#repairing the railroad
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repairing the railroad by konstantin savitsky, 1874
image from wikimedia
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I broke 2 mugs today while moving 😔 one with an alligator that says “later gator” and an arkansas/missouri railroad mug I got a couple of summers back. My poor babies…
#my life is over!#the gator mug had one of those nice smaller-than-the-rest-of-the-mug bottoms that was good for stacking#and the railroad mug! I’m so mad about that!#I never used the railroad one bc it was kinda small#but it was a souvenir from when I went on a cute train ride a couple of years ago#and they don’t even sell it online! gotta ride the train to get one!#I mean it wasn’t especially cute. black mug. gold letters. but I liked the reminder of spending the day with my family#so anyway I had stupidly put them on top of a pile of clothes in a box on the ground#then bumped the box into while walking by and… whoops….#both mugs landed on the cement floor and broke their arms into many many leeeeeetle pieces#may have cracked the bodies but I didn’t even check carefully. was distracted by disappointment#I dunno…#I don’t have the skills to repair them. and like I said their arms are basically disintegrated#don’t want to use cracked mugs to drink out of. not sanitary.#in the end… they’re just mugs. nice mugs but still. just mugs.#then again…they’re still sitting in a garbage bag. very tempted to at least fish out the railroad mug. not like I ever drank from it anyway#…. maybe ignore this post… we’ll see if I feel like or remember to fish it out of the bag tomorrow#it’s not a gross trash bag. no food. just excess trash from packing and moving.#so maybe this whole post is for nothing#made me sad tho#hug your mugs tight for me#text
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SAVANNAH, Ga. (AP) – A 160-year-old church believed to be the oldest black church in the United States and built by enslaved Africans has been restored to a version of its former glory.
The Savannah Morning News reports it cost nearly $600,000 to repair numerous issues at First African Baptist Church in Savannah, Georgia.
But some historic pieces remain, such as the pews the church says are carved with West African Arabic script, one of the earliest forms of writing.
The church’s website says the National Historic Landmark was also a stop along the Underground Railroad.
#Black church in GA#believed to be oldest in U.S. finishes repairs#Black Churches#Georgia#Baptist#underground railroad#First African Baptist Church in Savannah
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Fixing Stuff
Engine repair shop. I’m sure that you remember that I lived in Albuquerque for about five years as a refugee after New Orleans was about 80% flooded by Hurricane Katrina. It’s a bit of irony, but I didn’t make these photographs at that time. I made them well before. I like New Mexico so I traveled there frequently. It was on one of those trips that a friend organized a tour with a couple of…
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#Albuquerque#ATSF#Black and White#Black and White Photography#Engine Repair#New Mexico#Photography#Post Production#Railroad#Ray Laskowitz#Repair Shop#Santa Fe Raailroad#Trains#Urban Exploration#UrbEx
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Lightning Rail Service Station [28×42] by Crafty Dice
#crafty dice#eberroj#lightning#railway#rail#service#station#stations#railroad#tech#steampunk#arcanepunk#repair#tracks#maps#buildings#shop#shops#workshop#land#earth#vehicle#vehicles
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Casual reminder that there was going to be a Diesel army equivalent to the Nazis.
Adventures of Thomas is basically just a TATMR rehash that's also a weird version of Narnia with trains and a Transformers knockoff at the same time
#ttte#thomas and friends#HiT Entertainment#The Adventures Of Thomas#thomas & friends#thomas the tank engine#ttte thomas#trains#thomas and the magic railroad#imagine the backlash it would've received had it released lol#We dodged a bullet#The franchise would've been in some real hot water#Mattel screwed it over beyond repair anyway but still
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in light of Fallout being popular again, this is a list of things I wish Bathesda had done in Fallout 4:
made a way to side against the railroad without having to kill Deacon. Even if you send him to the most distant settlement, he still spawns in the RR HQ and you MUST shoot him. I don’t like it :(
have the option to remove Danse from power armour after saving him from the BoS. It doesn’t make sense that he’s an enemy of the BoS and still walks around in their power armour. Especially since the armour he wears until Blind Betrayal becomes yours if you side with the Brotherhood. It’s physically impossible for you to own it while he’s wearing it.
on that note, I wish Bathesda had written Danse’s dialogue differently once he’s revealed as a synth. He’s still calling himself a solder of the BoS/acting like he’s a part of the BoS months after the BoS kicked him out and literally said they’d kill him on sight. It doesn’t make sense for him to keep speaking that way. I know he sees himself as a solder, but the things he says counteracts everything you do in Blind Betrayal
adding more to that, I wish some of Danse’s romance dialogue was…nicer. Spamming “Thoughts?” only gives you TWO romance lines and they’re both very vague. Nick says nicer things to me and he isn’t even a romance option
MAKE NICK A ROMANCE OPTION
make Synth Shaun a companion 🥺
dialogue between Codsworth and Synth Shaun about pre-war life/Codsworth talking about Nate/Nora (whichever spouse died) to Shaun
i wish you could REPAIR NICKS FACE??? Like Nick has the same face as the Gen 1’s, and you kill plenty of them. How hard would it be to remove a Gen 1 face and give it to Nick so that he isn’t falling apart. You’re telling me that DiMA looks absolutely fine and Nick has to stay looking like someone threw him into a shredder? Bullshit.
personal quest for Hancock, that includes a decent amount of dialogue if you’re romancing him
interactions between the character you’re romancing and Synth Shaun, specifically them treating him like family
#I know mods help but I’m on ps5#Bathesda#Fallout 4#fallout#sole survivor#vault 111#fallout sole survivor#Hancock#fallout Hancock#nick valentine#fo4#fo4 Hancock#Fo4 nick valentine#fo4 Shaun#Synth Shaun#fo4 companions#fo4 deacon#fo4 codsworth
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Separation anxiety
Fallout 4 companions really not liking being away from you, their partner - headcanons.
Slight triggers warnings for death and suicidal ideations.
A/n: Life isn't doki doki rn chat.
Cait:
❤︎ Cait doesn't like other people all that much. There's also not a whole lot of people like her, especially due to her selfish and often rude personality.
❤︎ At first she becomes angry with you. She doesn't understand why the hell you're leaving her behind. Did she finally upset you? Did her attitude push you away? Cait wants answers.
❤︎ Not above demanding to go with you. She finally has someone that cares about her, a decent life. She'll be hard to deal with the entire time
❤︎ Cait spirals back into some bad habits in your absence, even when she tries not to. She spends a lot of time at bars, drinking away her sorrows and worries.
❤︎ Generally becomes a big pain to deal with to other people. She snaps a whole lot more and becomes more anxious and irritated. She's stuck between being angry with you and missing you.
❤︎ Has no idea how to act when you come back. On one hand she wants to give you a smack upside the head and yell at you, on the oher she wants to just sink into your arms and not let go again.
Curie:
❤︎ Curie doesn't understand what she's feeling fully, but she absolutely hates it. It feels like a bucket of ice cold water has been poured directly over her synthetic heart.
❤︎ Handles a bit more mature than the other companions on this list. She keeps a cool head, but she's still grappling with the newfound emotions brought into the situation.
❤︎ Curie doesn't really think to argue, but pleads for you to reconsider. When she realizes it's futile, she just tries to prepare you for your trip. She packs you stimpaks, purified water and anything else she can find.
❤︎ Takes your absence hard. She finds herself near tears for the first time in her life. Nothing is comforting, she can't focus on her work for more than a minute before thoughts of you creep in again.
❤︎ Finds herself among the items you left behind. If you have a home in a settlement, she'll spend practically all her time there, moving all her research there.
❤︎ Frantically checks you for any injuries as soon as you step foot through the door. After all your wounds have been treated, and you settled in, she finally calms down.
Danse:
❤︎ Danse had everything stripped away from him. Even though he won't fully admit it, in his eyes you're his sole reason for existing, his purpose. He has gotten so used to being there with and for you that he can't imagine it otherwise.
❤︎ So when you tell him you have to part ways, he feels his heart sink. He was a Brotherhood Paladin, he thought he was above the feeling of insecurity that washes over him. He wonders if you changed your mind about keeping a synth around, not that he'd blame you.
❤︎ He won't fight you on it, even if he wants to. Instead putting on a brave face and wishing you good luck. He'll part with a tight hug, pleading for you to be safe, that he can't handle losing you.
❤︎ Nervous wreck the entire time. Part of him wishes he had just gone with you regardless. He keeps to himself most of the time, not really socializing and staying near your home.
❤︎ Goes through his entire training to try and keep his cool. He's never felt this kind of unrest in his life. He'll occupy himself by repairing his power armor over and over again, as well as physical exercise.
❤︎ The decorum goes somewhat out the window when you come back. Danse takes you into his arms, taking a moment to feel the comfort of your body against his again. Next time, he's coming with.
Deacon:
❤︎ Deacon's responses are cryptic and suspicious from the start. He doesn't fight you going, taking the hint when you say you have to go alone, but that's not the end of it.
❤︎ Deacon knows this game, having vanished on people, including you for the safety of everyone involved. Railroad work is rough, and the last thing he wants is to compromise your safety.
❤︎ That doesn't mean he's going to sit by idly, though. He's well aware he can't follow you himself. He's way too closely connected with you, and you'll definitely notice if he follows you. You know him too well for him to be able to pull that off.
❤︎ So he connects with every tourist and Railroad agent he can find. Preferably the ones you don't know as well. Every single move is tracked so he knows where you're at, ready to step in should the need arise.
❤︎ Deacon's behavior around other shifts only slightly. He'll keep up his usual appearances and antics, but he does seem a little more distracted than usual.
❤︎ Waiting on you when you come back. He casually welcomes you back with a hug and kiss, saying he knew that you'd make it home safe. But as soon as you turn your back on him, he breathes a sigh of relief.
Gage:
❤︎ Gage almost gets annoyed with how the news of you leaving upsets him. He tries to reason it's because you're the overboss, and the place would fall apart without you to lead it. But he can't deny the dull sense of panic welling up in him.
❤︎ This raider doesn't go without a fight. He'll become angry. He's your right hand man, he's supposed to stick by your side. He has no idea why he's acting like this. Last thing he wants is to put himself in needless danger. But he can't stand the thought of you walking out into the wasteland alone.
❤︎ Tries to come up with any rational conclusion he can find. He wonders if you are planning to turn your back on him and the raider gangs, he certainly feels betrayed by you leaving him behind. You'll have to firmly remind him that you're still the boss of him before he even considers backing down. Though that doesn't mean he appreciates you holding rank above his head.
❤︎ Struggles keeping the raider gangs together in your absence. At any given moment he feels like there's going to be a revolt, leading to his own death. Part of him resents you from putting him in this position.
❤︎ At his lowest point, he found himself sitting on your side of the bed, stroking his fingers over an article of your clothing. When he fully realized what he was doing, he tossed it aside, trying to convince himself you haven't affected him.
❤︎ When you come back, he keeps his feelings to himself as you deal with the leaders of the other raider gangs. But as soon as the two of you are alone. He gives you a scolding for leaving him behind, with you in the comforts of his arm.
Hancock:
❤︎ Hancock is the last person who wants to curb your freedom, but he's also keenly aware of the danger you're putting yourself in. You've made quite a name for yourself in the Commonwealth, and as his partner, you have an even bigger target on your back.
❤︎ He asks you what's going on. If you're in trouble with some gang he can find a way to make them either back off or disappear entirely. Goodneighbor can survive without him, he's not so sure about you, though.
❤︎ He'll get frustrated if you don't give him a straight answer as to whats going on, and you're better off just telling him how you feel. Just tell him exactly where you're going and what you're going to do, just so he knows where to find you.
❤︎ Reluctantly lets you go. He swears to himself that if you're not back at a certain time, he's going out himself to come looking for you and bring you home.
❤︎ Finds a lot of comfort in chems, obviously. He finds being sober rather unpleasant when he doesn't know where you are and if you're even alive, mentally beating himself up for letting you.
❤︎ Probably high as hell when you come back. He's not lucid enough to fully grasp that you're home alive. When he wakes up that night he immediately reaches out for you, praying your return wasn't a drug infused hallucination of what he wanted.
MacCready:
❤︎ MacCready lost someone he dearly loved, he can't bear the thought of it happening again. The mere idea of you going off without him there protect you, makes him sick to his stomach.
❤︎ Argues at first. He is angry, he wants to stay by your side. What's so important that you had to leave him behind? His voices raises and his voice begins to crack.
❤︎ Then begins the bargaining. He knows he can't force you, but dammit he needs you. He wouldn't be able to take it if he lost you as well. so just let him go with you just in case. You hired him to watch your back for crying out loud, why are you being so goddamn stubborn?
❤︎ Actually fighting to keep himself together in your absence. He drinks, smokes and tries whatever he can to calm himself down. He thinks of every horrible way you could die without him there to save you, and it kills him. He failed to protect his wife, and he can't stand not being able to protect you too.
❤︎ Just like Cait he is irritable and unsociable. He snaps at people, his attitude is even worse than usual. MacCready has absolutely zero patience and he feels he's gonna lose it at any given moment. Keeps to himself as much as he can. He's neck deep in denial with how much he lays awake at night, instinctively reaching out for you, only to realize you're not there.
❤︎ As soon as he sees you walking back to him, he's on you within seconds. His arms wrapped around you as he fights back a few tears of relief. He'll let his hands roam all over your body, letting the reality sink in that you're back safe. Just so you know, you're not going anywhere for the next few hours.
Nick Valentine:
❤︎ Thinks you've utterly lost your mind. Going out into the Commonwealth alone is something only people with a death wish do. Or those too confident in their abilities.
❤︎ Given his nature as a detective, he tries to get to the root of your decision. He'd rather be there to watch your back in case something happens. After all through his detective work he has seen the absolute worst of the wasteland.
❤︎ Part of him wonders if you're concerned about him breaking down. It doesn't really matter to him, he would rather lose a limb or two than lose you.
❤︎ Just like Hancock he wants to know exactly where you are going, why and who you might be with. It helps him calculate the dangers. Worst case scenario, he'll know exactly where to start looking if you go missing.
❤︎ Takes on more cases to distract himself, convincing himself you're smart enough not to take stupid risks. Though his deduction skills are greatly reduced as he is occupied with worry for you.
❤︎ Stands at the entrance to Diamond city when you come back. Turns out he stands out by the gate every evening to see if you come back. He'll welcome you with a kiss to the forehead, wrapping an arm around you to pull you close.
Piper:
❤︎ Part of Piper feels annoyed that you're leaving her out of your adventures. She doesn't need to be protected, she can handle herself just fine.
❤︎ Like Nick Valentine, she wants to find out exactly what's going on. Nothing should warrant you leaving her in the dark, or behind for that matter.
❤︎ Doesn't willingly let you go, but doesn't actively prevent you from going. She is worried to death that something will happen to you. That you'll get taken out by raiders, super mutants or god forbid the Institute. Hell, she thought a synth might have replaced you. The real you would never leave her behind!
❤︎ As soon as you're gone, just like Deacon, she begins to dig. She tries getting Nick to help her out with tracking you. She'll be two steps behind you if she can. And if she can't follow you, she'll try getting informants.
❤︎ She feels bad about stalking your moves, but she needs to know why you left her at home. And if you're safe. She can't help how nosy she is. If you bit the big one she'd never recover.
❤︎ Once she hears you're on your way back, she makes you promise to never ditch her again. She also wouldn't complain if you bought her a drink as compensation.
Preston:
❤︎ You aren't just Preston's partner, you're his hero. You're the general of the minuteman, you brought his whole reason to live back. He truly sees you as a knight in shining armor.
❤︎ Last thing he wants is for you to end up like General Becker. For the minuteman to end up like they did after he died. Last thing he wants is to lose the person who was always there for him, his closest friend and his partner.
❤︎ As your loyal right hand man, he respects you greatly, and he doesn't want to fight you on this, even as he feels his heart go numb with fear.
❤︎ The minutemen heavily relies on you, he relies on you. He can't handle it if his world comes crashing down on him a second time, if he had to lose everything he thought for, and the person he loved more than anything.
❤︎ Tries his damned best to make you proud by keeping things going. He has some minutemen keep their ears open and report back any news on you. Keeping everything you fought together to build running brings him a bit of comfort.
❤︎ Actually sheds a tear or two when you come home safe, clutching you to his body as he buries his face in your hair. It feels like he can breathe again, and he takes an evening off so you two can spend time together.
X6-88:
❤︎ X6-88 doesn't fully understand why you wouldn't want the help of him, an Institute courser. Surely it would be a lot safer and easier if you just took him with him.
❤︎ He takes the order without a fight, just with a few questions as two why he can't join you, and when you'll be back. He makes you agree that if you haven't returned on the agreed date and location, he'd come looking for you himself.
❤︎ The synth isn't good with emotions, greatly lacking most of them. The dull sting in his chest isn't something he thinks deeply about. Instead he pushes the physical discomfort away and continues his duties as usual.
❤︎ He finds himself checking the approaching date of your scheduled return over and over again, calculating the time you had left before he would assume something had happened.
❤︎ When more than a couple minutes ticked past your supposed return, he was more than ready to start a full on search for you through the Commonwealth.
❤︎ Told you not to keep him waiting as soon as you returned. Outwardly he looked just the same, but he wondered why that ache in his chest had stopped.
#fallout#fallout 4#fo4 x reader#x6-88 x reader#preston garvey x reader#piper wright x reader#nick valentine x reader#maccready x reader#fo4 hancock x reader#porter gage x reader#fo4 deacon x reader#paladin danse x reader#fo4 curie x reader#fo4 cait x reader#this post was brought to you by bbq sauce
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I have a train question that you are under absolutely no obligation to answer:
We in the US have a tone of abandoned railroad tracks everywhere, right? Is there a reason we can just use and/or redo those tracks?
Because we keep having to knock down houses and are getting embroiled in law suits etc whenever we try and build a new one. The California high speed rail has been under construction forever.
Why can’t we just redo tracks that are already there? Tear them up and lay down new ones?
California High-speed Rail and other High-speed Rail projects would need to build new Rail to reach high speeds, but for conventional Rail, the tracks on most abandoned lines have been allowed to degrade so much that it would be just as costly to build new tracks as it would be to repair them in many cases
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Because i have multiple mental illnesses i thought i'd share with you some of my other 10th class/ tf2 character designs concepts.
THE CHARGER (BLU faction)
The BLU counterpart to @gordonfreemanreal 's RED Charger. Name: IJsbrand Class: Offense Pronouns: he/him His whole deal is charging madly at you, getting in your melee to distract you from what you're doing and force you to fight him. Primary is a bayonet rifle. In combat he uses running blades but otherwise uses a wheelchair. This is my first time attempting to draw running blades so i'm sure they're at least a little bad. Reactor's his buddy who knew him before she worked there. Her former neighbor. -angry at fucking everyone -has torn somebody’s throat out with his teeth -has been arrested for throwing billiards balls at teenagers -refuses (justifiably) to speak English -woke up lying on a railroad track without his legs and just crawled to a phone and called a cab
THE MIXOLOGIST
Class: Support Never finished this one. I don't like it anymore! But the idea was you could mix up certain drinks that would give your teammates special abilities at a cost (they would become more drunk with every drink). Health determines alcohol tolerance. Idk i might come back to it but it's still so funny to think about because if tf2 had this mechanic it would fundamentally ruin the game beyond repair.
THE ATTORNEY
Administration The Attorney works with Mann Co to keep the company and its employees out of legal trouble. Her motto is "just listen to me because cops lie and jail sucks"
#tf2#tf2 fanart#tf2 art#team fortress 2 fanart#tf2 oc#tf2 tenth class#tenth class oc#tenth class#team fortress 2#10th class#10th class oc#tf2 10th class#oc#tf3
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PAC: Random Messages You May Need 🌈🎆⛅
Sup, y'all. I'm finally back for another pick a card reading. I really apologize if folks have not heard from me over the past month, I meant to get this reading (among other things) out a while ago. I have not been able to touch tarot for the past few weeks. Life has been… topsy turvy, to say the least. Heh heh. [sweating profusely]
I meant to have another game out and to have paid readings available by now--that is still part of the plan. What was meant for June will be in July. So this blog might go from 0 to 100 mph real soon, to move along with plans as intended!
I was loosely inspired by the Baker pride flag from 1978 for this group selection. These piles are pretty nondescript: each one contains a random message that may resonate with you. Pick based on whichever color of the Prism Oracle speaks to you most, and feel free to choose more than one. Take only what resonates.
Pile 1 - Strength (Red) Pile 2 - Happiness (Orange) Pile 3 - Illumination (Yellow) Pile 4 - Movement (Green) Pile 5 - Flow (Turquoise) Pile 6 - Trust (Blue) Pile 7 - Intuition (Violet) Pile 8 - Love (Pink)
Pile 1 - Strength (Red)
10 of Swords, Insight
You've been asked by the universe to put up with a lot, especially recently. You're reaching a finish line of a very long and brutal marathon. There have been too many times where you questioned whether or not to throw in the towel. If you have, you may also have questioned whether or not it was the correct choice. Sometimes, things don't work out, and it's better to move on. It can be difficult to hold everything up when one thing after another seems to fall apart at the seams, but either way you're being reminded of the light at the end of this long and turbulent tunnel.
Collect yourself, pick up what pieces you can. Time has shifted everything, but the essentials still stand. Gather the wisdom you have learned from this ordeal. There is still beauty to be found in the decay, glittering gems in the rough.
Maybe you don't want to get stronger. Healing may feel like a better option than grinding for difficult experience points. Give yourself the rest and repair you need. Let go of only that which is keeping you from starting again, but you don't need to throw the baby out with the bathwater. You've gained so much wisdom and strength, this trial wasn't without gain. Treasure it and begin anew.
Pile 2 - Happiness (Orange)
2 of Swords, Clarity
Whatever answers you seek are coming to you. Or perhaps they've already arrived; open your eyes and see for yourself. You may be wondering which path will satisfy you more. The process of reconciling this could take forever unless you lean on your gut here. This can't be decided based on intellect alone, for you could get stuck mulling it over for days. Imagining all the different possible outcomes could be taxing for your brain, so narrow it down. Eliminate the weakest links and home in on what excites you. It should feel like an "aha, yes!"
If you cannot see the answer right away, go within to the realm of imagination. Feel your way through. Visualize not just with sight but with yearning. Does the light of the sun make you feel hopeful? Does the cool rain make you feel relaxed? Would an art class expand your capacity to imagine many things, or would taking a science class?
The X mark in 2 of Swords is like a railroad crossing sign. Redirect that train of thought into brighter and more positive avenues of expression. Say "what if" as if you can't wait for something to happen. "What if I saw a shooting star tonight? What if my cute neighbor asked me out?" Let the future shine its beacon for you. It will all make sense in due time.
Pile 3 - Illumination (Yellow)
Ace of Cups, Reconciliation
Have you been staying up way too late trying to figure everything out? Please give yourself a brain curfew: no problem solving or saving the day after 10 pm! I'm getting that you may tend to ruminate on the same strong emotions. For some I'm getting that there is a crush here. There's inconsistent text messaging. I know it's easy to get too nervous about their reply, but try to wait until at least the next day to hear back. They may need time to formulate their words right. They may not even see your message straight away. Take it all in stride and sleep on it; if they want to reach out to you, then they eventually will.
For others in this pile, you may be going through a rough patch with another person right now and could be wondering how things will pan out. Give them time to respond, they could still be processing it. Stay on the more positive end of things with the idea that things will work themselves out. I feel like if you can manage this in a relaxed and non hurried way, the knot will untangle easily. The coffee in the Ace of Cups is very hot, so give it a chance to cool.
There is opportunity in your near future to make up for something that went awry due to a miscommunication error. You may get a chance to make up for a test, appointment, or an interview. You will receive grace for any mishaps. Remember that tomorrow won't necessarily be the same as today, so cherish both the good you have now along with the good that soon awaits you.
Pile 4 - Movement (Green)
IX Hermit, Devotion
Looks like things are progressing faster than you even thought they would. You may be blinking your eyes in partial disbelief: could this ball really be rolling? Indeed, thanks to your efforts, goals are being met and results are more evident by the day. You eschewed a lot of distractions to make this work, so give yourself a pat on the back for the level of commitment you put into it. Some of you in this pile may have just graduated, if so then congratulations! But try not to get too comfortable with your laurels, for you have a long road ahead of you in whatever you do next. This one completion is the start of many.
Does that thrill you? If so, wonderful! On the other hand, some of you may be feeling uncertain about continuing. You may be reviewing your options to see if this really is worth pursuing. Something that requires a lot of dedication and focus on it to the exclusion of all else… yeah, I can see how that can get tiring after a long time. There are folks who can get their Master's right after their Bachelor's, or have another child right after the first, but people can also happily move on to what feels more right for them instead.
It's okay to stop and assess your tracks if necessary. Taking time off is not the same as quitting. It's not losing motivation, it's recovering it. This is your passion and your discipline, not anyone else's. If you need to give other parts of your life more room to breathe, then do so with the confidence that your great work will wait for you.
Pile 5 - Flow (Turquoise)
4 of Wands, Hospitality
Have you been stuck with something for a while? There's a strong sense of a blockage that is being eroded away over time. This process can be sped up by allowing the ice to thaw a little more. "Break the ice." You may be wanting to open up and spend more quality time with other people but don't know how. Or you could be faced with meeting new people and being nervous about interacting with them. Even more so if they're roommates. A few people in this pile could be moving or have just moved. This is a chance to ease up and get to know new people.
This blockage could be a result of the past and of anxiety. The sound of a turning doorknob just jumpscared me as I typed the last sentence. You may benefit from learning about social anxiety and how to manage it. It's not an overnight job for you to fix this, though, but to just be aware of it and not allow it to get in the way of positive change in your life.
If you're struggling to figure out how to deal with meeting new people, I would suggest looking up videos or how-tos on social interaction, especially if a certain etiquette is required for an event. Learn about conversation starters and fun things you could do together like hosting a game night. Practice makes perfect, and over time the blockage will melt into the stream.
Pile 6 - Trust (Blue)
3 of Swords, Conversion
You have a very soft and tender outlook on life, which makes it all the more painful when reality doesn't conform to such a compassionate vision. It doesn't always try to respond to vulnerability in appropriate ways. Much of the time, this isn't from natural events as much as it stems from the ways in which people can treat one another cruelly. You've had some toxic people in your life who have put you through the wringer and attempted to squeeze every ounce of kindness they could from you. Making light of this pain to them only resulted in further deflection and antagonism on their part. The only outcome was to salvage whatever you could and pray for the best.
It is not your job to change their closed minded perspectives. They're on their own, here. Do not concern yourself with their messy inner world and lose any more of your energy. Also, do not attempt to regain what energy has been lost through bargaining either, as much as it hurts to press onward without looking back. You will recover, but you have to move on first and prioritize what you deeply care about most (you included).
There will come a time when your heart will be healed so you can see the brighter side of human connection again. All the beauty that your gentle soul is seeking is still there, shrouded by layers of protective petals that will one day bloom again and your life will truly flourish. For now, this is a time to give yourself all the comfort you can.
Pile 7 - Intuition (Violet)
XII Hanged Man, Spring
I get the feeling that you've been waiting quite a while for some good results to come in. This could either be from something that you started back in the spring, or are waiting to see results which may come around springtime. It is a season of flowers, so you may be waiting for this thing to blossom--that is, to be fully presentable to the public in some way. To have something to show for the time you put in. Like "hey, this is what I've been working on, this came from the seeds I planted." It could be growing in a direction unlike what you're used to, leaving you wondering how it could succeed in such unusual and burdensome conditions.
Lean on your inner guidance when it comes to the right timing. I don't believe that you're currently in a space where you need to push so hard for the best results. You can let things move at their own pace. Over tending to anything can end up in just as much trouble as neglect. There's only so much you can do before you have to let the flower do the growing and blooming for itself.
It's not always easy to sit in the place of uncertainty with the idea that doing more will provide more. But sometimes less is more. What you're creating is coming to fruition and may even turn out better than you expected. Trust in both the knowledge you've earned over time from learning lessons, as well as your natural intuition, to help you decide when it's time to take action.
Pile 8 - Love (Pink)
7 of Swords, Gossip
Let your heart lead the way here, not your worries over what others will think. Sure, you may end up with some people talking about you, but opportunities will keep passing by if you wait for everyone else to catch up to you. Leaning too much on everyone else's perspectives will only distort the vision you have for your own life journey. We all have unique journeys to go on, but unconditional kindness remains at the center of the Love card, the one thing that brings us together. Following life from a heart centered place may result in having others glance over and whisper, but that shouldn't distract you.
There is a rather delicate message here about dealing with friendships, colleagues, or possibly even family. You may have a tricky situation between several other people right now who have beef not with you but with each other. They may be coming to you to air their grievances and ask for advice.
If you care about both of these people, then it's best to approach this issue as diplomatically and impartially as possible and avoid feeding into the conflict. What would an enlightened mindset do in this situation? How would you want the other person to behave if they were in your shoes? Come from a place of pure compassion. They may choose to make amends or not, it's up to them. If their butting heads is bringing you down, it's always okay to step back and take a break. You are not responsible for what's going on in their heart, only your own, so protect yours well.
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following cave art we speak
the etcetera secrets in everyone as Luzon deforestation, mostly blithe conjectures about your bust i small myself, before your television sofa, only to live invisible occupy a hole in your house (if you would have me), never bother you, uniquely soak in you: watch the world of no pity their corpses as hearty tax subsidies — and who comes to repair the railroad — we write each other, we come, we make the dripping distance bearable — alternatively, we can live in a tree, preferably rhododendron, that i can't climb, inhabit: it's outright yours, yours in keeping, leafy — attempt mutual radicalisation, i desist from on sundays, a flautist breathes lost refrains in these concrete jungles everyone searches for a mystic vale, i seek your lodhi gumbad wraithlike lips
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When I was a kid, I got chased by a cow for a little while. We were on a camping trip, I had wandered away from the campsite for some childlike reason, up towards the train tracks, and I got between the cow and her calf. Even after the two were reunited, the cow continued to chase me for about two kilometres, but at at a disinterested, low-speed kind of clip-clop fuming instead of actually mad. No doubt she was also bored. Eventually, I decided to jump over the train tracks and head back the long way, and the cow went back to her beefly business.
This memory is on my mind a lot lately, mostly because I've had to take up a job at the local dairy farm. Why? I need money. And the proprietor doesn't care if I use my real name on the government forms or not. Turns out that some guy in the graveyard down the highway is gonna owe a couple hundred bucks in back taxes this year, and I wish the revenuers every kind of luck in collecting from him.
Because the farm is so far from my house, and also because I can't return to my house right now until the police search team and TV news dissipates from the neighbourhood, I've been staying in the workhouse. It's not so bad. A little chicken-y, sure, but it's got a septic toilet and the other workers don't frown at me too much when it becomes obvious I don't know the first thing about how to milk a cow. What I do know how to do is fix broken-ass tractors, which I immediately set about doing when I realize that milking things is dull as hell.
Unfortunately for me, this sudden display of competence arouses the kindly farmer's interest. He immediately notices that it's not particularly normal for someone to be able to repair a cloudfallen "smart" John Deere using two pieces of copper wire, a nine-volt battery and a chunk of spray paint can that I found behind the shed. He begins to follow me, demanding that I fix everything else on the property. Panicking, I take off for the open road, but of course my decrepit Plymouth is not especially capable of doing thrilling stunts like "the speed limit." To the farmer's credit, he held on a lot longer than the cow before getting bored and going home: I got to jump two railroad trestles before his Dodge Ram threw a code.
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modern!billy with a farmers daughter!reader but not in the cute silly way?
youve grown up on a farm, ik billy is western but im actually thinking something more midwest; iowa/missouri/kansas
for the express purpose of the vibes of a once-great steel or railroad town, now resigned to notice by road trippers and academics researching the fall of industrial america
with this you've been kind of isolated; you had friends in high school but they've all either run as far as they could from their childhoods after graduation or languished in the remorse of not being able to escape
you. you didn't really want to escape; you're happy with your quiet ghostly life of taking care of your animals and avoiding talking politics with your parents
you grew up religious in a way that taught a god who was fear, you have made peace with a god who is your friend. knelt by your bed he has heard your deepest secrets told as girlish, gossipy whispers; your most outlandish, complicated questions asked like you are up too late at a sleepover
you are quiet for the most part, happy to twist your thoughts around into your head until they either make a pretty shape or break in two, and when you're not working the farm, you're wandering aimlessly through creeks and cemeteries and abandoned buildings
billy is, like everyone not born in a place like this, just stopping through - you meet him through your wanderlust, traipsing down a dead and dying main street as he pulls his equally moribund truck up to the curb, asking you for directions to the nearest mechanic
mechanic is the only one for miles and thus extortionate, but your father is handy and ready to help a stranger, so you tell billy that if his truck can make it a few miles up the road, he'll have a fixed engine for a reasonable price
he, of course, accepts and leans over to push open the door to give you a ride. you get to talking, learn that he was born in new york and has been living in new mexico, he's just travelling for a new job atm. he learns that you have lived here your whole life and have no real desire to move, have never had a reason to have that desire, and he smiles and tells you that he respects comfort in consistency, that he wishes he had a place he felt that settled
when you get back to your house your father helps billy fix his truck and your mother has you take iced tea out to the men, which you also drink a glass of while sitting on the cluttered porch and watching billy bent over the open hood
he's pretty, sure, but you cannot decide whether he is worth loving. if he is as transient as everything else that blows through this town like tumbleweeds, if - and a big if - you fell in love, would it flit away just as quickly as businesses seem to be closing down?
you pray those questions that night, as cricket song and sticky, heavy heat presses through your open window and gets circulated by a white box fan that stays on more for the comforting noise than any kind of cooling
god doesn't respond in words, because that's not how god works, but the next morning when you're in the grocery store squeezing plums to find one that is a little bit further from overripe than the others, billy finds you and tells you that he'll be staying in the motel in town for a few weeks (you make a face, he laughs) because his job has been delayed and maybe if you'd like to go out with him sometime, you could go to the one nice chain restaurant in town and if you decide you trust him (and his truck, which is still...questionably functional, even after repairs) enough, maybe you could drive out a little ways, just towards some of the corn fields? he would show you the stars?
and oh, you realize, this is god's answer and love and guiding hand. maybe it is time to move on.
#idk if fhis is even anything#but we're back. writing again#might make her a reccuring character i like her....#tom blyth#billy the kid#billy the kid x reader#tom blyth x reader#billy the kid fanfiction#billy the kid imagine#billy bonney#billy the kid hc#billy the kid 2022#billy bonney x reader#billy the kid smut#billy the kid series#william h bonney x you#william h bonney fanfiction#william h bonney x reader#william h bonney imagine#william h bonney#also i feel like i need to clarify that it isnt my intention to romanticize these towns beyond what they are#i grew up spendjng a lot of time in and around them and theyre often very poor but i think there is a beauty to them#that should be acknowledged#idk
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Xaragaard lives rent free in my head
So, in my au, they both met when they were in their 20s and Ellegaard left home for another city in order to continue her studies.
In order to get there, she had to use an incredibly high tech railroad, on which she eventually encountered a bunch of creepers, who blew up the minecarts with Ellegaard in them, sending her flying thousands of blocks down. However, Xara was nearby at the time and managed to catch Ellegaard before she hit the ground. At that moment, she felt something. She asked if Xara was the genius engineer who built the railroad, and after hearing a yes, she began being overly apologetic and suggesting to repair the damage, at which Xara only answered "no need". She snapped her fingers, and the railroad was as good as new.
Xara turned around, looked at Ellegaard one last time, and disappeared right after saying "be careful".
Ellegaard did arrive at her destination eventually, and managed to continue her studies for a year, but Xara never really left her thoughts. Not being familiar with the concept of admins, Ellegaard sometimes was wondering if this was all a dream. If she did really fall out of the minecart and hit the ground, leaving her unconscious for some time.
It was untill she was heading back home for holidays through another railroad connection, from which she caught a glimpse of the Osasis, and Xara floating above one of the buildings. Then, she had to put everything else on hold and go investigate. At least get to know her name. At least thank her for saving her life.
In the Oasis, she stumbles upon Romeo and Fred, who reveal the mysterious flying lady to be Xara, and also informing her that there is currently a competition running between best redstone engineers in the city. The winner gets to be Xara's assistant. Ellegaard takes her chance.
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Leather and Lace - Chapter 17: Feelings Revealed
PART 3 - THE GRAND GESTURE
Summary: Arthur leaves camp in search of something to repair your relationship. But meanwhile, you are getting closer to leaving altogether.
Previous Chapter / Next Chapter
*I’ve seen this image in a few different places, but not sure who owns it. I downloaded it from wallpaperflare.com. If anyone knows who specifically owns it, let me know so I can give photo credit.
Tag List: @rivetingrosie4 @bimbo-dollz @pine4pple-b0i @redwritr @kuri-chans-blog @queer-sadie-adler @joelmillerswifey @gimmethosedaddymilkers @pcotarelo @delilah-grimes @maemortem @wistfulwisteriawitch @lilacxxdreams @mentallyillfrogs @absolutegeek @spurz @sophiaj650 @uniqueclodzinevoid @lookingformaurice @pawoui @randomidk-123 @yyiikes @eddiemetalheadmunson @twola @kmartkiddieisle @red-dead-simp @regwishesshehadmagic @rhehr241 @earwen-x @akariver75 @djennty @nervousmumbling @xliliths @unbotheredbeeeee @onnetonprinsessa @kittiowolf210 @ezrynn @suhsis @arthurmargon @codnerd1999 @queer-sadie-adler @alice-vanderlinde @sweetandstoned21 @j4llyf7sh @spooky631 @m0r4xr @ilovrxats @i-69-urmom @ddbluesie @ivuravix
*I tagged people who expressed interest in the continued story. If you’d like to be added or removed, please let me know. There are a few that would not let me link, so I apologize if this doesn’t ping some people.
Arthur fidgets slightly in the worn saddle as Buck’s hooves clop in the mud below. The sloppy, wet sound creates a white-noise in the back of Arthur’s mind as he nears the town of Rosewood. He can see the edge of the town with its filthy white-washed buildings quickly approaching on the horizon line. The sun’s rays cause the image of the structures in the distance to waver and blur in the heat waves, causing the town to look even more depressing than it is. He’s never been to Rosewood and all he knows of it is what he’s heard from you. And based on that, Arthur already hates it. An irritable sigh involuntarily escapes his ribcage. He has half a mind to burn it all to the ground out of spite, just for you.
He spurs his horse on as he swallows the hateful bile in his throat and heads into the town. It is a makeshift traveling town for the railroad; a greasy little industrial thing. It’s dirty and smells of iron, oil and other disagreeable things. There seems to be nothing happy or pleasant about this place as he watches the people shuffling about. The people seem to move both with purpose and without motivation at the same time, like shadows that are tethered to a person and pulled against their will. Upon quick examination, it seems to be made up of a lot of cheap labor, probable criminals, and those who just simply want to disappear.
Arthur has a hard time picturing you here in a town like this. You must have been like a flower trying to grow out of the dry and barren earth, desperate for sunlight and refreshing rains to grow and flourish. It’s no wonder you fit in so well with his gang now. It makes Arthur angry to know you had to work in these conditions. His hands clench in and out of fists as his mind goes back to when he found you. The bastards that chased and beat you were from this damn town. They killed your father and were in the middle of assaulting you when Arthur put a bullet into each and every one of them.
His lips curl in disgust at the memory of it. His mind’s eye sees you curled up on the ground, face beaten and terrified, yet still trying to defend yourself like a wounded animal. The thought of it makes his stomach turn now just as much as it did then. It seems like a lifetime ago now. So much has changed since that day, and he hopes for the better for your sake. He’s still not 100% sure what he’s looking for here, but he hopes to find it quickly and get the hell out of here.
Now that he’s here, Arthur figures the best place to start is the hospital where you worked. Since that’s where you and your father spent the majority of your time while here, there’s a good chance he’ll find someone there who knows you. But first, he looks around, surveying the area from where he sits high on his massive horse to get an idea of what’s going on here. He always needs to know his “mark” and his “exit”. It's instinct to know your surroundings.
“This ain’t no damn job, you idiot.” He shakes his head at himself and his ever-paranoid ways. “Although, I suppose it kinda is,” he murmurs, looking about.
Arthur takes a calming breath as he thinks over his plan again. He’s hoping that he can find someone still here that knows you or your father and can offer something to bring home to you. Any token, any object, anything at all that may be a tie to your past or family. He’s broken your heart already, so maybe this would be the thing to mend it, as the memory of your father is your most treasured possession. Arthur is filled with both excitement and trepidation, causing his heart to sputter a bit in a reaction to both. If this works, you and Arthur will be on good terms again, maybe even more. He can’t screw this up.
With determination on his side, Arthur begins to walk Buck down the dirt street that runs the middle of the town. He tries his best to ignore the suspicious stares he’s getting from the townspeople. Like a reflex, his fingers reach up to pull his worn leather gambler's hat down over his tired eyes. His hand drops to his muscular thigh, inches from the revolver on his hip. Just in case.
Getting impatient from wandering aimlessly through the town, Arthur pulls Buck to a stop in front of a woman who is sweeping the front porch of, what appears to be, a feed store. Her hair is pulled back away from the harsh features of her face into a tight bun that makes her appear to be older than she really is. This is in no way helped by the unflattering gray frock that she wears. He nods in her direction, leaning over slightly in his saddle. “Excuse me-”
“Employment office is down the street, third building on the right.” The woman barks the statement at him, only giving him the slightest of glances before returning to her sweeping, her arms moving aggressively to remove the stubborn dirt on the worn floorboards.
“Uh, no. I’m looking for the hospital here.” Arthur’s eyebrow furrow, his frowning lips pressed together slightly at the rebuke.
“End of the corridor, turn left.” The woman’s response is just as quick and dismissive as the first.
“Thank you,” Arthur grumbles with an eyeroll and is quick to nudge Buck on further with no desire to overstay his welcome. But, now that he has a direction to follow, his spirits begin to pick up a bit.
As Arthur gets to the end of the mud-caked street, a largish building comes into view. It’s haphazard at best. It’s more of a barn than anything. It was probably a quick assembly job to get the building erected with the town growing so fast and the traveling citizens constantly pouring in and out. It’s bare wood, no paint anywhere. The windows sorely need to be cleaned, in fact one is broken out and boarded-over.
But, amid all of this depressing atmosphere, Arthur notices a small barrel by the main door. Turned over, it has been made into a planter with some deep violet wildflowers growing in it along with some bright green ivy-like vines cascading down the side. The vibrant pop of color catches his eye in this otherwise dreary place. Arthur smiles a bit at the sight of it, wondering if it was you who put it there. Seems like something you’d do.
After tying Buck to the hitching post out front, Arthur walks through the doors of the hospital. It is one large open room lined with beds, many already filled with patients; a sort of “post-op”, general-care common area. There is a large desk that is cluttered with papers in the immediate corner to his left, flanked by bookshelves, and towards the far back wall, he can see a hallway that probably leads to more private rooms for seeing patients. The room is fairly well lit with sunlight, considering the grime that coats the windows. The air smells of a nauseating mixture of bitter iodine and sweet chloroform, as well as soap and chlorine solutions. Arthur has to resist the need to cover his nose with his hand.
His eyes scan the room and among the patients, Arthur sees a young woman about the same age as you, maybe younger, flitting about. With multiple things in hand, she tends to every person she passes. A nurse of some sorts, she works diligently as she hands a pillow to an older man in one bed, and checks foreheads and fixes blankets as she passes multiple others. She even pulls a small toy out of her apron pocket and gives it to a poor child who is laid up with a broken arm.
She multi-tasks around the occupants with purpose and determination; a seasoned veteran at this hard job. The woman reminds Arthur of a young Susan Grimshaw in that way. She has dark auburn hair, with long curls that are semi-contained with a ribbon behind her neck and vivid jade eyes that dart around, taking in every detail of her patients around her. The young nurse moves about the hospital ward as if she owns it. Intrigued, Arthur feels someone as important-looking as this must know something of you.
“Excuse me!” Arthur’s voice carries across the humming noise of chatter of the room full of patients as he lifts his hand in a slight wave to try to get her attention.
The nurse gives Arthur a quick glance, annoyed at being interrupted. “If you’re not bleeding, wait over there.” She gives a dismissive wave where chairs line the far wall behind him. “If you are bleeding, tell me how bad and then I’ll tell you where to go. Although it can’t be that bad if you’re upright.”
Arthur shuffles his feet slightly. “No, I ain’t hurt or nuthin’-”
“Then what do you want? I’m kinda busy here.” She motions to the beds surrounding her as she makes her way over to him, blowing a strand of hair out of her eye before her hands land impatiently on her round hips.
Seeing the nurse standing still for more than a minute, an older woman in one of the beds off to the side calls over with a faint and brittle voice. “Miss Darcy? Can I get a drink of water, please?”
The nurse turns at the brief distraction and gives the poor woman a kind and sympathetic smile. “Yes, Florence, of course. Just a minute, hon.” She then turns back to Arthur, flipping back to that same air of impatience again. “See? Things to do and people to take care of, probably more in need than you. Now out with it.” She waves her hand to encourage him to speak quickly.
Even though she is quick, Arthur can tell that this woman means no real harm or insult, but rather takes her job very seriously and doesn’t put up with any bullshit - something he can relate to.
“Did you know Dr. (Y/L/N)? Maybe his daughter (Y/N)?” Arthur asks carefully.
Arthur notices how Darcy instantly stiffens to his question, eyes going hard and giving him a distrustful side-eye glance as she sizes him up. “Who wants to know?” She bites back suddenly, almost protectively. “Who the hell are you and what do you want with them?”
“I’m…uh…a friend of (Y/N)’s,” he stammers, taking off his hat, running his fingers through his disheveled hair before fiddling with the brim and replacing it upon his head..
“Yeah, I bet,” Darcy says, scanning him up and down cautiously. “(Y/N)’s not here, don’t know where she is so you best move on.” She turns to walk away, quick to go back about her business.
“No, no, I’m not here for her,” Arthur adds quickly, reaching his gloved fingers to her arm before he loses her to the crowd of sick and infirmed. “I mean, I am here for her, but not to see her.” He’s flustered, panicking that he may lose his one opportunity to make this work. “What I mean is, I already know where (Y/N) is and-”
Darcy stops dead in her tracks, spinning back on him. “What the hell are you babbling on about?” she interrupts, holding her hand up to cut him off. Her expression quickly changes from one of annoyance to concern. “What do you mean you know where (Y/N) is? Where is she?!”
Arthur hesitates at Darcy’s intense scrutiny, not sure how to answer that. His face goes hard as stone, not sure how much he should tell this woman.
Darcy takes a few steps towards Arthur, her jaw clenching slightly and her cheeks flush a deeper shade of red with her impatience. “Look, mister,” her voice is serious and threatening. “She's my friend. Her father was killed by a bunch of assholes and then those same assholes were found dead. I need to know if she’s OK.”
“She’s fine. She’s with friends,” Arthur replies evasively.
“Friends, huh?” Darcy looks him up and down with a skeptic eye again. He’s been riding for two days and sleeping in the woods. He must look like quite the sight. It's no wonder Darcy doesn’t trust him.
“Yeah, friends.” Arthur regains some of his composure, remembering his purpose and locking eyes with the woman. God, she really must be a friend of yours, as she’s just as fiery and obstinate as you.
Darcy crosses her arms over her chest in defiance. “How do I know you even know her? You could be making this whole thing up.” She waves her hand at him. “If (Y/N) is alive and well, how do you know her, then?”
Arthur gives a long-winded sigh bordering on a groan, thinking for a moment.
"She's got a way about her, can't quite describe it,” he begins, his eyebrows crease as he tries to find the words to explain himself. “It's like…she's a mix of both hard and soft; both hellfire and holy water at the same time. Eyes are beautiful, like you can see right into her soul, ya know? And she's got a mouth on her that won't quit, too," he chuckles softly with a shake of his head. “She don’t care who thinks what. And yet, she's still real gentle-like and caring.”
He pauses as he reflects deeper on you, his gaze relaxing and focusing on nothing as he retreats further into his own reverie.
“(Y/N) takes good care of our people, the whole lot of us. She keeps us patched up and looked after. Oh, and she's got the voice of an angel, too,” he adds, pointing his finger at Darcy as he just remembered yet another thing he loves about you. “She’s always singing and humming some tune or another.” Arthur continues to gush on and on like a love-sick teenager as this is really the first time he’s allowed himself to talk fondly about you out loud to anyone.
“We got a kid with us, a young boy. (Y/N) likes to play with him like she’s a little kid herself, don’t care how foolish she looks..." Arthur's voice trails off as images of you continue to jump and scatter about in his mind, flashing so fast that it’s hard for him to focus on one thing at a time.
He misses you so damn much right now. Not just physically being apart from you, but it’s the emotional distance between the two of you lately that’s taking its toll. He hates being at odds with you. This fight, this tension between you, is just too much. And he didn't realize just how bad until now. Arthur has come to rely on you for his very sanity, to help him start to make sense of the tumultuous world around him. Just walking beside you makes him a better man.
Arthur can’t wait to finish this quest of his, as he wants nothing more than to rush back home to talk to you immediately. It's odd how you can meet someone today that makes you forget all about yesterday and also have hope for tomorrow. It’s been a long time since he’s experienced that. His hand slowly comes up to rub along the back of his neck as he gets lost in his own head.
Eventually, he remembers where he is and refocuses, looking over at Darcy. Darcy watches Arthur as he goes on and on, reassessing the gruff-looking man standing in front of her, trying to figure out if she should trust him or not.
"Yeah, that sounds like her alright," she finally concedes as she softens and lets her guard down just a bit.
A blush dusts slightly across Arthur’s cheeks, as he clears his throat, and quickly changes the subject. "Look, you gonna help me or not?" he huffs out.
"Depends.” Darcy crosses her arms. “What are you doing here?"
"I don’t really know," Arthur admits looking about, like he'll find the answer sitting in one of these beds. “I was hoping to find something of (Y/N)’s or even her father's, maybe? Something I could bring back for her." His voice drops to a soft yet hopeful sound, one that Darcy reluctantly finds endearing.
“Bring back to her where, exactly?” Darcy asks, raising an eyebrow at him. “What happened after she left here?”
“That’s another story for another day, I’m afraid,” Arthur sighs rather sheepishly, hoping to God she doesn’t get frustrated and just walk away from him altogether.
Darcy thinks for a moment. "Yeah, I think I have just the thing for you. I have to finish what I’m doing here, though. Meet me at the square in about an hour.”
Arthur can’t believe his luck!
“Alright, then.” He gives her a quick nod of thanks, a huge grin sparkling upon his face, before turning to head back out the door to leave her to her work.
Arthur walks out the hospital doors, and takes a moment as he stands next to his horse, looking about the town. An hour? What the hell is he going to do in this shithole for an hour? An hour seems like an eternity right now. A slow exhale pushes out of his nose as his lips draw inward impatiently. He tries not to be too disappointed, though, as he is one step closer to his goal.
Arthur decides to clean himself up a bit and grabs a bite to eat to kill time, trying not to think about the delay. And eventually, he makes his way to the main square to wait for your friend. Looking about, he figures she’s smart, meeting a stranger in a public place like this. Honestly, he’s surprised that she’s even agreed to help him. But truth be told, Darcy is more interested in helping you than Arthur. He just happens to be in the middle.
Eventually Arthur scans the crowds and sees Darcy walking down the street with something tucked under her arm.
“Still here, eh Mister?” She calls to him as she approaches, giving him a wry smile. Arthur only spreads his arms out wide in an exaggerated gesture.
“I never did catch your name, by the way,” Darcy mentions casually. “Suppose you could at least tell me that much?”
“Arthur”, he replies simply with a raised eyebrow.
“Arthur,” she parrots back with a grin and a nod of acceptance. “Well, nice to meet you, Arthur.”
After a brief moment, Darcy proceeds to pull the item from under her arm to hold it in front of her. It is a wooden box, sanded and varnished, and about the size of a shoe box. She looks down at it, placing one of her hands upon the top, one last hesitation as to whether she should trust this large, intimidating man whom she doesn’t know.
“Here,” says Darcy with another grin as she hands the box over to Arthur. “I think this is what you are looking for.”
Arthur carefully accepts the item from her dry and cracked hands that are weathered from her work. He gingerly holds it, tilting it slightly as he looks it over. There are initials carved into the top, which appear to be your father’s. Arthur looks back to Darcy with a quizzical look.
“If you know (Y/N), and you’re here of all places, then I’m assuming you know what happened here in Rosewood.” Darcy gazes at the box as memories flood back to her. “I knew Dr. (Y/L/N). He was a good man.” She nods with conviction towards the box.
“When all that shit went down, it was chaos around here. The town’s people ransacked their little house, tore through the hospital here…” she shakes her head in disgust at the memory of it.
“Anyway,” she sighs, “I ran to his office and grabbed this from his desk. Kept it safe just in case they ever came back.” Darcy lifts her chin, gesturing towards the box. “Open it.”
Arthur lifts the lid with care and a small huff of a laugh pushes out of his nose, stunned at the contents. He finds several items carefully nestled inside the keepsake box, including a small silver locket on a thin elegant chain, your father's pocket watch, a family photograph, and your father's personal medical journal.
Arthur carefully picks up the locket charm, tiny in his massive fingers, and pops it open. Apparently this had belonged to your mother as an image of her and your father are secreted within.
Arthur replaces the locket in the box and takes the photo out next, gently holding it in his hand as if he is holding the very souls of the people in the image. He recognizes Dr. (Y/L/N) of course, as he helped you bury him after you fled Rosewood. But seeing him alive and young in the photograph makes Arthur wish he had known him.
Your mother is beautiful. Soft curls and large beautiful eyes that sparkle and draw you in, even through a photograph. There’s a delicateness to her that reminds him so much of you today. He doesn't know how, but Arthur can tell that you take after her. A warm feeling spreads across his cheeks, as if he is being introduced to the parents of the girl he's courting.
And of course, there is you in the photograph, very young, about 7 or 8 years old. You look like a sprite or fairy. Bright eyes, mischievous smile, and small for your age.
This is exactly what Arthur had hoped to find. And he is elated that this plan of his is going so well.
“Thank you, Miss Darcy, thank you kindly,” Arthur’s voice pregnant with overwhelming gratitude, as the crow’s feet around his eyes crinkle with his growing smile. “(Y/N) will be right pleased to see these.”
Darcy looks at him with a knowing smirk on her face. "You’re sweet on her, aren’t you?” Arthur’s eyes shoot up from the box to meet her suspecting gaze. “That’s why you’re here, isn’t it?” Arthur opens his mouth to speak but Darcy holds her hand up to shush him. “Of course you are," she declares before he can even deny it. "(Y/N) has that effect on people." She folds her arms over her chest in approval.
Arthur says nothing, only draws his lips inward and nods, as if being caught red-handed.
“Well, I hope she’s OK. And, I hope she’s happy, wherever she is. Lord knows this place wasn’t going to do it.” She waves her hand at the town around them. “I hope that you can make her happy, Arthur,” Darcy emphasizes.
“I will do my damnedest. I promise you that.” Arthur gives her an adamant nod.
“You better. Or I will hunt you down,” Darcy teases as she gives his shoulder a playful punch. “Tell (Y/N) I miss her.”
“I will.”
--------------------------------
“(Y/N), I need to speak with you for a moment.”
You lift your head to see Hosea striding towards you with purpose in his step to where you are working in your med-tent. You give him a small, tired smile as he approaches, brushing a stray lock of hair out of your face. “I have the medical supplies almost completely restocked-”
“Yeah, fine, fine, but I don’t want to talk about that,” he waves at you impatiently as he finally comes to a stop, his hands leaning onto the workbench. “I want to talk to you about Arthur.”
The mention of his name makes you freeze. Your jaw clenches to the point that your teeth ache. Your fingers drop the bundle of dried herbs that you are cutting and they slowly curl into the palm of your hand, causing your nails to cut into the skin there.
“No.”
Your firm response causes Hosea to halt dead in his tracks, not expecting you to flat-out refuse his request. His silver eyebrows shoot up to his hairline. “Excuse me? No?”
Your eyes suddenly turn dark as the corners of your mouth drop into a hard frown. You pull a long, deep inhale through your nose in an effort to remain calm.
“I don’t want to talk about Arthur, Hosea. Not with the girls, not with Charles, and not with you.”
“Good,” he retorts sharply. “Then I’ll do the talkin’ and you just be quiet and listen.” Hosea’s voice carries that stern fatherly tone that instantly puts you back into your place. Like a child, you pout slightly as you turn your face away to avoid his disapproving gaze.
“Look, I know he’s as hard as a rock and stubborn as a mule, but Arthur cares for you, (Y/N).”
“You think I don’t know that?” you snap, your face turning again to meet Hosea’s.
“Then why in the hell you givin’ him such a hard time?” he shoots back.
Your palm slams onto your table as your patience breaks. “Because he can’t have it both ways, Hosea! I am not a some-time lover. Arthur can’t act like I’m his ‘special sweetheart’ and then go on to ignore me for days on end. He can’t repeatedly act like there’s hope for us to be together and then keep telling me it's never going to happen.”
Your eyes burn intensely, causing Hosea to back-peddle to a gentler countenance now, realizing that he’s just sparked a volatile powder-keg.
“You just need to be patient and give him a chance, (Y/N),” Hosea implores you, holding up his hands in surrender as if trying to calm a spooked horse.
Your chest tightens as if a vice grip is strangling it and you can feel the anger radiating off of your ruby-flushed cheeks. “I’ve given him many, many chances, Hosea, and he’s done nothing. Besides, don’t you think you should’ve had this conversation with someone else awhile ago?”
“Now look, girl, you know what we do here and why this isn’t easy for him,” Hosea points his finger accusingly at you in warning. “How can you be so harsh?”
“Harsh?!” The word huffs out of your mouth as if you’ve just eaten a bitter piece of fruit. The mere suggestion of such a thing is so ludicrous to you. “Ha!” Your eyes roll so hard to the sky, it’s amazing that they don’t fly right out of your head.
You give Hosea a sarcastic smirk. “You know, I’ve been with you all for awhile now, Hosea, and I’ve done my part around here as best I could. So I’m a little offended that you think so little of me. I know what you all are and I know what you all do. But I also know who you are.”
You stand taller now and pull your shoulders back, lifting your chin a bit in defiance, as your arms fold defensively over your chest in agitation.
“Are you and Dutch some evil masterminds or just two men trying to live wild and free in the world? Hmm?” Your eyes flash in challenge at him and Hosea tries to get a word in, but you just ramble right over him and he quickly hushes in submission.
“Is John some feral man, or some sad soul trying to overcome the hand he’s been dealt in his life? And Arthur…” You choke for a brief moment as his name crosses your trembling lips, your eyes wide and flashing. “He’s not the monster everyone makes him to be.”
You shake your head, taking a deep breath to draw the cooler air into your lungs to try to recollect yourself. You pause in your rant and Hosea mercifully does not say a word, waiting for you to finish.
“But it doesn't matter now.”
Hosea shakes his head incredulously. “Do you know where Arthur is right now, (Y/N)? Do you have any idea what he’s doing for y-?”
“I don’t care, Hosea!” you snap sharply again, holding your hand up to keep him from saying another word, as you are dangerously close to the edge of your sanity. “I don’t care where he is, or what he’s doing. Because I’m done with it! You hear me?” Your eyes sting, but at this point you have cried yourself out and have no more tears left to shed over this. “I’m done, Hosea. So just stop. Please.” Your voice becomes dejected and hopeless as your shoulders droop in defeat with that last syllable.
“Now if you excuse me, I have work to do.” Your hand involuntarily comes to cover your mouth as you push past him.
“(Y/N), C’mon now…” Hosea calls after you, disappointment clearly written all over his features.
As you hurry off, Hosea rolls his eyes to the pristine-white clouds floating innocently in the sky above and shakes his head, planting his old, weathered hands on his hips before lowering his gaze back to watch you walk over to Ms. Grimshaw. “Whatever the hell you’re doin’, my boy, your ass had better hurry up.”
You hate being cross with Hosea. You’d rather cut out your own tongue than to speak harshly to him like that. But you just can’t take this anymore. It’s hard enough trying to navigate around Arthur, but now you have to deal with everyone else as well. You had hoped that the old man would be your buffer to this fiasco. But of course, he’s going to take Arthur’s side. And by rights, he should, you suppose. He’s Arthur’s “father”, not yours.
With your face flush and hands flexing at your sides, you stalk over to Ms. Grimshaw, desperately seeking yet another distraction. That is one habit that you have definitely picked up from Arthur while you’ve been here: when frustrated, you relentlessly throw yourself into work.
The matriarch is standing outside of her tent, looking over a recent newspaper in her hands when you call out to her.
“Ms. Grimshaw, do you have anything that you need me to do around here?”
The woman looks up at the sound of her name being called and gives you a scowl of impatience. “Oh, for the love of…Come here, girl. Sit down,” she orders, pointing at the chair outside of her tent.
Surprised by her annoyance, you meekly sit as you’re told to do, looking at her expectantly.
“Now, I appreciate your help as much as anyone,” Ms. Grimshaw says, trying her best to remain calm, briefly bringing her fingers to clasp the bridge of her nose in frustration. “But you’ve been in my face and up my ass for weeks now. Don’t think I don’t know what you’re up to.”
“What do you mean?” Scoffing, you blink back at her.
“Don’t play innocent with me, Miss (Y/L/N).” With a reproachable glare, she pokes herself in the chest with her thumb. “I invented that game.”
After a moment, Ms. Grimshaw finally caves and gives you a resigned sigh. “Women get a raw deal in this day and age. I get it. You’re supposed to sit pretty and smile, and yet spread your legs and still be an angel.”
Her bluntness makes you blush a bit and avert your gaze. You’ve never had such a personal conversation with the woman.
She pauses before she continues, trying to be more tactful as she stands towering over you. “I know what you went through in Rosewood, what they did to you.”
The mention of your assault makes your cheeks burn red and you avert your gaze down again.
“Well, I suppose I had to toughen up pretty quick after that,” you respond matter-of-factly, not wanting to talk about that subject. Yet your voice carries just a hint of a quiver that is not lost on the woman. “A camp of wanted outlaws is no place for wallowing in self pity.”
“Yes, well, strong women like us don’t do well as the victim, can’t afford that luxury,” she agrees. “We stand up straight and deal with this world, and all its shit, don’t we?”
Her statement takes you aback a bit. ‘Like us?’ Is she actually looking at you as her equal? You had always thought this woman didn’t like you. At best, you always figured she simply tolerated your existence.
“Now, you listen to me.” Grimshaw pulls another chair up to sit directly in front of you, lowering her voice as she continues. “Don’t hang all of your hopes and dreams on a man, my dear. Look at Abigail. Hangin’ on any scrap of attention that John is willing to give her. And she’ll be hard pressed to find a husband elsewhere at this point when she’s already saddled with a child. Not that Jack is bad, mind you. (Grimshaw is quick to stress that point.) That boy is the best thing to come out of that relationship, if you ask me.”
Ms. Grimshaw leans back in her chair and folds her arms over her chest, taking a deep breath before she continues her motherly lecture. “Arthur is a good man and all, and we’d all be lost without him, for sure. But he’s still a man. And a dense one at that when it comes to women.”
Your face twists in painful recognition as you look down at your hands sitting limply in your lap. You wish it were different between you and Arthur, but that’s what is so hard about this whole thing. Neither of you can deny the connection that is so rare to find in another soul, yet still knowing you won’t ever be together. You can’t force that spark with someone where it doesn't exist, just like you can’t deny it when it does.
You love Arthur to the depth of which you’ve never known possible, even though you probably shouldn’t, and for reasons that you can’t quite explain. You understand that Arthur thinks that he doesn’t deserve your affection, either. But that isn’t going to stop it from overtaking your heart, now is it? You can’t change how you feel just like you can’t stop the rain from pouring down, or the sun from shining afterwards.
Ms. Grimshaw takes a moment to look you over, watching as your eyes dart around in spastic thought. She notes how your chest rises and falls raggedly as you quietly try to keep yourself from crying all over again. God, you are so exhausted from crying. And you are at the point now of being sick and tired of being ‘sick and tired’ of everything. Her heart goes out to you as she knows what you’re going through. Because she’s been there herself.
“You know,” Ms. Grimshaw says softly, hesitating slightly before continuing. “I used to have a thing with Dutch.”
Your red-rimmed eyes shoot back up to Ms Grimshaw’s face and widen a bit at her revelation. “Really? I didn’t know that.”
“MmmHmm. Cast me aside for the young and pretty, he did.” She turns a glance towards Dutch’s tent where he sits reading, a cigar sitting confidently between his teeth, while Molly perches upon their cot, fixing her hair in the mirror.
Turning her attention back to you, Ms. Grimshaw quickly refocuses on the purpose of her lecture. “If you want to stay here with us, (Y/N), no one will be happier than me to have you.” This admission rather stuns you as her voice takes on a softer, more nurturing sound. “But don’t you let this gang take you down.” She points her finger sternly at you. “You do what’s right by you. ‘Cause you’re the only one who has to live with your decisions.”
Ms. Grimshaw holds your gaze a moment to make sure you understand what she’s telling you. When you finally give her an appreciative smile and a nod, she places her hand overtop of yours, patting it in reassurance.
From somewhere over in the distance of the camp, there is a ruckus and you both look over at the interruption to see Rev. Swanson drunk and stumbling over people before falling down altogether. Ms. Grimshaw huffs sharply in annoyance, hands on her knees, as she pushes herself up from her chair. “I swear, it’s always something around here.”
And just like that, the camp mother is off to settle yet another issue in her camp. You watch her as she marches over to the man, shooing away the others who have gathered around. She gives Rev. Swanson a few words before bending down to heave him up by the arm. For whatever reason, the woman has a soft spot for the disgraced man of the cloth. And now, apparently, for you as well.
A slight breeze picks up and the cooling air settles your nerves a bit as it dances across your cheeks, lifting the fine wisps of hair along your face. You sit in contemplation, thinking about what Ms. Grimshaw has said to you. She has a point. She may come across as a hardened shrew, but she definitely knows what she’s talking about, as she speaks from personal experience. You’ve been debating about leaving the Van Der Linde gang for awhile, and now, maybe you have the voice of reason to actually do it. Absentmindedly chewing on the back of your thumbnail while in thought, you try to figure out what your next move is going to be.
It's taken you awhile to come to terms with what happened in Rosewood. You had hoped to draw strength from your new family and finally find a place of belonging. You haven't even thought of a future with a man since what happened, finding the closest thing in Arthur’s simple and unassuming company.
Losing your father in such a cruel and abrupt way was devastating. But with the parental guidance of Hosea, and unknowingly of Ms. Grimshaw, you have begun to make your peace with it, despite the frequent melancholy that only comes with the death of family.
But you can’t handle this drama anymore. You had told Karen awhile ago that you couldn’t bear it if Arthur ever hated you. And seeing as every interaction between the two of you seems to be getting more toxic with each encounter, that seems to be the very path your relationship is heading. You really don’t think that you could ever be happy here if you didn’t have Arthur. The thought of it is a boulder dropping in your stomach.
Maybe you’ll go back to Silverton. The doctor there had offered you a job several months ago, and a place to stay at the boarding house, too. But how will you even get there? It’s not safe for a woman to travel on her own in these parts.
The time has come for you to decide: Should you stay with the Van Der Linde gang? Or should you go?
Wrestling with which path you need to take, your thoughts are interrupted when you see Mr. Pearson prepping one of the wagons. His chubby face huffs and turns red as he mills about pulling straps and checking over the wagon.
You nibble your bottom lip as you watch him, anxiously wringing your hands together. “Mr. Pearson? Are you heading into town?” you suddenly blurt out with seemingly no self control.
He looks over his shoulder to give you a quick glance. “That’s right, Miss (Y/L/N).”
You swallow hard before you speak again. “Need some company?”
And before you realize what you are doing, you offer to go along. Your intent is to see who in town may be heading back south towards Silverton and maybe catch a ride. That doctor there seemed quite persistent in getting you to work with him. Maybe the job offer is still good. If not, at least you’ll be out of the Van Der Linde camp and can start to put this whole mess behind you once and for all.
—--------------------------------
It is late afternoon at this point and the copper sky has just begun to unfurl its bewitching colors for all to see. Arthur heads down the back-country path that will bring him back to camp. The familiar white wildflowers still bloom and line the path, offering him a welcoming sight as he gets closer to home. His hand rests protectively on the saddlebag to his left side where your father’s wooden box sits carefully tucked away.
As he gets closer to home, Arthur begins to rethink his plan a bit. Is it too selfish to expect you to just fall into his open arms because he gave you a few remembrances? He isn’t turning his back on his decision, nor the idea that he wants you. But he feels that maybe it isn’t fair to just expect it of you. That may be a little too presumptuous.
Out of respect for you, he resigns himself to hope for the best and prepare for the worst. But at the very least, Arthur wants to just stop fighting and to simply be able to speak civilly with you once more.
When Arthur arrives back at camp, he doesn’t see you anywhere, even though Blue is tethered at the hitching posts. He slips your horse some peppermints upon arrival, which he contently munches.
“Where’s our girl, mister? Hmm?” he wonders out loud to Blue, reaching up to give the horse a good scratch behind his ears while he surveys the open area.
Arthur eagerly scans the camp and immediately seeks out Hosea to find out where you are. He’s already waited several days to get this task done and he’s eager to finish it.
“She went to town with Pearson,” Hosea informs him. “Shouldn’t be too much longer, I reckon.”
Arthur purses his lips and nods, thinking to himself as his gaze, of course, goes to the path heading into the camp, half expecting to find you there.
“Did you find what you were looking for?” Hosea asks, eyebrows peaked with interest as he raises his cigarette to his mouth, eyes squinting in anticipation.
A grin slowly crawls across Arthur’s face. His eyes twinkle a bit in mischief when he turns back to Hosea. “Oh yeah. I found it.”
Hosea lets out a quick chuckle as he pats Arthur on the shoulder. “Good. I knew you would.”
Hosea decides not to say anything to Arthur about the conversation he had with you earlier today, fearing that your outburst may deter Arthur from going ahead with his intentions. It’s taken so long and so much to push Arthur to get to this point. Hosea doesn’t want his son to get discouraged now, not when he’s so close to a chance at being happy.
Since you are not here, Arthur decides to leave the box in your tent for you. He’s afraid that if he approaches you directly with it, you’ll end up in an argument before he can even give you the damn thing. He desperately needs for this to go well. He walks over and stands outside of your tent, hesitating before he goes in. But with a nod of reassurance to himself, he enters your personal space.
Arthur looks about for a moment, taking in the surroundings. Everywhere he looks in the modest space, there’s evidence of you. The faint scent of the lavender oil you use in your hair permeates the area. Arthur’s eyes roll back into his head as he deeply inhales the intoxicating flowery aroma.
Along the side, your cot is neatly made up with a knit afghan laid across it. The spread is a beautiful green color, but the pattern and knot work are not quite so perfect. The knots are clumpy and lopsided and unevenly distributed. He chuckles as he remembers when you made it, trying your hand at the domestic task. ‘It’s not perfect, but at least I’ll be warmer at night,’ you said when you proudly showed him the efforts of your work.
There are a few books stacked on an overturned crate-turned-end table by your pillow, a few of which have multiple bookmarks and pieces of paper haphazardly sticking out, indicating that you are in the middle of reading multiple at a time. The small table in the corner has a bowl with women’s baubles such as combs and other simple jewelry, every one of which Arthur has seen on your person, the smallest details of your style committed to his memory.
And pinned to the wooden pole in the center of the tent is the flower crown that Jack had made for you, now delicately dried and preserved. Hanging in the center of the brittle greenery, Arthur notices a small piece of paper. He takes a few steps over to take a closer look at it and realizes it's the sketch he did for you.
It’s a simple drawing of flowers in a meadow, with the sun shining down. He had drawn it while out on one of his jobs and gave it to you. ‘So you'll always have somethin’ pretty to look at, even when things are shit ‘round here’, he had told you. Arthur can’t believe you’ve kept it all this time. The idea that something so trivial and insignificant that he had done was so special to you makes his heart swell to the point of bursting. He lifts his hand, his dust-coated fingers affectionately catching the edge of the paper. He then looks down to the box in his hands.
“God, I hope this works,” he whispers. He steps over to your cot, bending down to gently set the box upon your blanket. He slowly stands and stares at it, taking a last moment to contemplate his decision. “Alright, then.”
And with his habitual saying being muttered into the comfortable silence in finality, Arthur takes his leave of your tent and heads over to his own.
Meanwhile, you have headed over to the small town of Middleton with Mr. Pearson. The cook had needed to head in to the post office to mail a letter, and to see if he had received any in return. You casually excuse yourself from his company as the wagon rolls to a stop, explaining that you need a few things in the local general store. Pearson pays you no mind, but what you really need is to see if the local shopkeep knows of anyone traveling towards Silverton. Since this place of business has the most traffic of varied clientele, you figure if anyone knows the dealings of the town, this is where you’ll find out.
As fortune would have it, after chatting with the store owner, you find out that the local lumberyard is making a delivery to Howardsville in the next few days. It’s about 4 miles east of Silverton. You could walk that if you need to. (At this point, you’re not sure if you’ll be taking Blue with you. The horse was a gift to you from Arthur, so technically he does belong to you. But a horse is a highly-valued possession. It would be rather presumptuous to think that you could just take him with you if you left the gang. And the thought of leaving the beautiful animal behind, your beloved Blue, is yet another twist to the phantom knife in your heart. But you have to prepare yourself for any scenario.)
You quickly make your way over to the lumber office after that, and proceed to convince the owner to let you catch a ride with the next delivery heading out. You have a little money saved up and offer to pay your way, which is the only reason the man is allowing it. He is leaving at sunrise in two day’s time. You’ll have to be there at the office door by then, money in-hand, or he is leaving without you.
And so, you put things into place to make your exit from the Van Der Linde gang.
When you arrive back at the camp, Arthur is sitting by the fire and doesn’t say anything, but carefully watches you out of the corner of his eye as you help Mr. Pearson put away the wagon and secure the horse. Arthur notices that you are mindful to keep your head down and eyes averted from everyone. There is a touch of anxiousness to you that catches his attention, but he figures it's just the tension that has been growing around you for weeks now.
He takes a deep breath and pulls a cigarette out of his pocket and lights it, striking the match on the bottom of his boot, and keeping the brim of his hat discreetly pulled down over his face.
Here it is, this is it. Arthur is not sure how you are going to react to his “grand gesture” as Mary-Beth called it, but he's hoping that this will at least open the door and allow him to speak to you again.
When you’re done securing the wagon, you head straight to your tent, avoiding everyone just as you have been doing of late. You draw back the corners of the canvas and push through the opening, quickly pulling it shut behind you. You still can’t believe that you’re leaving. And you really don’t want to risk talking to anyone about it right now, either, until you can fully wrap your head around the concept. God willing, you just need to avoid Arthur until then, for fear of losing your nerve and any strength you have left to go through with your plan.
You tiredly pull the strap of your small tan satchel off of your shoulder and set it on your little table. A long, exhausted sigh rattles your bones and your eyelids feel like stones as you run your hands over your hair before they link behind your neck, cradling the tense muscles there.
“Well, I guess this is it,” you mutter to yourself. You’ve made your decision and set things into motion. You turn about and survey your belongings, noting that you’ll have to discreetly start to pack to avoid causing a scene. Fortunately, you don’t have much to begin with.
You don’t notice it at first. But then, you catch it out of the corner of your eye. Something sitting on your cot. You do a double-take as you instantly recognize the wooden box. Suddenly, it’s like seeing a ghost and having the wind knocked out of you. Your eyes go wide before arching in confusion. You gingerly walk towards your cot and slowly lower yourself to sit, eyes glued to the item as if afraid to touch it, lest it not be real at all. Eventually, your trembling hands reach out and set the box on your lap, hesitating before you open it. Your fingers hover over the woodgrain, gently tracing along the smooth surface. Slowly lifting the lid, you let out a small gasp, your hand springing up to cover your mouth, as tears begin to gather in the corners of your (y/e/c) eyes.
Fingers that continue to slightly shake trace over the contents inside the box, items that you remember with such fondness. It’s as if a hundred butterflies are swarming inside you right now, their gossamer wings fluttering against your sides to escape.
The pads of your fingertips slowly rub over the polished surface of the pocket watch before you collect it into your fingertips. The silver is cool and comforting to the touch. A vision of your father’s hands with his long, slender fingers holding it instantly pops into your mind, as he used to absentmindedly fidget with it whenever his hands sat idle.
Setting the watch back down, you then move to pick up your mother’s locket and affectionately rub the silver charm between your thumb and fingers. The etching has worn over the years, as she never took the piece off, but the tiny emerald chip that is inset on the front still gleams like a new spring leaf.
But it’s the photo of your parents that puts you over the edge. You smile to yourself as you stifle a slight sob as you look upon the faces of your family, faces that you never thought you’d look upon again. Your heart is overwhelmed with both sadness and joy at the same time.
You simply sit and stare at the print in your hands, soaking in their images as if searing it into your brain once more. You pour over every detail of your parents’ faces, gazing at their features, silently saying hello to long-lost loved ones. You close your eyes as you gently cradle the image to your chest over your heart as a single tear breaks free from your lashes and gently rolls down your freckled cheek.
Suddenly, your eyes fly open as you realize that you have no idea how the box got here. Well, you have a suspicion. Damn him! This is the very shit that drives you insane. What in the hell are you supposed to make of this, now?
Sniffling back your emotions, you quickly put the contents back into the box, carefully setting it back down onto your pillow. With a fire in your stomach, you rush out of the tent and briskly walk to the center of camp where everyone is sitting.
“Where did that box in my tent come from?” Your eyes dart around the circle of gang members, waiting for someone to confess. Your slight frame just vibrates with energy right now, wound up like a hornet.
“What are you talking about, (Y/N)?” asks Abigail, looking up at you from her seat at the fire.
“The wooden box in my tent,” you clarify, tossing a finger back behind you towards your personal area. “Who brought it here?” Your eyes flash like fire as you scan the small crowd gathered around, demanding an answer. “Who?”
“I did,” admits Arthur quietly from where he’s sitting on one of the crates. He finishes his cigarette, tossing the butt to the ground as he stands. “I know you’ve been unhappy, missing your family and all. So I thought I’d see if I could find something of theirs for you.”
You stand silently, your eyes locked onto Arthur, not really sure what to say. What in the actual hell is happening right now?! Damn him. Yet another example of mixed signals and confusing cues. Your head spins and feels like it will explode from trying to figure this out, taking your heart along with it.
“That’s where you’ve been all this time?” asks Mary-Beth, looking at Arthur. “You rode all the way back to Rosewood?”
Arthur nods in confirmation, but when he takes note of your hard and intense gaze on him, he’s not sure what to make of it. Uncomfortable under your stare, he tilts his head down with the brim of his hat covering his face and eyes again.
“I can’t believe you did that,” says Abigail, shocked.
You have been quietly watching Arthur during this exchange, but he won’t look at you now. He can’t get a read on your reaction. You almost seem…angry? But truth be told, you kind of are. You have already made up your mind to go. It was an agonizing decision to make, but you have finally made it and already started the difficult mental process to sever your ties here. You have already put your plans in motion to leave the gang. And now this.
And then suddenly, your whole body relaxes in defeat. Your face twists into something almost akin to exhausted disappointment as you simply give in under a wave of emotion. Like you had said to Hosea earlier, you are done with the fighting.
A measured sigh escapes your lips. You slowly, but deliberately, begin to walk over towards Arthur. You don’t break stride, but silently walk right up to him. He looks up at you, flinching slightly as you get closer, as if he expects you to slap him. (You've been so angry at him lately, it wouldn’t surprise him if you did.)
Without hesitation, you firmly cup Arthur’s face with both of your hands, squeezing just a bit so that he can’t run away from you. And you pull him down to you and kiss him deeply in front of everyone in the camp.
You kiss him without warning or permission, and without premeditation, simply because you can’t fathom doing anything else at this very moment.
Time stops the moment your lips touch his. Everything goes silent and dark like the vast universe filled with its blanket of stars. The only thing that registers to you is the feeling of Arthur in your hands.
In the background, there are hoots and hollers, clapping and cheering. John leans into Uncle exclaiming “Told you!” and elbows the older man in the ribs, who reluctantly hands John $5 out of his pocket.
After several moments of your heated lips pressed against his, you release Arthur’s cheeks and tightly wrap your arms around his neck and shoulders, pulling him to you in a strong embrace, unwilling to let go of him just yet.
Arthur’s hands land softly at your waist as he hides his face into your neck. A tidal wave of relief washes over him, crashing down all in one fell swoop. You are not mad at him anymore. You are not leaving. And he has you in his arms where you belong. Finally.
Arthur slowly pulls back from you, searching for any misgivings. But to his relief, he is only met with the sunshine of your face. There are a million things that he wants to tell you, as the words he hasn’t said all this time are the very ones you need to hear. But it’s not the type of thing he wants an audience for, as he’s suddenly very aware of where the two of you are right now.
His hand lifts from your hip to wrap around your bicep, his thumb drawing over the muscle as he leans in closer to you. His gaze briefly sweeps over the small group of onlookers before coming back to you and whispers “Wanna get out of here and go someplace more private to talk?” His gravelly voice is soft and quiet for only you to hear as the lines around his eyes wrinkle delightfully with a smile.
“More than anything.” Your large doe-eyes shine up at him along with a smile that beams back brightly. Arthur grins, his hand now moving to caress your cheek, reassuring both you and himself that this is really happening.
“C’mon,” he encourages you with a slight head tilt. And with his hand at the small of your back, he gently nudges you away from everyone else.
You both abruptly turn away from the group of gawking eyes and giggling whispers to head towards the horses, walking shoulder to shoulder. You catch each other’s gaze shyly, a few giggles of your own erupting from your lips. When your hands casually brush against each other’s, you reach over and take Arthur’s large hand into yours, wrapping your delicate fingers around his. Arthur looks down at the sight of your hands entwined. He lifts your hands up to his lips and places an ever-so soft kiss along the backs of your fingers, making you catch your breath for just a moment over such a simple, yet affectionate gesture.
Buck is already saddled, and Arthur is too impatient to wait to saddle Blue, so he carefully lifts you up onto the back of his horse before he swings himself up as well. And the two of you head out of camp together.
As Buck quickly sets himself into a brisk canter, you wrap your arms around Arthur’s waist, pressing your torso against the warmth of his back. The bulk of him is just so comforting to you. Sure, you’ve ridden together like this before, but now there is a profound difference in the way your arms settle around him. Your face sets upon his back between his shoulder blades as you close your eyes and smile blissfully. Arthur hums contently in response, laying his own strong hand along yours as they link across his ribs in front of him.
Arthur decides to take you to your favorite hunting spot that the two of you like to use. It is nestled deep in a thicket of dense forest, about twenty minutes outside the camp, and there’s an old trapper-style, lean-to shelter there.
It’s quiet out as the sun starts to set, and the only sounds in the woods are the chattering of the squirrels and squawking of the birds as you reach your destination. Arthur pulls Buck to a halt at the edge of the trees, his watchful eyes quickly scanning the camp to make sure it’s safe before letting you down. He’s waited this long for this moment, he just wants everything to be perfect.
“Stay here a minute while I take a quick look around. Let’s make sure no one else is holed up here,” he says over his shoulder. Arthur dismounts, pulling his revolver from his holster as he walks about the small make-shift camp. You happily watch him move about, your cheeks dusting with color at how protective he is of you. Your bottom lip folds up between your teeth in quiet excitement, hardly able to contain yourself in anticipation of finally being alone together with all that previous nonsense now removed.
After he walks the perimeter and deems it safe for you, he waves you over. You flick your heels to nudge Buck forward a few paces until you are now in the middle of the camp. Arthur walks over, reaching his hands up to you to help you down from the back of the horse. His hands tenderly find your hips and your own hands find his broad shoulders as he lowers you down. Your eyes never leave his face, causing him to blush under your longing gaze.
He gives you an awkward grin and a brief chuckle as he walks Buck over to the side of the small clearing, tying him to a tree for the time being. You stand perfectly still in anticipation, watching his every move, until he walks back to you, rubbing his hands together nervously.
“So…” Arthur stands in front of you, taking off his hat and playing with the brim nervously, not really sure what to say or do now.
“So...” you grin at him with a little shrug. “Here we are. Finally.” You step closer to him, smiling coyly.
You stand there, staring into each other's eyes, knowing that this is the turning point. Whatever happens after this moment, move forward or walk away, it changes the relationship forever. There is no going back to what you were before. That’s not even an option anymore. One way or another, it's going to change for the two of you.
Arthur replaces his hat back upon his head, freeing his fingers which fidget nervously as they find their way to your hips again and slowly pull you in closer to him. Your palms come to rest softly on his chest as you look up adoringly into his crystal-blue eyes.
”Kiss me, Arthur.” Your angelic voice is a yearning whisper that dances in his ears, making his heart skip a beat.
He cups your face with his right hand, drawing his thumb along your check bone. The skin there is oh so smooth, like porcelain. His other hand wraps around your bicep as your own hands still sit upon his chest, resting right over his heart. Your fingers play gracefully with the fabric of his worn shirt, causing goosebumps to ripple across his skin underneath. He slowly dips his head down, his lips hovering close to yours before he presses them together.
The kiss is soft at first. And his lips are just as you imagined. Although slightly chapped, the skin is soft as flower petals, the muscles strong underneath, as his mouth encompasses your own.
The kiss isn't too long, just enough to indicate the romantic intent behind it. He pulls back from you and notices that your eyes are still shut, savoring the moment. Your lids are slow to flutter open and peer up into his vivid eyes, which are staring expectantly back at you and waiting for some sign of doubt or regret. But to his relief, he finds none.
When Arthur sees your smile rise up like a sunrise over the horizon, shining its light and warmth upon everything in its path, he rapidly pulls you in for another kiss. He’s desperate not to hurt or offend you, but when your mouth opens slightly, working over his own, and your tongue pushes across in search of his, sweeping across his plump bottom lip, he reciprocates, suddenly hungry and needy. His hand moves from your cheek to cradle the back of your head while his other arm snakes around your waist to pull you tighter against him.
He should feel ashamed at how he holds your hips to his own, but Arthur is feeling selfish right now, giving in to his own desires for once. Your own hands fist around the soft cotton of his shirt, greedily pulling him down to you. You push your hips into his, desperate to be as close to the man as you can get. The symphony of heaving breaths and the wet sound of lips rolling over each other fills the air. A soft whimper, a barely audible moan, delightfully escapes your chest like a bird freed from its cage.
Your heart leaps at how there is such a fine line created between love and madness with just a simple thing as a kiss. You are a bit of a hungry, hot mess inside, aching impatiently for him, waiting for his hands and lips to begin to roam your skin and curves. But yet, you also adore how focused those same hands and needing lips slowly knead and nip at your tender, soft flesh right now.
Arthur’s fingers clench slightly with restraint at the nape of your neck. When you both reluctantly pull away from each other to fill your lungs with air again, he leans his forehead to yours, eyes closed to regain composure. He exhales slowly, shuddering just slightly with measured breaths.
“I want you.” His voice, low and hungry, yet definitive, cuts through the warm air between you. He needs you to hear it, but more importantly, he needs you to know it.
A soft laugh of relief huffs quietly out of your nose at the statement. You smile slightly, so happy to finally hear him say the words out loud after all of this time.
“I want you too, Arthur,” you breathlessly whisper. You lift your face away from his to look into his alluring eyes again. “So very much.”
He searches your features, digging deep, for any last minute hesitation. When he sees none, Arthur kisses you yet again, this time passionate, but not as desperate. His large hands find their way to your back as he pulls you into him even tighter than before, wrapping you up against him. You can feel his hand splay-out under your shoulders, while the other trails down towards the small of your back.
The feeling of his wide and strong body against yours makes your knees weak, and heat begins to build in your abdomen. Your arms rush to extend past his barrel-chest and over his shoulders to fold around his neck, matching the force Arthur is using to keep you close. Your arm curls up to cradle his head, fingers entwining in his hair, which feels like heaven to him. While your other arm moves to firmly wrap around his shoulders, your lips never part. Arthur notices how your knee bends slightly to scissor between his thighs.
The two of you stay like this for several heated moments, finally taking the time to feel one another, to experience what you have both been sorely longing for all this time.
The connection is massive and electric; it’s almost oppressive, making it hard for you to breathe. This feels different than it did previously. Before, it was a sweet longing, yet held back by the tethers of impropriety and notions of “never-to-be”. But now those ropes of restraint have been cast off, tossed to the wayside, allowing free-reign for you both to push the limits and boundaries. A herd of wild horses couldn’t pull the two of you apart right now. Arthur would sooner lose his hand than release his grasp of you. And you would rather be blinded than gaze at anything other than his handsome face at this moment.
When he pulls away again, you chase his lips with a pout, clearly not wanting the intimacy between you to stop. Arthur smiles down at you, gently moving a piece of your hair out of your eye with his fingertip.
“I’ll get a fire going. Why don’t you get the bedroll from my saddle and get comfortable, hmm?”
*I’ve seen this image posted in multiple places on Pintrest. I tried to track down the owner, but can’t locate him. If anyone knows @bushcraft_jack, let me know!
A/N: Sorry if this one does not have the spark that the previous 2 did. But, I think you all know what’s coming next. Stay tuned for Part 4.
#arthur morgan#arthur morgan x reader#arthur morgan x female reader#arthur morgan x f!reader#rdr2#rdr2 fanfic#red dead redemption 2#arthur morgan x reader fluff
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