#pro

[thatsbelievable]

[kuroartsdotcom]

Lost in the Fourth Wall.

[lingerieloversworld]

[fate-motif]

i think prodigy s3 should throw shade at snw next. have a friendly recurring gorn character that's super kind and sweet and references how back in the 2200s the federation mistook another species for them and tried to hunt down and kill them. also flip off snw's whole perspective of 'actually eugenics is part of our culture so you should stomach how we let our children be genetically modified withour their consent <3' hell they could do that literally just by letting julian bashir guest. the prodigy writers could do it. i believe in them.

[astralbondpro]

Star Trek: Prodigy // S02E20: Ouroboros (Part 2)

[quasi-normalcy]

Which Star Trek series should you start with?

The Original Series: Advantages: + The one that started it all + Has some sophisticated and socially conscious science fiction that has held up exceptionally well + The lead characters all have really good chemistry and fun to see play off of one another + It's what most people probably think of when you say Star Trek (together with TNG) Disadvantages: - It can feel very dated and kind of sexist, particularly in its treatment of women - The sci-fi and social commentary may have held up, but damn it, the special effects really haven't - When TOS is bad, it's really, really bad.

The Animated Series: Advantages: + Basically just more TOS. Disadvantages: - Basically just more TOS, but substituting extremely cheap animation for bad special effects

The Next Generation: Advantages: + Probably the most popular one at this point + The crew is full of interesting characters and they're fun to spend time with + Just really smart people solving Space Mysteries + Socialist space utopia + Geordi-And-Data! + Lots of cool sci-fi concepts and social commentary + It's what most people probably think of when you say Star Trek (together with TOS) Disadvantages: - Although not in the same way as TOS, it can feel dated at times, particularly in terms of its treatment of women and it's near complete refusal to acknowledge queerness - Without wanting to bias viewer opinion, the first season is widely considered to be pretty bad - The series makes no bones about the fact that the socialist space utopia is better than every other society that has ever existed and will reiterate this point over and over again

Deep Space Nine: Advantages: + The most popular Trek series on Tumblr + Has a complete story arc, as well as arcs for all of its characters, including the extremely minor ones + Plain, simple, Garak. The humble tailor. + Garashir, if you're into that + Seriously has a really sophisticated treatment of things like post-colonial politics, anthropology, worldbuilding, and the horrors of warfare + Just the characters in general + Is the only Star Trek prior to the 2010s to even look meaningfully at queer representation Disadvantages: - Has an absolutely massive inferiority complex with respect to TNG and this drives a few poor writing decisions that seemingly exist just to poke the Socialist Space Utopia in its eye - Introduces a space religion and then just slowly turns it into Christianity with the numbers filed off - Seems to think that sexual harassment is just a quirky eccentricity - There's no women in its writers' room, and frankly it shows

Voyager: Advantages: + Probably the clearest instance of found family in space + Lots of really good episodes + Lots of fun new characters + Strong female role models + "Set a course...for home." Disadvantages: - Continuity? I never knew her! - Probably about 90% of Trek's reputation for technobabble comes from this one series - Even less queerness than TNG. - Only like...3 characters actually get arcs. - The first few seasons lean very hard into bullshit fake "Native American" spiritualism with one of the characters - How do these guys have warp drive but can't find any water?

Enterprise: Advantages: + Chronologically the first series + 90% less technobabble + The only series to plausibly frame our heroes as astronauts...on some kind of...star trek. + Still has probably the best production values of any series + Makes alien cultures of the week feel somehow richer and deeper than other series + Faith of the Heart is good, fuck you. Disadvantages: - Oh my god, the decon scenes - Seriously, if you've ever wondered what a "sexy" series written by a 14 year old boy who's only ever seen a bit of scrambled softcore porn on late-night cable would be like, this is the show for you - Somehow feels more sexist and racist than the show from the '60s - Seriously, the POC characters mostly exist to fill seats on the bridge; the women constantly have to undress themselves - Hellooooo, Bush II-era political analogies - Scott Bakula is a good actor but you wouldn't know it from this series - In season 3, they add a tambourine beat to Faith of the Heart and ruin it

Discovery: Advantages: + Noticed the lack of queer characters in the first 50 years of Star Trek canon and decided to make up for lost time + Seriously, the "Bury Your Gays" tally for this series is like...negative two + Just incredible representation in general + Some really good science fiction plots, particularly in later series + Some really fun, memorable characters + It's still running, so it has an active fandom on Tumblr Disadvantages: - Makes Elon Musk out to be one of the great visionary geniuses of history - Not really representative of Star Trek as a whole - The series swerves wildly in tone because of constant, behind-the-scenes churn in the writers' room - Offputtingly grimdark first season - Let's be honest, none of the season-long arcs have actually had satisfying conclusions - Half the cast feels like it's just there for exposition and to be killed for cheap drama

Picard: Advantages: + Has the best dramatic acting of any Star Trek series by a fair margin + Has the best musical score of any Star Trek series + Introduces a whole crew of fascinating new characters + Introduces all kinds of fascinating transhumanist concepts + AGNES. JURATI. Disadvantages: - You know all of those fascinating new characters that I mentioned? Yeah, it unceremoniously gets rid of all of them to bring back the old TNG gang. - You know that all of those fascinating transhumanist concepts that I mentioned? Yeah, it gets rid of those too so that to give us some generic action - Oh my god, someone teach the set designers to operate a fucking light switch - Grimdark - Nossssstalgia - Each season is basically unrelated to every other season - Depends so heavily on TNG that its final season is basically unwatchable if you haven't already seen a 30-year-old TV series

Lower Decks: Advantages: + It has probably the most efficient storytelling that I've ever seen; seriously, it's incredible how much it can fit into a half hour episode + It has a bunch of delightful, archetypical characters you get to know and love + You like hanging out with these people + The ship is kind of crap and you will learn to love it that way. + Basically a sitcom version of TNG. + Has a big fandom on Tumblr Disadvantages: - The art style is pretty Rick & Morty-ish - It takes most of its first season to really strike a good balance between being a sitcom and being a Star Trek series - The main character, Mariner, is kind of unlikable for the first season or so (she gets better) - Lots of callbacks to other series (though always either incidental or clearly explained) - Given that it's the first Star Trek sitcom, the comedy is honestly kinda the weakest part? Subjective I know.

Prodigy: Advantages: + Absolutely gorgeous to look at; the most visually stunning Star Trek by quite a ways + Lots of fun new characters on a cool ship + Gives you clear on-boarding notes to the Star Trek franchise if you're watching it for the first time + Can be watched on its own, but also works as a direct sequel to Voyager and a prequel to Picard (making both of them retoractively better, in fact) + Kind of like the Clone Wars or Rebels of the Star Trek universe, I guess? + Found family in space! The next generation! + Soon to be running on Netflix, so if you already have a Netflix subscription, you don't need to pay for another service + Written for a younger audience. Not necessarily an advantage, but nice if you happen to like family friendly animation or YA. Disadvantages: - *sigh* You basically need to pirate it. Thanks, Paramount. - Has a second season that we may or may not ever actually get to see even through piracy. Thanks, Paramount. - Isn't airing on the same streaming service as all of the other ones. Thanks, Paramount

Strange New Worlds: Advantages: + Basically what the original series would be if it were released today, rather than 57 years ago; all of the cool, socially consciousness sci-fi adventure, none of the weird 60s sexism + Fun, awesome characters you get to like spending time with right away + Incredible visuals + Nifty sci-fi concepts, mostly without the 90s-style technobabble Disadvantages: - A huge cast with only ten episodes a season, so many of them feel underdeveloped - Unfortunately, a bunch of its characters are younger versions of the characters from The Original Series, and they hog most of the spotlight; and the characters whose futures aren't locked in stone are kind of treated as disposable - In general, it needs to spend less time being a prequel, and more time being its own thing - "What if Starfleet ran into the Xenomorphs from Alien?" "Well, they'd probably kill them." "Okay, let's spend several episodes on this."

[mights-quills]

i’m so tired of this team green vs team black. specially given the framing of the show of alicent and rhaenyra as lost lovers friends. those are all people who should have been family. they should have been the first to go war for each other. but they don’t get to be family because they are a dynasty. rhaenyra wants her throne for what? because it’s her birthright, it’s the token of her fathers approval and love. aegon wants his throne for what? for nothing, but he needs to fight for it because he’s so estranged from his sister that he doesn’t know if she would or not kill him for the crime of being born. and even if she wouldn’t, and even if he bent the knee, some lords who still refused to accept her authority because of gender would always have him as a figure head.

and alicent, my poor alicent, she’s doomed by narrative as doomed by the narrative gets. she has allies but men who wanted to use her. she’s losing control and grip of her children, she’s made a bet by crowing aegon to keep herself safe but she lost. she lost the moment her father asked her to offer the king some comfort, in the moment she was married to him, and when aegon was born she was already shackled. and she did her duty like a saint. she had the king’s children’s, she slept in his bed, she looked after him to the end of his rotten days. all while being neglected and abused and having her child being neglected and abused. her son’s eyes was GAUGED OUT OF HIS SKULL and no one got even a slap on the wrist. and she may not love how she had them but she does love her children and no one would protect them. no one but her.

[delicatebarness]

the manuscript | prologue

Summary: The first encounter.

Warnings: Age Gap. (Dr Barnes: late 40s & Reader: 18 in this part)

Word Count: 837

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A/N: Oh, hello Dr. Barnes. - Please feel free to leave feedback or let me know where and how you want the story to continue, this is just as much yours as it is mine. - B

Tags: Let me know if you would like to be added to the tag list!

The university loomed before you, the ivy-clad walls and gothic spires stood as testaments to the centuries of academic excellence. Renowned for its rigorous standards, the prestigious institution drew in the brightest minds from across the globe. You stepped through the grand archway, the air humming with the energy of countless scholarly pursuits, each echoing through the hallowed halls. 

You haven’t long turned 18, now a freshman, driven by a passion for creative writing. Your nights were spent hunched over notebooks, pouring your heart into stories and poems. Determined to make the most of this opportunity, you reflected on your talent that earned you a place here. With the best and brightest. It was a new chapter of your academic journey, and it started today.

Dr. James B. Barnes is a brilliant literature professor yet, reserved. His reputation preceded him– known for his profound insights and standards, he was feared and revered by his students. As you approached his office, your heart began to race. 

Tucked away in a quiet corner of the library, stood a heavy oak door with a brass nameplate glinting in the dim light. You took a deep breath and knocked firmly. Creaking open the door, you revealed Dr. Barnes. Sat behind a cluttered desk, his gaze lifted from a pile of papers, meeting yours. Piercing yet thoughtful, there was a moment of silent assessment. 

You felt the weight of his scrutiny as you stepped inside. The room smelled of leather with a faint trace of whiskey. 

“Good afternoon,” you begin, trying to steady your voice despite the nerves. “I’m going to be joining your advanced English literature class.” 

“Ah, yes,” he responded, his tone measured. “You must be the freshman. Please, have a seat.” 

You took a seat in the heavy leather chair opposite his desk. The two of you exchange a few professional courtesies, keeping the conversation brief but charged with mutual respect. You could sense that he had recognized your passion, and you were determined to prove yourself. 

~

A week later, you found yourself attending his class, surrounded by fellow students. His presence was commanding as he stood at the front of the room. A masterful blend of critical analysis and profound insight, his lectures were delivered with authority. 

Your hand raised after a particularly challenging lecture, Dr. Barnes acknowledged you with a nod.

“Yes?” 

“I have to disagree with your interpretation of his work,” you say, your voice clear and confident. A stark contrast from your first meeting with him. “I believe his use of fragmented narrative serves as a challenge to the notion of a singular, authoritative voice, rather than to obscure meaning.” 

The room fell silent, all eyes turned to you. Dr. Barnes regards you with a mixture of curiosity and annoyance. 

“Interesting perspective,” he replied, keeping his tone cool. “However, I would argue that the fragmentation serves more to reflect the chaotic nature of postmodern existence.” 

You don’t back down. “Isn’t that chaos a direct challenge to traditional narrative structures? He seems to be inviting readers to find their own meaning within the disarray.” 

Your heated debate ensues, intellectual electricity cranking the air. Your classmates watched, their gazes swapping between you and Dr. Barnes like they were at Wimbledon as you exchanged arguments. 

Initially, he was annoyed by your boldness, yet you caught a flicker of intrigue in his eyes. You thrived on pushing boundaries and testing limits, in particular, with those you found intellectually stimulating and authoritative. Leaving everyone, including Dr. James B. Barnes, captivated.

“Your argument is well-crafted,” he concedes, a hint of a smirk playing at the corners of his mouth. “I look forward to more discussions like this.” 

As the weeks passed, Dr. Barnes’ class quickly became the highlight of your week. A battlefield of ideas in each session, a place where you could push your intellectual prowess. Dr. Barnes, though initially reserved, seemed to relish the debates as much as you did. 

One chilly autumn afternoon, you lingered after another stimulating class as the other students left. The room fell quiet, as though itself was in thought and reflection. Dr. Barnes noticed and approached you.

“Good work today,” he said, his tone less sharper than usual. “You’ve brought a new energy to these discussions.” 

“Thank you,” you smile, a rush of pride coursed through you. “Your classes challenge me in ways I never expected.” 

He nodded, “To challenge and to inspire, that’s the point of academia. Keep questioning, you could go far.” 

You smiled again, your cheeks becoming flushed. “I’m glad you’re not tired of my questions yet.” 

“On the contrary,” he said as he leaned closer, his eyes locking onto yours with an intensity that caused your heart to race. “I find them… refreshing.” 

The flicker of something unspoken passed between you, a deeper connection yet to be explored. His words echoed as you left the lecture hall, the promise in his eyes lingered. 

What were the boundaries between student and teacher? And, could they transform into something more profound? 

- - -

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[skenisasleb]

smol gift for @clownpalette bcause theyre so cool and idk why they followed me and now we’re mutuals🥹

[winterbat090]

"your not sick enough"-a thought constantly playing through my head

[thatsbelievable]

[gigicrazydraws]

prowlbee cuddling except bee is a big spoon and prowl is a small spoon, it's cute I promise (I love ur stuff BTW ITS SO GOOD)

This felt good to draw

[flmanjax]

A pair of my own boots.

[fate-motif]

picard s3: yeah we didn't include wesley because we didn't know how to include him without breaking the narrative

prodigy s2: you are like a little baby. watch this. [develops wesley, makes integral to the story but well-leveled, talks about how he's been ghosting his mom, and uses him to prop up and develop the main, new characters in compelling ways]