#omg not the analysis

[sadesluvr]

no joke tho like putting the homophobic remarks and concerning behavior aside, i found him so cute and endearing YOU CAN HATE ME ALL U WANT BUT I DID!! 😭😭 he won me over the moment he mentioned spider-man 😭

that said, how does fritz see the reader? just asking cuz we mostly saw our pov of the “relationship” and i wanna know what his thoughts are

Yeah Fritz definitely needed therapy for them anger issues😭

Good ask! Fritz hadn’t been in a serious relationship since his ex who cheated on him (with his cousin), and had pointless flings since then, so Reader coming into his life was definitely a breath of fresh air! He’s obviously very clingy and it’s because he’s never really had a strong connection with girls, and once he feels like he has something genuine, he’s scared to lose it. It doesn’t help with the fact that his mom was defo saying stuff like ‘You’re my baby boy/Girls are just after your money, but I’ll find a good one for you etc, so I think he’s got secret mommy issues…

Which leads to Reader, who was in his English class and just really nice to him without fan-girling and stuff. So, since he has these secret issues, he was attracted to Reader’s calm, honest, genuine vibes - Someone who could treat him like a human, rather than a potential trophy husband, and someone he viewed as an equal, rather than a girl he’d have to spoil and baby for the sake of appearances. (He basically doesn’t want the stereotypical jock x spoiled rich girl cheerleader relationship) (Also why he and Cassidy could’ve never dated 💀)

Initially, he was pretty confident about you being together! He was in a cool friend group, and had someone mature and different (with Reader not being from Utah), which is why he was so desperate for you to meet his family.

But, when Michael started being more of a friend than an enemy to you, he definitely got upset, especially knowing that you babysat his siblings, which meant you could spend more time with him. I imagine Cassidy had mentioned something in an offhand comment about Reader/Michael having chemistry/Reader liking him, and it upset him because you weren’t his focus. His ego was definitely bruised, since he’s used to getting what he wants, and that’s when the macho/toxic masculine side started coming out, and he got more aggressive. (He also didn’t like the fact that Michael was lying to you about the Bite)

EDIT: Cassidy would’ve probably said it out of spite 💀 She and Fritz are definitely frenemies

I imagine at the time Reader broke up with him, he was already on edge and didn’t want to accept that the relationship was over, and was genuinely really upset about it (whether he was upset with himself, we’ll never know). Showing off his sister and *almost* trying to convince you with sex was his final attempts before he lost it…And then his life💀

Overall, he definitely loved you, but saw you as a means of ‘fixing’ his life (perfect family, perfect gf, perfect life etc) and because he’s just a rich, attractive jock at the end of the day, he was his own downfall. He’s kinda delusional though so he’d probably say something like “I’ll get her back😏😎”

:)

[eilissxx]

the detail i noticed about this two photos

so it’s the same scene. in the first photo we can see that all guys are sitting opposite their trays, except for will, who’s standing behind mike to see better the map or something. but in the second photo there are only two trays and they are opposite each other.

initially, mike and will were sitting just the two of them.

[theunholyvirginemilyprentiss]

The BAU on a commercial flight:

EMILY: Stopped and searched at the security checkpoint because she forgot she was wearing an ankle holstered gun. Is the person who kicks your seat and hogs the armrest because gay people do not know how to sit on a chair properly.

JJ: Is the one having her armrest hogged by Emily. Opens a packet of peanuts and gives someone an allergic reaction. Should have stuck with Cheetos…

TARA: “It’s okay, I’m a doctor! Not a doctor of medicine, but I’m sure I can figure it out!”

PENELOPE: Watches movies on her tablet and eats M&M’s like the little iPad kid she is, eventually falling asleep on Morgan’s shoulder during ‘Legally Blonde’.

MORGAN: Shamelessly flirting with the flight attendants and trying to hide the fact that he is watching ‘Legally Blonde’ over Penelope’s shoulder—and loving it.

HOTCH: Reading FBI case files in his sunglasses, not noticing the kid who has been staring at him the whole time thinking ‘damn, James Bond be on this flight.’

SPENCER: Talking to that same kid and his mother, explaining aerodynamics and discussing plane crash statistics. The kid’s mother requests a seat change.

ELLE: Lets Spencer explain aerodynamics to her instead. She swaps her red jello for his orange jello from the airplane meal because red is his favourite.

Check out my Masterlist for more BAU scenarios

[101suouexpressions]

Graffiti behind Umemiya and the class 1-1 representative

The way these are two consecutive chapters is really begging us to look into it, isn't it?

Chapter 38: The Four Kings

On this cover, we can immediately spot the graffiti of four skeletons on the wall behind Umemiya, and it's not hard to understand that it's referencing the four Boufuurin Kings, as suggested in the title. But which one is which?

The skeleton on the top left could be Mizuki, as we can see that it's holding a laptop, representing information control, which suits Mizuki's role. To his right, from the high heel hanging from the skeleton's fingertip, we can safely assume that it's Tsubaki. Below her, at the bottom right corner, with the spray can, is Momose. And last but not least, at the bottom left, is Hiiragi.

One observation to back up this assumption is the skeletons' horns. If we assume that the kings who are physically stronger have two horns, then it'd be fitting for Hiiragi and Tsubaki as their strength had been put on display, as we don't know as much about Mizuki and Momose.

One thing that keeps bugging me is the drawing on Hiiragi's phone. I'm not sure if it's just a random drawing that someone graffiti-ed over the actual drawing or it has a meaning, and I wasn't able to find any information on it, so if anybunny has an idea please share the knowledge! :3

Chapter 37: One step

Here, we have a direct view of the graffiti at the back of classroom 1-1. The drawing is a reference to the traditional Japanese painting Wind God and Thunder God (by Tawaraya Sōtatsu, from the 17th century). On the left is Raijin, the god of lightning and thunder, and to the right is Fujin, the god of wind, which orderly corresponds to Suou and Nirei. The two gods, just like Suou and Nirei, are oftenly depicted together.

Comparing

1. Signs of time

The Boufuurin Kings graffiti on the left is old, with scratches and leftovers of attempts to paint something else over it. On the other hand, the Fujin and Raijin painting is almost anew.

This clear contrast implies the change in Bourfuurin's core members. As Umemiya and the four kings are graduating next year, the leading roles are shifting towards the newer, younger members.

2. The presence of characters (or lack thereof)

In chapter 38's cover, there is only Umemiya with his kings painted on the wall behind him, while in chapter 37's, both Suou and Nirei – Sakura's vice captains – are present, hinting a more direct involvement from the supporting positions to their leader. We can see this by putting Umemiya's and Sakura's relationship with their vice captains. For Umemiya, he is mature and independent, while Sakura is less so, meaning that he will have to depend more on his vice captains, whether emotionally or strategically.

[ask-pomni-blog]

Ok this may seem like im grasping at straws here but i need you guys to let me cook for a sec-

HUGE TADC EPISODE 2 SPOILERS

We start off the episode with Pomni’s nightmare, which is a reflection of Pomni’s fears and feelings that are going to be expanded upon throughout the episode. Her main fear isn’t abstracting here, it's the feeling of helplessness, the feeling of not mattering to anybody in the circus. This is seen clearly when Ragatha, Jax, and Caine are shown above the cellar, basically saying “good riddance” upon witnessing Pomni abstract.

And it makes complete sense that Pomni would feel this way once you look back at the circus’ reaction to Kaufmo abstracting (before the second episode). He doesn’t get acknowledged as someone who has just passed away, he doesn’t even get a moment of silence. Pomni notices this, and after she wakes up from her nightmare, she seems almost reluctant to bond with the rest of the circus members because this fear is still on her mind.

This is seen particularly when Pomni is speaking to Ragatha. Ragatha attempts to be helpful at any given chance, but most of the time Pomni is lost in her thoughts. Pomni doesn't seem very open to conversate with Ragatha because of her fears. But this isn't unwarranted, Ragatha literally calls the situation from the day before a “doozy” which brings up the fact that Ragatha constantly dismisses important issues, saying that they should just forget about the situation that happened the day before when Pomni left her for the exit. I understand that she’s trying to ease the tension between them, but I fear she might be making it even worse. Additionally, Ragatha dismissing a very important issue like that makes Pomni’s fears stronger, it may seem to Pomni that Ragatha doesn’t care…

When it’s actually the opposite! The whole episode she tries her best to motivate Pomni (“look, Pomni. We’re already friends with the princess!”, “So, Pomni, I’m sure there’s some way you could help out here.”)

and she’s also very concerned for Pomni when she’s gone (“...Pomni’s still on board!”, “Oh man, Poor Pomni. I hope she's alright.”, “I’m more worried she’s having another horrible experience.”, “Pomni! Are you okay?”)

However, all these remarks could be seen as condescending from Pomni’s perspective… And on the other hand, Ragatha feels like Pomni blames her for the situation, and that Pomni dislikes her. 

Returning to the topic of Pomni’s fears, a lot of this is also reflected in her conversation with Gummigoo:

—

G:“I don’t matter in the slightest. I’m nothing. My life, my memories… my friends… it’s all fake.” 

P:“...I think I know the feeling.”

P:“...I guess I just don't want you to feel like you’re nothing. I don’t want anyone to feel like that.”

G:“But I'm not even a real person. Would I even belong?”

P:“I’m sure you wouldn’t belong any less than me.”

—

Pomni relates to Gummigoo’s fears!! And Pomni is so compassionate and understanding too! …sadly their friendship didn’t last very long… and that brings us back to Ragatha and Pomni. Ragatha tries her best to be reassuring… unfortunately that didn’t work either. AND THIS WHOLE INTERACTION IS JUST- OH MY GOD... LET ME PUT A HUGE EMPHASIS ON THEIR BODY LANGUAGE HERE:

Also the WORDING HERE:

and this scene ooohhhhhhh,,,,,,,, this scene...!!

POMNI IS REASSURED ONCE SHE SEES THAT THE CIRCUS MEMBERS DO CARE. THEY WOULD CARE. HER FEARS DISSAPEAR AND AND- ohhhhmy god this is so sick and twisted.. this ep was.. soooooo good. holy smokes. anyways thank you for listening to my TED talk.

[zuzu-draws]

So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.

I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!

Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.

This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!

This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.

What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.

Eating is an instinct, a necessity for the survival of every single living being.

And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)

In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.

On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.

Btw, this tweet and this thread gives additional characterisation to Sukuna:

Link to the original thread: Link.

More context (and reactions :P):

Link to original thread: Here

This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.

When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:

When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?

No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.

This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.

This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.

Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )

I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.

He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.

I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.

Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.

Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.

This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.

I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:

Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.

Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.

But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:

This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.

Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.

If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3

[segretecose]

the essays in the iwtv tag are so fucking annoying like sure you watch this show in a far more intellectual and woke way than anyone else can you move now i’m trying to see some nasty upsetting mentally ill vampire toxic yaoi gothic sucking and fucking etc.

[she-posts-nerdy-stuff]

A few interesting parallels in the SoC duology that I don’t think I’ve seen anyone talk about yet

(Analysis/discussion of these parallels/quotes may come later if anyone's interested)

“These creatures were made to be weapons” - Jarl Brum on Grisha, Six of Crows chapter 35

“He looked like what he truly was: a weapon” - Jesper Fahey on the Khergud, Crooked Kingdom chapter 36

“Welcome to the Hellshow” - Kaz to Nina, Six of Crows chapter 6

“Welcome to the Ice Court, Nina Zenik” - Matthias to Nina, Six of Crows chapter 34

“Is this a play?” - Alys Van Eck “Yes love, and you’re the star” - Jesper Fahey, Crooked Kingdom chapter 8 when Alys is taken captive

“What was this but a play Kaz had staged, with that poor sucker Kuwei as the star?” - Jesper Fahey on the auction plan, Crooked Kingdom chapter 36

“he looked like a priest come to preach to group of circus performers” - Inej on Kaz’s appearance in comparison to the rest of the Barrel, Six of Crows chapter 2

“started to preach” - Inej on Kaz leading a coup against Per Haskell, Crooked Kingdom chapter 27

“Whoever he had become, Matthias was not going to shoot someone unarmed. He'd not yet sunk so far” - Matthias Helvar, Six of Crows chapter 29

“I am unarmed” - Matthias Helvar, Crooked Kingdom chapter 38

"I didn't even know the rules of Makker's Wheel" - Jesper Fahey on his first night gambling in the Barrel, Six of Crows chapter ()

"He knew his guns better than he knew the rules of Makker's Wheel" - Jesper Fahey on the concept of aim and its relationship to his life and his zowa/Grisha abilities, Crooked Kingdom chapter 36

“a tiny voice inside him said he should offer to take the drug as well […] maybe he could have helped to draw the parem out of Nina’s system and set her free. But that was a hero’s voice and Jesper had long since stopped thinking he had the makings of a hero” - Jesper Fahey, Six of Crows chapter 44

“Matthias gave you the remaining parem, didn’t he?” “So?” “[…] I can’t let my father down again. I need the parem as a security measure” “No” “Why the hell not?” - Jesper and Kaz in discussion about the auction plan, Crooked Kingdom chapter 30

I'll probably be back to add more, feel free to add your own as well

[iwritenarrativesandstuff]

This entire scene emotionally destroyed me but there's one part in particular that was like taking a knife to an already open wound.

So, Gon shuts down after the reveal that Kite was dead all along and his stunned and racing mind is disjointed and contradictory. Most of his statements fit into roughly three categories of desperate thoughts:

Vehement inability to process that Kite is dead. From the statement being repeated multiple times to the amount of "no"s everywhere on these pages.

Taking the blame for Kite's death, in a frankly horrifying show of self-hatred (especially given the context of what comes next).

Blaming Pitou and proclaiming that he "didn't do it" in an attempt to absolve the weight of his guilt.

Heartbreaking. But there's one thought here that's a bit different.

Throughout all of this, Gon has been adamant that Kite, and by extension the situation, can be "fixed" - after all, most every issue that's come up before on his adventures could be resolved nicely. But now, suddenly, it can't. Gon can't stand feeling powerless or helpless, and now he finds himself more helpless than he's ever been. And we get this.

"Somebody help me."

Gon is independent. Gon has a burning need to prove his worth through his own strength. Gon has a bad habit of equating "taking responsibility" with fixing things all by himself and rejecting help from others.

Gon has never pleaded for someone to save him before.

And it's just. Holy shit. Holy shit - he's a kid. He's just a kid. And in just a few pages, he's going to make a despair-fueled decision to throw away his life just to regain any semblance of power over a situation that was doomed to be unfixable from the start. He says, "Let it end. I don't care what happens to me now.", because this is the only way he can think of to make his pain and his guilt and Pitou all just stop, by losing himself to all of his power instead of his grief.

[theshy1sout]

Okay, so

I finally got my bf into reading Homestuck. I was on a phone call with him as he read it at loud, voice-acting and stuff, while I was drawing. Today he reached the Dave first appearance and he discovered Sweet Bro and Hella Jeff.

You have to understand that I always thought that this comics was just a stupid joke that only Hussie understands and finds funny. Bc the moment I saw the page with the dog (you know which one) I left the comics and never looked at it again. Until today.

My boyfriend read every single page of Sweet Bro and Hella Jeff in complete silence. I asked him what's wrong, and he said "This is extremely sad". I was confused so he started explaining to me how this comics is a way little Dave was coping with trauma of living with his abusive brother. I didn't believe that, so I started reading the comics again and you know what?

Imagine adult Dirk, being completely under Lord English control, going shopping with little Dave and destroying supermarket in frustration of not finding anything that Calliborn would recognize as a food, being arrested by police in process and leaving little Dave alone hidden somewhere in the shop.

Imagine little Dave being pushed from the stairs so many times by his bro, he drew a caricature of himself pushing his bro off the stairs in revenge. Or being regularly beaten so hard and often, so he drew comics in which his brother got beaten up, shitted on and even brutally killed.

Imagine little Dave being so hungry (bc of course brother didnt give him proper food) he literally threw himself at a Subway sandwich machine during idk a walk with his bro (probably) and tried to steal some food or even just smell the actual normal food and while doing so got abandoned by his brother. Again.

Of course we can't interpret this way every single page of Sweet Bro and Hella Jeff, but come on, if you start seeing it, you cant stop sensing that every single page is either a way Dave coped with a traumatic experience or a way he kind of got revenge on his brother in a way his brother wouldn't understand and notice and beat him up for doing so.

I searched internet for so long and can't find a single person who would interpret it this way. Am I wrong though??

It gets better. As we know, Dave from universe B also drew this comic. And we even got a directly explained to us interpretation: he started drawing it as a simple comic (probably to cope with the loneliness). Then when Batterwitch became a real danger and he saw that but couldn't react directly, he started using his comics as a way to show what Betty Crocker was really like. So we also had this two characters, one represented Betty Crocker and the second one represented society, and they had this very abusive relationship that had references to situations in real life in Universe B.

So my theory (or more like my bfs theory) is that Dave from universe A was using his comics for the same exact thing. He drew situations from his life in a unreadable for others way (and also no one taught him how to draw or write, and maybe later he kept the shitty format so it's unreadable and too shitty for his brother to read) to cope with trauma. We see in this comics that Sweet Bro is shaving himself above Jeffs face while he sleeps, a thing that Dave's bro could definitely do. We see some pages of Dave trying to understand sport, economy and politics in his own way, bc his brother of course didn't teach him shit. And we even got a page that might suggest that Dave was sexually molested by his bro. There are many scenes of Bro being abusive to Jeff or Jeff getting his revenge. We also have Geromy, a possible interpretation of John, and on one page Jeff (Dave) tries to come to Geromy's (John's) place to visit him, but he can't and he drowns instead (which is so sad???).

I could go through every single page with this interpretation. I think some pages being a foreshadowings for what is happening later in Homestuck is just an additional joke, Hussie loves having layers of meta twists and many unrelated things relating or referencing each other for no reason. I don't think the comics is Dave's unconscious traveling through time and revealing the future, bc if so then we would see every single page of Sweet Bro and Hella Jeff being a foreshadowing, and they are not. I also think that the huge wink to the audience was the scene of Dave being pushed by his bro down the stairs and we see him falling with accompaniment of a little panel of Jeff saying "I warned you about the stairs, bro". For me this is a visible hint that this is what this page of the comics was about, it was a way of coping with trauma, it was Dave drawing his brother falling down the stairs and himself saying probably a line that his brother irl was saying to him a lot.

Dave drew his life. His own horror of a life and it was probably more terrifying than he revealed in act 6.

Do you remember the iconic "bro hug" from Sweet Bro and Hella Jeff? A hug from his bro, sth that Dave really needed and wanted, a simple hug that he was very nervous to asked for, he literally drew himself hugging his brother in his second comic, and then we have the very same scene of Davepeta and Arquius hugging (part of them was Dave hugging Dirk, even if artificial), and then we have the exactly opposite of the scene between actual Dave and Dirk, when instead of enthusiastic "we're doing it bro, its happening, were making it" it's Dave saying "fuck forgive me for what I'm doing, this is so messed up fuck" and it's not even full embrace like in his comic, it's awkwardly side by side hug when they didn't even sit on the same level (like in the comic or with sprites), no, Dave is lower, he's smaller, he's scared, he cant face his brother, he wants to but he can't and this is just aaaansnanbska dmnsksnsdkydykdky

Can someone talk about this comic more? This flashy shitty documentary of Dave's life drawn by idk maybe 8 years old Dave ? The more I read Sweet Bro and Hella Jeff, the more depressed I am, cause this is so sad if I'm right about it. I really wish it was just stupid colorful comic without any deeper meaning, just faking to have one or sth....

Also I think Geromy is black bc either Dave didn't know how John looks like so he imagined him being somewhat similar to his fav president Obama or maybe he was just trying to make John's character as unlike John as possible so no one would suspect a thing. Or maybe he just imagine himself being friends with young Obama, who knows.

After editing this chaotic rambling I have two more things as a prove for my theory. One is picture above, and second is what Hussie said about Sweet Bro and Hella Jeff:

“SBaHJ is absolutely inseparable from HS, and has been almost from the start. If you don't understand this, then you don't understand HS very well. SBaHJ is like the mentally handicapped step brother of MSPA, requiring special attention, but no less cherished as a part of the family. It was originally intended as the chief source of in-house memes for dialogue, but this is ultimately a superficial purpose. Though it only has 20+ strips, it contains a pretty dense and internally consistent language of recurring symbols and typo-driven grammars, applicable as a rich sub-cognitive lexicon for highlighting elusive elements woven into the mythology of the story which tend to be shrouded in the unconscious.”

[unicornpopcorn14]

Dazai and his (dis)association with Guns

It's interesting to me how Dazai conically wields no firearms on him, neither in the PM nor in the ADA.

I mean, taking how dangerous both jobs are into consideration, and how he isn't as physically capable as the strongest ability users out there, you'd think he'd at least ensure a safety measure with him at all times.

But every gun he wields in the series is someone else's.

Every. single. one.

Even the handgun he wields in the Azure messanger arc, despite belonging to the agency, he doesn't constantly use:

While in Stormbringer, Dazai uses a tazer gun before meeting Adam and relying on him:

I've had many speculations regarding this pattern (feel free to add onto them), one of them being that Dazai thinks he doesn't even need guns, since strategies are his weapons, his hands alone are his weapons. In a world of crazy abilities, and users completely relying on said abilitis, being a nullifier might be considered the biggest threat, and a pretty sturdy weapon to rely on.

After some thinking, however, I found that while this might be part of the reason, it isn't enough to just disregard firearms as weapons entirely. Dazai's plans/predictions aren't foolproof, and as he'd explained, they are full of uncertanties, contrary to Fyodor's plans.

And Dazai's ability can't be relied on all the time. Having to touch the enemies/maintain proximity in order to activate it is definitely a hindrance. Besides, some enemies can be physically competent without their abilities, some might not even have abilities, but are formidable. Firearms in these situations would be extremely useful, given their range, and a good precaution.

Aside from combat, tw: suicide Let's not forget that a shooting oneself is subjectively the most painless way to die. So if anything, Dazai should be eager to have one on him and even attempt with it. But he doesn't, he never even seems interested in using guns at all in his suicide methods, hence he would have succeeded long ago...

So if it isn't out of unnecessity, then what might be the reason? I mean, having to count on your enemies to have guns in order to use one is rather inconveniet, right? Why can't he just carry the agency's gun or, before that, any of the countless PM's firearms? Well...

Here is what I think: Killing with guns is triggering for Dazai

Let's rewind a little...

15!Dazai is the earliest we see him using a firearm, and one of the few times he does shoot with said firearm, resulting in this fiasco:

He's clearly having a mental breakdown, spiraling, can't stop, and most importantly: can't think straight. This is Dazai's lowest moment in the whole series.

Thing worth mentioning: in the manga/lightnovel, Dazai does stop after shooting the man one time (basically killing him) and pauses, before he continues again and again and agian...

So I believe the triggering factor is either the death/corpse itself, or how the recoil felt.

We can't exactly determine what it might be, since remember, this is before Dazai even joins the Mafia. He's known Mori for mere weeks at this point. Whatever Dazai's going through in this moment has to related to his past prior to the mafia that we have yet to (or might never) see.

You'd get why Dazai, a person whose greatest ability is his mind above all else, would never wish to go through a moment where he can't keep his thoughts in check. Where he'd lose control.

And you know what's crazy? Dazai seems to avoid that outcome since then, as This is the only moment we see him actively kill someone with a gun in the series.

18!Dazai, through his (abusive) teaching moment with Akutagawa, shoots three times in hopes the other finally uses his ability defensively. There is a cause, and a motif, that a gun has to be involved in. And he knows Akutagawa is going to succeed in repelling them, he knows that won't kill him. Which is why wielding a gun is safe along with shooting it.

While in the ADA, in the instances Dazai wields a gun, he doesn't even shoot:

And that checks. Each one of these example were mere empty threats, but now I see that, as much as it's a threat to whoever he's pointing the barrel at, he's also under the mercy of it. Which means that every time he's used a gun since fifteen was a means to scare and not kill, if only to avoid the worst outcome which is losing control.

Dazai's sanity is on the line whenever the trigger is at the tip of his finger...

So why would he carry guns when he never even plans to shoot? When properly putting them to use threatens to send him into a breakdown, to overthrow his entire line of thinking?

One moment out of control might cost him his plans, his objectives, his subordinates, the lives he wishes to protect. And unless there is a motif for the gun (other than of course, killing) using it is a threat looming over him.

[djevelbl]

I feel like explaining how Branzy's mannerisms look like in my head is SO. HARD bc he feels like SUCH a peculiar and specific type of person, that even if I TRIED there wouldn't be a fully correct way to string words together to paint the picture. But fuck it we ball — lemme try anyway

(ofc, I'm here talking about his character and personality as he portrays himself in his videos; the same goes for any other youtuber I namedrop as I'm yapping. I don't feel like I have to clarify this, but still. covering my own ass out here, media literacy, yadda yadda, you get it)

In the LifeSteal videos I've watched where he participates/is the main focus of (the Heart Factory + Amusement Park saga mostly, so not a lot lol) he has this... This showmanship, this stage presence, like he's standing alone on the stage floor, the spotlight's on him and the little earpiece hung on him has told him "it's showtime." It's like he's the opening number for the Broadway Musical you came to watch, like he's the circus master of the show; he's all you can focus on once he starts talking, really: he's hilarious and charismatic, disarming with that devilish charm of his, that has endeared him to the deadliest player of the server — even if you never see his face, you can hear his smile every time he talks.

For having been on a Minecraft server that prides itself in death, destruction and preying on players' insecurities before shaking hands on a good season played, Branzy wears his emotions very plainly in how he speaks: he doesn't hide his fear, or his amazement, his excitement, his bloodlust. It's how he is, of course — hiding who you are is hard, but Branzy also plays this all up in his favor: faking his reactions when necessary, blatantly able to disregard his current emotional state to match the attitude of those around him (main example being him matching Clown's attitude even through his own fear of the guy), being able to lie through his teeth about pretty important things (like the state of Carnival Mode to Squiddo at the end of season 5), and others.

His poker face is a smile — all crow's feet and charming show of teeth, something happy and elated as he shows his newest killing contraption and explains it out to his soon-to-be victims. And they fall for it hook, line, sinker. A practiced dance everyone follows Branzy's lead in, subconsciously or otherwise. Because how deadly can it be if it's Branzy who made it?

Not just that, but he's very energetic and has a brand of attitude and sass that kinda reminds me of JT Music in The Details in the Devil (stay with me. I SWEAR this makes sense) — it's the over-the-top singing, the way he goes from a higher pitch to a lower one, the way JT Music's voice rasps around the edges; it all has the same vibe and attitude to me as Branzy's showman persona: all glamour for the camera, a big smile to attract new clientele, charm that oozes out of every pore and you don't even notice that it's a deal with the devil you're making. Until he's gone and you're left to pick up the pieces — even then, sometimes you just don't. notice.

A maybe (hopefully) easier to picture example

To me, in a sense, Branzy feels like the in-between missing link of AM from I Have No Mouth, and I Must Scream and Caine from The Amazing Digital Circus: all the bloodlust, anger, and sadistic tendencies from AM, and all the genuine, kind, goofy showmaster personality of Caine — a weird combo, for sure, but Caine is already based off of AM so like, thought it was as appropriate of a comparison I could make; especially bc Caine is a ringmaster, and Branzy does give ringmaster vibes to me so idk

Ofc, this is him at his peak, in his element, where he controls the playing chips — he's playing 4D chess and everyone's using checkers pieces. This is him gathering and casually using the power and influence he lords over the server — I mean, have you seen how ppl react to his mere appearance?? People love him, that's where he thrives: where people have an attachment to Branzy, Branzy has power; people kept coming back to the rollercoaster bc it was fun and a challenge and bc it was Branzy who made it — throw the credit onto Clown, ManePear, FlameFrags, any other pvp-skilled player, and watch as people run the other way. Branzy is the perfect combo of charismatic, charming, boyfailure-coded, somehow still competent, and fun to amass server-wide cred that wouldn't be broken no matter how many lives he claims via his machinery.

Clown is dangerous, sure — he's good at pvp and intimidating, he can do his fair share of manipulation when needed, but he's ultimately relatively easy to avoid: he follows a set of rules and while he doesn't vocalize them, if you observe him enough you'll eventually learn them. You'll eventually understand what the triggers are, which convo topics are best to avoid and how to best gain favor with him.

Branzy, though? He's very much a loose canon — beyond keeping his good relationship with Clown for protection (and bc he cares, let's be honest here) and whatever he deems fun today, I doubt he cares about much else; these two things are THE. MOST important to him, and there's little you can personally do to control either, if anything at all.

Branzy is SO interesting to me bc he's outwardly all smiles, happy-go-lucky in a sense and a coward — everyone knows this, it ain't no secret, and if it ever was meant to be we've left that station SEVERAL seasons ago. Yet inside there's a raging beast that begs to be released — the only reason we don't see it too often is LITERALLY bc Branzy is HORRIBLE at pvp; we STILL see it though: in how he encourages people to keep trying his deadly park rides, how he dangles prizes in front of their faces so sweetly and so casually so they keep coming back. In how he doesn't hesitate to betray his team so he can gain favor with Clown, a character he believes will be a bigger protection than his team was beforehand. In how he didn't even bat an eye as he bold-face lied to Squiddo about Carnival Mode being broken when it was most beneficial for Clown for it to "be broken". In how he casually makes a bragging joke about having easily killed two of the strongest players without lifting a finger to battle, because they wanted to play his carnival games.

Branzy has two loyalties: first to Clown and second to himself. Everyone else be damned

So coming back to the mannerisms thing — in my head he's extra extra: I'm talking "dangled upside down from a tree branch to scare someone as he introduced them all to the Chicken Launchers" type of extra, I'm talking "he did a handstand on the rollercoaster cart (with his elytra on, he isn't stupid I swear) as it jumped over the tiny lava pit to introduce people to the attraction" type of extra, I'm talking "he designed a mechanical crossbow he could wear on his arm so he could shoot the door locking mechanism trigger at the bigtop tent the most dramatic way possible" type of extra. He's a theater kid at heart, I just know it — he's dramatic and extra and so fun, so of course he'd have fun with it all! He's an adrenaline junkie (honestly? Why else is he still a sucker for Clown?? Adrenaline junkie + that's his work bf) and he will do a dramatic full split in front of Fleshy's to introduce people to the food stand and you cannot change my mind

So. Yea! In my head Branzy's mannerisms are a combo of showman enthusiasm, theater kid dramatics, acrobatics fueled by his adrenaline junkie ways, and random rubberhose-like body movements that are uncanny on like. an ACTUAL normal human body bc he reminds me of Bendy and I. Don't know. How else. To cope with it, so deal with it.

[mistresscitrusslice]

Jayce is mostly not like Orpheus because even though he tried to bring his bf science buddy back, Viktor still came back wrong regardless of whether or not Jayce had doubt (even when he did have doubt he didn’t falter. Jayce >>> Orpheus)

However, Jayce IS like Hadestown Orpheus in that in Season 1 he spent 100% of his lab time post-Council promotion working on a way to save Viktor’s life and cure him. He didn’t even notice that Viktor was already fading until it was too late. Orpheus toiled away on a song to fix the seasons for Eurydice and make life easier for her, but he was so consumed by this labor of love that he didn’t even notice his girlfriend already fucking died/left for Hadestown.

Viktor and Eurydice, both feeling neglected by the one that was supposed to stay by their side, are forced to take matters into their own hands and trade their autonomy for life/livelihood. Both of them also thought it would give them more autonomy but ended up with someone/something controlling them instead.

[mdawgswizzleinthehizzle]

a few examples of pedro pascal’s joel miller smiling to brighten your feed

[rirururu]

Their dialogue matches 🥺

More proof that Isagi being there to catch Bachira's kick at the end of second selection was meant to parallel their first meeting, except this time it's him believing in Bachira instead of the other way around.

[kitkat-the-muffin]

Tis a niche of its own

Sorry there is only two female characters, I kinda pulled these off the top of my head and probably missed a ton of other candidates. Reblog with an addition if you have one!

Edit: I forgot to make this poll a week long! Once this poll ends I'll remake it with new additions depending on the results (the characters with the fewest results will be replaced with suggested characters from the notes so be sure to suggest some!) in the meantime tho plz reblog to increase sample size

This follows my own definition of what "Comic Relief" means: A character that is used as a conduit for comedy in a piece of media

Through character studies I have determined that there are 5 types of comic relief: the Character Relief, the Audience Relief, the Tone Shifter, the Butt of the Joke, and the Slapstick. Characters that identify as "Comic Relief" usually fall into one or more of these categories

Further explanation under the cut

The Character Relief refers to a character who actively makes jokes to be funny in-universe through conscious humor. Examples from this poll would be Sans and Rayla, who go out of their way to make their friends laugh

The Audience Relief refers to a character who makes the audience laugh regardless of their impact on the story. Examples from this poll would be Lapis and Gus, who are often involved in comedic bits meant for audience entertainment that aren't acknowledged by the narrative as anything unprecedented

The Tone Shifter refers to a character who makes jokes to relieve tension and shift the tone of a scene, either consciously or unconsciously. Examples from this poll would be Jay and Leo, as they both consciously make jokes about grim situations to help their friends or family feel better. Additionally, Jay would do this unconsciously before his trauma made him start doing it on purpose

The Butt of the Joke refers to a character who is made fun of by other characters in-universe, whether endearingly or not. Examples from this poll would be Dewey and Lance, who are often met with insults whenever they do something wrong or silly. The insults are usually meant to be endearing and comedic, but they can still feed into the character's possible inferiority complex. This also applies whenever a villain hits them with a sick burn*

The Slapstick refers to a character who is made fun of by the narrative and the audience like a punching bag. Examples from this poll would be Sokka and Yusuke, who are sometimes put in troubling and awkward situations as a gag for the audience's entertainment alone. These gags are not fun for the characters yet delightful to watch

Most comic relief characters can be characterized as multiples of these. For example, Jar-Jar from Star Wars is both Slapstick and Audience Relief, and even if you don't find his jokes funny that doesn't change the fact that they were written with your entertainment in mind

If you're curious how a "The Narrative's Favorite (derogatory)" character would fit into this chart, they're likely both a Butt of the Joke and a Slapstick character, making their life absolute hell. To be honest, MK from Monkie Kid is an example of a character who fits all 5 categories, but he isn't blue so he isn't in this poll

*Ok if you've ever seen Phineas and Ferb Mission Marvel let me just say MODOK is a total Butt of the Joke and my favorite line in that special is when a TV announcer calls him a "Giant Chicken Egg with a Face" and I just had to mention that omg