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riaki · 1 year ago

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nice boys and sour hearts | satoru gojo x reader

wc: 4.6k cw: minor swearing, he refers to u as 'momma' once (its normal i promise) n i think thats about it post suguru defection, shoko typical smoking ; no established relationship b ur def more than friends

i didnt want this angst to be too intense so i made it super duper fluffy. hopes it tastes like strawberries to u cs it does in my head ; another one of those fics i whipped up to meet the weekend deadline b i’m actually proud of this one not proofread!

satoru hates arguing with you.

it bites at him; twists his heart from the inside out in such a gut-wrenching way that he can hardly stand seeing your nose wrinkle in frustration and your eyes narrow with impatience, let alone hear the words coming out of your mouth, dripping with venom and irritation directed at him. he's never been used to being on the receiving end.

it tastes sour; bitter on his tongue in a way he's never been accustomed to. his tastebuds only recognize the sweet taste of fruit syrup, powdered sugar, or warm chocolate as home; he never indulges in the bitter, like the black coffee the kid he took in seems to like so much. but he'll take the silly sour lemon drops with sweet cream in the center, only because they remind him of you. you, so sweet when you love but sour when you're annoyed, which happens to be now, in this instant.

of course, he'll tell himself he doesn't mind. that sweet and sour have always gone nicely together. like strawberry lemonade on hot summer afternoons when the both of you have had enough of being stuffed into a clammy hot classroom with your musclebrain teacher. sometimes its the three of you, maybe even the four of you if you get lucky with the pixie stick trade offering (a healthier alternative to a cigarette, you both agreed on). but nowadays, it was only ever the two of you. the bitter had chosen his own path, and tangy was locked up in the infirmary sun up to sun down.

but right now, you're upset with him. and he absolutely despises it— to him, it's abhorrent. a strong word, but it's only fitting. but he can't help it when your conversation lingers in his mind, spinning itself a web of self-doubt and hurt and anger as he slips his gym shoes off and redresses himself by the school lockers, running a hand through his hair with a forced, annoyed exhale.

it was nothing big, really. or at least, that's what he thinks. you'd been in the gym after school, watching as he messed around with the basketball, seeing how long he could go dribbling by himself with a bump of his knee there, pushing it to the floor with his hand and watching it bounce back up with mild interest. he had no one to play with, but at least the ball would come back up no matter how much he pushed it down.

it was small. barely worth fussing over.

he had already been irritated. it was hot out, because summer was coming around. sweat beaded on his neck and rolled down his chest, seeping into his shirt as he wiped his forehead and made another shoot at the hoop, landing back on his feet with a soft thud as the basketball rattled around the rusted metal ring and fell through the net for the nth time that afternoon.

a hum of approval comes from your throat, followed by a loud whistle of contentment from him as he watches the ball bounce on the floor. he hikes his sunglasses up his forehead, bringing an arm up and wiping away the sweat on his cheek with his sleeve as he turns to look at you.

"that was pretty good, yeah? i think i deserve a celebratory smooch. lay some sugar on me, momma'." he laughs, loud and arrogant. you just give him a pointed look at that, but he ignores it as a sign for something wrong and only acknowledges it as your dramatic endearment. like speeding up at the sight of a yellow light in hopes that you'll make it instead of slowing down at the warning.

his shoes made squeaking sounds on the gym floor as he made his way over to you, swiping his shades off his face and sliding them onto your forehead, nestling in your hair as he grabbed a rag from the bench and wiped the sweat from his jaw. you have his uniform jacket on your lap, the yellow button glinting in the dying sunlight filtering in through the windows, reflecting off indiscernible flecks of dust in the air.

you had watched him with quiet contentment, observing the languid way he moved, graceful like a dancer moving in water. but then, you seemed to remember something; his lips pressed into a thin line, tilted to one side in anticipation. it made you hesitate— he always knew when you were about to speak before you even opened your mouth. he had come to notice, and appreciate, little things about you like that.

"were you smoking with shoko?" you had asked him. he tilted his head, eyebrow cocked up as he made a face. "no, i wasn't. why d'ya ask?" he huffed, watching from the corner of his eye with mild disinterest as the basketball, still rolling from his previous goal, bumped into the wall. cocky as ever.

(he wouldn't even look you in the eye when you were being dead serious.)

you reach a hand into his jacket, fishing around for something in his pocket; that gets his attention. who knows what trinkets and candy wrappers he has in there? and he'd hate for you to send him to his yearly checkup early again; the nurses always try to coddle him, and he has half a mind to charge for battery. nevertheless, he almost mistakes what you pull out for a lollipop stick. but it's not— it's a cigarette; a white papery hit of cancer with a dead cherry. certainly not a wise idea to keep that in his pocket among the other very flammable wax wrappers and the occasional flower petal, but who were you to judge? you, who's lips pucker like they've just tasted lemon juice when he eyes the unlit cigarette, utterly unamused.

he knows that you know it's his; the subtle glistening of pink around the end points to the gloss on his lips; he can practically taste it on his tongue. he wonders if you'd put the cigarette to your mouth too if you could have a sample of his lipgloss; then again, you could always just ask for a lip-to-lip taste, and he'd indulge you without a second thought.

you twist the cigarette butt between your fingers so that he can see the remnants of faint strawberry pink on the edges. he just rolls his eyes with a loud huff, leaning his weight back on his heels and shoving his hands in his pant pockets.

"yeesh. you're such a goody two shoes, y'know? how come shoko's allowed to smoke 'n i'm not?" he drawls, an arrogant lilt to his voice as he sticks his lower lip out. you can see a matte spot where the gloss had been transferred to the cigarette paper. you just sigh exasperatedly (he feels like a kid when you do that) and lean forward, resting your elbows on your knees. his jacket bunches up in your lap.

you tap the cigarette to his chest a few times; it makes a soft thumping sound against the fabric, and for a moment he's grateful of the noise; it sounds just like the way his heartbeat picks up with each touch, but you don't hear it. he wonders if you ever will. maybe one day, when there isn't so much distance between you and he has the opportunity to tuck your head to his chest, right over his heart.

"it's not that i care about the lung damage, idiot. why were you smoking?" you asked, voice softening. and he absolutely hates when you do that, because it always pulls on his heartstrings and brings a flush to his face, the way you treat him. he thought that if you did it enough, he'd be sent to the doctor for heart palpitations instead of a sweet tooth.

he doesn't answer you at that. how could he tell you, when he knew all that'd result from it was a thorn in his side? you, being the rose. so beautiful but awfully prickly and unfairly sour like a lemondrop with a sweet inside. then again, he'd much rather have your interrogating care than lose you, like what had happened with the reason he was trying out smoking in the first place.

then, it happened— your voice went unbearably soft, like puffy white covers and featherlight pillows with silk covers on a saturday morning, looking out the window to see pink tulips against a cloudy blue sky as the sun streamed in. it almost made him want to clutch your hand over his chest and see if you could feel the way he was reacting. no doubt, it was filled with such patient tenderness; all-encompassing sweetness it made him want to cry. so he coughed to cover it up, averting his gaze and bringing one hand to his face to absentmindedly smooth down the strands of damp white hair hanging over his eyes.

"thinkin' about suguru again, are you?" you asked gently, tucking the cigarette back into your pocket—yours, not his—and reaching out to take his hand.

his lips parted ever so slightly, gaping like a goldfish. he knew he looked silly, and he should've been okay with that— because being vulnerable with you, out of everyone he ever knew (with maybe the exception of one) was easier than breathing; came more naturally to him than his gravitation to a challenge. the same could be said for sweets.

(maybe he'd have to re-evaluate his proclaimed taste, then. since you were more sour than sweet.)

but this time, he wasn't okay with it. it had been hard to talk about what had happened with suguru one year ago since— it formed a nasty lump in his throat, bitter like black coffee and the wrong mix of herbs. it made him feel weak. reminding him of his shortcomings, which, in his mind, shouldn't even exist in the first place. but you never had a problem ripping his problems from the shielded cavity in his gut, bringing them under the operator's light to dissect and solve like a surgeon. forget about forcing him to the doctor's— at this point, you should be the one in the white coat, not shoko. he thinks about what you'd look like with blue gloves on your delicate fingers for a moment too long.

"what's it to you?" he snaps back after what feels like three years of his life. his fingers tighten around yours for a moment before he pulls his hand away abruptly.

the frown that lingered on your face from then on had been burned into his memory.

and, well, that was his mistake. it spiraled from there— because he knew what it was to you, and he hated that. hated that you could see straight through him like a cloud blue stained glass window; without rose colored lenses like the ones he always wore (the ones he rocked, he thinks).

a crack of thunder overhead jolts him from his thoughts; he couldn't even get in there to dust the spiderwebs away before being jerked back into reality. he clicks his tongue in disappointment, watching as the skies pry themselves open and rain begin to fall in the way it only did over heavy summer showers. he wishes the sky would stop its weeping, but even the strongest has his limitations.

but it doesn't matter. he has one of those cheap plastic umbrellas he'd bought from a convenience store one day in a late march many moons ago, during the brightest blue spring of his life. and so, he didn't understand why he was lingering at the door, swinging the umbrella around his fingers by the hook on the handle, watching as the rain fell with increased fervor. there was no plastic button to keep the folds tied up, so it floundered around with each swing like a tulip bent by monsoon winds. maybe on the coast of some faraway land with windmills and fields of flowers. he wonders if he'll ever get to see the world with you someday— a fleeting thought that crumbles instantly when he conjures your pretty face in his vision, clear yet distorted like a reflection on a glazed pond, rippling water from the dragonflies that skipped over the surface.

you were definitely still angry with him, because you hadn't showed— normally, you'd walk home together. sometimes with shoko, if she didn't leave early. angry words echo in his mind, the image of your downturned lips swimming in his bright vision as he watches the rain streak down the window panes by the lockers. there's a fog settling over the grass outside that's sure to leave dew after the storm. he wonders when that'll be.

"why can't you ever take me seriously? can't you see i'm worried about you?"

"of course i can. but i don't need your damn concern!”

...

he'd been sorely mistaken, that was for sure. loosing his cool and snapping at you wasn't exactly something he took pleasure in, either way. he leans back on his heels, tapping his foot impatiently as he holds the umbrella like a cane against the floor. infinity could probably do away with the rain. another reason as to why he's not even sure why he's waiting here, or why he's holding an umbrella. perhaps to keep in case he has to offer it to some poor, shivering and cowering young maiden lost beneath the shading of a bus stop behind a curtain of rain droplets, with a charming grin and a wink.

maybe.

a shuffle behind him catches his ear; he turns his head, an unamused expression on his face as his eyes drift over the empty room to land on you. the shadows beneath your eyes are prominent, and your hair is unkempt. there are sleep lines on your face; you probably fell asleep in a classroom somewhere, which is why you delayed.

it was evident you weren't expecting to see him, though— with the way your eyes widened a little before they dropped again, nose bridge wrinkling slightly as if you'd caught the scent of something unpleasant. your eyes left his, and he felt a little disappointed as he watched them wander toward the window, where the current downpour was prominent. he didn't like the way it made his chest pang when your attention was anywhere but him, so he raised his hand lazily, tilting his head to catch your attention that he so clearly craved.

"yo. got an umbrella?" he calls, tapping the tip of his budget cane on the floor. the thud is the only sound for a while as your gaze wanders back over to him; reluctant.

"no, i don't. i didn't expect it to rain so hard today." you responded quietly, stepping over to him with a small sigh. almost a little resigned, he thinks. he can't be sure, though. he never is with you. doesn't know whether to expect his candy to be sour in the center or the other way around; but maybe he likes a bit of uncertainty every once in a while. (not with you, though. if it means arguing? never with you.)

his sunglasses are hooked around the collar of your shirt. he doesn't know why it takes him so long to realize, but when he does, he has to clear his throat in an effort to hide the heat on his face and do away with the blush. "here. take mine. i don't need it," he says curtly, offering his umbrella to you. he wants to snatch the shades from your shirt, but he doesn't want anything to go wrong, so he just eyes them warily, careful not to let his gaze slip past into anything you'd be pissed at him for.

you eye him, eyes narrowed as you raise an eyebrow, but you don't protest. your fingers brush against his for a brief moment when you take it, shaking it a little before opening the door and stepping outside, opening it up. it looks like a little clear plastic mushroom cap over your head; you're short enough to constitute as the stalk in his eyes. it's a little funny, but he has to stifle the laugh bubbling on his tongue lest you think he's making a mock of you.

he follows after you, slipping past to stand at your side with his hands in his pockets. you can't help but feel a little curious despite your prolonged anger (you like holding grudges, he knows), so you sneak a glance upward to satiate your wonder. you don't expect him to look as breathtaking as he does.

the clouds are light overhead; they're not a heavy blanket of gray anymore, and a small strip of light manages to push through, shining on satoru's pale white hair. you can make out the edge of his undercut against his neck when the wind picks up a little, the color of fluffy white clouds on a lavender sunset with the sway of yellow flowers beneath an expanse of a bright sky. there's a little cat hair on the collar of his jacket; you realize with a faint flush that it must've been from when you were holding his jacket for him in the gym. somehow, the cat you have at home found its way to satoru. you hope your pet has become a matchmaking fortune teller, for the sake of your happiness.

what catches your eye the most, though, isn't the cat hair on his dark jacket or the faraway look in his misty blue eyes; it's the outline of rain water around him, a product of his infinity, you realize. he's dry underneath the downpour, and it never ceases to amaze you. it's like there's a soft glowing halo against the backdrop of tangled wires, gray walls and pale green bushes— he looks like an angel boy, school bag hooked and hanging over one shoulder.

eventually, you manage to peel your gaze away, and he notices— looks down at you, pressing his lips together and running his tongue over them. he can taste strawberry gloss.

wordlessly, you start walking. and he follows suit, rain bouncing off of him; you catch yourself sneaking glances from under the roof of your clear umbrella between raindrops that slide down the clear plastic. sometime during the walk home, he had gone off and gotten himself a drink from a nearby vending machine— the red can catches your eye, and your fingers curl around the rubber handle of the lent umbrella as you watch him drink; the bob of his adam's apple before he crushes the can up and tosses it into a nearby bush, causing a brief scattering of leaves and a downpour of collecting droplets onto the pavement.

despite the rain, the weeds between the cracks in the sidewalk still stay strong; they have deep roots. much like the way you never fail to scowl at him for littering. he catches it— of course he does. he's been praying for a sign you're not still so hopelessly angry with him that you can't even bring yourself to have a civil walk in the summer rain together. after the scowl, though, comes the smile— the one that always makes him melt in his shoes, much like the sunshine after the rain.

and there it is at last, he thinks. the hard sour coating melts away on his tongue, draining the taste of lemon to reveal a sweet, genuine center. all it takes is time. your lips curve up, and you duck your head, hiding the small bemused laugh that leaves you breathless.

"what are you laughin' at?" he huffs, glaring down at you. but there's no malice behind it— if only you could feel the wave of relief that's washed over him, a crest of white foam that leaves behind still waters reflected in the pools of sapphire in his eyes. nothing like the hit of numbing nicotine he'd shared in the shade of an alleyway with shoko earlier that day— away from the sun; away from you. hidden from both. or maybe they were the same— to him, he couldn't differentiate.

"i'm not laughing!" you protested weakly, immediately wiping the grin from your lips, and he regrets speaking up. "just.. i dunno."

you walk in silence for a little longer, content to listen to the rain lighten up overhead. satoru kicks a plastic onigiri wrapper out of the way, splashing up a puddle as a frown dampens his face when the wrapping only clings to his shoes. he's fine with getting a little grumpy if it means seeing you smile again. and even better, you laugh again— so sweet, like the chiming of bells in the wind's melody.

"please don't do that again." your voice sounds so very small when he hears it again, and he looks down at you from beneath long white lashes, the corner of his lips quirked up. the shape of them is almost cat-like, you think. he doesn't even know what you're talking about— a vague idea, at best— but he won't do it. not if it means hearing you sound so pathetically... sad. he doesn't like it. it's far too bitter for his taste. let the black betta you both used to know indulge in dark coffee and bitter cologne— satoru likes things sweet, like the cream surrounded by tea leaf matcha in the center of his mochi and fluttering feeling he gets when you run your hands through his hair, fluffing it up to your heart's content.

(as long as your heart is happy, his is, too.)

"i won't. happy now?" he sticks his tongue out, making a face. but you both know he means it— he hates breaking his promises to you. you smile when you look up at him again with a small nod, and he feels his knees wobble a little. he just hopes you don't notice. "sorry for lying. i just.. don't like it when you're mad at me. and you look at me like that," he mumbles under his breath, bunching up the fabric of his pants between his fingers. then, after a moment, "geez, you're so dramatic. quit carin' so much." he really hopes you don't stop, and it makes him feel like the world's biggest hypocrite. the strongest, but so weak for you.

"sorry, can't. the day you stop crushing your soda cans and littering is the day i'll stop caring, 'cus that won't be my satoru anymore." you tease. and he laughs, throwing his head back so you don't see the red that spreads across his cheeks, dusting his skin like powdered sugar on top of a strawberry crepe. he always wants to be your satoru, so he figures he'll keep littering. a few money fines here and there mean nothing to his undentable wallet, or the erratic beating of his heart, trapped against his ribcage in a feathery blooming of flowers he only gets from you and your pretty smile underneath the layer of lemony sourness.

you walk along the road for a little while longer. the rain has lightened, but it's still going— incessant, dripping from the leaves of trees and the knotted black wires overhead. he still has his infinity up, which means he can't pet the cat the two of you spot on your way back, but he's perfectly content to watch you do it. you scratch its chin, smiling at the way it purrs and nuzzles into your hand, and he wonders if he'd do the same if he was in its position.

he's lost in thought when you speak to him again, shoes splashing against murky puddles in the backdrop of a never-sleeping city; tokyo's bright skyline always makes your eyes go round with wonder. you say something, and he chuckles, warm and velvety. and then you realize what's been off with him this whole time— he doesn't have his shades on.

you slip them off the collar of your shirt, smoothing down the fabric before you reach over and attempt to nudge his arm. you don't think it'll work, because he still has his infinity up— and your sleeves are already getting spattered by rain that leaves darkened wet spots on the cotton. but to your amazement, your fingers make contact with his sleeve, and you watch in wonder as the rain actually falls— soaks into that little patch of wet fabric that you're able to feel on his arm. that he's turned his infinity off in that one spot so you could touch him. you spare a glance up at him, only to find his head angled away from you. you might be hallucinating, but the tips of his ears seem red.

you don't linger on it before you're tugging on his shirt with a frown, getting him to look down at you as you unfold his glasses and offer them over to him. he takes them quickly, and you don't miss the way the rain stops falling onto his arm again, back to bouncing off the invisible shield that protects him from everything (but you, it seems). he slips his dark shades back over his eyes, obscuring oceans of pure blue that seem like they've trickled in from the purest snowcaps on the distant mountains dotted with old red tori gates and shrines with scrapped paint. but you can't stifle the smile that spreads across your lips this time— giddy and fresh and filled with youth, blossoming like sakura petals in a spring that seems so far away yet so close with his presence by your side.

you don't say anything for a while. you're content to watch the rain wash down the pavement and into the gutters, past cute little coffee shops and parks with ponds as the droplets from the sky scatter the water in part of a never-ending cycle; watering the surface of the earth and bringing life that would soon spring up as shroomcaps and fresh dew on the clean cut green grass. you wonder what satoru sees through his lenses— though, you already know. you've worn them plenty of times before, when he insists on having your perfume cling to the frame for long missions he's sent on alone, when he can't have you hold his jacket, or his hand, or scold him for sneaking a smoke when you're not watching. that, and the extra lemondrops he keeps in his pocket; gifts from you that he's fought hard for.

you're more prepared to not feel any interference of his infinity this time when you reach over, and this time you don't go for his sleeve—yanking him close to you by his hand and forcing him beneath your umbrella. you feel the way he freezes up for a moment, but his fingers fill in the gaps between your own like its the most natural thing in the world, palms pressed together in a little breathless hug that leaves no room for the humid air.

"don't waste your infinity on the rain, dumbass. you'll fry what little is left of your brain." you scold him, and he just grumbles and scoffs angrily under his breath, cursing you as he hunches over and ducks his head to fit under the umbrella to negate his height. his hair brushes against the plastic roof of the umbrella, and his lanky limbs are still awkwardly sticking out, but his fingers tighten around yours and his thumb rubs over your knuckles, still a little damp from your earlier encounter with the rain, and you can't help but smile a smile bright enough to wash away every last bit of cloud in the sky. his personal sunshine.

even though he still prefers sweet things, satoru's come to like the taste of lemondrops. sweet and sour go well together, after all. just like you and him.

its okay if it doesnt taste like anything to u as long as u enjoyed it :) thanks for reading !! the black betta in question is suguru btw my (riaki) stuff. don't repost and/or plagiarize !

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amazingdeadfish · 14 days ago

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In ur teacher au you should have nezha be a special ed PE teacher hehe

Sure why not

Continuation from this post

#lego monkie kid #lego monkie kid fanart #monkie kid #monkie kid fanart #lmk #lmk fanart #lmk nezha #monkie kid nezha #lmk mayor #monkie kid mayor #originally I had intended for the majority of the celestial realm's cast to make up the administration part of the school-#-which would include Nezha in whatever role I decided to give him #but I think like this idea better #Nezha and 'Mr Smiles' probably both went to the military before coming to work this school #Nezha left the military with a heart and Mr Smiles did not lmao #Aside from special ed PE classes Nezha could probably teach some regular ones too - maybe even coach one or two sport teams #ask #LMK Highschool Teacher AU

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hyacinthsdiamonds · 5 months ago

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I'm sorry but James Vowles criticising how Red Bull has treated their drivers in the past, only to go and then treat Logan far worse while pulling the exact same shit Red Bull did, ie the exact behaviour he criticised and called them out for, is so freaking infuriating like the sheer hypocrisy -

#f1 #formula 1 #formula one #james vowles #logan sargeant #best of luck to logan in the future & to franco #but james its on sight #rooting for franco because he's being thrown straight into the deep end #like Singapore of all races will be his third f1 race #and as i said when it was announced daniel was leaving mclaren & oscar was getting the seat #it's never the drivers at fault for a teams shitty behaviour towards a driver #the hypocrisy from james is just leaving a very bad taste in my mouth #edit: also infuriating that of the latest batch of rookies oscar & yuki are the last ones standing #zhou currently has no confirmed seat #they're the only rookies of the past 4 years left #mick has no seat #nicolas latifi has gone back to business school which good for you nicky i hope you're doing well #sorry but i went back to university in 2023 too so i feel a kinship with him lmao #less said about that nameless haas driver the better #nyck is the endurance championship now i think #i dont think I'm missing anybody

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fatehbaz · 20 days ago

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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.

this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.

the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.

so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.

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ok, found some

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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.

Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.

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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?

Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]

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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.

Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]

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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.

Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.

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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).

Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.

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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].

Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]

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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.

Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]

#sorry for being mean #instructor makes podcasts about cowboys HELP ME #and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP #so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity #but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year #his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old #so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians #sir if you read my blog then i apologize ive had a long year #and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources #i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club #but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness #which means that as far as any profession or school is concerned im nobody im a retail employee #i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi #and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had #put my whole degree program and department in moratorium from lack of funding #and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment #to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace #where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation #like an emotional torturer the likes of which i thought existed only in cartoons #and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris #and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle #sorry dont mean to dramatize or draw attention to myself #so actually im happy you and i are alive

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lcs-scar · 3 months ago

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ELTINGTOBER Days 19, 20, 21, 22, 23 & 24!

MOVIE NIGHT - JANE - CREATURE - VIDEO GAMES - THE NORTHWEST COMIX COLLECTIVE - FOLKLORE

Thanks to @/robbysgop and @/rebelgubble for making the prompt list! and also thanks to @/p3ppermnt for making this rendition.

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#the eltingville club #welcome to eltingville #the northwest comix collective #bill dickey #josh levy #pete dinunzio #jerry stokes #jane dickey #aaron winkleman #jay jaybird haynes #rodney crabbe #james prolongo #Eltingtober #Eltingtober2024 #💌 -- handmade postcard #//oooh the art school comic snobs... the ncc will always have a special place in my heart #//also eltingville vn when. should i make one /j #//one week of prompts left.....

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starry-bi-sky · 1 year ago

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I'm in A Mood™ (stressed) so im going back to my roots of melting two character together into one person. So bruce wayne!danny fenton. Danny Fenton who, for eight years, grew up in a beautiful gothic manor with his mom and dad under the name "Bruce Wayne". Playing piano with his mother, running around the manor with his father.

Then when he's eight it's ripped away from him. There's blood on his hands and pearls pooling at his feet, and both his parents are dead in front of him.

And he gets shipped off to distant relatives "the Fentons" shortly after, Alfred close on his heels because someone needs to take care of him, someone that knows him. Bruce goes to the Fentons for the safety of anonymity. Gotham's press wants to sink its teeth into him.

Danny misses his city even if it took everything from him. There are shadows in his eyes and he's pale as a sheet even beside his distant cousins, and they change his name to "Danny Fenton' because nobody should know that their newest child was illustrious orphan Bruce Wayne.

They call him Bruce behind closed doors. Danny prefers it that way, he clings onto the name -- the one his parents gave him -- like a lifeline. He makes friends with Sam and Tucker. Tucker takes one look at the willowy, morbid little boy standing in the corner like a shade, ghosts in his eyes, and drags him out into the sunlight, and takes him over to Sam.

When Danny is twelve, he's still not over it -- and he's a little obsessed with the Fentons' research, with the morbid. He has books upon books on death, murder, detective work. Anything he can get his hands on. And stars. He loves stars.

Alfred owns the apartment next to them and comes over regularly. Danny clings to him.

When Danny is twelve, he's still quiet, meek, a shy little thing prone to being bullied. Freaky little Fenton with the night in his eyes and too-cold skin even before he put one foot in the grave. in a sleepover in his room with Sam and Tucker, he tells them the truth. They're his friends, he trusts them.

"My name is Bruce." he murmurs, voice quiet as the breeze, always quiet. he's staring at his star-covered sheets.

"Like Bruce Wayne?" Tucker asks, a joking tone in his voice.

Danny smiles a little, lamb-like with insecurity. "I am Bruce Wayne." And he takes them down to the lab, disrupting Maddie and Jack, to prove it. Sam tells them of her own wealth then shortly after. They start calling Danny "Bruce" in private too -- its trust. Thats what it is. It's trust.

Sam goes to media functions and comes back with aching feet and complaints on her tongue -- and Danny soaks it up all like a sponge, splayed across a beanbag chair with Tucker in her room. He's not envious of her, he used to go to events with his parents and they kept him safe from the ugly of Gotham's Elite. For the most part. He's had comments made at him, he doesn't miss them.

Alfred returns to the manor semi-regularly, Danny goes with him. he wanders the hallways and helps Alfred clean, the last thing either of them want is for their home to fall into disrepair. He brings Jazz with him next time, then Tucker, then Sam. They all help him clean, and he shows them his room. The one across from his parents', it feels strange.

When Danny dies when he's fourteen, the first adult he tells is Alfred. He and Jazz go over to his house more often than they stay in the Fentonworks building. At least at Alfred's, the food doesn't come to life. Alfred sits at the kitchen table and weeps when Danny tells him, Jazz is upstairs, and its just the two of them.

Danny's ghost form wears pearls around his wrist and the gloves look stained with some kind of black substance. He looks like a child who died in a lab accident, but he also looks like a child who has shadows dripping off his shoulders, curling at his feet, hanging from his eyes.

because amorphous blob batman has my heart always and danny/bruce will not escape it even in death even if that IS the only reason im giving him Mild BatBlob Vibes...so far

when they go to the manor, alfred helps danny make a pile of stones between Martha and Thomas' graves, nobody but the two of them (and sam and tucker) will know what it means. (not even bruce's children later down the line, not for a long, long time)

danny dives into ghost fighting on shaky feet and not half as witty as he once was in one world. he's skittish, skittering between blasts from shadow to shadow and clumsily making his way through each battle. but helping people lights a fire in him. he still has shadows dripping off his feet but there's a purpose in his eyes.

and god help him, he's going to help people.

#dpxdc #dp x dc #danny fenton is not the ghost king #dp x dc crossover #dpxdc crossover #dpdc #dpxdc prompt #this is just me torturing danny for a little bit because im stressed and i cried for an hour while i was driving so im taking it out on B #thanks for being my little stress ball danny #aha my old middle school habit of frankensteining two characters together is resurfacing again :) yall should've seen my wattpad drafts #in middle school. i had 50 of them and most of them were me combining two characters together to make one person and putting them in one au #my most memorable being skydoesminecraft and harry potter. THAT was a fun worldbuilding experience #do i think that growing up with the fentons would fix bruce/danny completely?? hurm. no. dont kid yallselves jazz is not a licensed #therapist not even at like. nine when she meets danny. she's not helping him through his trauma in the slightest. she's nagging.#she's his sister or sister-like figure before she's his therapist. would he be #*entirely* like canon bruce tho?? no. dannybruce is a mix of the both of them. but this is still the first post of the au and is more so #just me doing the equivalent of popping a stress ball so nothing is smoothed over. mostly im just trying to keep bruce's trauma prominent i #danny's character because he IS Bruce. i dont want him to just be 'danny with bruce's backstory but without any of the ugly bits'.#danny and bruce is used interchangeably because they're the same person but sorry if his personality feels imbalanced i came up with this o #the spot. was going to type more but the stress has left me. for now. watch ur back danny 👀

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