#our history our story our legacy

[saydesole]

Nuthin’ But a “Black” Thang Baby ✊🏿

[nashmusicguide]

TPAC announces 45th Anniversary Broadway season featuring six Nashville premieres and two-week engagements of HAMILTON and Disney’s BEAUTY AND THE BEAST

A storybook season awaits as the nonprofit Tennessee Performing Arts Center® announces its 2025-26 HCA Healthcare/TriStar Health Broadway at TPAC season, presented in partnership with Nissan and Farm Bureau Health Plans, as part of its 45th Anniversary. The upcoming season features six Nashville premieres, plus the return of a classic fairy tale and the revolutionary re-telling of American…

[luvsimskaos]

Ishmael and Sable have their birthdays. Both blow out their candles and become adults with wrinkles to much.

Despite getting older, their lives haven't changed much. The couple still loves to sit on the porch discussing their lives but this time surrounded by their children.

[delicatelysublimeforester]

Legends Among Us: Celebrating Canada's Storied Past

Join us to celebrate Canada History Week from November 18 to November 24, 2024 Canada History Week, celebrated from November 18 to November 24, 2024, provides Canadians with a chance to delve into the rich tapestry of their nation’s past. This commemorative week encourages reflection on the people, places, and events that have shaped Canada’s identity. Explore, Learn, Remember: Canada History…

[kaleenbaba]

Hand Knotted Rugs: A Timeless Craft of Luxury and Durability

Hand knotted rugs are more than just floor coverings; they're works of art that carry the legacy of professional craftsmanship. These rugs, made by artisans who meticulously tie hundreds of knots by hand, offer remarkable durability, beauty, and intricacy in design. At Kaleen Baba, we specialize in high-quality hand knotted rugs, perfect for those who appreciate fine craftsmanship and want to invest in a long-lasting piece for their home.

Hand Knotted Rugs for Sale: A Rich Collection

When you’re looking for hand knotted rugs for sale, it’s essential to understand the value of these exceptional pieces. The process of hand knotting can take months, depending on the size and complexity of the design, which is why these rugs are considered premium in the world of floor coverings. Made from materials like wool, silk, or a blend of both, hand knotted rugs not only add a luxurious touch to your home but also stand the test of time.

At Kaleen Baba, we offer a wide variety of hand knotted rugs, ranging from traditional Oriental patterns to modern designs. Whether you’re looking to adorn your living room, bedroom, or hallway, our collection has something for every taste. Each rug tells a unique story and brings a sense of history and elegance to your space.

Hand Knotted Runner: Style and Functionality

A hand knotted runner is an excellent way to add both style and functionality to narrower spaces like hallways, entryways, or staircases. These long, slim rugs offer the same beauty and craftsmanship as larger hand knotted rugs but are designed to fit in more compact areas.

Not only do runners provide a decorative element, but they also protect your floors from wear and tear, making them both practical and stylish. At Kaleen Baba, our collection of hand knotted runners includes both traditional and modern designs, ensuring you find the perfect piece to match your interior décor.

Hand Tufted vs Hand Knotted: Understanding the Difference

When comparing hand tufted vs hand knotted rugs, the main distinction lies in the crafting process. Hand tufted rugs are made by punching wool or other fibers through a canvas backing using a hand-operated tool. This process is faster and less labor-intensive, which makes hand tufted rugs more affordable than hand knotted ones.

On the other hand, hand knotted rugs are crafted by tying individual knots onto the foundation of the rug. This intricate process requires a great deal of time and skill, resulting in a rug that is more durable and luxurious. Hand knotted rugs tend to be more expensive but are also more durable and considered long-lasting investments. If you’re looking for a rug that combines beauty, craftsmanship, and durability, hand knotted rugs are the way to go.

Conclusion

Whether you’re interested in the timeless beauty of hand knotted rugs, searching for hand knotted rugs for sale, or need a stylish hand knotted runner, Kaleen Baba offers a wide selection to meet your needs. For more information, feel free to reach out to us at info@kaleenbaba.com or call +91-900-590-0831. Explore our collection and bring home a piece of art that will enhance the beauty of your living space for years to come.

[quinshae]

(via 17. School Trouble (part 2))

Rose must decide whether to honor the promise she made to her father or the one she made to her best friend.

Start “A Love Like Ours” from the beginning HERE

[kingstarkingslay]

Imagine if the Marauders started a Podcast

The episodes would be amazing:

"Why You Should Never Trust a Slytherin"

"How to Handle a Moody Marauder"

"The Remus Lupin Fan Club"

"A Sirius Talk About... Feelings"

"Marauder’s Map: The Places We Shouldn’t Have Been"

"The Secret Life of Animagi"

"How to Make a Big Deal Out of the Smallest Thing (Thanks, Sirius)"

"A History of Bad Decisions: The Marauders Edition"

"The One Where We Almost Got Caught (Again)"

"Potter’s Perfect Hair: A 12-Step Guide"

"The Marauder’s Guide to Losing Everything (Except Our Pride)"

"How to Get Detention with Style"

"Potions: Poisoning Our Teachers Since 1974"

"James Potter’s Quidditch Rants: A Legacy of Yelling"

"How We Got Away With It (Spoiler: We Didn’t)"

"Remus Lupin: The Marauder Who Actually Studied"

"Moonwater: A Platonic Love Story with Zero Emotional Skills"

"The Slytherin Conspiracy: Why Snape is Definitely Not Our Friend"

"Siriusly, Remus? I’m Right Here!"

"James Potter: Loveable Idiot or Just an Idiot?"

"Wolfstar: The Original ‘Will They, Won’t They’"

"Jegulus: The Enemies-to-Lovers Story You Never Knew You Needed"

"The Marauder’s Guide to Love: Romantic Advice from the Worst Experts"

"How to Suffer in Silence (Remus and Regulus Edition)"

"Marauder Pranks: The Ones We Didn’t Mean to Pull"

"The One Time Regulus Black Smiled and Everyone Panicked"

"How to Survive a Full Moon (With Minimal Blood Loss)"

"The Moonwater Chronicles: How to Have a Completely Inappropriate Conversation"

These are just to name a few, I can come up with more if you’d like ✨

[intersex-support]

Intersex Resources: Books, Art, Videos

Here's a list with some resources to learn about intersex community, history, and politics! These include some academic sources and some community sources. I'd love to add sources in other languages and that focus on countries besides the United States, so if anyone has recommendations, please let me know. Continually updating and adding sources.

Reading list:

Intersex History:

"The Intersex Movement of the 1990s: Speaking Out Against Medical and Narrative Violence" by Viola Amato.

Hermaphrodites with Attitude Newsletters.

Jazz Legend Little Jimmy Scott is a Cornerstone of Black Intersex History By Sean Saifa Wall

"Hermaphrodites with Attitude: Mapping the Emergence of Intersex Political Activism" by Cheryl Chase

Chrysalis Quarterly: Intersex Awakening, 1997.

"What Happened at Hopkins: The Creation of the Intersex Management Protocols" by Alison Redick.

Bodies in Doubt: An American History of Intersex by Elizabeth Reis.

Intersex Politics

“A Framework for Intersex Justice.” Intersex Justice Project

"Creating Intersex Justice: Interview with Sean Saifa Wall and Pidgeon Pagonis of the Intersex Justice Project." by David Rubin, Michelle Wolff, and Amanda Lock Swarr.

"Intersex Justice and the Care We Deserve: ‘I Want People to Feel at Home in Their Bodies Again." Zena Sharman.

Critical Intersex edited by Morgan Holmes.

Envisioning African Intersex: Challenging Colonial and Racist Legacies in South African Medicine by Amanda Lock Swarr.

"Intersex Human Rights" by Bauer et al.

Morgan Carpenter's writing

"I Want to Be Like Nature Made Me: Medically Unnecessary Surgeries on Intersex Children in the US." by Human Rights Watch.

Cripping Intersex by Celeste E. Orr.

"From ‘Intersex’ to ‘DSD’: A Case of Epistemic Injustice" by Ten Merrick.

"Did Bioethics Matter? A History of Autonomy, Consent, and Intersex Genital Surgery." by Elizabeth Reis.

Intersex Community

"Normalizing Intersex: Personal Stories from the Pages of Narrative Inquiry in Bioethics." edited by James DuBois and Ana Iltis.

Hans Lindhal's blog.

InterACT Youth Blog.

Intersex Justice Project Blog.

"What it's like to be a Black Intersex Woman" by Tatenda Ngwaru.

Intersex Inclusive Pride Flag by Valentino Vecchietti.

The Interface Project founded by Jim Ambrose.

Intersex Zines from Emi Koyama

Teen Vogue's Intersex Coverage

YOUth& I: An intersex youth Anthology by Intersex Human Rights Australia

Intersex OwnVoices books collected by Bogi Takacs.

Memoirs:

Nobody Needs to Know by Pidgeon Pagonis.

Inverse Cowgirl by Alicia Roth Weigel

XOXY by Kimberly Zieselman

Fiction:

Icarus by K Ancrum.

An Unkindness of Ghosts by Rivers Solomon

Video/Audio

Every Body dir. Julie Cohen.

Hermaphrodites Speak! 1997.

Liberating All Bodies: Disability Justice and Intersex Justice in Conversation.

"36 Revolutions of Change: Sean Saifa Wall."

Inter_View: An Intersex Podcast by Dani Coyle

Hans Lindhal's Youtube channel.

What it's Like to be Intersex from Buzzfeed.

Emilord Youtube channel

I'm intersex-ask me anything from Jubilee

What it's like to be Intersex-Minutes With Roshaante Andersen.

Pass the Mic: Intercepting Injustice with Sean Saifa Wall

Art

"Hey AAP! Get your Scalpels Off Our Bodies!" 1996.

Ana Roxanne's album Because of a Flower.

Intersex 1 in 90 potraits by Lara Aerts and Ernst Coppejans

Anyone can be Born Intersex: A Photo-Portrait Story by Intersex Nigeria.

Pidgeon Pagonis "Too cute to be binary" Collection

Juliana Huxtable Visual Art

Koomah's art

Please feel free to add on your favorite sources for intersex art, history, politics, and community !

[tomicscomics]

01/01/2025

All hail Mary! Lady full of grace, The child that you bear will save the human race!

Through you the great I Am Takes on the flesh of man And He comes to save us from our sin!

(Happy Solemnity of Mary, Mother of God, and Happy New Year!)

___

JOKE-OGRAPHY: 1. The internet has a long and storied history of random, unsolicited Christian Sonic fanart. I’m not sure why this is, but as a random, unsolicited Christian myself, I figured it was time I added to that legacy. This cartoon features Shadow the Hedgehog (Sonic’s edgy rival) praying the rosary before a shrine to the Blessed Virgin Mary. He says “Ave Maria” because that’s the first line of the “Hail Mary” (a popular Catholic prayer) in Latin, but is also a reference to Shadow’s best friend from his tragic backstory: Maria. 2. Sonic Adventure was one of the first games I remember playing. My brothers, cousins, and I would spend all our limited gaming time playing it on my uncle’s Sega Dreamcast. When the sequel, Sonic Adventure 2, came out, my grandparents got it for me as an early birthday gift. Even my sisters enjoyed the games because of the adorable Chao Garden (bring it back, Sega, you cowards). Anyway, the series has had its ups and downs since then, but it’ll always hold a special place in my heart. Sonic Adventure 2 also introduced Shadow the Hedgehog and his tragic backstory with Maria, which the new movie, Sonic the Hedgehog 3, finally adapted for the big screen. I never thought I’d see the day. 3. The description under the cartoon is a parody of “All Hail Shadow”, a theme song from the notorious Shadow the Hedgehog spin-off game from 2005. Instead of the original lyrics, I've turned it into a revamped “Hail Mary” prayer, because all things will submit to God.

[artist-issues]

I Hate How She Talks About Snow White

"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "

Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.

It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)

Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."

It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.

Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.

Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.

In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.

It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.

Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?

Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.

It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.

Sit down and be humble. Who the heck are you?

[libraford]

A local organization here has released a list of books that they feel are imperative to have in the time ahead. The list was not easily shareable, so I copy-pasted it here.

There is no need to read all of these, but one thing you can do that takes little effort is call your library and see if they have them in stock.

If you are moneyed, you can buy some copies and put them in little free libraries.

EDUCATING FOR ADVOCACY BOOK LIST

All books are written by authors from that culture

BOOKS FOR ADULTS

(2024) Be a Revolution: How Everyday People are Fighting Oppression and Changing the World - and How You Can, Too by Ijeoma Oluo

Each chapter discusses how someone is advocating for oppressed populations

and has examples of how others can do the same or similar.

(2024) The Message by Ta-Nehisi Coates

The author travels to Senegal, South Carolina and Palestine and grapples with deep questions and emotions.

(2023) Better Living Through Birding: Notes From a Black Man in the Natural World by Christian Cooper

A memoir of a Black man learning to claim space for himself and others like him.

(2022) Myth America: Historians Take On the Biggest Legends and Lies about Our Past Edited by Kevin M. Kruse and Julian E. Zelizer

The title explains it so well.

(2022) South to America: A Journey Below the Mason Dixon to Understand the Soul of a Nation by Imani Perry

History, rituals, and landscapes of the American South and why they must be understand it in order to understand America.

(2022) Memphis by Tara M. Stringfellow

Tells the story of 3 generations of a Southern Black family in Memphis.

(2021) How the Word is Passed: A Reckoning with the History of Slavery Across America by Clint Smith

An exploration of important monuments and landmarks in the USA that show

how slavery has been foundational in the development and history of our country.

(2021) The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together by Heather McGhee

The title explains it.

(2021) The Seed Keeper by Diane Wilson

Historical fiction telling the story of several generations of a Dakota family

(2020) The Good Immigrant: 26 Writers Reflect on America edited by Nikesh Shukla and Chimene Suleyman

26 authors share their stories of living in the USA.

(2020) Caste: The Origins of Our Discontents by Isabel Wilkerson

Examines the unspoken caste system that has shaped America and shows how we continue to be defined in this way..

(2020) This Is What America Looks Like: My Journey from Refugee to Congresswoman

by Ilhan Omar

This title explains it.

(2019) The 1619 Project: A New Origin Story by Nikole Hannah Jones (among others)

Reframes our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative.

(2019) Things are Good Now by Djamila Ibrahim

Stories of how migrants sort out their lives in foreign lands.

(2018) So You Want to Talk About Race by Ijeoma Oluo

An examination of race in America.

(2018) I’m Still Here by Austin Channing Brown

A memoir telling her journey of learning to love her blackness while navigating America's racial divide.

(2018) If They Come for Us by Fatimah Asghar

Poetry that captures the experience of being a Pakistani Muslim woman in contemporary America, while exploring identity, violence, and healing.

(2016) Stamped from the Beginning: The Definitive History of History of Racist Ideas in America by Ibram X. Kendi

Traces the history of Black America.

(2015) Between the World and Me by Ta-Nehisi Coates

A memoir, in the form of a letter to his young son, telling his personal experiences with racism and violence in the United States.

(2015) My Seneca Village by Marilyn Nelson

Poetry and information about Seneca Village – a multi-racial, multi-ethnic neighborhood in the center of Manhattan (Central Park ) that thrived in the mid-19th century.

(2014) An Indigenous Peoples' History of the United States by Roxanne Dunbar-Ortiz

Tells the 400+ years of US history, from the perspective of Indigenous peoples

(2013) Braiding Sweetgrass: Indigenous Wisdom Scientific Knowledge, and the Teaching of Plants by Robin Wall Kimmerer

Explores the place of plants and botany in both Indigenous and Western life.

(2010) The Warmth of Other Suns: The Epic Story of America’s Great Migration by Isabel Wilkerson

Follows the stories of three Black Americans’ migration journeys from Mississippi, Florida and Louisiana.

(2010) The New Jim Crow: Mass Incarceration in the Age of Colorblindness

By Michelle Alexander

Explains how we haven’t ended, but have redesigned, the caste system in the U.S.

(1972) Lame Deer, Seeker of Visions by John (Fire) Lame Deer and Richard Erdoes

Told by Lame Deer, a Lakota medicine man, this memoir teaches the history of Indigenous people in the USA.

BOOKS FOR GRADES K-12

GRADES 7 - 12

(2021) Firekeeper’s Daughter by Angeline Boulley

The novel's main character is a young woman with a French mother and an Ojibwe father, who often feels torn between cultures.

(2021) The 1619 Project: Born on the Water by Nikole Hannah-Jones and Renée Watson

Illustrated by Nikkolas Smith

Tells the story and consequences of American slavery in verse.

(2020) Stamped: Racism, Antiracism, and You by Jason Reynolds and Ibram X. Kendi

Shorter and appropriate for middle and high schoolers.

(2020) All Boys Aren’t Blue by George M. Johnson

Series of personal essays about the author’s life growing up as a gay, black man.

(2020) Dictionary for a Better World: Poems, Quotes, and Anecdotes from A to Z by Irene Latham and Charles Waters Illustrated by Mehrdokt Amini

Explained in title.

(2020) Woke: A Young Poet’s Call to Justice by Mahogany L. Browne with Elizabeth Acevedo and Olivia Gatewood Illustrated by Theodore Taylor III

Poetry about fighting for racial justice through joy and passion.

(2020) Be Amazing: A History of Pride by Desmond Is Amazing Illustrated by Dylan Glynn

The history of Pride, with bold illustrations, focusing on the importance of embracing one’s own uniqueness and tuning out the haters.

(2020) Dear Justyce (Dear Martin #2) by Nic Stone

Continues the story of Justyce from Dear Martin in a series of flashbacks and letters.

(2020) Punching the Air by Ibi Zoboi and Yusef Salaam

A novel in verse about a boy who is wrongfully incarcerated.

(2019) Gender Queer: A Memoir by Maia Kobab

The author tells the story of life as a nonbinary person in graphic novel form.

(2019) An Indigenous Peoples' History of the United States for Young People original book by Roxanne Dunbar-Ortiz adapted by Debbie Rees and Jean Mendoza

Shorter and appropriate for middle and high schoolers

(2017) Sea Prayer by Khalad Hosseini Illustrated by Dan Williams

Written as a poetic letter, from father to son, this is a story of the journey of refugees.

(2017) Dear Martin (Dear Martin #1) by Nic Stone

A story of the realities of a Black teen living in America.

(2015) All American Boys by Jason Reynolds and Brendan Kiely

From the perspective of two teenage boys, one Black and one White, a story is told with the realization that racism and prejudice are still alive and well.

(2015) Beyond Magenta: Transgender and Nonbinary Teens Speak Out by Susan Kuklin

The author interviewed six transgender for gender-neutral young adults and lets

them tell their story.

(2011) Heart and Soul: The Story of America and African Americans written and illustrated by Kadir Nelson

The title explains it well

GRADES 4 - 6

(2023) An American Story by Kwame Alexander illustrated by Dare Coulter

Tells the story, poetically and honestly, about American slavery

(2023) Step by Step!: How the Lincoln School Marchers Blazed a Trail to Justice

by Debbie Rigaud and Carlotta Penn illustrated by Nysha Pierce

Tells the story of a group of Black mothers and children and their two-year march to integrate an Ohio elementary school.

(2022) Say Their Names by Caroline Brewer illustrated by Adrian Brandon

A young Black girl leads a #BlackLivesMatter protest march.

(2021) Stamped (For Kids): Racism, Antiracism, and You by Jason Reynolds and Ibram X. Kendi.

Shorter, more kid friendly version of Stamped from the Beginning.

(2021) Unspeakable: The Tulsa Race Massacre by Carole Boston Weatherford illustrated by Floyd Cooper

Traces the history of this African-American ‘Wall Street District’ and its destruction by White supremacists.

(2016). I Dissent: Ruth Bader Ginsburg Makes Her Mark by Debbie Levy illustrated by Elizabeth Baddeley

The life and work of RBG told in picture book form.

(2008) Silent Music: A Story of Baghdad written and illustrated by James Rumford

Ancient and recent history of Baghdad from the perspective of a young boy.

(2005) Show Way by Jacqueline Woodson illustrated by Hudson Talbott

Traces the history of the ‘show way’ quilt from slavery through freedom.

(2005) My Name is Bilal by Asma Mobin-Uddin illustrated by Barbara Kiwak

Muslim-American student experiencing religious prejudice.

(2005). Amelia to Zora: Twenty-Six Women Who Changed the World by Cynthia Chin-Lee Ilustrated by Megan Halsey and Sean Addy

An alphabet book that teaches about the extraordinary lives of 26 women.

(1978). The Other Way to Listen by Byrd Baylor and Peter Parnall

Helps children learn about indigenous cultures.

GRADES PRE-K - 3

(2023) These Olive Trees: A Palestinian Family’s Story written and illustrated by Aya Ghanameh

A story of a young girl and her family in Nablus, Palestine, 1967

(2020). Antiracist Baby by Ibram X. Kendi illustrated by Ashley Lukashvsky

Teaches young children how to be an antiracist.

(2016). When We Were Alone by David A. Robertson and Julie Flett

A young, indigenous girl learns about her grandmother’s experience in a

residential school.

(2013). A is for Activist by Innosanto Nagara (board book)

An ABC book that teaches children about being an activist.

[saydesole]

Happy Black History Month

Black Opera Singers

Their names are presented below, in chronological order from top to bottom

Marian Anderson 1897-1993

Paul Robeson 1898-1976

Leontyne Price 1927- Still Living

William Warfield 1920-2002

Elizabeth Greenfield 1824-1876

George Shirley 1934- Still Living

Caterina Jaboro 1898-1986

Jules Bledsoe 1898-1943

[ryanseslow]

NEWYAWK T-SHIRTS ARE BACK!

Experience the epic saga behind the NEWYAWK t-shirts brand, a story etched in the heartbeats of New York City itself! Born amidst the legendary streets of the Big Apple, NEWYAWK is not just a brand; it’s a vibrant symphony of multi-sensory soulfulness that pulses through the veins of every true New Yorker.

Picture this: The bustling 1970s, 80s, and 90s, a time when the city was an evolving kaleidoscope of cultures and dialects. New Yorkers didn’t just speak; they orchestrated their own language! “Walk” metamorphosed into “WAAWK,” “talk” became “TAAWK,” “coffee” was no longer just coffee—it was “CAAWWFEE.” And “three” wasn’t just a number; it was “TREE.” These linguistic quirks are the very heartbeat of NYC’s vibrant culture.

As our founder journeyed through these bustling streets, he discovered the magic of graffiti and stencil art, a transformative love that birthed the unique tag: “newyawk.” This wasn’t just a tag; it was a revolution in lowercase, a cardboard stencil masterpiece that evolved into a hand-painted marvel for screen printing. And then, the pièce de résistance: a classic car image, symbolizing movement and the relentless drive of New Yorkers.

The journey of NEWYAWK is one of passion, creativity, and an undying love for the art of silk screen printing. This technique didn’t just create prints; it immortalized them, preserving the hand-painted charm that makes each t-shirt a timeless piece of wearable art.

Today, NEWYAWK isn’t just a brand—it’s a grassroots phenomenon. These t-shirts, born from a heart full of NYC pride, have taken the world by storm. They’re not just worn; they’re celebrated, cherished, and adored by those who wear their love for New York on their sleeves.

Join the movement. Embrace the story. Wear the legacy. Discover the NEWYAWK t-shirts brand and become a part of this incredible journey.

Explore our collection and feel the heartbeat of New York City at https://newyawkteeshirts.com/ – The brand name is NEWYAWK, and we promise you, this is more than just a t-shirt—it’s a piece of NYC history, ready to be worn by you.

Feel the energy. Live the legend. Wear NEWYAWK.

Grab yours now from our Shop!

[usnatarchives]

“I was in Monmouth battle and many others and received a wound in my face from a ball, the scar of which is still visible.” – Robert Green, veteran

Robert Green gave this testimony at the age of 65 when applying for a federal pension for his service. Green’s story embodies the courage and resilience of African American patriots during the Revolutionary War. Wounded at the Battle of Monmouth, Green’s journey is a testament to the sacrifices made for the liberties we cherish today.

We invite you to be a part of a monumental effort to bring these stories to light. By joining our Revolutionary War Veterans Transcription Project, you’re not just transcribing documents; you’re helping to preserve and honor the legacy of African American soldiers.

You can ensure their stories, their sacrifice, and their dreams are not forgotten. Dive into history, transcribe with us, and help make the legacy of heroes like Robert Green accessible for generations to come.

Visit https://www.archives.gov/citizen-archivist/missions/revolutionary-war-pension-files for details!

[dostoyevsky-official]

not only did the NYT propagate anti-trans stories feeding today's EO ban and refuse to acknowledge elon's nazi salute, they went vichy-media mode by banning paul krugman from the op-eds:

Last month I retired from my position as an opinion writer at the New York Times—a job I had done for 25 years. Despite the encomiums issued by the Times, it was not a happy departure. [...] I believe that the story of why I left says something important about the current state of legacy journalism.

[...] During my first 24 years at the Times, from 2000 to 2024, I faced very few editorial constraints on how and what I wrote. For most of that period my draft would go straight to a copy editor, who would sometimes suggest that I make some changes — for example, softening an assertion that arguably went beyond provable facts, or redrafting a passage the editor didn’t quite understand, and which readers probably wouldn’t either. But the editing was very light; over the years several copy editors jokingly complained that I wasn’t giving them anything to do, because I came in at length, with clean writing and with back-up for all factual assertions.

This light-touch editing prevailed even when I took positions that made Times leadership very nervous. My early and repeated criticisms of Bush’s push to invade Iraq led to several tense meetings with management. In those meetings, I was urged to tone it down. Yet the columns themselves were published as I wrote them. And in the end, I believe the Times — which eventually apologized for its role in promoting the war — was glad that I had taken an anti-invasion stand. I believe that it was my finest hour.

So I was dismayed to find out this past year, when the current Times editors and I began to discuss our differences, that current management and top editors appear to have been completely unaware of this important bit of the paper’s history and my role in it.

[...] In 2024, the editing of my regular columns went from light touch to extremely intrusive. I went from one level of editing to three, with an immediate editor and his superior both weighing in on the column, and sometimes doing substantial rewrites before it went to copy. These rewrites almost invariably involved toning down, introducing unnecessary qualifiers, and, as I saw it, false equivalence. I would rewrite the rewrites to restore the essence of my original argument. But as I told Charles Kaiser, I began to feel that I was putting more effort—especially emotional energy—into fixing editorial damage than I was into writing the original articles. And the end result of the back and forth often felt flat and colorless.

One more thing: I faced attempts from others to dictate what I could (and could not) write about, usually in the form, “You’ve already written about that,” as if it never takes more than one column to effectively cover a subject. If that had been the rule during my earlier tenure, I never would have been able to press the case for Obamacare, or against Social Security privatization, and—most alarmingly—against the Iraq invasion. Moreover, all Times opinion writers were banned from engaging in any kind of media criticism. Hardly the kind of rule that would allow an opinion writer to state, “we are being lied into war.”

I felt that my byline was being used to create a storyline that was no longer mine. So I left.

That’s my story. What are the broader implications?

[...] What I felt during my final year at the Times was a push toward blandness, toward avoiding saying anything too directly in a way that might get some people (particularly on the right) riled up. I guess my question is, if those are the ground rules, why even bother having an opinion section?

[...] On a somewhat different issue, it became clear to me that the management I was dealing with didn’t understand the difference between having an opinion and having an informed, factually sourced opinion. When the newsletter was canceled, I tried to point out that I was almost the only regular opinion writer doing policy. Their response was to point to other writers who often expressed views about policy, economic and otherwise. I tried in vain to explain that there’s a difference between having opinions about economics and knowing how to read C.B.O. analyses and recent research papers. It all fell on deaf ears.

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This is probably small in the grand scheme of things, but how did Emilie being noble play any impact in the story at all?

I mean, I'd get it if it was just a small detail to help deepen Emilie's character, but why nobility of all things? I don't know, from what I'm seeing so far, the whole "Emilie renounced her noble title" shtick just feels worthless if it's not going to impact the story or add depth to Emilie's character (like maybe upbringing or personal values?).

I don't know. Like everything else, the noble part just feels shallow and means nothing to the story, especially for a character like Emilie, who is the plot device for the whole show. Any detail about her, like her personality and life story, is supposed to influence the story and characters one way or another, namely Hawkmoth since she's his driving force.

So what was the point?

For context, this ask is about Félix's play which says that Emilie gave up her title to be with Gabriel. I'm gonna give a slightly larger section of the transcript of the play for full context, but the relevant but is at the end of the last paragraph:

Félix: The king and queen's twins grew up, each day as different in heart as they were similar in body. The firstborn, curious and brazen, despised life at court and escaped at every opportunity. The younger daughter, well-behaved and respectful, did everything she could to please her parents, and stayed quietly in the castle. Félix: (as Mr. Graham de Vanily) Oh, my queen. Did we entrust our legacy to the right princess? Kagami: (as Mrs. Graham de Vanily) She will fall in line, eventually. Félix: Confident that she would settle down as she matured, the king and queen allowed the curious princess to leave to study beyond the sea in another kingdom. There, she immediately found true love in a humble tailor. Félix: The tailor was making clothes so magnificent that they revealed the beauty of the soul of anyone who wore them. Although it made her parents furious, the curious princess gave up her rank, her wealth and her kingdom to live a bohemian life with the tailor.

Story wise, I have no idea why any of this was added since it adds nothing to canon. It's not like this finally explains why Gabriel and Emilie are poor while Amelie is wealthy. Along similar lines, it's not like Amelie's title has ever mattered. Prior to this play, I don't think that we even knew that she had a title or that she was the younger sister. The play is all about explaining things that we never had reasons to question in the first place.

My best guess as to why the writers wrote this pointless backstory is that they wanted to make Emilie seem even more pure and perfect so they went with the tired old trope of a rich girl giving up material things for the sake of love and art because good pure women don't care about material things! Only nasty, shallow women care about money. (Way to play into sexist tropes, guys.)

There may also be cultural elements at play here given that France doesn't have the greatest history with nobility, so giving up a noble title may be seen as good and pure to a French writer, but I don't know enough about French culture to say that with any certainty. If anyone who reads this blog is French and would like to chime in, then feel free!

While we're on the topic of the play, I wanted to point out that the above quoted passage is why I say that the Graham de Vanily parents can be as kind or as abusive as you'd like to make them. It's incredibly vague and you can read into it whatever you want to read into it. Were they good loving parents who were just upset about their daughter living in poverty or were they miserable controlling classist who Emilie fled England to get away from? It's up to you because you can get both reads from this. The play commits to almost nothing of value. Politicians could take lessons from this impressive level of noncommittal writing.

A better version of the play would have focused on things that actually matter to canon like the details of finding the miraculous and/or Emilie learning she's sick, but you could only have those details if they were coming from Nathalie or Gabriel. Félix is a terrible choice for a character to tell us the show's backstory because he knows so little of it, thus the play focusing on his largely pointless backstory.