#project: updating the medium

[quizzyisdone]

It Will Come Back Part III | Fem! Reader x Ghost

Chapter Title: Spillways Word Count: 3.5k Pairing: Simon "Ghost" Riley x Fem! Reader Synopsis: After Ghost left you in the dead of night feeling torn and hurt, Soap comes to check up on you on the orders of the man you least expect. However, it comes to the Captain's attention that Ghost had taken the fall for you and he begins to suspect something even more has taken place. Warnings: Mentions of Ghost's past (see link), strong language, mentions of physical assault to the reader, canon-typical violence, Ghost is mean sometimes

[Part One] [Part Two] [Part Three]

Masterlist

** Title inspired by Spillways by Ghost

You keep a casket buried deep within You try to mask it, but fall back in sin You want to shake it off, but you are stuck inside

When stripped of rags of skin and spine Human decay, Corpus dei Terminally dispelled

Thirty minutes had passed as you sat on the floor in complete shock, the impact from when Ghost pushed you aching even worse than the wound he had so gently tended just a little while ago. The sudden transition from that heated passion to complete rage left you confused, hurt, and most of all, ashamed. Ashamed that you were so inappropriate with your superior, that you would even consider the possibility of something more intimate with him. But most of all, he'd most likely never speak to you again after this.

Sobs racked from your body as you shook on the floor and without any regard that someone might hear you, you practically wailed, for what felt like hours but was probably only a few minutes. After everything that had happened tonight, screwing up the mission, Ghost taking the fall for you, bringing you close for but a moment and then him leaving you on the floor like this.

You were hardly an emotional person, but everything hit you at once. Failure, disgust, fear, and a sort of righteous anger boiled within you as you tried to get yourself off the bathroom floor. You were shaking, the events happening so quickly you’d felt as though you’d been left with whiplash.  

Looking in the mirror, your eyes were red, puffy, looking absolutely pathetic as you sniffled. Wiping your face of tears, you stripped, opting to go to bed naked, too tired to change into anything else or to even shower. Modesty in case of emergency was hardly something you were concerned about at the moment.

Climbing into bed, even though you were no longer sobbing or shaking, tears still continued to stream down. You tucked the blanket up to your chin, wondering why he’d do such a thing as exhaustion began to overcome you and you succumbed to sleep.

__

Sunlight gleamed through the small slot they called a window, irritatingly casting a bright glow onto just your eyes as you grumbled. The captain was right, you did have one hell of a headache. You turned over in hopes of catching more sleep. You didn’t want to face today. No. Not after last night.

Your hopes were crushed in one fell swoop as a soft knock could be heard on the door.

“Y/N, you in there?” A low, but soft Scottish accent said from behind the door. Soap.

“Go away, MacTavish.” You groaned, but he ignored your request, quietly opening and closing the door, a far cry from what Ghost’s slamming and screaming last night. He found you with half your face buried into the blanket, your eyes puffy and your cheeks still red. Pity that agitated you creeped onto his face. He knew you cried yourself to sleep.

Embarrassing.

“Hey.” He gave a weak smile. “What’s wrong?”

“Go away, I’m naked.” You rasped, the veil of sleep still ingrained in your voice. He chuckled as a slight blush rose onto his cheeks and he averted his eyes almost immediately. 

“Put a fuckin’ shirt on then, dude.” Soap giggled, like a little schoolboy as he tossed you a random shirt he found on the floor to you. “I won’t look.”

You grumbled in acknowledgement as he turned away and you haphazardly sat up and put the t-shirt on for modesty’s sake. 

“You’re good.”

He turned to face you again, and the blush had gone away but that pity from earlier still lingered, frustratingly so. 

“So, we’ll try this again.” Soap sighed. “What's wrong?”

“Don’t wanna talk ‘bout it. Just a rough op.”  You grumbled, almost incoherently, and he chuckled as he sat on the edge of the bed, giving you a friendly squeeze on your knee from under the covers.

“I heard, but ye don’t have to talk ‘bout it.” Soap knew better than to push and you were thankful for that, knowing that Price or Gaz would’ve kept badgering at you until you finally told them. But something in his eyes clued you into the fact that he knew it was something far more than a failed mission. “You alright?”

“Yeah.” You replied dismissively, hoping to end this conversation as soon as possible. He accepted your answer, although the shake of his head indicated that he knew you were not alright. But anyone with half a brain could see that.

“Mkay. Ghost wanted me to check on you. He heard you last night.” He said so nonchalantly as you did a double take.

“W-Wh-” You stuttered. “Why would he want to check on me?” Hostility entered your tone as you glared at Soap, absolute venom dripping from your voice in reference to Ghost. “And why wouldn’t he do it himself?”

“Yer part of his team?” He raised an eyebrow, knowing better than to reciprocate the sudden shift in energy that you gave him. “ ‘Course he would. But these things aren’t really his strong suit, you know that.”

He said it so matter-of-factly that it irked you, as if it was obvious that Ghost cared about anyone or even himself for that matter. 

Seeing the disbelief on your face, he reassured you. “Man’s not a sociopath.”

“Contrary to popular belief.” You chuckled cruelly to yourself. Immediately, however, you felt regret at such a harsh statement. It was, even in your heightened emotional state, an unfair, unworthy, and dishonest assessment of Ghost. 

“Let me put it this way,” Soap rolled his eyes, glaring at you like you were full of shit, clearly annoyed at your harsh characterization of the lieutenant.  “LT cares ‘bout you enough to save yer arse.”

“So? Price ordered him to rescue me at the safehouse.” 

“He would’ve saved you no matter what Price said.” His tone was serious and curt, a far cry from the loud, wise-cracking soldier he was. The kindness from before was gone. “ But Price didn’t order him to take the blame for your fuck up.”

“How the-?” You started, but he quickly cut you off. His patience had quickly waned at your impudence towards his friend, but he remained calm.

“I’ve known him personally for a good bit of time,” He started, sighing as he rubbed his forehead. “And by reputation far, far longer than you have. I don’t know exactly what happened, but it’s not like Ghost to violently murder a VIP out of anger. He’s not that emotional, especially not on your behalf. But it is like you to do that.”

You stayed silent, chewing on your bottom lip, too stunned to really say anything else. You hadn’t pegged Soap to be such an astute observer of character, but it was scary how accurate he was. He was right, it was not at all like Ghost to do that. He was always professional with a mission first mindset, whereas you were highly emotional, sometimes to the detriment of the mission. 

“I don’t know what happened, but just pull it together, mkay?” Soap pursed his lips, his lost patience from before had returned as he saw your contemplative, pained expression. His resolve to be angry at you dissipated when he saw the hurt in your eyes. He knew it was something deeper.

“Analysts used the map to find a lead, so it doesn’t matter what happened anyway. So maybe you didn’t cock it up that bad.” He teased as he punched your arm, and you gave him a sheepish smile, skirting around the actual issue. He stood up, taking a deep breath as he walked to your door. “Price wants us for a debrief in a few hours so put yer pants on and get something to eat with us.”

“Can’t wait to fuck this one up too.” You chuckled dry as Soap shook his head, smiling as he rolled his eyes.

“You won’t.” He said reassuringly, his head peeped around from the corner, before he disappeared. He had shut your door much more gently than Ghost had the night prior.

When Soap had left, you managed to get yourself out of bed. As you trudged your body to the sink, your thoughts wandered back to last night as you felt a sharp pain in your lower back. Looking backwards in the mirror, you stripped the shirt from earlier, only to find a large, black and purple bruise formed on the site of impact where Ghost had thrown you like a ragdoll.  

“Fuckin’ Christ.” You muttered as your hand gingerly grazed over the affected area. Your head was throbbing with every sharp breath you took.

__

Getting ready was a surreal, mundane blur. One of you hardly cared to remember.

As you made your way into the mess hall, you became acutely aware of the stares of fellow 141 members passing by you in the cramped hallway, glancing their heads toward you in either confusion or sympathy and quickly turning away to go about their business. A blush rose to your cheeks as you avoided their stares. 

Everyone heard you crying last night.

__

You made your way to your normal spot with Gaz, Soap, and unfortunately, the man himself, Ghost, already seated at the table. As per usual, the masked man was sat tucked in between the corner at the far reaches of the room, with Gaz sat across from him and Soap one seat down from him.

He caught your lingering gaze while you were walking towards the table, but unusually yet unsurprisingly, he immediately stared down towards his tray, which was only occupied with a mere dry yeast roll, a bottle of water, and a cup of fruit. Normally, Ghost’s plate would be filled to the brim to sustain his large, imposing figure. 

You sat at the table, nodding and muttering a small hello to only Soap and Gaz.

“You need to eat, sergeant. Go get something.” Ghost muttered after some time of awkward silence, rather hypocritically too -- as if his own plate wasn’t meager in terms of sustenance. 

“Not hungry.” You mumbled and you could almost feel his eyes rolling. Why the fuck does he care anyway?

“Hey.” Gaz smiled softly towards you, lightly jabbing your shoulder. “You okay?”

“Yeah, just some bad dreams last night.” You lied while Ghost stole a judgemental glance that you almost didn’t catch. “Kept me up.”

“That bad, huh?” Gaz chuckled.

“Yeah, we do some fucked up things. You’re telling me that shit doesn’t haunt you?” You raised your eyebrows, ardently avoiding the gaze of Ghost as silence ensued. The tension was thick, and with Ghost seemingly about to lose it any moment, either man was too afraid to answer truthfully, and Soap too uneasy to comment on what he knew. “Well?”

“It shouldn’t.” Ghost said harshly, staring at nothing in particular. “You’re a soldier. You get the job done right and you don’t think too hard about it.”

Surprised at his interjection, you finally mustered the courage to look him in the eyes. His gaze was set harshly towards you, his brows furrowed and as he gripped his pathetic yeast roll for dear life. 

“Fuck off.” You spat. Ghost thought for a moment, before slamming his fists down onto the table, looking at you with that same pitiless, inhumane stare and using strength not unlike the type he used to shove you into a wall last night as you flinched.

“Bloody hell, you need to get it together.” He shook his head and his voice was low but nonetheless imperious as was so typical of the man. “Keep it professional.”

“You first.” You did not lower your voice as he did, instead raising it. You cocked one eyebrow as you stared back defiantly. If Ghost was shocked at your brash statement which implicated both of your indiscretions from the night prior, he didn’t show it. Instead, with a grunt, he abruptly rose from the table, the force of it pushing it backwards and into both you and Gaz.

Soap and Gaz remained stunned for a moment, with Soap’s mouth slightly agape and you feigned disinterest at the encounter. Looking over next to you, you noticed what would’ve been a comical expression on Soap’s were it not for the present situation.

You huffed in annoyance. “Close your mouth, MacTavish. You’ll attract bugs.” While you played cool with your demeanour, your shaky tone gave away your rising anger and annoyance.  

“What the fuck happened between you two?” Gaz asked, the look of bewilderment almost equal to that of Soap’s.

“N-nothing.” You stuttered. “Leave it at that.”

“Obviously it was something if you’re screaming and he’s pushing tables.” He argued. “We’re a fucking team and you two can’t be acting like this. So what the fuck happened?” His bewilderment had turned into exasperation that bordered on outright indignation.

“Stop acting like you’re the boss, Garrick. You don’t need to know-”

“Gaz isn’t.” An authoritative, deep cockney accent interrupted you. You turned around, knowing already who it was behind you as you felt your stomach drop. Price. “But I am. So you best tell me what the hell is going on between the two of you.”

You went quiet for a moment, and as you opened your mouth to speak, he interrupted you again.

“The truth, sergeant. Don’t lie to me.” 

You sighed. “I killed the VIP. Not Ghost.”

Price closed his eyes, attempting to compose himself and mask the disappointment that was already oh so obvious to you. 

“And he took the blame for you.” You felt your stomach churn as you could practically see the cogs turning in his head as Price carefully chose his next words. “So he’s bitter.”

“Are you angry or disappointed?” You mumbled, taking great care to avoid looking at him.

“Both.” He said curtly, you almost wish he would’ve said just disappointed. That you could handle, but not his ire. 

“That makes two of us.” That same feeling of shame began to rear its ugly head. You know you fucked up, and now so does your commander, the man who you looked up to.  

“I punished your teammate for something you did.” He said lowly, careful to keep his voice composed. “It should.”

Price let an awkward, tense silence fill the air. You glanced around the room, luckily the outburst didn’t seem to attract any attention, but the embarrassment from being reprimanded from the captain in front of Gaz and Soap was a feeling that would never leave you.

“You’re lucky I don’t throw you off this op or take you off the taskforce for breach of conduct.” Price crossed his arms, rubbing his forehead.

“Why don’t you?”

“We still need you. But you’re on thin fucking ice, sergeant. You understand?” His brow furrowed, almost as if he was hurt by your actions. You nodded. “Debrief in two hours and mission’s in three. I don’t want to see your face until then.”

“Yes, sir.” You rose from the table, heading back to your quarters.

“One more thing, sergeant.” 

“Yes, sir?” You turned around to face Price, ignoring the stares of Soap and Gaz whose cheeks were flushed with secondhand embarrassment.

“Anything else you need to tell me?” His critical eyes burned into you as you thought of fessing up to both you and Ghost’s indiscretions of the night previous, the true reason for the sudden shift in the dynamic between the two of you.

“No, sir.” You answered, electing to not to be dishonourably discharged for fraternization today.

His normally warm, kind blue eyes turned into an icy stare, as if he knew there was something more. Price opted not to push any further, however, much to your relief.

“Fine. Dismissed.”

__

When you finally made it back to your quarters, you slumped onto your bed, fighting the urge to scream, cry, or do anything that was otherwise emotional. You had to get a reign in on your feelings. 

You laughed a little to yourself, wondering how the hell you even ended up in this situation in the first place, how in the ever living fuck could Ghost, after months of barely acknowledging your existence and you returning the favor, could end up with this histrionic shift in dynamic over the course of just a few days.

You shook the thought from your mind, attempting to clear your head to prepare yourself for the briefing. It’d no doubt be awkward, but you trusted your team not to make any scene of it. Mostly everyone, at least. You took off your shirt, leaving you clad in nothing but a bra and some pants, going to turn on the shower. 

As soon as you turned on the shower, you heard a knock on the door. You grumbled, no one could leave you the fuck alone anymore. You strided to the door, your footsteps loud and unmistakably frustrated with the constant interruption of your precious alone time. You cracked open the door and poked your head through, finding yourself facing straight at a large figure donned in tactical gear. You looked up to find Ghost’s signature skull masks and dead eyes staring at you.

“What?” In spite of yourself, you were mindful to watch your tone and keep a straight face -- anything to betray how you truly felt, if only for the sake of tracking down Makarov. 

Ghost didn’t answer, instead barging his way through the room and shutting the door harshly behind him. You almost lost your composure again at such a simple, callous disregard for privacy.

“LT what the fuck?” You said, covering your midriff, if to preserve some sense of the propriety between the two of you.

“Calm down, it’s not like I’ve never seen that part of you before.” He said so nonchalantly, ignoring your half naked form. 

“Before or after you threw me into a fucking bathroom sink?” You spat back. You turned your back to him while he went to sit down on the bed opposite of yours. You rummaged through the multitude of clothes scattered on the floor in hopes of finding a clean shirt. “What the hell do you want, Ghost?” You asked, irritation creeping into your tone.

“To make things better between us.” He said simply. “For the mission.” 

“You screamed, pushed me, screamed at me again this morning and then shoved a table. Now you want to apologize?” You scoffed. “Jesus Christ, your mood swings are giving me whiplash.”

“Fuck me,” He muttered, just loud enough so you could hear it. “I’m sorry, is that what you want me to say?” He said, this time louder, a tone just below yelling. You didn’t say anything in response, your back still turned to him.

“The bruise on your back.” Ghost said simply, his voice lowering. He shifted to lean forward, glaring at the grotesque, hideous purplish black markings he could only assume that he was responsible for inflicting. His gloved hand ghosted over the bruises, and the acute awareness of his palm overcame you. “Did I do that?”

You turned around, backing away from his touch and preparing yourself for yet another argument with the lieutenant, but you were caught off guard when you saw the look in his eyes had softened into that of what could be mistaken for pity or even remorse. 

You pursed your lips. “Yeah.”

“Fuckin’ hell.” He mumbled. For once he seemed at a loss for words. “I didn’t mean to hurt ya.”

“Well, you did. Hurt like a motherfucker.” You sat on the bed, his figure directly across from yours. The anger and hurt had almost dissipated in the moment. An unusual feeling of calm came into the room and you almost relaxed, as if you weren’t bearing the marks of his ire on your back. “Why’d you do that to me?” You sighed, pouting like a child.

Ghost thought for a moment. “Remember when you lost your shit last night? You did it because he hurt you, made you feel helpless, yeah?”

Gingerly, you nodded.

“That’s why I did that.” He took a keen interest in his hands, fiddling with the material on his gloves, almost nervously. Now it appeared that instead of Ghost or LT, he was simply Simon, at least in the moment. The mystique that had built his reputation faded and left behind just a simple man, not some paranormal super soldier who seemed capable of the impossible. 

“But I didn’t hurt you or make you feel-” You began to ramble, but Ghost was sure to put a quick stop to it.

“No. You didn’t. But someone else did. A long time ago.”

“I’m sor-”

“Don’t apologize for things that aren’t your fault, sergeant.” He said gruffly, his authoritative tone returning. The man Simon was gone, and thus returned the persona of Ghost. “It was a long time ago. I don’t like talking about it. It goes without saying that this stays between us, yeah?” 

“Yeah.” You smiled weakly. “I wouldn’t tell anyone.”

“I mean it.” His eyes burnt once more into you. You swallowed, nodding in understanding at the implications of what he just said. 

He hurt you because someone had irrevocably and violently assaulted him before.

[tofupixel]

⭐ So you want to learn pixel art? ⭐

🔹 Part 1 of ??? - The Basics!

Hello, my name is Tofu and I'm a professional pixel artist. I have been supporting myself with freelance pixel art since 2020, when I was let go from my job during the pandemic.

My progress, from 2017 to 2024. IMO the only thing that really matters is time and effort, not some kind of natural talent for art.

This guide will not be comprehensive, as nobody should be expected to read allat. Instead I will lean heavily on my own experience, and share what worked for me, so take everything with a grain of salt. This is a guide, not a tutorial. Cheers!

🔹 Do I need money?

NO!!! Pixel art is one of the most accessible mediums out there.

I still use a mouse because I prefer it to a tablet! You won't be at any disadvantage here if you can't afford the best hardware or software.

Because our canvases are typically very small, you don't need a good PC to run a good brush engine or anything like that.

✨Did you know? One of the most skilled and beloved pixel artists uses MS PAINT! Wow!!

🔹 What software should I use?

Here are some of the most popular programs I see my friends and peers using. Stars show how much I recommend the software for beginners! ⭐

💰 Paid options:

⭐⭐⭐ Aseprite (for PC) - $19.99

This is what I and many other pixel artists use. You may find when applying to jobs that they require some knowledge of Aseprite. Since it has become so popular, companies like that you can swap raw files between artists.

Aseprite is amazingly customizable, with custom skins, scripts and extensions on Itch.io, both free and paid.

If you have ever used any art software before, it has most of the same features and should feel fairly familiar to use. It features a robust animation suite and a tilemap feature, which have saved me thousands of hours of labour in my work. The software is also being updated all the time, and the developers listen to the users. I really recommend Aseprite!

⭐ Photoshop (for PC) - Monthly $$

A decent option for those who already are used to the PS interface. Requires some setup to get it ready for pixel-perfect art, but there are plenty of tutorials for doing so.

Animation is also much more tedious on PS which you may want to consider before investing time!

⭐⭐ ProMotion NG (for PC) - $19.00

An advanced and powerful software which has many features Aseprite does not, including Colour Cycling and animated tiles.

⭐⭐⭐ Pixquare (for iOS) - $7.99 - $19.99 (30% off with code 'tofu'!!)

Probably the best app available for iPad users, in active development, with new features added all the time.

Look! My buddy Jon recommends it highly, and uses it often.

One cool thing about Pixquare is that it takes Aseprite raw files! Many of my friends use it to work on the same project, both in their office and on the go.

⭐ Procreate (for iOS) - $12.99

If you have access to Procreate already, it's a decent option to get used to doing pixel art. It does however require some setup. Artist Pixebo is famously using Procreate, and they have tutorials of their own if you want to learn.

⭐⭐ ReSprite iOS and Android. (free trial, but:) $19.99 premium or $$ monthly

ReSprite is VERY similar in terms of UI to Aseprite, so I can recommend it. They just launched their Android release!

🆓 Free options:

⭐⭐⭐ Libresprite (for PC)

Libresprite is an alternative to Aseprite. It is very, very similar, to the point where documentation for Aseprite will be helpful to Libresprite users.

⭐⭐ Pixilart (for PC and mobile)

A free in-browser app, and also a mobile app! It is tied to the website Pixilart, where artists upload and share their work. A good option for those also looking to get involved in a community.

⭐⭐ Dotpict (for mobile)

Dotpict is similar to Pixilart, with a mobile app tied to a website, but it's a Japanese service. Did you know that in Japanese, pixel art is called 'Dot Art'? Dotpict can be a great way to connect with a different community of pixel artists! They also have prompts and challenges often.

🔹 So I got my software, now what?

◽Nice! Now it's time for the basics of pixel art.

❗ WAIT ❗ Before this section, I want to add a little disclaimer. All of these rules/guidelines can be broken at will, and some 'no-nos' can look amazing when done intentionally.

The pixel-art fundamentals can be exceedingly helpful to new artists, who may feel lost or overwhelmed by choice. But if you feel they restrict you too harshly, don't force yourself! At the end of the day it's your art, and you shouldn't try to contort yourself into what people think a pixel artist 'should be'. What matters is your own artistic expression. 💕👍

◽Phew! With that out of the way...

🔸"The Rules"

There are few hard 'rules' of pixel art, mostly about scaling and exporting. Some of these things will frequently trip up newbies if they aren't aware, and are easy to overlook.

🔹Scaling method

There are a couple ways of scaling your art. The default in most art programs, and the entire internet, is Bi-linear scaling, which usually works out fine for most purposes. But as pixel artists, we need a different method.

Both are scaled up x10. See the difference?

On the left is scaled using Bilinear, and on the right is using Nearest-Neighbor. We love seeing those pixels stay crisp and clean, so we use nearest-neighbor. 

(Most pixel-art programs have nearest-neighbor enabled by default! So this may not apply to you, but it's important to know.)

🔹Mixels

Mixels are when there are different (mixed) pixel sizes in the same image.

Here I have scaled up my art- the left is 200%, and the right is 150%. Yuck!

As we can see, the "pixel" sizes end up different. We generally try to scale our work by multiples of 100 - 200%, 300% etc. rather than 150%. At larger scales however, the minute differences in pixel sizes are hardly noticeable!

Mixels are also sometimes seen when an artist scales up their work, then continues drawing on it with a 1 pixel brush.

Many would say that this is not great looking! This type of pixels can be indicative of a beginner artist. But there are plenty of creative pixel artists out there who mixels intentionally, making something modern and cool.

🔹Saving Your Files

We usually save our still images as .PNGs as they don’t create any JPEG artifacts or loss of quality. It's a little hard to see here, but there are some artifacts, and it looks a little blurry. It also makes the art very hard to work with if we are importing a JPEG.

For animations .GIF is good, but be careful of the 256 colour limit. Try to avoid using too many blending mode layers or gradients when working with animations. If you aren’t careful, your animation could flash afterwards, as the .GIF tries to reduce colours wherever it can. It doesn’t look great!

Here's an old piece from 2021 where I experienced .GIF lossiness, because I used gradients and transparency, resulting in way too many colours.

🔹Pixel Art Fundamentals - Techniques and Jargon

❗❗Confused about Jaggies? Anti-Aliasing? Banding? Dithering? THIS THREAD is for you❗❗ << it's a link, click it!!

As far as I'm concerned, this is THE tutorial of all time for understanding pixel art. These are techniques created and named by the community of people who actually put the list together, some of the best pixel artists alive currently. Please read it!!

🔸How To Learn

Okay, so you have your software, and you're all ready to start. But maybe you need some more guidance? Try these tutorials and resources! It can be helpful to work along with a tutorial until you build your confidence up.

⭐⭐ Pixel Logic (A Digital Book) - $10 A very comprehensive visual guide book by a very skilled and established artist in the industry. I own a copy myself.

⭐⭐⭐ StudioMiniBoss - free A collection of visual tutorials, by the artist that worked on Celeste! When starting out, if I got stuck, I would go and scour his tutorials and see how he did it.

⭐ Lospec Tutorials - free A very large collection of various tutorials from all over the internet. There is a lot to sift through here if you have the time.

⭐⭐⭐ Cyangmou's Tutorials - free (tipping optional) Cyangmou is one of the most respected and accomplished modern pixel artists, and he has amassed a HUGE collection of free and incredibly well-educated visual tutorials. He also hosts an educational stream every week on Twitch called 'pixelart for beginners'.

⭐⭐⭐ Youtube Tutorials - free There are hundreds, if not thousands of tutorials on YouTube, but it can be tricky to find the good ones. My personal recommendations are MortMort, Brandon, and AdamCYounis- these guys really know what they're talking about!

🔸 How to choose a canvas size

When looking at pixel art turorials, we may see people suggest things like 16x16, 32x32 and 64x64. These are standard sizes for pixel art games with tiles. However, if you're just making a drawing, you don't necessarily need to use a standard canvas size like that.

What I like to think about when choosing a canvas size for my illustrations is 'what features do I think it is important to represent?' And make my canvas as small as possible, while still leaving room for my most important elements.

Imagine I have characters in a scene like this:

I made my canvas as small as possible (232 x 314), but just big enough to represent the features and have them be recognizable (it's Good Omens fanart 😤)!! If I had made it any bigger, I would be working on it for ever, due to how much more foliage I would have to render.

If you want to do an illustration and you're not sure, just start at somewhere around 100x100 - 200x200 and go from there.

It's perfectly okay to crop your canvas, or scale it up, or crunch your art down at any point if you think you need a different size. I do it all the time! It only takes a bit of cleanup to get you back to where you were.

🔸Where To Post

Outside of just regular socials, Twitter, Tumblr, Deviantart, Instagram etc, there are a few places that lean more towards pixel art that you might not have heard of.

⭐ Lospec Lospec is a low-res focused art website. Some pieces get given a 'monthly masterpiece' award. Not incredibly active, but I believe there are more features being added often.

⭐⭐ Pixilart Pixilart is a very popular pixel art community, with an app tied to it. The community tends to lean on the young side, so this is a low-pressure place to post with an relaxed vibe.

⭐⭐ Pixeljoint Pixeljoint is one of the big, old-school pixel art websites. You can only upload your art unscaled (1x) because there is a built-in zoom viewer. It has a bit of a reputation for being elitist (back in the 00s it was), but in my experience it's not like that any more. This is a fine place for a pixel artist to post if they are really interested in learning, and the history. The Hall of Fame has some of the most famous / impressive pixel art pieces that paved the way for the work we are doing today.

⭐⭐⭐ Cafe Dot Cafe Dot is my art server so I'm a little biased here. 🍵 It was created during the recent social media turbulence. We wanted a place to post art with no algorithms, and no NFT or AI chuds. We have a heavy no-self-promotion rule, and are more interested in community than skill or exclusivity. The other thing is that we have some kind of verification system- you must apply to be a Creator before you can post in the Art feed, or use voice. This helps combat the people who just want to self-promo and dip, or cause trouble, as well as weed out AI/NFT people. Until then, you are still welcome to post in any of the threads or channels. There is a lot to do in Cafe Dot. I host events weekly, so check the threads!

⭐⭐/r/pixelart The pixel art subreddit is pretty active! I've also heard some of my friends found work through posting here, so it's worth a try if you're looking. However, it is still Reddit- so if you're sensitive to rude people, or criticism you didn't ask for, you may want to avoid this one. Lol

🔸 Where To Find Work

You need money? I got you! As someone who mostly gets scouted on social media, I can share a few tips with you:

Put your email / portfolio in your bio Recruiters don't have all that much time to find artists, make it as easy as possible for someone to find your important information!

Clean up your profile If your profile feed is all full of memes, most people will just tab out rather than sift through. Doesn't apply as much to Tumblr if you have an art tag people can look at.

Post regularly, and repost Activity beats everything in the social media game. It's like rolling the dice, and the more you post the more chances you have. You have to have no shame, it's all business baby

Outside of just posting regularly and hoping people reach out to you, it can be hard to know where to look. Here are a few places you can sign up to and post around on.

/r/INAT INAT (I Need A Team) is a subreddit for finding a team to work with. You can post your portfolio here, or browse for people who need artists.

/r/GameDevClassifieds Same as above, but specifically for game-related projects.

Remote Game Jobs / Work With Indies Like Indeed but for game jobs. Browse them often, or get email notifications.

VGen VGen is a website specifically for commissions. You need a code from another verified artist before you can upgrade your account and sell, so ask around on social media or ask your friends. Once your account is upgraded, you can make a 'menu' of services people can purchase, and they send you an offer which you are able to accept, decline, or counter.

The evil websites of doom: Fiverr and Upwork I don't recommend them!! They take a big cut of your profit, and the sites are teeming with NFT and AI people hoping to make a quick buck. The site is also extremely oversaturated and competitive, resulting in a race to the bottom (the cheapest, the fastest, doing the most for the least). Imagine the kind of clients who go to these websites, looking for the cheapest option. But if you're really desperate...

🔸 Community

I do really recommend getting involved in a community. Finding like-minded friends can help you stay motivated to keep drawing. One day, those friends you met when you were just starting out may become your peers in the industry. Making friends is a game changer!

Discord servers Nowadays, the forums of old are mostly abandoned, and people split off into many different servers. Cafe Dot, Pixel Art Discord (PAD), and if you can stomach scrolling past all the AI slop, you can browse Discord servers here.

Twitch Streams Twitch has kind of a bad reputation for being home to some of the more edgy gamers online, but the pixel art community is extremely welcoming and inclusive. Some of the people I met on Twitch are my friends to this day, and we've even worked together on different projects! Browse pixel art streams here, or follow some I recommend: NickWoz, JDZombi, CupOhJoe, GrayLure, LumpyTouch, FrankiePixelShow, MortMort, Sodor, NateyCakes, NyuraKim, ShinySeabass, I could go on for ever really... There are a lot of good eggs on Pixel Art Twitch.

🔸 Other Helpful Websites

Palettes Lospec has a huge collection of user-made palettes, for any artist who has trouble choosing their colours, or just wants to try something fun. Rejected Palettes is full of palettes that didn't quite make it onto Lospec, ran by people who believe there are no bad colours.

The Spriters Resource TSR is an incredible website where users can upload spritesheets and tilesets from games. You can browse for your favourite childhood game, and see how they made it! This website has helped me so much in understanding how game assets come together in a scene.

VGMaps Similar to the above, except there are entire maps laid out how they would be played. This is incredible if you have to do level design, or for mocking up a scene for fun.

Game UI Database Not pixel-art specific, but UI is a very challenging part of graphics, so this site can be a game-changer for finding good references!

Retronator A digital newspaper for pixel-art lovers! New game releases, tutorials, and artworks!

Itch.io A website where people can upload, games, assets, tools... An amazing hub for game devs and game fans alike. A few of my favourite tools: Tiled, PICO-8, Pixel Composer, Juice FX, Magic Pencil for Aseprite

🔸 The End?

This is just part 1 for now, so please drop me a follow to see any more guides I release in the future. I plan on doing some writeups on how I choose colours, how to practise, and more!

I'm not an expert by any means, but everything I did to get to where I am is outlined in this guide. Pixel art is my passion, my job and my hobby! I want pixel art to be recognized everywhere as an art-form, a medium of its own outside of game-art or computer graphics!

This guide took me a long time, and took a lot of research and experience. Consider following me or supporting me if you are feeling generous.

And good luck to all the fledgling pixel artists, I hope you'll continue and have fun. I hope my guide helped you, and don't hesitate to send me an ask if you have any questions! 💕

My other tutorials (so far): How to draw Simple Grass for a game Hue Shifting

[hussyknee]

17/12/23 this masterlist has been completely revamped with free access to all material. It will be updated and edited periodically so please click on my username and reblog the current version directly from me if you're able.

14/8/24 reboosting this post with How to Help Palestine updated. Please scroll to the bottom to donate or boost the links.

The Big Damn List Of Stuff They Said You Didn't Know

(Yes, it's a lot. Just choose your preferred medium and then pick one.)

Podcasts

Backgrounders and Quick Facts

Interactive Maps

Teach-Out Resources

Reading Material (free)

Films and Documentaries (free)

Non-Governmental Organizations

Social Media

How You Can Help <- URGENT!!!

Podcasts

Cocktails & Capitalism: The Story of Palestine Part 1, Part 3

It Could Happen Here: The Cheapest Land is Bought with Blood, Part 2, The Balfour Declaration

Citations Needed: Media narratives and consent manufacturing around Israel-Palestine and the Gaza Siege

The Deprogram: Free Palestine, ft. decolonizatepalestine.com.

Backgrounders and Quick Facts

The Palestine Academy: Palestine 101

Institute for Middle East Understanding: Explainers and Quick Facts

Interactive Maps

Visualizing Palestine

Teach-Out Resources

1) Cambridge UCU and Pal Society

Palestine 101

Intro to Palestine Film + Art + Literature

Resources for Organising and Facilitating)

2) The Jadaliya YouTube Channel of the Arab Studies Institute

Gaza in Context Teach-in series

War on Palestine podcast

Updates and Discussions of news with co-editors Noura Erakat and Mouin Rabbani.

3) The Palestine Directory

History (virtual tours, digital archives, The Palestine Oral History Project, Documenting Palestine, Queering Palestine)

Cultural History (Palestine Open Maps, Overdue Books Zine, Palestine Poster Project)

Contemporary Voices in the Arts

Get Involved: NGOs and campaigns to help and support.

3) PalQuest Interactive Encyclopedia of the Palestine Question.

4) The Palestine Remix by Al Jazeera

Books and Articles

Free reading material

My Gdrive of Palestine/Decolonization Literature (nearly all the books recommended below + books from other recommended lists)

Five free eBooks by Verso

Three Free eBooks on Palestine by Haymarket

LGBT Activist Scott Long's Google Drive of Palestine Freedom Struggle Resources

Recommended Reading List

Academic Books

Edward Said (1979) The Question of Palestine, Random House

Ilan Pappé (2002)(ed) The Israel/Palestine Question, Routledge

Ilan Pappé (2006) The Ethnic Cleansing of Palestine, OneWorld Publications

Ilan Pappé (2011) The Forgotten Palestinians: A History of the Palestinians in Israel, Yale University Press

Ilan Pappé (2015) The Idea of Israel: A History of Power and Knowledge, Verso Books

Ilan Pappé (2017) The Biggest Prison On Earth: A History Of The Occupied Territories, OneWorld Publications

Ilan Pappé (2022) A History of Modern Palestine, Cambridge University Press

Rosemary Sayigh (2007) The Palestinians: From Peasants to Revolutionaries, Bloomsbury

Andrew Ross (2019) Stone Men: the Palestinians who Built Israel, Verso Books

Rashid Khalidi (2020) The Hundred Years’ War on Palestine: A History of Settler Colonialism and Resistance 1917–2017

Ariella Azoulay (2011) From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950, Pluto Press

Ariella Azoulay and Adi Ophir (2012) The One-State Condition: Occupation and Democracy in Israel/Palestine, Stanford University Press.

Jeff Halper (2010) An Israeli in Palestine: Resisting Dispossession, Redeeming Israel, Pluto Press

Jeff Halper (2015) War Against the People: Israel, the Palestinians and Global Pacification

Jeff Halper (2021) Decolonizing Israel, Liberating Palestine: Zionism, Settler Colonialism, and the Case for One Democratic State, Pluto Press

Anthony Loewenstein (2023) The Palestine Laboratory: How Israel exports the Technology of Occupation around the World

Noura Erakat (2019) Justice for Some: Law and the Question of Palestine, Stanford University Press

Neve Gordon (2008) Israel’s Occupation, University of California Press

Joseph Massad (2006) The Persistence of the Palestinian Question: Essays on Zionism and the Palestinians, Routledge

Memoirs

Edward Said (1986) After the Last Sky: Palestine Lives, Columbia University PEdward Saidress

Edward Said (2000) Out of Place; A Memoir, First Vintage Books

Mourid Barghouti (2005) I saw Ramallah, Bloomsbury

Hatim Kanaaneh (2008) A Doctor in Galilee: The Life and Struggle of a Palestinian in Israel, Pluto Press

Raja Shehadeh (2008) Palestinian Walks: Into a Vanishing Landscape, Profile Books

Ghada Karmi (2009) In Search of Fatima: A Palestinian Story, Verso Books

Vittorio Arrigoni (2010) Gaza Stay Human, Kube Publishing

Ramzy Baroud (2010) My Father Was a Freedom Fighter: Gaza's Untold Story, Pluto Press

Izzeldin Abuelaish (2011) I Shall Not Hate: A Gaza Doctor’s Journey on the Road to Peace and Human Dignity, Bloomsbury

Atef Abu Saif (2015) The Drone Eats with Me: A Gaza Diary, Beacon Press

Anthologies

Voices from Gaza - Insaniyyat (The Society of Palestinian Anthropologists)

Letters From Gaza • Protean Magazine

Salma Khadra Jayyusi (1992) Anthology of Modern Palestinian Literature, Columbia University Press

ASHTAR Theatre (2010) The Gaza Monologues

Refaat Alreer (ed) (2014) Gaza Writes Back, Just World Books

Refaat Alreer, Laila El-Haddad (eds) (2015) Gaza Unsilenced, Just World Books

Cate Malek and Mateo Hoke (eds)(2015) Palestine Speaks: Narrative of Life under Occupation, Verso Books

Jehad Abusalim, Jennifer Bing (eds) (2022) Light in Gaza: Writings Born of Fire, Haymarket Books

Short Story Collections

Ghassan Kanafani, Hilary Kilpatrick (trans) (1968) Men in the Sun and Other Palestinian Stories, Lynne Rienner Publishers

Ghassan Kanafani, Barbara Harlow, Karen E. Riley (trans) (2000) Palestine’s Children: Returning to Haifa and Other Stories, Lynne Rienner Publishers

Atef Abu Saif (2014) The Book of Gaza: A City in Short Fiction, Comma Press

Samira Azzam, Ranya Abdelrahman (trans) (2022) Out Of Time: The Collected Short Stories of Samira Azzam

Sonia Sulaiman (2023) Muneera and the Moon; Stories Inspired by Palestinian Folklore

Essay Collections

Edward W. Said (2000) Reflections on Exile and Other Essays, Harvard University Press

Salim Tamari (2008) Mountain against the Sea: Essays on Palestinian Society and Culture, University of California Press

Fatma Kassem (2011) Palestinian Women: Narratives, histories and gendered memory, Bloombsbury

Ramzy Baroud (2019) These Chains Will Be Broken: Palestinian Stories of Struggle and Defiance in Israeli Prisons, Clarity Press

Novels

Sahar Khalifeh (1976) Wild Thorns, Saqi Books

Liyana Badr (1993) A Balcony over the Fakihani, Interlink Books

Hala Alyan (2017) Salt Houses, Harper Books

Susan Abulhawa (2011) Mornings in Jenin, Bloomsbury

Susan Abulhawa (2020) Against the Loveless World, Bloomsbury

Graphic novels

Joe Sacco (2001) Palestine

Joe Sacco (2010) Footnotes in Gaza

Naji al-Ali (2009) A Child in Palestine, Verso Books

Mohammad Sabaaneh (2021) Power Born of Dreams: My Story is Palestine, Street Noise Book*

Poetry

Fady Joudah (2008) The Earth in the Attic, Sheridan Books,

Ghassan Zaqtan, Fady Joudah (trans) (2012) Like a Straw Bird It Follows Me and Other Poems, Yale University Press

Hala Alyan (2013) Atrium: Poems, Three Rooms Press*

Mohammed El-Kurd (2021) Rifqa, Haymarket Books

Mosab Abu Toha (2022) Things You May Find Hidden in My Ear: Poems from Gaza, City Lights Publishers

Tawfiq Zayyad (2023) We Are Here to Stay, Smokestack Books*

The Works of Mahmoud Darwish

Poems

Rafeef Ziadah (2011) We Teach Life, Sir

Nasser Rabah (2022) In the Endless War

Refaat Alareer (2011) If I Must Die

Hiba Abu Nada (2023) I Grant You Refuge/ Not Just Passing

[All books except the ones starred are available in my gdrive. I'm adding more each day. But please try and buy whatever you're able or borrow from the library. Most should be available in the discounted Free Palestine Reading List by Pluto Press, Verso and Haymarket Books.]

Human Rights Reports & Documents

Information on current International Court of Justice case on ‘Legal Consequences arising from the Policies and Practices of Israel in the Occupied Palestinian Territory, including East Jerusalem’

UN Commission of Inquiry Report 2022

UN Special Rapporteur Report on Apartheid 2022

Amnesty International Report on Apartheid 2022

Human Rights Watch Report on Apartheid 2021

Report of the United Nations Fact-Finding Mission on the Gaza Conflict’ 2009 (‘The Goldstone Report’)

Advisory Opinion on the Legal Consequences of the Construction of a Wall in the Occupied Palestinian Territory, International Court of Justice, 9 July 2004

Films

Documentaries

Jenin, Jenin (2003) dir. Mohammed Bakri

Massacre (2005) dir. Monica Borgmann, Lokman Slim, Hermann Theissen

Slingshot HipHop (2008) dir. Jackie Reem Salloum

Waltz with Bashir (2008) dir. Ari Folman † (also on Amazon Prime)

Tears of Gaza (2010) dir. Vibeke Løkkeberg (also on Amazon Prime)

5 Broken Cameras (2011) dir. Emad Burnat (also on Amazon Prime)

The Gatekeepers (2012) dir. Dror Moreh (also on Amazon Prime)

The Great Book Robbery (2012) | Al Jazeera English

Al Nakba (2013) | Al Jazeera (5-episode docu-series)

The Village Under the Forest (2013) dir. Mark J. Kaplan

Where Should The Birds Fly (2013) dir. Fida Qishta

Naila and the Uprising (2017) (also on Amazon Prime)

GAZA (2019) dir. Andrew McConnell and Garry Keane

Gaza Fights For Freedom (2019) dir. Abby Martin

Little Palestine: Diary Of A Siege (2021) dir. Abdallah Al Khatib 

Palestine 1920: The Other Side of the Palestinian Story (2021) | Al Jazeera World Documentary

Gaza Fights Back (2021) | MintPress News Original Documentary | dir. Dan Cohen

Innocence (2022) dir. Guy Davidi

Short Films

Fatenah (2009) dir. Ahmad Habash

Gaza-London (2009) dir. Dina Hamdan

Condom Lead (2013) dir. Tarzan Nasser, Arab Nasser

OBAIDA (2019) | Defence for Children Palestine

Theatrical Films

Divine Intervention (2002) | dir. Elia Suleiman (also on Netflix)

Paradise Now (2005) dir Hany Abu-Assad (also on Amazon Prime)

Lemon Tree (2008) (choose auto translate for English subs) (also on Amazon Prime)

It Must Be Heaven (2009) | dir. Elia Suleiman †

The Promise (2010) mini-series dir. Peter Kosminsky (Part 1, Part 2, Part 3, Part 4)

Habibi (2011)* dir. Susan Youssef

Omar (2013)* dir. Hany Abu-Assad †

3000 Nights (2015)* dir. Mai Masri

Foxtrot (2017) dir. Samuel Maoz (also on Amazon Prime)

The Time that Remains (2019) dir. Elia Suleiman †

Gaza Mon Amour (2020) dir. Tarzan Nasser, Arab Nasser †

The Viewing Booth (2020) dir. Ra'anan Alexandrowicz (on Amazon Prime and Apple TV)

Farha (2021)* | dir. Darin J. Sallam

Palestine Film Institute Archive

All links are for free viewing. The ones marked with a star (*) can be found on Netflix, while the ones marked † can be downloaded for free from my Mega account.

If you find Guy Davidi's Innocence anywhere please let me know, I can't find it for streaming or download even to rent or buy.

In 2018, BDS urged Netflix to dump Fauda, a series created by former members of IOF death squads that legitimizes and promotes racist violence and war crimes, to no avail. Please warn others to not give this series any views. BDS has not called for a boycott of Netflix. ]

NGOs

The Boycott, Divestment, Sanctions (BDS) Movement

Euro-Mediterranean Human Rights Monitor

UNRWA

Palestine Defence for Children International

Palestinian Feminist Collective

Al-Shabaka: The Palestinian Policy Network

Addameer Prisoner Support and Human Rights Association

Institute for Palestine Studies

Al Haq

Artists for Palestine

The Palestine Museum

Jewish Currents

B’Tselem

DAWN

Social Media

Palestnians on Tumblr

@el-shab-hussein

@killyfromblame

@apollos-olives

@fairuzfan

@palipunk

@sar-soor

@nabulsi

@wearenotjustnumbers2

@90-ghost

@tamarrud

@northgazaupdates

Allies and advocates (not Palestinian)

@bloglikeanegyptian beautiful posts that read like op-eds

@vyorei daily news roundups

@luthienne resistance through prose

@decolonize-the-left scoop on the US political plans and impacts

@feluka

@anneemay

(Please don't expect any of these blogs to be completely devoted to Palestine allyship; they do post regularly about it but they're still personal blogs and post whatever else they feel like. Do not harrass them.)

Gaza journalists

Motaz Azaiza IG: @motaz_azaiza | Twitter: @azaizamotaz9 | TikTok: _motaz.azaiza (left Gaza as of Jan 23)

Bisan Owda IG and TikTok: wizard_bisan1 | Twitter: @wizardbisan

Saleh Aljafarawi IG: @saleh_aljafarawi | Twitter: @S_Aljafarawi | TikTok: @saleh_aljafarawi97

Plestia Alaqad IG: @byplestia | TikTok: @plestiaaqad (left Gaza)

Wael Al-Dahdouh IG: @wael_eldahdouh | Twitter: @WaelDahdouh (left Gaza as of Jan 13)

Hind Khoudary IG: @hindkhoudary | Twitter: @Hind_Gaza

Ismail Jood IG and TikTok: @ismail.jood (announced end of coverage on Jan 25)

Yara Eid IG: @eid_yara | Twitter: @yaraeid_

Eye on Palestine IG: @eye.on.palestine | Twitter: @EyeonPalestine | TikTok: @eyes.on.palestine

Muhammad Shehada Twitter: @muhammadshehad2

(Edit: even though some journos have evacuated, the footage up to the end of their reporting is up on their social media, and they're also doing urgent fundraisers to get their families and friends to safety. Please donate or share their posts.)

News organisations

The Electronic Intifada Twitter: @intifada | IG: @electronicintifada

Quds News Network Twitter and Telegram: @QudsNen | IG: @qudsn (Arabic)

Times of Gaza IG: @timesofgaza | Twitter: @Timesofgaza | Telegram: @TIMESOFGAZA

The Palestine Chronicle Twitter: @PalestineChron | IG: @palestinechron | @palestinechronicle

Al-Jazeera Twitter: @AJEnglish | IG and TikTok: @aljazeeraenglish, @ajplus

Middle East Eye IG and TikTok: @middleeasteye | Twitter: @MiddleEastEye

Democracy Now Twitter and IG: @democracynow TikTok: @democracynow.org

Mondoweiss IG and TikTok: @mondoweiss | Twitter: @Mondoweiss

The Intercept Twitter and IG: @theintercept

MintPress Twitter: @MintPressNews | IG: mintpress

Novara Media Twitter and IG: @novaramedia

Truthout Twitter and IG: @truthout

Palestnians on Other Social Media

Mouin Rabbani: Middle East analyst specializing in the Arab-Israeli conflict and Palestinian affairs. Twitter: @MouinRabbani

Noura Erakat: Legal scholar, human rights attorney, specialising in Israeli–Palestinian conflict. Twitter: @4noura | IG: @nouraerakat | (http://www.nouraerakat.com/)

Hebh Jamal: Journalist in Germany. IG and Twitter: @hebh_jamal

Ghada Sasa: PhD candidate in International Relations, green colonialism, and Islam in Canada. Twitter: @sasa_ghada | IG: @ghadasasa48

Taleed El Sabawi: Assistant professor of law and researcher in public health. Twitter: @el_sabawi | IG

Lexi Alexander: Filmmaker and activist. Twitter: @LexiAlex | IG: @lexialexander1

Mariam Barghouti: Writer, blogger, researcher, and journalist. Twitter: @MariamBarghouti | IG: @mariambarghouti

Rasha Abdulhadi: Queer poet, author and cultural organizer. Twitter: @rashaabdulhadi

Mohammed el-Kurd: Writer and activist from Jerusalem. IG: @mohammedelkurd | Twitter: @m7mdkurd

Ramy Abdu: Founder and Chairman of the Euro-Mediterranean Human Rights Monitor. Twitter: @RamyAbdu

Subhi: Founder of The Palestine Academy website. IG: @sbeih.jpg |TikTok @iamsbeih | Twitter: @iamsbeih

Allies

Lowkey (Kareem Dennis): Rapper, activist, video and podcast host for MintPress. Twitter: @LowkeyOnline IG: @lowkeyonline

Francesca Albanese: UN Special Rapporteur on the Occupied Territories. Twitter: @FranceskAlbs

Sana Saeed: Journalist and media critic, host and senior producer at Al-Jazeera Plus. IG: @sanaface | Twitter: @SanaSaeed

Shailja Patel: Poet, playwright, activist, founding member of Kenyans For Peace, Truth and Justice. Twitter: @shailjapatel

Jairo I. Fúnez-Flores: Researcher in curriculum studies, decolonial theory, social movements. Twitter: @Jairo_I_Funez

Jack Dodson: Journalist and Filmmaker. Twitter: @JackDodson IG: @jdodson4

Imani Barbarin: Writer, public speaker, and disability rights activist. IG: @crutches_and_spice | Twitter: @Imani_Barbarin | TikTok: @crutches_and_spice

Jewish Allies

Katie Halper: US comedian, writer, filmmaker, podcaster, and political commentator. IG and Twitter: @kthalps

Dr. Chanda Prescod-Weinstein: Associate Professor of Physics and Core Faculty Member in Women’s and Gender Studies at the University of New Hampshire. Twitter: @IBJIYONGI | (https://chanda.science/)

Amanda Gelender: Writer. Twitter: @agelender | (https://agelender.medium.com/)

Yoav Litvin: Jerusalem-born Writer and Photographer. IG and Twitter: @nookyelur | (yoavlitvin.com)

Alana Lentin: Professor of Cultural and Social Analysis at Western Sydney University. Twitter: @alanalentin

Gideon Levy: anti-Zionist Israeli journalist and activist. Twitter: @gideonlevy

‼️How You Can Help Palestine‼️

Click for Palestine (Please reblog!!)

Masterlist of donation links by @sulfurcosmos (Please reblog!!)

Water for Gaza: Donate directly to the Gaza Municipality

Operation Olive Branch Linktree for vetted fundraisers, donations and political action resources. TikTok and Instagram: @operationolivebranch | Twitter: @OPOliveBranch

Gazafunds (vetted and spotlighted GFMs)

The Butterfly Effect Project (spreadsheet of vetted GFMs)

Spreadsheet of Gaza fundraisers vetted by @el-shab-hussein and @nabulsi

If any links are broken let me know. Or pull up the current post to check whether it's fixed.

Political action to pressure the Harris campaign to stop arming Israel (for US citizens): Uncommitted Movement (TikTok: @uncommittedmvmt) (Please reblog!!)

"Knowledge is Israel's worst enemy. Awareness is Israel's most hated and feared foe. That's why Israel bombs a university: it wants to kill openness and determination to refuse living under injustice and racism."

— Dr. Refaat Alareer, (martyred Dec 6, 2023)

From River To The Sea Palestine Will Be Free 🇵🇸🇵🇸🇵🇸

-----

Edit 1: took the first video down because turns out the animator is a terf and it links to her blog. Really sorry for any distress.

Edit 2: All recommended readings + Haymarket recommendations + essential decolonization texts have been uploaded to my linked gdrive. I will adding more periodically. Please do buy or check them out from the library if possible, but this post was made for and by poor and gatekept Global South bitches like me.

Some have complained about the memes being disrespectful. You're actually legally obligated to make fun of Israeli propaganda and Zionists. I don't make the rules.

Edit 3: "The river to the sea" does not mean the expulsion of Jews from Palestine. Believing that is genocide apologia.

Edit 4: Gazans have specifically asked us to put every effort into pushing for a ceasefire instead of donations. "Raising humanitarian aid" is a grift Western governments are pushing right now to deflect from the fact that they're sending billions to Israel to keep carpet bombing Gazans. As long as the blockades are still in place there will never be enough aid for two million people. (UPDATE: PLEASE DONATE to the Gazan's GoFundMe fundraisers to help them buy food and get out of Rafah into Egypt. E-SIMs, food and medical supplies are also essential. Please donate to the orgs linked in the How You Can Help. Go on the strikes. DO NOT STOP PROTESTING.)

Edit 5: Google drive link for academic books folder has been fixed. Also have added a ton of resources to all the other folders so please check them out.

Edit 6: Added interactive maps, Jadaliya channel, and masterlists of donation links and protest support and of factsheets.

The twitter accounts I reposted as it was given to me and I just now realized it had too many Israeli voices and almost none of the Palestinians I'm following, so it's being edited. (Update: done!) also removed sources like Jewish Voices of Peace and Breaking the Silence that do good work but have come under fair criticism from Palestinians.

Edit 7: Complete reformatting

Edit 8: Complete revamping of the social media section. It now reflects my own following list.

Edit 9: removed some more problematic people from the allies list. Remember that the 2SS is a grift that's used to normalize violence and occupation, kids. Supporting the one-state solution is lowest possible bar for allyship. It's "Free Palestine" not "Free half of Palestine and hope Israel doesn't go right back to killing them".

Edit 10: added The Palestine Directory + Al Jazeera documentary + Addameer. This "100 links per post" thing sucks.

Edit 11: more documentaries and films

Edit 12: reformatted reading list

Edit 13: had to remove @palipunk's masterlist to add another podcast. It's their pinned post and has more resources Palestinian culture and crafts if you want to check it out

Edit 14 6th May '24: I've stopped updating this masterlist so some things, like journalists still left in Gaza and how to support the student protests are missing. I've had to take a step back and am no longer able to track these things down on my own, and I've hit the '100 links per post' limit, but if you can leave suggestions for updates along with links in either the replies or my asks I will try and add them.

Edit 15 10th August: added to Palestinian allies list and reworked the Help for Palestine section. There's been a racist harrassment campaign against the Palestinian Tumblrs that vetted the Gaza fundraisers based off one mistake made by a Gazan who doesn't understand English. If you're an ally, shut that shit down. Even if you donate to a scam GFM, you're only out some coffee money; if everyone stops donating to all the GFMs in fear of scams, those families die.

[amethystamaris]

New Developments Across My Creative co-Mind Castle

Dear Gems, Some exciting updates and developments across my creative universe. Here’s what’s new and where you can find more of my recent work: Wattpad: I’ve launched my Qualia Universe story on Wattpad under my spirit name, Misko’o Miigizi. Dive into this epic saga of interconnected realms and cosmic battles. Your support and feedback would be greatly appreciated as we embark on this…

[ohcorny]

In your view/experience. is the rate of "incompleteness" among webcomics more or less the nature of online personal projects as a whole? Or is there something specific to webcomics like laboriousness, audience expectations, relative medium infancy or whatnot?

well for one thing webcomics has changed significantly in the last ten years. it used to have a much lower barrier for entry, just get a smackjeeves account or set up a website with a wordpress plugin. starting a webcomic when i started my webcomic vs starting a webcomic now are totally different experiences.

so i can only speak to people who started their webcomics roughly ten years ago. and roughly ten years ago a lot of us were a whole lot younger with a lot more time and energy to spend on a comic for free. this part is probably still somewhat true for new artists.

but then you get older. your ideas change. your skill develops and the old stuff isn't as good. or you don't have as much time, you got a day job. unless you're one of like five people on earth your webcomic is not paying your rent. you need to make money. your shoulder hurts. you're 30 now. you're struggling to make updates on time between whatever else makes you happy and what else you need to do to live. you wrote this story when you were 21, you don't relate to it anymore, you have different ideas, you've grown up, your audience has noticeably dropped off from the peak, social media managing is hard, you have to go to work, you're so tired, all the time.

it's a lot of things.

[horrortalecomic]

The rest of Chapter 2, Aliza in Waterfall, will be released as a fully playable webgame instead of a comic in October. I understand this is quite different from past installments, but the truth is, Aliza's adventure actually comes to me much more clearly as a game for this chapter than a comic series. 

Chapter 2 of Book II has already been released to Patrons before I made this decision, and is very different from what the official story of Horrortale is to be. For $5 a month All of Chapter 2, Book II can be read here, along with a few more goodies about the upcoming game.

Amazingly, I have found the means to re-visit Horrortale as the game I had always envisioned it to be. You might remember what I mean; as in this popular mini web-game where Aliza ventures through Snowdin (you can try playing the flash game here) Most of my fans discovered me through that very webgame, and I feel it is time to re-attempt and answer the many, many calls to release another chapter in this medium.

As I busily work on this webgame, a future update will be released September 1st. I aim to complete this project completely by the month of October. 

I cannot thank you all enough for your interest and patience in the telling of this story. I am very aware of the wait in store for you after such a brief return. That is the way of truly independently-run passion projects created and released publicly by one person alone. Should the game fail, please know that I will absolutely return to telling the story in comic form ASAP.

Another big thank-you for your patience on this wild ride!

--

Commissions are closed. Read the rules here

The SAS pin is available! Buy it on Etsy

Navigate the comic on DA here.

New? View the first page here.

Read the FAQ here.

Read the archives here

Patrons have access to more in-depth updates and have questions answered ($1) as well as screenshots/details on this upcoming game ($5).

[paleopinesofficial]

An important update to our Paleo Pines Community🦖💙😞

Transcript Below;

Paleo Pines Needs Your Help

A lot of you have been asking what’s next for Paleo Pines and we wanted to provide our community with an update on the challenges we are facing. The sad truth is, the future is uncertain. 

For the better part of this year we’ve been working behind the scenes to create a plan for the next iteration of Paleo Pines, filled with stunning new regions, quirky new NPCs, plenty more adorable dinosaurs, plus eggs, babies and - yes - multiplayer. The job after launch seemed simple - listen to our community, provide a roadmap full of updates and DLC to ensure that our players can continue to enjoy the existing world… and double-down on that enjoyment with the plan for bigger, better, shinier Paleo Pines for you to enjoy with friends and family.

We've been searching high and low for a production partner, one that felt your love and passion to help us bring the next Paleo Pines to life. On several occasions in our journey, we were within a few small steps of the finish line, only to have circumstances beyond our control cause the future to fall through.

This isn't happening just to us. It seems the whole indie game scene is facing a sudden drying up of publishing and investment opportunities. Thanks to the unwavering dedication of our small team and the massive love from all of you, we've been able to support the first year of Paleo Pines on a shoestring budget. 

We’ve managed to keep the lights on… until now. Unless we can find a partner who is keen to see the Paleo Pines universe grow, we won’t be able to keep our team together for much longer. 

So, we’re making our situation public. Here's how you can help:

Do you know a publisher/investor who would be a great partner for Paleo Pines 2? If you're a serious publisher or investor and are interested in seeing a production plan, financial model, game design document and more, please reach out to kevin@italicpig.com. (By the way, Paleo Pines isn’t the only property we’re working on... Our talented team has a diverse collection of small, medium and large scale projects, for PC, console and mobile. If you’re looking for something fun and a little bit different, get in here.)

Can you help in smaller ways? Every little bit helps! Here are a few ways you can directly support the devs:

Have you got our DLC yet? We've just released our very first Halloween DLCs – a great way to support us while getting more gameplay for yourself.

Still playing the demo? Are we on your Wishlist? Please consider buying the full game today, or in the next sale. We promise it'll bring you hours of dino-tastic joy! 

Befriend a Paleo Pines plushie. These adorable creatures aren't just cute, our portion of the sales goes towards development. Our latest, Boo, the albino Styracosaurus, is available now. Our previous plushies helped fund our new Halloween DLCs and free update.

Order Paleo Pines merchandise. We’ve got dozens of fun items celebrating your favourite dinos available in time for gifting this year.

Even if you can't offer financial support, you can still be a hero! Share this post with anyone who might be interested in helping. Wishlist us, buy the game, talk about how it makes you feel, and share share share. The power of community is real, and every share brings us closer to making more Paleo Pines!

The team here can't express enough gratitude to the incredible Paleo Pines community. You've been with us through every step of this amazing journey, from the demo launch to the release last September, and through our adorable plushie collaborations with Makeship. You've become more than players and we couldn't have imagined building this world with a kinder, more supportive group.

Thank you from the bottom of our hearts for supporting us on this roller coaster of a year since launch, and your patience and understanding with our current situation. Hopefully with your help, this won’t be the end of the Paleo Pines adventure.

Lots of love, The Paleo Pines Team

[supremeat]

PANELLO - GOLD

Transforming Spaces: The Versatility of Slat Wall Panels, MDF Panels, and Wall Profiles

In contemporary interior design, versatility and functionality are key. This is where innovative materials like slat wall panels, MDF panels, and wall profiles come into play. These elements not only enhance the aesthetic appeal of a space but also offer practical solutions for organization and customization.

Slat Wall Panels: A Modern Solution for Display and Storage

Slat wall panels are an excellent choice for both residential and commercial spaces. Their design consists of horizontal slats mounted on a wall, which allows for the easy attachment of various accessories such as shelves, hooks, and baskets. This modular approach provides a customizable storage solution that can be adapted to fit different needs. Retailers and homeowners alike appreciate slat wall panels for their ability to create organized, visually appealing displays. They are particularly popular in retail environments for showcasing products, but their use is expanding into home decor, garages, and office spaces.

MDF Panels: A Blend of Functionality and Elegance

Medium-Density Fiberboard (MDF) panels are a staple in modern interior design due to their versatility and smooth finish. Made from wood fibers and resin, MDF panels are engineered to provide a stable, durable surface that can be easily cut, shaped, and painted. This makes them ideal for a wide range of applications, from cabinetry and wall panels to intricate moldings and custom furniture. Their smooth texture allows for a high-quality finish, making MDF panels a preferred choice for projects that demand a polished look.

Wall Profiles: Enhancing Architectural Elements

Wall profiles are essential for adding finishing touches and architectural details to a space. These profiles come in various shapes and sizes, including cornices, architraves, and skirting boards. They serve both decorative and functional purposes, framing windows and doors, covering joints between walls and ceilings, and adding character to otherwise plain surfaces. Wall profiles can be made from materials like MDF, polyurethane, or plaster, each offering unique benefits in terms of durability and ease of installation.

Conclusion: Combining Style and Function

Incorporating slat wall panels, MDF panels, and wall profiles into your design strategy can significantly elevate the look and functionality of any space. Slat wall panels offer flexible storage and display options, MDF panels provide a versatile and high-quality surface for various applications, and wall profiles add refined details that enhance the overall aesthetic. Together, these elements create a cohesive and stylish environment that meets both practical and design needs.

Whether you're revamping a retail space, updating your home decor, or designing an office, these materials offer numerous possibilities for customization and innovation. Embrace their potential to transform your surroundings with elegance and efficiency.

[critrolestats]

New Blood, Old Regards

Thanks to @eyeofthenewt1 for this art piece!

Greetings! Although the Stats Team is still in a state of retirement, we’ve periodically updated several of our Campaign 3 Running Stats categories and galleries thanks to the efforts of a new team of data collectors. This team, consisting of Archivists Astral, Ethereal, Fey, and Shadow, have been preparing since the beginning of the year to launch their own site, and that day has come! With that, we’re pleased to present:

The Omen Archive

Although they have been providing CritRoleStats updates for our Campaign 3 records, their site will be its own thing with its own tools, toys, and focuses, such as graphics derived from their own databases of data. Please visit them at their website, reach out to them, and check them out on their various social media pages:

Website: https://www.omenarchive.com/

Twitter/X: https://twitter.com/omenarchive

Bluesky: https://bsky.app/profile/omenarchive.bsky.social

Instagram: https://www.instagram.com/omen_archive/

Tumblr: https://omenarchive.tumblr.com/ ( @omenarchive )

CritRoleStats will continue to update our databases and running stats pages with the data we receive from the Omen Archive until the end of the campaign, so that anyone from academics to casual fans have access to a complete catalogue of three campaigns worth of data. After that, our site will be completely (accessibly) archived, and our legacy will be carried on entirely by projects like the Omen Archive.

Thanks Are In Order

Outside of our final livecast, we realize we went out without the proper thanks to the community members who helped us grow. We’d like to take this opportunity to give credit where we feel it’s due.

We’d like to thank the team at Critical Role for their support over the years, with special thanks to Dani Carr for both her wonderful spirit, tenacious work ethic, and the marvelous send-off she gave us.

We’d like to thank the creators in the community. Thank you to the artist community for letting us feature your wonderful talent to give vibrancy to the numbers and words we’ve filled. Thank you to the information gathering community, from the wiki workers to the meta analysts, for giving your time to help make Critical Role more accessible. Thank you to the academics for finding value we didn’t know we had in our work. Thank you to everyone who creates in this community, whether your medium is music, words, stats, or art; whether you share for a large audience or for the joy of your private home or table; whether you encourage others with high presence, or quietly inspire and support from the shadows. Your creation makes the world a more interesting place.

We’d like to thank both our patrons and our Ko-Fi supporters for allowing us to carry on for as long as we have, and to make sure our work can continue to reach those who want to be informed and inspired. Thank you to our regular visitors, as well; traffic is supportive in several ways!

Thank you to those who have been with us, whether it’s the very beginning, sometime in the middle, or even if you’re tuning in just now. Your patronage and your expression of value in our work has been a blessing. (Thanks for the 1d4.) We’d also like to thank everyone who has continued to visit the site in spite of the lack of regular content creation on our part, and are grateful that so many of you are still finding use in the previous campaigns’ worth of data, as well as the current one.

We love you all very much. Now, back to retirement!

[feminist-space]

"Artists have finally had enough with Meta’s predatory AI policies, but Meta’s loss is Cara’s gain. An artist-run, anti-AI social platform, Cara has grown from 40,000 to 650,000 users within the last week, catapulting it to the top of the App Store charts.

Instagram is a necessity for many artists, who use the platform to promote their work and solicit paying clients. But Meta is using public posts to train its generative AI systems, and only European users can opt out, since they’re protected by GDPR laws. Generative AI has become so front-and-center on Meta’s apps that artists reached their breaking point.

“When you put [AI] so much in their face, and then give them the option to opt out, but then increase the friction to opt out… I think that increases their anger level — like, okay now I’ve really had enough,” Jingna Zhang, a renowned photographer and founder of Cara, told TechCrunch.

Cara, which has both a web and mobile app, is like a combination of Instagram and X, but built specifically for artists. On your profile, you can host a portfolio of work, but you can also post updates to your feed like any other microblogging site.

Zhang is perfectly positioned to helm an artist-centric social network, where they can post without the risk of becoming part of a training dataset for AI. Zhang has fought on behalf of artists, recently winning an appeal in a Luxembourg court over a painter who copied one of her photographs, which she shot for Harper’s Bazaar Vietnam.

“Using a different medium was irrelevant. My work being ‘available online’ was irrelevant. Consent was necessary,” Zhang wrote on X.

Zhang and three other artists are also suing Google for allegedly using their copyrighted work to train Imagen, an AI image generator. She’s also a plaintiff in a similar lawsuit against Stability AI, Midjourney, DeviantArt and Runway AI.

“Words can’t describe how dehumanizing it is to see my name used 20,000+ times in MidJourney,” she wrote in an Instagram post. “My life’s work and who I am—reduced to meaningless fodder for a commercial image slot machine.”

Artists are so resistant to AI because the training data behind many of these image generators includes their work without their consent. These models amass such a large swath of artwork by scraping the internet for images, without regard for whether or not those images are copyrighted. It’s a slap in the face for artists – not only are their jobs endangered by AI, but that same AI is often powered by their work.

“When it comes to art, unfortunately, we just come from a fundamentally different perspective and point of view, because on the tech side, you have this strong history of open source, and people are just thinking like, well, you put it out there, so it’s for people to use,” Zhang said. “For artists, it’s a part of our selves and our identity. I would not want my best friend to make a manipulation of my work without asking me. There’s a nuance to how we see things, but I don’t think people understand that the art we do is not a product.”

This commitment to protecting artists from copyright infringement extends to Cara, which partners with the University of Chicago’s Glaze project. By using Glaze, artists who manually apply Glaze to their work on Cara have an added layer of protection against being scraped for AI.

Other projects have also stepped up to defend artists. Spawning AI, an artist-led company, has created an API that allows artists to remove their work from popular datasets. But that opt-out only works if the companies that use those datasets honor artists’ requests. So far, HuggingFace and Stability have agreed to respect Spawning’s Do Not Train registry, but artists’ work cannot be retroactively removed from models that have already been trained.

“I think there is this clash between backgrounds and expectations on what we put on the internet,” Zhang said. “For artists, we want to share our work with the world. We put it online, and we don’t charge people to view this piece of work, but it doesn’t mean that we give up our copyright, or any ownership of our work.”"

Read the rest of the article here:

https://techcrunch.com/2024/06/06/a-social-app-for-creatives-cara-grew-from-40k-to-650k-users-in-a-week-because-artists-are-fed-up-with-metas-ai-policies/

[olomaya]

More Activities Activity Table

Eat, Play, Learn! Family Fun for Everyone!

2-Sep Update: Thank you @jeebeehey for the French translation. Please redownload if you'd like them.

Updated for redownload (27 July):

Fixed an issue where the interaction cancels out if a toddler doesn't like the food. Thanks to @zemyna for catching!

Added the non-English stbls. Sorry, I swear I'm not one of those Anglophones that thinks English is the only language (I actually speak 3!), it's just a small step in the upload process that's easy to forget.

This is the final part of my little Kids and Toddlers mod series. It's meant to complement the Coloring Book and the Toddler foods mods so you will need those for this.

When I started this, I didn't think through how many new animations or custom details it would entail and I as continued, I kept having to add more and more. There are like 60 animations and 40 image assets 😭 hence why the two main files are so large for a mod.

What I've done is added more activities to the Activity Table after years of being annoyed that the Activity Table we have in TS3, despite being the EXACT SAME table from TS2, does not in fact allow your Sims to draw on it. EA, so lazy!

Anyway, what this does is add 4 new interactions to the Activity Table: Coloring, Arts & Crafts, Puzzles and the ability to serve toddlers food so they can eat there.

The activities are for toddlers and kids only but Teens+ can join in the puzzles if it's already been started by a toddler or child.

Note this will work with any of the Activity Tables in the game or Store but the puzzle will look weird as it's placed in the same spot as where the blocks are. You can use it with custom/cc activity tables provided only the mesh has been edited (for example, if slots are changed or removed, it may not work).

Credits/Thanks: The glue bottle, crayon, CAS paint items and one of the arts and crafts image assets are from @aroundthesims. Thanks as always to Sandy for her generosity and creativity in making Sims content! I originally only wanted to add the option to color/draw but this set of hers inspired me to add in more features. (hmm, maybe I shouldn't be thanking you then considering what a pain that was 🤔😅) All other objects and images are from TS4. Custom animations are by me using TS4 and TS3 as bases.

All buyable objects (table, crayons, puzzles) can be found in Kids Room/Toys.

Check out my other mods in the Kids and Toddlers series: Coloring Book for Kids, Toddler Bed, Toddler Foods and Snacks.

If you run into any issues (and YOU'VE READ THROUGH THE INSTRUCTIONS) please let me know!

Please read below the cut for all the details on features and how to play.

Download here | Alternate Link: SFS

Coloring: Toddlers and Kids can color if there is a crayon box on the lot. Just like using a coloring book, coloring a picture will take up one crayon. Coloring increases painting skill for both. When completed, the final project will be in their inventory.

Arts & Crafts: Toddlers and Kids can do an arts and craft project. Not additional object is needed. They go pretty crazy with the glitter and glue so it can be dirty stuff if they don't have the neat trait. This activity decreases their hygiene and they will get covered in glitter paint when done. Similar to coloring, when completed, the final project will go in their inventory and they get painting skill while playing.

Puzzles: You need to buy a puzzle box and have it on your lot to do puzzles. There are two puzzle boxes but they do the same thing. And they stack! (I love stackable things) There are 3 puzzle types: Easy, medium and Hard. Toddlers can only do Easy puzzles. Children can do either easy, medium or Hard puzzles depending on their Logic skill (for Hard, logic needs to be 3 or higher). The puzzle difficulty will also determine how long it takes to complete the puzzle. Teens+ can help with puzzles but they can't start a puzzle on their own. Toddlers can kids can start a puzzle on their own or help another Sim with a puzzle. Puzzles increase Logic skill for all those playing it but will increase faster for whoever starts the puzzle. If a puzzle is completed, everyone who helped put it together will get bonus skill points. If there is already a puzzle on the table, there is no option to start another, you can only help with the current puzzle. There are different puzzle images (15 in total) but there's no difference between them. The only thing that matters is puzzle difficulty. If the Sim who started the puzzle stops for whatever reason (you or the game cancels the interaction), everyone else helping will stop as well.

Eating: Children+ can serve toddlers meals or snacks. It works the same as my Toddler Foods and Snacks mod. They will place the tray/bowl on the activity table and then call the toddler to eat. If the toddler is hungry, they will go over and start eating. Otherwise, they can always eat it later.

Known Issues:

Animations aren't perfect (but what in life is?) so there's some clipping, especially on the toddlers when they kneel.

The comically large puzzle piece accessory jumps around a little and sits kind of weird in the toddler's hand. I suspect this is because the game is using the adult version of the object animation. I've noted it for fixing whenever I do a second pass on the mod.

The food tray is upside down. Setting object rotation in-game messes up the routing for the table so I'm leaving it as is as it doesn't really bother me.

If there is a food tray or bowl on the table, you shouldn't be able to do anything else there because that slot/part is being used but I had this happen once where my tester child started coloring there. It didn't happen again but if it does happen in your game, simply cancel out the interaction and route them to another part of the table.

The puzzle leaves a shadow even when it's pile form because the shadow mesh is there but you only see it until the geostate changes.

This is not an issue but the alternate material states for objects are only available in high so if you play with graphic settings for objects on medium or low, you're going to see the default image for the puzzles or pictures.

Tagging for reblogs: @kpccfinds @katsujiiccfinds @pis3update

[midnighvtm4ss]

CRIMSON TRAILS

Summary: In 1898, with the age of outlaws drawing near the end, and the law ready to tear down the last remaining gangs, a mysterious runaway girl, alone and struggling to survive in the ever changing industrialized world, is rescued by the notorious Van Der Linde gang.

Under their protection she must navigate the dangerous life of the outlaw in the dying west, figuring out where her place and her loyalties lie. As the gang begins to crumble under the weight of their crimes, struggling to find their sense of freedom in this new civilized era, she finds herself, by some twist of fate, relying on a certain outlaw to survive as the two are faced with two choices: continue down to a path of revenge and destruction or break the cycle and fight for their redemption.

OR

A story in which John teaches you how to shoot and you aim straight for his heart.

cw: slow burn, enemies to lovers, angst, hurt/comfort, fluff, tension, canon-typical violence, mentions of past abuse, no use of y/n, suggestive themes, smut, medium honor john marston, canon compliant, pre-canon, canon, fix-it, slight reader x charles (‘cause i love him so) more tags to be added

a/n: here we goo, a story about our beloved Rip Van Winkle !! this is a project I had in mind for quite some months but always shied away from it. This story will be quite long so brace yourselves it’s gonna be a long ride. I’ll try not to let too much time pass between each update but keep in mind i’m a uni student so it might take some time for certain heavy chapters. Let me know what you think !! and if I should make a taglist. This story will also be published on my ao3

Chapter 1: Running Gun | AO3 link

During a supply run in a nearby town you find yourself ambushed by a group of ruthless bounty hunters. Wounded and desperate you flee, finding refuge in an abandoned cabin, only to find yourself face to face with two outlaws. As your injury worsens you're left with a life or death decision: can you trust these wary men to help you, or will they be your downfall?

[catskets]

From Desires to Demo: How to Write a Good Demo for your Visual Novel

I'm deciding I want to expand on some topics in longer, fuller-length posts based on points I made in this general VN development post.

There is a problem that players have expressed to me about visual novel demos, especially in horror/romance/yandere circles these days: they are not demos at all. Rather, they feel like introductions to the characters and the setting, and nothing happens at all. No one wants to have to go find out everything good about your game by going to your Tumblr and going through 10+ months of asks to get themselves hyped up for your game. Most people are not going to do that. They will instead play your demo and go "this isn't enough for me to come back to" and never think about it again.

How, then, do you get people playing your demo and being excited for the full game? This is my personal guide on how to make a compelling visual novel demo.

In case you've never heard of me, I'm Kat, also known as catsket. I have a Bachelor of Fine Arts in Game Design. I've been making games for nearly 5 years, and I've been doing visual novels more "professionally" for 2. You may know me for Art Without Blood, 10:16, God is in the Radio, or Fatal Focus. I'm here to help you make your first visual novel, or, perhaps, improve on what you've already made.

What is the purpose of a demo?

A demo is short or a demonstration. Your job is to demonstrate a portion of your game to players. In more "traditional" games, a demo typically takes place in a very tightly-constricted space that is meant to show off how the game feels. Maybe this is the first few levels of a platformer that showcases the general atmosphere and gameplay of the game.

We aren't making action and adventure games in explorable spaces. We are making visual novels. Most visual novel demos just showcase a small portion of the game, maybe the first few scenes.

What your demo should have is this:

A general vibe for your game. You're writing a psychological horror game. Give me a taste of that! Show me a bit of the gore, a bit of the horror.

A sense of urgency. A lot of demos I've played and discarded have been discarded because the game itself does not give me a motivation

An established plot. What is going to happen in the future? Why am I in this world?

In general, think of your game as the back cover of a book. That's where the hook that draws you in to read it. Just give me a proper taste of your game!

There are cases in traditional games where things are hidden from the player in demos (let's all remember MGS2) and where things are changed in from the demo to the final product. That's perfectly okay! You are not obligated to update your demo unless you find gamebreaking bugs and other issues. If things change from the demo to the final product, let your players be surprised and intrigued by these changes!

I can make this a list of do's and don'ts:

Before writing your demo...

Do: Outline, plan, and everything else.

Unless you're blessed by Mnemosyne herself, you need to outline where your story is going to go.

When starting a project, I write a 1-2 page document that has this information:

Name of the game

The target audience

The genre and moods

A paragraph summary of the game

1-2 sentences describing main characters and their roles

Write a short scene that captures the essence of the game

Write a basic outline. You don't need to fit everything in and outline it all, but give yourself an idea. A beginning, a middle, a climax, and an end. Some people just write the start and the finish, and then the middle gets all muddled and convoluted.

While writing your demo....

Do: Make it clear how the choices will impact the game

Visual novels are a medium where player choices affect the game. Make sure those choices actually matter. They don't all have to, of course. They might matter later in the game, but you should at least try to write an example of how a choice may matter.

For example, in Art Without Blood's new demo, certain choices mean you meet the characters in a different order and experience different sides of them.

Having a certain amount of a sanity stat will cause characters to give you some flavor text.

Here's a very simple idea: if you're running your game on a "love points" or other points system, you can make it so if player gets 10 points with love interest, get a different scene. It shows that your choices are impactful. Just let players have a taste of the consequences of their actions.

Don't: Character dump.

Many demos I have played were just character dumps. This means using the demo just to introduce to us the characters but not giving them room to truly show their personalities or their attachments to the problem.

For example, I played a game recently that had the player complaining about their living situation, showing us the characters in the same living complex, showed off the yandere, and then had the player deal with an annoying, evil boss. That sounds like lots of games, right? And that doesn't sound very fun, does it?

Do: Ground the player in the world

Try to immerse your player character in your world. I want to read like I'm part of it. What is our purpose? If we are a stranger, how can you immerse us in a world so far removed from ours?

Do it slowly, and do it with necessity. You don't necessarily want an exposition dump either.

Establish the world, establish the conflict, establish why they got into this conflict, and leave us off with a reason to come back.

Don't: Make your players have to visit other sites to get important information

Your ask blogs or other social medias should contain supplemental material that keeps players engaged, but it should not be a place where you should go "well, actually, in the demo, x y and z should have happened but it didn't."

Try not to spoil your game on your socials. What's the point of playing if I can just read it all on your blog?

I should learn about the plot and the characters from the game itself. I should not have to get a sense from your blog about a character because they were so dry in the demo.

Obviously, this isn't to say you need to include everything about a character in your demo. But we need to get a sense of personality. I shouldn't have to go to Tumblr to find that personality.

Do: Ask for help

Making a game on your own, especially for the first time, is scary. It's okay to ask for help. It's okay to get people to help you out with parts you aren't so familiar with. It doesn't make you any less of a developer. A lot of people need some degree of help. There is nothing wrong with that.

Don't: Start your marketing until you know you can finish the demo

I've seen lots of demos that have been in the works for years. It can be disappointing for fans and demotivating for the developer to have an idea, tell the world, and then not see a demo for a long time. This is especially the case when money is involved, but it's still irresponsible to promise a product and never deliver it. Be honest about the status of projects and your life.

Do: Outline content warnings properly

It is up to the player to decide if they think they're capable and ready to play your game. Make sure to outline your content warnings. Cover the basics, and feel free to leave an extended warnings list in your game or on your game page for specifics.

Content warnings are usually things like blood/violence, profanity, sexual content, etc. Trigger warnings typically get into specific things, like suicide, dentists, or religious trauma. Think of content warnings like the ERSB.

Put a splash screen before the game starts that showcase the content warnings and a place to find trigger warnings.

Don't: Pull back punches with what your characters are capable of

It's fiction. It doesn't necessarily mean you support your characters being crazy stalkers. Know the audience you want to write for, and don't feel a need to cower. Let them be filthy. Let them get their hands deep into someone's chest cavity and rip a body apart.

What I'm trying to say is you really shouldn't tone down what you think your characters are capable of because you're afraid of making fans sad or upset because pookie isn't acting the way they thought pookie acted in their head. It's your character. You're commanding the story. You are choosing where it goes, not fans. Just because you have an audience doesn't mean you need to tone it down to be more palpable to others.

Once your demo is released...

Do: Keep a balance

Making games is very, very hard. And the world is very, very harsh. It is okay to let your fans know about delays or potential cancellations, such as through the devlogs on itch.io for your game, in your community spaces, or on your blog. Please be honest. If you do not think that, after a demo's release, you can continue on the project, make it clear that it has been cancelled or on hiatus.

People will be understanding. The world sucks, and it sucks the life out of us. People are more forgiving if you are honest with the status of your game, rather than leaving it in a perpetual limbo.

Don't: Think that the popularity of your demo constitutes how "good" your game is.

Your demo may not do well. That could be a number of factors. Maybe your marketing didn't hit where you think it should have. Maybe you posted it at the same time as another game. Not your fault. The full release may do better. Don't let the numbers be the reason you give up.

Do: Network!

Get to know fellow developers in the space so you can learn from one another and get more ideas for improving your own games.

Don't: Use developers.

Use a developer's resources. You should not be making friends with other devs if your desire is to try and become friends with big people. That's a parasocial relationship, buddy!

Do: Tell your fans the course of action

Do you have a development timeline set up? Writing multiple days? Give fans a general outline that you planned before writing your demo. It's okay to miss things as long as you're honest. But a timeline will help you hold accountability for yourself.

Don't: Charge for it.

I've seen at least 3 games take the "I'm going to charge for a demo" route in an effort to sway children from playing the game. This is going to sway everyone. Especially if players have not seen a complete + finished product from you, they will not be buying an unfinished game. There are other ways to hide your games from children, such as using itch.io's adult content filters and applying them to your projects.

Main takeaway: Be honest.

I say this a lot throughout this post, but it's because it pushes on a particular trend I see in beginner visual novel developers. There's this desire to create, but there is also the desire for fandom centered around what characters and world spawn from your creations. To maintain that fandom, you need to create. You need to be consistent. It may be harsh, but it's the reality.

Life is hard, and a large majority of us are NOT doing this for a living. Life will get in the way. It always has, it always will.

That's why it's good to practice integrity. Know yourself and your limits. Take steps back and be willing to be open + honest.

Fans won't be happy if you keep saying a game is delayed and show little to no work. Posting unrelated artwork and spending months answering Tumblr asks instead of making a game will eventually run you in the mud without anyone to enjoy what you have the potential to create.

Live up to your promises, and if you can't, be honest. Your community will support you as long as you're open.

[mapsontheweb]

Projected population growth rate for 2024, based on births, deaths, and migration.

How many people are alive today? How many are born; how many die? What do we expect populations to look like in the future? The United Nations updates its big dataset — the World Population Prospects — every two years to answer these questions. It just released its latest edition. These maps show the UN’s projected population growth rate for 2024 based on births, deaths, and migration flows. In the first map, you can see the world at a glance; in subsequent maps, you can view each continent. These projections are based on the UN’s “medium scenario”, in which assumptions about birth rates, death rates, and migration patterns are used to build a picture of demographic change over time. 🔗 Click the link in our bio to explore key findings from the UN’s 2024 World Population Prospects. Data source: World Population Prospects (2024)

by ourworldindata

[kwimii999]

Previous updates : #1 - #2 - #3 - #4

Previous polls : #1 - #2

First off, thank you for 700 followers ! I'm honestly flabbergasted and I'm very happy that I decided to become a sims 3 creator. Sharing content to you guys means a lot to me, and I'm happy to see people truly enjoy what I put out !

It's time for another update

Most of the progress for this update will be focused on the noses, eyes, lips compared to the update #4.

Note : I put the progress of the project in pourcentages on my pinned post, you can always come around and check it out !

Why haven't the heads gotten too much progress so far ?

This project is really overwhelming, if I were to focus on the headshapes flavors at the same time that I was doing the 3 other parts (Lips, Eyes, Noses), I'd be like dead or something. For that reason, I only focused on doing the basegame compatible headshapes for v.2, which is flavor 1 [Check update #4]. That's basically the base of every other flavor.

What will consist the bonus presets ?

Some EA presets that I don't think look bad and that I adjusted to fit the proportions of the replacements ! They will not be default but non-default, basically custom presets. The previews for those will be included on the download post itself.

Part 1 : Eyes FINAL V.2 (Including World Adventures Presets) Sims : Julius - Idoya

Release date : 10th June

EA's Presets

My Replacements - Changes : Changed certain eyes from their " surprised " look and " Are your eyes even open ? " look + Their sizes were slightly reduced + their shapes were changed + changed eyebrow shapes as much as I could (sometimes it looked odd on male sims, so I couldn't do too much) + changed the distance between the eyes for certain presets to add diversity mostly for the townies

Part 2 : Noses FINAL V.2 (Including World Adventures Presets) Sims : Owen - Mélissa

Release date : 11th June + bonus presets

EA's Presets

My Replacements - Changes : Adjusted the height of the nose + Added many nose shapes as much as I could not completly accurate but enough to be a base

General fact about presets : male noses are much more larger and female noses tend to be smaller, therefor, some of my replacements may appear larger on male sims but pretty average sized on female sims.

Part 3 : Lips FINAL V.2 (Including World Adventures Presets) Sims : Nikolai - Edna

Release date : 12th June + bonus presets

EA's Presets

My Replacements - Changes : removed the smile for certain lips presets + Opted for a more straighter look + changed the shapes [5 big, 5 medium, 5 thin + wa] the idea behind this division is for the townies generation

Last words

Sometimes when you look at something for too long, things start to look odd and that was the case with me and these presets.

I'd love to get feedback on all 3 parts for version 3 for what can be generally improved or if you think this is nice !

Overall I truly wanted to finish v.2 because I've been working on these for days non-stop and it's starting to become a chore which could prevent me from giving it my all :(

[iguessthisisanewobsession]

Danny is missing Project

Final senior semester Mr. Lancer has his class make a story that is told through any other medium but writing.

Danny, Tucker, Sam and Dash create an unreality/arg YouTube account under Dash’s name.

They start off with Dash recording blog like post of his life as a senior in a small town called amity park (minus all the ghost fights) for a final project.

Then the real project starts with a video titled “going through my freshmen yearbook”

Where he shares fond memories he has with everyone in his class. Until he stops and pauses at the photo of Danny before chuckling awkwardly and mentioning that he doesn’t actually remember this guy and stating that he’ll see if there’s a story he’s not remembering before moving on.

The video’s start taking a turn as he starts updating his confusion on Danny Fenton as he’s been asking around and everyone has adamantly responded that there has never been a kid in that town by that name.

The thing is that Dash has physical proof that Danny grew up with him and the others.

Dash keeps delving deeper and deeper bringing out old keepsakes like old recitals and photographs and places that showed proof of this mysterious Danny.

Eventually he makes a playlist simply titled ‘Danny is missing’.

The longer he post the more he realizes that Danny wasn’t just a person in town but seemingly very important in Dash’s life.

He starts sneakily recording conversations he has with other people when he brings up Danny.

Dash gets more paranoid and starts shutting himself in and focusing all of his energy into finding out who is Danny.

Starts theorizing when Danny went missing.

And of course in the background or darkness of the videos Danny’s doing his thing and fucking with the recording or just being creepy in general.

Eventually the story plays out as so:

Dash and Danny were childhood friends who used to play in forest that connected to the back of their properties.

Eventually they had a falling out due to Danny becoming friends with Tucker, who unlike Dash had both of his parent’s approval to hang out with the local ghost hunter’s kid.

Dash became Danny’s bully through their younger years before they reconciled and became friends again and eventually they fell in love.

Dash’s dad, who Dash thought was just a deadbeat, is a bigot, who eventually found out about the boys and proceeded to brutally beat both of them Bloody.

Danny succumbed to his injuries and Dash’s father was arrested.

It is revealed that Dash has retrograde amnesia due to the incident, all his memories that he has were post incident and everyone in town decided it was best for Dash not to know the real reason he was in the hospital and focus on recovering.

Afterwards, no one knew how to break the news to him so they just kept up the charade, there was never a Danny Fenton, so there was no need for Dash to go through any misplaced guilt or grief for someone he couldn’t even remember.

Everyone got so caught up in the lie that no one really took the time to actually grieve themselves. Going as far as Burring Danny in an unmarked grave under one of the trees in the forest.

The series ends on the implications that closure is important and that sometimes the things you do to protect someone can do more harm than good.

Dash’s character ends the series with his last update where he talks about going to a city near by and checking himself into medical facility for his own well being.

To say that Mr. Lancer was impressed is an understatement.