#or other emotions as well haha

[somerandomdudelmao]

as a writer i gotta say I think you're pretty brave for reading and encouraging people to analyze your character! I personally would be reading all these submissions and be going 'oh no oh no they all have such high expectations and think its so deep but its not going to live up to what they're hoping for'

Well, even if the cake doesn't turn out to be as big as they expect, they'll still enjoy the taste of it ',:)

[sysig]

How much of me is me? (Patreon)

[skitskatdacat63]

Yes these have all already been posted, but 2023 Vettonso comp post for me because I'm going to have an emotional breakdown

[shadystranger]

this moment so fucked up💀

[butteredfrogs]

trying so hard not to get upset and say fuck it and delete my tumblr

[longagoitwastuesday]

I keep thinking that this Gojo is just like Sukuna. I truly don't see much of a difference between them beyond the human/curse point of view

[moeblob]

Deacon loves two things: Ymber and digging himself a grave.

Fulj hates one thing: Deacon.

[simcardiac-arrested]

can we talk about no way back. hi . Hello ! i want to talk about this (-1 HP) drawing (-1 HP) that you've made (-1 HP)(-1 HP)(-1 HP)

Hi. um. what if the cracks started showing

[silverselfshippingchaos]

the yearning is strong tonight... girls..

[ciderjacks]

argh. This comic writing is taking me way longer than usual. I keep editing things and it doesn’t feel right.

[thisisadonaldduckblognow]

i also think the take that leo’s post-movie character shift long term is to distance himself and ~hold himself separate~ from his brothers and treat them a little differently and train all the time etc simply Doesn’t Track btw

doing it as a major initial overcorrection bc of guilt and having to be like intervened with, i can see happening, and overall getting better at buckling down/communicating w his team for sure yeah

but like the idea that that is a change he makes to himself forever going forward (especially if it means his brothers/april not clocking it and calling him out on that nonsense, especially especially if it involves splinter noticing it and ENCOURAGING HIM to keep holding himself apart like that’s so not rise splinter at all) just does not feel right

for me it undermines the core statements that the series and movie are going for: you are not alone, we do it together, he hasn’t seen what we can do when we work together, this isn’t about you (i think this one in particular bc what is withdrawing from your loved ones and holding yourself in a different category bc Must Be Leaderly if not making things about yourself just in a different way to how you were doing it before?)

[cha1cedony]

Thinking about all of the teens’ fear of abandonment. I think it’s simultaneously why Normal and Hermie never worked out AND why Lincoln and Scary did lol

[sysig]

Sweet dreams, for a time (Patreon)

[constantlyquestioningg]

i finished. catching up. ha. haha.

[unfamd]

the thing abt wangxian is they're both category five Sad Bois for like the whole of their respective upbringings but for like, equal and opposite reasons. like wwx is an orphan and semi-sort-of-adopted (????) and has capital letter Issues, but he's also learnt to cover up every single negative emotion he experiences by immediately pushing it into Being Funny and Annoying To Anyone With the Misfortune to Encounter Him. and lwj is like, the kind of sad that makes support dogs run up to him bc they can sense emotional distress and he is a walking black hole of undefined yearningTM.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.