald): ragdolling this guy over what should be impersonal, professional correspondence

also, because i can't help myself:

Fortaine eclipsed even Ravenel, powerful and beautiful, its towers high-flung, its jutting crenelles biting the sky. It rose to a sheer, impossible height and, from every vantage, it was flying Laurent’s banners. The pennants seemed to float on the air effortlessly, patterned silk in blue and gold.

WELCOME HOME, BROTHER KILLER

Rows upon rows of peaked, coloured tents were pitched on the field outside Fortaine’s walls, the sun lighting the pavilions, the banners, and the silks of a graceful encampment. It was a city of tents, and it camped a fresh, intact force of Laurent’s men, who had not fought and died through the morning. The constructed arrogance of the display was intentional. It said, exquisitely: Did you exert yourself at Charcy? I have been here examining my nails.

this is funny and i wouldn’t put it past laurent, but also i’m not sure if he like. really meant this part of it specifically to piss damen off. he was just tortured idk he probably just wanted things nice. a good part of the fun of lamen divorce era is remembering that damen’s interpretation of events isn’t necessarily accurate, and that it’s hilarious how he interprets things as petty personal slights even when they might not be. they’re both so obsessed with each other and it’s great

Nikandros reined in alongside him. ‘Uncle and nephew are alike. They send other men to do their fighting for them.’

nik tweets this verbatim on priv (#3)

Damen was silent. What he felt in his chest was a hardness like anger. He looked at the elegant silken city and thought about men dying on the field at Charcy.

but not exactly anger—betrayal? heartache? self-consciousness?

Some kind of herald’s greeting party was riding towards them. He gripped the Regent’s bloody, torn banner in his hand.

the phrase “greeting party” just made me imagine them rolling up with like confetti and a speaker blasting the celebration song. while damen holds the bloody torn banner

‘Just me,’ said Damen, and put his heels into his horse. About halfway across the field, he was met by the herald, who arrived with an anxious party of four attendants saying something urgent about protocol. Damen listened to four words of it. ‘Don’t worry,’ said Damen. ‘He’s expecting me.’

lamen hr complaint #6 (more unnamed heralds): disregarding protocol

(also “he’s expecting me” girlllll)

Without even pulling off his gauntlets, he strode to the tent. He knew its high scalloped folds; he knew the starburst pennant. No one stopped him. Not even when he reached the tent and dismissed the soldier at the entrance with a single order: ‘Go.’ He didn’t bother to see if his order was obeyed. The soldier let him through: of course he did; this had all been planned. Laurent was ready for him whether he came docilely behind the herald or, as he did now, the dirt and the sweat of the battle still on him, blood dried in the places where a cursory swipe with a cloth had not reached it. He swept the tent flap back with an arm, and stepped inside.

again i do have to question, beyond the drama, how much of this is as intentional and petty as damen thinks it is. like, the heralds literally cite protocol, damen knows this is the correct way for a camp to be run. i think he is assuming a lot here, although it’s reasonable to do so. we have seen in the past that damen assumes things of laurent that laurent is just like, “uh. not everything i do is on purpose” about, or damen is just WRONG about. i just wonder if damen’s approach here confirms things laurent was worried about (damen thinking poorly of him now that they’re on even ground), further fueling the fire of his rejection-sensitive bitchiness. not that it’s an excuse, or even undeserved, but it’s good to remember that there are two sides to the story.

like to damen, this is an angry post-battle rush of a moment to confront laurent and speak his truth (he doesn’t know laurent knows who he is), but to laurent this is like. post-torture and escape, and basically being thrown into the deep end of vulnerability with damianos and what this all implies to auguste’s memory. we’re not getting the best or most rational version of either of them right now, which is great for the drama but also makes the narration less reliable

This was the place Laurent had chosen.

right. damen thinks laurent chose this place to hear the truth about him, because the “you have charcy” note implies that at some point laurent probably figured out that damen is damianos. therefore laurent chose this occasion for them to meet each other, as they truly are by birth, for the first time. damen just doesn’t know the twist that laurent has always known who he’s been, and has chosen everything else before now with that knowledge too

There were a few furnishings, low seats, cushions, and in the background a trestle table hung with its own coverings, and set with shallow bowls of sugared pears and oranges. As though they were going to nibble at sweetmeats.

the same guy who ordered the “sorry you were given a severed head and discovered a suicide” fruit basket in prince’s gambit had to order a “sorry i gaslighted you for 2 books but not really because you also technically gaslighted me” fruit basket in kings rising

He lifted his gaze from the table to the exquisitely attired figure leaned with a single shoulder against the tent pole, watching him.

lucky number laurent lean #13!

Laurent said, ‘Hello, lover.’

It was not going to be simple.

this being the follow-up line to “hello lover” is such a good combination of funny and tension-building. like laurent’s cunty tableau immediately put out damen’s fiery righteous indignation and now he’s just like “oh this is going to suck.”

He made himself breathe through that. ‘Your men think you’re a coward. Nikandros thinks that you deceived us. That you sent us to Charcy, and left us there to die by your uncle’s sword.’ ‘And is that what you think?’ said Laurent. ‘No.’ Damen said, ‘Nikandros doesn’t know you.’

this is really a testament to pacat’s cleverness, how in chapter 1 there are a lot of moments where it’s almost like damen is directly saying he thinks laurent screwed him over—nikandros and the herald saying it and him not disagreeing, him accepting the reality that laurent is not going to show up—but he never does truly say that he thinks the abandonment was on purpose. because he didn’t, and he doesn’t, which makes sense. but he’s still angry and confused and also just concerned about how laurent is taking the “news” that he’s damianos. how much of damen’s anger about laurent’s composed appearance is projection of his anxiety about laurent seeing him as he truly is, a powerful authority figure in his own right who just won a battle against insane odds?

it’s so ambiguously written that it’s almost like pacat WANTS us to spiral. which i did, and will probably continue to do, so well-played. these books are like evil catnip to anxious overthinking theater people with attachment issues and an interest in understanding complex fictional situations to cope with the fact that real life never makes enough sense. also kinky gays but let's be real that's just a trojan horse for the other stuff

‘And you do.’ Damen looked at the arrangement of Laurent’s weight, the careful way he was holding his body. Laurent’s left hand was still casually resting against the tent pole. Deliberately, he stepped forward, and clasped Laurent’s right shoulder. Nothing, for a moment. Damen tightened his grip, and ground in with his thumb. Harder. He watched Laurent turn ashen. Finally, Laurent said, ‘Stop.’

proving that he knows laurent well enough to pick up from his posture alone exactly where he’s been injured. also they’re both so messy, like let’s put pressure on each other’s literal and figurative wounds instead of just talking about our misconceptions and feelings, awesome

He let go. Laurent had wrenched back and was clutching his shoulder, where the blue of his doublet had darkened. Blood, welling up from some newly bandaged, subterranean place, and Laurent was staring at him, his eyes oddly wide. ‘You wouldn’t break an oath,’ said Damen, past the feeling in his chest. ‘Even to me.’

damen proving to himself, and proving to laurent, that he knows that laurent didn’t screw him over, and instead was injured and failed to show up. laurent is shocked by how quickly damen picked up on this. also ow

He had to force himself back.

he doesn’t want to see laurent in pain, or know that he’s causing it :( which is especially unfortunate given the conversation they’re about to have about damen murdering laurent’s brother

Laurent didn’t answer. He still had a hand clutched to his shoulder, his fingers sticky with blood. Laurent said, ‘Even to you?’

“you wouldn’t break an oath, even to me” (“even to me” being a sort of freudian slip, meaning “i killed your brother, and i’ve known that this whole time and i haven’t told you, and you have a good reason to hate me for that”) “even to you?” (to damen’s incomplete understanding: “well i know who you are now, and if i’d known before i would have broken every oath to you i’ve ever made”)

He made himself look at Laurent. The truth was an awful presence in his chest.

babygirl it’s about to get so much awfuller

He thought of the single night they had spent together. He thought of Laurent, giving himself, dark-eyed and vulnerable, and of the Regent, who knew how to break a man.

damen totally sees laurent as his “victim” right now, set up well by him re-opening laurent’s physical wound. damen fucked this man while knowing that he (damen) killed his (laurent’s) brother, and put trust in him. if they were normal, or this was a normal story, that’s where the confrontation would end. it would be that simple—damen didn’t mean to hurt laurent but still did, and laurent has to forgive him for that, and forgive himself for being fooled—and then it would get tearfully resolved because they love each other so much that it doesn't matter. but they are not normal, and this is not a normal story, so…

Outside, two armies were poised to fight. The moment was here, and there was nothing he could do to stop it. He remembered the Regent’s constant suggestion: Bed my nephew. He had done that, wooed him, won him. Charcy, he saw, hadn’t mattered to the Regent. It hadn’t meant anything. The Regent’s real weapon against Laurent had always been Damen himself.

damen thinks the regent’s plan had been to weaken laurent by putting him in circumstances where he’d unknowingly make himself vulnerable with his brother’s killer, triggering him emotionally and destroying his judgment. i'm pretty sure that this was basically his intention, but had also made sure that it would also torture laurent even if he did recognize damen on the spot.

personally i think the regent knew that laurent knew in book 1 through observing his reaction, but had planned for both possibilities in advance. what he hadn't expected, though, was for laurent and damen to start genuinely working together instead of against each other. this happens early as the thing with patras, and really pops off during the botched assassination attempt.

charcy was meant to drive a wedge between them, to correct the regent's previous miscalculation. and given the inevitable truth damen must now reveal, there's nothing he can really do to stop laurent from being upset.

‘I’ve come to tell you who I am.’ Laurent was so keenly familiar, the shade of his hair, the strapped down clothing, the full lips that he held tense or cruelly repressed, the ruthless asceticism, the unbearable blue eyes. ‘I know who you are, Damianos,’ said Laurent. Damen heard it, as the interior of the tent seemed to change, so that all of the objects in it took on a different shape. ‘Did you think,’ said Laurent, ‘I wouldn’t recognise the man who killed my brother?’

the way i YELLED during my first read. i remember even like posting something before, like “oh my god damen just tell him put this poor man out of his misery,” and then after i got to this part i immediately went and deleted that post

Each word was an ice chip. Painful, sharp; a shard. Laurent’s voice was perfectly steady.

do you think he practiced this?

‘I knew in the palace, when they dragged you in front of me,’ said Laurent. The words continued, steady, relentless. ‘I knew in the baths when I ordered you flayed. I knew—’

he definitely practiced this

‘At Ravenel?’ said Damen.

“you knew when you kissed me and let me fuck you????”

‘If you knew,’ said Damen, ‘how could you—’ ‘Let you fuck me?’ His own chest hurt, so that he almost didn’t notice the signs of it in Laurent, the control, the face, pale at any time, now white.

he almost didn’t notice the signs, which means he still totally did. because even now, damen is attentive and caring towards laurent

‘I needed a victory at Charcy. You provided it. It was worth enduring,’ Laurent spoke the terrible, lucid words, ‘your fumbling attentions for that.’

LIARRRRRRR

It hurt so much it took the breath from his throat. ‘You’re lying.’ Damen’s heart was pounding. ‘You’re lying.’ The words were too loud. ‘You thought I was leaving. You practically threw me out.’ He said it, as the realisation blossomed inside him. ‘You knew who I was. You knew who I was the night we made love.’

tbh i think this kind of realization would make me have a panic attack on the spot. also do you think this is the kind of betrayal he’s been trying so hard to avoiding confronting, coming from kastor and jokaste? but here he has no choice to confront it, because laurent is forcing him to understand the depths of the deception. no avoiding it now

He thought of Laurent surrendering, not the first time, but the second, the slower, sweeter time, the tension in him, the way he had— ‘You weren’t making love to a slave, you were making love to me.’

very true, but laurent isn’t ready to deal with it. he can’t keep up the cognitive dissonance in the present, but that doesn’t mean he’s about to accept that it was real in the past. instead he’ll just lash out.

And he couldn’t think that through clearly but he could catch a glimmer of it, a glimmer of the edge of it. ‘I thought you wouldn’t, I thought you’d never—’

OF COURSE damen suspected, at some points, that laurent knew. but this tells us that he’d ultimately dismissed the notion because it would have been insane for laurent to kiss and fuck him, while knowing his real identity. “i thought you wouldn’t, i thought you’d never—“

this is similar to how i thought about it during my first read—i suspected for all of book 1, and some of book 2, but then figured that the story was taking a different direction because how the hell could the plot points of “laurent knows who damen is” and “laurent makes himself vulnerable to damen and does a romance/sex about it” possibly be compatible? laurent, a deeply traumatized and self-protective person, wouldn’t and would never. except i underestimated laurent’s capacity for self-delusion, and overestimated the amount of control he truly has over his emotions and impulses, beneath all the posturing. damen, here, is recognizing that he’s made similar miscalculations, and now he’s seeing laurent as he truly is. they’re both seeing each other, truly, for the first time.

‘Laurent, six years ago, when I fought Auguste, I—’ ‘Don’t you say his name.’ The words were forced out of Laurent. ‘Don’t you ever say his name, you killed my brother.’

i like the simplicity of this. just the plainness of “you killed my brother.” laurent’s language is so often clever and cagey and embellished, but that last sentiment is raw and informal, and what we the reader are probably screaming in our heads. because yeah, holy shit, damen killed laurent’s brother. it’s a pretty hard thing to argue against, or ignore. “you lied to me” “you killed my brother” “you flogged me” “you killed my brother” “you forgot to do the dishes” “you killed my brother”

Laurent was breathing shallowly, almost panting as he spoke, his hands rigid on the edge of the table behind him.

his practiced words are saying one thing, but his body is very obviously having a panic attack. this scene isn’t nearly as much of a laurent mean girl moment as it seemed during a rushed first read. that’s actually kind of a relief to me, bc it made me sad to interpret him as so heartless and unfazed the first time around. even if “hello lover” is an iconic moment, it’s a performance more than anything else. and pacat shows us this sooner than i recalled or first perceived. she’s not torturing us, the reader, as much as she’s torturing both damen and laurent. and it’s not even like a lazy misunderstanding kind of torture, this is genuinely complicated and they’re both in the wrong and they both are justified in this pain and hurt. i just couldn’t see that as well the first time, having binged like all of book 2 already and having no idea what would happen next and honestly just being shocked and betrayed and compelled by the massive mislead with laurent’s awareness of the situation

‘Is that what you want to hear, that I knew who you were and I still let you fuck me, my brother’s killer, who cut him down like an animal on the field?’

you know he doesn’t, laurent, that’s just what you’re telling yourself now that you’re forced to confront it. you started this scene with “hello lover” and your prepared speech, hoping to destroy damen emotionally, but once again you’ve just kinda played yourself. maybe just cool it with the emotional gambits for now, when it comes to damen, bc they only really seem to come back and hurt you (oh fuck he can’t hear me)

‘Shall I ask you how you did it? What he looked like when your sword went in?’ ‘No,’ said Damen.

laurent, shaking, pale, looks like he’s about to pass out: “you bastard, tell me about how you murdered my brother as i think about the fact that i let you fuck me in a similar way, go ahead just make it hurt more”

damen, not a therapist but still emotionally intelligent enough to know this isn’t really about punishing him: no, i don’t think i will. can you like sit down

‘Or shall I tell you about the illusion of the man who gave me good counsel. Who stood by me. Who never lied to me.’ ‘I never lied to you.’

that italicized “i” is interesting. is it an accusation of laurent’s own lying and hypocrisy, or a specification that damen never directly told laurent he wasn’t damianos? given damen’s well-established integrity, i’m guessing it’s the first option. again with the mutual moral arbitration. and damen wouldn’t want to take such a weak a cop-out as “well i never technically said it,” it’s just not typical of his character.

The words were awful in the silence that followed them. ‘“Laurent, I am your slave”?’ said Laurent. He felt the breath forced out from his lungs.

of course laurent takes it as the second option, though, and implies that by swearing himself to laurent and then bedding him damen was directly lying about his identity. because to laurent, damen =/= damianos. a slave can’t be a prince. so damianos, the prince, must have been intentionally lying about being damen, the slave. and that’s actually easier, and less painful, and less complicated to accept than any kind of nuanced alternative.

‘Don’t,’ he said, ‘talk about it like—’ ‘Like?’ ‘Like it was cold-blooded; like I controlled it. Like we didn’t both close our eyes and pretend I was a slave.’ He made himself say the exposing words. ‘I was your slave.’

he’s right. nothing much to add here. damen wasn't just literally laurent's slave, he had devoted himself emotionally as well, and he's admitting it here despite the fact that it makes him vulnerable—something laurent is too much of a (traumatized, understandable) coward to do himself. i love damen's characterization so much

‘There was no slave,’ said Laurent. ‘He never existed. I don’t know what manner of man stands before me now. All I know is that I am facing him for the first time.’ ‘He is here.’ His flesh ached as if he had been prised open. ‘We are the same.’

this gives us some insight to laurent’s actions in book 1—not necessarily excusing them, but making them fit better into what we’ve since learned about his moral code. it ties things together, which isn’t the same as making them simpler or easier to like. pacat is very very VERY good at establishing continuous moral ambiguity in her characters, and does not rush the slow burn of making ends meet. so when she does eventually begin to connect things, it’s satisfying, because it hasn’t been all been spelled out the whole time so readers don’t have to think for themselves. this, in reference to a lot of the series’s more problematic themes, is exactly why i think people end up seeing capri as apologism or glamorization. but by claiming that, i also think they’re exposing themselves as impatient, shallow, and (sorry) simply lazy.

but i don't just want to be reductive and uncharitable, because that would be shallow and lazy too. to be perfectly clear, i honestly can't blame people for disliking this series, and not being willing or able to have patience and understanding for its more problematic elements. this series is marketed as romance/erotica. it started as indulgent kink fic. it ended up evolving into its current state during its development—and i'm really glad it did, but that doesn't change the fact that so much of its marketing and premise imply certain things that it doesn't quite deliver. and if you look up the series today, as it's still being published years after its completion, it's still marketed in a way i find somewhat misleading. to the extent that when i picked it up, it was in an intentional attempt to expand my own horizons—i wanted to challenge myself with indulgent shameless problematic porn/romance, as opposed to the weak-ass "enemies" to lovers running rival bakeries gay romance novels with canva covers that haven't worked for me in the past. the logic was basically, "well, if i don't like romance on that side of the scale, maybe i'll like the opposite extreme, or at least learn more about what i don't like." and i did feel pretty challenged during book 1, to the point that for a while i only kept reading out of morbid curiosity and vague horniness rather than any genuine expectation of depth or satisfying storytelling. it was only around the assassination scene in book 1 that i started to see the book as something capable of more depth and intrigue than just like kinky debauchery, and it pretty much just snowballed from there. and as someone who frequently reads about these dark topics in other genres and contexts, i was familiar enough with the things happening on the page to at least stomach them and push foward.

however, if i was coming at the series from a different place—like if i loved cozy romance and had very little familiarity with reading about these topics—i can see the first book especially being very blindsiding and distressing, and not wanting to engage with it further. that's not laziness, it just means that the book wasn't for me.

and the nuance doesn't end there. one of the things i love most about this series is that, even if i was just looking for shameless slavekink porn and decidedly did not want to rise to the occasion of depth or thematic exploration, i would also walk away unsatisfied. because the truly problematic shit in these books is not shameless at all, and indulgence never comes without a cost. there are a few distasteful moments that make me roll my eyes, and the garden scene definitely prompts a Conversation—but as a whole, i think pacat is very aware of the moral implications of these themes. and i also think she's perfectly aware of the fact that many people get off on them.

this series almost feels like an accidental study of, like, the psychological implications of being a person compelled by dub-con and problematic kink, finding a sort of gratification in situations where those things ar kind of inevitable (like they are for damen in book 1). AND this is made even more complicated and brave by the fact that laurent is, very relevantly, a victim of serious sexual assault. like, as hot as some of the scenes in this book are, i really don't think it makes itself easy for people to just uncritically get themselves off to. it doesn't encourage shame, but it does encourage introspection. and a lot of people simply don't read erotica and romance to introspect. (couldn't be me though. if it isn't clear, i love the laurent of vere "having insane mindfucking sex fully clothed across the room" approach to eroticism).

i feel like it's actually kind of funny that i specifically got here, as a person who almost always reads books that force dark introspection, and assumed that this erotica/romance book would be mindless, but ended up with gestures vaguely instead. for me, coming across this series and realizing what it truly is was an incredibly happy accident. but for others, i completely understand how it could be the exact opposite, and it's not lazy or shallow to realize that you misunderstood what you were getting yourself into and step away.

what is lazy and shallow, though, is to either DNF and review based on those misconceptions, or keep reading simply to fuel your own disdain and discomfort. ultimately, i think that the true error of people who walk into capri wanting shameless porn or untroubling romance is the fact that they keep reading, even when it becomes clear that the book isn't doing that. and then they decide to evaluate the book based on expectations and standards that aren't the ones the author or fans have for the work itself. people seem to take out their anger towards the SUBJECTS of slavery or rape in fiction themselves on capri, rather then the way capri specifically portrays them. either because they fucking stopped reading the book and just wanted to go on a tangent on the topics in general, or hate-read to confirm their own pre-existing bias.

my point is, nobody has to read things that trigger or upset them, and it's okay to just pass on fictional stuff that makes you feel bad or frustrated. aspects of this series made me feel bad and frustrated, even on re-read, but i enjoy the intellectual and emotional exercise of exploring those feelings and better understanding the true meaning and purpose of the art. but there are certain topics in other works of fiction that i'm unwilling to explore, which would cause me to simply stop reading, and if asked for a review i'd just say that i'm not the right person to say. and there have been many times where i've continued reading a book, hoping it would change directions, and ended up just being like, "yeah, that wasn't for me," and moving on.

the exchange "there was no slave, he never existed" "here is here, we are the same" is almost a meta-commentary on the reception of the series as a whole. it would be dishonest to deny how this series started, and some of the themes and subjects it intentionally confronts. you can't say "there was no slave [kink], [it] never existed" because the narrative proceeded to be more of a commentary on kink rather than an uncritical display of it. kink, and dark topics in fiction in general, do all have depth, and while they might not be for everyone, they are for someone. exploring that depth is entirely optional, and i understand why people with certain experiences don't want anything to do with that exploration. but our personal tastes don't change the fact that subjects like slavery and rape exist, and that reality is inseparable from the stories that come from it. ultimately, the choice is whether we're willing to take that specific reality thoughtfully on, or else just walk away.

the people i have the hardest time with are the ones who choose neither of those options. like, what do you even get out of continuing to read something that you're unwilling to explore in good faith, or that you straight-up hate? just read something else. we only have so much time in the day. stop wasting yours, and stop wasting the time of people who actually enjoy the thing with your useless bad-faith criticism. sorry this tangent has totally departed from the chapter itself, but that really is what pisses me off so much about current-day online book culture. like, i'm thinking about all of those smug-looking booktubers making 2 hour videos called "i read [name of book that doesn't appeal to the lowest common denominator of people] so you don't have to." i know how long it takes to read books thoughtfully, and then to write, film, and edit videos. maybe stop wasting your own time and dig into something you love instead, or even try to make your own thing, and just hope that some smug asshole on the internet doesn't decide to do to your work what you've done to other people's work. but no, lazy cynicism and appealing to the easy gimmick of cringe is way more profitable, i guess. and it makes you less vulnerable to people criticizing work that came from your soul, because the work you're creating is completely soulless.

anyway. i wonder what kind of totally normal things damen and laurent are up to in the chapter i'm annotating

‘Kneel then,’ said Laurent. ‘Kiss my boot.’

"if you really are still a slave, even though we both know you’re a king, then do a demeaning slave thing right now"

He looked into Laurent’s excoriating blue eyes. The impossibility of it was like a sharp pain. He couldn’t do it. He could only gaze at Laurent across the distance between them. The words hurt. ‘You’re right. I’m not a slave,’ he said.

can’t indulge in the kink anymore by circumstantial necessity, but i’m sure they’ll find something even weirder to do instead on purpose

‘I am the King.’ He said, ‘I killed your brother. And now I hold your fort.’ As he spoke, Damen drew out a knife. He felt rather than saw all of Laurent’s attention swing to it. The physical signs were small: Laurent’s lips parted, his body tensed. Laurent didn’t look at the knife. He kept his eyes on Damen, who looked right back at him. ‘So you will parley with me as with a king, and you will tell me why you called me here.’ Deliberately, Damen tossed the knife onto the floor of the tent.

okay this is just extra of him, but i mean laurent got to do “hello lover” so damen deserves to be dramatic too as a treat. i also like what this symbolizes, as opposed to their previous knife moments. as defined by their stations, they don’t have a power imbalance anymore, and they don’t have a reason to be enemies. they are a prince and a king, not a master and a slave. they are military allies, teaming up against the regent. any power imbalance and beef they have now is emotional, complicated, and abstract, nothing clear-cut (haha) enough to be represented by an instrument of simple violence like a knife. and damen summarizes this perfectly, in the context of their previous knife moments, by viscerally reminding laurent of those encounters and then just tossing the thing across the room.

honestly, i bet laurent feels jealous of the clever performative gesture. and maybe a little turned on, too, despite the horrors. that’s a fun reversal.

‘Didn’t you know?’ said Laurent. ‘My uncle is in Akielos.’

yeah, he got a really good all-inclusive deal at the akielion sandals resort and needed a vacation after all of the murder and [redacted]

[su4vz]

I hate Brady.

HOW DARE YOU PLAY MY BELOVED GIGI U MONSTER!!