#rather than the words 'being in love'

[mrehkka]

Benni stops by Zim's base sometimes to check up on him and try to get Zim to run away with him and hide from the Empire aboard his ship (he's a pilot and the head of the organic sweep team)..... I realized belatedly that bc he's wearing purple and has one of those head devices, he kinda looks like a tall buff Tak whoops

Also, enjoy zim and skoodge in Earth clothes lol

[kochei0]

I turn to Ares.

Thanks to Tyler Miles Lockett who allowed me to draw inspiration from his ARES piece for page 2! Look at his etsy page it's SICK

⚔️ If you want to read some queer retelling of arturian legends have a look at my webtoon

[airenyah]

i need to talk about this line here for a second, because it's an attack on me personally. but not the english translation of it, no, it's the og thai line that really gets to me. because he says:

มันโอเค​นะเว้ย ที่จะมีความรักอ่ะ [man - oh-keh - ná wóiie • thêe - jà - mee kwaam rák - àh] it - okay - [particle] • that - will - be in love - [particle]

he specifically uses the term มีความรัก which is more like "to be in love". which means rather than "it's okay to love", this line is more accurately translated as:

It's okay to be in love.

and as someone who really really really struggles with self-acceptance for my own romantic feelings for others, this distinction is really important to me. i can deal with loving others. i love my family. i love my best friend (you really don't go here but hiiii @magsimags i love youuuu 😘 (i know you're rolling your eyes reading this as usual)(i don't care)(i love you)). i love my other close friend. i love my summer camp gang. i love my friend that style reminds me of. i love each and every single one of the friends i've made in this fandom over the past few years (you know who you are 💖). i KNOW it's okay to love. i do it all the time. loudly. as evidenced by the fact that i just HAD to tag my best friend in this post to publically tell her i love her even though she really doesn't care about my thai blorbos, just because i really couldn't NOT tag her to tell her i love her. anyway. i can love. loving is fine.

but to be in love??? that's a whole different story. having (in my case romantic) feelings for someone feels like a heavy burden. it feels humiliating. i hate it. i don't want it. it stresses me out. and the person i have feelings for especially can't ever know about it. see, i will talk about my crushes/romantic feelings, but mostly to family and friends (the better they know the person i have feelings for, the harder it gets for me to admit to it), and even then the word "be in love" won't ever come out of my mouth in my native language. in english it's easier, but in my native language i just can't say it. it feels heavy. it makes me cringe. being in love is horrible.

so when style said "it's okay to be in love" specifically? that was a punch to my gut. because this is a truth i have not yet managed to accept for myself. and if the person i had feelings for specifically told me "it's okay to be in love" so firmly and so earnestly? yeah, i would crumble too

[juthemagicalclown]

using a new character in reverse 1999 like dealing 20k+ damage and triggering 19 extra actions while having ZERO idea of how you did that, then trying to do it again and dealing 758 damage in total

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[ingravinoveritas]

Babe not wanting to put more attention on this pathetic person but there’s someone here on tumblr who made a mock account of you

Hi there! I've been debating whether to address this publicly, but I received numerous DMs about this last night and have been made well aware of the blog in question.

For context: Over the last few days, the person behind the mock blog has used their main account to make their presence known on my blog, having reblogged one of my posts just to add a nasty comment to it, replying to another one of my posts and attacking my followers, and sending me a hateful Ask, all in escalating succession. This culminated in the creation of the new account last night, which had a name that was an almost identical dupe of my blog name.

To be clear, I have no intention of linking to this blog publicly, as this person's goal and aim seems to be for me to engage with them--someone I do not know, and to whom I have never spoken or responded in any capacity. It also seems that the URL of the blog has changed from being a copy of my blog name to something else, and given that I had a lot of people DMing me indicating that they reported the blog to Tumblr, my guess is that the name change is the result of that.

The only other thing that I will say regarding this is that I'm obviously not thrilled that someone created a blog for the purpose of harassing me (while ironically accusing me of harassing Georgia and AL, despite me repeatedly stating that I do not follow either of them on social media and am strongly against anyone leaving harassing comments on any of their accounts). At the same time, however, I have been subject to far worse in my previous fandom--most notably, one vile incident where someone falsely accused me of distributing pornographic material to a minor, and another incident where the same person contacted my employer in an attempt to get me fired in the middle of lockdown in 2020. So all things considered, this blog is relatively mild in comparison.

And while I'm enormously grateful for the support that I have received from so many kind folks, I would urge you to not engage with this blog on any level, and please especially do not send this person threats of any kind on my behalf. I've said many times on my blog that people are welcome to disagree with me, and that I'm happy to hear the opinions of others who do not share my views as long as they are civil and respectful. What this person is doing is neither of those things, and they've made it clear that engaging with them would be a fruitless endeavor, but that still does not make it okay to send anyone hate. And if the desired outcome here is attention, then the best course of action would be to not provide it.

Again, my deepest thanks to you @phantomstars24 and to everyone else who has let me know about the situation and offered their support, as it means more than I can describe. I'm hopeful that we can continue sharing the joy so many of us have felt over Michael and David these past few years, and leave the rest where it belongs...

[tetzoro]

the day the earth stood still is the day i felt your presence leave it, and then every day after that.

[aretheywlw]

ARE THEY A WOMAN WHO LOVES WOMEN?

*TL;DR she is technically not a canon lesbian, so no, this poll does not break my rules. i am, however, going to treat her as canon sapphic due to the rule of BFFR. as a result, i have taken out the usual "they're not attracted to women" options. see tags if you want more detail

[mantisgodsdomain]

More notes for Roach conlanging. Roach has grammatical gender, in which only Male, Female, and Object are grammatical genders, whereas Worker uses feminine grammar, Queen and King use a slight variant on feminine grammar, and Drone, and Queen-Alate use masculine grammar. This is because King is derived from Queen, due to their similar positions in a colony, and Queen-Alate is derived from Drone, as both are forms of alate.

Queen is an alteration of feminine grammar that functionally just adds a handful of extra syllables to it, and King is an offsprout of Queen that uses the same grammar with different pronouns. Queen-Alate, despite the name, is derived from Drone, as they are both for referring to different types of alate ant.

Most Roach dialects are intelligible to speakers of Snakemouth Den Cordyceps Roach, but Snakemouth Den Cordyceps Roach is not entirely intelligable to speakers of Roach dialects due to a mix of the excessively specialized vocabulary caused by the specific needs of its speakers, the fact that its speakers do not necessarily have Roach mouthparts and thus may not pronounce syllables in a similar way, and due to the fact that Inanimate Object is a full grammatical gender that does not exist in any other dialect of roach and replaces a decent chunk of terminology for things that previously had Other Words For Them.

[handweavers]

my mother has asked me to ask “that weaver friend of yours” lol — do you have experience dyeing linen? what does the process look like for natural vs synthetic dyes?

happy to be that weaver friend of yours 🥰❤️ dyeing linen is basically the same as dyeing cotton or any other cellulose fiber, so any synthetic dye that works for cotton will also work for linen. a professional grade fiber reactive dye like procion mx or dharma's procion (here) dyes cellulose fiber without heat, and the process is quick and painless. it just involves a large bucket, water, the dye powder and the cloth you wish to dye. i have little experience with rit dye so i'm not sure if you'd need heat for that, but procion dye is higher quality, comes in a lot more colours than rit, and a 2oz container is like $2 usd and goes a long way

the natural dye process for linen takes a lot longer than the procion dye process and requires several steps. cellulose fibers really don't like to take dyes so you basically have to do a bunch of alchemy to convince it to do what you want (compared to protein fibers like wool and silk which love dyes and only need some gentle nudges)

naturally dyeing linen depends on the dye you'd wish to use, but the process is essentially: scouring, mordanting, and dyeing. it's really important that you scour linen especially because it contains a lot of pectins that prevent dye from penetrating the fiber, so a harsh scouring is best (ie. washing it with hot water and ph neutral soap, even to the point of boiling the cloth. linen can take a lot of heat and is better for it, cotton is more sensitive) you'll probably have to do this before dyeing it with the synthetic dye too for best results

most natural dyes require that you mordant the cloth before dyeing. some dyes don't require a mordant (indigo is the big one, but if you're working with onion skins or other materials that contain tannins this is also true. however mordanting the cloth before dyeing with tannins or even mordanting with tannins is still recommended for better colour performance long-term unless you're working with indigo in which case using a mordant can actually cause problems) but if you're unsure, assume that you need to apply a mordant. you essentially have to simmer the cloth in a hot pot with either a material that contains tannins (tannic acid), a natural bio-accumulator of aluminum (symplocos), or use a metal salt (alum acetate is best for cellulose, but iron and copper salts can also be used. the metal salts route requires more safety precautions esp if you use copper salt, you can't dump that down the drain) your choice of mordant impacts the final colour with different mordants shifting the chemical reaction that happens in the cloth when you dye it

with cotton and linen, after you use the mordant you need to use either a chalk or wheat bran bath to remove excess mordant from the cloth, esp if you use alum acetate, otherwise it can leave a whitish cast over the cloth and also impede dyeing lol. wheat bran baths tend to cause a warmer tone to the final dyed cloth, chalk baths cause a cooler tone. i only use wheat bran baths bc i prefer the warmth and i get the bran cheaply at my local punjabi grocer

only then can you dye the cloth, again unless you're working with a dye like coffee or tea or onion skins OR indigo. linen really doesn't like to take natural dyes unless you do all the above steps, it's stubborn. the dye process itself depends on what dye you use and you can do stuff like solar dyeing if you don't want to simmer it in a pot on a stove. if you plan to go the natural dye route lmk and i can send you some scans of a book i have that contains precise instructions for preparing linen for dyeing

[queen-scribbles]

.

[unproduciblesmackdown]

bloodsong of oh shit....oh fuck

[mulders-too-large-shirt]

re: s5 episodes 6 and 7

going into watching the x files, one of the very few things i knew about, because i had consulted my best friend wikipedia, was the emily plotline. i knew it was coming, so in a way it felt inevitable, and my reaction to finally reaching it was approached from the in-universe knowledge that this was how it would be from the start.

but now that i read the notes on my liveblog post, i think about how i would have interpreted the episode if i had not known that fact, or had i been a contemporary viewer. i think i would have also felt frustrated that they decided to give the female lead a baby over two episodes and then kill her off and act like nothing happened. i think i would be frustrated with that, especially when i have other, existing complaints about the way women are treated in this show. how once again the plotline, from its very core, revolves around removal of scully's reproductive agency. and i think that rings even more true nowadays.

it's interesting to imagine my reaction had i not known it was coming. because the foreshadowing was there, what with the abduction plotline and the clones and the earlier babies in tubes and hybridizations and blah blah blah. but i guess i would have thought (or hoped) it was handled in a different fashion.

we'll never really know what my first thoughts would have been had i not known what was eventually going to happen, but hearing your thoughts from seeing it is making me ponder.

[ljesaw]

it’s with depression that i fear i have to say, i think for a long time (too long really), zuko doesn’t reach out to his uncle during his retirement in ba sing se, not even for the much needed guidance he could use, because he considers it part of the exhaustive list of reparations the fire nation (and he himself) owes

[cherealta]

going to read all the ace quest transcripts (again) so i can go into full depth of how that affected vivienne Because i really wanna talk about vivienne. desperately

[longagoitwastuesday]

me: u Gh Agamemnon

me reading in Dictys Cretensis that Ulysses scammed Clytemnestra and the rest to get Iphigenia for the sacrifice, and that "when Agamemnon knew what had happened, he wanted to flee, either because of his love for his daughter or because he wanted no part in so criminal a sacrifice": You go, Odysseus ✨💕🥺