#reblog + commentary

[shiranuieditorial]

Japanese → English translation of an excerpt from an interview with MUCC lead vocalist Tatsurou (逹瑯):

A: Efforts to maintain relationships can feel somewhat negative, don’t you think? Essentially, it means that someone has to push themselves beyond their limits. I believe that in any relationship, there are moments when we must endure something for the sake of the other person; however, that endurance shouldn’t have to be an unbearable sacrifice. At most, it’s about saying, “I’ll hold back on this part of myself to support this aspect of you,” which is a more positive form of patience.

Q: I think it’s impossible to maintain a balance where everyone endures equally. But why do you think we manage to get so close to that ideal? It doesn’t seem like we’re diligently directing traffic, after all.

A: Indeed, it doesn’t appear that we’re directing traffic. Just… I don’t really understand it well myself, but surprisingly, even when I have to endure or feel stressed about something, I tend to forget it after a night’s sleep (laughs). It doesn’t completely vanish, but I find that I stop caring about it. My anger and frustration don’t last very long. So, I just think, “Well, whatever.” (laughs)

Q: The fact that you possess such a character is what makes you who you are, Tatsurou-san. I feel that this is one of the reasons for MUCC’s natural continuity.

A: I’m not entirely sure about myself; however, if I were the type who bottled things up and accumulated stress, I might have exploded at one of the other members at some point. If there had been even one member like that, things might have been different; but in reality, I see up close how everyone else is also struggling silently and doing their best without saying anything. For instance—Miya has an immense workload in terms of music, so, I imagine he must be going through a lot as well. Thus, even if there are moments when I think, “Wow!” I also think, “Well, it can’t be helped.” Because of this understanding, I don’t feel the need to complain.

Q: All four of you share a positive sense of “It can’t be helped” towards each other. Moreover, the parts where you play “MUCC’s Tatsurou” or “MUCC’s Miya” are quite minimal.

A: Yes. Also, for example, in the case of vocalists from other bands, they might have many invisible tasks to handle; however, in my case, I don’t often think “It’s unfair that I’m doing all the work while everyone else is slacking off.” Since I chose this position, I think it can’t be helped. Ultimately, despite everything, I believe we maintain a balance. When watching the rhythm section during individual practice before recording sessions, they seem to be under considerable pressure; they start recording much earlier than me and need to prepare quickly. Seeing everyone creating backing tracks in the studio looks incredibly demanding; plus, since our leader can be quite strict, they’re probably feeling overwhelmed (laughs). Of course, my own lyric writing can also become quite demanding later on; however, in that sense, everyone experiences similar levels of hardship. It feels like everything balances out in some way.

Image alt text for the original Japanese article:

係を保つための努力って、なんかネガティブじゃないですか。 それはつまり誰かが無理をするってことだし。 お互い、人間関係のためになにかしらの我慢をする部分というのはあると思うけど、それは我慢しきれない我慢ではないというか。 せいぜいそれは「相手のこういうところを立ててあげるために、自分のここは我慢よう」みたいなポジティブな我慢じゃないかと思うから。

———全員が公平に我慢する、というバランスを保つことも不可能だと思うんです。 だけどそれにすごく近いことができているのはなぜだと思います？ 一生懸命に交通整理しているようにも見えないし。

たしかに交通整理はしてないですね。 ただ。 。 。 。 。 。 よくわかんないけど、俺ね、意外と、我慢したりとか、スト���スたまるようなことがあっても、ひと晚経つと忘れちゃうんですよ（笑）。 ホントにきれいに消えちゃうわけじゃないんだけど、どうでも良くなってしまう。 怒りとかモヤモヤとかが、そんなに持続しないんで。 だから、ま、いいやって（笑）。

———その性格の持ち主が達瑯さんである、ということ。 それがムックの自然な継続の一因でもあるような気がします。

自分ではよくわかんないけど。 ただ、俺が結構我慢しちゃってストレスをため込むようなタイプだったりしたら、それが爆発したときにメンバーの誰かにあたってたかもしれないとは思う。 俺にかぎらず、1人でもそういうメンバーがいたら違ってたかもしれない。 だけど実際には「こいつも大变なのに、なにも言わずにがんばってるしなあ」というのを間近で見てるから。 それこそミヤも音楽的な意味での仕事量がすごく多いから、大变だろうなと思うし。 だからなんか「うわっ！」う思うことがあったとしても「ま、しょうがねえか」う思うし。 そこで文句を言おうとも思わないから、別に。

———4人全員がお互いに対してポジティブな意味での「しようがない」という感情を持っている。 しかも「ムックの達瑯」とか「ムックのミヤ」というものを演じている部分がきわめて小さいというか。

うん。 あと、たとえばほかのバンドのボーカルの場合、目に見えない仕事が多いんじゃないかと思うんですよ。 だけど俺の場合「俺ばっか仕事で、みんなズルいよ」と思うこともそんなにないし。 このポジションを選んだ以上、しょうがないと思うし。 やっぱ、なんだかんだでバランスがとれてると思うんですよね。 リズム隊とかを見てても、レコーディング前の個人練習とかで詰めてるのを見てると、やっぱり大变そうだなあとか思うし。やっぱ俺なんかよりもみんな、ずっと早くからレコーディングがはじまるわけで、準備にも早く取りかからないといけないわけで。みんながスタジオでオケ作ったりしてるのを見てると、いかにも大变そうだし、しかもリーダーがスパルタだから、ヒーヒー言ってる部分もあるし（笑）。ま、俺も俺で作詞とかがあとから大变だったりはするんだけど、そういう意味では、ある種みんな同程度にしんどいというか、帳尻が合ってるというか。そういうところも確実にあるんで。

[edwardbonnets]

how to ask the demon you've been smitten over for 6000 years to dance: an angel's guide

bonus:

[alchemicalterror]

[bananamaxpng]

Mary of Tulpar

[stitchposts]

This is so obvious it's almost petty to talk about, but it keeps happening so I am increasingly faced with needing to decide to bring it up. Can everyone who advocates for not reposting art and for crediting artists start bringing that same energy to photographs of traditional art? Especially fiber arts and sewing related things, due to very prolific scraping accounts that repost things from elsewhere on the internet here to tumblr and a few years ago stopped crediting the artists at all. They never asked permission, but credit has just dried up entirely and it's galling to see.

I know non fiber artists don't really have the experience to see this, but just like visual arts, fiber artists develop pretty clear styles. So if a blog is posting elaborate pieces of infamously time consuming arts that cover a wide range of styles, once or twice a day, with no credits or discussion of themselves as an artist - that shit's stolen as fuck.

It feels like I'm going insane sometimes because thousands of people who otherwise yell all day about how artists need to be credited, just think that sewing related photographs pop into existence without needing to be linked to the person that made them.

[macbethz]

what i think REALLY works about dot and bubble is it plays with the genre conventions of doctor who itself. We've seen doctor lite episodes like this, we know how they work. There's person who needs to be saved who gets indirect help from the doctor, maybe they're flawed and learn a lesson at the end, maybe they're part of some flawed society that is just kind of set dressing or ends up being torn down at the end without examination. About halfway through the episode I was ready to brush this off as a fun but predictable classic rtd ep that wasn't really anything special. Then from the the betrayal of ricky September on its like watching a house of cards that has been built the entire episode without us noticing collapse into a perfect stack

“Oh well of course you could see them being racist the whole time” the thing is sometimes doctor who is just like that. RTD EPISODES have historically just been like that, either in that they are microagressions in themselves or have bigoted characters/worlds that go unexamined. And I think this episode performed an absolutely insane self aware slight of hand that relies on both you and the writers knowing that doctor who and sci fi in general has a racism problem. The ending recontextualizes things in the episode you may initially have brushed off as an unfortunate BBC or science fiction moment (all white cast, manifest destiny language) as symptomatic of larger societal issues, thus in turn recontextualizing missed moments of bigotry in the shows own history

[statementlou]

Kate Cassidy's video tribute to Liam

[braisedhoney]

between chapters of a book you love

[punk-raphaelite]

No One is Talking About This by Patricia Lockwood

[torao-chan]

And you're never truly gone As long as a part of you in me lives on - 🎶 Immortal by Reinaeiry

[stark-lord]

DEAD BOY DETECTIVES (2024)

1.05 - The Case of the Two Dead Dragons

[thcbolter]

(No "see results" option because I find that more non-gifmakers than actual gifmakers will engage with the poll if there's an option like that. If you aren't a gifmaker, this poll is not for you.)

[mysterygrl20]

Jack & Joker Ep 2 | YinWar

[kyouka-supremacy]

Anyways can we please shut up about s oukoku and talk about the actually important parts of the last interview

[anakindoodles]

The Path to the Dark Side

Click for better quality!! and reblog to help artists <3

[artisticdysfunction]

a lot of this doubles discourse just reminds us that a lot of people don't actually give a damn about the experiences and perspectives of people who are psychotic.

it's all "recover at your own pace" until someone doesn't want what they see as doubles to interact with them because it triggers their psychosis in an unreality way.

it's all "source seperate at your own pace" until someone is delusional about it, then they have to do it immediately or else they get the label of anti recovery.

just because you think the things that trigger people are dumb or stupid and silly, doesn't make it any less of a trigger for people.

or, don't pretend you're a safe space for the psychotic systems of this community. if you're not a safe space, just say that.

and, be mindful that we all have limited perspectives because none of us are omniscient. just because you don't understand why someone would be triggered or uncomfortable by something, doesn't mean that the person doesn't have a reason. just because you can't think of a reason, based on your knowledge and experience, doesn't mean that there's not a reason out there.