#once I saw a book about

[elby-and-a-blog]

another Catherine of siena enjoyer!

christ taking his heart out of his side wound to hand it to st. catherine of siena

in a hagiography of st. catherine of siena, alsace, early 15th c.

source: Paris, BnF, ms. allem. 34, fol. 54r

[firestorm09890]

Penny stardewvalley makes me so sad because she's SO sensitive to, like, basically everything you tell her (telling her that you can't stand children while two children are nearby is a pretty lousy move but -1500 friendship?? being a jerk to other characters' faces typically loses you about 50 points, and if you choose the option labeled "creepy" and ask Leah for a kiss in her 2 heart event she physically hits you and kicks you out of her house but that's only -100 friendship…) and so if you want to befriend her it's a whole lot of lying and tiptoeing around her feelings (2 hearts: George was right but saying that makes her feel bad. 6 hearts: her food sucks but even if you try to be polite about it she feels like a failure; only a bald-faced lie pleases her. 8 hearts: saying you don't want to be tied down with a family loses you a little bit of friendship and she's only happy if you say you want kids) and I can't help but think she's a product of her environment. She lives in a trailer with only her mother, who gets drunk every night and has something of a temper. Penny's like a skittish rescue animal who won’t even come out from hiding under something unless you leave her lots of treats

[darkdragon768]

Various doodles of the Dorito Twins.

I just like to play with them like dolls and put them into situations.

[vardasvapors]

every time i go into the nearby barnes & noble i get macroaggressed by this display going ‘these aren’t your grandma’s romance novels! 🥵’ full of identical pastel covers with colorblocked half-silhouette drawings of well clothed people hugging in front of a bougie cafe. yeah whatever i know, your grandma’s romance novels were gremliny little pulp paperbacks full of hilarious evil bisexuals ruining their lives and the lives of everyone around them with bullshit too hot for any b&n to stock. whatever. i wish there were more weird tiny indie bookstores around.

[cleveradjacent]

breaking my gif fast for a nice quote

[utilitycaster]

I put this in the tags of a post but I think one aspect of cultural Christianity that is the hardest to shake is that people raised Christian (and particularly Protestant), especially people who have since left, will interpret depictions of religion that are actually drawing on practices/imagery common across multiple world religions as specifically a reference to Christianity.

[ace-and-the-rpg-horrors]

random question!! in school, was/is it common for some people you're not friends with to be referred to by their full names? like if you're talking about someone else in your year, you say both their first name and last name, at least when first mentioning them in conversation?

[vaguely-concerned]

I just *clenches fist with tears in my eyes* love the grand necropolis so much

[felicitywilds]

been seein a few popular posts about what could Happen in season 3 that i think are kind of missing the mark a bit when it comes to crowley and aziraphale’s characters and both of their approaches to their relationship? so heres my take

aziraphale is a fighter: all throughout the book and season 1, he’s done his best to fight for what he thinks is right. the fatal flaw in this position is that he only ever does it within the confines of his faith and position as an angel: protesting punishing job until God’s Orders are cited; excusing his eating habits to gabriel by saying it helps him ‘blend in’ on earth; even after an entire day of listing things he wouldn’t be able to enjoy on earth anymore, crowley was only able to convince aziraphale to help him raise the antichrist by framing it as ‘thwarting wiles’ (ie. doing his job). aziraphale has always had a lot of conflict with how his and heaven’s ideals align-- this is why aziraphale went to heaven, so he could make the rules he’s so hesitant to break work for him instead of against him.

crowley on the other hand, is a flier: at the slightest sign of trouble he can’t fix, he flees. no, he does not want to dismantle the systems of heaven and hell, he wants to run away forever and never think about them again! he’s canonically tried to do this at least four times! but the fatal flaw in this position is that it means he sees everything he’s built and collected in 6000 years as disposable, which is not unlike how heaven and hell also think about the earth. he’s built a fragile, peaceful existence for himself, but is willing to run away and dump it all the second its peace and fragility is threatened by something he can’t control.

understanding both of these attitudes makes the middle ground where they realize their mistakes and come together again painfully obvious (imo): its earth! literally the ground in the middle between heaven and hell. crowley and aziraphale both already know that the other is worth protecting-- aziraphale wants to go to heaven so being together won’t be against the rules, and crowley wants to run away so heaven and hell can’t destroy them for being together-- so the revelation that needs to be reached in season 3 is that their lives and their history and their home is worth protecting too. beelzebub and gabriel had ‘heaven/hell is wherever you are’, but that kind of attitude (even ‘to the world’/they are each others world) doesn’t work for crowley and aziraphale because they spent 6000 years building something that makes simply being together synonymous with being on earth.

after all, the Really Big One is going to be all of us vs. all of them-- heaven and hell against all of humanity. when crowley and aziraphale have this exchange in the book and season 1, i fully believe that both them assume that when they say “us”, it means heaven and hell-- even after everything that happened, they’re still aligning themselves against the earth and the history they have there. which is why, after all their wonderful and inevitable character development in season 3, they’re going to realize that “us” actually means humanity.

[bgs-cave-o-thots]

...i cant believe im gonna watch gravity falls because of flatland instead of reading/watching flatland because of gravity falls.

[that-foul-legacy-lover]

if doll reader is hollow, then their "skin" (porcelain) is probably just thin enough to let light shine through! at night time foul legacy or childe could use their visions to make little light shows in your arms and body (without hurting you obviously). they could even do some sort of shadow puppet show lol

OH MY GOODNESS you just dug up one of my memories this is lovely, hear me out

your skin having carvings in it, certain areas that are just a hair thinner and drawn in artful swirls and stars and flowers. when you're just doing about your day-to-day life, they're not very obvious, just faintly different patterns that might make someone do a double take. only Foul Legacy and Childe have the privilege of seeing the carvings in all their magnificence- they fetch you something glowing and shiny, maybe a luminescent rock or a particular shiny firefly, or perhaps a tiny lantern burning with a safely contained flame. either way, you store it neatly away in your body, listening to it lightly clatter and bonk until stopping to rest. the light shines through your skin and makes the carvings glow with lovely, comforting warmth

Legacy chitters and chirps gleefully, circling you in excitement and gently nosing against your arms and hands, tilting his head until he's practically upside down. he needs to examine the patterns from all angles! even if he knows they'll be wonderful every time, he just likes watching the light softly gleam from inside. you're like a lamp, or even a nightlight! he sits you on his lap and presses his cheek against your head, crystalline eye bright and wide as he nips lightly at your hands, asking for headpats. Legacy's a bit too heavy to rest his head in your own lap, but Childe isn't, and you can bet that the moment he returns to being human that the Harbinger is flopping himself into your arms, nuzzling against you and admiring the light over your arms with a happy, peaceful hum

[conqueenror]

People often forget the fact that the main character/cast in the story doesn't have to believe in the right thing. They can be very wrong, they can die while believing in something very wrong. And it's not just the "tragic" very wrong, nor the "badass villain" very wrong, it is actually something disgusting and inhumane, that makes people feel terrible knowing that in some story, the main cast can have awful morals. In some stories, no character, not the main cast nor the villain, may have the right insight on something. And people will automatically assume that the story and the author are terrible, because everything is so bad in the story. Except, this makes people ignore said story itself. The right belief may actually be hidden, and only uncovered by seeing what these characters, main cast or villains, get in the end. You can't know that running wild on the rocky ground is a bad idea, until you fall, or hear it from someone else.

[im-still-a-robot]

Really the biggest problem with the Great Gatsby on broadway is that they made Nick Carraway 90% less bisexual, and really that alone should've had them barred from the Tonys

[ct-multifandom]

I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.

It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.

By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.

Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.

[pencilofawesomeness]

What is Twisted Wonderland and how would you sell someone on it?

Ohoho. Ohohohoho. Anon. You have activated my trap card >:D

(I'm about to be soooo annoying/unhinged and I'm sorry. I'm not.)

Alright, so:

Twisted Wonderland is a Disney mobile game made in Japan and co-produced by Aniplex. (Yes, that Aniplex.) I'm not here to sell you on the game, so much as the story, but it is a sort of story-book rpg with turned based fights and rhythm games, where you build character units from a gacha pull. As far as gameplay goes, it's very simple, and most of the emphasis lies on the characters and the story. And it's wonderful.

The on-the-box description of this game doesn't do it justice, per se, but that might be because Disney has a little bit of influence on it and they suck at knowing who their target audience is. It is about a high school based on classic Disney villains—but no, not in the way you're thinking, because I once made that mistake too. It is not a villain school. Rather, the world of Twisted Wonderland is its own entity, with characters built as sort of nods or foils to classic Disney characters. The world itself is somewhat built with these films as its past, and history has become so twisted (ha) that modern society views some of these classic villains as the heroes or supporting characters of their stories, and respect them as The Great Seven. (The seven in question being the Queen of Hearts, Scar, Ursula, Jafar, the Evil/Raven Queen, Hades, and Maleficent. None of them are remembered by name, though.)

The game takes place in the modern era, a society with both technology and magic. Specifically, it takes place in a magic high school called Night Raven College, an all-boys dormitory prep school where the only requirement to get in is a magic mirror that peers into your soul and determines whether or not you can a) do magic and b) kin the Great Seven. And, of course, the player character is a regular-ass human who gets isekai'd in and gets stuck with a talking magic cat direbeast named Grim.

Now. That is the general synopsis. I, on the other hand, affectionately call this the Mental Breakdown game.

See, here's the kicker. The magic system is pretty nifty; while it's functions as a standard magic-is-magic sort of soft system, it has ✨consequences✨

Magic has this byproduct called blot. It's this icky stuff that builds up when you a) use too much magic and/or b) are emotionally distressed. But less so in a "I'm panicked right now" sort of way and more so in a "I have chronic depression and/or anxiety" sort of way. And, when a mage is powerful enough, and sad boi enough, and then goes and uses way too much magic and sad boi juice in one sitting, this amazing phenomenon occurs called "overblot"—which is pretty much a super-powered evil form that turns the mage into the darkest form of themselves and then uses magic until they die.

Naturally, this happens in the game. A lot. The formula is pretty much that each "book" of the story, there is an overblot. One for each of the seven dorms, which are based off of the seven villains/the movies they come from. (And "based on" is pretty loose. Yes you can see the similarities, but these are dumb teenage boys with their own hopes and aspirations, and, sometimes, the game completely lies to you about what character they emulate the most. The guy who's Jafar? Well yes but he's actually just a really stressed out Genie stand in. The Hades guy? Whoops that's Meg. Is that a card soldier or the White Rabbit? Doesn't matter, he's got problems.)

The characters are so well written. I could gush about them forever, and they are the driving points of this plot and it means everything to me. They are some of the most traumatized and messed up individuals, but also, they are dumb teenage boys who do dumb teenage boys things. It is all incredibly well balanced and startlingly realistic for a game that amounts to beating the emotional constipation around people. Mostly because it cannot be beat out of them. The blot can, but they have to deal with their emotions with their own two hands, with varying levels of success.

And the shenanigans!!!! Oh, the shenanigans. I call this the Emotional Trauma game but I have once laughed so hard someone heard me through the floor. It's not all doom and gloom for sure. Sometimes you're watching your friend fall apart because his toxic mother instilled debilitating perfectionism and slowly start making enemies of everyone and sometimes you're sending three of the most gremlin students plus one cinnamon roll to infiltrate a gala that a bunch of weather fairies are throwing in the greenhouse because they stole your temperature regulating magestone to be shiny jewelry and you want it to stop snowing inside your dorm room. And sometimes you can have the exact same character who experienced losing his little brother right in front of him gush about a magical girl sledding anime and all of his gacha games. It is the best of both worlds.

And, that's not all! No, no. We get amazing character interactions. Not just pre-determined friend group interactions, but also random interactions. Yana Toboso (the writer/artist) really likes to stick names in a jar sometimes and make them interact and it is the best thing ever. Every single one of these characters I hold in my hands. Every single one of them gets to have their moment to shine. You can emotionally invest in all of them and be rewarded for it.

The game itself is free and pretty easy to get into. There's not really a bad power creep so you can get through it with what you got. Of course the fun part of collecting cards is that there are stories attached to them that you can watch, and those are also sources of joy. (And it's well documented, so you can find things online pretty easily to catch up and see more.)

I just think it's neat. (Read: I accidentally became wholly obsessed with this game and its characters and they are all blorbos to me.)

You should definitely fall into this rabbit hole with me :))) It's so worth it :)))

[saguaroooo]

I was 7 the first time I watched lotr and used to confuse Legolas and Peter Pan.