#or any number of my other old special interests

[noahsresources]

DETAILS ABOUT OCS !

send an emoji/description of emoji to learn more about a writer's oc! many of these are taken from my munday asks meme, because i thought it would be fun to make a version for characters too! the prompts are categorized by emoji type and given descriptions in case anyone can't see the symbols. can be used for roleplayers and any general writers alike! for roleplayers, these can also be used for your interpretations of canon characters if you so desire as well!

𝐎𝐁𝐉𝐄𝐂𝐓𝐒. 💭 THOUGHT BALLOON — what is your oc's MBTI, enneagram, and/or other personality aspects (if known/interested in)? 🚗 CAR — does your oc have a driver's license? can they drive/operate any automobiles/machinery besides cars? ✈️ AIRPLANE — does your oc like traveling, or do they consider themselves a more homey person? 🎮 VIDEO GAME CONTROLLER — what are three of your oc's favorite hobbies? 💍 RING — does your oc have any piercings? do they want any (more) piercings? 🖊️ BALLPOINT PEN — does your oc have any tattoos? do they want any (more) tattoos? 📚 BOOKS — what level of education has your oc most recently completed/is currently in (GED, undergraduate, grad school, phd, etc)? 🎻 VIOLIN — does your oc play any instruments? what is their skill level (beginner/intermediate/advanced/virtuoso/etc)? 🩹 ADHESIVE BANDAGE — does your oc have any physical and/or mental disabilities? 🩸 DROP OF BLOOD — what is your oc's blood type?

𝐒𝐘𝐌𝐁𝐎𝐋𝐒. 🎶 MUSICAL NOTES — what type of music does your oc like? do they listen to music very often? 💯 HUNDRED POINTS SYMBOL — share three random facts about your oc that others may not know. 💤 SLEEPING SIGN — is your oc a light sleeper or a heavy sleeper? how are their sleeping habits? 🔱 TRIDENT EMBLEM — can your oc swim? do they enjoy swimming? 🔺 RED TRIANGLE POINTED UP — does your oc know how to use any weapons? 🔶 LARGE ORANGE DIAMOND — does your oc know cpr? do they have any other medical expertise? 🚫 PROHIBITED — does your oc drink/smoke? do they do it regularly, or is it more on occasion or for special events?

𝐍𝐀𝐓𝐔𝐑𝐄. 🌈 RAINBOW — what is your oc's sexual orientation/gender identity? what pronouns do they use? 🎄 CHRISTMAS TREE — what is your oc's favorite holiday? 🐶 DOG FACE — does your oc have any pets? 🐈 CAT — does your oc prefer a wide circle of friends or a few close friends? 🐷 PIG FACE — what is your oc's favorite animal? 🐉 DRAGON — what is your oc's favorite mythical creature? 🍃 LEAVES FLUTTERING IN WIND — what is/was your oc's favorite subject in school? 🌴 PALM TREE — does your oc have a green thumb? do they enjoy gardening? 🍎 RED APPLE — where was your oc born? do they still live in/around their place of birth or do they live somewhere else? how do they feel about their birthplace?

𝐇𝐄𝐀𝐑𝐓𝐒. ❤️ RED HEART — what are three of your oc's positive traits? 🤍 WHITE HEART — what are three of your oc's neutral/questionable traits? 💔 BROKEN HEART — what are three of your oc's negative traits? 💘 HEART WITH ARROW — what and/or who do(es) your oc consider the most important to them? 🧡 ORANGE HEART — does your oc tend to prioritize family or friends? 💛 YELLOW HEART — how many languages does your oc speak? what language(s) are they learning, if any? 💚 GREEN HEART — does your oc prefer being inside or outside? 💙 BLUE HEART — does your oc have any cool/special powers and/or abilities? how are they with magic, if it exists in their world? 💜 PURPLE HEART — what is your oc's ancestry/genetic background? 🖤 BLACK HEART — has your oc killed or seriously wounded anyone before? have they broken someone's heart and/or broken someone's trust?

𝐅𝐎𝐎𝐃𝐒. 🎂 BIRTHDAY CAKE — when is your oc's birthday? how old are they? what are their sun, moon, & rising signs (if known)? what about their tarot card, ruling planet, & ruling number (if known)? do they fit the typical traits of these sun, moon, & rising signs? 🍝 SPAGHETTI — what is/are your oc's favorite food(s)? 🍰 SHORTCAKE — what is/are your oc's favorite sweet(s)/dessert(s)? 🍦 SOFT ICE CREAM — what is/are your oc's favorite ice cream flavor(s)? 🍔 HAMBURGER — is your oc good at cooking? are they good at baking? which one do they prefer? 🥯 BAGEL — what does your oc's typical breakfast look like? do they usually eat breakfast? 🥪 SANDWICH — what does your oc's typical lunch look like? do they usually eat lunch? 🍛 CURRY AND RICE — what does your oc's typical dinner look like? do they usually eat dinner? 🍸 COCKTAIL GLASS — what is your oc's favorite alcoholic drink, if they can drink? ☕️ HOT BEVERAGE — does your oc prefer coffee, tea, hot chocolate, milk, water, or some other drink? how do they like to take this drink (ex. coffee with milk, hot chocolate with whipped cream, a specific kind of tea, etc)?

𝐏𝐄𝐎𝐏𝐋𝐄. 😊 SMILING FACE WITH SMILING EYES — what are your oc's career/general life desires? what do they want to get the most out of life? 😖 CONFOUNDED FACE — is your oc an introvert, an extrovert, or an ambivert? do they let people in easily, or are they more reserved? 🤔 THINKING FACE — what are some of your oc's quirks/mannerisms? 🧐 FACE WITH MONOCLE — is your oc more logical or emotional? 🤓 SMILING FACE WITH GLASSES — is your oc chatty or quiet? are they at ease in social situations, or are they more shy? 🤩 FACE WITH STARRY EYES — is your oc a planner, or are they more spontaneous in their actions? 😥 SAD BUT RELIEVED FACE — is your oc prone to getting stressed out, or is it easy for them to keep their cool? 😓 DOWNCAST FACE WITH SWEAT — is your oc open-minded or stubborn? are they inquisitive or do they prefer to keep to their bubble of knowledge? 😞 DISAPPOINTED FACE — does your oc attract others, or do they tend to be left alone? 🤒 FACE WITH THERMOMETER — does your oc get sick easily? 👨‍👩‍👧‍👦 FAMILY WITH MOTHER, FATHER, SON AND DAUGHTER — how many people are in your oc's immediate family? how many people are in your oc's extended family? do they have aunts, uncles, cousins, grandparents, etc? who in their family are they closest with? are they close with their birth family, or do they have a found family?

[ccsainzleclerc5516]

She’s Not So Little Anymore

Pairing: Lewis Hamilton x reader

Warnings: none, dad Lewis yes pls

“You’re not leaving the house until you change your clothes!”

“But dad-“ Harper stammered in a broken voice and teary eyes.

“There’s no but, I said what I said. You can go out with your friends after you put some clothes on. End of discussion.” Lewis told his daughter sternly before turning and heading towards the living room.

“I hate you!!” Harper growled bursting into tears and slamming the door of her room.

“Don’t slam the door at me!” He said in a raised tone. Sitting on the couch he sighed and rubbed his face feeling awful because of the argument between him and his fifteen-year-old daughter.

It was not natural for Lewis to yell and get into heated arguments with his daughter. The two have always had a special relationship - she was daddy's little girl for whom he would remove the stars from the sky just to make her happy. Harper loved and was just as close to you as she was to Lewis, but still, her daddy has always been her number one.

But since Harper entered her teenage phase, it has become very difficult for Lewis to accept that she is actually growing up, that she is changing, that she is interested in some other things that are actually normal for her age.

He really was having a hard time facing the fact that his little girl is not so little anymore. That’s why often broke out arguments between the two of them when Harper would stay out too late with her friends, when she would come home late or mention that she had a crush on a boy or for example like today when she would wear something that Lewis thought was too revealing.

Lewis did all this because he loves her too much and wants to protect her, but, of course, the teenager thinks that her father is working against her and that he is "purposely ruining her life".

Fortunately, not long after the argument, you came back from grocery shopping and found Lewis sitting on the couch looking at the switched off TV.

“Hi, baby” You greeted him happily, but you felt a strange energy in the air.

“Hey” He muttered not turning to look at you.

“Is everything okay?” You ask suspiciously, leaving the heavy bags on the hallway floor.

“Everything is fine except our daughter just told me she hates me”

You immediately knew what it was about. You were aware of how much it affected Lewis. You weren't always happy with some of your daughter's behaviors either, but you understood that it was just a phase and that it would pass, but you also understood that it was difficult for Lewis to face it.

You sighed walking up closer to the couch to Lewis from behind and bent down to wrap your arms around him.

“And that is why?” You asked pressing a kiss to his cheek.

“Because she thinks it’s normal to leave the house wearing a short ass dress that doesn’t even have any straps God forbid some sleeves” He says visibly upset and you can’t help but chuckle at him. “That’s not funny, y/n?”

“That’s not, but you are” You say making yourself comfortable in his lap. “You’re being too overprotective of her-“

“Of course I’m overprotective of her, she’s my little girl!” He cuts you off trying to justify his actions.

“Would you let me finish, please?”

“I’m sorry..”

“She’s no longer a little girl, Lew. You have to make your peace with that. Sometimes I don't like her clothing choices or her behavior either, but that's why we're here to guide her. But you forbid her too many things and she sees it as you trying to control her.”

“I just..” He sighs leaning his head against your chest. “I just want to protect her.. I miss the time when she was with me non-stop. We used to do so many things together now she only wants to hang out with her friends.”

“Baby, that’s normal. If it were any different, we would have been worried.” You assure him putting your hands on his cheeks. “You’re still her number one, you’ll always be.”

“Youe ability to calm me down amazes me.” He smiles at your soothing and comforting words. “I don’t know what I’d do without you. I love you more than you know.”

“I love you too, baby” You place a soft kiss on his lips. “Now go and talk to her”

Lewis immediately got up and headed towards Harper's room while you decided to sort the groceries you had brought into the house a little while ago.

“My princess?” Lewis said gently knocking on the door. “Can I come in?”

Almost the same second, the door opened revealing crying Harper who was still sobbing. What Lewis didn't expect was for Harper to give him a tight hug and start crying in his arms.

“Baby, what’s wrong? Why are you crying?” Lewis asked a little worried.

“Because you made me say that I hate you. And I don’t hate you, daddy, I’m sorry I didn’t mean it.” She cried. It stung her as much as it stung Lewis because Harper is aware of how special her relationship with her father is.

“Baby, it’s okay. I know you didn’t mean it. I’m sorry too.” He comforted her rubbing her back. “I don’t like when we can’t talk things out and I hate when we argue. We don’t do that, that’s not us.”

“I know we don’t do that. I don’t like it either” She said quietly.

“It’s hard for me to accept that you’re growing up and that you are no longer my little girl.” He lifts up her head to look at her. “I promise to try to be more understanding of your wishes.”

“Daddy, I’m always gonna be your little girl.” Her words warmed Lewis's heart. She knew what she meant by that. The love Harper has for her dad will always be strong and special and nothing can ever replace it. Lewis was grinning like a child thinking how he is the luckiest man in the world to have the two best girls in his life, Harper and you.

[annie-writesstuff]

Come here, kitty, kitty! - Sylus (Part 2)

Summary: The curse of the Evol cats wears off. Majority of it, at least. Sylus finds himself in his 'human' form. However, your reaction is not what he expected. He thinks you're one of the most interesting persons he has ever met.

Warnings: None. Fluff. I really think Sylus is a green flag. Man is guarded, but when he opens up he's a softie. Tall, dark and handsome lol. He is whipped. It turned kinda angsty (sowwy). Slight - perhaps - spoiler/theory about his past if you squint.

Also, thank you to everyone who read part one! I am truly happy that so many of you enjoyed it!

And thank you to the Anon that messaged me! I am truly happy you loved the story! Thank you!

You can read PART 1 here!

The sun filters through your broken blinds. You scrunch your nose, eyelids fluttering until they fully open. Your [e/c] eyes meet your old wooden ceiling. A yawn leaves your lips as you stretch.

"Good morning."

"Morning!" You chirp reflexively, yawning once again.

Wait.

Slowly, you turn your head.

Sylus smirks, wondering if your half asleep brain has finally caught up on what is going on.

"Um..." You stutter, tugging the blanket closer to you. "Hi..?"

The smirk disappears from his face at your tame reaction. Every time he thinks he's got you figured out, you surprise him.

You should've been screaming, trying to get away from him, hurling objects in his direction.

Instead you're looking at him with more curiosity than shock.

"Red?"

He meets your eyes, and nods. "You don't seem surprised."

"I am!" You assure. "It's just... I don't know how to react. I mean... You looked so familiar. And when I looked into your eyes... I realized you were my little kitty."

"Your little kitty?"

A little flustered, you hurry to correct yourself. "I mean... the... the kitty..."

Rising his hand, he stops you. "Now, I do not like owing people. But you took me in and fed me. So thank you, kitten. Name your price."

Eh? A bit flabbergasted, you stare at him. "P... price?"

"Yes."

Honestly, you just want one thing. "Can I pet your ears?"

Pet his ears... is that what you want? Well, who is he to deny such request?

Rather than giving his verbal approval, Sylus leans down, so that you can reach the twitching ears atop his head.

He is a bit uneasy when your hand first makes contact with one of his ears, but he realizes that, just like yesterday, you're being careful and mindful. His ears are sensitive, but the way you're caressing them feels tolerable nice.

"You're a cute big cat." You smile, switching your attention to his other ear.

A tiny gasp leaves your lips as he leans into your touch, a lot more instinctively than consciously.

"If you tell anyone about this, there will be consequences."

You can't help but giggle, solemnly nodding. "Nobody will know."

He nodded, satisfied, and once you have had your fill, he moves away.

"Can I have your name?"

Normally, he wouldn't reveal his identity. However, because he is almost one hundred percent sure you don't know who he is, he complies.

"Sylus."

"How can I get you back home, Sylus?"

"I'd need to borrow your phone, kitten."

You nod, and without an ounce of hesitation, hand him your device, which had charged during the night.

Sylus uses the special code from the unknown number to contact the twins, which soon reply that they will be on their way shortly.

They don't press for any answers when he asks them to bring him a change of clothes.

Good. He is not in the mood to be answering anything.

At around an hour later, he has changed into his suit, and he walks out of your small bathroom, buttoning his dress shirt at the wrist.

"Thank you again for your... hospitality." He reiterates.

You nod, offering some water bottles to the masked individuals that came to pick up the 'boss', as they've called him.

"I hope to see you again, Sylus." You say softly, walking him to the door.

The taller male hesitates for one second, before looking down at you. "I look forward to it, kitten." He says.

This isn't going to be the last time you see him.

He's going to make sure of it.

Once he is back in his penthouse on N109 zone, Sylus can't help but feel bored.

His eyes darken as Mephisto updates him on your whereabouts. He clicks his tongue, expertly maneuvering a golden bullet with his fingers.

Money and power can give him anything he wants.

Except that the one thing he wants is priceless.

His Evol turns to dust the bullet in his hand as he decides his course of action.

Sylus has always found humans interesting, but you... are a complete enigma.

He wants to know every little detail. What makes you smile, what makes you sad. What ticks you, what excites you.

He wants things to go organically. The two of you have a bond, already, and he would never force you into anything, but he's quite sure that you're also thinking about him.

Fate... is cruel.

But it is wise.

You have found each other, and he firmly belives there is a reason why.

Maybe in this life, there is a hope for happiness for him.

[lowkeyrobin]

still so disappointed that mr pennycrumb [fives dog in the comics] didnt rlly appear much in the show </3

ok ok so its the academy's birthday and the reader is insanely good at gift giving and never forgets to give presents if theres smth special happening. they hand out the gifts to everyone except they avoid five and disappear w/o them knowing where they went, only to come back at dusk w/ a larger box. obviously five went insane and rambles on how worried he was before the reader finally shuts him up by plopping the box on him, and boom. theres a puppy.

[loved the last viktor fic btw. literally bawled my eyes out]

- 🦇

OMG YES the only appearance we saw was in s3 when Luther went on a jog before he got napped :( ; and thank you!! I got bored and I couldn't extend it any further so it's kinda dumb but it's alr haha ; thanks for requesting, hope you enjoy! ; also sorry this is so short and dumb idk writers block is so picky

FIVE HARGREEVES ; mr pennycrumb

summary ; when the umbrella academys birthdays roll around, you get five a whole ass dog

warnings ; language

disclaimers ; some of the gifts are related to hobbies/interests that are more of hcs than actual canon

word count ; 738

masterlist

When you walked into Allison's with multiple boxes and bags for the Hargreeves, they all knew you were at it again with your insane yet accurate gift giving. They started with cake, then moved over to presents.

Gift giving in the family was like secret Santa in a way. Everyone would essentially get gifts for all the others, and they'd pass around gifts one by one, usually by number order. Luther was always first, Viktor always last. Lila usually snuck in around Diego, because duh. Viktor had gotten used to being last, the forgotten one. But around his family now, he knew it wasn't like that anymore. He'd rather go last so everyone else could have their special time on their special day.

So, the group sets the gifts tagged for Luther on the table in front of him. The kids halfway watch from afar, paying attention to the TV and their toys more than their celebrating parents, aunts, and uncles.

You were among the minority in the house that didn't share a birthday with them, thank God. You would've gone insane over big birthdays like this.

Five, meanwhile, was going insane over you basically ignoring him all day.

You'd gotten Luther some workout gear, knowing he'd taken up going to the gym within the past couple of years. Among other gifts were little trinkets and other things he wanted. He was a little hard to shop for, never really wanting anything, enjoying the quality time over any gift giving.

Next was Diego, and inside the gift you got for him, was a knife sharpening kit. He'd lost his old one just in time. Lila came up next, receiving a few nice outfits you found for her and a gift card to Cosmoprof, as she'd been thinking about re-dyeing her hair to white again.

Next up was Allison, grateful for the numerous acting job business cards you'd given her on top of a bunch of books that were on her Amazon wishlist. She was a serious reader who wanted to get back into acting, now.

Klaus was after her, ecstatic about a carry-around cleaning kit. You were going to go with a joint maker to make his life easier before he got sober. Now he wouldn't need a full bag of cleaning supplies, he'd have your perfect gift.

Five decided to go last, wanting to watch his family be happy more than open presents himself.

Ben was next, receiving some letters from modeling agencies. As he should.

Viktor was second to last, very appreciative for the new drink recipes you'd made and found for him atop the pile of clothes you'd gotten him.

You disappeared around dusk, leaving Five to open his presents without presence. He was physically eighteen, mentally sixty-two today.

As he looks up, seeing the lack of you around, he hides a soft frown. He noticed how you weren't standing near him all night, how you barely even spoke around him.

"Did you do something to Y/n?" Klaus asks out of the blue. "They just kinda... dissappeared"

Five shrugs. "I don't think I did. Even if I did do something, they'd talk it out with me"

Allison shrugs. "I think that's them" she comments, looking out the screen door to see you pull up in your car again. "Diego, could you get the door?"

Diego turns around, unlocking the door for you, holding it open as he sees you holding a big box.

"Why is that box bigger than you?"

"Also, why is it moving?"

You set the box on the table in front of Five, a wide smile on your face. "Open it"

He slowly sets aside the large box of coffee pods he received from Diego to the side, slowly reaching for the box flaps. As he pulls them to the side, out jumps a little dog.

"Oh my God?"

Five smiles, pulling the puppy into his lap. He looks up at you, a glimmer in his eyes. "Why did you get me a dog?"

You shrug, moving the box off the table. "You're a lonely old man, you need some company"

He chuckles, petting the pug's head.

"What're you gonna name it?" Ben asks, arms crossed.

"Him" You correct

"Mr. Pennycrumb" Five answers.

"Why?" Luther asks.

The physically younger boy shrugs. "Why not?"

"Interesting choice" Klaus mutters with a shrug.

Five smiles up at you, giddy like a little kid. "Thank you"

"I try"

[quasi-normalcy]

Which Star Trek series should you start with?

The Original Series: Advantages: + The one that started it all + Has some sophisticated and socially conscious science fiction that has held up exceptionally well + The lead characters all have really good chemistry and fun to see play off of one another + It's what most people probably think of when you say Star Trek (together with TNG) Disadvantages: - It can feel very dated and kind of sexist, particularly in its treatment of women - The sci-fi and social commentary may have held up, but damn it, the special effects really haven't - When TOS is bad, it's really, really bad.

The Animated Series: Advantages: + Basically just more TOS. Disadvantages: - Basically just more TOS, but substituting extremely cheap animation for bad special effects

The Next Generation: Advantages: + Probably the most popular one at this point + The crew is full of interesting characters and they're fun to spend time with + Just really smart people solving Space Mysteries + Socialist space utopia + Geordi-And-Data! + Lots of cool sci-fi concepts and social commentary + It's what most people probably think of when you say Star Trek (together with TOS) Disadvantages: - Although not in the same way as TOS, it can feel dated at times, particularly in terms of its treatment of women and it's near complete refusal to acknowledge queerness - Without wanting to bias viewer opinion, the first season is widely considered to be pretty bad - The series makes no bones about the fact that the socialist space utopia is better than every other society that has ever existed and will reiterate this point over and over again

Deep Space Nine: Advantages: + The most popular Trek series on Tumblr + Has a complete story arc, as well as arcs for all of its characters, including the extremely minor ones + Plain, simple, Garak. The humble tailor. + Garashir, if you're into that + Seriously has a really sophisticated treatment of things like post-colonial politics, anthropology, worldbuilding, and the horrors of warfare + Just the characters in general + Is the only Star Trek prior to the 2010s to even look meaningfully at queer representation Disadvantages: - Has an absolutely massive inferiority complex with respect to TNG and this drives a few poor writing decisions that seemingly exist just to poke the Socialist Space Utopia in its eye - Introduces a space religion and then just slowly turns it into Christianity with the numbers filed off - Seems to think that sexual harassment is just a quirky eccentricity - There's no women in its writers' room, and frankly it shows

Voyager: Advantages: + Probably the clearest instance of found family in space + Lots of really good episodes + Lots of fun new characters + Strong female role models + "Set a course...for home." Disadvantages: - Continuity? I never knew her! - Probably about 90% of Trek's reputation for technobabble comes from this one series - Even less queerness than TNG. - Only like...3 characters actually get arcs. - The first few seasons lean very hard into bullshit fake "Native American" spiritualism with one of the characters - How do these guys have warp drive but can't find any water?

Enterprise: Advantages: + Chronologically the first series + 90% less technobabble + The only series to plausibly frame our heroes as astronauts...on some kind of...star trek. + Still has probably the best production values of any series + Makes alien cultures of the week feel somehow richer and deeper than other series + Faith of the Heart is good, fuck you. Disadvantages: - Oh my god, the decon scenes - Seriously, if you've ever wondered what a "sexy" series written by a 14 year old boy who's only ever seen a bit of scrambled softcore porn on late-night cable would be like, this is the show for you - Somehow feels more sexist and racist than the show from the '60s - Seriously, the POC characters mostly exist to fill seats on the bridge; the women constantly have to undress themselves - Hellooooo, Bush II-era political analogies - Scott Bakula is a good actor but you wouldn't know it from this series - In season 3, they add a tambourine beat to Faith of the Heart and ruin it

Discovery: Advantages: + Noticed the lack of queer characters in the first 50 years of Star Trek canon and decided to make up for lost time + Seriously, the "Bury Your Gays" tally for this series is like...negative two + Just incredible representation in general + Some really good science fiction plots, particularly in later series + Some really fun, memorable characters + It's still running, so it has an active fandom on Tumblr Disadvantages: - Makes Elon Musk out to be one of the great visionary geniuses of history - Not really representative of Star Trek as a whole - The series swerves wildly in tone because of constant, behind-the-scenes churn in the writers' room - Offputtingly grimdark first season - Let's be honest, none of the season-long arcs have actually had satisfying conclusions - Half the cast feels like it's just there for exposition and to be killed for cheap drama

Picard: Advantages: + Has the best dramatic acting of any Star Trek series by a fair margin + Has the best musical score of any Star Trek series + Introduces a whole crew of fascinating new characters + Introduces all kinds of fascinating transhumanist concepts + AGNES. JURATI. Disadvantages: - You know all of those fascinating new characters that I mentioned? Yeah, it unceremoniously gets rid of all of them to bring back the old TNG gang. - You know that all of those fascinating transhumanist concepts that I mentioned? Yeah, it gets rid of those too so that to give us some generic action - Oh my god, someone teach the set designers to operate a fucking light switch - Grimdark - Nossssstalgia - Each season is basically unrelated to every other season - Depends so heavily on TNG that its final season is basically unwatchable if you haven't already seen a 30-year-old TV series

Lower Decks: Advantages: + It has probably the most efficient storytelling that I've ever seen; seriously, it's incredible how much it can fit into a half hour episode + It has a bunch of delightful, archetypical characters you get to know and love + You like hanging out with these people + The ship is kind of crap and you will learn to love it that way. + Basically a sitcom version of TNG. + Has a big fandom on Tumblr Disadvantages: - The art style is pretty Rick & Morty-ish - It takes most of its first season to really strike a good balance between being a sitcom and being a Star Trek series - The main character, Mariner, is kind of unlikable for the first season or so (she gets better) - Lots of callbacks to other series (though always either incidental or clearly explained) - Given that it's the first Star Trek sitcom, the comedy is honestly kinda the weakest part? Subjective I know.

Prodigy: Advantages: + Absolutely gorgeous to look at; the most visually stunning Star Trek by quite a ways + Lots of fun new characters on a cool ship + Gives you clear on-boarding notes to the Star Trek franchise if you're watching it for the first time + Can be watched on its own, but also works as a direct sequel to Voyager and a prequel to Picard (making both of them retoractively better, in fact) + Kind of like the Clone Wars or Rebels of the Star Trek universe, I guess? + Found family in space! The next generation! + Soon to be running on Netflix, so if you already have a Netflix subscription, you don't need to pay for another service + Written for a younger audience. Not necessarily an advantage, but nice if you happen to like family friendly animation or YA. Disadvantages: - *sigh* You basically need to pirate it. Thanks, Paramount. - Has a second season that we may or may not ever actually get to see even through piracy. Thanks, Paramount. - Isn't airing on the same streaming service as all of the other ones. Thanks, Paramount

Strange New Worlds: Advantages: + Basically what the original series would be if it were released today, rather than 57 years ago; all of the cool, socially consciousness sci-fi adventure, none of the weird 60s sexism + Fun, awesome characters you get to like spending time with right away + Incredible visuals + Nifty sci-fi concepts, mostly without the 90s-style technobabble Disadvantages: - A huge cast with only ten episodes a season, so many of them feel underdeveloped - Unfortunately, a bunch of its characters are younger versions of the characters from The Original Series, and they hog most of the spotlight; and the characters whose futures aren't locked in stone are kind of treated as disposable - In general, it needs to spend less time being a prequel, and more time being its own thing - "What if Starfleet ran into the Xenomorphs from Alien?" "Well, they'd probably kill them." "Okay, let's spend several episodes on this."

[glossglamour]

Full Robert Sean Leonard 'House'-a-palooza Interview: "As we know, I’m straight, but yeah, it’s like, homina homina homina."

May 01 2006 | By Maureen Ryan

Do you watch the show much?

"I can't watch it. I mean, Hugh doesn't watch it because he's anal and … eight years old. [laughs] And by the way, I don’t buy it, I think he does watch it.

“I watched in the first year. We live in New York and [my fiancé] was in California] and she likes it because I’m on it. But then she left, she had to come back to New York, and what are you going to do? The idea of me watching myself on TV, alone in Santa Monica, was just about... just short of, like, a bottle of Maker’s Mark and a shotgun away from shooting myself. [much laughter]  So I haven’t watched it all season. But when I have watched it, I’ve been mildly confused and Hugh is appropriately grumpy."

I have this theory that a lot of my favorite shows aren’t even about what they’re supposed to be about -- they have to be set in a hospital or police station or outer space or whatever because the network can market that, but they’re secretly not even about that. Like, “House” is really about ethics and morality.

“Yeah, sure, I think that’s true.”

But you can’t pitch that show to the network. “Hey, we have this great show that examines personal morality!"

“‘It’s based on “A View from the Bridge.”’

Right! They’re really going to for that.

“Yeah. [laughs] I think it’s good, and when it’s right, when the show works, the mystery works. It has a Sherlock Holmes-ian feel to it, and you do kind of want to know what’s wrong with [the patients]. And it is interesting, the turns and twists that get you there. And there’s always a little bit of character-driven fun stuff in between, of who these people are and how they affect each other. And that’s it at its best. And I guess that could be true of any show.

“It’s tricky, you’ve got a lead character [who’s different from the TV norm] and you’ve got to be careful because those characters can be one-note. He’s the cranky guy, he’s the Australian guy, I’m the friend in one or two scenes a week. You just have to be careful, and I think we are, we have a really great team of writers. And the numbers are building, people are watching.”

So this two-parter on May 2 and 3, I think the unofficial subtitle is the “Festival of Foreman.” I guess they’re his Emmy episodes, and that’s fine. But you’re hardly in them, what’s up with that?

“Honestly, I’m okay. I don’t want an Emmy. This is what I want -- I know exactly what I want. I did play with a guy named Skip Sudduth, ‘The Iceman Cometh,’ seven years ago. I saw him five years later, and I said, ‘Geez, Skip, where have you been? I don’t see you at readings anymore.’ He said, ‘I’ve been on “Third Watch.”’ It sounded familiar but I’d never seen it. He said, ‘I’ve been doing it for five years.’ I said, ‘Holy crap!’ And he was back doing theater. That’s my dream.

“And it’s happening. I walk down the street and people say, ‘Where are you?’ and I say, ‘I’m on this show called “House.”’ My friend Lewis Black [from 'The Daily Show'] said, ‘What is it called? “Head”?’

“I’m okay. I’ve never been happier than where my career is now. And I don’t want it to change necessarily. Money’s good, and I’m glad I’m getting that, and I’m putting it away for later in life when I do more Tom Stoppard plays at Lincoln Center and make no money. But really, I’m great. I don’t mind working two days a week.

“Because those other guys, the Scooby gang, or the Mod Squad -- they are at that studio for 16 hours a day saying ‘tachycardia, lupus, blablahdeblah.’ Honestly, I’d kill myself if  had to do those scenes for that long. I’m very happy with the size of my role, I don’t want it to get any bigger. I’m happy.”

So we won’t see the very special “House” episode where Dr. Wilson almost dies?

“That might be how I get off the show.” [laughs]

Well, you could die and come back as a ghost. Then it would be the “House Whisperer.”

“Yeah [laughs]. The hair makeup people were saying one day, ‘Oh, I love those scenes with you and Hugh, there should be more of that.’ And I’m like, ‘Shhh! Don’t say that!’ I’m the luckiest man in Hollywood. I work only with Hugh, pretty much, who’s great. And I work two days a week.”

Do you fly back and forth to New York then?

"No, not really. They don’t let me because they need me around, the schedule changes so much. I’m going to try to get away with that a little more [in the upcoming season]. Now that [my fiancé] is here, I really will kill myself if I’m out there as much as I was last year, without her.”

So five days a week you’re doing what – Botox injections? Going to the mall? Watching “Maury”?

“Rob Lowe once said the secret to being an actor in L.A. is sleeping as late as you possibly can and going to be as early as possible. I remember him saying, ‘I recommend pajamas by 4:30 p.m.’”

What’s interesting about this show is that they’re taken something that could be a very formulaic procedural and quite often turn it on its head.

“I didn’t know anything about TV, I’d never done [a TV show], but I now know very well that there are procedurals and character-driven shows. ‘Law & Order’ is a procedural and ‘Grey’s Anatomy’ is a character-driven show. The test [as to which category a show is in], someone once said to me, which I thought was hysterical, is this question: Did Sam Waterston sleep with [the assistant DA] on ‘Law & Order’? If the answer is ‘I don’t give a [hoot], I want to know the next element of the case,’ then it’s a procedural.

“Our show is weirdly, and there must be precedent for this, but it’s weirdly equally both. I think it’s very much a procedural, and without that sick patient every week, we wouldn’t work. And without the character stuff it wouldn’t work. And weirdly, people do care if House sleeps with one of our characters, and also care equally what’s wrong with this person and how they’re going to solve the case.”

I guess I like the character stuff better, but you’re right, it probably wouldn’t work without the suspense of the weekly case and somebody being critically ill.

“No, I think you need that. I think the echoes of Sherlock Holmes are too strong. The original idea of the show was House and Wilson, like Holmes and Watson. But it got away from that, and his team is Watson, if you want to be technical about it.

“I’m more like … the only way I’ve found to define it, and it’s so pretentious that it makes me want to jump out a window, is like King Lear’s fool. I’m like the only one who tells him the truth. And [Wilson] has nothing to lose. I don’t work for him and he doesn’t work for me. I’m the only character who chooses to be with him as opposed to being there because of a job. And because of that I have the freedom to tell him what I think. Not that Cuddy holds back much.”

I think her role is to say, "No! Bad House!"

“Have you talked to Lisa Edelstein [who plays Cuddy]? She’s so great. This Japanese woman once said to her, ‘You on “ER”!’ And she said, ‘I have been on “ER,” but now I’m on “House.”’ And [the woman says] ‘Oh yes, “House.” You say, “No, you don’t!”’ Every time we do the table read, I burst into laughter at some point, because there is the voice of that woman in my head, ‘You say “No, you don’t!”’ That’s the entire definition of Lisa’s character. Not completely, but we laugh [about it]. We have the same dilemma. We’re on this show that we’re … kind of on. Crew members say, ‘How long have you been on the show?’ ‘Uh, since the pilot.’ They really don’t know what we’re doing there.”

So in terms of the other stuff going on in your career, that’s going well, all the theater stuff?

“I’ve achieved everything I wanted to do. When I was growing up, I wanted to be Kevin Kline, Sam Waterston. I grew up watching the Public Theater and Shakespeare in the park and Marion Seldes. I mean, I may as well be gay.”

I’m not entirely sure you’re not.

[laughs] “But the thing is, I got it [i.e. his goals]. I’ve done 14 Broadway shows and got a Tony award, and now I’m making money and no one even really knows. I’m getting away with murder. If I come back to New York in two years and nothing’s changed, I’ll be thrilled. All I really want to do is [act in] plays, play with my dog, have kids. My desires are pretty simple. I don’t really want to do movies anymore. I’m pretty tired of camera acting.”

Why are you tired of camera acting? Is it the repetition of it?

“No, no, quite the opposite. We don’t rehearse enough. We do scenes where people barely know their lines, where people just about know their lines. In theater, you do it so many times and you get so familiar that then you can actually start having fun with it. And I really miss that feeling.

“It’s true of films too. I don’t know. I think I’m fine on film, but … I have walked offstage and thought, ‘Wow, no one has done that better. People may have done it as well, but not better.' I’ve actually had that feeling after ‘Long Day’s Journey Into Night,’ or a Shaw play or whatever. I’ve never felt that way with film. I always feel like, ‘Boy, Donald Sutherland would have done that a lot better.’ [laughs] I just don’t think it’s what I do best. I think I’m fine, but there are people who are eerily good at it. In all humility, of which I have none [laughs], that’s how I feel about my work on stage. I really do feel that I’m gifted at it.”

Just to change gears completely, what happens in the finale?

“Well, I think the finale is a bit of a cliffhanger. Something very exciting happens. It’s extremely exciting and freaky and I think it’s great. I can’t say what it is. You end this season very curious about how the next season is going to start. It’s a great final show and a big cliffhanger.”

So it seems like Hugh Laurie is so disparaging of his own talents. But he’s so good as House.

“Some people ask me, ‘Oh, why does Wilson want to hang out with House so much?’ and I’m like, ‘You idiot.’ [laughs] House is designed to be attractive! He’s brilliant, he’s self-deprecating, he has a limp. But yeah, Hugh hates himself and he’s very funny about it.  There’s no better combination in my book. Like Lewis Black.”

But as an acting partner, he’s good to work with?

“Oh yeah. The thing is, with this part, Hugh has a huge obstacle he has to deal with, having an American accent. His problem isn’t our problem. We as the audience don’t have that problem, because what he doesn’t know is that he does it perfectly. But of course he doesn’t hear that. That’s why he can’t watch the show.

“When you’re doing an accent, you don’t feel like you’re interesting in the role. Even if everyone around is telling you that you are. And to be in a play is one thing, but to be on TV show that runs for years, I don’t know how he’s going to do it. To be that hard on yourself and be that disappointed in your own work. But as I said, and underline this four times, he’s wrong.”

And then he obviously hates when anyone calls him a sex symbol. You read his quotes when people ask him about that stuff and you can feel the embarrassment rising off the page.

“Yeah, he hates that stuff. And even more than the ‘sexy’ stuff, he hates the ‘you’re brilliant’ stuff. Of course there’s a part of him that likes him, there’s a part of all of us that likes that. [But him being hard on his performance], it’s not false vanity.

“I think Hugh does work he’s proud of and does work he thinks is good, I’m just not sure it’ll ever be this [show]. Having an accent… acting is letting go and forgetting yourself, it’s the opposite of ego. It’s flying away and getting away from yourself and forgetting. And when you’re doing an accent, it’s virtually impossible to do that.

“It’s hard when you're in a play, doing the same lines, the same way for eight months. Hugh learns 72 new lines a day and has to put an American accent on them. It really is an actor’s nightmare. I’ve done [with accents] Brian Friel plays, Martin Sherman plays, Tom Stoppard plays, and maybe five months into it you have a night where you kind of feel OK and kind of forget the accent and let go and let the scene happen. To have a strange accent in your mouth while playing a role, and then be judged for it, that’s hard stuff.

“And can I tell you, when you have dinner with Hugh Laurie [speaking in his real accent]… I miss that voice.”

Yeah. He called me once directly for an interview. I was expecting the publicist to put him through, but it was just that voice on the phone. I was sort of thrown for a minute.

“As we know, I’m straight, but yeah, it’s like, homina homina homina.” [laughs]

---- [source (part 2)] | part 1 | part 3 ---

it took me two hours to track this interview down. it might be the longest one he's ever done. first i tracked it down to tumblr pages posting about it with no source please stop doing that. then i found a short youtube video of laurie saying "homina homina" on an snl skit i think and someone in the comments mentioned the site where the rsl interview was posted. however the site wouldn't let me in, i guess they took it down so i headed to archive dot org. i didn't have a specific link though so that didn't really work out either. then for nearly an hour i tried a wide range of word combinations on google until i stumbled upon a livejournal page of rpf hugh laurie/rsl fanfic. SOMEONE tysm karaokegal posted the exact link i was looking for in the comments. quick trip to the wayback machine and here you go!

i should be on those ethical hacking competition things

[rosygames]

hello!

Hello, everyone. I apologize for the year and a half long silence. I have my reasons. Last I posted here, I was talking about how the heatwave in the Philippines had gotten so severe that I was having headaches and missing classwork. It did get better! However, there was a problem with itch.io where it wouldn’t work on our internet provider (Globe, I don’t know if any Filipinos here had the same problem a year ago). We had asked for help but apparently the site was blocked for our internet provider and we were asked to pay extra to have it unblocked. We didn’t do that since it was quite expensive for a monthly bill. It started working again, for some reason. I don’t know if it’ll go back to being unusable but it’s been going well for some months now.

Then, late last year something had happened in my personal life that I don’t wish to share. It’s incredibly private and basically affected every part of my life for the next year. I had to drop a few classes, and that did cause me to not graduate “on time”. Again, I don’t wish to share because it’s still sort of a sore topic and it’s incredibly private but it affected basically our entire household.

For quite some time, I was ready to just not continue this game. For months, I mostly focused on getting work done on academic projects instead of doing anything creative just for myself. I also wasn't sure if people would still be interested in reading this game, anyway, so I was scared to come back and put effort into it.

However, I did still keep coming back to mess with the code of what I’ve done for the Twine rewrites, and I kept adding more information to the lore I’d created. I kept trying to fix problems, writing down new ideas. To graduate, we’re supposed to work on a “special project” and I also picked this game to work on it because I wanted to work on something I was into, instead of the number of other less exciting (imo) options. Clearly, I wasn’t done with this game.

For the past few months, I’ve been working on the game. I did it for my project but since I was going deep into the game, I thought why not just continue it here? I haven’t been pushing updates because I am still working on basically overhauling the entire game. I added to the UI of the game and the lore, and I’m fixing the characters (and romantic options) so it isn’t too daunting in the long run.

I only have the prologue at the moment and it isn’t fully ready. I’m polishing some things and I’ll be busy the rest of the year, but I think I can get the prologue up and running early next year, then Chapter 1 some time after. I will be creating a new account since this is filled with old lore and I wanted to separate my personal account from the game dev account.

For those still interested, I’ll post about the new account once it’s ready. I do apologize for the long break, it’s unfortunate but life was not kind to me and I entered a burnout phase because of it. I also had to prioritize my catching up to everything I missed academics-wise late last year to the first half of this year. I hope even just a fraction of y’all are still interested!

I’ll be back with the new account and the prologue soon. Have a happy holidays, everyone! I hope the next year is kinder to all of us!

[homestuckreplay]

As somebody who’s nuerodivergent and has MDD (Major Depressive Disorder aka Clinical Depression), I find those points about John very interesting! Is there any other hints of this throughout the comic that we’ve seen?

hello!! sorry this took so long, I reread every John page so far and I now have a normal length answer to this question!! (2.9k words shhhh) I will broadly talk about neurodivergence first and then depression, but some of these points could apply to either or both.

I’m also neurodivergent, and I’ve had depression in the past, so this is based on my personal experiences + reading through the diagnostic criteria. if anyone else has different experiences I’d love to hear about it!

So my favorite academic article I’ve found this year is in a journal of disability studies by autistic writer David Preyde, and it’s just him listing all his special interests and how and why they became important to him. It reads like a blog post and I love that it was ‘officially’ published. It reminds me so much of how the Homestuck kids have been introduced, just more in depth.

John is hitting some common/stereotypical special interests, like computer programming and movie trivia, and some less common ones, like old comedians. I don’t think the fact of having interests makes John neurodivergent, but his approach to them might. John sees a Con Air reference and immediately starts explaining the plot of the movie (p.132); he also does recreations of Deep Impact (p.21), A Time to Kill (p.109) and Armageddon (p.223) He can list all the rare Gushers flavors (p.979). He thinks Colonel Sassacre will be able to tell him the ‘precise index of elevated hilarity’ of a joke (p.36). John treats things really methodically, he likes to list and sort and categorize. It’s why he likes programming computers but isn’t good at it – he knows it’s a great hobby for all that, but hasn’t quite mastered the rules yet.

This is also how he figured out punch card alchemy. Not only does he pick up a new skill much quicker when it relates to an existing special interest (stage magic), but he’s a super fast problem solver when the rules make sense and it works the same every time. He prefers familiarity, taking a while to adjust to changes, like taking time to warm up to the new MSPA adventure (p.112).

I would even argue that John’s sylladex could be a new special interest – it’s something he’s just found at the start of the comic (while his friends have all been into it for a while) and he’s deeply frustrated by the rules at first, when its behavior constantly changes due to different numbers of cards, lack of available cards, options to combine items, new modi, etc. But he still works at it for hours even though it’s hard, because it’s captivated him somehow. He picks up the language and techniques at a speed that’s only possible for someone very dedicated, and he’s super excited to get the control deck for his birthday, a very practical gift that other kids might be bored by. This is like the Homestuck equivalent of getting a backpack with a lot of pockets.

John is really proud of the computer wallpaper he made (p.25) and still gives his dad drawings to put on the fridge (p.253) – he’s very earnest about his interests. He also kind of has the fandom impulse to create his own canon that he likes better than the source material – upon seeing Harry Anderson: Wise Guy, he thinks that ‘Mike Caveney's glowing treatment of the man does him every bit of justice’ (p.253), but when he actually re-reads the book, Caveney’s ‘ambivalent attitude toward [John’s] favorite magician in these anecdotes always struck [him] as a little weird’. John is inventing Wise Guy fanfiction in his head which is incredible. It’s also an example of black and white thinking, and the quick switch from one extreme to the other in opinions without much room for nuance, that John often exhibits.

John also has a lot of specific object fixations, or comfort objects – the Con Air bunny has quickly become this. In the original movie the bunny is owned by a 7-year-old girl, while John presents as a 13-year-old boy, someone for who it’s far less socially acceptable to own a stuffed animal – but John isn’t concerned about that. The green slime ghost pogo ride is another object he returns to over and over – other people might see that as a dangerous knockoff piece of junk, but to John it carries a lot of meaning (p.105, 476). He’s always carrying things like a wizard’s hat (p.44) or shaving cream (p.488) in his sylladex that have no practical use, he just wants to have them.

John is really weird in social interactions, and often tries to avoid them altogether. The lengths John goes to to not run into his dad while exploring the house in the first 100 pages take more time and effort than actually talking to him, but John avoids him no matter the cost. On page 30 he’s also frustrated because Dave is texting him again, and John wants to be left in peace to look at his video games. Not play the games, just look at them. It’s very relatable to me to want to just enjoy my cool stuff even when not actively engaging in it, and to have a lot of ‘off time’ even from my close friends.

John responds to Rose’s genuine sentiments with ‘haha, oh jeez, that is silly!’ (p.256) and struggles with getting his dad to talk about his nanna’s death – on page 543 he considers asking her about it directly; I think some neurotypical people may see that as an unwritten social taboo. But John isn’t uncaring; he marks his friends’ birthdays on his calendar (p.999) and buys them all personalized gifts that they all end up loving, even if Rose interprets hers as a ‘subtle dig’ which John didn’t intend (p.442). John also says ‘ok, i guess i will take your word for it’ to Nanna (p.420) could come across as passive-aggressive, but John means it so genuinely.

John struggles to see beyond his own perspective, like when he’s surprised that it’s already dark in Rose’s house (p.174) despite knowing where she lives. He’s generally very preoccupied with his own concerns, but he eventually remembers to ask Rose ‘are you ok? hasn't your house been on fire for like... five hours now?’ He clearly cares about the people he’s close to, but doesn’t show it in the most obvious ways.

John is hilarious, but he doesn’t tell jokes in a standard format. He is straightforward in all social interactions, and doesn’t have the bantering instinct that Rose and Dave do. Some top tier examples of John humor: ‘it is understandable because you are really attractive. i am attracted to you... jk haha’ (p.35), ‘oh, btw... jk I was wearing a funny disguise this whole time. gotcha! hehehehe’ and Rose’s accompanying response of ‘I know, John.’ (p.63), and ‘yeah, more like the opposite of all those things is the thing that is true!’ (p.386). He clearly has the jokester’s spirit, but unusual execution.

John generally takes things at face value, thinking that Jade ‘seems like a pretty regular girl’ (p.652), and his dynamic with Dave is really fascinating. All their conversations read like Dave is doing a bit and John is taking him completely seriously, but Dave isn’t making fun of John, they’re both having a good time. So it’s not like when a so-called normal kid bullies a weird kid in school, it’s more like these two people who are both different flavors of neurodivergent bouncing off each other in a way that unexpectedly works. This also explains why John hates GameBro and Dave likes it – John takes it seriously while Dave is reading it as a satire of other gaming magazines. (I actually don’t know which is true).  

John has a bunch of rigid rules for the world that read like shortcuts – he doesn’t innately understand societal norms, but has figured out these approximations through careful observation. A kid’s yard must have a tire swing (p.27), a fireplace must have a fire (p.50), and a father must have a pipe (p.74) and by satisfying the checkboxes you can make a family. He’s hesitant to break rules he knows even when it’s a logical course of action, like when he doesn’t want to break the window of his dad’s car to get the Sburb disc and save Rose’s life (p.289).

But if he hasn’t added something to his List of Known Social Rules, it’s open season – he’s completely unconcerned when he accidentally throws one of Dad’s harlequin figurines into the abyss (p.266) even though he gets upset when the things he likes are defaced. The imps are ‘stupid lousy’ for ‘mucking up all [John’s] cool stuff’ (p.473) and have ‘fucking ruined’ his movie posters which ‘were like children to [him]’ (also another example of object fixation). John being overly cautious in some social situations but totally oblivious in others is SO neurodivergent to me, so obviously someone who wants to get it right, but doesn’t have the innate skill.

John clearly struggles with emotional regulation, I don’t think he’s good at masking in face-to-face interactions, and even online ones when he gets stressed enough. He also has very physical reactions to emotional distress (and excitement!), and that can’t be explained by the medium needing to show emotions visually, because he does this to a FAR greater extent than Rose and Dave. John does a victory dance when he wins in battle (p.405) but scrunches up his face and covers his ears when Nannasprite offers him cookies (p.429). Some panels where he’s having a meltdown are really evocative, and it’s so easy for me to imagine how he must be feeling – the chaos of page 517, where John is paralyzed and panicked from way too many stimuli both inside and outside his head, is my best example.

His panic is also evident in his pesterlogs with Dave and Jade shortly after arriving in the Medium. He’s pretty rude to Dave, saying ‘dude, i don't have time for your nerdy raps!’ (p.204) and his sudden use of lots of exclamation points make all his messages sound distressed. He pours the whole story of his meteor escape to Jade, seemingly unable to stop himself (p.293) where someone with more control over their emotional responses might bottle it up, or at least calm down before explaining the story to a friend.

John’s intrusive thoughts are part of the medium; hearing commands in his head is better explained by the story’s rules than by John’s mental state. However, studies have found that intrusive thoughts are very common among humans – they’re just easy to dismiss for most people, while a small minority find them distressing to the point that they affect daily life.

Rose posits that John’s reactions to WV’s commands could be ‘the early symptoms of an anxiety disorder, like post-traumatic stress’ but I read it a little differently; I think his distress at WV’s commands, as opposed to the background radiation of reader commands, kind of represents how a symptom that is manageable in one context becomes debilitating in another.

Related to commands, John likes having clear instructions to follow, and doesn’t respond well to uncertainty. When he has no idea how to use the alchemiter, he just stands on it (p.161) – but he also doesn’t uncritically accept authority. He defers to expertise and likes to ask specific questions and get clear instructions before acting, but that has to be earned. He sees Rose as smart and capable in general, so he follows her instructions within Sburb (for example, p.178) unless he has a better idea (for example, p.187). But the Wayward Vagabond hasn’t earned John’s trust or done anything besides shout and insult him, so John resists his commands (for example, p.264).

A few miscellaneous things I noticed are John just HAVING to complete high fives with his sprite’s raised arm (p.198, 880), John being clumsy and accidentally toppling his nanna’s urn (p.53), John having very strong preferences when it comes to food, as he loves Gushers enough to get them as a birthday gift (p.972) but pulls instinctive faces of disgust at the thought of eating cookies (p.430), and the line ‘there is apparently no crisis so imminent that will deter you from contemplating idiotic and frivolous actions’ (p.199). I think that someone whose brain processes things differently may appear idiotic and frivolous, and they might even internalize that perspective, but the logic actually makes sense. (In this case, John trying to eat a unit of build grist taught him more about how grist as a gaming abstraction works).

Most evidence for John’s depression is in early act 1, before the plot really kicks off. John is very depersonalized at the start of the story; it’s only on his thirteenth birthday that he gets given a name, and he’s associated with a regularly-changing disguise throughout the first hundred pages. There’s a broader theme of mistaken identity in his home – his dad might be a clown or might be a businessman, the figurines might be clowns or harlequins or mimes, the poster on the wall might be Michael Cera but isn’t, and both John’s dad’s room and his own room are not what he expected them to be.

I think this theme of disguise relates to how John doesn’t see himself as having a real identity, perhaps not even a recognizable personality outside of his interests. I also think John is much better at masking his depression than his neurodivergence in a way that’s pretty tragic. Both Rose (p.63) and Dad (p.89) see through John’s CLEVER DISGUISE immediately and think they know John for it, but there’s another part to the disguise that they never notice.

John puts himself down a lot in the early story, insulting his own taste in movies and skills at programming in his list of interests (p.4), thinking of himself as a pooplord (p.5), as neither a skilled magician nor cunning prankster (p.8), stupid (p.16), etc. The “sad clown paradox” (for sure one of my favorite Wikipedia article titles) refers to the correlation between comedians and depression, and while it’s not universal, I think it’s very true for John. Playing a prank on someone and seeing their reaction is a moment of predictable pleasure in an endless drudgery of whiling away the hours, and those tiny bursts of dopamine – and connection with another person, if they respond well – are what keeps John going.

John struggles to focus on reading – every book he owns, we’ve seen him contemplate reading and put off until later. He does this with Colonel Sassacre’s (p.32, 69, 885), Wise Guy (p.123, 253), Data Structures for Assholes (p.116), and the Shaving Almanac (p.544). When he does sit down to read, he’s easily distracted (p.391) – he has good reason here, but this struggle to focus could be a sign of depression. This could be why John has an interest, paranormal lore, that we don’t really see him engage in; it’s easy for depression to take the joy out of something that was once filled with it.

I actually think it’s really interesting how Homestuck’s version of Wise Guy presents Harry Anderson – John’s hero – as a clumsy, incompetent fool (p.629) while the real world Wise Guy describes him as charismatic and in control of the crowd. I say this with all the love in the world, but John has the charisma of the fake Harry Anderson and not the real, and he believes that of himself too. John picking a hero who is described in such a negative light speaks to the type of people he identifies with.

On page 82, which is both the Homestuck title card and the best evidence for John’s depression, he refers to the streets as ‘empty’, to the ‘voids keeping neighbors apart’, ‘hollow’, ‘Desolation’, to feeling something ‘missing’, ‘eluding’, a sense of ‘lack’, ‘Absence’, a ‘mystery dispersing’, a ‘black well’. All that imagery is packed into two paragraphs that do not describe a happy person. This sense of emptiness, distance, space and loss of something is what I most associate with depression, and it provides a real contrast to those autistic meltdown moments where John is feeling too much.

John explicitly says that he feels trapped in his room (p.30) but I think he’s actually trapped in a mindset, and the room or house is more like the physical manifestation of that. That’s not a criticism of him, as I think that can be equally hard to break out of. I have talked a lot about growing up in the suburbs being terrible for finding community, but there is another angle. The Egberts are comfortably middle class, Dad has a car, money, flexible enough work schedule to take John’s birthday off, and supports John’s interests. There are probably computer programming clubs or amateur magic classes in a nearby city, and if John said he wanted to join something like that, I bet Dad would support him. John’s depression makes it impossible for him to even imagine a better situation, much less take steps to grasp it – he needed to be seconds from death for his survival instincts to kick in and make him take action.

I hope that answers your question! Again, I’d love to hear other people’s thoughts on this if anyone has different experiences or picked up on different John moments.

[dailyadventureprompts]

Simpler Monsters = Faster Combat

Been thinking a lot about different ways to tune 5e the way I want it, and I was inspired by a recent chat about how bullshit CR is as a mechanic to ponder over how d&d does its monsters in comparison to other games.

What fundamentally slows combat down (both at the table and during prep) is the mechanical assumption that the monsters/baddies/npcs controlled by the DM have to function on the same mechanical framework as player characters: standard/move/bonus/reaction action economy, HP, AC, Damage numbers etc. While some of this is in the name of game balance, we can all admit that it's clunky as hell and could stand to be overhauled.

In a lot of ways d&d monsters are the way they are (huge stat blocks, a pain to modify/homebrew) because of the old wargaming/competitive/adversarial days of play, specifically in that every monster had to have a canon range of stats so that the DM coudn't "cheat" in the party's favour or against it. I think the pursuit of good gameplay has largely evolved past this obsessive need for objectivity over the past 50 years.

Once you run enough d&d you realize that monster stats don't actually matter. The baddies need enough offence to threaten the party and enough defence to hang on long enough to make the combat interesting, with the actual spice of the combat being tactics, goals, and special abilities. For several levels during an ongoing campaign (lvls 6-9) I swapped out traditional monster HP for gnomestew's "10 good hits" system. None of my players noticed the change, and suddenly my prep/running the session became 1000% easier because there were way less numbers to take care of.

Over the past couple years I've branched out into games using the PbtA and FitD systems, which run the combat encounters through the same gameplay framework as they do skill resolution. Fighting a demon to the death is mechanically the same as escaping away from an avalanche, and while this game design is quite elegant, I want to preserve d&d combat as the tactical miniature skirmish minigame that it is.

I think I'm going to start work on a combat hack, something that will let you port in any vanilla or 3rd party monster you'd like for theoretically any CR range. I'm going to wrap in some of the developments made by the 5e successors (daggerheart, mcdmrpg etc) along with my own ideas about how to make the system run smoother.

[yesimwriting]

I absolutely loveddd your piece about iwtv! I feel like the characterisations of louis and armand were spot on, and as someone whose favourite character is armand, I'd love to see where the dynamic between him and reader is going👀

We all know armand loves a challenge *cough* daniel molloy *cough*. Do you think there's some sort of romance that could be simmering underneath his curiosity about reader?

i appreciate the characterization comment! i worked very hard on their voices!!

okay, i accidentally put so much thought into this in relation to armand's characterization/my interpretation of him, so this response is only thoughts on that. however, this did give me an actual idea for a fic in which armand is incredibly cutesy and manipulative to reader after she goes out without louis, so if you're interested in that pls let me know <33

disclaimer: a lot of this is based on how i see (show) armand, but the wonderful thing about media consumption is that people can see the same source material in different ways and i'm not claiming that my thoughts on armand (even in the context of bestie!reader verse) is the only viable way to see him :))

----

this is such an interesting concept and i've been thinking about it a lot.

it's also so cool that you brought up daniel bc i think one of the most important scenes for armand's characterization in the show is the fight in the 70's where armand is much more hurt by louis calling him "boring" than any mentions of his actual trauma.

to me, armand's such an interesting character bc he's an ancient, 514 yr old vampire whose so incredibly impressive, who doesn't need to make anyone look at him, who doesn't need validation, but he wants it, he'd never admit it, but that desire to be looked at and loved is so there.

i think louis, someone who armand really values, deeming reader as someone 'special' is enough to catch armand's attention (similarly to daniel) .

however, armand is being subjected to louis's love and interest in the reader much more consistently/openly than louis's relationship with daniel, which i feel like would only aggravate any subconscious insecurities on armand's end which would make him want reader's attention even more bc what could possibly make louis's 'special' human good enough to not want him??

this is such a side note, but i think it'd add such an interesting layer of tension if technically armand saw reader first. an 'origin story' i've been thinking about is armand and louis going to an art gallery, and armand seeing reader's painting, and then reader, and impulsively placing an anonymous bid for some crazy amount just for louis and reader to run into each other maybe an hour later and become besties.

okay, back to the main analysis--armand can't express his interest in reader too overtly bc louis would clock it immediately, so he'd be subtly manipulative by letting reader stumble dangerous situations just so he can be the hero, also i think he'd talk to reader about art to try to establish a connection/relationship outside of louis.

also once he's down this path he becomes almost overwhelmingly jealous (even though reader isn't with him in any capacity 🧍‍♀️). but bc he doesn't want to alert louis or shatter the carefully curated version of himself he's crafted for reader, he "punishes" her subtly.

his number one, go to way to hurt the reader for dating/upsetting him at all is to use louis against her. armand would plant the idea of reader falling in love with a human boy, settling down, and forgetting about louis to make louis insecure. this tension would eventually come up in front of reader, and reader would have to reassure louis and probably take a break from dating for a little.

armand would also be a little mean/snarky to reader after she goes out with others (romantically or platonically) in a way that makes him look like a concerned companion. you were out all night with some boy...and louis was left pouting in his coffin until sunset...how dare you leave them him? armand doesn't allow your friendship for you to hurt louis.

in this scenario, you might be wondering what armand's end goal is bc reader is much too loyal to be with louis's companion in any capacity, but i feel like this is something he's stumbled into accidentally and now it's a little too late. oh well, he deserves his matching set.

as this progresses, something armand swears is about simply proving that he can win reader over becomes less and less convenient. by that i mean that instead of getting reader wrapped around his finger, he's wrapped around reader's <33.

also, as a side note, i think if everything finally clicked for louis near the end of the interview, when their relationship is falling apart, he'd briefly be more worried for the reader's life than upset...and then maybe after dubai divorce armand threatens reader to hurt louis and louis is like 🧍‍♀️ she tells you she doesn't like your tone of voice and you change it you know damn well you're not touching a hair on her head unless it's to take her to the salon.

also another side note, i lowkey would love to find an excuse for daniel and reader to interact. it'd be a diva off for sure.

[linked-maze]

Your Links having the same issues as you sounds super interesting. What are some of the things you struggle with? If you don't mind me asking?

this is such an old ask- im so sorry for never answering- anyway this is gonna be a very personal answer- so for the people who don't care about this and are only here for the comic, so sorry, and plz ignore XD so some of the things I struggle with are: Toxic shame. People who often feel like they're not good enough and are ashamed of themselves and it curses them to self-sabotaging behaviors. Anxious attachment style. People with anxious attachment styles struggle to feel secure in their friendships and relationships. While they long to feel close to their friends and partners, this need is often driven by fears of abandonment, mistrust, and low self-esteem. Autism. I don't wanna go too deep into this one since it's such a broad one and I'm still not educated enough in my opinion. Dyscalculia. is a learning disability that inhibits a person's ability to use and have a proper sense of numbers. and it also affects my way of direction at times. I might have more but those are the ones I struggle with every single day- I'm 23 years old and don't have any exams yet- so I'm still in school but in special classes for people with some type of disability and learning difficulties. I have put some of the issues I struggle with onto some of the Links in my comic- and also some other stuff that I have tried educating myself on to try and put some more representation out there! ^w^

[janesgms]

Astro notes - 02

✨️ General Edition ✨️

Air placements could be more "air-headed" and hazy than water placements, specially when they're in places where they feel uncomfortable. this happens because air people's minds never stops and they will zone out all the time if you're not interesting enough to keep their minds on you.

If they also have personal planets in water signs or houses, then they will be kind of dumb too because they will be on their own world all the time. type of people who don't need drugs or alcohol to feel high, just a little bit of music lol

Underveloped leo mars & venus people with other earth/fire placements (specially moon) need to do therapy asap. they need to stop being bad and throwing their anguishes/traumas/bad energies on people who have nothing to do it, and they still do it thinking is not a big deal. You guys can be SO, but SO incredible and genuine people when you want, you shouldn't let your demons get control over you, because you're traumatizing others and losing your inner child slowly

Hi, how are you doing woman with heavy lilith energy? I know you think you'll never find true love and that men will always want to use your for their own pleasures but just know you will be happy in love one day and you're bigger than these negative beings 💖. But always be careful with people's envy in general.

Also, what is it that these women seem to make some insecure men hate them for no reason? Specially if they also have pluto placements These women (maybe subconsciouly) show that they won't lower their head to any trash of a man just bc they are men and i'm here for it. they're the true definition of powerful women when they learn how to use their gifts

Oh. my. God. why people are so freaking obsessed with spreading rumours about women with leo stelliums? leave us aloneeee 😭

People with young souls are such a pain in the ass smh... if you know someone who's a child forever (in the bad sense), this people is probably in her first/second life and they have a long loooong way to learn their lessons

Why do guys with gemini + cancer placements write and act like old men on social media? It's funny but also cute. they also can be such dads sometimes 🥺

Older souls usually get better with other older souls, they might find young souls really shallow or even "dumb". You usually get along more with people who have the same amount of lives as you or a close number

If you have the same amount of lives with someone, you probably feel connected to this person, it may be due to how you'll probably learn similar lessons in this lifetime

Quintiles and biquintiles are very important aspects to look in a synastry. they're as important as trines/sextiles/squares in my opinion

People with 12th house + taurus planets in natal need to be careful with smell addictions (drugs) and cigarettes even more than with alcohol

Venus in 1st house people marry with me now (it's an order 🔪)

I think natal houses are very forgotten when people talk about synastry. I know overlays are important but the natal houses are more because they reflect the native's nature. If you have the same houses in planets with different signs or houses that naturally match each other, it creates an important connection too

Virgo suns are the real clean freaks, virgo risings only look put together they are actually messy

10th, 6th and 2th house overlays in synastry are huge indicators of marriage.

10th house: means admiration, public life, adoration, social status, career you will always find this person cool, you will wanna be seen with her and you will cherish her on her career life, people wil lfind you good together. a power couple

6th house: means routine, everyday life, health & also work. you will care for this person's health and you will be part of her daily life, also cherish her work. a couple who does everything together lol (go to the gym, shower, skin care, cooking, brushin teeth even 😭)

2nd house: means material posessions, gains, sensations. you will gain material posessions when together, you may be posessive of them, you will bring money to the house together, you will be successful. a luck charm couple.

The vesta aspects in your chart can indicate how you will feel about your partner in the moment you lose your virginity.

vesta positive aspects to ascendant: you will find your partner expressive, personal, beautiful and you will like it

vesta positive aspects to venus: you will find your partner loving, soft, feminine, beautiful, delicate and you will like it

vesta positive aspects to mars: you will find your partner sexual, masculine, passionate, fiery, fast or aggressive and you will like it

Psyche conjunct personal planets in synastry mutually will make both of them thinking of the other 24/7, they will also feel a mental connection to each other

Venus conjunct ascendant in natal will make the individual very beautiful but they won't see that and hate pictures if they have 12th house placements or the venus is in the 12th house 😭 I wish they could see themselves the way other seem, they would feel more confident (even if they show they are, is just a natural thing for them, it doesn't mean they think they are confident)

Your death in your last past life could show in this lifetime as an inexplicable pain sometimes. I was murdered in my last life by my husband who cut my head off and I feel a pain in the back of my neck when I travel long rides and I rest my head in the seat - is so annoying tbh

Remember you may not have any past life in this world because this could be your first life (that's why you could be a shallow person, but I doubt any first liver would be reading this post, nah, they're probably busy being a kid lol, i kind of see why)

12th house people could naturally attract medium people from a young age without even realizing it, and these medium are also 12th housers/pisceans lol

You will always aspire to be like people who have personal placements in the sign of your north node

People with euterpe (27) in libra positively aspecting personal placements in mercurial or venusian signs, can have a beautiful singing voice, a sweet tone that remembers you of sunshine and freshness, or just a pleasant voice in general, even if it's not good technically. This can also apply to euterpe positively aspecting the venus.

Sagittarius mercuries need to be careful of what they say, they always hurt someone when saying something without even noticing 😟

This is a serious one, tw: murder. I just found out someone made black magic to kill me, and there are 4 obsessor behind me now. Now guess what I have in my lunar return chart? Sun, pluto and mercury in the 8th house. I also have bml in the 8th house and 8° in my solar return chart. Be careful with 8th house planets in solar/lunar return charts guys... (And send good energies to me)

Now this is it! I'll fix this post later, bye! Good night guys Update: I'm not dead and they're gone now <3

[bogleech]

Ok but I have seen you talk about this so many times, even referencing it in your old cartoons, so I gotta ask - when and how did you fall in love with neopets, like that?

Wait, is it that obscure now? I didn't know a single person from its inception to roughly 2010 who didn't have a neopets account. It was the single biggest gaming-esque name on the internet for years. Celebrities casually mentioned playing it, it got mainstream marketing tie-ins, it had plush toys people waited in line to buy up and a TCG made by the same company as Magic the Gathering. It's not that I especially "fell in love with neopets" like it's a niche thing but that there was a time it was almost outselling Pokemon, so it's just another huge cultural phenomenon that was a big part of everyone's lives during my teens to twenties, and hits my special interest in creature design since it has THOUSANDS (beyond the pets alone) ranging in quality from extremely creative to just plain heinous. I personally only got invested in it when they introduced the mutant pets, though, because it started out having almost like a "rule" against making any pets that were "ugly." They'd joke about it as a prank for instance, and originally only featured the mutants as part of a storyline they never intended players to actually adopt. They even had a fake alternate version of the site with fake "adoptions coming soon" and somehow didn't anticipate the userbase genuinely wanting the slime creatures.

The Chia and Aisha were my favorites but mainly the chia because that kind of "scuzzy" creature was already my own design aesthetic, polar opposite of the site's established style and reminded me of if Jeff Goldblum got fused with a tardigrade instead of a fly:

Is that just me? I feel like the tardigrade similarity jumps right out but I think it was an accident and they were possibly actually thinking of the rotting giant from Nausicaa:

The fact that they intended its design to be unlovably ugly and were surprised anyone wanted it only made it more sympathetic. Eventually they made mutants available and I got fully invested into playing, at the time having to spend hours a day on their little flash games until I could afford a mutant after months of labor. But then a couple of years later they just abruptly decided they really didn't feel like having its design around anymore and "updated" it, which back then was automatic for all pets owned by all players with no going back:

It had unfortunately been fairly common that they'd just completely, totally redo a pet like this with no warning and no user poll to make sure it's what anyone wanted. You just had to pray they never did it to your favorites.

All the other mutants in that earlier image would also get completely changed or never released at all. They still kept some of the other "gross" mutants and would make even grosser, so that wasn't even part of the reasoning. Just the random whims of mad gods I guess. I think what killed the game for a lot of people was actually when they did this to basically everyone at once, standardizing almost all the pet artwork so they could wear clothes in their new dressup system. It wasn't as drastic as replacing a sludge guy with some kind of hairy leaf guy but it did eliminate hundreds of technically unique designs from the site, and I found someone else's examples they put together so I thankfully don't have to do it myself:

If anyone's not familiar enough with neopets or didn't figure that out from the last paragraph, the ones on the right are just recolors of the same exact art as all members of their species with added accessories (now wearable items) Players used to work hard to get pets they wanted based on their unique poses and personality, but you could only keep the original art for a small number of these. The customization feature kind of attracted a different new fandom, from what people say, but it never approached a fraction the site's peak, which is probably how the brand wound up getting sold to some NFT bros who aren't even involved in the site itself and supposedly never even spoken to its remaining staff outside some business emails? This is unrelated to the brief period it was bought by scientologists and the siterunners had to fight back against their propaganda leaking into it. I really didn't expect to turn this response into a mini article, I should really just make a thing on bogleech.com about it sometime. Some of my tumblr mutuals to this day are people I met through the neopets fandom and probably have equally lengthy memories/complaints.

[myfriendtheurbanlegend]

The Carter/Reese kiss came up on my dash again...

I've always thought John Reese can love and care about more than one person at a time for different reasons. This doesn't do a disservice to any character and I find it incredibly reductive to think so.

Behind the scenes, it was an emotional alternative take that the writers chose to include in the final cut of the episode, despite the showrunners' apparent disinterest in a Reese/Carter relationship. Both actors said the lines sort of called for it and I can see what they meant. I fail to see how the kiss ruined anything about Reese and Carter and Finch, unless one thinks character roles are radio buttons and you can't check [BADASS] without unchecking [LOVE INTEREST].

Reese's relationship with Finch is special; Finch gave him a purpose and the means to fulfill it but that doesn't cancel the fact that their story starts with Finch wanting something out of Reese and effectively getting it through manipulation. There is a lot of friction and distrust in the beginning and Reese is smart to be wary. It might be me, but I like the ups-and-downs of this relationship, the arguments. Nonetheless, Finch proves himself to be magnitudes better than his old bosses, a leader he can follow. Instead of leaving him to the wolves at the end of Number Crunch, the "middle-aged cripple" comes for him, and saves his life. Reese puts his life on the line for him when he's kidnapped, and so on, and so forth, they stumble along together, trying to right their wrongs.

Carter on the other hand doesn't have that kind of baggage. It's not the same dynamic. She takes one look at him at the station and understands what he's going through. She is a working woman, a single mom and she was in the same path as Reese to an extend but she made good decisions and ended up different. I think Reese recognized that when they first talked. She did what he strove to do and failed and he feels that with the power Finch and his machine granted him he can protect the ideals she upholds even if he can never live up to them. He does say the world can't afford to lose her and has always, from S1 tried his damnedest to protect her. Now this isn't very well communicated in the show because Reese's active suicidal tendencies were cut (they wanted to have Reese dangling from a bridge but the city prohibited filming there) but this is what I think the "You changed my mind" line means. Carter, being the person that she was, gave him a nudge in the police station. When he was on his feet, she became his anchor, through her good work and character.

In the end, Finch gave him the purpose, the means. Carter was the ideal that he was fighting for.

[int-writersmind]

Hanging On The Telephone

Pairing: Peter Parker x Gn!Reader

Sequel to Potential Customer (but could be read as a stand-alone)

Summary: After lending Peter your favorite vinyl, you wonder when you'll see him again...to get your record back of course! No other reason...

Genre: Fluff

Word Count: 2.8k

Author's Note: I imagine the album that Reader gives to Peter as Parallel Lines by Blondie but it's neutral enough to be whatever you want it be. The opening track is Hanging on the Telephone so use that info to your discretion.

Also I'm buzzed on two glasses of rosé editing this so bare with me lol.

~

It had been a week since that day at So-So Records, a few days since you met Peter Parker, a few days since you lent him that album. You try to not be glued to your phone, anxiously waiting for a response like a desperate thirteen-year-old, but still you wonder when he’ll reply. 

It was early one morning when the text finally came. You, in your apartment’s kitchen, sipping on your favorite hot beverage startling when your phone chimes.

I think I’ve found my new favorite album, read the text, This is Peter by the way. Peter Parker?

You respond: I had a feeling, You know, I don’t lend my albums out to just anyone.

Then I must be special.

You smile to yourself, covering your face when you realize what you are doing.

“Are you smiling at your phone?” Your roommate says, coming out from her bedroom. “Funny video, or that guy from the store?”

“Uh, the latter, he finally got back to me.”

“Ooh, so what’s next?” Your roommate goes to pour a glass of juice from the refrigerator, you turn in your chair to face her.

“I guess I'll get my record back.”

“Boo! That’s so boring! Make it interesting, call him and set up a meeting or something.”

You roll your eyes, “Calling? What am I? Fifty?”

“I think there’s something classic about calling, much more personal than texting.” Your roommate plucks your phone from your hand. You reach for it but your roommate pushes you back with great ease. “It’s easy, I’ll do it for you.”

“No! Don’t you dare!”

Ring ring!

“Hello?” You hear Peter’s voice faintly from your phone’s speaker. Your eyes go wide in fear, your roommate tosses your phone back to you, and you almost drop it like it was a game of hot potato and the spud was literally burning your skin. You suck in a deep breath before–

“Hey-Hi Peter…ugh so sorry I must have ah–misclick–”

You hang up instantly, much to the shock of your roommate. “What-Why the hell did you do that?!?”

“I don't know! I got nervous!” You start to pace back and forth. “Shit, I-I got to call him back.”

“Yeah, duh.” You throw a pillow from the couch at her on your way back to your room.

With the click of the door, you let yourself lean and slowly slid down onto the floor. Phone in hand you stare at the call screen, fingers hesitating on Peter’s number. You take a deep breath before finally pressing Call.

“Hello…”

“Hey, everything ok?” Even through the phone, Peter’s kindness shines through, like you can almost hear his smile through the phone. You kinda feel like a dick for panicking and hanging up on him earlier.

“Yeah, yeah, I was just…being stupid.” You shake your head and cover your eyes with one of your eyes.

“No, don’t say that.”

“It’s fine,” You go to change the subject, “So, the album, any standouts.”

“Well, I would definitely say that opening track has to be my favorite. Every time it ended I just wanted to restart it. A definite addition to my playlist.”

“Hmmm, that’s something I would like to listen to.”

“I’ll show you sometime,” You try and fail to suppress a smile, “Though it’s pretty much one giant mashup of styles and genres.”

“The playlist of a madman.” You joke.

As you listen in, you can hear wind passing by on Peter’s end. “More like the playlist of someone horribly unorganized.”

“Ha, wish I could relate, but I’m much too anal to let that happen.” You move your hand away from your face, letting your head fall against the door. “I know this is gonna sound crazy but what are you doing…I mean because, I like, hear the wind passing by and...”

“Uh, er, I’m running…yeah a nice little run.”

“Oh let me leave you to your run.” You say, “We can always talk again later.”

��Yeah, yeah, of course.” Police sirens go on by on the other end, “Ah, I think I should hang up now, don't want to run into something crazy.”

“I get it, text me some time?”

“Will do.”

“Oh and Peter,” You say. “We should set up and time and place so you can give me back my record.”

“Just when I get use to playing it all the time,” Peter responds sarcastically, “I’m kidding, I’ll let you know when I can.”

~

At work, you couldn't help but sneak glances at your phone, one part hoping another text would come through, another part hoping that it wouldn’t.

On your lunch break you had an extra few minutes left before clocking back in, you decide to visit your store’s listening room. Well it was more like the back of the store where there was a wall cut-out, curtain, and small table with a record player and a two pairs of headphones. You pick up a small selection of 7 inch singles, trying to figure out what kind of mood you were in. you pull the curtain close to give a smidgen of privacy, picking up one of the headphones your co-worker swore he cleaned.

Halfway through one 7 inch, when you decided that you were in a different mood, you feel the curtain move, you look up to see–

“Hope you don’t mind,” Peter, in the flesh, fully cements himself inside the admittedly tight space. “Your co-worker said I would find you here.”

“And found me you have,” You switch the 7 inch to something else, a song that Peter might know. “Have some time to spare?”

“For you, of course.”

You look away, trying to hide your blush under the guise that you were reaching for the other pair of headphones. Peter graciously accepts, placing them atop of his head, as you set the record player to start.

As the track starts, you sideways glance at Peter and he does the same to you. You laugh it off as the opening notes begin to go through your ears.

It takes Peter a beat before he notices what song is playing–the opening song from the album you lent him. You sheepishly smile at his recognition before slowly moving to the music, a basic shimmy, then a head bob, then as the song reaches the first chorus, mouthing the words. Peter just smiles at you, and gives a modest head bob to the song the whole way through. 

As the song fades out, ending you and Peter’s private little listening party, you both take off your headphones and just stare at one another for a moment. “You know…I would love to keep playing music but…”

“Oh yeah… I was just in the area and I just–decided to pop in.”

“Without my record?” You say sarcastically.

Peter shuts his eyes in embarrassment. “Oh yeah…it’s just..um…god I honestly just forgot it–”

You place a hand on Peter’s arm to stop him from going on, before quickly removing it. “Don’t worry about it…” You pull the curtain just slightly back, glancing at your co-worker who was glancing at his watch repeatedly. “You can always just…return it to me at…my place...Oh my god, that was so forward–”

“No! I mean yes? Uh…yeah I can definitely return your record to your place.” Peter stumbles out, “I mean I already know where you live.” Peter’s eyes go wide in shock, his face turning red.

You just chuckle to defuse the situation, at least you weren't the only one who felt so awkward in this situation. Your skin felt warm, your heart was beating so fast it felt like it would drill straight through your ribs. 

Is this what it felt like to have a crush? Oh my god, did you actually just say crush? But, you didn’t know what else to call this feeling you had towards Peter. Hell, you barely knew the dude, only sharing a few things with one another, but at the end of each encounter, you were just itching for more. It was kind of embarrassing but honestly, who cares.

“How about you come over to my place around 8:30-ish? My roommate’s working the nightshift.”

“I can make that work.”

“Cool” You say. “Plus, I promise to tell you exciting little factoids about the album and others if you let me.”

“Oh please do so,” Peter leans in close, quite close actually, “It would make little nerd me so excited.”

For just a split second you think about leaning in, closing the gap between the two of you with your lips– Now that was too far, crazy talk. 

You settle for a quick glance at his lips before looking at his eyes, clearing your throat before turning to leave the listening area. 

You lead Peter to the front of the store, hands wringing in front of you, as you turn and face Peter.

“I’ll text you my apartment number, 8:30?”

“8:30-ish” Peter responds with a finger snap. You do the same with a nod of your head, as you watch Peter leave.

~

Why did you agree to meet at your place?

You think about what you proposed at the record store, standing alone in the middle of the living room in your apartment. You didn’t know whether or not to dress up so you settled for what you wore at work today with a long cardigan to cozy it up.

You pace back and forth, chewing on your fingernails on one hand, admittedly, overstressing about tonight. Was this like a casual drinks thing? A nice meal paired with casual drinks? Or was it really just a simple handoff and ‘Thanks for lending me the record, I never want to see you again, buh-bye!”

You stop short, pushing all those thoughts and then-some out. You decide to go simple and order a New York delicacy–pizza. If this was something then it would be fun, casual. If it was a simple handoff then, well, more pizza for you. A win-win honestly. But as you place the order, deep down you knew, you just knew that this wasn’t gonna be a simple handout.

~

Knock-Knock

Man that pizza delivery guy definitely deserves a great tip for speed, efficiency–

“I assume this is for you?” As you open the door there’s Peter, pizza in one hand, record in the other. “Or I just paid and stole someone' else's dinner.”

“Our pizza if you’ll indulge me?” You take the pizza from Peter, and with your other hand you gesture for him to come inside. “Oh, how much do I own you? Since the pizza was my idea and all.”

“Don’t worry about it,” As you close the door behind you, Peter does a quick 360 of your cozy shared space. “This is–”

“Small?”

“Nice. I was gonna say nice,” You walk the pizza over to the wall that served as the kitchen, getting your finest paper plates. “It would be more strange if you lived in some Friends level apartment.”

You notice Peter walking to another section of your living room, where your music set-up was, a fine turntable and modestly priced speakers. Which all sat upon a piece from IKEA that held you and your roommates record collection.

“You ok with soda?” You call out.

“If that’s what you're drinking,” Peter glances at you, “Then that’s what I’ll be drinking.”

You nod as you prepare a pair of pizza on separate plates and pour your favorite soda into slightly dusty glasses.

As you make your way to the main area of the living room, you set everything on the coffee table before standing next to Peter. “And to think I thought you weren’t a serious record collector.”

Your lips form a straight line, nodding your head, “If I let the wrong people know I secretly love collecting vinyls, they’ll never leave me alone.” You joke.

“Your secret is safe with me.”

Peter hands you the borrowed record, which you take from him. You squat down, looking for the right place to put it, Peter follows you downward.

“While we're here…maybe I can show you something else?”

“Hmm, some music that will change my life?”

You roll your eyes, “No, just my personal faves.”

Your fingers skim over a few titles, before you select one, some indie, folky singer you actually saw in person. “But only if you wow me with some factoids, as promised.”

“Of course, I never break a promise”

~

A third record plays as Peter and you are lost in conversation, the scraps of pizza lying on the coffee table. The two of you are close to one another on the couch. You with your head resting on one hand, elbow resting on the back of the couch, Peter holding his glass in front of him.

“...And once I had the record in hand it made the long lines and freezing temperatures worth it.” You turn and hide your face in your hand. “God, I just realized how crazy that sounded.”

“No,no, that was a great story,” Peter lightly places a hand on your leg. “I can tell you're very passionate about this and I bet,” Peter scoots in close, “You really love working at So-So.”

You glance away before facing Peter’s smirking face again. That smirk that makes your stomach tie up in knots. “I mean why else would I work long hours for shit pay. But meeting certain customers also makes it worthwhile.”

“Like clueless customers who come in for some obscure album from the 70s that he doesn’t even bother to buy?”

“Yeah, even customers like that,” You remove your other hand from your head to rest on Peter’s, trying to ignore the burning sensation inside of you telling you to stop. “I know this is stupid but…I’m glad you walked into So-So.”

“Can I say something stupider?” Peter makes a face that makes you laugh. “What I meant to say,” Peter takes your hand, “I’m also glad I walked into So-So.”

The two of you just stare at one another, and it’s like you can almost feel a magnetic pull towards him. Like when the two of you were leaning on that wall at So-So, or when he walked you home and his fingers brushed your thigh, or in the listening room when you just wanted to seal the deal. You had so many thoughts racing through your mind it was hard to focus on the moment. 

Peter leans in closer, bringing you right back into the now, You close your eyes as his lips ghost over yours, his breath falling over your lips–the record stops, end of the side.

“Leave it.” Peter whispers before pressing his lips to yours.

The kiss was messy, a little hungry, as if each other's lips were the only way to satiate each other’s appetite. Peter places his cup on the coffee table as he brings one of his hands to cup your face.

His lips, god his lips, were coated in the artificially sweet taste of the soda, making him even more irresistible. You couldn’t help but let your hands wander up his chest, your fingers playing with the top button of his shirt, the closest to his neck, wandering fingers pushing themselves inside, feeling warm skin.

Great minds think alike as one of Peter’s hands goes to your waist, his long, slender fingers, going up your shirt, pressing lightly on the skin. You can’t help but sigh at his touch, as his hand slowly travels upward. You swing one leg over both of his, so that you’re basically straddling him, letting your hands go to his neck, as both of his hands fall to your waist.

Ending the moment too soon, Peter pulls away from you, letting his forehead rest against yours, but casting his gaze downwards as to not look at you. “I’m sorry, I shouldn’t have done that.”

“Now why would you say that?” With one of your hands, you use your thumb and pointer finger to gently push Peter’s face upwards by his chin, causing him to look you right in your eyes. “I wanted you to kiss me. Hell, I've wanted to kiss you since you walked me home.” 

“It’s…it’s not that I regret kissing you, I’ll never regret that…it’s just…” Peter sighs, “I don’t know what this, the two of us, can be after tonight. I don’t know if I’m in a position right now for something…something more serious.”

You chuckle a little, “Bold of you to assume I wanted to ask you to be my boyfriend right now.” You say with a smile, you let your finger flick down his bottom lip. “I can do causal, Peter Parker.” You lean in close, your thumb blocking your lips from his, your voice lowering, “Can you?”

Peter sighs into your mouth, a smirk forming on his lips, “I can, but can I ask you one thing?” You nod your head, “Can I borrow some more of your records? I think your taste is starting to rub off on me.”

“Only if you promise to return them to me.”

“If this is what a return looks like…then count me in.”

--------------------------------------------------------------------

Read Part 3-> Fragile (warning includes smut!)

Thanks for reading! Ah, I can't believe I finally did the sequel to Potential Customer, I already have the last two parts written (since I wrote them in tandem with the og) so expect those soon, but this one was strangely difficult to write. Anyway...anyone want some smut w/ this pairing? That's coming soon, since my fever dream venom peter smut post got so many notes so quickly, lol. Anyway bye void!

masterlist

[thecarnivorousmuffinmeta]

Sorry if you’ve already answered this, but what are your thoughts on Wicked? Have you seen the new movie? Any impressions?

You're in luck, anon, I've seen both the play and the movie.

Thoughts on Wicked

Wicked is a very excellent musical and it's not shocking it's survived on broadway and the west end as long as it has and been such a sensation. It has a soundtrack with multiple hit songs, memorable and interesting characters, a compelling story, great set and costume design, and it leans on (in a generally tasteful way) one of the most iconic films American cinema has ever seen.

It is a very good show and I enjoy it immensely.

However, that is to preface, it is also one of the dumbest things I have ever seen in my life.

Wicked is, to those who are unfamiliar, essentially what happens if a Wrong Boy Who Lived fic (in which some other twerp is called the Boy Who Lived, instead of Harry, and Harry is very upset about this for an entire fic) becomes a smash hit musical sensation.

The entire plot is just "but what if Wicked Witch of West never did anything wrong and everyone else is just meeeeeeeeeeeeaaaaaaaaaaaaaaaaaaaannnnnnnnnn" this requires making Glinda vapid, shallow, power hungry, while also being less talented than Elphaba at magic (read has no magic) because Elphaba has to be her superior in every way now, the Wicked Witch of the East is actually just a bitter old hag who blamed her sister for everything, the Wizard has gotten an upgrade from sleazy con man to sleazy ineffectual dictator, every single character in the original story (except that boring twerp Dorothy) has a deep and complicated history with the Witch of the West, that funnily really doesn't make sense given none of them ever mention knowing who she is (looking at you especially, Fiero the Scarecrow, what the fuck man), and well, I could keep going.

We also get songs to justify the bad things Elphaba did in Wizard of Oz, which we won't show on screen because they were bad, but we'll allude to them. Vaguely. Very vaguely. So, what we're left with is several numbers where Elphaba says "I really fucked up" and her fucking up is... she was tricked into creating Flying Monkeys.

It's a ridiculous show in which we have to explain that everyone sucks to Elphaba/sucks in every way because they're just so stupid (read the Munchkins who are constantly celebrating dead people).

Now, that said, it does have a very compelling narrative about racism via Elphaba as well as the treatment of the animals--but that doesn't also mean it's not about how Elphaba is the most special person alive and even the animal narrative is made secondary to the fact that she is the most specialist person ever.

The Movie

Fantastically done movie, one of the best movie musicals I've seen in a very long time. Casting was spot on, singing was great, choreography was extremely well done, I loved the sets, the costumes, and even the parts that were added in in addition to the play's original material, I thought seeing bits of Elphaba's past and such as well as explaining a little more about how the Wizard got where he is really added to the film.

I recommend seeing it and am looking forward to part two.