#perfectly personal post

[wysteir]

.

My heart is still fragile

Lots of folks tell me I shouldn't keep it that way, but I think I will

I've spent so much time trying not to feel anything, trying not to let things get to me, trying anything and everything

Now I have a mask I don't like using that doesn't even cover my whole face

Now I have silence /

/ Now I lost much of my voice

They're useful, sure

But I didn't grow or anything. The silence was good in some ways and bad in others. I HAVE always wanted to curb the impulse to just say whatever, I HAVE wanted to get to take a moment before I spoke. And the price I paid was losing much of my ability to speak up. I had to relearn that one, it's still hard.

I have a lot of trouble "naturally" engaging in a conversation beyond listening! If your reading this and think I've been doing a good job, I really appreciate it.

I am trying very, very hard

It's a little difficult with a fragile heart, it's really scary actually!!! I had to learn bravery, to get to somewhere better. I'm scared a lot of the time so I have to be brave a lot of the time and shit, it's exhausting when I have to actually think about it

None of the learning was fun

But I was blessed to have good friends, to make good friends, and to deepen friendships, over the course of the decade

Fell in love and drifted out of it

Indulged infatuations for worse, for better

I keep making mistakes! I just keep making them, and I hated getting back up and it was miserable and anything. But I really wanted to be able to get back up. I really really wanted to be kind, to be cool, to be sexy

It felt silly but hey, maybe it would help if it wasn't so serious. I wanted to smile, I wanted to laugh, I wanted to be alright

Hell on Earth I wanted to be alright

I wasn't before, I still kind of am not

It does get easier but you do have to go get it, and I don't think people talk enough about how much it sucks to go get it. Maybe they don't wanna discourage people or smth. Reader I hope you have the strength to go get it. I really hope you do, fuck it's so hard sometimes.

I basically made this post last night too but I still wanna say things about it I guess HAHA

FUCK it sucks to get up and go get it

I think it helped that I had a good idea of the kind of person I wanted to be

And it's funny, I didn't even become her!!!

I'm too silly with it it seems

I wanted to be one of those cool silent types, but I love to tell jokes and I love to meme. I think that was the downfall of a lot of things in my life, I was mostly doing things because I thought they were cool but I didn't put enough thought into having fun with the process

And now that I am, I dunno I think I look pretty cool doing my thing HAHA

Reader, do you think I'm cool?

I probably think you're cool, fwiw

All of my friends are pretty fucking cool

I think that's all I have to say for now

Reader if you made it here, I appreciate you a lot. You may cash in a sticker, a hug, or a smooch on the cheek/forehead, or all three if you're a greedy lil goober (but I won't get mad ufufufu)

Feel free to reply onto this - maybe don't reblog it with a comment but hey if you think a follower might need to see smth like this go wild.

You can poke me on discord too if you'd like

For the record, I DO bite, but only if you ask, or only if you're mean HAHAHA

Regardless, I'll see you tomorrow yeah?

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[dukeofthomas]

"Are the Robins child soldiers" It depends. If the story is super serious and into exploring complex morality and grounded from reality's standards, then yes. If the story is lighthearted, made for children, fluff, etc., then no. If it's somewhere in the middle, it might depend.

If an author wants to write a story seriously delving into the fucked up-ness of children fighting criminals, they can, and if you don't like it, you can read something else.

If an author wants to write a fun story about villains and heroes featuring Robin in a world where that's not an issue, they can, and if you don't like it, you can read something else.

If an author wants to write a serious story but not apply IRL-logic to Robin, they can, and if you don't like it, you can read something else.

[carcarrot]

columbo - "the most dangerous match"

[ghosts-and-blue-sweaters]

Please stop telling people to die. Please stop telling people to kill themselves. For the love of everything, please stop. Don’t do that.

[oneshotprincess]

i think the thing that annoys me most about 'bad dad' clark fics is the fact that they feel really mean-spirited about superman in general. almost like they're telling ppl 'seee! superman's not great after all! he's just as bad as you and me! in fact, he's worse! look at how he's treating this innocent child' and it's almost like lex luthor himself is running a smear campaign on ao3

[writer-room]

Its so funny that Arin and Sora have shown to have significantly better emotional intelligence than any of the ninja from all of the old seasons combined. "You should be taking care of your mental health" and "yeah saving the world is upsetting! no wonder you're having stress dreams" oh my precious children. You are surrounded by a teen dad with massive self-worth issues, the only one of two people who remembers the genie incident and also turned into the sea once, guy who's died like 3+ times and committed genocide under mind control, and a child soldier who's been living the hard knock life since age 2.

I hope to god you two are prepared to witness the most mentally unwell behavior you've seen in your entire teenage lives. You think you've already seen how bad it can get now? Fools. Just wait until you get a mission involving the Departed Realm

[ruporas]

asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]

[fizpup]

valentine, you're a horse ❤️

[mhaikkun]

sticks and stones may break my bones,

[edennill]

If you asked Maedhros when Fingon became his best friend, he'd say he liked him well enough before but it was probably codified sometime around the other's second coming of age.

If you asked Fingon... well, he was two years old when, asked who his best friend was, without any deliberation he replied Maitimo.

[v-t-holmes-arts]

something something fear of being left behind something something

[crimescrimson]

Albert Wesker in Resident Evil Remastered (2002)

[jsvausvqbd]

Bae Seok Ryu and Song Hyeon Jun

Truthfully, the circumstances just weren’t in their favor, regardless of how much they loved each other and dreamed of a future together. They were faced with a huge obstacle in the form of stomach cancer, for which Hyeon Jun fully committed to being Seok ryu's caretaker, taking a sick leave from work and even putting his whole life on hold for Seok Ryu, because he loved her and wanted to be there by her side. However, Seok ryu's decision to not tell her family and close friends meant leaving Hyeon Jun- who respected her decision and even after they broke up, kept her illness hidden from her family- as her sole caretaker and support system, which was bound to take a toll on him as well sooner or later.

After her treatment ended, they were yet faced with another huge blow in the form of depression -none of which are Seok ryu's fault by the way. But once again Hyeon Jun was left as her sole source of support. Now, I'm not saying that one's partner isn't supposed to be there (I mean, "in sickness and in health", right?), but it's clear that it was too much for him at this point. This reminded me of a cancer research conference I attended years ago, where one of the discussed topics was caretaker burnout and the importance of respite for them, both the sick person and those around them are greatly affected both physically and mentally, and that's what we saw in the episode; Two exhausted people who, despite loving each other, just couldn't bear with how exhausted they were and Hyeon Jun ended up snapping. Does this mean he's a shitty person? No, we saw him be by Seok ryu's side through thick and thin, but at last he was tired and snapped in a moment of desperation. This sadly just means they just weren't what the other needed at the moment anymore, and this is a very realistic portrayal of relationships where there isn't respite nor a proper support system.

I do think he loves her and feels guilty for being so burnt out, but sadly she's ready to move on and that's all that's left for him to do now. Move on.

This sets up a huge challenge for Seung hyo tho, how do you get through her walls when she’s seen first hand what can happen to a relationship when faced with adversities? She said it herself, she’ll be constantly on the lookout for her cancer possibly coming back or even spreading. How can he convince her that he won’t burn out? How can you convince someone who knows firsthand that sometimes love is not enough? Good luck Charlie!

[calware]

i know whoever commented this didn't mean for it to be mean but i still don't think this is a good thing to comment on someone's art. you didn't have to share that disappointment with me

[yardsards]

i personally think marcille is bisexual but in the "i am attracted the Occasional anime twink and also every woman who has ever walked the earth" way. like a solid 5 on the kinsey scale, y'know?