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#oh no we cant have that
headlamprey · 2 years
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Cops have been practically LIVING on my block since the shootings but tonight i didn't see any of em so MAYBE i can finally get my spot that was buffed back
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dnp are so much worse than we could ever be. they bully us for being like omg they touched and then sit there screaming and giggling and kicking their feet because omg dan helped phil sort his fringe out in 2015 that’s soooo sweet!1!!1!!!!! 😭😭😭 omg did you see how they communicated without words?? 😱 they are so in tune with each other they have such a powerful connection 🥹🥰😆 so cute how dan was looking out for phil soulmate shit fr 🥺 let’s watch it again 😝😍🤣😵🤭🫨 like shut the fuck up?? fucking phannies?? you’re so embarrassing??
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hinamie · 23 days
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idk about yall but life is good again
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crimeronan · 1 year
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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justaz · 2 months
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need arthur repealing the magic ban bc its the Right Thing To Do and merlin is ecstatic bc finally finally he can be himself and tell arthur the truth. he can stop lying and hiding!! and the the ban is repealed and magic is free and theres a feast held in celebration and merlin lugs arthur to his chambers since the king had a bit too much wine and the night is warm and golden and steeped with happiness. merlin lays arthur down in bed and arthur looks up at him with half-lidded eyes, glazed over and warm and filled with love, and he says some sappy shit about merlin being a good friend and how loyal he is.
merlin isnt sure why his words make a stone settle in his stomach but he brushes it off and goes to bed, telling himself that he’ll tell arthur everything in the morning. then morning comes around and merlin sits at the table while arthur is eating breakfast and opens his mouth to tell him when his throat closes up and no words escape him. arthur is confused but merlin distracts him by insulting him and postpones the conversation. he’s been hiding for years, maybe he just needs to take it slow, take baby steps, let his mind and body get used to the idea of being free first.
merlin waits another week and a half before trying again. same result. the words wont come out and he’s choking on this secret he thought he could fess up to now and it takes him so long to realize he’s terrified. he isn’t sure why bc helloooo the ban is lifted!! he won’t be put to death!! what’s the problem?? he had an easier time confessing to sorcery to uther when such a thing was still punishable by death. why is it so hard to tell his best friend the truth when he won’t be punished for it??
answer: telling arthur the truth would mean telling him how merlin has lied for years and how arthur has never truly known the man he calls his friend. arthur will be hurt and angry and he’ll feel betrayed and that is something merlin has seen time and time again and he has fought so hard to prevent yet here he is about to put the same expression on his face. he’s about to break arthur’s heart once more. he can’t do it. he has to. he’ll hurt him. it gets worse the longer merlin takes. arthur will hate him. oh gods arthur will hate him.
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majoliish · 1 year
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imagine showing any of the celestials that stupid little illusion that makes it look like youre pulling your thumb off and they all collectively lose their SHIT. like freaking out, yelling at solomon for teaching you dangerous magic, asking why youd ever do such a stupid thing, only for you to put it back and theyre just so baffled. once its been explained, diavolo and mammon would be enamoured, begging you to show them the trick behind it.
by extension. telling one of them youve "got their nose" and running off, only for them to chase after you and demand for it back. luke just straight up bursts into tears.
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xinyuehui · 3 months
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It's sour??
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moeblob · 6 months
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So does he, Gallagher.
#honkai star rail#hsr blade#gallagher#i based this off of how many times i used funny soda man to help be a healer with his poppin soda pop in SU#and then blade constantly just being blade as usual#its normally him saying unnecessary to my actual healer but#i kept forgetting gallagher heals and i kept healing when i didnt even need to so TECHNICALLY yeah it was unnecessary#but the amount of times blade was the recipient......#i cant use like most of my newer units in story bc i cant ascend or i run out of leveling mats so i just#get them and toss them into simulated universe for funsies cause i can match their levels better#so thats where i tossed gallagher and he is genuinely fun to play as ? like i love his punches and kicks to start the battle#funny soda man is funny (to me) and im really behind in plot still#but last time i tried to play it on my laptop and got a kickass cutscene my laptop lagged and i couldnt even see it RIP to me#so now that its like ... me trying to play it on desktop ?#i mostly get on desktop for comms and if i do much else i feel like im slacking off even if i would take a break anyway#one day i can play more story plot stuff and actually meet the funny guys#also in case you know me for Not Having Boys in HSR i need to point out#i did pull Gallagher however same 10 pull got a 4 star girl copy for someone i never use and she is at e4 now cool#and i didnt even think of the irony as i started this i just like drawing blade and i wanted to draw gallagher#so when i already had the dialogue planned and am drawing i was like OH WAIT haha im funnier than i thought#(no i am not but we can pretend)
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m1d-45 · 2 months
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will you promise that i'll see you again?
summary: your people refuse reason, and their damage refuses to heal. when it seems as if the whole world has left you, your dutiful knight still remains by your side.
word count: 2.3k
-> warnings: implied suicidal ideation (reader + unnamed side character), reader's previous deaths are mentioned in somewhat graphic detail
-> gn reader (you/yours)
taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie || @boba-is-a-soup || @yuus3n || @esthelily || @turningfrogsgay || @cupandtea24 || @genshin-impacts-me || @chaoticfivesworld || @raaawwwr || @yuryuryuyurboat || @undrxtxd || @rainswept || @wanderersqt || @rozz-eokkk
< masterlist >
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“you’re one of the only things keeping me going, you know.”
dainslef turned to you in surprise, the even neutrality to your tone a sharp contrast to the rapid pace of his heart. he wasn’t a fool, he knew that the hunt had to be taking a heavy toll on you, but this…
this was more than he expected.
he knew he was one of a pitiful few who saw through celestia’s false puppet, who knew you for you and not their mirage. he knew that the entire world was hellbent on erasing you from existence, that you’d been forced through your own death countless times as teyvat pulled you apart and pushed you back together far from the scene of your would-be murder. he saw the golden scars across your skin, the dried remains of blood lining the wounds you hadn’t been able to patch yet. he’d been the one to wash them away, not minding the refuse soaking into his gloves if it meant your hands could be clean.
he recognized the dull exhaustion in your eyes, the same as the ones he saw in the reflections of lakes. tired, worn, barely there, hanging on by one solitary string that was wound so tightly around a desperate hand.
you had always been his reason for continuing. when the traveller broke down and the ruler of the abyss hid from the sun, you were there. when the chasm’s mud clung to his boots and the memories in his head burned as nails forced between his eyes, you were there. his rosary was kept tight to his chest at all times, familiar prayers pulling him up in the morning and forcing him to sleep at night. he was alive for far, far too long, but you made it bearable. you were his duty, his promise.
he never once thought that he’d be yours. then again, he never thought that he’d have to defend you from the ones you once called friends. time never did pass how he expected it to.
“…leading light?”
you looked down, twirling blades of grass around your fingers. he had led you up to a mostly desolate area of sumeru, west of bayda harbor. it close enough to the sea, forest, and desert that you could reasonably make an escape through any of those routes if need be, while also providing a rather pleasant view. the sky was bleeding red and gold as the sun sank below the horizon, a remarkable sight that fell on blind eyes. there was no use trying to enjoy nature’s beauty when he still kept one hand on his sword and both ears pricked for the slightest sign of danger.
you shouldn’t have to worry about your safety. you shouldn’t have to prioritize based on how likely you are to get hurt, or how easily it would be to make an escape. you still flinched when the wind blew a little too quick, used to it heralding armored footsteps and battle cries. in another life, you were welcomed with open arms, able to enjoy yourself without constantly being on high alert. teyvat did what it could to adapt; the air was still, frozen in time, barely a bird chirping for miles. it was meant to be comforting, he thinks, but dead silence was more unnerving than any breeze.
“i mean it.” he could hear every shift in his cloak around your shoulders, the heavy fabric doing little to soothe your stress. it was yours more than it was his now, to the point he felt claustrophobic wearing it. how long had he been traveling with you? the days blurred.
“i don’t doubt you.” he never would. never could. he’s not sure, even if he somehow wanted to, that his body would allow him to treat your words as anything less than fact. “but i don’t understand what you mean.”
you were a god. the creator, the first, the one that shaped the sovereigns scales and laid the foundations of earth. you predated the archons, celestia, the very skies themselves…
and he, somehow, was a driving motivation for you?
his words must have been funny, a sharp laugh tumbling out of your mouth. it was bitter, humorless, and somewhat raspy. he made note to find some water for you later. “what else could i mean?” you turn to him, some of his confusion lost as your eyes found his. even this burnt out, deep bags set beneath them, you still managed to steal the very air in his lungs. “you’re the only reason i’m still here.”
he didn’t know what to say. what was there to be said, when you were you and he was him? when the world had abandoned you, it made sense you’d cling to what remained faithful. it was merely coincidence he happened to find you first, that’s all. coincidence that you trusted enough not to run from, coincidence that you allowed to care for your injuries. there was nothing to say, because you held nothing for him in particular, only leaning on him out of need. he had to believe that. what was he left with if that wasn’t true? an awkward truth hid beneath his well-known lies, too large for him to see the edges, let alone to contain.
“please… do not say such things again.” to ask of his god what he could not ask of himself was surely some form of heresy, as was willingly laying aside his guard when he was the only one who was tasked with protecting you. he pulled his attention from the tide below, from the rustling trees, holding faith that the world would not be needlessly cruel. he stepped forward, kneeling beside you. even up close, you still seemed painfully small. “it is your own resilience that has allowed you to persevere.”
it’s the earth that leads you from danger.
it’s the water that follows you wherever you go.
it’s the leylines that whisk you to safety.
it’s the wind that warns you of what’s to come.
it’s the you from the past that protects the you in the present.
it’s the you in the present that provides for the you in the future.
it’s you, from everywhere and everywhen, continuing to fight.
and yet you sigh. you look away, across the sea, tracing fontaines skyline. “it really isn’t. i was lucky to run into you when i did.”
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you had just crossed the wall back into the forest, burning hot and shaking. he was the lucky one, in truth, to be able to pick your figure out from the sand below. perched on a high cliffside, even mitachurls were reduced to small brown flecks.
you had worn a cryo mage’s cloak, which was what initially drew his attention. abyss activity wasn’t uncommon in the area, but a cryo mage in the desert… that was cause for intrigue. he stepped forward and slid down the steep face in front of him, a slight puff of dust marking his landing in the desolate sand of old vanarana.
he didn’t know what to expect. you stumbled around the jagged remains of a tree, heading for the statue of the seven. he followed, only growing more confused. cryo and dendro did not react with each other, and there was no way to “slow” a statue. a scouting mission, maybe? but why a cryo mage, when pyro would have been far more advantageous in the case of an attack?
he leaned around the corner carefully, prepared for the sight of a staff or the chanting of abyssal magic filling the air. the entire world seemed to be holding its breath, frozen in place and waiting for some trigger to continue.
he saw none of that. you were collapsed at the foot of the statue, faint wheezing only making it to his ears by virtue of the standstill around him. you held no staff, commanded no magic, your chest barely moving with air.
he’d never seen a mage seek out the archons when dying. one hand squeezed the handle of his sword as he crept forward, ready to strike should the situation turn against him. the sand barely shifted beneath his feet, his own heart sounding too loud to his ears. you did not move, showing no signs that you had noticed his approach. he still didn’t trust it.
your cloak was tattered and torn, with thick gloves atypical of a mage. they reminded him more of hilichurl wraps, which was strange considering you wore no mask. your face was instead covered by what looked like eremite cloth, just as stained and dirtied as the rest of your clothes. what he could see looked almost human; in another life, he could believe you were a weary traveller, lost amidst the sand.
he was acting foolish. if the abyss had a human tool, he needed to figure out why. he reached down, undoing the sloppy knot of your veil and letting the brocade fall limply to the grass.
…grass. he blinked, eyes flickering between the ground and your face, not sure which was harder to believe. flowers had bloomed around you, protecting your body from the blazing sands, and he’d be a fool not to recognize the face plastered all over every bounty board.
he didn’t understand. if nothing else, he thought the archons would have enough respect for their creator to know when they were being lied to, yet before him was barely living proof of the inverse. sweat beaded along every inch of exposed skin, deep-set heat exhaustion burning you from the inside out. how could you be a threat? how could they be so blind?
he looked again, the shine of elemental sight straining his eyes, catching flickers of the dendro energy pouring from the statue. you were the only one the archons would feed. you were the only one to make the very earth break its own rules, allowing lotuses to bloom from barren soil. something painfully similar to rage threatened what remained of his rationality, and it took all he had to push it aside.
that didn’t matter. if he went off on some banal revenge quest, he’d be no better than them. your safety mattered more. he picked you up and set aside how calm his curse felt, beginning the trek back to his camp. behind him, the flowers already began to wither, losing their persistence without you to foster it.
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perhaps that initial meeting was luck. but these was no luck involved in your trust in him. when you woke up and saw him at your side, you chose to trust him. you chose to believe that he was not like the others, that he would protect you, and he was forever grateful for that trust. nobody could fault you for being angry, for being spiteful about what you were put through and choosing to lash out. nobody would have the right to be upset if you chose to vent your wrath against those that had hurt you.
but you didn’t. you chose, again and again, to believe in the world. you chose to let them live their lives, even if it meant getting hurt again in the process. you chose a quiet life traveling with him over the comfortable life on your throne. to willingly choose to travel with a disgraced knight to spare your people guilt… he couldn’t decide if it was noble or reckless. either way, he was selfishly happy that he was the one to stay by your side.
“i won’t try to convince you. but, please.. do not give up on yourself so easily.” i know far too many who have died by the same hand. “the world and its opinion does not define you. only you get to decide where fate leads.”
you lean towards him, and he thinks you might have passed out- but no, your head lands on his shoulder with far too much precision. he stiffens, not used to existence without a constant pain beneath his skin. “how motivational. you tell all your soldiers that?”
his heart is beating too quickly, thoughts unusually hard to grasp. you’re the only one who could have this effect on him. he only wished it wasn’t now, when your belief in yourself was on the edge. “i mean it. none of this is your fault, and neither are celestial actions the people’s fault. i know that you are hurt, but i don’t want you to accept that main needlessly. you shouldn’t have to view your creation with such pain.” slowly, carefully, he raises the hand closer to you, doing his best not to disturb you as he settles it on your arm. he’s can only hope that the contact brings you as much comfort as it does him. “if nothing else, believe me. promise you’ll at least try.”
he doesn’t think you’ll agree. why would you make a promise to one who represents the heaven’s betrayal? why would you let him hold you close at all, when you can surely sense the bindings of those who tried to kill you wrapped tightly around his soul? he doesn’t know. all he can do is hope.
“…alright, dainslef. i promise.”
twilight has long since fallen, and yet he smiles for the first time in centuries.
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ahem. dear Sally,
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I KNOW WHAT YOU ARE
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critter-of-habit · 2 months
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So I met Jessica Madsen (Bridgerton's Cressida Cowper) on the weekend and she is now one of my favourite people 🥹
Got her autograph, sat in on her panel, and thanks to encouragement from a new friend I also went along to a special lil event and got to chat with Jess over dinner for 2 hours 🫠 It was her, Sam Phillips (who plays Lord Debling and is also a joy of a human) me and 7 other lovely folk.
They were both really relaxed and chatted openly about the show - both love the change to Michaela and that there will be more queer rep. They asked which order of Bridgerton siblings we thought the show would be going with and seemed really amused at our guesses (I dont know if they even know what the order is themselves, they were playing very coy about it 😅).
A highlight of the night tho was early on I mentioned that I had to drive 2 hours to get home afterwards, and didn't think she even heard me. But then when she was leaving she touched my shoulder and told me "drive safe!" And I just 🫠 - so sweet she remembered 😭
Anyway, I am now forever a Cressida defender, my girl can do no wrong and deserves the world
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juniemunie · 3 months
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Found these old whiteboard drawings i made with my friends hehe
Anyways heres a not so memey one
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ivymarquis · 1 year
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I work in health care which means I get paid to weigh people for a living and if there is one thing people can’t do correctly, it’s guess weight.
Idk why.
Idk who this will help, but Ghost is probably clocking a good 118kg/260lbs, do with that what you will and God Bless.
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cchipollo · 3 months
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@technicolor-dreamss and i made another au..... romcom au. he has more drawings in his instagram post CHECK IT OUT
um. more explanation below
i was telling mark i reckoned this au was a combination of a modern (late 2000s) au, human q au, college au, lawyer au. um. picard liking q back au.
basic gist is months ago beverly's husband jack dies after a nasty work accident. so shes attempting to press charges or sue or whatever the legal word for that is but the company jack worked at (ferengi stand ins) repeatedly pressures every lawyer she hires.
picard bumps into q one day and spills tea on him and q's like “oi dick watch where you're going i have to go to court” and picard's annoyed but he shrugs it off. then they keep bumping into each other after that
q starts cyberstalking picard on facebook on their 2nd meeting and hands him his business card at like. the 2nd or 3rd meeting
anyway, so the statute of limitation or whatever is running out on the whole case against this company and beverly's like "i wont be able to get justice for jack if i cant find a lawyer who's willing to stick with me" and picard eventually is like wait. hm.
he calls up q and is like i need your help
hilarity ensues ! yahoo !
other than. well literally every other change theres a couple of changes within the characters relationships with each other, like vash has only dated q and only meets picard after q does.
of course jack dying way later. it might be worse for wesley this way now that i think about it. sorry wes
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b4kuch1n · 1 year
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pre-marination doobles. dont ask me questions
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lutheban · 14 days
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Hey remember right before the pandemic when a season of a show was about 15-20 episodes? Remember when having 8 episodes what called "a mini-series"? Remember when we could get a season a year and not wait 2 years to get a continuation of a story? remember when shows had time to grow and form an audience? remember that? yeah? cuz i do
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