#or well not writing in this case

[beowulfxgrendel]

Ok so i could use some tips or something like that from some of you neurodivergent people on here. So it would be nice if you could read all this and maybe give me your opinions.

I'm once again being extremely stressed because I'm once again not able to keep up with deadlines I set for myself and feeling like I'm letting people down cause I'm just not able to do stuff. Like I know I should be able to just write that one letter and bring that one painting to the mail and I should also be able to continue that one painting I wanted to gift an online friend for Christmas and I also should be able to continue that one painting I wanted to gift my boyfriend for Christmas. And I also should be able to continue writing the (up to now) 5 fanfictions that are mostly waiting for an end and also should be able to quickly reply to the comments that were left under some of them. And I also should be able to continue the other few stories I promised some people so that I can finally upload them.

But no. Why should my brain work normally. Instead it decides to be illogical. But well. Since some of you already read this far I'll try to explain the "logic" my brain uses.

I can't ship the painting cause first I want to write a letter to go with it but before I can write the letter I have to make the stickers I wanted to make for them. And that takes much time and I'd also have to work with a scalpel wich is already difficult for me cause of intrusive thoughts (because of wich I just don't trust myself at all to work with a scalpel, especially not when I can't concentrate 100%). And also there are no permanent boxes for the format of the painting so I first had to craft it. And once I have the stickers and the letter I have to wrap it together with the painting in bubble wrap to make sure it won't break during shipping. And then I have to make sure the box doesn't open. And then I have to write the label and then I have to bring the box to the post office where I'd have to interact with the people there and also need to be there on a specific tike (which is not exact the time that's in the Internet but I forgot how much it was different, so the walk there might potentially be useless). And then once I've finally sent it I'd have to explain to the person I'm sending it to that I only was able to send it then and not earlier without much of an excuse although I said last week that I'll probably have sent it by yesterday.

And I just somehow can't currently paint anything for anyone else without feeling like I'm just messing up really much. And that's just so frustrating cause I really wanna continue that painting and finish it finally. But each day I just see it and think that I'm nowhere finished and how bad that is considering it was supposed to be a Christmas gift. So I don't even get the motivation to paint cause it just makes me feel bad but at the same time the more time passed the worse i feel.

And also painting in general is so difficult right now. Cause my hyperfixation wants that I paint TM. And then I start a painting somehow being related to him but then it's not immediately perfect and I'm just reminded of the comment he made to one of the first paintings I made of him and I just stop that painting. And then (maybe a day or a week later) I want to paint again but when I look at the unfinished painting I just immediately have the negative feelings again. So I start another Painting but because my hyperfixation still controls quite much what I paint I start another painting more or less related to him. And then the whole process just starts anew. So now i have around seven started paintings that I don't feel like I can really continue but also really want to finish.

And I actually really want to write but my brain currently once more relates everything that's to do with tm with that one comment (of which I theoretically still can't be entirely sure was his but practically he manages their social media the most and it's just write his wording so yeah). So I look at all my fics and immediately get frustrated. And also my brain doesn't prioritise the one that went the longest without an update but rather prioritises the one I started because of a not really related comment in a podcast. And the problem is that I can't continue writing the other ones before I finished that one but I can't finish that one anymore because it kinda had a limit of a week to write (essentially it had to be finished before the newest podcast episode. But it wasn't. It's nowhere near being finished.). So I'm kinds stuck. Cause I need to finish that one so my brain sees it as finished but my brain doesn't allow me to continue working on it cause its already categorised as a failure that I won't post anymore cause it would be weird from the timing and clearly too late.

And I can't reply to the comments cause before I always did it so that I made a new chapter ready for upload and then answered the comments before uploading. But as I explained I don't have nothing to upload so I can't answer. So I feel bad because I'm not answering but if I answered I would feel bad for not also uploading a new chapter.

And I think I'm just once again bordering on burnout or a big meltdown and I want neither of that (and that my graphic design school is also quite stressful right now cause some grades are done soon is less than ideal).

So yeah. If any of you actually read all that and has some tips on how to deal with any of the problems or how to trick my brain into doing these things that I want to do again that would be very appreciated and helpful.

[stealingyourbones]

There’s a new drug in Gotham making the rounds, one synthesized by Two-Face’s people; if you take it you will have a 50/50 chance that you’ll experience the greatest high of your life or that you’ll die.

Batman is desperately trying to find the main lab and cut off the production from the source and hasn’t been able to find a lead in weeks.

That’s when Gordon gives him a file that was given to him by a “white haired ghost kid”. It’s a detailed report written similarly to a scientific journal with detailed sources that are mainly first hand accounts from deceased victims of the Two-Face drug.

At the very end of the paper there’s an address to a Gotham University dorm room with a sticky note next to it that says “if you need help with death or the undead. Yours truly; Danny Fenton.”

[shanastoryteller]

Apocalypse Never

They help Dad into the cabin, more coherent than he was when they first broke him out, and Sam heads back to the car for their bags, for the Colt, and tries not to think about how everything has gone so quickly to shit. Mom and Jessica’s killer got away, again, but they’re all alive. That’s not nothing, that’s –

The pain hits him so completely and suddenly that he has no chance to brace himself for it. Usually it builds, first prickling pain then greater, but this is something else. It feels like nails are being shoved into his skull, images coming almost too fast for him to follow. He doesn’t realize he’s screaming until it stops, until he comes to with his head in his brother’s lap, Dean’s arms pinning him down and his face white and terrified above him. “Sammy? Sammy, you’re bleeding. What’s wrong?”

His throat is too raw and tight to speak even if he wanted to. He does want to, but he can’t, he can’t say a goddamn thing.

I saved the world for you, he thinks wildly, and I didn’t even get to keep you. How fucked up is that?

~

He doesn’t know if his future self couldn’t send it all back any further, or if he thought that this would give Sam less time to fuck things up.

For a couple terrifying minutes, Sam had taken control of Lucifer. For a couple exhilarating minutes, Sam had the power of an archangel.

That sending the knowledge of the future back four years in the past was the best thing he could think to do with it leaves Sam with a poor opinion of the man he became. Then again, he had saved the world, so. There’s that.

He doesn’t want to think of the him that had fallen into the pit with Lucifer and Michael. He hopes he can save him by making different choices, but maybe he can’t. Alternate universes, or parallel ones, or whatever. Maybe that Sam is damned for good and the best he could do was save a different version of himself, a different version of his brother.

There’s not much point in wondering about it. He’ll never know either way.

It’s memories with no emotions, thank fuck, because just the knowledge of it all is enough to drive him to his knees, to edge him to weeping and whimpering and slitting his wrists if he lets it.

He’s not going to. He has work to do. There will be time to fall apart after, when the world is safe. When Dean is safe.

Dean after Dad had died and given him that ultimatum had been bad enough. Dean after forty years in hell had been nearly unrecognizable.

He wipes the blood from his face, ushers Dean back inside, and tries not to think too hard about what he’s about to do.

Dean figures out it’s Azazel in Dad’s body and they’re pinned to the wall and Sam waits until Azazel is hovering over him, hand next to his head as he tilts his head back and breathes over Sam’s lips. It’s a torture and a powerplay, to let the want in his eyes come out in his father’s face, to make it John’s body that’s pressed so nauseatingly close to his own.

Sam isn’t the same person he was four years ago, ten minutes ago.

Breaking out of Azazel’s hold is easy. He’s using the equivalent of a single finger to keep them down, like pinning down a butterfly, and it's only enough until it isn’t.

He grabs Azazel’s face and pulls him close, hears the beginning of his laughter before Sam seals their mouths together. He’s making a deal here, selling his soul sure as anything, just not with Azazel.

Azazel leans into it, just like Sam knew he would, shoving his tongue in Sam’s mouth and getting off at his instinctive flinch of disgust, of the way Dean’s screaming bloody murder behind him. Azazel hasn’t hurt Dean yet. Sam’s going to make sure he never will.

He bites down hard. Blood fills his mouth and he sucks on his tongue, drinking as much as he can. It doesn't tase like iron, not like it should, instead it's sweet and thick like honey. He thought Azazel would pull back now, but he’s still laughing into Sam’s mouth, even bites the inside of his cheek to add to the blood from his tongue, and he just lets Sam drink his fill. Of course, he doesn’t know what Sam knows. If Sam had done this the first time, the only thing the blood would have done would be to get him high and useless.

It means he gets more than a mouthful, that it’s long minutes of keeping his eyes closed and swallowing and trying not to think too hard about how it’s Dad’s hands on him and Dad’s hard on at his thigh and Dad’s tongue he’s sucking on. He’s already got four years’ worth of nightmares in his head. No need to add more than necessary.

His skin is buzzing, feeling stretched out over him like his body is too big for it suddenly, almost like the aches of growing pains but more electric. Azazel pulls back and licks up the side of his face, leaving blood and spit behind, and breathes into his ear, “If you missed me feeding you, boy, all you had to do was ask.”

Yeah, that’s enough of that.

He shoves Azazel back without moving his hands, hard enough that he stumbles, and he has to move fast, before he gets a smart idea like snapping Dad’s neck or bursting his heart. He raises his hand and he’d settle for an exorcism, but power is lying heavy and thick in his veins. Destroying Lilith nearly killed him and Azazel is more powerful than Lilith and the blood he drank shouldn’t be nearly enough.

But fear sparks in Azazel’s yellow eyes and he starts choking, black smoke leaking from his ears and out his mouth. “How-”

Sam doesn’t let him finish. He remembers killing Samhain, killing Alastair, killing Lilith. He knows what to do.

Azazel dies screaming. Mom and Jessica are avenged. It’s not as satisfying as he thought it’d be.

Dad is on his hands and knees, taking in deep lungfuls of air. Sam knows from experience that being possessed isn’t pleasant.

“Sammy?”

He forces himself to look over, sees his brother approaching him with hands outstretched. The fear hasn’t gone anywhere even with Azazel dead, even with Dad alive, even though he doesn’t have any of the devastating injuries he sustained last time.

He doesn’t have the emotions to go along with the memory of the first time Dean saw him drinking demon blood, but he imagines it was something like this. “I’m sorry.”

“Sammy,” Dean says again, but Dad’s getting to his feet, Dad’s looking at the Colt, and Sam can’t die yet. He still has work to do.

It’s not a conscious thought, not something he actively tries to do, it’s just one minute he’s there in a cabin with his father and brother and the next he’s in the middle of a field, the night air crisp and clear and a million stars shining above him.

He couldn’t do that before.

There’s something wrong, he thinks, because he doesn’t remember what drinking demon blood felt like, but he remembers describing it, and this isn’t right. He should be drained after that, should feel almost normal again, but instead it’s like there are bees pinging around inside him, like there’s molten lava in his veins, like he’s dying.

He’s dying, he realizes suddenly, the power threatening to eat him alive. He looks down at his arms, like he’s expecting to see them crisping up beneath moonlight, but they look normal, like skin. Of course it’s not killing him, no matter what it feels like. He’s Lucifer’s perfect vessel. There’s no power his body can’t contain, none except God’s, maybe, and it looks like he’s long past making house calls.

It won’t kill him, but it hurts like hell, and he can’t think, he needs to burn it off somehow. He’s never had this problem before, not even when he drank all that blood for Lucifer.

He’s standing in Bobby’s living room and he doesn’t understand why until he sees the body on his kitchen table wrapped in a white sheet. He doesn’t know how Bobby got rid of the paramedics, if he’s maybe holding the body for her family, but Sam thinks he knows how to get rid of some of the itching along his skin.

Sam died a lot, in those weeks he and Dean were apart. Lucifer was true to his word. Sam came back every time.

He pulls down the sheet, sees the ways Meg’s face has settled into death in the past day, how decay has started to take hold and left her blue and cold and her skin slack. He leans down, presses a kiss to her cheek, and thinks that this is the least he owes her, for what she endured because of him, for trying to help him even at the bitter end.

She gasps to life beneath him, warmth flooding her skin and air stuttering into her lungs. “Sam?” she asks, fear and confusion and a pain that’s not physical.

Maybe she won’t want to live, considering everything she’s been through, but at least now the choice is hers and not a demon’s. There are footsteps and he turns to see Bobby standing in the doorway, gun pointed to the ground and mouth open in shock. Sam doesn’t have time to worry about it, instead he’s gone, the same burning still clawing its way out of his bones.

Caleb lies slumped in the chair Meg had tied him to, throat slit and eyes empty. Sam puts his hands on his shoulders, presses his lips to his bald head, and feels the moment his heart starts beating again. He sends the ropes falling with barely a thought and he’s gone the moment he hears his first confused groan.

Pastor Jim is laid out in his home, church workers Sam vaguely recognize huddled around him in prayer, his final send off. He’s just glad he got here before they burned him. They start screaming when they see him but he leans down, internally wincing at how Jim’s going to explain his way out of this one, and kisses his forehead, a reversal of the paternal tenderness Jim had shown him as a child.

His chest rises and his eyes open and his eyebrows push together. “Sam, what-“

He doesn’t stick around to hear the end of that question, figures it’s not anything he can answer anyway.

It takes him a long moment of staring out at the snow covered peaks and too close sky and the brilliant sun hitting his face even though it was just the middle of the night for him to place himself, even though it shouldn’t be enough, but he knows where he is even though he shouldn’t.

The air’s too thin and he’s going to give himself altitude sickness if he lingers and he should probably be freezing to death but his blood is still running too hot. Not burning, not like it was before he brought three people back from the dead, but still far from comfortable.

Still. He can’t say he ever thought he’d ever get to see the view from Mt. Everest.

“Castiel,” he says. “It’s Sam Winchester. We need to talk.”

Nothing. Typical.

“I know about God’s plan, about Lucifer and Michael, about my role as his vessel. I know about you, Cas. You’re going to want to hear me out.”

There’s the rustle of wings behind him and he turns to see Cas, younger than he looked before. Jimmy Novak younger than he’d been before. He wonders about that for a moment. He’d half expected Cas to show up as a sherpa rather than nip to America for a vessel, but Cas had kept the shape of Jimmy Novak even after his physical body perished, so maybe there’s a deeper preference there than just convenience.

His face is as cold as their surroundings. “You have strayed from God’s light.”

“Yeah, well, what good has he ever done me?” he asks tiredly. He used to believe. He believed yesterday. He prayed this morning. Even when he met Cas the first time, he believed. “I can’t explain. Can you just read my mind? We don’t have time.”

His eyebrows push together, but Cas has to be curious, otherwise he wouldn’t have said anything. He steps forward and presses two fingers against Sam’s forehead. He doesn’t feel any different, but when Cas lowers his hand, he’s lost his stoicism. Shock, despair, and anger chase themselves across his feature and Sam can’t blame him.

He’s not the only who lost his faith in the future.

“You said there were thousands of seals,” he says. “How many exactly?”

His eyes snap to Sam’s. “What?”

“God loved Lucifer,” he says. “It’s why he imprisoned him rather than destroying him. It’s why he left him a way out. Maybe it’s why he set up the apocalypse in the first place. I don’t know, I don’t care. All I know is that I’m not letting him out, ever. So we’re going to destroy every seal we can.”

Some can’t be undone, like the first one, a righteous man torturing an innocent soul in hell. But there are plenty that can, hopefully enough, hopefully most. If there are less than sixty six seals available, then Lucifer is never getting out of his cage.

“There were originally ten thousand seals,” Cas answers and Sam gets lightheaded for reasons that have nothing to do with thin air. “Only two thousand and thirty four seals are still viable.”

Okay, that’s better. Not great, but better. “Let’s get that number down to sixty five.”

“You are different,” Cas says.

Of course he’s different. His father’s alive. His brother never went to hell. Sam has never known the utter desolation of being completely alone, of grief and guilt so heavy he’s surprised it didn’t break his spine as surely as Jake’s knife in his back. He doesn’t actually remember feeling it, which is no small mercy, but he saw the effects of living with it, which is almost as bed. He'd thought what he’s feeling because of Jessica is as low as he could get. It’s not even close.

He wants to dig up her bones and breathe life into them, but at almost a year dead he thinks that’s beyond even this strange new power. Even like this, he’s failing Jessica one more time.

“Got any ideas?” he asks. “It wasn’t like this before. With the blood.”

He’d drank Ruby nearly dry more than once. It had been a high and then a crash and never did it give him access to this type of power.

“Azazel is – was a prince of hell,” Cas answers.

Sam frowns. “I thought he was king?”

“He was regent,” he corrects, “but to be a prince is separate from being ruler of hell. Lucifer created Lilith from bone, as Adam and Eve were made. The princes were created from his blood. Azazel’s blood is, in a way, Lucifer’s.”

Lucifer’s blood. Sam, his vessel, drinking down Lucifer’s blood, as a baby and now. Except as a baby he’d only had a few drops. He’d consumed a lot more than that back at the cabin.

Demon blood always wore off. The few drops of Azazel’s blood he’d gotten as a baby never had. He probably should have taken that into consideration, but there hadn’t been any time.

“Lucifer is evil but he is not a demon,” Cas continues.

Sam realizes suddenly that he did have power like this once. When he locked away Lucifer inside of him and took his power for his own. It’s not the same, not even close, but it’s similar. “This is what angel blood does?”

“No,” he says. “This is what Archangel Lucifer’s blood does to his perfect vessel. I believe. This has never happened before, so I cannot be certain. You are, as always, one of kind, Sam Winchester.”

It’s not quite a compliment, but it’s not as combative as he remembers Castiel being in the beginning. He’ll take it. “Guess we’ll figure it out together, then. If you’re sticking around to help prevent the apocalypse.”

If he’s not, this is going to be more than difficult. Tracking down all the seals without an angel on his side isn’t going to be impossible, but pretty damn close. And he doesn’t know how much time he has. Hell is going to be pissed about him killing Azazel. Heaven is probably going to take notice once he starts destroying seals so they can never be opened. Not to mention, he’s definitely going to be on hunters’ radar. Even if Dad can keep his mouth shut about him drinking demon blood, which he knows better than to rely on, him bringing back people from the dead is going to spread quickly. He’s going to be hunted at all sides, just like last time.

At least last time he had Dean, even broken, even when he was broken himself. He still had his brother.

But this is the price for saving him. For making sure that Dean is never in the position to kick off the apocalypse in the first place, to make it so Lucifer never again walks the earth even if heaven and hell reincarnate him and Dean and try and start this all over again.

He’s going to be killed for it, he knows, by demons or angels or hunters. But that doesn’t matter much in the grand scheme of things.

“Yes,” Cas says. “It is better for us all if the future you saw never comes to pass. I will help you.”

He grins, clapping Cas on the shoulder, and only laughs at the glare he receives in return. They have to get out of here before the altitude makes him loopy. Maybe it already has.

He’s going to save the world for his brother and he’s not even going to get to keep him.

How fucked up is that?

[insertdisc5]

oh good time to ask this actually.

im making my own game now; its a card game kinda like slay the spire. is it ok if a have isat references in it (like a card called Tear that stuns an enemy for 100 turns, or an artifact called Loop that can reset battles)?

like is that ok. sorry i dont know anything about like copyright or anything but i figured that asking would be a good idea

ack! more context for the previous ask because i forgot to include it sorry! the game would be sold for cash money, if it does get finished. it would not directly reference isat by name, just by ideas. ...also sorry if this is a stupid question i dont know anything

sure! if you're making a game (ie not a fangame), you can add ISAT references, I don't mind. dont straight up add Siffrin in the game tho

[riality-check]

The eagerly awaited part 2 of the DILF!Steve concert saga is here!! Part 1, in case you missed it.

"You're not going."

"Come on! I haven't thrown up in an hour!"

"The drive to the venue is an hour and a half."

"Steve-"

"And if you throw up in my car-"

"Oh my God-"

"I'll kill you."

Steve doesn't need to see Dustin's eye roll in order to feel the full force of it through the phone.

"I'll just kill you. You'll have a headstone within the week that says Here Lies Dustin Henderson: Rightfully Murdered for Puking in Steve Harrington's Car," he continues as he packs Capri-Suns into the cooler for the car ride.

He doesn't remember ever being that thirsty as a kid, but if Anna wants strawberry kiwi, Anna gets strawberry kiwi. It helps that it's Steve's favorite flavor, too.

"I'd need a big ass headstone to fit all of that," Dustin snaps.

"Your big-ass ego would demand no less, shithead," Steve shoots back.

"Swear jar, Daddy!" Anna calls from her room, across the house because while she doesn't listen to Steve when he's right in front of her, she can hear him break the swear jar rule from halfway across the world.

He zips up the cooler, fishes a quarter out of his pocket, and throws it into the half-full soup can next to the stove.

(A quarter doesn't mean much, but Anna doesn't know that. The day Steve teaches that kid about inflation is the day his pockets become permanently empty.)

"Did she just swear jar you?" Dustin asks from over the phone.

"You baited me into it."

"I did no such thing."

Steve rolls his eyes. "You're not coming, though, are you?"

Dustin sighs, and, for all his teasing, Steve does genuinely feel bad. "I still feel like if I breathe wrong, I'll hurl, so, no. I don't think I'll manage the car ride, nevermind the actual show."

"Sorry dude."

"Don't be. Some dickhead will live stream the whole thing on Instagram, anyway. I'll live vicariously through them."

Steve snorts and picks up the cooler. He got Anna dressed beforehand, so it's just a matter of getting her to stop playing with whatever toy she dug up - Play-Doh has been the fixation of the week - in her room so they can go.

"Besides," Dustin continues, and Steve hates where this is going. "Anna loved the show, and you've got a reason-"

"Nope," Steve says, knocking on Anna's door. "Don't finish that sentence."

"All I'm saying-"

"I know what you're gong to say, which means you know my answer. I don't date."

Anna opens her door. From the little Steve can see inside, there are at least three containers of Play-Doh open and strewn across the floor. He thinks her Barbies are involved in it somehow.

"Time to go," Steve says, and he thinks, Please don't let there be Play-Doh in the Barbie hair.

"Five more minutes," Anna tries.

"Nope. Clean up and roll out."

"Hi, Anna," Dustin says through the phone.

"Uncle Dusty!" Anna shrieks, and she starts jumping up and down. "Are you comin', too?"

Dustin sighs, and Steve can't tell if it's at the nickname or if he's still cursing the universe. "No, but you and your dad have a great time, okay?"

"Can you, can you tell Daddy I should get five more minutes?"

Steve raises his eyebrows at her. Anna, to her credit, ignores him wonderfully.

"If you clean up," Dustin says, because he's actually Steve's favorite person right now, "you get to do more headbanging at the concert."

Anna gasps like Steve didn't already tell her that earlier today, and she gets to work on putting her toys away. Steve helps, of course, and he finds that there is, in fact, Play-Doh in two of her Barbies' hair.

Fun. They're going to turn into Buzzcut Barbies when Anna goes to sleep because he can already tell that they are the furthest thing from salvageable.

But that doesn't matter right now. What matters is getting Anna in the car, deploying the first two of many strawberry kiwi Capri Suns from the cooler, and making the drive to the venue, which Steve does with minimal road rage and accompanied by the Disney radio station.

Success by all metrics, really.

Dinner might as well be now, so Steve shells out a truly disgusting amount of money for overpriced chicken nuggets and fries at the venue. Anna will only eat half her portion but say she's hungry later, but that's what the snacks and water Steve smuggled in via his jacket are for.

They get to their seats, dinner finished up, just as the lights go down for the first opener. Steve looks to his left, half-expecting Eddie and his friends to be there before remembering that they won't be.

He tries not to feel too disappointed. He fails miserably.

The seat next to him, however, isn't empty. There's a note taped to the back of it, one addressed to Steve and Miss Anna, so Steve feels alright taking and opening it.

At the top, there's a messily scrawled phone number. Underneath, it says:

Here's my number. Probably a bad idea to call with all the noise. Texting works, though you should do that after the show. I'll be a little busy until then.

-Eddie

Steve puts the note in his pocket, puts Anna's ear defenders on, puts his own earplugs in, and looks at the stage, where-

Hang on.

He squints at the stage, where four guys have started playing a song that, frankly, sounds too much like literally all the music Steve listened to yesterday for him to care about all that much. The drummer is pretty small, with wild, curly hair. The bassist looks familiar. The lead singer, who is very talented but not to Steve's personal taste, also looks familiar. And the guitarist-

No way. No way in hell.

It's a total coincidence. Lots of guys have long, curly hair and heavy jewelry and big eyes and are wearing formal wear, for some reason, and catch Steve's eye, and-

"Thank you for such a great welcome!" the guitarist says, and his smile totally isn't doing anything to Steve, thanks very much.

Anna stops moving, where she's standing next to Steve, and climbs up into his lap to get a better look at the stage. She looks out, then back at Steve, then out, then back at Steve, making a face as confused as Steve feels.

Some days, he thinks he ended up with a clone, not a kid.

"I'll get off the mic in a second. I only do the talking because Jeff," the guitarist points at the lead singer, who ducks his head, "is really shy."

Jeff. That name is definitely relevant, but Steve is a permanent resident of denial.

"We fought about what song we were going to include next in our set list, so much so that we didn't decide until yesterday and had to consult a tiebreaker."

Okay, maybe Steve is a less permanent resident of denial than he thought.

"So, thank you to Miss Anna, who did great at headbanging for her first time-"

Anna whips around so fast, her forehead nearly collides with Steve's jaw.

"And to Steve, who's a big fan of American Psycho."

At the song name, the crowd loses their minds, and if Anna wasn't sitting right in front of him, Steve would join them.

Because what the fuck is happening right now?

His question isn't answered. In fact, about five more questions pop up in its stead when, during the bridge of the song, Jeff puts on a clear rain jacket and picks up a prop axe.

Please, God, don't let this traumatize my kid, Steve thinks.

Anna, thankfully, doesn't get scared. When Jeff brings the axe down, again and again, Steve's weirdo daughter fucking smiles. And giggles. It's kind of cute, actually.

When the song ends, she turns back to Steve.

"That's Eddie onstage," Steve says, and saying it, somehow, makes it real.

"I thought so!" Anna says, and she turns back to watch the show. Steve puts an arm around her waist so she doesn't fall off his lap when she bangs her head to the music.

The rest of the songs, in Steve's opinion, are better than the opening song. They're more melodic, which Steve can definitely get behind, and each of them has a gimmick onstage, all based off of various horror movies. It's ridiculous, but also really, really cool.

And Eddie, onstage, because it is the same guy who flirted with him and was so sweet to Anna yesterday, is really, really hot.

Steve has never had a thing for guitarists before. He's never had a thing for musicians before. Hell, until a year ago, he didn't realize he had a thing for men.

Eddie is. Uh. Yeah. Really doing it for him.

Steve doesn't know whether it's his enthusiasm, or the way he moves, or seeing his hair tied up, or the fucking dress pants and suspenders, or just his hands, but he does know he has to get himself in check because this is an all ages show and he's here with his daughter.

He already knows he can't add these songs to his grading playlist, not when they're accompanied by visuals of Eddie playing his guitar.

Sweet Jesus.

"Alright, that's our set!" Eddie says. "Thanks, y'all, for sticking around for us, and let's give it up for the next act!"

The crowd, including Anna and Steve, cheer as they exit and the lights go up.

Steve fishes his phone out of his pocket, fully intending to add Eddie's number to his contacts, and is greeted by not one, not two, but sixteen missed calls from Dustin Henderson.

Naturally, Steve calls him back. "Who died?"

"What the fuck?" Dustin yells, and Steve just puts the phone on speaker to save the rest of his hearing. "Did Eddie fucking Munson just personally thank you from the stage?"

"Swear jar, Uncle Dusty!" Anna says.

"Sorry," Dustin says. "But Steve. Answers. Now."

"How do you even-"

"Instagram live. Is Eddie the guy you were telling me about yesterday?"

Steve takes his phone off speaker. Prior experience tells him that this conversation has a less than zero chance of staying PG, nevermind PG-13.

"Yeah," Steve says. "He is."

"The one who flirted with you, and you forgot to ask for his number."

"Well, I have it now."

"What?" Dustin shrieks, and Steve is incredibly thankful that he didn't take his earplugs out.

"He left me his number on the seat."

"Text him."

"I was going to, until I saw that you called me sixteen times."

"Jesus Christ, Eddie Munson was flirting with you."

Steve rolls his eyes and hands a pack of gummy bears to Anna when she taps his arm. "He could have just been nice. I don't even know if he's into guys."

"Have you looked at him?"

"Wow, Dustybuns, I didn't know you were homophobic."

"I think it's the complete opposite of homophobic to try to get you laid."

"Hanging up!" Steve shouts because a part of him will never see Dustin as any older than thirteen, and no thirteen year old should ever say that.

"Text-"

Steve hangs up the call. "Can I have a gummy bear?"

"No," Anna says, mouth full, in her seat, legs swinging.

"I bought them."

She shrugs. "You gave them to me. Mine now."

Steve stares. She stares right back.

He sighs and opens a new pack of gummy bears.

With his mouth full of sweet Haribo corpses, Steve takes out the note and adds Eddie to his contacts. Before he can overthink it, he sends him a message:

I guess I don't have to ask you what you do for a living. Just so we're even on that front, I'm a teacher, and Anna's full time job is preschool.

He tucks his phone back into his pocket and focuses on making this a good experience for Anna, who somehow wormed her way into a conversation with the intimidating-looking couple sitting next to her.

Because it's totally not like a literal rockstar is going to text him back. Right?

Part 3!!

[noodles-and-tea]

Ao3 is down for maintenance rn but the first one is called Turnabout the Third - it's about Phoenix defending Lupin in court - and its prequel is Heist of the Turnabout, which is made more like a standard Lupin adventure blended with an Ace Attorney Investigations game! I have a link for Turnabout the Third pinned on my blog, so feel free to check it out when you're able!

I’ve only read the first chapter as of currently but it’s SO GOOD!!! Genuinely you capture the characters voices so well I’m so keen to keep reading!!!

[babyblankyerror]

WAIT!! Hitman/ Mercenary Stanley but he sends the money to pay for Ford's college funds and manages to send money to his Ma and Shermie sometimes too.

Ford probably sees the random money showing as a mystery and tries to solve it. Fiddleford probably joins in because money starts showing up for him also??? (Stan notices Ford made a friend at last and is trying to show he's grateful by paying for his stuff too)

Fidds and Ford get special treatment from the college/uni and maybe are even transferred to a better one (thanks to Stan knowing a few powerful people)

[zooterscooter]

what are you like under that mask, i wonder

(id + in art text in alt- it looks a bit hard to read on mobile my bad)

[rottmnt-residuum]

promised raph angst. so much under the surface

this takes place right before leo and mikey get back from checking hidden city entrances

[beowulfxgrendel]

I really hate PMDD.

Because for example this morning I was able to write 1k words and I was very happy with it and wanted to continue writing now cause I have time. But someone from the same fandom just updated their story (and i just wanted to read the new chapter really quick before continuing with my own work) and the beginning of the new chapter is really similar to what I wrote this morning but way better written. And better in general. And now I just feel like finding a different way to continue my story cause I know my writing won't be as good as theirs. But I also don't really just wanna delete what I wrote because I was really proud of it. But should I ever post it it might seem as if I copied it from their story (cause that's not the first time we have similar plot points) and I don't want that.

But I just feel like shit right now. And I'm pretty sure I won't be able to continue writing today which sucks cause that's the only reason I'm still awake. And I was really looking forward to it the whole day, but now the day just feels wasted.

[lemon-3ds]

A Minecraft Movie (2025)

[haaam-guuuurl]

Love the flavor of soulmates that is a main m/f partnership dynamic that's mostly platonic but also romantic but also dysfunctional and yet completely essential - like these characters would not work without each other, but they barely work with each other, and most importantly they know each other carnally better than anyone else, but it's also not about sex at all it's about the partnership and navigating the highs and lows of intimacy and letting someone in, but also maybe they do fuck, but also maybe don't, but also...

[gauntlings]

thinking about the detective & Rebecca's dynamic sm on this wednesday. the special hell of feeling alone so early on in life. knowing that in stories sometimes grief can bring families together, but not yours. looking at every future relationship or fling or situationship through the lens of being deeply, fundamentally unlovable. because why wouldn't you? what kind of lesson does absence teach? what lesson must be taken away to survive it? even if it's bred from necessity, what does that teach the mc about themselves? will they even know love when they first see it, especially if that love does not look the way they recognize. if it does not look like begging?

[shoot-i-messed-up]

Was always worried about the angst of unrequited love, had never realized the sheer amount of comedic potential that it has.

Imagine one-sided Superbat where Clark is fully aware that Bruce has a crush on him but is being his repressed self about it, and Clark is just like, “I’m not gonna touch that :) you’re going to figure that out for yourself, buddy, and in the meantime, I’m just going to have a good time and be best friends with you as you inevitably pull yourself together enough to either fall out of love or to confess :) and I’ll just let you down gently because I care about you :)” but he absolutely 100% is using it to his advantage in the meantime. His puppy dog eyes had never been so effective before. He’s gotten out of Monitor Duty three times in the past month.

[local-cryptid]

reposting this because it flopped hard last time and i was really pleased with how it came out

i also wanted to take a moment to lament for how much i loved this character and what he meant to me and so many others as we grieve for him once again

[jay72664]

Insomnia

TW: Suggestive. (Dazai’s in it, of course it’s suggestive.)

Dazai trailed patterns with his finger on the skin of Chuuya’s stomach, unable to fall asleep.

Chuuya turns to face him.

“Can’t sleep either, huh?” Dazai asks.

The ginger shakes his head in reply. “What’s keeping you up?”

Dazai shrugs. “Hell if I know, you?”

“Don’t know either, just can’t sleep.”

They laid in silence for a bit, before Dazai spoke up again.

“You know what would tire us both out?” He asks suggestively, his hand trailing to Chuuya’s waist band.

Chuuya slaps his hand away. “I’m already tired I just can’t sleep.”

The detective sighs melodramatically. “Chibi is no fun.”

The ginger rolls his eyes at his husband’s antics.

“Can’t I at least get a kiss?” He pleads, pulling Chuuya closer by the waist.

“God, you are so clingy, fine.”

Chuuya presses a kiss to the brunettes lips, and Dazai kisses him back with fervor.

Chuuya attempts to pull away, but Dazai’s hand had moved to the back of his hand to keep him there, and though if he really wanted to, he could out strengthen his lanky husband, he found himself wanting to stay like this, if only for a moment longer.

Dazai did eventually pull away, having to breath, though more so just not wanting to suffocate his husband than caring about his own lungs.

“Satisfied?” The shorter man teases, already knowing the answer.

“No, but it’ll do for now.” He moves to nuzzle his face against the crook of Chuuya’s neck.

The blue eyed man pressed a kiss to the top of his husband’s head, threading his fingers through his hair.

“I love you.” He says quietly, knowing full well they’d both still be awake for a while yet.

Dazai hums. “I love you too.”