#perhaps I'll post it here

[theyellowobsessedwriter]

Me, sitting in front of my pc: Alright, gotta crack a very angsty dialogue for my lowkey dark and soon-to-be-smutty Azutara fic!

Brain: Ok, but what if you started writing this wholesome and kinda fluffy teashop AU, like, rn?

Me: ...

[clover-mouse]

drew up a pretty quick design for a harengon swarmkeeper ranger/rogue for a oneshot i'm playing this weekend ♡ their name is fennel and they go by fenn (they think it sounds much cooler)

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[acekindaneat]

Day 2: Animals/Field trip!

Bro used his flip phone to take that picture.

clearer version:

[jet-teeth]

A bit late, but I hope that those who celebrate Halloween had a good time! Have some goofy goobers

(I sure had fun, it's the first time I hadn't celebrated that one alone in...many years, I don't think I want to count LOL) It's been over a decade since I carved any pumpkins too, so that was fun to do again! Ofc I had to attempt a Creature hehe

[peachypine]

the roomies!!! i originally designed this ososan oc trio in full about a year ago to write on an rp blog. it's not really active rn, but i still want to talk and post about 'em, so here they are! just basic rundowns, but i'd be curious to hear which one (if any) is your fav of the three (feel free to leave it in the tags?? if u want!)

bonus transparent of them all together:

aaand some rambling under the cut about their designs

anzu:

i wanted to use orange as a character colour bc it's one that wasn't already used in the matsu rainbow, and i had a concept of a gyaru character named anzu kicking around in my head for a long time as well, so here we are. miwa from the mixer ep inspired the eyeshadow (orange rather than miwa's blue obv, to keep with her colour theme) and delinquent totoko's design inspired her ombre dyejob! i went with a blonde-to-orange look as a nod to anzu's namesake fruit (apricot).

the strands framing her face are split into 3 sections at the end (2/3 are grouped together and 1/3 flips in the other direction) which is a little nod to her being one of 3 siblings (eldest), as well as the "三" character used in her surname (mikado) meaning 3. the rest of her hairstyle is just because i thought it looked cute, though.

ososan's style is more simplified, but i wanted to convey makeup that was a little bold, but cute (long false lashes, eyeshadow, & and a soft pink or nude glossy lip). clothing-wise, she mixes and matches a few different substyles (agejo and onee are prominent, with some ane, tsuyome, and general old school gal influences as well?), with a particular fondness for animal prints, esp. tiger print. (that said, orange tiger print doesn't seem all that common in gyaru clothes, so in-universe i like to think that the top pictured above was originally a black-and-white zebra(?) stripe print she thrifted and dyed at home--close enough!)

her nails day to day are usually medium length since she has a lot of hobbies that involve her hands and anything longer makes those things a bit more cumbersome. sometimes they're decoden/bedazzled, sometimes they're just painted a cute colour/pattern, depends on the day! and i think she opts for press-ons over extensions for longer nails, since it's cheaper.

ran:

i'm just a bitch who loves purple, that's the reason for this one. i think the hime cut with shorter bangs is nice because you can showcase the eyebrows (i think eyebrows can really elevate a character design so i gave all 3 their own brow shape) without worrying about the lines for the eyebrows and bangs intersecting in an annoying way when you draw it. i like shorter, slightly sharp eyebrows like these because they're easy to draw, lol. i think they're usually furrowed like she's displeased with something, but that may just be her resting face. i also thought this blunter, sharper-looking cut (bold, standoffish) was a fun contrast to anzu's flippy half-updo (bright, bouncy) and yuzu's short, wavy hair (languid, relaxed).

5 piercings on each ear (2 spiked helix & 3 lobe) = 5 siblings including ran (4 older brothers). the other reason for this number of piercings was that her namesake flower (orchid) had--i thought--5 petals, but as it turns out i'm a fool, it's actually 3 petals (including the lip) and 3 sepals??? ah, well.

clothing-wise, influences from various punk/vkei styles alongside some rokku gyaru. (maybe anzu introduced her to this one?) this brash style is the total inverse of how she was expected to dress growing up. (when she and anzu first met, she was an OL with no piercings, undyed hair, and positively miserable, but that was a number of years ago now.) i'm really not reinventing the wheel with "small and angry", but y'know, we have fun here.

yuzu:

is teal distinct enough from blue to count as its own colour? i think so. for yuzu, i really loved the concept of a deadpan-looking character who is very much not the straightman, who in fact wants very badly to be the funnyman 99% of the time. that kind of straight-faced but silly comedic character is always really fun to me.

half-lidded/heavy-lidded eyes paired with thick brows are always a winner to me fsr, and i wanted to give her a more "handsome" looking face with a bit more of a defined jaw than you typically see on women in ososan. as a treat. i wanted her to look a bit like a mysterious prettyboy, but she's not actually mysterious, she's just a space cadet. (and very straightforward about her thoughts and feelings, saying them with little fuss or thought.) expectation vs reality, people deciding what you're like based on their own perception vs what you're actually like, etc. etc.

i don't have anything deep to say about her hairstyle, but maybe that's how yuzu would like it, what you see is what you get. (again, eyebrows vs hair... let that eyebrow scar that i gave her for no reason shine.) as for clothing, she prefers things that are easy to move around in, so her style is the most "matsuno"-like (t-shirts, hoodies, basketball shorts, sweats, etc.). in particular, she likes shirts with phrases, usually in english, that are funny or almost make sense but not quite ("for background visual gags" and "for the english speakers in the audience").

[unproduciblesmackdown]

the interlude in rotk of frodo exerting all effort against the strains of woodwinds to drag himself a meter or so further up mount doom

[cd-spoida]

I offer you a glitchy world Sun and DjPumpkinMan to start this spooky month off

.

.

.

Below is just two other version of the sun drawing- I couldn't pick which version I liked more so might well just throw all of em here

[orphiclovers]

I've been wondering how 1863rd Han Sooyoung got the modifier of 'Director of the False Last Act' and I had a HORRIBLE thought.

So we know that Kim Dokja got his modifier after being killed as the 73rd demon king and that the nickname directly references this event/story (as theoretically all other constellation names do), AS WELL as being broadly true to his whole characterization (Someone who saves, but is a 'demon' - 'Kim Dokja's salvation was cruel. Like rescuing a drowning person with a blade, those saved by him were inflicted an unhealable wound' etc etc.)

The previous is ALSO related to the whole Star Stream concept of a Constellation's stories repeating again and again in an endless loop. ('The effects of the ⸢Stage Transformation⸥ were absolute. The history of defeat would only go on to create yet another history of defeat.' is a phrase that appears multiple times. Also, the whole of Gigantomachia arc. also also regression. this is a huge throughline in orv.)

So a Modifier has to be: 1. referencing one event. 2. true for the constellation broadly 3. a sort of 'reprise' of the first event has to happen.

The second point, being a 'Director of the False Last Act' is true for 1863rd Han Sooyoung in a very obvious way. She, 'the director', took her world to the 99th scenario, the 'last act', but planned to put it in permenant stasis, in that way making it 'false'.

BUT, at this point she already had this modifier, meaning this is a 'reprise' of a previous event that must have happened. And that lead me to thinking. What if she got it the exact same way Kim Dokja did?

As in, she was the 73rd demon king.

Similarities between Kim Dokja and 1863 Han Sooyoung are deliberately drawn: same white coat, same sword, both leaders of their similarly named companies, both constellations - they both went about the scenarios in a similar way and some of the same events and scenarios happened. (For example, Kaizenix, existed exclusively in 1863rd and 1864th rounds.)

And the modifier of 'Director of the False Last Act' fits perfectly with the 73rd demon king scenario.

Kim Dokja and Yoo Joonghyuk both individually get awful premonitions that one of them might have to die in the next scenario. And if even they got this vibe, Han Sooyoung with 'Predictive Plagiarism' definitely did too. Like Kim Dokja, she would have prepared her companions to fight the demon king, perhaps knowing she would become it. 'The Director' deciding how the story will go.

And the 73rd Demon King sceanario is a 'last act' of sorts. 'Defeat the Demon King, the final boss at the top of the castle' and escape the Seoul Dome. It is known as 'the end of the prologue' for a reason.

But she, of course, figured out a way to survive, to hack the system, as Kim Dokja did. Maybe said to her companions something along the lines of "I don't know why you're so serious. Have you forgotten who I am? I am Han Sooyoung. I won't die even when killed."

As a plagiarist writer who has escaped and found a way through all the tough scenarios up to this point. It was not 'the Last Act' where the leader sacrifices herself for her companions, despite that being the story she had constructed for the constellations.

Ergo, 'Director of the False Last Act.'

[suddencolds]

insatiable appetite [1/?]

sooo... this is one of the thirstiest things i have written—and also one of the only times i've written a character with the kink, ever T.T warnings in advance for mess, character getting sneezed on, implied contagion, possible ooc-ness, & me writing this entirely with my d instead of my head

ivan and till are from al//ien sta//ge (a very fun watch which will only take 30 mins out of your life; i really recommend it!!). that said, this fic takes place in a modern au setting, so feel free to read it without any prior context :)

special thanks to @6pmsoup for sending me a very cute alnst doodle of these two which altered my brain chemistry permanently

—

Summary: Till shows up to a dinner outing with a brewing cold. Ivan suffers. (est. relationship, kink!Ivan, ~2k words)

—

For all Till tries to hide it, Ivan can tell immediately.

There’s this: Ivan has been paying attention to Till for most of his life. A full decade before they’d gotten together officially, and some more—this is how long Ivan has had to observe his tells. Always from the sidelines, always with a detached air of indifference that, in reality, was anything but.

All the signs are there the night before. Till, turning up the thermostat a couple degrees higher than he usually keeps it. Spending a little too long in the shower and using up almost all of the hot water. Clearing his throat one too many times in the morning before Ivan leaves for work, his smile distracted, the rasp of his voice nearly indistinguishable—but only nearly.

Now, Till is here for dinner—it’s a dinner they’ve had plans for a couple weeks now, at one of the nicer restaurants downtown, in celebration of Till’s recent promotion. Ivan had booked the reservation a couple weeks in advance.

When Till arrives, stepping out of a taxi cab, he’s wearing a scarf, even though the weather is too warm for it. Ivan steps up to meet him. 

“Sorry I’m late,” Till says. “Traffic here was the worst I’ve ever seen it, swear to god.”

“Was it cold outside today?” Ivan asks, a little pointedly, tilting his head towards his scarf.

Till looks at him, his expression unreadable. Then he nods. “Colder than usual, for this time of year.”

“Strange,” Ivan says, just to be difficult. “But the weather forecast says it’s the same temperature today as yesterday.” 

“It’s probably just windier today,” Till says, readjusting his scarf around his neck. His face is a little flushed.

“Your voice sounds a little off, though.”

Till clears his throat with a scowl. “You must be imagining it,” he says. “It always sounds like this.”

No admission, then. That’s fine. Ivan will get the truth out of him at some point. He lets Till guide him into the restaurant.

It’s a nice restaurant—worth the hassle of the reservation, Ivan thinks. Each table is set with flowers arranged tastefully in long glass vases, empty wine glasses turned on their heads. The server—who leads them to their table in a small, private booth—is wearing a suit.

It’s a shame, really. Ivan has a feeling that he won’t be able to pay attention to any of that tonight.

They sit. Ivan looks down at the menu, picks out something at random in a matter of seconds. Truthfully, he can hardly think of anything less worth his attention right now. He turns his attention to Till instead—Till, who’s seated directly across from him, the scarf still around his neck, obscuring the lower half of his face. 

Till sniffles, reaching down to turn the page, and oh. The sniffle is terribly liquid—has he been sniffling like that all afternoon? Perhaps it’s a good thing that they work at different offices—Till at a law firm, Ivan as a senior manager at a consulting company—because Ivan certainly doesn’t think he’d be able to get any work done with Till sniffling like that. 

It’s not two minutes later that Till is reaching up to wipe his nose against the back of one knuckle. All in all, it’s discreet. Just a quick brush of the fingers against his nose, which is still hidden under the scarf. Though, the look of sheer ticklishness that passes over his features for a brief moment there is...

“What are you thinking of ordering?” Ivan asks.

“I can’t decide,” Till answers. He turns the page again. “It’s between the ribeye steak and the… snf! The pork belly. Is this the kind of place that skimps on the portion sizes?”

“Not from their Yelp reviews,” Ivan says. “You know, if you really can’t decide, I can flip a coin.”

“I’ll pick,” Till says. “Why? Hungry already?”

He looks up, now. His eyes are a little watery. There’s a faint flush over the bridge of his nose. Ivan thinks that if he reached out and touched him, he’d probably be running warm. The thought is almost unbearable.

“Your taxi did take forever to arrive,” Ivan says, by way of explanation. 

“Did you really wait that long?”

He looks uncertain, for a moment. Ivan says, “Not at all. But you know, I’m always impatient when it comes to you.”

Till rolls his eyes, but it’s fond. “There was a meeting that ran late. I wasn’t avoiding you.”

“Is that also a part of your new position?” “I guess so, yeah.”

“I can see why they were eager to promote you, then,” Ivan says. “How productive can late afternoon meetings be, anyways?”

Till snorts. “Not that important. It definitely could have been an email instead. I was about ready to doze off.”

He sniffles again. “Okay. I think I know what I want.” The way he says know betrays the slightest hint of congestion. 

“At long last,” Ivan says, just to be a little bit of an ass. “I’ll call over the waiter.”

He flags their waiter down, waits for Till to order first.

“A spiced apple cider,” Till adds on, at the end, with the slightest of coughs. “Hot, if you can.”

That’s new, too. Till seldom orders hot drinks at restaurants, though he’ll drink tea without complaint if it’s offered. Perhaps his throat hurts, then, from the cold that has clearly started to settle in his system. Subtle, still, but Ivan is familiar with colds like this. He knows it will probably only be a few hours before this deceptively “small” cold turns into…

Ivan orders, too, and thanks the waiter, who leaves with a curt nod. When he looks back over to Till, there’s a… strange something to Till’s expression, a slight distractedness. Irritation.

Ivan swallows hard. He should look away. 

He should, but then, Till’s breath hitches. He pulls the scarf higher over his face preemptively, as if he anticipates having something to have to cover for. The sharp intake of breath that follows is breathy, though Ivan can hear Till’s voice in it. He should really look away.

Instead, he takes the scene in, painstakingly, little by little, as Till’s shoulders jerk forwards. As Till presses a hand to the scarf, presses the fabric closer to his face, to muffle a sneeze into his fingertips:

“hhH-Ih!! hiHH-’IESCHH-eew-!”

God. It sounds utterly miserable, the harsh release of it scraping against his throat, the spray tearing into his scarf. It’s the kind of cold sneeze that is undeniably telling: this is going to be one hell of a cold. It’s not very quiet, either, even muffled into the fabric.

For more reasons than one, Ivan is glad they’re in a private corner of the restaurant, not somewhere more public.

“Bless you,” he offers, once he can trust himself to speak. It’s a good thing that Till is too distracted to look up at him right now. Ivan isn’t sure he can keep what he’s feeling off of his face.

Truthfully, he isn’t sure he’s going to be able to endure a whole night of this.

The problem here is that Till—Till, of all people; Till, who Ivan has been pathetically in love with for almost as long as he can remember—has no idea about Ivan’s… relatively niche interests. That is to say, he has no idea what effect it has on Ivan when he does that.

“Thanks,” Till says, a little stuffily. He sniffles again, lowering his hand. 

Ivan can’t help it. He knows he shouldn’t pursue this line of questioning, but he can feel his self-control dwindling by the second. “Don’t you think it would be better to take off your scarf, now that we’re inside?”

Till freezes. “Y-You know what,” he says evasively. “It’s pretty cold in here.”

Ivan tilts his head in question. “And just how do you plan on eating like that?”

“I’ll take it off when our food comes.”

“I can ask the waiter to turn the temperature up, if it’s a problem,” Ivan says. 

“It’s not a problem.”

Ivan rises from his seat. Till watches him, perplexed, as he heads to the opposite side of the table, where Till is seated.

When he gets there, he stops. Stands, unmoving, so he can study Till from above. 

“What are you—”

Ivan reaches out, settles his palm across Till’s forehead. As expected, it’s warm. Not quite feverish, which is a good sign, but warm enough to be notable. 

“Just how long were you intending to hide this?”

Till stares back at him, wide-eyed. “Hide what?”

Shouldn’t it be obvious? “The fact that you have a cold.”

“I didn’t think it was worth mentioning,” Till says, slowly.

“Hmm.” Ivan drops his hand to his side. He is a little concerned, now. “We could’ve called a rain check.”

This time Till really does roll his eyes. “For the reservation we planned weeks ahead?” he sniffles again. “That just sounds completely and utterly unnecessary. Are you the type of person to call things off just over a little cold?” 

Ivan leans over, tugs down the edge of Till’s scarf. Till bats his hand away just a moment too late, cups his other hand over his face to shield his face from view. For a moment, he looks faintly mortified.

Then his expression settles into something more disgruntled. “What are you doing?” he hisses.

So uncooperative. “Let me see,” Ivan says. Slowly, gently, he pries Till’s hands away from his face, and then—because the restaurant is dimly lit—tilts Till’s face up slightly so that it catches more of the overhead light. 

Till’s nose is redder than usual. He’s probably been rubbing it all afternoon, if the redness that percolates into his cheeks is any indication. There’s  a damp, liquid sheen on the underside of his nose.

“What’s there to see?” Till says, a little crossly.

“Your face, since you’ve been so intent on hiding it under that scarf,” Ivan says, leaning in to get a better look.

Till scowls at him, but there’s no heat to it. “You see my face every day.”

“On the contrary, I don’t see it nearly enough,” Ivan says. “And you hardly ever get sick. Is it so wrong for me to be concerned?”

Without looking, he reaches behind him with one hand to grab a couple cocktail napkins. The other hand he keeps held up to Till’s cheek. 

But then, Till’s breath hitches. “Wait,” he says. Panic flashes through his face. “Ivan, move, I—”

Oh. Well, seeing as there’s no way he’ll be able to get the napkins over in time, it looks like he’ll have to improvise. If Till wants to cover, Ivan can help with that. He moves his hand to cup it loosely over Till’s mouth. Not a second too late, it seems. Till jerks forward unceremoniously, his nose twitching, his eyes squeezing shut.

“hHheh-! HHh’EIITShHh’yYiew!” he gasps sharply. Two? “Hh-! hHiiH’DSSCSSHh-IIew!”  

The jolt of the sneezes is practically electrifying—all of that force, brought to an abrupt halt behind Ivan’s waiting palm. He feels the expulsion of air against his skin, the warmth of Till’s breath, feels the slight dampness behind his hand as the spray mists over his fingertips.

Ivan swallows, hard. Thank god it’s so dark here, otherwise Till might notice what this is doing to him. 

“Bless you,” he says, withdrawing his hand at last to wipe it on one of the cloth napkins. It comes out slightly raspier than he intends it to, though perhaps it’s a miracle that he’s still able to talk at all. “Some cold, hmm?” Belatedly, he hands Till the stack of napkins.

Till practically snatches them from him, turns aside to blow his nose wetly into the top few. The way he sniffles afterwards suggests that his nose is still very much running. 

“Do you have no self preservation? It’s as if you want to catch this,” Till says, drawing back with another sniffle.

Oh, Ivan thinks, fighting back a shiver. That would be far from the worst thing.

[melit0n]

Give me five whole minutes.

Credits: Me

[witchydykebitch]

Okay, hear me out

I know everyone goes feral for femme vampire x butch werewolf (and rightfully so)

But consider: femme witch x butch werewolf

Like it's a full moon, a femme witch is doing a ritual in the woods wearing a cloak and nothing underneath in hopes that a big butch werewolf will stumble upon her and have their way with her 🤭

[zhuoyichenpretty]

mortifying to be perceived in this way but here have some fic

[smilebug]

alright call me crazy but. how do folks feel about an android wall-e jesskas au

[quillpokebiology]

Bred by accident as in she didn't realize they were in the same egg group and didn't realize. I guess they didn't breed by accident but we didn't expect it. Wrong wording on my part. Oops

Also Arcanine is the mom, Lechonk is the dad

Ahh, okay.

Pokemon Crossbreeds: Pighound

Not to be confused with the Hoghound breed of Houndoom, Pighound is the name for Growlithe/Arcanine with Lechonk/Oinkologne fathers. The breed was named after the fact that Oinkologne are pigs and Arcanine being Hounds. They've mostly been used by farmers to guard livestock since they're friendlier, and Oinkologne are less likely to fear them.

Growlithe

Pighound Growlithe gain a brown color scheme and floppy wars. Their stripes become smoother and resemble dirt or mud, as well as the eye patterns of Lechonk. They're fatter and very friendly to humans, and this breed is a popular pet in Paldea.

Arcanine

Male Female

Pighound Arcanine have less fluff (more prominent with Kantonian Arcanine), curved tails, and the eye patterns of Oinkologne. They're also fatter. Like stated before, they're friendlier and are a popular breed with Oinkologne fathers. While they look more muted, their fire abilities are just as strong snd shouldn't be underestimated. They release a slight aroma from their fur, but it isn't as strong as Oinkologne's.

//My designs can be used by anyone if you credit me for the original design!

[sherrymagic]

Here comes GMMTV's latest series. What is it called? "Too High and Mighty." It stars Neo Trai as the main and only cast.

HAPPY BIRTHDAY, NEO TRAI NIMTAWAT ♡ JANUARY 14, 2001 (in/sp)