#steampunk

[steampunktendencies]

Gothic Butterfly Brass by Otar Bezhanov

[lingrimmart]

✨Toony scenes for our lovely commissioners!✨ Had a blast working on these — the second one even features our adopt designs (huge thanks to their current owner for giving us a chance to revisit those characters 💖).

There’s something so satisfying about drawing in a toony style… tons of room for stylization and you still get that crisp 2D animation vibe. Always a treat!

[illusioncanthurtme--art]

I've been so occupied with other stuff I forgot to share this to tumblr! It's the print I made earlier this month before attending a local con.

A little serpent lady's been captured, but the exact story happening here is up to you.

This is my first print that isn't fanart. It's prompt #3 from last years mermay: "steampunk". At this rate, it will take me 15 years to finish 2024 mermay... oh well! 🤷‍♀️

My store where you can get a print! The original pencil drawing is also for sale.

[cartoonscientist]

the main problem with a lot of steampunk is too many clocks and not enough horrific industrial accidents

[witchrealms]

(x)

[crosslinked-art]

I’ve become quite attached to my steampunk Worm idea.

[neutron669]

Cowboy Bebop

[crowscroll]

YAYYYYY

LETS GOOOOOOOOOOOOOOOOOOOOOO

[nestedneons]

By tomo naka

Link to generator

[steampunktendencies]

Typewriter key Peacock by french artist Thierry Gall

[vyctorianbyron]

Agreed!

I feel like we don’t see enough steam power automatons style robot girls.

Like They seem super underrated. Maybe I still refuse to let steampunk die but like they seem super cute. Like if you make them blush they Would shoot steam out like a kettle and turn red from overheating. They seem adorable and I want more in the world.

[garrettglaser]

We are calling this costume da Vinci’s Kid. I can’t believe we got it to work, we had so many challenges and dead ends on the wing action and the gear mechanism, but James would not let me give up and just cut eyeholes in a sheet. He believed we could figure it out. I love him very much and am so glad we are still making things together.

[silkentine]

Me when they are the sisters ever: 😭😭😭 They came out soooo freaking well. I won’t lie, they took me a thousand years to finish but through the constant support from all of my buds (and my latent bisexuality), we made it 😤

Hopefully you guys know the deal by now: design choices, easter eggs, and (NEW!) closeup shots below the read more. ⬇️

I wanted Ace to have a very down-to-earth vibe and looked at Aussie beach-girls, coastal cowgirls, and vaqueras for reference. (IDK, I’ve just always envisioned Ace as part-Australian🌺 and Mexican 🏴‍☠️) Her clothing choices are mostly natural or utilitarian materials like the painted wooden beads on her top, her woven fabric and leather belts, and her denim jumpsuit. I gave her bikini top a zen-garden kind of feel because I read the first Ace’s Story Novel and I loved how idyllic and peaceful they made Sixis Island sound so I wanted to invoke that in some way.

Speaking of her painted wooden beads, they hang off the back of her top and represent her connection to Sabo and Luffy. They watch her back once she sets sail. She only wears one red glass bead earring because the other one got ripped out of her ear when a child, leaving her earlobe torn (don’t think about it too much 😢). Also, YES! she does wear a hibiscus flower just like Rouge (because I hate you and I want to make you cry, muhwahahahaha).

Also, I really wanted her to have super textured curly hair that licks behind her like flames. I am always considering whether or not a character should have long hair or not because I don’t want it to be a hindrance if they’re in a fight (or if they ARE a fighter with long hair, how to they avoid an enemy making use of that?). Ace is, of course, a Logia-type Devil Fruit User so I think she wouldn’t have trouble with people grabbing it LOL I get the feeling that she doesn’t take very good care of it even though it looks amazing. Like you’d think it would be soft and bouncy just by looking at it but if you ever get the chance to run your fingers through it, it’s a total rat’s nest and there’s sand and food all up in it. She still falls asleep while eating 😂 but she tries her best to only do it around people she can trust (woman moment 😔).

Honestly, her design is not that different from Ace’s canon look. It feels really vital to Ace’s character to have a lot of skin showing. And he’s always hanging all over himself with his hips all cocked like the weight of the world is too much to stand up straight. It is certainly not my OWN preference to make her an absolute smoke show. That’s just the character, okay? (I’m partially lying and the proof is that I turned the emblem on Ace’s hat strap into a sternum tattoo for no other reason than that it is sexy af.)

Here are some closeups of Ace:

Now for Sabo, I’ve made her very girly. I tried putting her in pants or something more militant but she told me that she’d wear the big poofy sleeves and hiked-up ruffled skirt. I think Sabo has always had a strong grasp on his fashion sense and individual flair and I truly believe that his personal style is one of the major influences for the rest of the Revolutionary Army resulting in the very flashy, queer, steampunk aesthetic (aside from Dragon’s plain-ass cloak). So of course I had to implement her nonconformist look when reimagining her as a woman and dress her up to the nines.

I’ve given her very ornate jewelry that is there to tell a story, even if she herself doesn’t know it. I like to think she picks up stuff from her travels that resonate with her, such as a damaged set of earrings with one stone missing or red cup-shaped shells featuring three nestled pearls. Another accessory that cannot go unmentioned is her dragon claw hat pin that keeps her top hat resting on top of her hair (and is definitely used as a weapon when the situation simply doesn’t call for trusty metal pipe). She also has a veil that obscures her prominent facial scar. I imagine she’s not very keen on the reminder of the incident from her childhood that took away her memories. I also kept her chipped toothed because 1) it’s fucking adorable and 2) is a visual reminder that she no longer aligns herself with the nobility who would have gotten such a thing fixed. She is so poised in almost every outward facet of her life from her dignified role as the Chief of Staff to the elegant materials in her clothing that it can be easy to forget she was also a rough and tumble forest dweller. Every time Koala remembers this, he lets out the biggest sigh.

Her hair is inspired by Gibson Girls and Elizabeth Swann from the first Pirates of the Caribbean movie. I wanted it to be fussy and tidy but fall apart when she’s in moments of distress. For example, when she remembers her sisters, her hair starts to look like Ace’s flaming mane. I’m so in love with her, I think she looks like an adorable little porcelain doll that would fuck you up. I made an effort to keep her eyes a little bit manic. I get lost in her steely black orbs (and also Ace’s warm brown ones, but we’re talking about Sabo rn).

Here are her close-ups:

Plot notes for this AU:

For this series of character designs, I wanted the expressions and outfits to be aligned with the canon plot but I don’t know if I have the heart to kill fem!Ace in my AU. I’m too attached and ASL has suffered enough!!!!! But Ace’s death is also a major defining moment for Luffy so it feels disingenuous to completely avoid it. Also a huge aspect of Sabo’s character is carrying on Ace’s will and I have so many thoughts about how the Dressrosa Colosseum scene would play out if they were all women. Oh well, I’ll cross that tragic bridge when I get to it. I’m definitely going to draw some Modern AU Girl Piece ASL though. They deserve to hang out with no stakes 😭 They are sisters!!!

Check out the tag “girl piece” on my blog for my other One Piece genderbends! 🥰

[prokopetz]

I suppose the big reason I prefer to draw a line between steampunk (i.e., taking modern ideas about what a high-tech society ought to look like and projecting them backwards onto an imagined 1890s) and Victorian retrofuturism (i.e., taking what people who actually lived in the 1890s imagined the year 2000 would look like and running with it) is because the second one is typically way more batshit than the first. Steampunk gets you giant robot spiders; Victorian retrofuturism gets you a habitable Lunar surface populated by anthropomorphic bat people. These are both very cool, but the latter has a certain something the former lacks.

[cherishedpngs]

keys pngs ☆