the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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فرقة Rare House التقرير الكامل
Rare House هو اسم مؤقت اطلق على مجموعة من المتدربين تحت شركة Great M Entertainment.
تتكون المجموعة من: Seongbin و Seongil و Sungmo و Seokjun و Donggun و Dogyun.
تاريخ ترسيمهم غير معروف حاليًا.
الحسابات الرسمية للفرقة:
Instagram: @rarehouse_kr
TikTok: @rarehouse_kr
YouTube: @rarehouse_kr (레어하우스)
أعضاء الفرقة:
1- Seongbin (سيونغ بين):
1- المعلومات الشخصية:
الإسم الفني: Seongbin (سيونغ بين)
الإسم…
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people who aren’t in the house md fandom assume that the batshit craziness of these plotlines starts and ends with the old man yaoi and the malpractice. you all think you understand? [grabs you by the face] listen to me closely. these patients specifically seek out house because he’s known as the capital-G God of diagnostics. on MULTIPLE occasions someone has come in with seizures, coughing up blood, in multi-system organ failure and the team is like “it says here in the chart that you’ve had sex before?… yeah so we have concluded that ur allergic to cum :/ sorry.” and then are genuinely shocked when their treatment of “no more taking big fat loads from peanis” doesn’t reverse sepsis. this is a medical drama. about medical mysteries
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“Fiat lux! If you want to talk improbable, let’s talk about this”—a scrape of stone on stone—“being three thousand and some years older than this.” A heavy clunk.
“Inexplicable, Warden.”
“Certainly not. Like everything else in this ridiculous conglomeration of cooling gas, it’s perfectly explicable, I just need to explic-it.”
“Indubitable, Warden.”
“Stop that. I need you listening, not racking your brain for rare negatives. Either this entire building was scavenged from a garbage hopper, or I am being systematically lied to on a molecular level.”
“Maybe the building’s shy.”
“That is just tough shit for the building.”
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And I will stay alive for my future self, so they can one day learn to be kind to who I was as a child. And I will teach them to honor who we used to be, so they can remember the comfort of what once was our untempered flesh and gentle soul. Me and myself are each a fresh wound and a rough scab, bearing respectively the gift of green faith and honed will.
This has been in my draft for a while because I was determined to post this only after I knew what I should write underneath it. I’ve read a lot on the concept of healing the wounded inner child since even before my c-ptsd diagnosis. However, I’ve sought as much comfort in my little self as they had in me. Looking back, I was an impressively emotionally-intuitive kid. I remember well how I used to think, the things I would write to my future self; they were wiser and gentler than I could ever hope to be as an adult. Needless to say, the little poem above is inspired by the aforementioned experience. Sure, big me is armed with a more developed pre-frontal cortex and access to invaluable resources (coping mechanisms, therapy, on and offline communities) , but I struggle to rediscover/reinvent my identity. Little me was the biggest vestige of my lost personhood. So yeah, this might be just a huge self-indulgent projection with my favorite character, but thinking that post-S3 Hunter would also be in my shoes is not completely baseless. 16yrs old Hunter is the fresh wound (a lot of things happened before his teen years, but I’m going to interpret the events of Hollow Mind - which happened when Hunter was 16 - as the ultimate boiling point in his trauma timeline, hence the ‘fresh wound') and 20yrs old Hunter is the rough scab. Each version of Hunter could be dealing with a different set of trauma-induced symptoms. I think his loyalty to Belos kept him going as a child. Being doubtless was important to Hunter back then; it held his sense of self together. And maybe when he survived and was rewarded the time and space to grow into his own person and live for himself, there was this lasting emptiness. I feel this sort of emptiness even today. My only reference of what ‘wholeness’ felt like was when I was obedient to my family. I equated self-abandonment as the righteous norm. The symptoms I deal with today are definitely different from when I was Hunter’s age pre-time-skip. Now that Hunter is in a safe space and an adult post-time skip, he might also need to seek that strength from his younger self. Reminding himself of how far he’s come and the parts of him that he'd like to keep from his past. The parts that he knows in his bones are purely his - not instilled by Belos, not inherited from Caleb.
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