#of course there is the abuse

[l1ve-l4ugh-lov3craft]

Regulus Black and I should trade lives fr fr

HE gets emotionally unavailable, slightly judgmental parents and religious trauma buuuuut gets to be super sexy and tall and have a sibling who’s his best friend (i feel like that should appeal to him) and go to university to become a college english professor

AND I get to drop out my last year of school to hunt down ancient artefacts to kill a dark overlord and also i get to die at 17 :D

seems like a fantastic compromise for us both

[wildbasil]

things haven't been great but i think they will be. eventually 🌻🌼🩷

[chloesimaginationthings]

The FNAF Vanessas meet their younger selves..

[technically-human]

Hey, don't cry. Ghost yuri, okay?

(Now that you know the girls, they need to meet the boys!)

[the-barefoot-hatter]

pediatricians are hard to find.

you aren't broken and other important things a triangle needs to hear

[demaparbat-hp]

Regarding the Cherry Wine Incident.

[wilteddreamsofbaldursgate]

I’m a fierce believer and defender of Smooth Brain Astarion (affectionate).

I love that, if left to his own devices, he ends up dead in a ditch. I love that this pasty menace of an elf is a walking disaster. I love that his brain produces one coherent thought per day, only to have it backfire on him later on. I love that his first choice in freedom is to unapologetically be the worst version of himself. Because it makes sense. 

That’s what abuse and trauma do to your brain—they fuck with it. 

And in Astarion’s defence, the man didn’t have to use his brain for nearly 200 years—it’s probably the very thing that kept him as alive as he can be; to survive 200 years of pure shit. 

And what use is his brain when his days and nights are dictated by someone else for as long as he can remember? When he has no say in what clothes he wears. When he doesn’t get to choose what or when to eat. When his body and mind aren’t his own, distorted by torture and hunger and self-loathing, forced to obey his vampiric master. Why use his brain when his survival depends exclusively on his abuser’s whims? 

Astarion could’ve come up with the most brilliant plan possible to escape Cazador or save a mark from their doom, but he never stood a chance of succeeding—which doesn’t mean that he didn’t get punished for trying (or even thinking about it) anyway.

Existing under Cazador was a game he couldn’t win, so why bother playing? 

And it’s only by chance that Astarion’s autonomy is returned to him literally overnight. It’s only natural that he’s overwhelmed by his newfound freedom. How is he expected to make sound decisions when he can’t even recall a time when he could do and say as he pleased? 

Of course Astarion is a walking disaster when he finds himself on that beach after the Nautiloid crash—and he’s fully aware of that! That’s why it’s so crucial for him to get on the player’s/other companion’s good side.

He’s self-aware enough to be so insecure about himself that he would rather trust a stranger’s capabilities than his own. 

Being a catastrophe of a person is part of Astarion’s character journey. Not only does he have to reclaim his personhood, he has to learn how to depend on his own brain again and I think that's such a painfully beautiful, important message Baldur’s Gate 3 sends. 

Because healing isn’t pretty. Nor is it easy.

You’re not alright the moment you’re free of whatever horrors you had to live through—and that’s ok! There’s time and room for you to adjust. 

And the moment Astarion feels more or less safe within his new environment, when he’s fed and treated like a person worthy of respect and consideration, his insights, skills and perception are crucial assets to the group.

Astarion knows his art and literature, and although his little remarks are unhinged at times, he's genuinely witty. Even his objections are, considering the circumstances, absolutely legitimate.

Personally, I love seeing Smooth Brain Astarion become more and more secure in his judgement the more Tav/other companions trust and support him.

Astarion is smart, his brain’s just been stewed for nearly 200 years.

[tealvenetianmask]

Does Blitz blame himself for Cash's abuse?

Stick with me, and I'm truly sorry.

All of the people except Cash featured in the memories Rolando shows Blitz are people who Blitz has cared deeply for and felt like he hurt, failed to get close to, or let down.

Let's look at them (again, yes)

Tilla

Fizz

Verosika

Loona

M&M

Barbie

A whole lot of Stolas

So. What. The. Actual. Fuck. Is Cash Fucking Buckzo. Doing in this line-up?

Well. Hurting Blitz, horribly. My first meta on this scene didn't really capture this, but as many have pointed out, this is Cash grabbing Blitz's freshly burned wrist after the fire and smacking the ever living shit out the burned side of his face. Presumably blaming him for the fire and everything (and everyone) lost from it. And then Cash telling Blitz in the hospital that Fizz doesn't want to see him.

It's emphasized too. Right after we see the memory of Cash hitting Blitz, we see Blitz physically flinch while watching it.

So if this is just a compilation of horrible memories, maybe that's all there is to it.

But if it's a grouping of the people Blitz cares for, well . . . it makes sense for it to be that, doesn't it? Blitz has a lot of love in him, and yet he's scared of intimacy. His trauma is ABOUT hurting people, losing people, driving people away, craving closeness that he can't have . . .

Being an abuse victim is complicated. Being a family scapegoat is complicated too. A lot of abusers try to make the victim think that they're ACTUALLY the cause of their pain and everyone else's, and we already know that Cash did this to Blitz (literally in this same set of memories in the hospital).

But we also saw it in The Circus when Blitz was much younger, and saw how much this tactic got to Blitz.

Cash guilts his son into going into a dangerous situation for him. If Blitz doesn't do this, their lack of resources, the possible suffering of his parents . . . it will all be Blitz's fault.

And Blitz cares deeply (he always has!), so he does it.

Now one might argue that Blitz says "of course I want to help Mama" here and leaves Cash out of his reply, so he doesn't love his father. But reality is often more complicated than that. He's upset here that Cash is forcing this on him. Cash hurts him. His mother (seemingly) offers much more love. That doesn't mean that Blitz doesn't ALSO feel some care and responsibility for his father's wellbeing.

I think that Blitz believes (or at least a significant part of him believes) that he destroyed Cash's life too with the fire, and that he deserved that beating and being turned away from the hospital and possibly many of the beatings and beratings that Cash delivered in the past. I think that in the moment when Cash grabbed him, he felt that he fully deserved the agony he felt when Cash held his wrist.

I think a part of him loved his father growing up and still loves him-- that there were moments between the incidents of cruelty where they had fun together as a family, and where looked up to his dad and wanted desperately to win his approval.

I think that Blitz has a lot of anger toward Cash too, and that a part of him always knew that Cash was wrong to hurt him. He had a whole lot of resilience and defiance in him even as a young kid.

I think that he felt guilty for all of the times he felt angry at his father. I think he might still.

I'm off to cry and then grab my pitchfork and storm wherever Cash is living nowadays. Who's with me?

[auxxrat]

so sick and tired of the “jedi are an evil and abusive cult that steals children” as if half the reason they weren’t protecting these children is bc sith were out killing them or TURNING THEM INTO SITH. they weren’t even STEALING children to begin with I thought we all knew that was Palpatine’s game not Yoda’s.

[nevermeyers]

I find it very realistic that Megumi wants to try to live for someone else again instead of for himself directly. I mean it. It will take him a long time to recover from what he has suffered, which was too much for a child (because he is still a child!!). At first I thought Megumi was going to pick himself up, but looking at it from another perspective and analyzing my own experience with mental health: it makes sense. Megumi needs help. And he will get it. Yuuji and his friends will teach him to live for himself. The ending of Megumi's character is a new beginning, unlike the others.

Btw, did y'all notice his scars are Sukuna's? The way i'd kms on the spot, poor boy :( he's going to live with the curse of remembering every time he looks on the mirror

[danlous]

INTERVIEW WITH THE VAMPIRE 2.03 "No Pain"

[motherhenna]

Moon-kissed child of Hircine: / Accept mine proffered blessing do / So thou wilt never flee or rue. / From faun to fear-bringer, / Nadir to night-singer / Even the odds and return those who huntest thou to basest parts / Hearts and all.

My Skyrim Dragonborn, Vakna True-Thunder shortly after turning an unlucky band of highwaymen into a three-course meal. Wanted to make an illustration alluding to her history with lycanthropy and the Daedric Prince of Prey over the course of a decade. After all, where is the sport in hunting an unarmed prisoner on the run--a young messenger for the Jarl of Windhelm himself who had yet to see even her sixteenth winter? The pursuing Dominion jailers and hounds never had any intention of playing fair, blood moon or not, so Hircine offered the desperate girl the power to even these odds and make his forest a proper hunting ground once more. And in years since, she has certainly never let this power go to waste.

[phemiec]

Mouthwashing meta underneath the cut (tw)

What’s fucked up is that Mouthwashing’s main horror belongs to Anya. Anya is living the Shining and Alien and a thousand of anyone’s worst nightmares, in space, alone, with no one on her side, a ticking timebomb in her own body, and not any of the characters, or the narrative, or even the players, acknowledge that to the extent she deserves. Because she’s a woman she’s just treated differently.

Other people besides me have pointed out, that Anya not only told Curly, who failed her, she also told Swansea, who also failed her, and people like to paint him as better than Curly. They want to see the best in the men around her just like she does, but Swansea ALSO belittles her, calls her a “so-called nurse” and says that “even she can’t ruin [opening the storage unit] with her presence” when jimmy walks in on Anya talking to Swansea in the cockpit she’s crying, and placating and again, reacting in resigned acceptance, which implies that Swanseas response to her was something along the lines of “suck it up”. Swansea didn’t give her the axe, he did nothing to help or protect her, he kept the cryopod for Daisuke, he never considered her.

and it is very, VERY intentional on the part of the writing, that we never get to see Daisuke and Anya really interact. They could have had a friendly companionship, given their shared doodles and his concern on her being locked in the med bay, but we never actually see them talk to each other in any real capacity. and even if she had gone to him for help, there’s very little he could do as the youngest and least senior member of the Tulpar. And besides that, the only time Daisuke mentions women (who aren’t his mom), he’s talking about “hot bikini babes”. I’m not bashing him for that, taken on its own it’d feel like harmless bro low-level misogyny, but it’s part of how the writing is very intentionally alienating Anya constantly in so many little ways.

Anya is the ONLY woman on the ship, and all of the men on the ship either abuse, belittle, degrade, objectify and dismiss, if not her specifically, than at the very least her gender, and by and large we ignore that because Jimmy is so comparatively horrible. But there was no chance for Anya on that ship, she did everything she reasonably could have done, and the reason it’s so hard to conceptualize a believable fix-it for the plot, is that the men around Anya and the system they all exist in, would all have to change on a fundamental level for anything about Anya’s situation to change, and even if the ship didn’t crash, Anya, unlike the rest of the crew, would still be living a horror story.

She is the actual protagonist of the plot, she is the final girl who died first. We are denied her perspective just like she is denied agency, control, respect, etc.

[divineandmajesticinone]

LET FREE THE CURSE OF TAEKWONDO I EP. 04 Are you okay? No, I'm not.

[bunnieswithknives]

Steve Cobs I hope you EXPLO- oh wait.

[8igiron]

his prescriptions are covered by the hospital right?? seems like fair compensation for the unfortunately location of his office (and its proximity to a walking biohazard)

draw your pookie in distress