#one could even say they ''go hard''

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[cozylittleartblog]

9th annual nick valentines day (ft. soup again) + doodle i made last year that i forgot about, from when bethesda gave us that free update

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[starry-bi-sky]

Okay so this is almost a direct copy-paste of my earlier reblog but only the Xin Yuan parts, because its long enough to be its own post and i want to share it! It deserves it's own post <3 typical starry stuff to write a 2k word long reblog, unfortunately.

I say almost because I went through to proof read and ended up adding more stuff.

I've been cooking on this idea for the last two days since I saw the Xin Mo!Shen Yuan post but??? I can't find anything on Xin Mo's backstory or how it came to be -- which means that's free fucking plot right there baby. That's a sandbox and im making LIFE SIZED CASTLES. I'm so excited.

The idea of Shen Yuan transmigrating centuries before the events of PIDW as Xin Mo -- but when he wakes up, he's not the sword. He wakes up in the body of a young boy named Xin Yuan. Now it makes sense for this boy to be a demon, but the drama, the intrigue, the spice of Xin Yuan being a human child.

SY wakes up as a boy below the age of ten, and the System tells him where he is, and SY is excited to meet his favorite protagonist -- only to gradually realize that he's like, a thousand years or so before the events of the novel. The rant he gives the system is legendary.

Bc what's the point of getting dropped into PIDW if he's never going to meet his favorite character??? This is a scam! BUT he settles into his new life, he's like, some orphan street rat or some other tragic airplane-esq backstory.

The system gives Shen Yuan his first mandatory quest: become a righteous cultivator. Which was like, kinda his plan/hopes anyways, except! There's like?? No official cultivator sects anywhere? The Cang Qiong Mountain Sect hasn't even been established yet, and there are pockets of cultivators running around, maybe some groups or schools popping up and then sinking back down, but nothing's really taken root!

If he asks someone how to become a cultivator, there's no straight answer. No "oh you can go to X to do that". He's pissed! How can he become a cultivator if there aren't any schools around to teach him? Deus ex machina, that's how.

Out of sheer luck, SY manages to help save a rogue cultivator, and promptly gets adopted by said rogue cultivator, who gives SY the name 'Xin Yuan'. He is ecstatic. And you know what? It's actually pretty fun!

He's getting to travel the world of PIDW in its early stages, and gets to see the building blocks for the eventual main story. He's discovering all this local flora and fauna that are foreign to his old world and unmentioned in the book, and he's learning cultivation! Granted, its unsafe, newly(ish) discovered cultivation, but it counts!

Wistfully, he thinks about perhaps he'll do something grand and get his name carved into legend. Something that would eventually help the protagonist later down the line in his quest for revenge.

The system remains silent to his thoughts.

But Xin Yuan doesn't take much stock in that daydream anyways. It's nothing more than fantasy to him; wish-fulfillment. He does discover however, that he is positively brimming with spiritual energy. Overwhelmingly so.

It's both a blessing and a curse, as it puts a strain on his meridians if he's not careful, and leaves him prone to qi deviations for the exact same reasons. He already has a heart demon or two from a few traumatic experiences in the past.

(bc hey! angst a day keeps the writer sadism at bay, and all that)

I'll say he's about... eight when he gets picked up by the rogue cultivator, who I'm calling Lin Kai bc he deserves a name. They travel around PIDW up until Xin Yuan is twelve, where he goes through a traumatic experience that results in a heart demon.

It's after that that Lin Kai decides to put a stop to his wandering, and find a place to settle down to raise Xin Yuan in. Coincidentally! They settle down in a nice mountain region that's thriving with spiritual energy. The mountains at the time were called something different, but they will be eventually known as the Cang Qiong Mountain Sect

Coincidentally, the mountain Lin Kai and Xin Yuan end up on is Qing Jing Peak. XY does not realize that the mountain he's on is Qing Jing. The System does not tell him. But he likes it there, more than he was expecting. And as much as he's traveled around, he really does enjoy being in one place.

He has a tendency to go down the mountain and help the village setting up down there, and when he's a teenager he starts venturing out more and more.

Xin Yuan forgets sometimes that he's in a novel, especially after settling down on Qing Jing peak. The system becomes remarkably quiet since there's no quests for him to do and not a ton of opportunities to get B-Points. He cultivates with Lin Kai, helps tend to the garden they're growing, goes down to the village to play with the other kids.

There's one boy he's best friends with, a boy whose not all that good with words, named Liu Zhihao. He's got potential for cultivation though, so Xin Yuan drags him up the mountain when he can so that Liu Zhihao can sit in on lessons with Lin Kai. He drags him all over the forest at the foot of the mountain to go look at bugs and animals.

(One time, when they're fourteen and Liu Zhihao has been learning cultivation for a few years now, Xin Yuan drags him out of bed late one night to go look at the stars. Xin Yuan tells Liu Zhihao about ascension -- something that still feels like a far off dream to many in this time -- that night, while they're sitting on the wet grass.)

("We should ascend together." Xin Yuan tells Liu Zhihao, jade eyes gleaming. Never let it be said that Xin Yuan doesn't love deeply, no matter what kind of love it is. He was always so lonely as Shen Yuan, Liu Zhihao is his best friend. "We'll become immortals, and then we won't ascend until the other is able to.")

(Liu Zhihao stares at him silently, his face unreadable. Then, quietly, he asks; "Promise?")

("Promise.")

When he starts adventuring outwards, further away from the mountain and the village, Liu Zhihao sticks to him like rice. Not that Xin Yuan's complaining, that's his best friend after all, and Liu Zhihao has become a formidable cultivator. He deserves to show off his skills.

He starts making something of a name for himself by the time he's, like, 18 -- although that name is in its baby steps, along with Liu Zhihao. They're slowly growing renown.

Perhaps XY uses his knowledge of PIDW and cultivation in general to help make advancements in the cultivation field. Although the system prevents him from sharing too much, it doesn't mean he can't practice it himself. Perhaps he's one of the first cultivators to develop a golden core. One of the first known immortal cultivators. One of the first to have a spirit sword.

(Although I don't know the logistics of any of this since my knowledge on xanxia/cultivation stuff in general is all still pretty new and google wasn't all that helpful lol.)

Either way, its my excuse to eventually make Xin Yuan come across as ethereal to other people. Peerless beauty SY for the win. Hs wifebeam is too strong, Xin Yuan has a line of suitors following after him and he's completely unaware of it. The rest of history is not.

Demon realm stuff has been stirring up since Xin Yuan was a kid, but at the time it was rare and in the beginning stages. Its been steadily ramping up and the system is sending him on more and more treacherous quests -- some of them mandatory, some optional. SY doesn't often take the optional ones unless it comes with a sufficient B-point reward.

for all intents and purposes though, he's a wandering rogue cultivator with Liu Zhihao, going from place to place to either help a town or village, or to discover more creatures or artifacts (although there aren't that many). Just all around living his life. He participates in a few major quest lines that are sure to get him mentioned in legend, even if it's a background character way.

(Unbeknownst to him, rather than being a side character in these legends, he's named directly. You can't become one of the first immortal cultivators and NOT get name dropped for clout.)

He has a spirit sword named Shā Mó, (杀 shā - to kill/weaken/counteract/reduce) (魔 mó - evil spirit, demon, possession). He routinely goes back to QJP to see Lin Kai, or to rest when traveling has worn down on him and he wants nothing more than to sleep somewhere he knows he'll be safe in. It becomes more frequent as Xin Yuan becomes more famous. Liu Zhihao often comes with him.

it all comes to a head though when the rifts between the demonic realm and the human realm become too great, and the balance between both realms becomes unstable. A demonic emperor's influence, wanting to merge the two realms so he could conquer both to satiate his own greed.

Typical evil king stuff. This comes to a climatic head in a great battle between every cultivator available and the demon emperor's army. Xin Yuan was one of the many who helped lead the charge.

In the end, it was Xin Yuan who ends up defeating the demonic emperor, but the rift that the emperor used to cross between worlds is destabilizing as well. Except instead of trying to close, it's getting bigger and bigger, threatening to swallow the heavens and earth and demonic realm whole.

You know how Yue Qingyuan's soul is bonded to his sword due to a qi deviation? Let's take it a step further >:)

Xin Yuan uses himself and Shā Mó to close the rift. However, it takes all of his spiritual energy to do so, as well as him filtering the demonic qi into his body to redirect it back to the demon realm.

In the end, Xin Yuan and his beloved sword Shā Mó fuse. Xin Yuan's soul becomes trapped in the sword. His physical body is unable to handle the immense amount of power it takes to close the rift, and is destroyed. He is immortalized in legend by his grieving cultivators.

(Liu Zhihao ends up ascending alone. He ascends with the hope that one day he'll see Xin Yuan again, even if it's in the face of someone else. Lin Kai does not ascend, too weighed down by the grief of losing his son.)

Xin Yuan, now Xin Mo, falls into a stasis. He's very confused and disorientated when he regains 'consciousness'. The system has been silent for most of his life, only popping up to give him mandatory quests, hints, points, or to answer any questions.

But once he wakes up, it cheerfully pops up again, congratulating him on completing the origin story of Xin Mo. SY freaks the fuck out. he'd shake the system screen if he could, but he doesn't have arms. or legs. or eyes for that matter.

He can sense his surroundings, but its all like imprints to him. He can sense the energies, but he can't see anything. It's all very disorientating and horrifying after years of being human. Like a sensory deprivation chamber.

The closing of the rift and the cycling demonic qi tainted both Sha Mo and Xin Yuan irreparably, and it did some kind of damage that resulted in SY needing to feed in order to use the spiritual powers. Kinda like how Xuan Su uses YQY's life force for it's spiritual energy, but instead of feeding on his own lifeforce, Xin Mo feeds on others.

The rest is history. Xin Mo is originally tied to the story of Xin Yuan -- believed to be all that remained of the man after he sacrificed himself to keep the realms separate. It's believed that the force of the realms closing permanently infused Sha Mo with demonic energy, turning it into Xin Mo.

But, like many stories do when faced against the tide of time, things get lost; chipped off; changed. Xin Mo is steadily separated from Xin Yuan, especially once it becomes clear how parasitic the sword really is, until they are all but separate entities themselves and the origin of Xin Mo's creation all but forgotten.

The years blur together when Xin Mo is not being wielded, and at first Xin Yuan was agonized by the fact that he stole the lives of all his wielders. He knows it's only a novel, but his decades spent in this life have softened him, and he's grown attached to the world around him.

But time erodes the mind like water erodes stone, and he becomes numb to it, then eventually anticipating of it. He forces himself to remember what he knows of PIDW's plot, and kinda fixates back on his old obsession on Luo Binghe. But while PIDW stays in his mind, his memories as Xin Yuan fall to the wayside.

Not forgotten, per se, but... tucked away. The system prevents him from forgetting fully.

Xin Mo isn't fully a demonic sword either i think, but instead harbors an ugly cocktail of both spiritual and demonic qi. Special circumstances and all that. Everyone just assumes he's a fully demonic sword because that's usually at the forefront, his spiritual qi weakened from the initial fusion and from years of not being fed spiritual qi. It's part of the reason his wielders always end up destroyed by him, other than the whole, yk, 'overwhelming qi' thing.

Nobody would recognize Xin Mo's human form as Xin Yuan other than some truly ancient demons. Of which Meng Mo might. But even that's iffy because there's a lack of surviving paintings of Xin Yuan, but also because of XM's demonic appearance and supposed lack of connection to XY.

Xin Mo has never spoken to his wielders before, not in the same way he does Luo Binghe. He tells Luo Binghe this, and he also tells Luo Binghe down the line that he is both spiritual and demonic -- something he also never told his wielders because there was no point to it.

okay okay i've got to end it here because its already gotten ridiculously long -- of which im both apologetic and unapologetic for -- but i DO think the Shang Qinghua and Shen Yuan meeting (and reveal) would be fucking hilarious. Especially if SY has learned how to pop between sword form and human form by then -- although i guess it doesnt matter either way because SQH's reaction is still the same.

And that reaction is internally screaming and going "hey what the FUCK?? WHY DOES XIN MO HAVE A HUMAN FORM??? WHAT IS THIS??? SYSTEM??? EXPLAIN???"

meanwhile from his place on the sword hilt xin mo is squinting at Shang Qinghua in bewilderment and going "aren't you supposed to be dead" but doesn't pay too much mind to it because its not like its going to change anything.

...up until he catches shang qinghua going "WTF" silently from his little corner while all eyes are off him. One moment SQH is standing beside his king, and the next he's been tackled to the ground by one wild-eyed, human-shaped Xin Mo.

everyone, including SQH, thinks Xin Mo is going to kill him. It is a surprise to everyone when he does not, and instead dissolves into deranged, uncontrollable laughter after spitting out some phrase in some ancient tongue and watching SQH's eyes grow wide in recognition.

[daemon-in-my-head]

Bout that essay titled 'A study of Gortash's twisted love of humanity'- yk what fuck it here goes nothing. Back into a facists megalomaniacs mind we go. Spoiler; this is long.

But first of all; let's do a thought experiment. Let's just assume, for shits and giggles, Gortash's position would've somehow been swapped with any other the other chosen or another Banite:

Let's start with the Banites: if we had gotten anyone except for Gortash Baldur's Gate would've been fucked. Like genuinely. Banites are cruel, vicious, unashamedly gaudy (they suck ass at infiltration missions) and they exploit loopholes perhaps even better than fiends. Any other Banite would've simply reveled in the fear caused by rampant myrkulites and bhaalists and probably stoked that fire by employing some of their own forces. And depending on whether the Zhents join the winning side or not they would've probably used and abused the black network to absolutely dominate trade and potentially choke out every non desirable in the city itself by fun activities such as grand scale slavery, starving an entire city, or simply employing enough mercenaries and some Bhaalist to get the job done. Banites fuck everyone over so hard they usually don't even stop at themselves, and prideful cruel beings who know absolutely no bounds in their desire for power commonly don't hesitate, especially not Banites who thrive in backstabbing. So the other chosen and the grand design are fucked cuz they will most certainly get removed for the sake of someone more desirable the second they somehow irk Banes favourite toy. Which in some specific cases (all of them) would be in 5 minutes flat. If you thought the local nobility was bad just wait until you see a Banite in their natural environment.

Ketheric: Yeah Baldur's Gate is fucked. Ketheric cares about one thing and one thing only; Isobel. And he employs a bunch of sadistic necromancers who have no concept of personal boundaries or consent for that matter, so chances are he'd let them roam freely in Baldur's Gate, making the streets a huting ground for his followers to find prime subjects to perform inhumane experiments on all while he turns a blind eye; either busy trying to get Isobel under his (mind-) control, reviving her or treating a brainless puppet that looks and once was his daughter like his one true solution to decades of grief and fucking up. He wouldn't care about what happens to the city, to the other chosen or even the grand design. He'd follow his gods orders but thats about it and no matter whether that's still Myrkul or Bane; everyone's fucked cuz surpringly the guy who adores lichdom more than life and the other guy who'd rather 'burn everyone's fields than loose' aren't about to give out any orders that will benefit anyone but themselves.

Orin: Another great case of 'yeah Baldur's Gate is fucked'. Orin wants one thing and one thing only: recognition. Preferably from Bhaal but she'd take anyone at this point. The problem about this whole thing is, she's been conditioned and instilled with so much self-loathing my dearest murder princess can't even begin to realise when she's getting shown any sort of adoration anymore and immediately understands it as mockery, see, for example, her butler. Is what I would say if their corpse wasn't chilling in Durges old bedroom. All Orin would do is stage ever grander and more elaborate public massacres and involuntary 'anatomy displays'. Baldur's Gate wouldn't simply be fucked; give her a week, and the majority of it would be dead. This works well for Bhaal, but for anyone else, it would kinda suck. Including the other two of the dead three. And the cult would probably still loathe her simply due to her not being a true Bhaalspawn, so cue Orin's madness reaching an absolute boiling point. She doesn't and would never care for any of the other chosen or the grand design. Unless she's reigned in, she's a utterly loose canon, even more so than she was already, with Gortash or Durge at the helm, respectively.

Now time for my favourite of the reckless murder hobos; Durge. Given the few in game notes we have Durge had a thing for obliteration. Including but not limited to every living being + themselves. So let's just assume Gortash’s cocky upstart charm and Orins assassination attempt didn't work out as planned and they are still the de facto leader but now without any leash. Baldur's Gate is probably obliterated. Alongside whatever else remains of the sword coast. Or Troil. They'd probably also have some weird ass fuck relationship with the brain cuz they already did without being the undisputed leader. And the brain would probably discard the grand design themselves cuz somehow Durge has that effect on things (might be the innate charm magic of Bhaalist priests that they use to convince people to join a literal murder cult). Either way, with Durge not giving a single damn about the other chosen, any plans but Bhaals (or their misunderstood version of it) and a dramatic love for self-obliteration, it may finally be time to remedy the elves' mistake and rip Abeir-Toril apart properly. Ao hates this trick, alongside everyone else, probably including Bhaal himself.

Which is all my longwinded way of saying; Gortash is the lesser evil. In any set of circumstances he displays enough leniency, monster fucker vibes and rationality to somehow keep this ruined, sinking ship from hitting the sea floor immediately. He has enough of a twisted love for humanity left, compared to the others, to a degree that he doesn't blindly follow orders or actively seeks the destruction of everything, let alone 'true' domination the way Bane intends to have it.

But yes, indeed, Gortash performed fucked up and cruel experiments. No doubt about that. And yet it was still on a lesser scale than a mad massive hoard of necromancers could, and his experiments, for the most part, actually yielded results, didn't they? Presumably, the Coginator and the remote control brain mechanism used for the Steelwatch. After all, there are zombies(?) in there, controlling that shit. However, the experiments on loving families were probably one of his selfish indulgences and his sorry attempt at figuring out if he was just born loathsome and his family sucks ass or if that's normal and humanity doesn't deserve a second chance. Or a 30th. FR lore is fucked up.

This is also a great transition to exhibit B of my thesis why Gortash does in fact love or is at the very very very least heavily intrigued by humanity; the sole existence of the Steelwatch. Listen, my guy serves Bane. Bane hates planning. He likes immediate results. So much so he actively pisses off his situationship Bhaal for it. Repeatedly. And he likes fear and tyranny. So what do you think the chances are that the black hand would actually enjoy the thought of a mecha army patrolling the streets of Baldur's Gate, keeping them save, and worst of all, instilling hope in the hearts of the populous, peasants and nobles alike? Yeah, absolutely fucking none. And yet Gortash did that. And he's not even just a regular banite. He's Banes chosen. He carries a part of Bane's divinity within himself. He has the de facto highest position in the local faith. He's Banes favourite toy rn. He's the centre of attention and he still goes out of his way to use things that could 1000% inspire fear and hatred to sow fucking hope and a sense of safety of all things in plain sight? I bet his adorable wrinkly ass that Bane wasn't happy and that even a thousand rituals to redeem his leniency won't save him from getting tortured extra hard for this fuck up. And considering the state of the Banites scriptures we found, and his entire character, Gortash is smart enough to know this is something Bane absolutely loathes. And yet my guy did that.

Another thing is the hive mind. Bane would probably not hate it outright, as its still 'burning the fields' by turning souls illithid, but it's wasted potential. Because there's so many great things you can do with a hivemind and the remote control over people's thoughts and emotions, for example instilling fear and terror the very things Bane loves. But that's, once again, not Gortash plan. If the notes and one of the evil endings is anything to go by the hivemind doesn't trap people in a state of torment, it does the polar opposite. People are happy, enjoying a better, simpler and nicer life. Enjoying an idea of what their life could've been like. They're smiling, happy, enjoying a casual market stroll and the bountiful rewards of the fields. Which is all things that a good Banite should hate and never inflict on someone. AND YET that's presumably Gortashs plan. Create a hivemind where everyone can dream happily and do soulless labour without noticing it while the world goes to absolute shit but the people do not. It's basically noah's arc. It's paradise in hell. The people are 'saved' while the gods continue to fight their petty games, and Gortash alone lords over this perfect dream. Protecting it answer using it to advance further.

Now, about the busts found in his office. Most of them depicted rather unsavoury, cruel people. Except for one. Which honours a self made person who took pity on those who had less. On those considered lesser by the upright and honourable citizens of the Gate. It's weird how, between all those symbols and testaments to cutlery and tyranny, there's still a sliver of empathy, renegade justice and even care for fellow humans imbued, isn't it? And what's even weirder, all of them are found in Gortash's most private place? His own little office hidden far above the grandeur of the throne room and the Fortress, where he sits at the helm, lording over his subjects and scheming his little plans? This is an excellent example of show, don't tell btw. It's hitting you over the head with the implications. But just in case, this might very well be a reflection of Gortashs mind itself and the visible expression of him being incapable of letting go of humanity as a whole, still carrying it somewhere not even that well buried between the resentment and cruelty but out in plain view for everyone curious enough to touch it because what others reason would he have tob'play the benelovent ruler' in a place where no one sees it? Where only his most trusted and fellow Banites mingle?

And, ofc, as I am a durgetash truther, another exhibit. Him fucking Bhaals gore baby and putting a leash on it prematurely. You see, I've already talked about Banes likes and dislikes plenty so it should come as no surprise that the Edgelord Surpreme wouldn't hate carnage wrought upon foolish mortals by idiots who follow lesser gods than himself, since it would still somehow contribute to people being scared and panicking. But Gortash, being the ever faithful fuck up of a Banite, reigns in the Bhaalist and even the Myrkulites enough for that to kinda never really happen. He stopped the carnage from happening altogether, in fact, by giving the others enough scraps to keep them satisfied and from acting out but not enough freedom to fuck up his plans. I mean, heck he was apparently so convincing he managed to get Durge, again, biggest fan of self-obliteration, from going on an apocalyptic rampage cuz 'daddy I like his brain and I don't mean for dinner'. Him doing that actively contributed to preventing another Bhaalspawn crisis, which could've very well happened with Bhaals resurgence and revival, 2.5 loose canons and no ward of a random old guy in sight. But also him providing a clear goal and orders for Ketheric kept the lich from giving in to the sweet release of just not caring at all whatsoever. Everyone had their designated roles and boundaries and that was perhaps the only thing keeping this group of mentally unstable creatures from unleashing an apocalyptic nightmare; which again would've worked in their gods favour and technically didn't need any prevention.

And about the Gondians... Yeah this is gonna sound fucked up, cuz it is, but Gortash is actually treating them exceptionally nice. Their families are actually still alive and its not just a lie he's telling them, we don't actually see anyone getting flayed, strung up or tortured in some other way outright, they actually get to wear clothes and presumably they're fed enough to a degree that most of them can still somewhat work and the collar and the threat of your head exploding does suck but he could've also simply chained them to their work stations but they aren't. Let alone use charms or other beguiling and fucked up magic to force them into complacency. And they're not being resold or redistributed or forced to serve some random ass guy. The Gondians are, from a Forgotten Realms and probably Bane's perspective, treated exceptionally well. As are their families. Still undoubtedly fucked up and kinda sadistic with the whole explosion collar but objectively speaking he's one of the nicer slave masters. And they do allow him to produce the Steel Watchers en mass which once again contributes to the overall safety of Baldurs Gate and its other citizens. Still the lesser evil.

Though to be fair; Gortash also did some things Bane would really celebrate. Like somehow cheating his way into obtaining the Iron Throne, fucking Bhaals favourite and most fucked up """"child"""" and of course, keeping his parents alive and in agony to eternally fuel Banes fear kink. Except, it's only Sally who's afraid. Dravo is basically a blue screen of death personified at this point. He's a hollow, numb husk, isn't he? So somehow this once again doesn't align with Banes goals and Gortash's duty as a Banite. He's fucked it up again. But Gortash could've also simply killed them if all he wanted was revenge. Why go out of your ways, program elaborate scripts into them, keep the very place that testaments his fucked up past in good condition? Because a quick death would be too merciful? But then why is he so quick to turn on Durge if they betray him in a much smaller scale than his parents did. Well, perhaps he chose not to simply kill the very people who prepared Belladonna in the kitchen when he came to visit because he himself still needs them. Because underneath all that rage and spite there's still a broken boy who wants to hear his parents, albeit empty praise, and who wants to prove to them that he can be better? That his useless playing around actually helped better humanity, that he himself helped countess people and made lives better when all they thought he'd be useful as would be a pawn?

So, is it twisted? Yes. Is it rotten? Absolutely. Is it anything you'd consider to be 'conventional'? Absolutely not. But he does hold some wildly fucked up 'love' for humanity, if only as means to a grander goal (that being himself, ofc) or perhaps cuz he's genuinely incapable of letting go. Whether it's that, to spite Raphael, Bane and his parents or someone else, who knows. Probably nobody. But the shit he does is unorthodox and oddly self-sacrificial in a way where I just can't go, 'yeah no he absolutely loathes the sheer existence of the concept'.

I still think it's a missed opportunity he's not trying to build a spelljamming port though. I feel like he would absolutely do that somewhere down the line, if only to limit the black networks influence.

[philsmeatylegss]

Yesterday, in NYC, a man lit a woman, who was sleeping in a subway car, on fire until she died. So the man arrested will be charged with terrorism as well as murder, correct? His attack was also threatening the lives of other homeless people (which it is assumed she was so). Surely he will also be charged with terrorism for scaring those people, right?

Or is it only terrorism when rich people are threatened?

Also, surely the fact the person who did this being an undocumented immigrant won’t be mentioned in every single news article about it, right? A woman was brutally murdered. Who gives a shit where the perpetrator is from, all we should care is that he is detained and punished.

Right?

We all agreed to this, right?

Or does race and immigration status only matter when a non-white and or undocumented immigrant commits a crime?

Same place, same police.

And I think we all know how differently this murder will be treated. And why.

[potatobugz]

i was hacked by a very unhappy man!

[kirkwallguy]

okay final post. i think part of the reason why i hated taash's story so much is i DID find it relatable, they remind me a lot of myself at sixteen: coming out as a teenager and being extra sensitive to anyone who doesn't immediately understand you and lashing out at your well-meaning but uninformed parents is pretty common. shathann dying before this is resolved and taash realising they were needlessly cruel out of fear of rejection COULD have been heartbreaking and an actual good way of pushing the regret theme, but this isn't what happens lol. taash acting the way they do could be fine, i like it when a character has flaws and an exploration of how messy coming out as trans is would be an interesting subversion of how fucking boring coming out stories become when you reach a certain age, but the fact that rook can't really tell them to cut it out and the fact that they have literally no reflection or regret beyond "i wish my mum and i had had more time together but at least she didn't misgender me as she died 👍🏻" makes it feel as though the writers actually think them treating their mum the way they do is somehow satisfying or good, because the game's narratives feel like they were spat out of an ai trained solely on reddit aita posts. and that isn't even getting into the multicultural angle which needs a whole essay by itself and i've already annoyed myself too much for one morning.

[kagoutiss]

crossposting from twt again but. another reason why i think it’s important that OoT and WW ganon are the same person

[al-luviec]

juvie buddies

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[insomnya777]

joel etho single dads au .........

[sukibenders]

Intersectionality is something that, sadly, is often pushed to the side in Arcane discussions, specifically from a certain side of that fandom. They will go on and on about Viktor, as they usually do, talking about how he suffers from classicism and ableism within the show and fandom respectively (as they should as these are issues, but there is a catch when it comes to these fans as well), but when others in the fandom, especially Mel or even Sky fans, point out the racism and misogyny (misogynoir) that is often rampant in this fandom, particularly from said fans mentioned prior, all of a sudden its not possible or being overdramatized. Like they suddenly can't understand how some of their rhetoric includes or invites the same thing black fans have been calling out since the beginning, because how can you discuss the ableism and such that Viktor faces, but laugh or joke around with people who call Mel slurs or just denounce her to a trope? I thought you were for calling out forms of hate within fandom, or does your "activism" only stretch so far? And back to a previous statement, about the catch regarding those particularly fans----some of them regurgitate the same harmful rhetoric towards Viktor that they say they supposedly hate, just in mode subtle ways. How are you going to say you hate when Viktor is infantilized, but will be quick to forget he's a grown man who can defend himself (often when trying to pair him against Mel, framing her as the aggressor, and sometimes even Jayce too but to a lesser degree)? Not saying Jayce doesn't get equal amounts of hate, but his more so gets pushed aside along with his character to ultimately frame Viktor in higher regard, often making him ooc. It's like they pick and choose when the issues are prevalent, and when they aren't, and it's so frustrating.

[mattodore]

now that the edit is done i will not be thinking abt it ever again. here’s a screenshot i took to test new world lighting. theo joy 💓

[coquelicoq]

quick little check-in on how my effort to get rid of books is going:

-5 books i gave to my siblings for christmas. i will probably end up replacing at least 2 if not all of them, but i'll cross that bridge if and when i come to it

+1 book i bought at the bookstore when i was supposed to be getting a present for my sister's boyfriend (it just looked so interestingggg)

(no change) 1 book i read so that i could get rid of it, but then i liked it too much to get rid of it

(no change) 1 book i reread to see if i still liked it enough to keep it. and i did

-3 books in a series that i put in a little free library in my neighborhood after rereading

+1 book i picked up from a different little free library on the same trip

-3 books i put in a little free library in the next neighborhood over in the dead of night because i was embarrassed about my marginalia

[guy who hasn't yet received a package of books currently on its way here voice] i'm actually doing much better than i expected! i've gotten rid of 11 books and only picked up 2 new ones. and one of those is a bilingual collection of rilke poems, with the original german facing the english translation. i do not read german, but i'm still not sure how i was supposed to pass that up. the other is nonfiction about the poetry of rap. also unclear if there was a way to resist it that i just didn't know about. really don't think i can be blamed for either of those.

[front-facing-pokemon]