So I met Jessica Madsen (Bridgerton's Cressida Cowper) on the weekend and she is now one of my favourite people 🥹
Got her autograph, sat in on her panel, and thanks to encouragement from a new friend I also went along to a special lil event and got to chat with Jess over dinner for 2 hours 🫠 It was her, Sam Phillips (who plays Lord Debling and is also a joy of a human) me and 7 other lovely folk.
They were both really relaxed and chatted openly about the show - both love the change to Michaela and that there will be more queer rep. They asked which order of Bridgerton siblings we thought the show would be going with and seemed really amused at our guesses (I dont know if they even know what the order is themselves, they were playing very coy about it 😅).
A highlight of the night tho was early on I mentioned that I had to drive 2 hours to get home afterwards, and didn't think she even heard me. But then when she was leaving she touched my shoulder and told me "drive safe!" And I just 🫠 - so sweet she remembered 😭
Anyway, I am now forever a Cressida defender, my girl can do no wrong and deserves the world
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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i know that jiang cheng and liu qingge fill in similar roles in their respective mxtx stories (2nd male lead-esque, kind of tsundere, good at fighting etc.) but equating the two just feels incomparably worng to me.
idk how else to phrase this but liu qingge is a lot more honorable about the fact that his feelings towards the protagonist, romantic or otherwise, are unrequited. he never ONCE seems to think or act like shen qingqiu has slighted him.
liu qingge doesn't treat shen qingqiu like the man owes him something. he's a loyal guard dog type protecting shen qingqiu wherever possible, straightforward with his thoughts instead of obfuscating any bitterness or disagreements with passive-aggression, and most importantly he respects shen qingqiu's decisions even when he hates them and leaves him alone instead of badgering or insulting him.
none of which jiang cheng did with wei wuxian, past or present.
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Going a little insane thinking about how from Knives' perspective, his olive branch for Rem was rejected by his childhood perception of her loyalty to humanity, but Rem was assessing the situation as both a ship official and a parent and definitely making the choice she thought would maximize his and Vash's survival chances...like, if she was following duty as a crew member first and foremost, she'd head immediately to the bridge and tell the boys to head to the escape pods via comms or something. But instead she spent valuable minutes ensuring that Vash and Knives were safely strapped in and ready to escape, and then turned around to minimize the ship damage. Plus she had no actual way of knowing whether the plant ships were on a crash course, either—and while tristamp Nai can survive completely without food and water, no version of Vash has been shown to be able to do so completely (plus all other versions of Knives are shown at least drinking lol). So from her perspective she didn't just need to save both her kids and the humans on board, she also would've needed to save as many dependents as possible just so the boys had a way to stay alive.
She did the best she could do as a parent in that scenario, and Knives forever locked himself into a traumatized child's reasoning for her actions and blamed her to cope with it and then never reassessed from the perspective of an adult due to his, well, issues with everything. That's rough buddy.
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an aspect of shadow's trauma that i've been thinking about a lot since the sa2 replay is how fucked his perspective of gerald must be after everything, especially assuming he was family to shadow just as much as maria was [which i do every day]. the man who raised you, created you from nothing but tissue samples and energy and hope, the man who could have easily decided you were a simple thing to be used and yet welcomed you into his family as easily as his own granddaughter, who treated you as a person when so many others treated you as a lab rat or a weapon or another soon-to-be-failed prototype, in a moment of unfathomable despair, decided you were to be a tool that would carry out his final plan. perhaps treating you this way was another symptom of his mental breakdown, perhaps deep down he's always seen you as nothing more than a thing to reach his goals with. you will never know, because he is dead. every comforting memory you have of him, every time he encouraged your curiosity or stayed with you during a test he could have observed from afar or told you how proud of you he was, forever tainted by the thought that it could have all been a lie. a variable in an experiment, a means to an end. how would you ever trust anyone ever again man i'm in shreds
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