#only i can think of is pandora

[person25]

Regulus ‘second choice’ Black

[neonhellscape]

The towering creature comprised primarily of metal spikes looks at you with its nine optics.

[bleue-flora]

Btw based on the real life measurements, where 1 block is 1 meter, the cell is 3 meters or approximately 9.8 feet high, which is about the standard ceiling height. So, with Dream being 6’2 (1.88 meters) that means there’s a good over 3 feet (1.12 meters) extra room in the world’s best Minecraft torture box. In other words… suspend away… ;]

[sprucestairs]

hhhhhh I need to properly reread Percy jackson again. This post brought to you by the fact I was about to make a post about a scene I very vividly remember of Will Solace trying to convince Pollux not to keep fighting with his good arm broken before Percy manages to convince him not to bc he promised Dionysus, then thought to myself "huh maybe I should fact check that- I mean I did also convince myself that Travis stoll died in this battle when he actually just went to college." And guess what? That scene ✨️didn't happen.✨️ Pollux was trying to convince Percy to let him rejoin the fight very half heartedly, while propped against a tree, and Percy was just like "hmmmm... no"

[chai-berries]

happy girlfriend day to my favorite girl in the world

i love you to bits and pieces baby

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[pandoratheprocrasticreator]

in amami's video in his lab, he specifically tells his future self to be careful regarding his identity as the ultimate survivor because "anyone who finds out who you are is gonna come for you."

the thing is, even if he survived this far, the only person who would know the implications of his talent would be shirogane, the mastermind. the english version of this line implies that she'd have to "find out" about his talent, meaning she wouldn't already know at the start of the game.

this doesn't make sense, as shirogane was a danganronpa super fan before starting v3. even if she wasn't involved in season 52 like some fans speculate, she would have watched the show or at least have been vaguely aware that amami survived season 52 as someone who paid attention to danganronpa news.

amami wasn't, like, all that smart with hiding what he knew, of course. he woke up in a school full of ultimates and was immediately like "i don't remember my talent but don't worry. i'm not suspicious :)))))" his survivor's perk TOLD him there was a mastermind in the school and said "here's some extra info but ONLY share it with someone you trust" and then my man walked into a room full of ppl he barely knows and is like "does anyone here know about this secret information that no one's supposed to know about except maybe the mastermind?" like i think even without the surveillance cameras shirogane could have probably figured it out.

in japanese, he says "キミの正体を知る者は、きっとキミを狙ってくるはずっす," which directly translates to "anyone who knows your true identity will surely come after you." which is. slightly different i think. this implies that shirogane possibly already knows amami's the ultimate survivor, which makes more sense given her involvement with danganronpa in general.

the fact that this warning was in a video that amami would have only found after 4 class trials makes me think shirogane probably wasn't supposed to target amami so early in the game. that makes sense narratively too. if team danganronpa and shirogane wanted a good story, they should have put focus on the ultimate survivor from season 52 as he figured out shirogane's identity. amami getting his survivor perks at all also point to this.

shirogane didn't want to get rid of amami immediately just because he had the potential to find her out. for drama, she should have kept him alive as far into the game as she could have, so he could face off against her at the end of the game. the reason amami warned himself about the mastermind in a video that would be found in chapter 5 was because after 4 trials, it would have been far enough into the killing game that it would start making narrative sense for shirogane to start targeting him.

anyway before i did research on the japanese translation of this scene, i thought that shirogane, like, had her memories of season 52 and at least specifically amami removed. to make it like a fairer fight between the ultimate survivor and the mastermind or smth. but alas nisa mistranslated yet another detail of the game. the japanese line makes things less convoluted. if someone else killed in chapter 1, shirogane would have just held out for several more chapters because her goal wasn't to win the game, but make it fun.

anyway this didn't matter to either amami OR shirogane in the end. amami was basically waving a neon sign around himself saying "IM THE ULTIMATE SURVIVOR." and somehow shirogane or whoever in team danganronpa came up with the first motive didn't think through the contingency plans. and somehow out of 16 people akamatsu was the only one to plan a murder. and somehow amami decided the best way to confront the mastermind, who he thought was making a bunch of dangerous monokumas, was to sneak alone and unarmed into their lair without any way to defend himself.

anyway if these two had thought through any of their decisions in chapter 1 amami might have made it to the end of the game to find his video and then have an epic showdown with shirogane like team danganronpa probably wanted them to. i just know that the moment shirogane beaned the season 52 poster boy in the head she knew she'd be spammed with viewer complaints. poor shirogane. between this and kiibo showing iruma's poop on live tv i don't think she minded when she got her own head smashed in at the end. team danganronpa would have murdered her the moment she stepped out of the school anyway.

[movedtonewblogcheckpinnedpost]

He knows 10 vampires intimately?

WHY DOES HE MEAN??????? YOU D O N O T KNOW THAT MANY VAMPIRES INTIMATELY LMAO

[tripleskxawng]

i SAY that about trying to like avatar's human* characters--i don't like jake, i probably should, i just find him a little boring. he could be so chewy. but he's not. he's like pudding.

*and transhuman characters? broadly sky people characters?

[a-penchant-for-the-lethe]

Regulus' problem started with James.

James, who would absolutely take any excuse to hold Regulus' hand, asked if it was okay if he doodled little pictures on him. Claiming that it would help him focus.

"What do you mean there's paper right there, Love? Just give me your hand. Please?"

So, James just started scribbling little suns and snakes and one dopey lion (whose ears were vaguely lopsided) looking extremely content while doing so. Regulus - the poor sod, always weak for a happy James - just let him get away with it.

A mistake, he realized much too late. As soon as Pandora saw she wanted to add her own "artistic vision" to his hands and who could possibly resist Pandora? So, in addition to the snakes, the suns, and the lion (whom they'd lovingly named Leopold), there were flowers and vines weaving their way through his fingers and up his sleeves. Small rainbows, in only black ink, on the backs of his hands.

Dorcus was the next one bold enough to ask. A bracelet of triangles was added around his wrists in an up-down pattern.

"Because you only ever accessorize with rings. You need to branch out. See? Bracelets suit you, Reggie."

Evan wanted to add clouds to the ends of Pandora's rainbows ("Rainbows shouldn't just end like that. It looks weird. Come here, let me fix it.") along with the uneven swirls he drew on each of Reg's fingertips.

Barty was absolutely distraught to have been the last in their little group to get to draw on Regulus. It was a terrible betrayal that James got to do it before him, despite it being James’ idea to begin with.

He put tiny X's all the way down Regulus's pinkies. Then, he did the same to his own hands. So they would match. And so that if they were to theoretically make a pinky promise, which of course they would never do, as the serious and intimidating posh boys they were... then the X's would line up.

Sirius nearly triped over Remus when he saw what had been done to his brother because Regulus never painted on his hands as a kid. His memory was always really good, so there was no need to jot down quick reminders on the backs of his palms.

Whenever he did need to remember something, he just wrote it in that little black notebook he took everywhere, the one he would never let Sirius see.

Sirius, on the other hand, was almost always covered in little pictures and notes because he was scatter-brained, but mostly because it irritated their mother to no end.

Regulus never wanted to do anything that could disappoint their mother, so the image of Regulus holding on to his books with arms covered in ink was an odd one for Sirius. Regulus looked defiant. More importantly, Regulus looked happy.

Regulus explained his "predicament" to them in a petulant tone. Despite the small smile that seemed to be making its way onto his face as he recounted how James’ small requests snowballed into whatever the heck was going on with his hands now.

Sirius asked if they could "contribute to the community canvas" that had become of Regulus's skin, and he relented with the worlds most dramatic sigh. Remus drew a crescent moon on Reggie's left arm while Sirius drew a star on his right.

Peter was so shy about asking, Regulus wasn't entirely sure if he would. Regulus found himself very glad that Peter did, however, because when he finished, there was the most adorable and detailed little drawing of a mouse Regulus had ever seen.

His hands were almost entirely covered by the end of the day, so it was honestly a miracle that Lily found space for anything at all. But if Regulus knew anyone capable of miracles, it was certainly Lily Evans. Her design was a simple heart just below his thumb.

"A reminder. And a promise," she had said,"of how much we love you."

When Regulus watched the ink wash away in the shower, he was surprised by how sad he was to see it go. His arms felt bare when he went to bed. He thought it was strange just how quickly he'd gotten used to the doodles, like they'd always been there, under his skin.

He supposed James’s idea wasn't as bad as he thought it would be, initially. He found that, maybe, he already missed Leopold, and Lily's heart, and all the little pictures that served as proof that he was loved.

Eventually, he learned he didn't really need the pictures, though, because he had the people. People who still loved him even when there weren't strangely-ending rainbows and hearts on his hands to prove it.

They'd always been there. His people. He couldn't imagine a world where they wouldn't be. It was like imagining the earth without the sun. The sky without the stars. Unnatural. Cold.

The next morning, Mary and Marlene got to him first. A dimond and a broomsitck were the first things added to his arms, respectively. He thought it was incredible how quickly he'd grown to love so many people even when he never thought he could.

Maybe a younger version of him would be screaming that this could get back to his mother, somehow. That this would disappoint her. He could no longer find it in him to care. Because he had people who really loved him right here. Absolutely extatic that their little drawings came out so well.

His arms were always clean by the time he went to bed, but every day, he got to collect new doodles from all his favorite people.

It was always slightly different. Paw prints or sometimes footprints made their way down his arms. Sometimes, there were antlers or intricately drawn eyes. Sometimes, Peter would show off and draw something incredible that would have everyone else trying a little bit harder with their doodles that day.

Always, no matter how much room was left (be it a little or a lot), there was a heart from Lily. Always. A reminder. A promise. He was loved. By so many wonderful people. His real family loved him, and at the end of the day, that was everything. The only thing that mattered.

They surrounded him with warmth and love like it was the most natural thing in the world for them. Even if he could never be as open as Lily with her endless complements or as touchy as James with his soft hugs and quick kisses, he could learn to love and be loved more. In subtle ways that meant the world to the people who cared about him.

James takes every excuse to hold his hand, and Lily never misses a chance to tell him he's lovely. His friends throw themselves near him in piles and laugh until their lungs ache. His brother is with him again like he should be. Like that's the only way the universe will have it. There is love.

It doesn't matter if someday the only marking left on Regulus' arm was not drawn out of love. And it doesn't matter if the end of the story is not kind. If it is cold and unnatural like a sky without stars, because there was love.

And he can hope that his sacrifice will be enough to make up for his mistakes. He can hope that his final act will help shift the tides of the war, keep the people he loves safe. He can hope that his brother will forgive him if he ever leans the truth. He can hope that his life will leave an impact.

Because the end of the story is not what matters. The only thing that matters now is that the love he had at the start stays with him. It's proof he existed. That was his impact. No one final act of reckless heroics but infinite acts of courage and kindness and compassion that lead him to his people.

The end of the story doesn't matter, repeats like a mantra in Regulus head as water tries to wash away the marking on his arm one final time. The gray hands that grip him can take this mark. He never wanted it anyway, and he won't be sorry to see it go. The ones that matter will stay with him, always.

Beneath his skin. Burned into his heart. Keeping him warm even as cold water fills his lungs and makes him ache in such a familiar way. The harder it gets to think, the easier it is to convince himself that the pressure in his chest is just Lily sprawled across him on the couch. James told a supid joke. Now Regulus is laughing so hard he's running out of air. The moment the pressure eases up, Regulus will get him back.

And if the pressure never eases up, at least Regulus can be sure that he had love at the start, and he has love now. Always. Lily promised, and she's always right. The water can wash away all the ink it wants. Take his air and his life. It can think itself invincible. Because as long as stars burn in the sky, Regulus will be loved.

[ghostemojiii]

I can't get Pandora to work on my steam deck and it's killing me because I have to use Nemesis unless I patch from a computer I currently can't use because the battery gave out

Anyway it currently takes TWENTY MINUTES to do an engine update and TEN MINUTES to generate animations...assuming it even does. It has like a 70% chance of crashing. I can't take it anymore lads

[tristinian]

Quick question: in your blueprint for an ideal world, where are the disabled people? Are they left to die, or expected to pull themselves up by the bootstraps and push through the disability? Will you disregard the disabled people who need medication as ‘addicts’ and therefore deserving of suffering? Will you decide that people with incurable disabilities are “doomed anyways so who cares what happens to them”? Are people with embarrassing disabilities treated with respect? Will disabled people who have trouble with hygiene or cooking be accommodated for? Will public spaces be accessible to disabled people, or is it convenient that the architecture means you don’t have to see or think about them?

Remember that in any society there will always be disabled people and you have to think of them if you’re creating the blueprint for a new, ideal, equal one.

[dropespeon]

another day another post about kaito regretting being kid When will you people understand

[enigmaris]

Another DPXDC for ya fellas!

Pandora, the ghost, was an Amazon from Themyscira in life, losing her life to trap all of those eldritch horrors in her box. In her afterlife, she has kept in contact with the other Amazons, coming to their aid when called upon.

So when the first child of themyscira was molded out of clay, Pandora knew. She liked Diana, admired her stubbornness, strength, and sense of wonder. She knew the girl had left to go to the world of man a while ago, but hadnt heard anything else about her. She wasnt worried about her though, Diana was the strongest of all the Amazons, kind and brave. The world of man would not pose too much of a danger to her.

After the whole thing her box getting stolen and Danny returning it to her. She takes on something if a motherly role to Phantom. She doesn't really know how kids work though, she comes from a race of women where there were no children. Diana is literally the only living child she has ever known. Pandora herself was never even a child. When Danny flees from his life in Amity Park (reveal gone wrong, family dies, or something) he goes to Pandora who wants to help him, but her acropolis is no place for a half living boy. So she tells him about her niece Diana.

"She was the only child of my people, when she grew up she left to the world of man."

Literally the only child??? Danny is imagining like, someone maybe his sister Jazzs age who ran away from home because she lived on an island with all adults and no fun. It does not help his assumption that Pandora talks about Diana like shes still wet from the clay she was molded in.

Danny is given a letter written by Pandora, asking Diana to help care for him and told that last Pandora heard her little niece lived in Washington DC. Danny goes to DC and manages to find Diana based on Pandora description. She is not at all what Danny was imagining, but she takes him to her home and reads the letter describing Danny's heroics with Pandoras box.

Diana Prince takes one look at this human boy and thinks to herself: if Bruce and Clark can just show up with a teenager, then why can't i?

Queue the next Justice League meeting:

"I would like to introduce my son, Daniel of Themyscira, he will be accompanying me on all Justice League missions. No Batman i will no be accepting any criticism from you of all people."

Danny, in human form, waves at the team of heroes with his string bean arms.

"Hi."

[a-dash-in-the-middle]

i actually do like jewellery as a gift bc when i wear it i feel like i have a part of the people who gifted it with me

[aria0fgold]

Okay! I got a small cast going finally. I have Pandora and Gertrude on one side, then there's Annika and Mary on the other side with dear Leiano in the middle of two pairs of lesbians.