#poetic people
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venussleepwalking · 2 years ago
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it’s been 4 years. thought this belonged on here.. hehe. whoever sees this, hello <3
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nickcook · 9 months ago
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Seeing your face as I shut the door
Happy or sad either way
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It kills me every time I have to leave,
Because I know what it's like
To be left behind, to sit there
And feel so alone,
I don't like the idea of time together
Being nothing more than simple
Messages on the phone, accompanied
By quick little chats about nothing in particular
Yet here we are, I'm on the road,
Heading away from our home,
And it's dark out here,
Headlights and rain drops in front of me,
But that's not what I'm seeing.
In every light filled droplet,
I see a memory, and a possibility,
You see, in the future selflessness
Is a must, it's not about me,
It's all about us.
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sapphic-storm69 · 2 years ago
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Spiderverse thots
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worshippin · 1 month ago
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btw sam saying 'i choose to learn. i already have power' was one of THE greatest, most badass moments in dimension20 history and i will fight anyone who disagrees
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iliothermia · 20 days ago
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crustyfloor · 7 months ago
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I've been thinking a lot about dancing as a form of possession and keeping, when they dance, to us, it's a physical melody of two, an abstract form of intimacy, to them it's also a way to get a message across.
Dancing in the way that HyunA's is Luka's and only Luka's to have, dancing in the way that Till is Ivan's to want and keep close, dancing in the way that Sua and her memory is Mizi's to keep and hold for her eternity
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bestoftweets · 2 years ago
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morrithal · 9 months ago
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The thing about Wyll is that he Gets It. He knows the story. He knows the kind of man his father is and the kind of man he was supposed to be. He knew what Mizora was when he made the pact. He knew what it meant. And he was just a kid, and his city needed saving, so he did it, and he paid that price, and even knowing all of that he still tried to appeal to his father for understanding and forgiveness.
He sold his soul to do the right thing. And he was cast out. And he knew what character that should have made him.
He knows the story he's in, and every day he chooses who he wants to be instead.
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justabiteofspite · 3 months ago
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"Astarion doesn't do big romantic gestures."
My Durge still trying to get graveyard dirt out of her ass crack after being lovingly pounded into it by Astarion who wanted to share with her this deeply joyful and meaningful reclamation of himself after sharing a vulnerable declaration of his love, at this place he hasn't shown anyone else but her: "Then what the actual fuck was that???"
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teaboot · 1 month ago
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you're so like. inspiring. or i wish i could be inspired. you reblog that post with the blue critter and you're like "im glad i was born on this planet". how do i manage to get that mindset. how do i manage to not want the pain to stop at any cost and enjoy what's still possible to enjoy
It's my first time here and I'm never coming back
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cloverplover · 10 months ago
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walking is still honest // against me!
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jazforthesoul · 6 months ago
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every time someone reduces CAPTAIN !!! elizabeth "lizzie" lafayette down to "a sad lesbian" a fairy dies bc i shoot it with my gun. like you're telling me you were spoon-fed a character that has one of the most realistic and RAW representations of grief and perseverance in the series and all you got from that was "she's sad" ????
is she a constantly happy character? Fuck no! that's acknowledged!! but to take EVERYTHING that she is, which has positive and negative aspects THAT ARE BOTH SHOWN, to take the fact that she is THE DRIVING FORCE OF THE MAIN BACKGROUND PLOT, and reduce her down to NOTHING but her relationships?? ?what the hell!!!
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evilkitten3 · 6 months ago
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it would've been really funny if madara had just kept using words naruto didn't know and obito kept pausing to explain them to him, with the words getting more and more obscure each time and naruto starting to just automatically look to obito for help all while obito wonders if one or both of them is messing with him but they're genuinely dead serious
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inamindfarfaraway · 4 months ago
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I would find Blondie Lockes very annoying in real life, but I love her in fiction. She's a genuinely good journalist in terms of both skill and ethical integrity, who only occasionally forgets to check the facts because she's fifteen and holds herself accountable when she does. She has incredibly high standards for everything and believes herself to be the ultimate authority on quality. She has magical lockpicking powers because her fairytale is about Goldilocks breaking into a house. She somehow completely ignores the story's moral that Goldilocks was wrong to break into the house, feels entitled to go wherever and help herself to whatever she's able to and cannot comprehend why people dislike this. She's been terrorizing an anthropomorphic bear family with her cheerful disrespect for privacy and is convinced that they love her. She has a non-anthropomorphic pet baby bear. Her motivation is dependence on external approval rooted in deeply internalized classism. She's desperate to be useful and important to those with higher social status and feels the need to lie that her family is technically royalty to fit in with her royal friends, even though they treat commoners like equals all the time. She positions herself as a conduit of true greatness; closer to it than the masses, but never the hero, always reporting on other people and evaluating what they've done. Because what she's done isn't enough to be worthwhile. What she is isn't enough. But this performative lifestyle makes her anxious about being judged as a fraud and an interloper, and ashamed of selfishly transgressing against social norms. Her microphone head looks like an adorable little bear head. That's one hex of a character alright.
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c2-eh · 9 months ago
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no comment, the video speaks for itself
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rin-solo · 1 month ago
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This came to me earlier, and now I am utterly obsessed: While it was clear to me that Odysseus stabbing Poseidon wasn't any kind of Vengeance, there was one act of Vengeance after all, even if inadvertent—it was Odysseus disproving Poseidon's "Ruthlessness is mercy upon ourselves" belief right in front of his very eyes. With him as the subject, even.
Think about it—the fact that Poseidon remained ruthless and insisted on punishing Odysseus was the only reason he got stabbed repeatedly. If Poseidon had been merciful, if he had accepted Odysseus' offer of forgiveness, he would've been fine. His own ruthlessness backfired so hard on him this time that I am sincerely hoping it haunts him forever.
I am actually utterly obsessed with Poseidon thinking back to Odysseus "Maybe you could learn to forgive?" on a daily, no an hourly basis. I cannot and will not lie to you that is unironically my favorite moment in the whole Vengeance saga just because of what it says about both the characters—about Odysseus for offering and Poseidon for declining (and also because Odysseus sings it in Poseidon's own motif which is just absolutely brilliant.) And this makes me love it even more.
Poseidon was going to decline, we all know that. I don't think anyone watching—even Odysseus, probably—expected him to accept. But then I'm picturing him lying there, bleeding into the stone, and, against his will, wondering whether maybe he should have. Maybe if he had, he wouldn't be in pain. Maybe if he had not killed Odysseus' fleet ten years ago, he wouldn't be in pain either. Maybe this one time ruthlessness wasn't mercy upon himself—maybe this time, his one grand belief was wrong. Maybe ... it was always wrong.
Obviously, he would never admit to these thoughts, he would slap himself for having them one second later. But I simply need this self-proclaimed god of ruthlessness to be utterly haunted by that and question whether he made the right choice or no—whether he's even lived by the correct philosophy all his immortal life—and no matter what, be too stubborn to admit he was wrong.
He's trying to pretend like nothing changed, but the thoughts still remain. They pester him. They won't leave him alone. Especially every time someone—anyone—is kind to him for whatever reason, they come crashing back into him and they won't leave.
"What if my own ruthlessness hurt me that time?"
"What if ruthlessness isn't mercy upon ourselves after all?"
"What if I'm wrong?"
"What if I have always been wrong?"
The most dreadful thoughts imaginable to a god as proud and stubborn and old as Poseidon, but they're there now and he can't do anything about them. You all don't understand how much I NEED this god to jolt up in his bed at 3 am after having a dream or nightmare about something related to one of his many ruthless deeds (maybe even sinking Odysseus' fleet) and go "BUT WHAT IF I HAD LEARNED TO FORGIVE?? WHAT IF I STILL COULD??" only to immediately slap himself for it because that's absolutely ridiculous.
He is left to watch this belief shatter before his very eyes as he's clinging to the remains of it desperately, trying to keep it all from crumbling. Not because he genuinely believes he's right anymore, but because he simply cannot imagine ... does not know how to live by any other philosophy.
No matter whether it's objectively correct or not, it's the very thing that defines him. The thing he's known for. He has built his entire image around this, he cannot give it up no matter what ... at least not quickly or without help.
But as much he would seek to deny it, his core belief has now been proven wrong; he has actually lived through an instance where it was wrong, and he can do nothing to erase those memories or conclusions from his mind no matter how much he yearns to go back to simpler times.
And that was the real Vengeance, guys—possibly the biggest, most painful existential crisis of Poseidon's immortal life. I rest my case.
Although before I disappear back into the void I simply must give a shout out to @o3o-lapd-o3o (this came to me during a conversation in one of their comment sections for the glorious Friends In Higher Places AU, which is quite possibly my favorite piece of EPIC fan content that exists ...)
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