#or any kind of a story to put this into
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If I were going to make a grungy, sexy, shitty-punk-vampires movie, it would open with a slow pan at floor level across the aftermath of a massacre, maybe in a dive bar or roadhouse. The grimy floor totally awash in blood, broken furniture, shattered glass, messily-torn-off body parts. Nothing moves, until we see a pair of battered shitkickers squelch into frame, and then a corpse, open-eyed, throat torn out, would drop unexpectedly to the floor, staring directly into the camera. Slow pan up to the grinning, bloodsoaked face of our main vampire.
And I'd set the whole thing to 45 Grave's 'Riboflavin'.
#jaunty music over scenes of horrific violence literally never gets old#on occasion daydreaming little music videos/animatics for songs yields gold#unfortunately I do not have the ability to make the moving images#or any kind of a story to put this into#so. it can go. here.
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Hey, I’m new to Tumblr, but I’ve seen your characters around the internet and I love them so much!! Everyone has so much love for Machete and Vasco and your art is so cool to see! Do you have any tips for an aspiring artist and creative writer?
Hi! Welcome to tumblr! I'm glad to hear you like my dogs :]
I'm not really a writer, and I also completely lose my confidence when I'm trying to explain my art processes. So this is probably an obvious, unhelpful platitude at best, but one thing I've realized is that you should allow yourself to be self-indulgent. If you're the primary target audience of your own work, it generates passion and keeps you inspired and motivated. I like to believe that people who see your creations are more likely to respond to them positively if they can sense that you're putting your heart and soul to them.
#if you have any special interests that you're really knowledgeable about you can try including them in your art/writing somehow#even if it seems kind of an odd match they may merge into an interesting and potentially unique combination#like this Vaschete era I'm going through is a product of lifelong interest in animals history art and religion#just jamming all of my favorite topics and themes in there#be forgiving to yourself when things fon't work out as smoothly as you had hoped#and try to cultivate a positive relationship with the creative process and end results#meaning if you have a habit of putting yourself down and saying your art/writing sucks#try not to do that#it can lead you to resent the whole hobby and stifle your potential#I dunno this probably comes across so vague and nebulous#answered#sagepuca#tldr: be excited about whatever you create#make art/stories that you yourself would look at and think 'this is the coolest thing it's like it was tailored just for me'#also like I'm just some guy you don't have to take my advice these are just some things that have helped me personally#your experience and approach might be different
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honestly i'm kind of interested in the idea of laios in an arranged marriage. because obviously straight-up inherited monarchies are ...bad, to say the least! but it's what the characters are familiar with (even laios' father's extremely local, extremely minor leadership role is inherited, presumably through the male line). and it isn't just about what they think the best way to run melini is; in terms of ensuring that the other longed-lived nations respect melini's continued sovereignty, having it passed down in a manner that's close enough to their own ways for them to understand it and respect it is important. And it seems like most of the other nations have leadership through inheritance - thought that isn't confirmed for certain except with the elves.
Also, a marriage carries the potential to establish foreign allies - something melini is certainly lacking. A marriage could come with resources they'll badly need, treaties of mutual defence, money, legitimacy and political capital... not that these things can't be worked around, but if laios isn't strongly opposed, there are a lot of advantages! and i don't think he would be, because that's the framework for marriage (conferring practical advantages, building intracommunity relationships and providing a partner to do important work that he can't do) that he had grown up with. he isn't exactly a romantic and I doubt he's holding out for any sort of relationship of that nature.
Like, I don't think it's impossible that they would go with this path, because it's the most obvious and it carries a lot of advantages and it's what almost all the decision-making characters would consider normal and not objectionable. and it could be so interesting.
I think Laios would have major hangups if expected (i.e., by Marcille) to establish a genuine, romantic interest in a woman. Whether because of his sexual or romantic orientation, or just his own deep-seated trauma about rejection and being inherently disgusting and scary. And I think he'd hate the idea of having kids, too, and be very frightened of being like his father. But I don't think he'd refuse on that basis; he could cope with a marriage contract, with clearly laid-out expectations and responsibilities. And when it came to having a kid, I think he'd be reluctant to express that he doesn't want to do it, because he isn't naive and he understood when he agreed to be king it would carry responsibilities like this. It's clear from his nightmare that he already felt pressure from his parents to have children, probably magnified by the fact his father has got a position, responsibilities and wealth to pass on. Obviously he isn't a perfect martyr, so he might struggle when it comes to actually going through with it - but I don't think he'd actually, outright refuse. I think he might do it even though he doesn't want to, and I think that could be really messy in a way that appeals to me.
I don't know, there's something about negotiating these kinds of complicated situations that's interesting to me. and i love a platonic marriage. If they find a woman who has an interest in education, for example, and can work with marcille on setting up schools and universities. she'd ideally be politically savvy enough to be an able partner to laios: even though kabru can and would continue to do a lot of that, there are different spheres that a queen and a prime minister can work within!
how would their relationship work? maybe she finds laios' perspective on the world, and his frankness, unexpectedly liberating after an extremely controlled, cloistered upbringing. maybe she had a rebellious phase, has magic, or something else which makes her a relatively unpopular candidate for marriage - even as melini grows in power, i doubt that they'd be getting offers for the cream of the crop in terms of perceived value on the marriage market, because laios' relationship is a bit too ambivalent/monstrous for that, and melini too new. maybe she's a widow! an older woman, wouldn't that be cool - though they'd want her young enough that she could definitely still have kids.
certainly i think he'd be happy for her to pursue other relationships, though ideally in a manner that couldn't produce illegitimate kids. with other relationships in play, that's even more interesting. like, both kabru and toshiro have complicated emotions relating to infidelity. i think kabru would actually find it quite cathartic to be in the kind of high-status environment that rejected his mother for perceived infidelity, pursuing an affair that all parties consent to, though he'd likely be incredibly aware of the public image - since "image" is what he was rejected for. toshiro... i just really really love the way he'd feel about being the "other woman" in laios' marriage, considering his feelings about his father and maizuru. especially given how much closer he is to maizuru than his mother, being in her position...! his emotions would be so complex, it's incredibly tasty. i bet he'd make a bunch of assumptions about how laios' wife feels about it and be totally wrong, and that's so interesting. also, i think laios' wife should fuck marcille (she and falin have an open relationship).
#og post#dungeon meshi manga spoilers#dunmeshi#laios touden#inheritance! in the cultural framework these characters are working with#it really matters#this is why in my unwritten postcanon story i have the touden parents have another kid. can you imagine laios' feelings on that! god.#negotiating some kind of freedom within the restrictions responsibilities and expectations of this position#is part of what is so interesting to me abt postcanon dm#and it's extra interesting to me if there are a lot of restrictions and responsibilities laios can't or won't escape and has to work around#and marriage and kids are a big one there... exactly BECAUSE laios is so viscerally uncomf with the expectations of heterosexual masculinit#so easy to read as transfem nonbinary gay etc#i want to see him treating a marriage contract like he does the problem of the demon. if that makes any sense.#putting that brilliant autistic brain to work to see a way to do this that isn't like your father did
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does near every single post-canon DE fic out there need to be tagged ‘Sober Harry Du Bois’? i’m getting so tired of it.
do i expect every single piece of fan content to have to fully delve into the often-depressing always-complex topic of addiction? not really. sometimes you just want to write/read a silly fluffy romance one-shot, whatever. i get it. but i think my issue is specifically with the fact that for nearly every sillyfluffy au out there, there almost must be a ‘sober harry du bois’ tag. and it does feel very slapped-on more often than not.
i think to me it is an unconscious statement that nothing *good* can ever happen to harry du bois until he is completely and permanently sober. before solving the next big case, he has to be sober. before quitting the force, he has to be sober. before falling in love with kim, he has to be sober. before accomplishing anything, starting any sort of recovery, making any life improvement, he must first be sober.
sobriety as a goal, as a journey, and honestly as a concept in of itself is not as cut and dry as so many people think it is. and i think it would serve a lot of people well if they did some introspection on the implications of how nearly every single post-canon fic that isn’t dealing directly with harry’s addiction have him as completely sober instead.
if the plot of the fic isn’t going to touch directly on harry’s substance use (and again, i’m not demanding that every single fic should), why does that mean that sober!harry must be the default?
i think i am just tired of reading a casefic, a smutty one-shot, a fantasy au, whatever, where it almost seems that before getting on with the plot, the author feels obligated to first assure us that the harry we’re reading about is a Sober Harry. it’s established with a couple lines in the exposition, probably about his improved appearance, a tag up top, and then never brought up again; a checkmarked box. like the societal image of An Addict has completely prevented people from being able to imagine a person just, continuing to live life, while still struggling with addiction.
life happens, with all of its backslides and achievements, mundanity and changes, to people with drug addictions just as much as people who don’t. is a post-canon harry who isn’t sober not worth writing about?
i think so. i think the game we all played thinks so too. in fact i think that sentiment is woven into the game’s very core. i just wish i saw that reflected in our fan content more.
#i really hope my point is understandable in that it isn’t that i think that stories where harry *does* become sober aren’t also valuable.#or that i want every post-canon harry to *not* be sober.#but rather questioning why there seems to be a subconcious necessity for harry to be sober to have kind things happen to him.#disco elysium#harry du bois#also obligatory because i am putting this in the main tag:#this isn’t a callout or vague on any one person/creator/group of people in particular#it’s more of a prompt to discussion on a very broad trend#one informed by insidious biases that live in all of us because we live in a society etc#that none of us are immune to but all of us have a responsibility to acknowledge#if there is goal to this post it’s to provoke introspection. not individual attacks#anyways i love quietly consuming fan content until something annoys me enough to make my own post about it#i do wish i Participated in fan communities more tbh especially this one i’m just shy lol#most of the time.#me talking
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.
I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.
Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.
All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:
“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”
Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.
#(the quote is by Richard Woodville in his deathbed will; he was the last of the Woodville brothers to die)#elizabeth woodville#woodvilles#my post#to be clear I am not arguing that the death of an English gentry family name is some kind of giant tragedy (it absolutely the fuck is not)#I'm trying to put it into perspective with regards to what Elizabeth may have felt because we know her family DID feel this way#writing this kinda reminded me of how I am just not fond at all about the way Elizabeth's experiences in 1483-85 are written about#and the way lots so many of the unprecedentedly horrifying aspects are overlooked or treated so casually:#the seizure and murder of two MINOR sons and the illegal execution of another;#her sheer vulnerability in every way compared to all her queenly predecessors; how she was harassed by 'dire threats' for months;#how she had 5 very young daughters with her to look after at the time (Bridget and Katherine were literally 3 and 4 years old);#how unprecedented Richard's treatment of her was: EW was the first queen of england to be officially declared an adulteress;#and the first and ONLY queen to be officially accused of witchcraft#(Joan of Navarre was accused of her treason; she was never explicitly accused of witchcraft on an official level like EW was)#the first crowned queen of england to have her marriage annulled; and the first queen to have her children officially bastardized#what former queens endured through rumors* were turned into horrifying realities for her.#(I'm not trying to downplay the nightmare of that but this was fundamentally on a different level altogether)#nor did Elizabeth get a trial or appeal to the church. like I cannot emphasize this enough: this was not normal for queens#and not normal for depositions. ultimately what Richard did *was* unprecedented#and of course let's not forget that Elizabeth had literally just been unexpectedly widowed like 20 days before everything happened#I really don't feel like any of this is emphasized as much as it should be?#apart from the horrifying death of her sons - but most modern books never call it murder they just write that they 'disappeared'#and emphasize that ACTUALLY we don't know what happened to them (this includes Arlene Okerlund)#rather than allowing her to have that grief (at the very least)#more time is spent dealing with accusations that she was a heartless bitch or inconsistent intriguer for making a deal with Richard instead#it also feels like a waste because there's a lot that can be analyzed about queenship and R3's usurpation if this is ever explored properly#anyway - it's kinda sad that even after Henry won and her daughter became queen EW didn't really get a break#her family kept dying one by one and the Woodville name was extinguished. and she lived to see it#it's kinda heartbreaking - it was such a dramatic rise and such a slow haunting fall#makes for a great story tho
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whoops i asked in the wrong place. would you be willing to do a request of the vargas boys in a SAW trap? thank you in advance <3
Day 2 - Was it not obvious enough
#My art#Requestober#Vargas#Edgar#Scriabin#Blood#SAW#So fun fact about me: I have never seen any of the SAW movies and I have exactly zero interest in changing that lol#I'm actually a huge wimp when it comes to live action horror - I can handle just about any other kind of horror!#I love horror video games and animation and comics and stories but I just get really super uncomfortable by live action horror#Especially slashers - I top out around ''Get Out'' as far as on-screen blood and injuries and the like :(#Which sucks because as I said! I love horror! I want to watch Nightmare on Elm Street so badly but I can't! ;o;#And there's something funny about just how violent JtHM and Vargas and everything is but I'm just like#''SAW :( No I can't :('' lol#So I actually had to outsource from a friend lol she's a big slasher buff and knows I can't handle this stuff#So she briefly described a trap from SAW II and I extrapolated from there#Do I have context for you? No#Do I have blood for you? Yes >:)#Poor Edgar D: I dunno if I read correct from glancing around all the scary imagery but there was something about this trap?#About how like if they didn't put both hands they might've been able to get out? :0 I don't actually know#And anyway he has Scriabin there with him! Help!#He's no help at all lol he's just jostling the trap that'll just hurt him more!#I just like to imagine there's a semi-happy ending :') Still a lot of bloodloss tho haha#Anyway I probably wouldn't do one of these live action horror crossovers again :'D Once is more than enough for me
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"not all men" but not in a men's rights way, in a "it's important to remember that men aren't the only perpetrators of cruelty, abuse, and evil and that subconsciously or consciously training yourself to view men as inherently evil and everyone else as inherently safe inadvertently puts you in a position where you're both vulnerable to attack or harm from people you otherwise wouldn't suspect, AND causes you to limit the number of allies you might have in a time of need" kind of way.
#This is why I worry a lot about young women (teens and twenties) who seek comfort and validation in r//adf//em circles. Many of them have#been hurt through rape or abuse—commonly at the hands of fathers/brothers/uncles or otherwise trusted adults—and have decided that men must#be cruel because both they and their female/female + queer friends have similar stories of abuse. So they seek out others who share this#belief but in doing so they make themselves vulnerable to further abuse and manipulation. I haven't really observed r//adf//em circles long#enough to be able to say what I'm about to say with certainty but I would put money on the idea that being a RF on social media shares the#same hallmarks as being in a cult because the behavior of the adherents is far too similar than that of tradwives or any other modern cult.#Other RF's use the hurt and abuse these young women have experienced and twist and manipulate their truth to foster a sense of#us-against-them cruelty against a population that could in actuality be their fiercest allies. It's such a vicious and relentless cycle.#That's why when I see RF's on here all I feel is pity — both for the cruelty and abuse they've witnessed and suffered but ALSO for the way#they've allowed that abuse to be weaponized against them... many before they were too young to realize it was even happening. We as a#society have got to get better at protecting our young girls and women from r//adf//em ideology. I don't even mean that in a#“destroy the patriarchy” kind of way because that's such a lofty and disorganized goal. I mean it in a “we have to go into uncomfortable#spaces and show these girls love and empathy because right now the only people validating them are people who use their hate and mistrust#against them and if we want to save our young girls and Queer sisters from this pipeline we have to do the dirty work“ kind of way.#But anyway.#jack.txt
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I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)
SO do you have any favorites among the paintings that represent this story??
OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS
I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).
Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀
Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.
(Photo. Marie-Lan Ngyuen)
(Photo. Museo Claudio Faina)
Also the one in the Theoi.com archives is a real classic - perfect energy.
#ginger answers asks#Thank you SO much for letting me talk about this even a little it always makes me smile#Despite their disputes - if you ask me Apollo was quite fond of Heracles#And I think a big part of why I ultimately come to that conclusion is that Apollo never hinders Heracles or withholds blessings from him#He simply calls him a bitch every time he sees him and then makes his life marginally more inconvenient#like any good older brother let's be so fr#It's extremely charming to see him so playful with a mortal he's not in love with/that is not his son#Other moments of Apollo teasing Heracles includes him trying to convince Artemis not to let Heracles catch her doe when he comes#to fulfill that particular labour (again he doesn't actually try to stop it he just puts up a bit of a fuss about it)#and perhaps another of my all time favourites#Personally luring Heracles into Admetus' house so Heracles can wrestle Thanatos while Apollo rescues Alcestis#I DO NOT KNOW WHY MORE PEOPLE DON'T TALK ABOUT THE LUNACY OF APOLLO'S ADMETUS/ALCESTIS PRESERVATION PLAN#He really said “No yeah I know a guy don't worry about Death Incarnate” and then Heracles shows up at Admetus' door like this is a sitcom#The laugh track that plays in my mind every time Admetus opens that door sees Heracles and then looks back at the disguised Apollo like#'HIM?? HERACLES?? Heracles who can break me in seven pieces with a thought Heracles???'#And Apollo just gives him a thumbs up and says “feed him well pookie <33”#Genuinely some of the funniest shit I have the pleasure of reading in greek myth#Another reason I don't think Apollo has any ill will against Heracles though is how Apollo reacts when Heracles#loses Hylas in the Argonautica#Or well some versions of the Argonautica - this is also a story that changes wildly depending on the source/compilation#But Apollo is incredibly sympathetic to Heracles' sorrow and kind of decides there and then that Heracles losing one love#should be the return of another and asks that Zeus let Heracles free Prometheus when he makes his descent into the underworld#Similarly it is Apollo who anoints Alcaeus/Alcides the name Heracles (also dependent on the myth source)#They just had a very fun relationship and it's a serious shame that it's not acknowledged more#apollo#heracles#greek mythology#(Also people do not talk about the fact that Apollo grappled with Heracles to a standstill enough actually)
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And Then It Is Monday - Why Sunday's plan did not (and could not) work
So normally I don't really make longer analysis posts, but I kept seeing people on social media outright supporting Sunday's actions in 2.2, and I wrote something out about why I personally think that Sunday's plan is wrong. I don't know if this is an issue with tumblr as well, given that the people I saw supporting him were on different forms of social media, but regardless.
Before I begin, I'd like to pose a reminder that the opinions in this are mine and mine alone. If you agree, awesome! If not, I'd love to hear your thoughts on it, so long as you're respectful! I have no idea if this is well written or will make any logical sense, but here we go!
(Spoilers for the 2.2 Trailblazer quest under the cut, if that wasn't already obvious)
So the first thing to get off the table: I feel Sunday is a very sympathetic villain, but a villain nonetheless. I understand the people that sympathize with him. I do too, to an extent. He was raised on unhealthy ideals and the belief that he was a "religious figure," one that people looked up to. Other people were allowed to just be, but Sunday always had to be better. He loved his sister, and the people around him, and he wanted to make a better world for them.
But that does not excuse what he did. Making a 'better world' can never come at the cost of taking away people's free will, because that world will never be "better". That's where Sunday's plan falls apart.
Because, yes, there are shitty people in the world, and yes bad things happen. Would it be amazing if we could stop all the bad things from happening ever again, and make the world a much better place? Yes! It would! I would love to live in a world where I don't have to fear for my life and my freedom for an assortment of reasons! But that world doesn't exist--in real life or on Penacony--, and getting it to exist shouldn't be the result of subjugating and controlling other people, because that in and of itself is violence. Albeit a different kind of violence, but violence nonetheless.
Not to mention that things like Sunday's plan and the concept of forcing everyone to act a certain way just to fit this "better world" to me almost serves as a condemnation of human nature and of the very act of choice itself. Your better world starts by saying that some choices are bad, so those choices get taken away, but where does it end? What if someone in charge views a harmless choice as a bad one, and takes away that one in return? Does it stop there, or does it continue, until no one at all is allowed to make any decisions, except those in charge? Who, really, does that benefit?
Consequences for certain choices exist. Generally, society says murder is bad (except for specific circumstances such as self-defense, which technically at that point is no longer even considered murder (at least where I live, it may be different in other areas, but I'm basing this off of my own experience)), so there is a concrete consequence to people murdering people--assuming that they don't get away with it. It doesn't stop people from murdering people, because the liberty of choice is still there, but it shows that just because you can do something doesn't mean you should or that you will escape without consequence.
People are going to do bad things. That is, unfortunately, how humans are. But our responsibility lies in holding ourselves accountable and in promoting growth and healing. That is how you build a better world. Not trapping everyone inside a dream world without any care for their feelings or beliefs, but in getting people the help they need, in fostering a society of positive change and human connection.
And that is why, as "golden" as Sunday's dream may have seemed, it was never going to work. In the end, as the story quest shows, human will and the desire for freedom wins out in the end. When there's a will, there's a way.
#i have otherwise dubbed this as#the reason why if i was in the hsr universe and a part of the main plot the plot gods wouldve sniped me and put me out of commission#just like they did welt and dr. ratio for the 2.2 update because if i were there i would just start yelling at sunday and lecturing him#for being a fucking idiot#if any of this makes any semblance of sense i will be very happy#i can see why people get drawn in by sunday's plan like genuinely#it sounds really really nice#a world where every day is sunday and everyone is at peace#but despite it feeling “nice” i could never really find it in myself to agree with him#at first i thought that maybe i was just being kind of cynical and then i started to think about it a bit more#which is how this came into existence#i sent this to one of my irl friends first#who was like holy shit this is an essay#honkai star rail#2.2 spoilers#honkai star rail spoilers#sunday hsr#character/story analysis#analysis#penacony#penacony spoilers#hsr 2.2#i dont really know what else to tag this under lmao
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I know you went into this briefly before. But truly. HOW INSANE adding a child into the Isabelamance arranged marriage Hawke.
Is the child expected to inherit? Does it remove potential matches Hawke could have had, potentially making the fiance lower on the social ladder than Hawke?? The implications?? Does Isabela even LIKE the kid??? What if the kid gets seasick. What then. How does no attachments no complications Isabela allow herself to fall in love with THE most attached man in Thedas.
AND THE KID WOULD BE OLD ENOUGH TO HAVE AGENCY AND OPINIONS AND AND SHIT IN ACT 3 AAAAAAAAAAAAAAJHHH
making this woman the not-stepmother to a kid growing up in a hightown estate just to feel something
#this banter is kind of bad and also makes me feel like a worm is eating through my heart#anyway. puts isabela in the device and shakes her rlly hard#its just so interesting to me like it doubles down on what makes hawkebela interesting#NEWSFLASH you cant cut yourself off and escape consequences!!! because people love you!!! what now girl!!!#without forcing isabela to be anything she isnt which she also fears#they dont need isabela to be wife and mother they just want her.#which is also something hawke needs to learn right. because hes trying to follow the arranged marriage be the good son and good father#and ignoring what and who actually makes him happy. like an idiot.#so theyre both making themselves miserable as if that is going to make the hawkeling feel any better. a story of stupidity#this is turning into a tag essay. you get it anon. is my point
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another fun fact: marshall can beat lime in a fight BUT only if hes buffed by mochi or another one of the top 5 witches
#as a white canvas he can soak up magic like a SPONGE baby#can take whatever buffing spell mochi wants to put on him#speed/strength/def/skill boost up the ass#combined with the m-34th training hes so powerful#against someone non-magic (like lime) the amount of buffs he gets can out-class him#things that piss lime off number 84392#and mindful that the potion effects are time-limited with stronger potions = less time#but during that short timespan.....boy oh boy#i think he could actually take a temporary res potion too to masquerade as a black canvas for a short time#but if he does that he cant have any other potion buffs#if hes fighting a magic user its a different story. he would need the res potion more than the buffs if he doesnt have some kind of shield#because one magic hit is all it takes to down him#so i guess the marshall strat changes depending on the opponent. magic = res potion and non-magic = buff potions
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a short story
a scorpion, unable to swim, asks a frog to carry it across the river. "do you take me for a fool?" asks the frog. "you'd sting me if you let me on your back!"
the scorpion considers this for a moment. if it stings the frog, it will surely drown. yet due to its nature, it cannot ensure that it will not do so, no matter how illogical a course of action it would be. "you know, you're right," sighs the scorpion. "it is in my nature. I will find someone else."
the frog hops away, grateful at its lucky escape. the scorpion ponders the situation, and after a bit of study and reflection, seeks out a turtle and asks it to carry the scorpion across the river.
"but you said it was in your nature to sting whoever carries you!" says the turtle.
"I know," replies the scorpion. "I sought you out because your thick shell can withstand the sting, and neither of us will be harmed in the process."
the turtle, however, fancying itself a good judge of morality, declines. "it's the spirit of the thing that counts," it tells the scorpion. "my inability to be harmed by your sting does not lessen the depravity of being willing to sting one's benefactor. why should I take such pains to help you if your nature can do nothing but harm me in return?"
-
the scorpion is stumped once again. aware of its own contradictory impulses, it is at a loss for how to cross the river. noticing its plight, a long, silver fish approaches. "do you need help crossing the river?" it asks.
"yes, I do," replies the scorpion. "however, I cannot breathe underwater, and you cannot breathe above it, so any attempt to cross together would be a failure for both of us."
the fish acknowledges this. "unfortunately, I think this is indeed the case," it says. "I wish you luck on your endeavor, regardless."
"I appreciate it," says the scorpion, though no closer to finding a way across the river. such is the way, sometimes, of nature.
-
now nearing despair, the scorpion is about to resign itself to another stranded night on the wrong side of the river. but at that moment, a large spider emerges from its hidden web.
startled, the scorpion jumps back, stinger poised to strike. the spider is not deterred, though it does not come any closer. "what do you want from me?" asks the scorpion in a rather sharp manner.
"hear me out," intones the spider. "I know your dilemma. it is in my nature to trap and bite, just as it is in yours to sting. I can see you yourself are afraid of me, as some whom you asked were afraid of you. but please do not judge me too quickly. I might have a way to help."
"what do you propose?" asks the scorpion, desperate.
"I am a spider," says the spider. "I cannot swim you across the river on my back, as I cannot swim or breathe underwater myself. though my exoskeleton is strong, I cannot guarantee it would withstand your sting, nor that you would be able to escape my web. but I believe that more than one skill will be necessary to cross the water."
the scorpion is silent again, waiting for the spider to elaborate.
-
the spider scurries off on its eight legs, then returns moments later with the frog and turtle, as well as the fish (who remains in the shallows of the river).
"why have you brought them here?" asks the scorpion. "I've asked each individually, and they all refused."
"that was your mistake, and theirs," answers the spider. "now, listen carefully."
the scorpion listens, as does the others. the spider begins to speak once more.
"the fish offered you aid when the others would not," it says. "but you both observed that the fish could not emerge from the water, nor could you as its passenger descend beneath it. it was willing to help, but your mutual natures prevented this. however, the frog can breathe both above and below the water. the frog can ride safely on the back of the fish."
"but I cannot ride on the back of the frog!" says the scorpion. "it is in my nature to sting! it would not be safe!"
"ah, but this is where I must turn to the turtle," says the spider. now addressing the turtle directly, it says, "turtle, I understand your grievance. you do not want to aid someone with a nature so predisposed to harm you. but is the scorpion really the guilty party? it sought you out in the first place, aware of its nature, not wishing to harm the frog. is it the nature of the scorpion that you truly despise, or is it the notion that you were only asked for help because of your capability or perceived usefulness?"
the turtle, who had never really thought of it that way, considers the spider's words and finds them somewhat accurate. "you're correct in that I resent my assistance being requested on my ability alone," it says. "the river is wide with a rushing current, and I am tired after a busy day. I should not have lashed out and blamed the scorpion, but I should not be obligated to carry out such a draining task just because I am technically able to do so."
the spider pinches its chelicerae in acknowledgement. "I see," it tells the turtle. "I appreciate your apology for judging the scorpion so quickly. perhaps a compromise is in order, which respects your exhaustion as well as the scorpion's need. would you be willing to carry the scorpion on your back if the frog can ride the fish in front of you and signal which direction to go?"
the turtle thinks about it for a second. "alright," it says. "that seems fair enough to me."
content, the spider returns its attention to the scorpion. "well, shall you set off, then?"
-
as directed by the spider, the frog sits atop the fish so as to better focus on the river in order to provide directions to the turtle. the scorpion climbs on the turtle's shell and this second pair proceeds into the water after them.
"thank you for your help," the scorpion tells the spider, who is standing on the river bank.
"you are very welcome," says the spider. "though I cannot physically aid your journey, I hope my advice was useful."
"very much so," replies the scorpion, and the foursome set off across the river. midway through, the scorpion stings the turtle, on instinct, due to its nature, but the turtle's thick shell protects it and no harm is done. following the frog and fish, they reach the other side of the river with relative ease.
"thank you," the scorpion tells the other three once it has been safely deposited on the shore. they all exchange friendly farewells before going their separate ways, with a new understanding of each other.
-
from its vantage point at the centre of its web, the spider watches the encounter, pleased with the solution the group had devised. though no creature was both able and willing to act as the scorpion's sole guide, together they were able to safely cross the river. each one participated in accordance with its ability, as well as in a form compatible with its need.
one's nature, the spider decides, is both as constant and traversable as the very river itself.
#pigeon.txt#writing#my writing#help why did I spend over an hour on this#anyways. heard of the original folktale. had serious issues with it (will elaborate upon request)#but thought it was compelling as well#ergo. this#the scorpion and the frog#short story#the majority was put under the cut for length#as to not clog people's dashes#it's not a rickroll or any other kind of joke
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psst. hey. do you ever worry that you’re writing characters ‘ooc’ in fanfiction? well guess what. you’re not. that’s just your au now.
“they would not say that” yes they would, my au version of this character would totally say that
“ummmm this character’s powers don’t work like that” but they do. in my au
“these characters would never canonically be dating” buddy oh boy i cannot wait to tell you what fanfiction writers have been doing since the advent of their craft!! anything goes in my au!!!
the medium is inherently transformative do whatever you want forever ok ly byye
#fanfic meta#idk if that’s the appropriate tag for this but whatever#And. Look. I do understand wanting to adhere to canon whenever and wherever possible.#Because fanfiction is inherently a love letter to its source#(mmost of the time…)#But when you’re doing something for free I say you’re allowed to do it however the hell you want#so long as you’re having /fun/!#And also#if a prospective reader really wanted something exactly 1:1 with the source material#they would just go reconsume the source material!#Fanfiction (any fan creation really) is experienced under the implicit guise that said fan will have put their own spin on said fiction#in a way i kind of think that’s the whole point#but anyway it’s getting late and these tags are getting longer than the actual post lol#moral of the story is There Are No Rules#and if there Are Rules:#Fuck’em.#thanx for coming to my tedtalk xx
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Okay, so, I don't make these kind of posts often so excuse me if this is a mess but;
Do you all remember when I posted this post 1 year ago, where I mentioned that racers in the 60/70/80's had their blood types stitched on their suit?
Well, yesterday I saw this video of Fabio Di Giannantonio and I saw this (it was in the VR46racingteam stories so i screenrecorded it):
Did you all see it on his suit when he sat down? I made a screenshot too:
I think this is his bloodtype he has on his suit?! I mean, I can't think of anything else this could be. I checked the other stories and some posts and Marco Bezzecchi didn't have it so maybe it's a personal choice? Anyway, it just drawed my attention
#fabio di giannantonio#marco bezzecchi#motogp#vr46 racing team#via instagram#instagram stories#spanish gp#catalan gp#i never make these kind of posts#so excuse me if there any mistakes#also always have a lot of trouble putting my thoughts down in english#so i hope its okay#and if i have mistaken this for something else#please let me now#kinda want to look at all the riders suits ow#now*#i thinks its actually a smart choice#but also sad they have to think about it
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wanna ask how you feel about the eridan bpd headcanon/theory(?? not sure what to call it!) you're so good at your character analysis and i'd love to see your outlook on it
Since I don't have a degree or any formal training in psychology, I feel deeply uncomfortable diagnosing characters. I've made an autism joke before but only because I'm on the spectrum. He's definitely traumatized and anxious, but I mean those as descriptors of his behavior rather than capital-D Diagnoses. I try to focus on those when I can - the cause and effect of cognition, self-image, and behavior - and those factors may very well match up with DSM criteria, but I try not to touch an actual diagnosis with a ten foot pole unless the author has explicitly stated that X character has Y condition.
#there's a variety of reasons for this#part of it is that im GROSSLY unqualified to be handing out diagnoses when it takes a full on PhD to do that in real life#part of it is that psychology is inchoate and we are still very much in murky waters#for example: complex ptsd isn't even IN the DSM yet#and iirc my therapist told me it was because theyre still figuring out how to classify it (attachment disorder? trauma disorder? etc.)#part of it is that (from my limited and undereducated understanding) there are diagnoses that you can assign by completing a checklist...#but some that require a hell of a lot more testing and ruling out other potential causes#and the cluster-b personalities are (IIRC) not even ones you're supposed to diagnose minors with#bc of fears of self fulfilling prophecy and because minors in general are still developing personalities In General#and like the fact that i can't say that with authority speaks to how unqualified i am to do any diagnosing right? hahaha#and part of it is just because like#unless the story is specifically About That and the author has stated so explicitly#i think diagnosing characters tends to put blinders on analysis#like if i were to seriously go 'eridan is autistic' then it would massively bias my reading and understanding of his character#and we have 0 indication that eridan was ever explicitly intended to be autistic or that the author was trying to do an autism specifically#that doesn't mean that the reading is invalid because like thats what death of the author means#all readings are technically valid including stuff the author didn't necessarily intend#but that's just not the way i like to engage with media and not the way i like to approach character analysis#because PERSONALLY it just feels kind of reductive - but also -#i'd wager MOST of us don't have degrees in psychology#so when i say 'X character has Y condition' it might mean something totally different to somebody reading my analysis#even people who have Y condition aren't exempt because a lot of mental illnesses differ from person to person#whereas if i explain “X character has Y thoughts and Z behaviors” there's no ambiguity in that#eridan struggles with noticing that people are suffering and with realizing that he should care#at least part of this is due to his horrific murder-filled upbringing which rendered empathy a detriment & so he learned to ignore it#it could be autism - but it could also be trauma -#or he might just be Like That without actually meeting the diagnostic criteria for autism#& you can't even technically be diagnosed with C-PTSD#or maybe he has a burgeoning personality disorder but you aren't supposed to DX those too early anyway#or maybe hes just 13. see what i mean hahaha. ive reached the 30 tag limit
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