#or 'him.' or 'them.' really go wild

[roseverdict]

when you're scrambling to get something done at the cost of your sleep, don't listen to the little voice pointing out how warm and toasty a blanket around your shoulders would be. that's the devil talking

[poorly-drawn-mdzs]

I've never been more normal in my life.

[First] Prev <–-> Next

[chronologically-challenged]

I think that the party's communication issues can be summed up as "man, is it awkward to tell someone that you want to spend the rest of your life with them if you've only know them for a few months? Probably."

[phoenixcatch7]

It's always funny to me when in an lu fic the chain is offered bananas and don't accept them. Like, you're offering these high energy adventures free food?? Fruit they'll have never even heard of before??? A ridiculously expensive imported good at best?? AND it boosts your attack?

Not ONE of these idiots would ever turn down something new and interesting to eat at least once. They'd be all over those bananas and immediately get dubbed yiga and I'm honestly surprised no one has used it in a fic yet 🤭

[mauvearts]

Caranthir

<< 4 >>

[agentravensong]

i got the stranger variant of the ending(s) this time (the last achievement i needed), and i think some of the dialogue options for going to her without the knife were new? including this exchange:

which did, in fact, make me tear up a bit. contrarian :(

[epicfirestormer]

What I love about Hellboy and Abe Sapien's dynamic in the comics is that, if you came into this blind, you'd expect Abe to be the voice of reason or the straight man to Hellboy's impulsive and hotheaded personality. But no, Abe is more often than not the crazy one. Hellboy would deal with fighting evil monsters and bad guys by just sighing and getting it over with, while Abe is going rabid over tearing the creature apart when he does get into a fight. Hellboy acts like it's a 9-to-5 job and will reasonably talk things out with a guy that had nearly killed him before, Abe acts like a madman in a slaughter house and his first instinct is to shoot first kill second and ask third. They're both insane, but on completely different levels.

[doink-boink]

DRAWTOBER DAY 24 - SERIAL KILLER

[pcktknife]

hazards been revealed and can i just say.....girl......

[capn-twitchery]

portrait of an unknown woman, circa 188[x], portrait of Lt. Edward Grace, 1889, (missing, presumed dead)

before The Fuckery (face + extras below the cut >:3)

this doesn't even look like twitch but i swear it is!!!! look i traced their face it's the SAME FACE i swear !!!!

you give them normal eyes and take away their Real :3 and they turn into a different fucking guy

[dykedvonte]

Danse and Hancock work only after blind betrayal because it’s the equivalent of the one closeted person you kinda pity getting kicked out after being outted and you and your like 7 other faggot friends take them in and help them do a 180 on their outlook on life and personal style and get them to weed (possibly grape mentats in this case).

[vaguely-concerned]

actually the more I listen and compare the more I think that a better way to describe the difference between the british masc rook voice and the american one overall is that the british sounds like a very real person who is being genuinely fierce and determined despite the fact that they are scared and understand the gravity of the situation. and the american one sounds like they might really be deeply fucking nuts enough that when the chips are down they are not even really afraid they're busy being a creature of pure 'go go go!!' fjdsklfjsa. when they really hit their stride they become less a person, more some divine instrument being used for the wildest improvised guitar solo you could ever imagine (and desperately trying to keep up with themselves as the rock ballad of inspiration sure is Happening To Them So Much). BIG moist von lipwig vibes, for those in the fandom overlap

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[seyaryminamoto]

Fic-to-Art #39: Gladiator's ELEVENTH Anniversary! (+ BONUS: Fic-to-Art #36...)

And here we are! March 26th arrived and I did not forget about it, but I paid for my ambitious madness with my wrist and forearm. Somehow, I finished my intended pieces on time, but I do not advise that you ever try to make 9 artworks in 3 days. No, sir. Bad life decisions, that's what that was... but this fic, as anyone knows, moves me to do things I never thought possible, starting with writing the fic itself!

It's really crazy every time it hits me that I've been doing this for as long as I have. It's been a complicated, chaotic journey, with its many ups and downs, but ultimately, it has been our journey. For some people, this is just one more fic in the pile: for me, it's been the best adventure of my life so far. Everyone who has ever been touched by Gladiator, who has ever cherished this story, who's looking forward to the big conclusion, who wants to see how the chaotic war is going to end... you're all part of this crazy adventure along with me, and I can only thank you for joining me.

This year, I had no time to make as big a project as I usually go for. Thus, I did a sort of free-for-all edition of Fic-to-Art over at Patreon and challenged myself to draw as many scenes as I could, out of their suggestions. I even sprinkled in a few scenes I impulsively wanted to draw because I loved writing them or because I look forward to writing them... and this is the result!

In order, the scenes are as follow:

Sokka combing Azula's hair, a common occurrence throughout the story.

Azula watching over a convalescing Sokka in the Chase of Jeong Jeong arc.

The outcome of Sokka's final battle in the Superior Gladiator League, namely a moment where Sokka and Azula more or less gave away their relationship's true nature to the public by raising their hands towards each other...

And now, spoiler territory! Some were by my choice, some by Patreon requests:

An important moment shortly after Sokka and Azula reunite.

Azula confronting her father, with a LOT of backup.

Xin Long's long-awaited freedom.

The aftermath of the final battle.

The full-blown confirmation of their relationship to the general Fire Nation populace.

Sokka, Azula and Hotaru's first night together

And the big final one is ACTUALLY Fic-to-Art #36 but hahaha woops I didn't post it here on time because it was super hard to finish since I had a LOT of things going on... but here it is now! :'D it's a glimpse VERY far into the future of this fic's timeline!

Alright, that should be enough talking and explaining. Some things are vague, some things aren't, but ultimately I really hope you guys will be looking forward to the scenes you haven't seen yet, and to Gladiator's eventual outcome.

So now... with all this being said and done, I'm gonna go take a trip down memory lane and watch my Tenth Anniversary video once more! Feel free to do the same thing if you'd like to commemorate the fic, I think it's a good way to experience Gladiator all over again, hahaha.

Thank you if you read all this, and if you read all THAT: 5 million word landmark, here we come! Thanks for hanging out with me across ELEVEN years of Gladiator!

[ewtoxic]

Last thing I’m gonna say because I feel like it’s a little important. Because no matter I do no one is gonna gif the last scene. This is just what I think, I really….dont care if anyone doesn’t get it. As someone who is ummm older than this shows target audience annnnddd as someone with both Complex Trauma and PTSD, JJ’s ending still makes sense to me. I appreciated John B’s narration, because he shines a light on JJ’s best moments and best qualities, while also referencing his trauma. So like, there is no other side. And this is real. There is no true “happy ending” when it comes to trauma disorders, at least not in the way most people think (and I thought at one point as well). I have been told (and I knew it already) that I will need some form of therapy for the rest of my life. Trauma survivors do not get a magical happy ending. You can manage your disorder and find peace. It’s not about having a happy ending, it’s about having a moments of brightness and holding on to them while you’re in the dark. I mean that’s life in general really. And I think it was unbelievably important to show a character that goes through so much be looked at not as someone who got a bad ending and didn’t get the ride off into the sunset with their gf, but as someone who found joy and love and friendship even when experiencing all that pain. JJ’s story is a testament to the complexities of living with trauma and abuse. It’s a beautiful moment for him and the show. Him to die after saying he had everything he wanted and he got his wish. Honestly I think there a lot of important things in those last minutes that people would appreciate if yall weren’t so bent on getting fanserviced to with this show. You got used to how the entertainment industry interacts with social media and it’s made yall unable to really appreciate storytelling.

[cementcornfield]

A Retrospective on Ja'Marr's Rough Rookie Preseason (and How Joe Was There for Him Throughout)

Ja'Marr on The Pivot: I just wanted to get in where I fit in, just slowly make my mark and show the guys around me I could still play... Joe even knew that I was getting too hard on myself but Joe was just telling me like, 'I know what you can do, just get back in the rhythm, play your game, and you know we're gonna take off from there.'

Ja'Marr on Pat McAfee: It had a toll on me, it was a little mentally draining, knowing I was getting attacked just getting into the league... it just took a little minute for me to get back into the rhythm of things, get used to the offense again and once all that was coming on, I wasn't really worried about it. Joe helped me pick myself back up and get back on the road.