#people will always have negative things to say. YOU will always have negative things to say (to urself)

[anemoiashifts]

why you should stop consuming media if you want to shift.

where your attention goes, is where energy will follow. the more you focus on something, the more real it becomes.

⭑.ᐟ i made a post a while ago saying “why you should get off social media if you want to shift”. id like to expand upon that a little more. so, here’s a “why you should stop consuming media” or at the very least “why you should consume media carefully”.

you are being programmed through everything — social media, music lyrics, television, advertising, the news. this is why meta wants tiktok b@nn3d so badly. its taking away their ability to control & their influence upon you because average people spend more time on tiktok then anything else. this can be extended to news networks because more and more people are using it as news sources. media, not just social, need your attention in order to program you. as someone who has taken classes marketing, the core of what my class was, was teaching someone to be the best manipulator. my professor said to always “play on people’s emotions”. anything that has the ability to take your attention away & live in a negative & distracted stake, is taking away your ability to create the life you want to live. a lot of — if not everything — is about power & controlling you for someones benefit.

taking this into account, you can now begin to understand why television shows are called television programs. it is programming you to think & behave & make purchases. for example, the human mind does not know the difference between real & fake. if something provokes an emotion out of you — that emotion it is still real, even it was brought on by fiction. the human brain cannot truly comprehend fiction. this is why people form such emotional attachments to fictional characters because our brains cannot distinguish that they are a character or a scenario is not real.

power comes from your attention & what you focus on; what emotion it provokes.

₊˚⊹♡ why is this relevant ?

your thoughts & feelings create your reality.

by waking up every morning after a shifting attempt & saying “i didn’t shift, im not in my desired reality” is what you’re affirming to yourself. when you roll over & scroll on your phone, you are taking your attention away from persisting that you are in the wish fulfilled. you aren’t focusing on that you have already shifted. every shifting tiktok video is affirming that you aren’t in your desired reality. it’s reinforcing that idea of “you’ll shift tonight” “who would do this in your desired reality” “___ in my desired reality” — that you are still here. it’s hardly ever said “you’ve already shifted” on tiktok. again, this circles back to “playing on people’s emotions” — desperation & excitement. keeping people in a loop of shifting content instead of actually wanting to experience it for yourself. i will admit, practically everyone is guilty of this — self included. it definitely doesn’t come from a place of malice & i doubt it’s always intentional on anyone’s part but it’s something to consider that every shifting video you come across is a reminder that you haven’t shifted yet.

limit what you consume. for example, if you keep listening to a sad song, you’re going to be sad & pulled back into a time in your life that no longer serves you. it removes you from the present. the brain has no concept of time as it is a man-made idea. by eliminating media entirely (or limiting / being mindful of what is being fed to you & taking nothing at face value), you are getting that power back.

media keeps you distracted. it keeps you focused on other things & not your manifestations. it constantly brings back you into the 3d. the longer you’re focused on the 3d, the further away you will be removed from your manifestations & you will be pulled into things that fuel others desires.

[moniericreative]

The Saddest Tragedy of 2/2; Damned Regardless of Choice

Wasn't sure if anyone else already talked about this, but after going through the Persona 5 Royal Artbook a while back, and again recently... Something about the whole situation just really struck with me.

Obviously, spoiler warnings ahead for Persona 5 Royal, specifically Third Semester's Februrary 2nd.

So, unsurprisingly, I'm referring to Maruki's Deal.

It's a common interpretation that Akechi's 100% gung-ho against it.

But there's two separate moments that show a rare bit of... Wavering in his resolve.

The first is the Phantom Thieves meeting in Maruki's office with Lavenza:

Out of all of the Phantom Thieves, the only one to play devil's advocate and remind the group that Maruki's actions benefit them too is... Akechi, of all people. Not Joker, not Makoto, not Lavenza or anyone else.

It's solely Akechi who brings that fact up.

In the same meeting, beforehand he was very upfront and crass about how manipulative Maruki was being, and how the man played the other thieves like a fiddle...

And yet he says this in spite of all that.

There was no reason or prompting for him to, and Ryuji even rejects him politely afterwards too.

So surely this was just an off-line of simple pragmatism, right?

Well, here comes moment number 2, in one of the optional Jazz Jin hangouts you can get with him:

He plays it off as some idle food for thought with no deeper meaning, but... It's Akechi. He usually doesn't just say things just to say them.

There's always a hidden meaning to his words.

It's pretty obvious he's referencing his space in the Phantom Thieves, a group that's civil with him but doesn't particularly have any inclination to be friends with him... But it does beg a question...

Is he happy? Now that he's no longer being controlled by Shido, or burdened by a lifelong revenge?

By the sheer existence of this conversation at all, directed only towards Joker and in a place that he's comfortable in (second to Leblanc) it's pretty safe to say he is, but has reservations about it (i.e. 'If their happiness hinges on the group's unhappiness.')

Now where does the artbook come in? Well, inside the P5R artbook, there's a handful of interviews that expand on some parts of the Royal exclusive content.

(Big thanks to Violet for compiling and translating them, you can find her whole thread here > https://x.com/wiowe/status/1776225719661547663)

What was the one bit that stuck with me?

Per Violet's translation:

Creator's Comment: "When I think about how Akechi's wish is to play chess with the protagonist after school, I want to tell him 'You like the protagonist after all, don't you?'"

Akechi's Wish.

He has a wish that Maruki actually does grant him, and it's to essentially be friends with Joker. It's mutual to Joker's own wish to be friends with him.

So add up the context of all three, and it paints a very depressing picture already:

Akechi is genuinely happy for once in his life, but doesn't think he deserves it at the cost of everyone else's. It runs opposite to his own sense of Justice, and his negative views on himself as a "cursed child," and that fuels him to keep denying it.

So with him being split between the two sentiments... It's unsurprising that he would rely heavily on Joker to make the ultimate decision; Whether to accept, or to deny. Because he himself can't, and Maruki knows full well of that.

Sure, he keeps pushing Joker to deny Maruki... But why?

Is it because what Maruki's doing is wrong, and he needs to be stopped? Is it the closest thing to a punishment for all of his actions, which has been constantly denied to him up to this point? Is it the closest thing to a confirmation that he's undeserving of such happiness, especially with how much blood is on his hands?

Who knows.

So how does any of this tie into Maruki's Deal on 2/2? Isn't Rejecting a false reality the obvious choice here?

Well... It's simple.

You're not really picking between a true reality and a false one.

You're picking between:

The acknowledgement of Akechi's growth (Hereward), the righteousness he carries as The Justice arcana, and his freedom from being under someone else's control his whole life.

And this:

Think about it. Maruki gives you multiple opportunities to accept his reality, and they become increasingly personal to Joker with each one.

First is the happiness of the general public.

Second it's the happiness of the other Phantom Thieves, especially Sumire.

Then finally, it's the happiness of both Joker and Akechi.

If the first two couldn't sway Joker's decision, why would the third?

Because you want Akechi to be happy and no longer suffering. You're the one in control of making that decision as the player, remember?

And both he and Joker are also fully aware of that, given how they look back at you in the "Accept" ending.

Not to mention in spite of how he reverts back to his "Detective Prince" mannerisms, almost as if he was a different person entirely... We never actually get any indication that he goes off to fight Maruki alone, or try to fix everything himself, do we?

Sure, he says "... Well. I have your answer. There's nothing left I can say. Our deal's off."

But what can he say? Once again, you've exceeded his expectations.

And once again, he's left as speechless as his "you really are..." moments.

You chose him over a "true reality." You told him to his face that he matters, you accept him as he is in spite of everything he's done, and you want to keep spending time with him as equals. As friends.

There's no anger, betrayal, shock, or even hurt in his voice. Just quiet acceptance because after all they've gone through together, he knows Joker wouldn't lie about that.

It's a truth he has to accept, even if it conflicts with his image of himself. He's wanted by someone else, for the first time in his life.

Of course he has no need for a deal anymore. They were always the closest things he was willing to get to a friendship, without establishing a close tie that could potentially hurt him in the end.

Why would he need one when you chose your bond over all else?

You proved to his face that it's not just some temporary truce with mutual benefits. It's a genuine bond for both parties, not just to him.

Ultimately though... You're the one stuck between two choices for him:

Forsake Akechi's happiness, and finally being wanted for who he is and not whatever pleasant image or service he can provide.

Forsake his freedom, and all the growth and accountability he's accumulated thus far from his own sins.

This teenage boy is damned regardless of the decision you make. All because a man with a Jehova complex noticed that he matters to Joker (and by extension you as the player), and uses him as an ultimatum to get Joker (and you) to comply.

All because said man is well-aware that Akechi's actual fate is vague. Did he live? Did he die? Who knows, neither he or Akechi actually confirm it. They just dance around the subject and leave the assumption up to you. But he'll take full advantage of the vagueness to justify his actions to you, and show why his goals and yours are "truly in alignment."

And the worst part is that Maruki's doing this with a genuine intent to make his life happier afterwards, much like youself. It's not out of malice, or a sick sense of delight, or with the airs of playing god.

He's distorted. He's a man with good intentions that have become so distorted that he inadvertently perverses the very desire to do good for the world.

And just like Shido, and Yaldaboath, before him...

Akechi's the number one casualty.

You're just forced to decide which part of him the gun is aimed at this time.

Because this boy can't have both. It's one or the other.

[ariaste]

A Discussion on Book Endings

Hey, friends. Thanks for coming today. I'm sorry to break it to you, but this is an intervention. Please, don't get defensive -- everyone here loves you and cares about you. But listen... I'm gonna need book readers and reviewers to reflect on the idea that finishing a book and going "Oh, I loved it so much, but I wish it was just a few pages longer!" is not really a valid point of negative critique in the assessment of a text.

Let me explain.

When I read people's otherwise wildly positive reviews of books and they say that line, I don't interpret it in context as, "This story needed to be a few pages longer for the plot to work, structurally, and for the ending to achieve a solid resolution." Rather, they basically seem to be saying simply, "I loved it and I didn't want it to end." That's always a GREAT feeling, but then they're.... taking points off from their total rating because of that??? They seem to be penalizing the author because they weren't left with a feeling of "Ugh, thank god it's over"? It's like, "This would have been five stars if it had had just one more chapter but it made me sad that it ended, so four stars" -- Guys, do we understand that's an insane take? It's insane. A book has to end. If you shriek "NO!!!" that it's over because you were having such a great time, that's... that's a symptom of a 5-star book, babes. I'm not sure why there's such a fashion these days for penalizing authors for this particular thing in this particular way, but it's really baffling to me.

But setting aside the puzzling trend of "I'm knocking points off because it ended when it should have gone on until I personally was fully bored and exhausted of it, like the 11th season of a TV show that was only supposed to go until season 4" -- listen, I guarantee you that nine times out of ten, when you're out here longing for just one more chapter or saying "this could have used an epilogue" you... are wishing for something that would have actively ruined your enjoyment and the quality of the book.

Are you a writer yourself? Have you ever finished writing a book before? Have you done it more than once? Have you deeply studied the endings of books? They are HARD, let me tell you what. Endings are so much harder than beginnings, because you're looking for that beautiful final note, like the ending of a symphony, and you're trying to ride it for a few glorious seconds before the FLOURISH and dum-dummmmmm....! and the conductor collapses as the audience bursts into applause! Right? Yes? Except that chances are that one more chapter or epilogue would ruin the pacing and resolution of the ending and muddle up the summary of the theme and thesis statement, and all of this WOULD ACTUALLY fuck up your experience of the story as a whole. For example, please consider the last Harry Potter book as an example. We all hate JKR now for being a TERF but oh, children, how quickly we forget that back in the olden times, we used to hate her for that fucking epilogue that made everything that came before feel rancid and pointless and hollow and cheap. Y'all remember how sickening and infuriating that was? Do you remember the Hunger Games epilogue? Nine times out of ten, that's what you're inexplicably wishing for.

To see this point illustrated, let's do a quick exercise together. Go pick out a piece of classical music -- some of my best suggestions for this are Beethoven's Ode to Joy, or "Der Holle Rache" from Mozart's Magic Flute, or Tchaikovsky's 1812 Overture. Listen to it all the way through. If you're struggling with scrolling addiction and your attention span has been severely damaged, fine, listen to the last two minutes ("Der Holle Rache" is the shortest, just 3 minutes). Then, after the song is done, click back to some random spot earlier in the piece, listen to another 30 seconds, and then stop. Consider: Did adding that last 30 seconds materially improve the piece, or did it undermine the overall emotional journey? Did it help the ending to stick the landing even more than it already did, or does it just feel weirdly stuck-on as an afterthought, like the "for more fun videos, check out the rest of our channel and don't forget to subscribe!!!" card at the end of youtube videos?

When you are wishing for an epilogue, my doves, you are wishing for something you do not actually want -- or which you probably would not want if you had the option to see it in practice and compare it side by side with the original. You are wishing for something that would more than likely make the story worse. You are holding the author at fault for something being wrong with the text only because you hit immersion and were having a lot of fun and didn't want to come back up for air. Like, I'm just not sure that's something that the author should be blamed for? It sounds like they were doing their job really well???

Please, just. Separate your feelings of "bittersweet disappointment that this wonderful book is over" from "frustration that the author didn't stick the landing, ugh what a flop" because they are two separate things. Before you say "I'm taking points off because I wish there was more", please take two seconds to ask yourself critical thinking questions like, "Why did the author choose to end the book here rather than in two more chapters?" because (other than a few wild outliers that should not be counted) the answer is never, "They got bored and just didn't feel like finishing the story." Chances are, they chose that specific ending for a reason. They ended it there because that's the point that underlines the thesis statement of the book, or because the emotions of that scene are the ones they want you to remember and walk away with, or because that marks the place where the story arc is genuinely over. When the author says, "And they all lived happily ever after," that means that what happily-ever-after looks like is in your hands now.

Nine times out of ten, you don't want one more chapter. Please. I promise you that you don't want one more chapter. The book is done; what you want now is either fanfiction or someone to talk about it with. Or maybe to start the book over from the beginning! Believe me, you would not want one more chapter if you had it. (Or, if you did have it and it magically didn't suck, you would just keep wanting more chapters because that's what "really enjoying the book" means. In which case, go read fanfic, that's what it is for.) I promise you, I promise you, the book would probably be worse with one more chapter and you would not like it as much. Please stop wishing for the author to be less good at their job. Please. A book has to end; so does this post. And we all live happily ever after*. The End.

----- * The post-canon coffeeshop AU sequel will be detailed exhaustively on AO3

[struggling-jpg]

Thoughts About the Potential Underlying Hidden Tragedy of Yanqing and Jing Yuan

that isn't just the "Yanqing will have to kill Jing Yuan eventually" red flags.

A relatively longer-ish post so thank you for bearing with me if you choose to do so!

I'd already been thinking about this whole mess of thoughts for a long while now, and so have other people, but the urge to write this came from a comment I saw on a post that mentioned how Yanqing had lost to "Jing Yuan's ghosts" and overall how it contributes to the dynamic of them being mentor/mentee + father/son. While the narrative seems to be leading to "Yanqing having to strike down a Mara-stricken Jing Yuan," there's just enough weird points that stick out to the point some alternative outcomes for Yanqing and Jing Yuan's fates to play out.

And while I anticipate HSR to follow that most expected point, I feel like there's enough there that could lead to a subversion or something more likely than that, an additional twist to the knife alongside the expected point.

Jing Yuan's Flaws as a Mentor and Father-Figure:

While most of us love the family fluff, I'm pretty sure we can all acknowledge the issues in Jing Yuan's approach and decisions in regards to Yanqing. Yeah, this is a fictional space game story where it's likely they aren't going to delve into the consequences of having someone as young as Yanqing be a soldier, there seems to be something there regardless. Like the brushes with death that he has and how we see him have to worry about the Xianzhou's security as a teen due to having a higher position in a military force. This is all set up for more of a coming-of-age type narrative for him, which HSR has done amazingly so far, but there are a lot of chances for this to explore something darker.

Among official media, the one time I could even remember the term "father" being used in relation to Jing Yuan is in Yanqing's official Character Introduction graphic:

Another notable thing that we see here is how we do have moments where Yanqing expresses thoughts and questions about his own origins and birth parents. The fact that even here, he wonders if the general is hiding something from him, sets off some alarm bells in my head. But he then brushes that off because he's always been with the General and Jing Yuan accepts him for who he is (which under the theory that Yanqing originates/is connected to the Abundace adds a whole heavy layer (this will be discussed in a later section)).

Yanqing does something similar in his texts:

As Huaiyan says to Jing Yuan:

"Yanqing can understand your concerns."

Alongside Yanqing generally being a considerate and polite boy, it can possibly be said that his eagerness to share Jing Yuan's burdens not only stems from his own gratitude towards him but possibly also Jing Yuan's distance.

As in, Jing Yuan doesn't really express his feelings so blatantly, and what we can clearly tell from when Yanqing first met "Jing Yuan's ghosts," neither does he speak much about his past too on a personal level. In Jingliu's quest, Yanqing says that Jing Yuan simply told him to forget everything he saw that day.

For Jing Yuan, the loss of the quintet is a grief that feels fresh in his heart, especially with echoes of them running around him. This is in the description for "Animated Short: A Flash":

(Will also talk about this in a different section)

While Yanqing learns about his General's past in a more direct manner (aka the people involved), it's sad how avoidant Jing Yuan is at times. While he's never been a upfront person, especially in the case of solving problems, I wonder if HSR would go as far as to show the negative side of that in terms of raising and teaching Yanqing.

History Repeats Itself (Sometimes It Don't Need A Reason):

+ the Jingliu parallels

Following up on that last image, Jing Yuan, especially in A Flash, has that whole "history repeating itself" thing going on for Jing Yuan. It points to Yanqing having to take down Jing Yuan but it also comes with a lot of its own possibilities and meanings.

It's blatant that Yanqing parallels Jingliu to an unsettling degree. Anyone who personally knows Jingliu and meets Yanqing sees her in him. Jingliu probably sees herself in him as well. Beyond powers and passion for the sword, her Myriad Celestia trailer shows that her principles before getting struck with Mara were the same as his. But it took her losing her dear friends in such a cruel and brutal manner (alongside how long she'd been alive) for all of that to fall out and form the version of her we see today.

And while it seems that Yanqing is deviating from Jingliu's due to the teachings he's learning, especially with Jing Yuan's effort, I feel like there's still a chance for things to go so wrong and mess with that. Yukong's line about him strikes me as concerning:

"A sword will vibrate and beg to be unsheathed if it is unused for too long... Once unsheathed, it will either paint the battlefield in blood, or break itself in the process..."

Even though I don't think HSR will go down a route of tragedy with Yanqing, like say, he gets Mara struck somehow or killed because that's not how Hoyo's writing has fully gone for playable characters (Misha and Gallagher aside in terms of death). Even in the most despairing parts for Hoyo's games, they're usually outlined and tinged with hope in one way or another. It's just that with what's been presented, there's got to be more here than meets the eye.

Yanqing's Origins - The Breaking Point:

From what we've been given, I think the number one thing that would have the potential of shaking Yanqing's entire sense of his life and the reality he lives in is learning where he comes from. Where he actually comes from has been a strange mystery since the beginning, how Jing Yuan getting him being recorded in the military annals of all places.

As shown from the screenshots of Yanqing's texts, he doesn't know and tries to brush it off because he's happy with Jing Yuan now. The choice to have this aspect here leaves a lot to ruminate on. What is Jing Yuan hiding? And if he really is witholding information, does he ever intend to tell Yanqing? If he doesn't and Yanqing finds out, how will it play out? And even if he does mean to tell him, depending on the severity, how will Yanqing take it?

It's why the theory that Yanqing is connected to the Abundance, possibly even coming from it directly, is as harrowing as it is.

With his arc in mind, will his development be enough to sustain him when he does find out the truth? If he finds out sooner than he should, will he be able to rise above it? And what of Jing Yuan? If confronted with a situation that's outside of his control again, what will he do and how will he react?

The potential in that scenario is so fascinating to me, because we can all anticipate the absolute gut punch that Yanqing killing his master would be. It fits Hoyo's writing style of something so sad but having a hopeful end for the future type beat. But the idea of that being twisted, that expectation being flipped on its head, could be so agonizing. It's not a narrative we see too often explored, at least in my experience, so maybe that's why I'm brainrotting over it so much lol.

[emmabirb8]

Bill Cipher really is the funkiest little guy, isn't he?

He's a demon. He had parents. He destroyed his home dimension save for one singular atom. He was born different from the rest of his people and could see in 3D. He's a narcissistic maniac. He misses his mommy. He's a cruel, manipulative asshole. He accidentally got a little too attached and fell in love with a human, then had a drunken meltdown when they broke up. He created a throne of frozen human agony and tried to kill two twelve year olds.

He's incredibly lonely.

Personally, my biggest takeaway from The Book of Bill is the confirmation that my suspicions about him are (most likely) correct. Bill Cipher is miserable. He's been miserable since losing his family and entire home dimension, and everything he's done since then is nothing but one big attempt to distract himself from his mistakes.

Like, okay. I get that Bill is a master manipulator. He's a big fat liar, and everything he says and does is meant to be taken with a grain of salt. He wants readers and viewers to feel bad for him. He wants us to sympathize and woobify and get attached so he can use that to his advantage. BUT ALSO, I think The Book of Bill still sheds light on the fact that he IS broken deep down.

Everything that we know of Bill is almost entirely a meticulously constructed facade. He's a faker. He's all smoke and mirrors. He suffered a massive trauma (whether it happened on purpose or by accident is up for debate since he is nothing if not a horrendously unreliable narrator), and he had to find some way to cope. So he decided to live in denial. Denial of his failures, his true feelings, and, ultimately, everything that he is. He described the "entity" that destroyed his home dimension as a "monster," and, knowing what we know, that's what he believes about himself. He told Ford the answer of who that entity was would "eat [him] alive" and, in actuality, I think that was more of a thinly veiled admission that his deep-seated guilt over what he did eats him alive. Bill buried that guilt, all those negative feelings, all his mistakes deep, DEEP down, and then decided that if he was a monster, he might as well be a damn fierce one.

Bill became great at manipulation because that was the key to making his whole scheme work -- if he could control what everyone thought of him, make people fear him, bend them to his will and squeeze whatever he can out of them, he could be the meanest, nastiest, most cunning monster to ever exist, and he could keep living in denial. They can't make fun of you for your differences, for being weird (something I suspect happened to him in his home dimension) if you're the KING of weird and can kill with the snap of your fingers. If they fear you, they won't look too closely, into the tiny minuscule cracks in your facade, and see the painful truth.

Bill leaned hard into his role as Nightmare Demon to fool himself into believing all of that too.

But like I said, he's lonely. He has no one (besides his "henchmaniacs," but they're no substitute for real connection). I find it SO interesting how he speaks to Ford in The Book of Bill. "We both know you don't really want to be left alone. Admit it, you LOVE how important I make you feel. . . . [N]obody else really gets you, do they? Without me, you'll always feel unseen, surrounded by dolts who don't recognize your true potential. You've always felt alone in a crowd, haven't you? . . . you have no friends, and if you died out here in the snow, who would even miss you?" -- I think he's projecting. Those are all things that are true about himself and his connection to Ford, but he's pinning it on Ford because he can't bring himself to face it head on.

Bill Cipher is a villain. He's evil. He's a demon. He really did ALL OF THAT.

But he is also a pathetic dorky sopping wet meow meow of a character who is constantly desperately trying to run away from himself.

And now, in the Theraprism, he has no access to his usual coping mechanisms. He has no choice but to finally face reality and figure out a way to do what he's been avoiding doing for literal millennia: to just be.

[akataiii]

Go ahead and try (A Hawks x reader)

“It'd be so easy, you know?”

Tearing my eyes from the ballroom floor and casting my gaze to the right, I'm met by the sight of a smug-looking Kiki; a short woman with curly, purple hair and a pair of white dove wings residing on her back. She is also known as one of Hawks' most trusted sidekicks.

I turn my body so I'm facing her fully, readjusting my grip on the glass of champagne in my hand. I shift my weight from one foot to the other, tilting my head at her and quirking a puzzled brow.

“I'm sorry?” I ask, voice portraying the confusion I was feeling.

Kiki huffs, bringing her own glass of champagne to her lips and taking a languid sip while shifting her attention to the opposite side of the room. I follow her gaze, finding what, or rather, who she is staring at.

Hawks' pretty, red wings are unmistakable; standing out in the crowd and demanding immediate attention, almost as if screaming, ‘Look at me!’ And I did look. I always looked at my boyfriend.

I looked at how he gave his best every day, striving to be an amazing hero and somehow managing to muster up enough positive energy to make up for my lack of daily optimism.

Me and Keigo were pretty much two opposite ends of a coin, and yet we somehow worked together perfectly, making up that coin in perfect harmony each and every day.

“What I meant was,” Kiki starts, drawing my focus back to her, where she's taking another sip of her champagne. “It would be easy for me to steal Hawks from you,” she finishes, turning to look at me with a smug smirk.

I blink at her, momentarily stunned. Well, that came out of nowhere, I think to myself, (e/c) eyes widened in surprise. It doesn't take long for me to get over the initial shock though, instead letting out an amused huff before folding my arms across my chest, careful not to spill my champagne. 

“Well then,” I say, letting my features fall into a relaxed and unbothered expression. “By all means, have at it. Try your best,” I prompt, trying my best to suppress my laughter at the astonished look Kiki sends my way. 

“Seriously? Just like that?” She questions, looking slightly disappointed at not receiving any kind of negative reaction from me. “You're just going to give him up?”

I shrug, bringing my glass of champagne to my lips and looking over at Keigo’s bright, red wings again. “I don't see how it's necessary for me to put up a fight,” I reply, a faint smile grazing my lips as I catch Keigo laughing at something Mirko said.

“You have no respect for your relationship,” is the last thing I hear Kiki say before her heels are clacking loudly against the tiled floor, and she's marching away from me.

Nope, I think to myself, feeling smug and self-assured at my own thoughts. I just have that much faith in my boyfriend.

—

I stretch my arms above my head, hastily bringing one hand back down to stifle the yawn that slips past my lips. The cement of the sidewalk feels hard under my feet as I walk back towards me and Keigo's apartment, returning from the day at my boring, mundane, civilian job. 

I don't regret my choice of not becoming a hero. The whole flashy, saving people lifestyle just never suited me, and I was perfectly alright with that. Even if my job was mundane and void of any flashiness, it never failed to fill me with a sense of joy. 

How could I ever hate the flower shop I worked at when it's where I met my lovely boyfriend? I still remember the day Keigo came in, fresh on the job, and picking up the flower order for the grand opening of his hero agency.

Even if our relationship was rocky at first, filled with countless bickering and endless antagonizing (all from my end, oopsie), we ended up together and in love anyway, and I could never be happier than when I was by his side.

Of course, life is never that simple, and neither are relationships, especially that of a pro-hero. Keigo was never allowed to let the public know about himself, always forced by the Hero Public Safety Commission to hide behind the Hawks exterior they curated for him.

A select few people did know about our relationship, though. Mostly the heroes Keigo worked alongside and the sidekicks at his agency.

Which is where Kiki comes in.

It's been a week since her random confession to me at the Hero Gala me and Keigo attended. It didn't bother me; instead, I was only curious to see if Kiki would actually carry through her plan of 'stealing Hawks from me.’

Thoughts of how I could possibly ask my boyfriend about it swirl around in my mind as I continue my trip home. My feet hit the pavement in a rhythmic pattern, lulling me into a state where I was only half paying attention to the world around me. Suddenly, the red feather around my neck gives a violent jerk to the right, almost knocking me off my balance.

I stumble on the cement below me, regaining my footing before glaring down at the feather in confusion and irritation. It had settled back down and was resting innocently against the skin of my collarbone, like it didn't just almost choke me half to death.

Knowing it had a mind of its own and was likely trying to show me something, I shift my gaze to the right, the direction in which the feather jerked in. Immediately, my eyes latch onto the two red wings on the opposite side of the road.

Keigo stands talking to Kiki, hands raised in surrender and seemingly waving away something she's saying.

What a pleasant surprise, I think to myself, moving to lean against the nearest lamp pole. My arms are folded comfortably across my chest as I watch whatever situation is currently playing out in front of me.

I watch as Kiki says something else to Keigo, her lips curled into a wide, mischievous grin as her finger lightly pokes his chest.

Kiki is Hawks' most trusted ally, always going with him on patrol and assisting him on missions. Anyone with functioning eyes could see that they were close, and the media even went into its usual conspiracy theories that the two might be dating.

Keigo, polite as always, denies the accusations every time, waving them away with his usual smile and saying nothing other than, ‘She’s a great sidekick. Nothing more.’

I was never the jealous type and never would be. Hawks may be some flirty, charming hero persona created by the HPSC to be shown to the public, but in private, Keigo was happy to just be. While he was still a flirty and charismatic person in general, when he got off the clock and came home, he was free to do whatever he wanted.

I smile to myself, thinking of all the nights the blonde came home and immediately attacked me with a flurry of chirps and kisses, letting his suppressed bird instincts free. I would always dissolve into a fit of giggles when he twittered and chirped in my ear, telling me how much he loves me and how much he missed me that day.

Point being, I had complete faith in my boyfriend and trusted our devotion to one another.

Back to the current time, the feather around my neck gives another jerk, this one much less violent, catching my attention and causing me to frown down at it in concern.

In theory, or well, confirmed by Keigo, the red feather around my neck was just an extension of his body and Quirk, meaning the feather reacted the same way the feathers on his back did. Which could only mean…

I lift my gaze to inspect the pair of heroes across the street. Kiki had made her way further into Keigo's personal space, now standing only inches away from him and running a hand along his chest while looking up at him from under half-lidded eyes. Even from where I stood, I could read the seduction in her actions, and it caused me to physically cringe. Is she aware of just how desperate she looks?

I feel the feather twitch again, and with my gaze focused on Keigo, I catch the way the feathers on his back twitch as well, a clear indication of his discomfort. 

As previously mentioned, I had complete faith in my boyfriend, and I'm also aware of how the HPSC controlled his actions and personality in public. I also know that Keigo is a considerate person and cares deeply for the people he works with. It's for those reasons that I don't blame Keigo for not immediately shoving Kiki away or yelling at her to keep her distance from him. Lashing out at her would only get him in trouble and nag at his subconscious.

I think for a few moments, mind filing through ways I could possibly save my boyfriend from the predicament he was in. My gaze falls on the twitching feather again, and my eyes widen at the newfound idea in my mind. 

I kick myself off of the lamp pole, unfolding my arms and reaching a hand up to gently pinch the feather between my fingers, knowing exactly how sensitive the item is. With measured actions, I tentatively bring the feather to my lips and softly graze it against them, smiling when I catch Keigo stiffening across the street. 

“Hey Kei,” I whisper, knowing the blonde could hear my every word.

Keigo's head whips around: beady, golden eyes immediately finding me and lighting up with a happiness I recognize all too well. He hastily pulls Kiki’s hand from his chest and makes his way over to me, all in a matter of mere seconds. A man too fast for his own good, I chuckle to myself, finding amusement in my own thought.

“Hello my love,” Keigo greets, arms instinctively wrapping around my waist and pulling me close.

I smile, soft and almost unnoticeable, but Keigo knows it's there nonetheless, and I bring my hands up to cradle his face in my palms.

“Hello,” I mumble, gaze fixed on the way Keigo's lips are spread into a wide smile, and his eyes are filled with that fondness always aimed at me. If there was ever any doubt as to whether or not Keigo loved me, all that you needed to do was analyze the way he looked at me. In those golden, sunset irises, you’d always find the undeniable answer written between his affection.

Keigo lets out a soft chuckle before pulling his face from my hands and closing the distance between us, nuzzling his face against my cheek with quiet chirps escaping his lips.

“Missed you so much,” Keigo coos, planting soft pecks against my cheek.

“You're going to get into trouble with the commission,” I warn, making no effort to put a stop to his actions of showering me with affection.

“Don't care,” he says, voice muffled where his face is buried in the crook of my neck.

“I know, but I do,” I say with a giggle, softly running a hand through his hair and pulling out a small twig that likely got stuck there when he was flying.

“I wanna kiss you,” he admits quietly, the sadness shining through in his tone. My brows draw together in a sympathetic frown, only able to imagine how trapped he feels, bound by the HPSC’s rules and regulations.

As much as I would have loved for him to kiss me right then, I knew it only spelled trouble for the both of us. The way his arms were wrapped around me now was already bordering on the limits set for us by the commission. Anything else would definitely end in ruin.

“Kei,” I gently warn, and he gets the message hidden behind the word, pulling his face from my neck and standing upright, releasing my form and taking a small step back. His lips are jutted out in a pout, and his brows are settled in a light frown, pulling yet another soft giggle from me at how adorable he looks.

Picking up the feather around my neck again, I place it against my lips to give it a kiss, and Keigo's cheeks flare up in a blush. 

“I'll give you a proper kiss when you get home after patrol, Pretty Bird,” I promise, never missing the way my boyfriend’s eyes light up in excitement. Like a kiss from me is some holy gift bestowed on him from above.

“I'm holding you to that,” Keigo says, wings flapping behind him and sending a gust of wind my way as he rises up in the air. He gives me a final wave and blows me a kiss before he flies away, leaving me alone on the ground. 

My eyes fall from the sky and land on Kiki, who is staring forward with a stunned expression, mouth hanging open in pure bewilderment and shock, as if I'm the one that just tried to steal her boyfriend. The ridiculous notion causes me to laugh, catching her attention and bringing her focus back to reality.

With a smug, self-satisfied smirk, I pull the feather between my fingers again to hold it out on display for the woman, my other hand raising to flip her the bird. (Pun fully intended.)

˗ˋ Bonus ˊ˗

“Hello my love.”

Keigo tackles me into the couch’s cushions, and I giggle freely at the chirps filling the air and the lips tickling my ear. I scrunch my nose at the sensation, hands burying themselves in Keigo's hair to try and reel him in a little.

“Hi Pretty Bird,” I greet back, earning me a happy chirp at the nickname. “I missed you too.”

“Hmm,” Keigo hums, placing another peck on my cheek and pulling back to place his forehead against mine. “Where's my promised kiss?”

My lips tug into a smile, and I can't resist the urge to tease him at least a little.

“Where's my—”

I'm interrupted by Keigo’s phone ringing, his ringtone blaring from the coffee table and disrupting the peace of our shared apartment.

We stare at the lit-up screen for a moment, both of us able to recognize the caller ID as that belonging to the HPSC. My stomach twists nervously, and I shoot Keigo a concerned glance.

“Did you get into trouble?” I question, fearing the answer would be yes. 

Keigo looks to me as well, ignoring the phone still ringing in the background. His lips are pulled into a guilty smile, brows furrowed nervously. “I wouldn't exactly call it trouble,” he says, tilting his head to the side. 

In his attempt to avoid any events that may have transpired earlier that afternoon, I find my concern melting away, replaced by fondness and endearment.

“Shouldn't you answer that?” I question, pointing to the phone still ringing on the coffee table.

Keigo sends a feather out to retrieve his phone, inspecting it in his hand before pressing the ‘decline’ button and tossing the device over his shoulder.

“Nah,” he says, lips curling into a lazy smirk. “I'd rather take that kiss now.”

I shake my head and roll my eyes, cupping his face all the same and pulling him closer to slot our lips together; the action so fluid and natural. Like it was always meant to be Keigo's lips and no one else's.

[rekino2114]

Cute things the drdt girls do for you

A/n:episode 15 was pretty great, I might post my full thoughts on it and chapter 2 as a whole next week when it ends maybe

Teruko tawaki

Follows the sidewalk rule

The sidewalk rule says that when two people are walking on the sidewalk the one who is stronger and/or can take a hit better is the one who walks near the traffic, and teruko follows it...only with you

She has actually been hit by cars before because of her luck (you were very concerned when she randomly dropped that in the middle of a conversation) so protecting you from that is her main priority

She kinda does it subconsciously, gently gripping your wrist and guiding you on the right side, when you ask her why she did that she just blushes and blurts out "I don't want you to get hit by a car"

She actually did get hit when she was with you once but you were unharmed while teruko had to go to the hospital

"I'm so so sorry teru, I should have been more careful"

"Don't worry, at least you're ok, plus this isn't the worst accident that ever happened to me"

"........You're literally covered in bandages and casts"

"Yeah and?"

You start to think her luck actually works because of how she can survive stuff like that

Min jeung

Writes love letters

Min spends a lot of her time writing, be it papers, notes or her schedule. Writing is a big part of her day-to-day life, but what she loves writing the most is definitely love letters for you

Her grammar and handwriting are impeccable, even her punctuation is on point. The only way you can tell that it's a love letter and not an English essay is because of the heart drawn at the bottom

There doesn't have to be a specific reason for her to write you a letter sometimes she just feels like doing it, and you love receiving them,they're a written testament of her love for you

Sometimes they're in really cute envelopes with stamps and everything. she loves seeing your reaction to reading them

"Hello y/n, I have written this to inform you that unfortunately, I won't be able to hang out with you today as I have an important test, feel free to come to my dorm at around 7 pm though, I should have finished by then, I know I could have texted you this but a letter is more romantic don't you think?

Love you

Min jeung" ♡

P.s.:If you see Charles, do you mind telling him thanks for helping me in chemistry? He was a great help

P.p.s.:Yes, don't worry, I'll remember to take breaks, I know how you get if I don't

Arei nageishi

beats up people for you

Ok, it's more than that. It's more how she treats you compared to other people. She's way nicer to you compared to everyone else. Sure, she still teases, throws light insults at you, but you know she doesn't actually mean it...unlike with everyone else (except eden)

She's more than ok with people insulting her. She's used to it by now, and she can easily verbally abuse the person until they cry, but when someone insults you then they truly fucked up

She'll be smiling and giggling with you while the unconscious and bloody body of the person who was unfortunate or stupid enough to say anything negative about you is near her .....you didn't even know she was that strong but now you're kinda scared of her even if you know she'd never hurt you

She also kinda does it to receive compliments and praise for you, she expects you to be flattered and in awe at what she did for you, which you are, but you're also too worried about her to really compliment her

"Not everyone likes you, you're not y/n"

"Not everyone likes y/n"

"......names"

"......What?"

"Give me names bitch, I'll shut their mouth for good when I find them"

Hu jing

Makes you packed lunches

Listen, we all know how much of a mom this girl is. She practically adopted nico. and as her partner, you're definitely on the receiving end of her motherly tendencies

She scolds you when you don't clean your dorm,constantly sends you texts to make sure you're ok, and always checks during the day to make sure you've eaten enough and the best way to assure that is making you lunch herself

Everything always tastes great and incredibly fresh (definitely way better than what the school gives you), but you still feel kinda embarrassed. Even when you try to reject it, she'll try to feed you to make sure you eat. She also definitely wipes your mouth when you're finished

She also writes you a cute note saying things like "hope you have a great day, remember to stay hydrated and study hard" which......doesn't make that much sense since you always eat together in the cafeteria and she's literally standing near you as you read the note but it's so adorable you don't carea

"Come on Darling, you need to eat, don't you like what I made for you?"

"N-no it's not that hu, it's......embarrassing"

"Y/n l/n if you don't eat that, I'll make you....even if it's embarrassing, you still need to eat enough"

"......o-ok"

".....you too huh?"

"Hi nico.......yeah"

J rosales

Gives you her hoodie

Most of her classmates have seen j without her hoodie only on rare occasions, unlike you who have seen her like that multiple times

It's often when it's cold outside, j notices and takes off her hoodie to give it to you, you're very surprised and ask her if it's OK since she'll be cold too then but she just dismisses it and says that you're more important

If you compliment her on how pretty and cool she looks without it on, especially how beautiful her hair looks (I genuinely really love her hair, it looks so cool), she'll blush a lot and maybe ask for her hoodie back so she can hide her face in it (like she does in her sprite)

She'll actually start to wear her hood down more after you compliment her hair enough, because she secretly wants you to do it more but is too embarrassed to ask

"You sure about this j? Won't you get cold?"

"Nah, it's fine, if it really gets cold, I'll just put another one on"

"Cool, thanks so much babe"

"You're welcome"

".....did i mention your hair is pretty?"

"*blushes* y-yeah this is like the fifth time you said it"

"Sorry I can't help it if it's true"

Veronika grebenshchikova

Gifts you plushies

......kinda, it's more accurate to say she gifts you what once were plushies. Some have their heads ripped off, others are covered in blood with one of their eyes missing, it's creepy but sweet...in a Veronika way

Sometimes, she doesn't even give you the plushies directly. They just..... appear on your bed, the only way you can tell Veronika was the one to leave them is because only she would and could do something like this.....you still have no idea how she gets in your dorm but are too afraid to ask

She also gives you plushie and merchandise of every horror movie you can think of. One time she gave you a very haunted looking doll, like the one from Annabelle, and you could have sworn you saw it move at night

When you have movie night at your dorm (which happens very often), Veronika likes to snuggle with both you and all the plushies in your bed as you do the same, it's actually really comfortable

"*sigh* I hate group projects"

"Come on, teruko, I'm sure we'll get it done fast"

"Whatev-.......WHAT THE FUCK?"

"Oh those are the plushies Veronika gives me, aren't they cute?"

"1;NO THEY AREN'T 2: that's not what i meant.....WHY THE HELL IS VERONIKA IN YOUR ROOM?"

"Oh hi vero"

"HI darling, I just wanted to put this new plushie I got you in here"

".......the door was locked, y/n just opened it, how did you get here?"

"Oh yeah she does that, I don't know either"

"*giggle*"

"......You two are deranged"

Rose lacroix

Remembers everything about you

Ok, she remembers everything, period, but that's especially true for you. Any date that is important to you, like a birthday or a special event (like your first kiss) instantly becomes important to her too the moment you mention it, and she'll most likely give you gifts for them

Any food you like and dislike as well as any possible allergies you have are always on her mind when you're eating together, she could even order for you at restaurants if you want, she knows your tastes perfectly after all

Any gifts she gives you always is something you like, no matter if you just mentioned it once to her she remembered and got it for you, there doesn't even need to be a special date for it, sometimes she just feels like it and gifts you something

Unlike basically everything else, your information, likes, and dislikes are actually things she wants to remember and willingly keeps them in her mind. She loves you, so all of this is extremely important information to her

"Hey y/n, do you like this? I just finished painting it, take it"

"Oh it looks great, but why do you want to give it to me? It's not my birthday or anything"

"Oh no, I know, but it is your mom's birthday isn't it? I wanted to give it to her so she'd think I'm a good girlfriend"

"Oh OK....yeah it is. How did you know?"

"You told me, I think it was about.....three months ago, we were talking our families and you brought that up"

"You remembered that, that's so cool"

"Eh, I guess perfect memory comes with some pros....sometimes"

[coughrat]

I don't understand why the DCA fandom has a lot of beef with the TSAMS fandom. I can understand getting annoyed by the little kids asking "Why are you shipping Sun and Moon?" Or some of the toxic ones but I don't get anything else.

The dca and TSAMS fandom are brothers. Not all brothers get along sure, but TSAMS is just an AU. If you don't like that AU then that's fine! Move on. But pls don't make a big deal over people liking it. It's just a YouTube VR chat show.

I have recently seen a big group of people hating on it and seeing it as something so so negative and I don't understand it. The show itself is not a problem. Its not everyone's thing and that's fine! But you can't see it is as mischaracterization when it's a AU. Because it is just that. The characters don't always act like they do in game and with little screen time we get to explore their characters more.

Again I'm not saying to go watch it or interact with the fandom because God knows it's not always the best. But I'm saying pls don't start things and hate on something when you just don't like it.

This whole problem feels like someone saying "I like pink (Dca )" And then someone saying "Well I like magenta (TSAMS )" and the other screaming at them because of how bad magenta is.

( But that's my rant!! Sorry if I was mean ahhh and for my bed English )

[darkfictionjude]

I definitely think there's sexism at play with Nia (although not quite as overt it was with Carmen), people are less forgiving towards female characters across all types of media. Especially ones who aren't humble/modest, morally good, supportive of or even subordinate to male characters (especially if the protagonist is male), conventionally attractive (I know Nia is, but just making the point generally), etc.

But in this specific instance, I think it's also because Nia is the only one with a prior positive relationship with the MC. I could see the MC feeling more strongly about Nia's actions than Lorcan's (who they never had a positive relationship with) and Imre (who they didn't even interact with or care about lol). With Nia, the MC has actually lost something, one of the few positive relationships they had. Maybe the only one if you consider Sally's to be “positive” but unhealthy.

Generally readers tend to feel protective over MCs against characters who hurt them. Sometimes to the extent that isn't viewing the situation fairly/logically, or giving the same grace to other characters as you do for the MC. I've seen authors receive hate over that for characters that are gender selectable too (e.g. Infamous). And this MC is an unreliable narrator and we haven't gotten an explanation from Nia yet or seen what she's seen firsthand, we didn't get a full conversation with her until recently. I think these factors make it harder to judge the situation and easier to view Nia negatively, because as the reader we're missing important pieces of the puzzle right now.

It also could be that what Nia did (distancing herself, ending their friendship, not seeming to care about them anymore (before the end of this chapter)) is something that's more relatable to real life and might even be something people have personally experienced. I see people hate bully characters more than outright murdering villains, because the latter doesn't feel real to most people, whereas there are a lot of people online who have experienced bullying at school. And whilst I understand that Nia doesn't actually like or respect any of that popular group apart from Imre, she's still willingly associating herself with people who are bullying Crown, someone they were friends with for most of their lives.

(I'm saying all this as someone who's looking forward to my MC and Nia rekindling their friendship. But I can understand why some people feel sour towards her, even if her actions are understandable and justified from her perspective. I would probably do the same thing as her tbh, probably even earlier on when she first witnessed a violent outburst. But even if you're being reasonable, your actions/words can still hurt someone else, and I don't think it's unreasonable for that person to feel negatively towards you as a result.)

Like I’ve said many times before I understand the anger over the abandonment, I think it’s extremely valid. My issue is with how the boys are given more grace in everything they do. It just seems hypocritical to be angry at Nia but then coddle the boys as if they’re little babies who don’t understand right and wrong

Imre is friends with those people too, he’s the king of the bully group and even though he doesn’t partake he associates himself with them willingly. Like I really appreciate you writing this all down, and I agree with it it’s just any form of media I’ve always hated how women are held to higher standards than men who are sanctified when all three of them aren’t that great. You want to say “fuck you” to Nia? Good. Deserved from the POV of Crowny. But like there’s no point in twisting the narrative to make it seem that anyone of them is worse than the others when all of them have issues and have not treated Crowny the best

[agxinstthesun]

an overly complex analysis of how the killjoys deal with loss

party poison-

party poison has a soul crushing fear of death. maybe it isn’t apparent- not what you’d expect from someone who appears so confident and in tune with themselves, but there’s signs. the way their eyes go dark when anyone in the crew gets even slightly injured- the way they're always first to volunteer to stay up all night on patrol, knowing their paranoia would keep them up either way. you could chalk it up to their “leader instincts,” but their crew would argue it runs deeper than that. a good leader doesn’t have to do what party does- a good leader - by zone standards - keeps the group motivated- keeps them from splitting up. party poison keeps the group alive, together. they took a team and effortlessly morphed it into a family. admitting to it would feed their suspended guilt even more, but each time they hear of a death outside their inner circle, a small part of them is relieved that it wasn't their family blinded by the witches touch that day.

if it were to happen, it would destroy them. the loss would be bad enough, but the guilt of it all might be enough to put them out of commission for a long while. as strong as they are, the role of "leader" digs into them like the soles of a brand new pair of shoes. leaving an indent of responsibility and overcompensation in the sand with every step they take.

jet star-

jet star never strays far from death, not since what happened to his family. finding his parents ghosted after an unexpected raid carried out by some particularly violent exterminators was the catalyst for a lot of things in his life. his heightened sympathy for the dead and the mourning was one of those things. he was known throughout the desert as a safe person to talk to about those topics. it was even said that he would offer sympathy despite negative affiliations or disagreements your group had with his. it'd be a lie to say it didn't weigh on him, though. the anger built up from hearing all of these stories and the lingering effects from his own experiences culminated in an intense hatred for BLI and everything they had done. this passion was the one thing him and party poison truly connected over when they first met.

it's no surprise that, if confronted by a companions passing, this anger and passion would hit him hard. how unfair it is, how inhumane, it shakes him. initially, he'd think to organize- to finally just go for it and take out as many of those pigs as possible- but he wouldn't. he's too aware of the amount of people in the zones that still need him. he's second in command, he's as much a leader as party is. still, he'd become distant. it'd serve as another warning not to get too close, to not give too much of yourself to something that is only ever temporary.

fun ghoul-

fun ghoul doesn't acknowledge death. despite his ever frequent catfights with it, he manages to get by rarely considering the possibility. the truth being that if he did, the weight of it all would crush him. deep down, he knows he's helpless to it. he knows that each time he evades her grasp, she gets smarter. it's no doubt it'll all catch up to him eventually..but his friends are all untouchable. seeing them injured, near ghosted? it never feels real. on a bad night, he'll think of how the others must look down, mortified, to him each time he’s left bleeding out against the desert sun. it gives him a sense of importance sometimes, but usually it just builds guilt.

if he had to face a loss head on, it would be a pivotal moment to him. as the reality set in, he'd feel lost. stupid for being naive enough to ignore it for so long. that love of throwing himself into the danger that he relied so heavily on before would fade just as fast as it came, the loss weighing him down in small ways for as long as he lived. the remorse he’d feel for pushing his love inward, and seldom expressing it, would sit heavy on his shoulders. he'd cling even more to whatever it is he had left, and protect it with his whole life.

kobra kid-

kobra kid is conflicted on death. of course it scared him- the thought that he would disappear one day, but more often than not, he caught himself wondering if that was just something he had picked up from party. the longer he thought about it on his own time, the more the thought became oddly comforting. the fact that there would eventually be a moment of rest amidst all the chaos didn’t sound all that bad to him..of course, it also pissed him off. it made him mad that the city forced that mindset onto you. the idea that submitting yourself to death was the only way to true freedom. however, it wouldn’t take long for the morbid curiosity found its way back to him.

he was almost too aware of the looming presence of death around him and the rest of the crew (the rest of the desert, really). if it happened, he wouldn’t be shocked, but deeply mourning still. he’d send letters in the mailbox, despite always considering it a futile effort. he’d silently participate in whatever zone rituals he thought would help him feel better, though they almost never would. he’d become especially reclusive and unresponsive to sympathy- it’s just something people do to feel like they’re helping, right? he’s way more dependent on his crew than he’d ever let on, and this fate would only further prove that.

[addamsology]

WEDNESDAY ADDAMS HEADCANONS:

a big theatre fan but in a historical, tragedy, ancient greek theatre way. she loves plays that have a lot of blood & death and hates musicals—enid is opposite.

a cosplayer but in a really strange way. she only dresses up as characters from books and movies literally nobody has ever heard of and gets annoyed when people's cosplays aren't historically accurate.

not actually allergic to color but instead some dyes in fast fashion clothing. she likes to tell people that the flesh peels off her bones because she finds it funny that they believe her.

enid can't show wednesday tiktoks anymore because she gets genuinely frustrated with how dumb people can be. she keeps saying they need to pick up a book.

doesn't wear any jewellery besides the talisman morticia gave her and a ring that was her great aunt calpurnia.

refuses to go to the doctor because she insists her grandmama or mother has a cure for it.

hates the smell of many things, especially axe deodorant.

has weekly calls with her parents. wednesday insists that she only does it because they're her parents but she does secretly love catching them up on what's going on on her end. she also loves when her uncle fester is there too.

uses charcoal toothpaste.

her nails are either painted black or blood red.

carries a medkit, a sewing kit, and binoculars around with her just in case.

a really talented ballerina but she doesn't dance anymore so nobody knows.

scared pugsley into not wanting to be an astronaut when he's older (he had a massive space phase).

terrible texter and not because she doesn't understand technology but because she is used to just finding people in person when she needs to talk to them—she has a flip phone btw!

major and shameless staring problem.

not grossed out by anything (illness, bugs, blood, etc) besides for toddlers. she thinks they're the most disgusting creatures on earth.

oblivious when people like her but nobody can get their crushes on other people past her.

half castilian spanish, half french. the castilian part is canon on her dad's side because morticia refers to him as a 'mad castilian'. other than that i assume morticia is from some european country, maybe france because she does speak french in canon.

loves spicy and savory foods. she doesn't really like sweet foods and prefers dark chocolate and berry flavoured boild sweets.

writer of all things. novels, poems, plays, everything.

gardens with morticia and fences with gomez.

her typewriter was originally morticia's but she passed it down to wednesday when she started taking a real interest in novels.

doesn't see herself as goth, she just likes what she likes.

speaks five different languages—english, spanish, french, yiddish, and latin. she wants to learn chinese and greek (for enid).

tell people facts when they don't ask.

only listens to classical and gothic music, plus the occasional folk song.

her pulse is naturally very light it's hard to tell if she's even alive (liked playing dead in elementary school to give her teachers and mini heart attack while they searched for her pulse).

middle child syndrome (i know that in wednesday she's the oldest but her being the middle child is very dear to me).

given that she doesn't let too many people in, the people she does end up getting treated like family by her and her family. she comes from a very family orientated background so she naturally is like that.

her parents are the reason her standards are so high. she cannot stand men who disrespect and/or belittle her.

unlabelled. she has a very different view on sexuality in her family because it's not something that is particularly discussed. if you fall in love, you fall in love.

thinks very highly of herself and rarely sees herself in a negative light. she knows she has made mistakes and been selfish but she won't change for anyone, only for herself.

always outside when it's dark or raining or storming but you cannot get her out of her dorm/house if it's really sunny. enid is scared that she'll get hypothermia or isn't getting enough vitamin D.

used to have morticia do her makeup and then have tea parties with gomez.

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[presiding]

I'm not a new follower and I've been here long enough but i do have a relatively bad memory

So I've wanted to ask, what's your opinion on "Dishonored: death of the outsider"?

Right now I'm replaying Dishonored games not in the release order, i already finished DH2 and started Daud dlcs. Maybe I'll go for vanilla DH later

But thoughts about going through death of the outsider again makes me feel something that i can't explain... 😬

It has some interesting ideas but antagonists are underused. Locations repeat a lot. And Billie herself deserved SO much better than whatever is going on with her character

I'm genuinely debating if i should revisit *this* one or pretend that DH2 is the last game. I know that some people love DOTO but i can't find strength in me

love to chat about death of the outsider, ty for the ask!

i feel your pain. it's the one game i struggle to revisit. but! i was thinking about your points and how DotO has the feel of budget cuts.

it's been about a year since my last DotO post - so, essay time -

a measured response to common DotO criticisms

(the thousand bugs of dishonored 2 I had borne as I best could, but when doto ventured upon sidelining billie and retconning daud's arc I vowed revenge*

*can't resist a cask of amontillado joke

criticism is easy and creation is hard, so, if this isn't the type of response you wanted, you can read my other DotO posts:

how i'd write death of the outsider

that post i did after trying to play doto a third time and couldn't make it past the opening scene (you might like my tags on this re: your comment "makes me feel something i can't explain")

billie lurk as a nonprotagonist & misogynoir (more on this below...)

gonna leapfrog off your comments cause I agree!

antagonists are underused/locations repeat a lot.

who is steering the boat?

let's start up at the top; everything stems from there.

DotO was caught up in ownership/transition issues. here's an article about harvey smith and raphael colantanio at that time. if you didnt know, colantonio is the main founder of arkane (semi-related but just for fun look his appearance up then go through arkane's protags and tell me what you notice...).

quote from harvey smith re: DotO -

“Then, just as I move back, [Colantonio is] announcing that he’s leaving. Going forward, I’ll focus more and more on the Austin studio and what we’re going to do there. Death of the Outsider is my wrapping up with the guys in Lyon – the first half of that we planned together while I was living there, but the second half was worked on while I was living in Austin. I’ve been communicating with them through video conferences and stuff, so they carry a lot of the load of the second half of it.”

so the founder jumped ship and the co-creative director has to step away from his usual position (over to sinking ship Austin). meanwhile, DotO is still in development. i'm a big believer in people making art, and not companies (even in this article Smith acknowledges much of their "secret sauce" can be traceable to specific devs but i digress)

$$$ kaching - some speculation

on the note of founders - past this point in arkane's history (ie. the main founder stepping back), arkane would have been being primed for sale. this translates to high scrutiny on project expenditure (such as hiring cheaper early career staff, hiring less workers, denying your best staff raises causing them to leave and hiring cheaper workers in their place, etc) to make the company's EBITDA look more appealing to buyers (briefly, its the piece of paper that proves you're profitable). based on speculative timelines, from a purely $ perspective within the first year of dh2 being released is when you'd be looking to slim down your capitalised expenditure (aka: cutting staff while the revenue is at a peak to make number go brr and make your company look like a better investment) because to maximise the profit of a company's sale, you really have a great track record for a few years.

this is purely speculation based on timelines. companies are very careful to hide when they're doing this, ideally they want ~3 years of a great track record (and staff that will keep working their hardest).

big goals and no money

DotO was meant to be a two-part DLC like the Dh1 DLCs, so shout out to what could have been made if their original pitch had worked.

On locations & antagonists & budget - this dev's site discusses the Conservatory level in game AND specifies it was budget constraints being the reason for cutting off traversable area from that mission. Great link for comparing the original level & the DotO version, especially re: your point about reused assets/levels.

We could pick other examples here but this post is already long so -

Billie herself deserved SO much better than whatever is going on with her character

i would forgive this game anything if there was any good billie storywriting.

:')

its never just the writers

after revisiting articles to fact-check for this essay, i've seen a lot of articles blaming writers by name (you didn't do this anon which i love <3)

games are made by teams, and decision making is generally done top-down, so blaming individual contributors is shit. 1) writer's pay isn't good enough to cop this kind of abuse. 2) it's rarely in their control - you can write a beautiful scene only to have that level cut due to costs (etc), and then you need to work out how to make the story make sense. ideation & decision-making are separate and i guess 'this idea was [X]'s' should not be mistaken for 'this is the fault of [X]'s.'

on hiring fans (& imm-sim writing strategies)

the new writers [...] already had an idea of the world, as they’d seen it from the outside, as fans. “These are all people that knew this world we had created and they took it as canonical, as the gospel. Whereas, for us, it was bits and pieces we’d made up along the way.”

as someone who used to hire writers, and i promise this isn't in bad faith: don't hire fans unless your priority is cost then, sure, fans are likely to put in overtime (and not be in a position in their career where they can ask for higher remuneration - they'll pay the passion tax to be involved).

writers (esp new career writers) have to be open to receiving feedback assuming healthy/functional processes, and being a fan makes that harder because you care more. and, as a fan, you know what loose ends exist and that's where you'll naturally jump to, even though writers should start with target audience and branding, and build from there. if i expand on this i'll get offtopic so let's keep going!

DotO feels lifeless because it doesn't add anything to the DH universe, it only takes away by closing storylines without the satisfaction of closure. sure, stuff was added - the cult subplot, locations, some NPCs/enemies, etc. but they feel like part of the objectives, not part of the dishonored universe. you can feel the decision-making process when you play: there's a feeling that the priority was to finish the assets required for missions, instead of writing a story that feels immersive.

compared to standard videogame writing, where you can generally get away with "everything you touch and read relates to your objectives as the protagonist", as an imm-sim writer, you need to focus on:

how does this text build the universe so that the player feels like they're only seeing a small part of the world?

of course - this is difficult with budget/time concerns. i've said it before but this is part of why we rarely have games as rich as dishonored 1 & 2, because imm-sim design philosophy flies against the current videogame industry trends of microtransactions & cheap-to-make addictive mobile games. given a tight budget you focus on the high level story, but player immersion is a function of details.

most likely, dh2 was the end of an era. typing that out makes me sad.

what did the devs say about writing billie

*breathes deeply*

the death of the outsider protag was originally pitched as being about a regular human, someone not related to emily and corvo but instead an overseer or a brigmore witch. daud was also pitched.

this could have worked! really cool to have a nobody, or a heretic, or an overseer, be involved with the death of a god. and i've mentioned before that storywise DotO's protag could have been anyone (i think i made a joke about wyman? hah) and wouldn't change the story much, bar some daud bits.

quote from the same article:

eventually Arkane settled on Billie Lurk, Emily's companion from Dishonored 2. [...] Bakaba tells me that because Billie had already received her redemption arc in Dishonored 2, Death Of The Outsider's story could be about something more than that.

welp.

so there's two things here - a redemption arc claim, and DotO's actual story.

in addition to not being the first pick, the view was that billie's story was over. i question the 'redemption arc' claim - sure, billie helps the protag in dh2 but after her confession, if you tell her she's changed, she brushes it off and you part awkwardly without forgiving her... does that count? if a tree falls in the forest and no one is around to hear it does it make a sound? if a character redeems themselves but the story never tells you, are they redeemed?

billie's role in dh2 isn't really that different to the dlcs, where she follows you around being Mr Exposition while withholding a LOT of information that could have actually helped the protag. given DotO's plot, going after the killer who shaped her doesn't scream 'reformed' either. ludonarratively speaking, the lack of chaos implies billie never changed from being a callous killer - which i'm not against, it would have been a cool story.

and! contrast this with daud who already had his redemption arc!

When first conceptualising Death Of The Outsider in around 2014, Smith and Duval knew they wanted two things: Billie Lurk being used to get to The Outsider himself, and closure for Dishonored villain (and later ally) Daud.

in the two DLCs, as we know, he comes to realise his actions sucked, and as the player you actively make things right (related: my post about ludonarrative dissonance in dh2). so if billie had "already received her redemption arc", why was this another daud story?

imo this isn't a budget issue but a misogynoir issue. "we want this story to be not about the protagonist so any random NPC will do, how about we go with billie lurk and get a black woman as a dishonored protag?" this logic, which is what i'm reading of the above two quotes, feels frustratingly tokenistic when she's an established character with a rich background. it's an example of surface level diversity because DotO is not about her by arkane's own admission. it's a similar vibe to the companies who say they have a diverse team but you check their staff page and all the people of colour have 'assistant' in their title and the board is all white, so it's not people of colour who are driving the business. maybe this was entirely by accident but these accidents add up to systematic failure - billie gets her own game but never her own story. it feels like she got assigned the caretaker role for these two guys. great.

for fairness, let's compare to dh2. corvo & emily are relatively hands-off protags in terms of their ongoing thoughts about their surroundings and the lore placement about them specifically is sparse, and this style continues in DotO. the issue is the core narrative: corvo & emily are both the protagonists of their story in the sense that dh2's story reflects their goals ("take back what's yours"), whereas Billie is an established character who has arguably little reason to go along with each mission. worse, the main plotline she's literally forced into going along with. in the opening scene billie gets assaulted and still helps the guy who assaulted her.

fundamentally, DotO's narrative is not about billie but about daud and the outsider, and this article makes clear that was by design.

whats the takeaway

DotO is the weakest entry in the Dishonored series for most people, and blaming budget & a corporate changeover makes me feel... uh well it doesn't really help me tbh but your mileage may vary. it does interest me to think about what we could have had!

for me, my opinion is that if writing billie was a priority (link to my own post where i describe the feeling of playing doto as someone interested in billie) arkane would have made it a priority, even amidst constraints. billie's redemption arc was not resolved imo, and putting her in a game without a chaos system feels like as much a backwards slide for her as daud's plotline to kill the outsider was for his arc.

we absolutely 🤝 on not being in a rush to play the game again.

on the upside. dishonored 2 is a really wonderful game and i love it very much.

[ghostfacetheballfondler]

you can't destigmatize mental illness by playing into respectability politics

[longagoitwastuesday]

Every day I am haunted by the fact JJK could be amazing but it will be just idk Bleach or something

[rouge-fauna]

I think you’re talking about these posts [here & here], I don’t know if there have been others.

I'm not gonna say what I did was right, you are correct I should probably just not respond to asks getting me to talk about other people. I will say for these two posts those people had already blocked me I’m pretty sure, so it’s kinda hard to talk directly to them in that case. And I was not doing so anonymously and had not blocked them so I wasn’t hiding what I was saying. I did not follow them, I am not part of the innitor community, and not that that makes it right but I do think it is kinda different. Though you make a good point, perhaps we should stop this pattern of responding to asks about other blogs and such.

Still, the biggest thing to me I realized, back in elementary school when I first dealt with this, was that honestly all the time we talk about people behind their back. Talking about people when they aren’t always in the room is kinda just inevitable and part of socializing, however I think the important part is how you are talking about other people. It’s when you are insulting them, talking negatively about them to people they know, spreading false information and so on that it becomes not okay. Hopefully that makes sense.

In these cases I merely focused on the lore. I didn’t insult them or talk shit about them, as a person, as a blog or say their takes were stupid or they are stupid or speculate about their trauma or mental history. I just talked about reasons why I disagreed, or saw things differently and why we might see things differently. They were also not the only ones I saw to say similar things so I think in my mind I was making more of a general discussion, not trying to target them specifically. I didn’t post beyond that about them. But you are right, regardless it was probably not the right way to go about things.

But just to be clear, if I am a hypocrite it is not my intention. I haven’t vague blog anyone or meant to vague reblog anyone. I think this week is pretty much the first time I’ve ever been not naming, passive aggressively talking about blogs, and even then I’m not trying to insult them, trying to cancel them. I’m just expressing that before you go off about how I’m stupid and unable to have a discussion about it, the very least you could’ve done was give me an opportunity to try.