#blckwhtepersona

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This is probably small in the grand scheme of things, but how did Emilie being noble play any impact in the story at all?

I mean, I'd get it if it was just a small detail to help deepen Emilie's character, but why nobility of all things? I don't know, from what I'm seeing so far, the whole "Emilie renounced her noble title" shtick just feels worthless if it's not going to impact the story or add depth to Emilie's character (like maybe upbringing or personal values?).

I don't know. Like everything else, the noble part just feels shallow and means nothing to the story, especially for a character like Emilie, who is the plot device for the whole show. Any detail about her, like her personality and life story, is supposed to influence the story and characters one way or another, namely Hawkmoth since she's his driving force.

So what was the point?

For context, this ask is about Félix's play which says that Emilie gave up her title to be with Gabriel. I'm gonna give a slightly larger section of the transcript of the play for full context, but the relevant but is at the end of the last paragraph:

Félix: The king and queen's twins grew up, each day as different in heart as they were similar in body. The firstborn, curious and brazen, despised life at court and escaped at every opportunity. The younger daughter, well-behaved and respectful, did everything she could to please her parents, and stayed quietly in the castle. Félix: (as Mr. Graham de Vanily) Oh, my queen. Did we entrust our legacy to the right princess? Kagami: (as Mrs. Graham de Vanily) She will fall in line, eventually. Félix: Confident that she would settle down as she matured, the king and queen allowed the curious princess to leave to study beyond the sea in another kingdom. There, she immediately found true love in a humble tailor. Félix: The tailor was making clothes so magnificent that they revealed the beauty of the soul of anyone who wore them. Although it made her parents furious, the curious princess gave up her rank, her wealth and her kingdom to live a bohemian life with the tailor.

Story wise, I have no idea why any of this was added since it adds nothing to canon. It's not like this finally explains why Gabriel and Emilie are poor while Amelie is wealthy. Along similar lines, it's not like Amelie's title has ever mattered. Prior to this play, I don't think that we even knew that she had a title or that she was the younger sister. The play is all about explaining things that we never had reasons to question in the first place.

My best guess as to why the writers wrote this pointless backstory is that they wanted to make Emilie seem even more pure and perfect so they went with the tired old trope of a rich girl giving up material things for the sake of love and art because good pure women don't care about material things! Only nasty, shallow women care about money. (Way to play into sexist tropes, guys.)

There may also be cultural elements at play here given that France doesn't have the greatest history with nobility, so giving up a noble title may be seen as good and pure to a French writer, but I don't know enough about French culture to say that with any certainty. If anyone who reads this blog is French and would like to chime in, then feel free!

While we're on the topic of the play, I wanted to point out that the above quoted passage is why I say that the Graham de Vanily parents can be as kind or as abusive as you'd like to make them. It's incredibly vague and you can read into it whatever you want to read into it. Were they good loving parents who were just upset about their daughter living in poverty or were they miserable controlling classist who Emilie fled England to get away from? It's up to you because you can get both reads from this. The play commits to almost nothing of value. Politicians could take lessons from this impressive level of noncommittal writing.

A better version of the play would have focused on things that actually matter to canon like the details of finding the miraculous and/or Emilie learning she's sick, but you could only have those details if they were coming from Nathalie or Gabriel. Félix is a terrible choice for a character to tell us the show's backstory because he knows so little of it, thus the play focusing on his largely pointless backstory.

[blckwhtepersona]

Drinking Mountain Dew after a long time of not having it.

Tastes like spicy water with a kick of sugar.

Would buy it again.

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I haven't seen the London special—and I don't want to—but I've read the plot and something just occurred to me.

Why did Bunnyx need Ladybug's help? Why couldn't Bunnyx have figured things out and fixed the timeline herself? I know only the 14-year-old Bunnyx was left, but that gives her ample time to do SOMETHING.

According to Marinette, she believes that the Rabbit Miraculous is actually the most powerful of all the miraculouses. That means a whole lot of responsibility, which she gave to Alix when she let her keep the Rabbit Miraculous PERMANENTLY.

So, why didn't Alix just fix the timelines herself? She was the Present Alix, which means nothing has happened to her at the moment. She could've brainstormed her way into figuring out what happened, who it is, and stopped them herself.

I don't know. Maybe it's just me, but I feel like if you give someone a miraculous that YOU YOURSELF BELIEVE IS THE MOST POWERFUL MIRACULOUS, YOU'D GIVE IT TO SOMEONE WHO CAN ACTUALLY WORK BY THEMSELVES???

And it's not like I'm saying Alix can't ask for help, but it just feels like her first thought was: "I gotta get Ladybug!" And not "Oh my God, the timelines are changing, I have to figure out who it is!"

If Alix is going to run to Ladybug every time the timeline changes, why give her the responsibility of making sure nothing happens to the timeline in the first place??? If it's going to be like that, Ladybug might as well have just kept the Rabbit Miraculous herself, since it seems like she'll be the one shouldering the job anyway.

The show's obsession with making Marinette do everything herself has created massive flaws in the narrative and makes a ton of characters look bad - or at least poorly suited to their hero role - because they generally default to only doing what Marinette tells them to do. The show will even go out of its way to punish characters when they take initiative. If your name isn't Marinette, then initiative is always, always punished. And if your name is Marinette? Then it depends on the writers' mercurial whims and not anything even remotely resembling logic.

Alya suffers the the initiative = bad curse all the time like in Optigami where she decides to take the turtle to the day's fight even though she was only told to take the fox and the bee:

Rena Rouge: Mirage! (an illusion of Ladybug is created) And voila! A cool little Ladybug illusion to keep Style Queen busy while I'll… (Rena Rouge looks at the Turtle Miraculous container on the Miracle Box and takes the Miraculous) Longg: Did the guardian ask you to do that? Rena Rouge: Just a precaution.

This should have been Alya's moment to shine. A moment where she took initiative and it paid off, showing Marinette that she could trust others to make their own calls. Instead, this choice is painted as Alya being blinded by her love for Nino and leads to Shadow Moth almost getting the turtle because he just so happened to make a perfect clone of Nino and Alya unknowingly gave the clone the turtle. (Why does this show love evil twins so much? This is basically a the same plot as the season four final. Get a new gimmick! This one is just dumb.)

Even more annoyingly, the one who unmasks sentiNino isn't his girlfriend, it's Ladybug even though the thing that exposes sentiNino is something unique to Nino and Alya:

Ladybug: I guess it was only here to help repair everything. (looks confused when she sees her compact mirror) (Sentinino gives Alya a simple hi-five) (Ladybug remembers Alya and Nino's special hi-five in a flashback) Ladybug: (looks at both of them with curious look) We're gonna have to be a lot more careful now. Shadow Moth knows the identities of some of the people I have given a miraculous and apparently he's decided to use this information. (looks at Sentinino) Isn't that right, Shadow Moth? (Alya becomes shocked, and Sentinino panicks as he got exposed) Ladybug: I'm sorry Alya, you better move away from him. This isn't Nino, it's a Sentimonster. Alya: Huh? (gasps)

It's Alya and Nino's special handshake!!! Alya should be the one to figure it out, not Ladybug!!! Writers, stop this! Let Marinette have competent allies! She's not suddenly less cool if other people are useful! Also, stop making love a bad thing! Alya and Marinette both suffer every time they're open with their love interest and I hate it. Whatever happened to romantic love being a good thing?

Anyway, all of the Optigami nonsense leads to an ending that makes zero sense:

Alya: Shadow Moth almost unmasked you because of me. I should have never taken the Turtle Miraculous. Marinette: It's true, you did make a mistake, and that's why I'm gonna have to make a difficult decision. The most important thing is to learn from our mistakes. And today, I learned that I need an ally who can replace me in case something happens to me one day. (hands Alya the Fox Miraculous) From now on, you will keep the Miraculous of the Fox with you, and I'm gonna tell you everything I know.

This ending does not fit the episode in the slightest. Why does Alya's failure make her promotion material? How was the turtle even a failure when it would have been fine if that was really Nino? How was anyone supposed to tell that wasn't Nino when the peacock is so stupidly overpowered? It's so dumb!

This episode should have been Alya earning her promotion by being awesome, taking initiative, and noticing things Marinette didn't. What is the point of having a reporter who never notices things? Why does Marinette decide to give Alya secret knowledge and a full-time miraculous in an episode that was all about Shadow Moth almost winning because he knows the temp heroes' identities? Why does nothing about this show make sense? Writers, what are you doing???

The saddest thing about this Marinette-first approach is that it's not even making Marinette look good. This goes beyond the asinine "Marinette must always be wrong" rule. The problem here is that the narrative has made many of the secondary characters feel incredibly important. As a result, the audience naturally expects those characters to have important roles. When those character are then denied the roles that they should have, the audience gets angry and the anger usually gets directed at Marinette. For many viewers, it feels like she's hogging the spotlight and denying herself help even thought those things are poorly thought-out choices made by the writers and not intentional flaws that are meant to be part of Marinette's character.

I know one person whose favorite character is Alix, Alya is one of mine, and a huge portion of the fandom loves Adrien. All characters who should have been allowed to shine, but who got shoved to the side in favor of Marinette. The casual watcher is not going to blame the writing for that. They're going to get mad at Marinette because she's basically the avatar of the bad writing, forced to do the most asinine things so that she maintains the spotlight even if it's slowly killing her character while making every other character look pathetic and/or ineffectual.

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I feel like, at this point, Miraculous is turning into Winx Club, where the series is continuing just so it can exist. Because the amount of absurdity that's in the London special is just... 🫠🫠🫠

The whole "Lila with the butterfly miraculous" shtick just brings back the same old argument of "Why didn't Gabriel do this instead?" And what is even the point of destroying the time windows? What is that supposed to accomplish?

Also, please tell me I'm wrong, but from what I understand, if the timeline doesn't follow the intended path, it'll just... disappear??? As if all your actions are predetermined, and you can't make your own decisions? That seems like the most pointless thing I'd ever heard.

And why did Ladybug have to deal with it? Why not Bunnyx, considering she HAS A MIRACULOUS THAT CAN TELEPORT THROUGH TIME AND SPACE AND WAS ABLE TO INTERACT WITH HER OTHER SELVES.

I have not seen the London special so I can't comment on their latest round of BS time travel rules, but the issue you bring up with Lila is one of the myriad of reasons I don't get the hype. Gabriel was not a moral or gentleman villain. While there are a handful of episodes where he had lines that he wouldn't cross (Gorizilla and Ladybug come to mind), those episodes are essentially overwritten by things like Chat Blanc and all of season five. The general impression given by the show is that Gabriel would do absolutely anything to win so Lila is not a bigger, badder Gabriel. They are functionally the same in terms of what crimes they willing to commit and she has less resources and no Nathalie. That's not how you do an upgrade. If Gabriel was actually the sympathetic villain that the writers so clearly wanted him to be, then Lila could feel like a bigger threat. As-is, she's a downgrade in every way.

As for why Ladybug has to deal with BS that should be dealt with by another hero: the show is incapable of letting anyone else have the spotlight or make the wrong call. The rules is that everything must focus on Ladybug even if it makes no sense. This does no one any favors. It makes Marinette incredibly unlikeable because she's deeply flawed, but can't grow and it makes everyone else look weak and/or ineffectual. Weather or not that make you hate Marinette or want to defend her with your life is just a matter of how the insanity of that rules hits.

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I was just thinking about the thing with Lukanette and Adrigami, and I was wondering: what made Luka and Kagami like Adrien and Marinette anyway?

Luka and Marinette have next to nothing in common, as far as I know, and even though you don't always need common hobbies to date, what did either have going for them that they were even attracted to each other? Especially when Marinette was obsessed with Adrien.

And Kagami.... I don't know. She gets akumatized in one episode, and then the next she has a crush on him? It's the same question, what really did Kagami or Adrien have going for them that they even started dating in the first place? Trauma? Especially since Adrien was apparently in love with Ladybug.

Maybe I'm just missing some things, but as far as I saw, neither couples had anything to even INDICATE they would start dating, besides proximity, I guess. I mean, Kagami and Adrien sounded more trauma-bonded ngl

As far as I can tell, the writers said, "we need more padding, let's make a non-threatening love triangle" and the crushes came to be. There's not really anything in canon to make these couples feel meaningful and that's on purpose. You're not supposed to ship Lukanette or Adrigami. They are just obstacles for the love square.

I like Luka and Kagami, but I never viewed them as true love interest who were designed around Marinette and Adrien. It was glaringly obvious that they weren't real competition. That's why their relationships with the leads are just a cheap cliffhanger to make people tune in to season four. You weren't supposed to think that these relationships had a chance. It was supposed to make you ask, "but how will the love square get together now???"

I will say that it's super annoying that Kagami and Marinette get to fight over Adrien while Luka and Adrien never get anything like that. I get that it's just a factor of which sides the crushes are on, but I am so tired of women fighting over men in media aimed at women! The entire draw of the love square is that it's all the fun of a love triangle without any of the awkward "who wins?" issues and the writers went and ruined that by adding love triangles on top of the square. Why???? Come up with better padding! Please!

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I feel like this is a horrible thing to say, but when I'm shown examples of when Marinette is having a hard time, it's hard for me to feel bad for her.

It's not like I think she deserves it and I certainly don't draw any joy from it, but I just don't feel any sympathy for when she's struggling.

My theory is that the show has toted her so much as the all-important one-and-only, all while ignoring everyone else's important moments and struggles, that I'm struggling to feel sympathetic for when Marinette is going through some sort of misfortune. Every single one of her struggles are always highlighted in such a way that it's supposed to be this incredibly-important thing that makes Marinette look so sad, but then she's comforted and validated until eventually, this struggle eventually gets resolved and she's all happy again.

But then there's Adrien. No closure about his mom, his dad, Natalie—nothing. He's slapped with all the responsibility of comforting and validating Marinette, who eventually gets her personal conflicts resolved without lasting impact.

I'm not saying Marinette hasn't done anything to comfort and validate Adrien, but his conflicts just feel largely brushed aside and/or downplayed in comparison to Marinette's, which are highlighted and emphasized as significant events.

I don't know if this makes me a bad person or something, and I do kind of feel bad about it, but I just struggle to sympathize with her when the show tries to make us feel bad for her.

Marinette is a fictional character. It's totally fine if the bad writing has completely turned you off to her and drained you of sympathy because the entire purpose of her existence is to entertain people. She's not some meaningful representation that you should want to connect with and understand to improve your world view or something like that. She's just a poorly written teenager in a bad kids show. As long as you're able to acknowledge that fact and own that this is mainly a writing issue - and it sounds like you are - I wouldn't stress about it. The writers have done a lot to make her unlikable! I totally get why someone would not want to watch a show starring her canon self. I struggle at times and I genuinely like Marinette! Her writing is one of the many reasons I just don't know if I'm going to watch season six.

I don't defend Marinette because she's done nothing wrong. I defend her because her faults are so clearly just bad writing and not some grand plan for the character where she's going to learn something, which makes me feel protective of her because I genuinely love the base character concept and what she could have been. It's annoying to see people treating her like she's the problem and not the writing because she's literally not allowed to learn lessons and change, so of course she keeps coming across worse and worse! Her flaws are genuinely fine for a serialized story, they just have no place in an episodic one where the characters stay largely stagnant.

For example, nothing about the season five conflict and final naturally follows the BS season four conflict where she supposedly learned to trust Chat Noir. As much as I don't agree that with that synopsis of what the conflict was, it is how Ladybug sums it up in the final:

Ladybug: Why don't you just give up on me? I've lost ALL the Miraculous! I'm the worst Guardian EVER! I wanted to control everything, I didn't listen to you, I lied to you, I kept you at a distance! Every time you offered me a helping hand, I never took it! I really made a mess of EVERYTHING! Cat Noir: We're gonna get them back one by one…until the very last. And we'll make sure this never happens again.

And yet none of this seems to impact season five. Chat Noir and Ladybug maintain all their secrets and they do absolutely nothing to track down the missing miraculous because the plot won't let them even though it really doesn't fit Marinette's character. She certainly hasn't given up controlling things because, once again, the show literally will not let her do that. The rare episodes where it happens always see her punished like when Alya handing out miraculous lead to SentiNino which almost lead Gabriel to knowing Ladybug's secret identity. Adrien suffers for similar reasons. So does Alya and so many other characters! I totally get why someone would not be able to look past canon's writing since it's not like the flaws are minor. I have the same problem with both Lila and Nathalie.

I just cannot stand Nathalie even though I know that she's as much of a victim as Marinette and all the other characters. None of Nathalie's flaws are her fault because she doesn't exist. It's just that Nathalie's bad writing hits me in a way that makes me despise her while Marinette's hits in a "protect and defend" way. There's no wider logic here. It's just a matter of what characters I connected with enough to look past the bad writing. The type of fanfics I read probably also helped...

My only real piece of advice on this topic is to watch your mental health and take a Miraculous break or even leave the fandom all together if you notice that your Marinette hate (or hate of anything in canon) is really messing with you. I've mentioned before that I'm debating about watching season six and a big reason why is that I don't know if it's going to be good for my mental health. Lila's writing has consistently got on my nerves, but she was a minor enough character that I was still having a good time. Given that Lila is our new big bad with the added bonus of how shitty season five was and the show may have hit a point where it's just not fun for me anymore.

Previously, I had issues with the overall writing, but genuinely enjoyed watching the show as the writers are pretty good at short form story telling, so canon was a nice mix of genuinely enjoyable moments and writing issues that were fun to talk about. That was not true for season five and I just can't picture how it will be true for season six. The only reason I'm even considering it is because I watch the show with my SO and he has a lot of fun listening to me rant about bad media, so I may still have a good time with season six. It would not be the first time that I suffered through a piece of bad media for the sake of a loved one who really wanted someone to rant about it with.

I'm not the kind of person who will tell people they're not welcome in a fandom unless they like X. That sort of gate keeping is ugly and often straight up bullying, so don't read this as me saying that you have to like Marinette to enjoy the show or that you need to disengage if you don't like X% of canon. As long as you're having fun and not forcing your dislike on others by sending clearly unwelcome asks or engaging with sugar posts in an antagonistic way or anything like that, then I'm going to defend your right to be in fandom even if we personally aren't going to get along and need to stay in our separate fandom bubbles.* All I'm saying is that it's important to know when to disengage from a piece of media. To keep track of when something starts consistently bringing you more sorrow than joy. When that line is crossed? It's time to move on.

The sad fact is that, while you may utterly adore a piece of media, you have no control of what that media will do, so you need to be very careful about trusting your mental health to total strangers. It's part of why I tend to be so critical of media. Analysis and plot pitches like I do on this blog are genuinely fun for me, but they're also a much healthier way to engage with a story than just trusting it to be good and getting burned when it isn't. There's a reason I avoid theory crafting. I've gotten really into that in the past and wound up hurt because I put way too much faith in strangers who ended up sucking at their job.

*Btw, the line about separate fandom bubbles was not aimed at you. It's just a general statement about how fandom works. All are welcome, but all do not need to directly interact. Curating your fandom experience is important self care. Blocking someone isn't some sort of value judgement. It's just sometimes a thing you need to do in order to keep from seething when you accidentally see their asinine hot takes.

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Hey, saw your recent post, and I just want your opinion on something I thought of regarding the final episode of MLB. Never did like how frivolous the whole "wish-making" thing was, when it was parroted as a devastatingly serious thing.

So... kind of restructured the scenario.

In what I thought of, in order for a wish to be made, the sacrifice had to be of equal value (not more/less, a balance kind of thing). It seems cold, but if the sacrifice offered was too much/too little, one will be forcibly taken.

This is what happens to Gabriel. Typical thing, wish is made, he offers himself + Emilie. However, Tikki and Plagg (never going to call them Gimmi) reject his sacrifice, and that is because the instant Gabriel decided he was willing to lose his and Emilie's lives, it lowered the value of his sacrifice.

BUT once a wish has been made, it cannot be arbitrarily stopped. And there is only one sacrifice of equal value. Adrien.

Obviously, I didn't kill Adrien. I managed to spin it so he doesn't get sacrificed, but this is ask is already long, so I can't get into the specifics here.

I'm willing to explain it another time though, if you'd like.

I could see a version of this working in a story where the goal was redeeming Gabriel. Where he makes his wish, gets something he didn't expect, and then has to face the reality that his actions have consequences that can't be magically undone. I'm not sure how well it would work in a story where he stayed evil or wasn't a major character, though, because the story is less compelling if it's just about someone else fixing his mistakes.

The Gabriel-centric plot might be interesting if Marinette kept a key role, forcing the two of them to work together to save Adrien. You'd need a way to save Adrien, though, and I'm not sure how you can do that if the wish is off the table which it would be if sacrifices always have to be of equal value. That's probably my only criticism. If something like a life for a life isn't equal value, then how does the wish function? What makes something worthy? What would have happened if Gabriel didn't love anyone? It raises a lot of questions that would be hard to avoid since the wish and its consequences are the driving plot of the story.

There's also the complication of the Kwamis. Because of them, the wish isn't something you can just sort of shrug off and say, "Who knows what happened?" Plagg and Tikki are right there, ready for interrogation. You'll need to figure out how to handle that. If the wish hurts Adrien, then Plagg and Tikki will be freaking haunted by that. It could easily hurt or even destroy Marinette's relationship with her Kwami. (This is yet another thing I expect canon to never address, btw. The fact that Plagg was the tool Gabriel used to off himself should have some pretty major consequences for Adrien and Plagg's relationship. It won't, but it should.)

A less complex route would be to let Gabriel make a wish not caring about the cost or offering a sacrifice only to realize afterward that Adrien paid the price. The end result of that story could be Gabriel being willing to sacrifice himself and the wish allowing it. I'm not seeing a clear ending for a story where the wish hurts Adrien and there's no way to undo it.