#obviously heavily referenced from the original

[wolfsong-the-bloody-beast]

That Baldur's Gate 3 cover art with Astarion. But it's Sebille.

[duskerot]

i got SO inspired by this beautiful photo by Ron Frazier so i decided to paint it !! and then throw some guys on there cuz of course

u can look below the cut if you want to see the painting without the characters !!

MY PAINTING !! this was so fun fr i love painting light <3 might go ahead and post this separately but for now you must look at these ocs ok?

[emsartwork]

Hey yall im not dead!

COSMIX!!! I've officially redesigned all the transformations in the Winx Club TV series hell yeah

Lore and Design notes below

So Cosmix is a rather defunct transformation in the modern era. It used to be used heavily in the age of space exploration but since teleportation and hyper speed ships became common place, the Magix dimension prefers to use those. Essentially, in order to set up a teleportation center, the caster/s need to have been to both the origin point and the target point. Witches and Mages were the primary people responsible for setting up the teleportation system, but in order to achieve the spells requirements, they would require help from a Cosmix fairy. The primary function of Cosmix is the ability to fly through space with out detrimental effects. Cosmix fairies can take 1, maybe 2, people with them while they fly in a shooting star esc trail function. Cosmix is not great for fighting unless the foe is darkness/light based. Defense is strong against cold, pressure, and friction, but not most other kinds of damage.

Cosmix is also theorized to be the Magix Dimension's version of the elementix. So like Sirenix is the transformation that grants access to the Infinite ocean, Cosmix is the one that would grant access to the Magix Dimension if fairies were in the other realms. Because humans already belong to the Magix Dimension, and the transformation isn't required to earn Nymphix, it isn't considered a true Elementix. Some fairies (mostly Solarians) do experience biological changes when using the transformation, seen here in Stella, but it's not super common. The hair takes on the magic color and drifts into nebulous star dust and galaxy clusters. Solarians are located closest to Lumenia, a tightly clustered star formation, and frequent attract Lumens due to Solaria's binary star system. They have formed fast friendships with the Lumens and many Solarians carry a Lumen's Blessing (it's similar to the elemental companions' bonds in the elementix) in their bloodline which contributes to the biological changes when using Cosmix.

I'm still hammering out how seaosn 8 works plot wise but I'll add it to my show changes masterlist eventually.

Design! The initial concept was "man i wanna draw some chunky ass boots" and i kinda ran with the cyber punk look from there. I was also adamant that Cosmix is a pants transformation, both out of practicality and spite because they made everyone so hyper feminine in season 8. I referenced the actual cosmix designs and their "space travel" oufits for the general shapes for these, but obviously there aren't a ton of similarities since I went in such a different direction haha. Also my first time drawing Aisha with twists! I almost gave her a fro cus it would mimic an astronaut's helmet (and lowkey a nod to Garnet from steven universe) but i like how the twists came out haha

Cosmix includes! Hair up and out of the way, a mesh base layer with light veins and stars, a body suit or shorts and top, a padded armor torso piece with some tubing ports, so many buckles and straps, a clear plastic portion(usually part of the torso peice, sleeves, or around the waist/hips), wrist/arm guards, and chunky chunky boots. The wings are also larger than most transformations (rivaling Butterflix/Faunix) and trail more of the fairy's magic color than usual. Simple geometric designs are standard.

[spilledkaleidoscope]

I'm writing a Swap-AU fic and wanted to do some portraits to go with it.

Obviously heavily referenced from the original art.

Kim's shading is referenced off bruises

I kinda made myself sad with Harry's portrait dfjkdsjf why is it so hard to get The Expression off his face

[quotidian-oblivion]

I've been thinking about Jason's memorial case in the Batcave recently and came up with a few thoughts.

Obviously, there are a few things wrong with it, mainly the title of a "Good Soldier" being attached to a child. And I've been thinking aboit that mostly.

There's no questions of how intensely focused and obsessed Batman is over the war against crime in Gotham, we see him quoting it multiple times in the comics and even the movies, animated and live-action. And so he thinks everyone in the war is a soldier, including Robins. I hate that and loathe it.

Not because I'm a Batman apologist, I'm not. It's because I like to see and believe in the better parts of Batman. The reason why he doesn't kill in the first place--because it comes from a place of compassion and a place of strong belief set by an 8-year-old boy who grew up too fast. Because he believes anyone can be redeemable because ultimately everyone is human, as proven in the older Batman comics and Batman TAS when he helps Harvey, Harley, Baby Doll, etc.

And the biggest reason of all--because Batman, whether anyone likes it or not, represents a strong symbol in Gotham. A burning torch in murky darkness. A hope--one shrouded by shadows--but a hope nonetheless. It's in the psychology of Gothamites, it needs a Batman because of that symbol which is lethal to criminals and a relief to citizens. I'm heavily referencing The Dark Knight Returns I and II (animated movies) here. Watch it if you haven't yet, you'll see what I mean. This is why he can't kill the Joker. It will be completely tainting that hope and we can see its effects in The Dark Knight Returns II.

In any case, Tim was right about Batman needing a Robin. Because in the end, Batman is just that--a man. And Robin is a child.

Lego Batman is really good for this reason. The concept of found family in that movie is just amazing. I love how Bruce fears having a family again after he lost his old one.

Batman needs a Robin because Batman was originally born out of a vengeance scheme of an 8-year-old newly orphaned boy who lost everyone. Trauma lasts. Batman needs a Robin because Robin is a family. And that little boy who lost his parents needs it. And so does Robin.

I love in Young Jusitce when Batman says "So that he doesn't" in response to Wonder Woman asking him if he pulled Robin into this life "So that he turns out like you?". Because Dick was also a little boy bent on revenge. Bruce gave that to him in the only way he knew how, but a better version because he himself has matured and understands how dark he has gotten. He doesn't want that for Dick, or Jason, or Tim, or Damian, or Cass--or any of his kids. He gave them early on what he didn't have--a family. And he received a family back. And having that family keeps Batman from tipping oved the edge into insanity. Because revenge is a poison, even if it's an 8-year-old boy imagining it.

But that still doesn't change that he sees it as a war. And he sees Robin and himself as soldiers.

So I came to a conclusion.

He doesn't.

Bruce doesn't.

Batman does.

Here's how I'm piecing it out:

"A Good Soldier" carved on the memorial case because only soldiers can fight so openly and outwardly. Even if they're dubbed as vigilantes, they are soldiers. And I think Bruce thinks it this way.

So when he sees a Robin or a Batkid out there, kicking rapists in the face and whatnot, he sees how someone so young can bear so much weight. He sees how a child can hold so much bravery--like the soldiers in the frontlines--doing this because of the morals they believe in. He sees how Robin is a good fighter, a good helper, a brave one, a confident person, a soft hero.

He sees how Robin is all that and he thinks "A good soldier." Because Robin is one. With the thing they're doing, he is one.

But yes, it's wrong. Children cannot and should not be soldiers. But a) this is the worst type of fiction, comic fiction 😂 and b) Batman is fucked up himself and considering he started training to be Batman from a young age too, he himself was a child soldier.

In the world of DC comics, the people there need someone like Batman while the people in the Earth we live in need someone like Martin Luther King Jr., Rosa Parks, Malala Yousufzai, etc.

So yeah, Robin is a good soldier--a great soldier, because he holds the bravery, determination and strength of a soldier. It could mean a literal thing, but it could also mean a metaphorical thing. Bruce could have engraved those words to Jason's memorial case because the only thing he can think of to sum up how Jason was as a Robin was a soldier. Because soldiers are brave, and Jason was the bravest.

And I think comic writers after that took the whole "war against crime" psyche of Batman too literally and too much creating the abusive ass prick in some of the continuities.

But you can't tell me that Bruce--not Batman--Bruce has a case of his own for Jason. Maybe a physical one, maybe an imaginitive one. A case which holds Jason's annotated copy of Pride and Prejudice, his first aced test paper, and his favorite hoodie, all kept tidily in the case with the words "a good son, be well loved, Jay lad" written under it. A case which he holds private because it was his son who he lost. Jason.

A little boy who survived so much until he couldn't. A little boy who he tried to protect until he couldn't. His son. Jason.

[yunhogosailing]

So…you want to know more about Korean shipping terminology (and how does this apply to Ateez?)

Luckily, I have spent the better part of six years of my life learning Korean! Which fortunately(?) means that I have learned plenty about the lingo Korean BL fans use re: shipping dynamics. Actually, this makes it SO MUCH easier to navigate websites like Twitter, where NSFW posting is censored for security reasonable. The difference is that English speakers do not have an organized method of referring to the members in their ships (for example, one user might write seongjoong as secngjccng where one might instead write sxxngjxxng, and where another one might even write sngjng, etc etc). But how do Korean speakers handle this situation? What is the context behind all of this? I will provide with you with a fun and easy chart at the end, but first….Let me explain:

Taking you back to the early 2000s

Our setting: the early Korean BL online forums. The terminology originating from these spaces were unsurprisingly heavily influenced by the original sources from which BL manga was derived: the Japanese language. Japanese has a system of Chinese characters used to simplify the writing process known as Kanji. Korean has a similar concept, known as Hanja. Where as Kanji is still heavily utilized to this day for a variety of reasons (my Japanese teacher would always say its main purpose is to minimize the amount of script needed to convey an idea), Hanja has largely fallen out of fashion—used primarily to clarify homophones in text, in literature such as novels and older writings, and as a stylistic choice to depict words such as Death and God, etc.

First, I’m going to give you some terms that are familiar to quite possibly all of you.

Seme (攻め) - the dominant figure in the relationship. Most often, this person will also be depicted as the top.

Uke (受け) - the submissive figure in the relationship. Most often, this person will also be depicted as the bottom.

Are you following so far? Great! In the most stereotypical depiction of homosexual relationships in Manhwa, these roles—the dom top and the sub bottom—reigned supreme so much so that eventually the community fell into the pitfall of believing these four terms to be interchangeable. While simplifying the process of understanding each person’s role in sexual intimacy, it also didn’t lend much of an allowance to explore ideas that defined this view of sexuality. This lack of nuance and flexibility has very little to do with why I’m writing today, but I do want to give some more context as to why these terms became such reliable shorthand.

Anyway��

In Korean BL spaces, these Kanji symbols (攻/受) were directly translated into 공 and 수, respectively. 공 literally means “Ball” but in the context of the Hanja, it means “attack” or “strong”, basically dominant top. 수—“Number”—“to submit” or “to receive”—submissive bottom. Don’t worry, this is the absolute last time I will be explaining these ideas.

How does this work in Korean BL spaces?

Now this may also be familiar to many of you: the placement of each figure in the ship name MATTERS! In SFW spaces, you can get away with referring to Yunho and Mingi as Yungi because….well….platonic friendships aren’t normally referred to by dominance dynamics. In NSFW spaces, specifically dealing with fictional depictions of gay sex, referring to Yunho and Mingi as YunGi will have most people assuming that you mean fanfictions in which Yunho is the top and Mingi is the bottom. Oh, you didn’t? Well, obviously you meant to say MinYun (or MingYun or MingHo, I’ve seen this written all kinds of ways tbh). See what I mean? Now this isn’t always the case—familiarity is everything, so it’s not uncommon to see Wooyoung and San referenced as WooSan, no matter who is intended to be the top.

In Korean, ship names are almost always written in order of placement. For example, 윤낫 (we will get into why the Hangul in San’s name is reversed later) would refer to a Yunho x San pairing where Yunho is the top and San is the bottom. Likewise, 낫윤 would imply the exact opposite. Anyone want to take a stab at what 밍웡 means? How about 섷쫑?

2010-2024, A minor shift in focus

As the spaces for these conversations grow and change with time, as did the terminology used to describe shipping dynamics and pairings.

If you are a fourth and fifth gen K-pop stan, you know what a coupling, or chemi, name is. Korean fans who did either did not want to discuss their idols in a romantic/sexual manner, or otherwise wanted some way to differentiate a typical shipping name from a platonic pairing name, developed the concept of using a chemi name instead. For Ateez, these would be:

E-Kang-Mo (에강모) / Yunho and Yeosang - the shortened version of 에이티즈 강아지 모임, literally translating into the Gathering of Ateez Puppies.

Matz (맏즈) / Seonghwa and Hongjoong - TWO MEN WE’RE ON FIRE 위험해‼️‼️‼️ Shortened version of 맏형 which literally translates into Oldest brothers. This quite obviously refers to our two oldest members within the group.

Elsewhere, you may come across 삼복즈, Jiwoong and Yujin from ZEROBASEONE. Or 채채즈, Chaewon and Eunchae from LE SSERAFIM. Usually this name is derived from some personality aspect or moment the two idols share, and can be given organically by fans or by the idols themselves. They are used strictly by both Korean and international fans as a means of referring to these idols and their friendships. It’s still possible that you find a fan who skips the whole “having to learn a completely different unit name” thing and just uses the traditional pairing name (I know, because I’m one of them), and in this case you can likely tell exactly when they first got into K-pop.

During this decade, shippers developed two more terms to further break down sexual dynamics, this time focusing on top/bottom. 왼 is the Korean directional word for “left”, and in the context of BL, means top. For bottom, Koreans use a shortened version of the directional word for “right”—른. I am not entirely sure whether the general consensus seems to be that these terms are still strictly tied to the idea of a dominant top and a submissive bottom, as most of the resources I used to search for these terms waffled on the subject.

In practice, 웡왼 will refer to shippings in which Wooyoung is a top (I searched for this on Twitter and came up unsurprisingly short….) and 쫑른 is in reference to shippings where Jongho is a bottom!

Enough Already!! Just give us the tags!!

Loud and clear, boss. However, I just need a bit more contextual information out there before I finally get into the list:

Variations - there are few variations that exist within the Korean shipping fandom, save for instances in which another pairing could possibly exist within a different group.

Censorship - Korean fans are also heavy on making sure these posts do not make it into the hands of Ateez themselves (see: the chaos that happened when San stumbled across self-insert fiction written by K-Atiny). Member names are not written properly, and will always be altered in some way as a means of masking it from normal search results. Please pay attention to this!

Pronunciation - some letters are altered in the pairing names as a means to aid with pronunciation. This is sort of an intuitive thing with Korean, so I’m not sure how to explain this in a better way.

And now…the list!

Here’s how to follow the chart:

Reading from the top down, you will find the 른—or pairings where the member is the bottom. For example, Seonghwa’s column reads:

홍섷 - Hongjoong x Seonghwa

윤섷 - Yunho x Seonghwa

솽섷 - Yeosang x Seonghwa

낫섷 - San x Seonghwa

밍섷 - Mingi x Seonghwa

웡섷 - Wooyoung x Seonghwa

쫑섷 - Jongho x Seonghwa

Likewise, reading the chart horizontally will provide you with the 왼—or pairings where the member is the top. For example, Mingi’s row reads:

밍섷 - Mingi x Seonghwa

솜몽 - Mingi x Hongjoong

밍윦 - Mingi x Yunho

솜여 - Mingi x Yeosang

밍낫 - Mingi x San

밍웡 - Mingi x Wooyoung

솜쫑 - Mingi x Jongho

Additionally, adding (Member name)른/왼 will provide you more general posts where Korean fans are discussing the idol as a top or a bottom in general without referring to a specific ship.

Hongjoong: 홍왼 + 홍른

Seonghwa: 섷왼 + 섷른

Yunho: 윦왼/윤왼 + 윦른/윤른

Yeosang: 솽왼 + 솽른

San: 낫왼 + 낫른

Mingi: 밍왼 + 밍른

Wooyoung: 웡왼 + 웡른

Jongho: 쫑왼 + 쫑른

Thank you for reading! I hope this was as useful for you as it was for me! Of course, I knew a lot of history regarding this topic due to the ample time I spent reading BL, but I will admit that I did not have much time to research this topic specifically. However, if you have any corrections to make, let me know!! This was so much fun for write, and maybe I can do something similar to this in the future as well.

Bye!

[radioactive-earthshine]

im having a great time with Pluto despite not having seen much astro boy (been aware of it obviously just never sought it out) what would you recommend for someone to watch/read after pluto from the astro boy franchise that is similar in tone and content?

Oh boy oh BOY!

If the Pluto anime is your introduction into the Astro Boy franchise then you've been thoroughly acclimated to the most fervent reoccurring themes found within Tezuka's writings and as such a lot of the tone and story telling will be very similar - even if Pluto was written by Naoki Urasawa and not Tezuka himself.

What I personally would suggest for those curious about learning more about Astro Boy and this particular story is to read the Pluto manga (8 volumes) as an accompaniment - the anime is a very good adaptation but some things had to be cut for time (it's inevitable) and the manga was simply better at revealing some things than the anime to give you a broader sense of place that this world takes place in.

From there you have many options before you depending on your accessibility to some of the series below.

NOTE: There is nothing quite like Pluto other than Pluto, but in all versions of Astro Boy you will find the same themes and content found within Pluto but with a different narrative voice.

For the sake of simplicity I am not getting into the bigger Tezuka Star System I'm just focusing on Atom in the most direct way - no this is not meant to be a full complete list of EVERYTHING.

The 1950s Manga

Written by Tezuka himself, where it all started.

Contains all of the original core stories of Tetsuwan Atom (Astro Boy) which were adapted in various media.

Is available in English to purchase and is online.... in places...

Can get shockingly dark and gruesome and I do not have the spoons to list all the Content Warnings possible. Adults will find enjoyment from this series.

Is generally episodic.

Classic golden age sci-fi with themes relevant today still.

The 1960s Anime

Written and worked on by Tezuka himself.

Contains many of the core stories presented in the manga adapted to fit a single episode.

Episodic.

The first two years (104 episode out of 193) are available in English to purchase on DVD (with extras!) - I do not know if the 'missing 89' are available online with subs or if the original Japanese is available with subs out there.

Yes, inevitably the dubs sanitized a lot of the stories and Americanized them - but even so they are worth a watch.

The 1980s Anime

Also written and worked on by Tezuka himself.

Is available in English to purchase, but like the 60s dub, it has been cropped, chopped, and censored - in some ways worse than the 60s series. The DVDs at least do have the Japanese track with subs available.

You can find the 80s Japanese unedited online with subs.

Is mostly episodic but does have a subplot featuring a new character Atlas and his sister Levian.

Contains some of the core stories from the manga but this series is much shorter so some of your favorites might have been dropped.

The 2003 Anime

Tezuka did not work on this series as he was deceased at time of production.

Modern Astro Boy with a more modern lens and modern story-telling expected of anime of the time.

Contains a plot and contains the episodic spirit of the original shows and manga, but the plot is still referenced in modern anime story telling. The main plots being 1.) robot rights being established in a world where they have none despite having "kokoro" (heart) which is basically free will and sentience and 2.) who is that boy anyway?

Many of the most beloved Astro Boy stories from the manga are not present in this series.

American voices dictated the direction of this series from the start even in the original Japanese which is a big negative.

The English dub is heavily censored and altered from the original version - but it contains some amazing performances from people like Dorian Harewood whom I still to this day don't know HOW he agreed to play Dr. Tenma but my god he did an amazing job.

The unedited subbed Japanese version can be found online.

Despite the amount of butchering and meddling during production it is still a relevant part of the Astro Boy collective world.

Naoki Urasawa's Pluto Manga and Anime

You already know of this adaptation but it's a retelling of The World's Greatest Robot, the classic story from the manga and is present in all of the above series. It is also direct commentary about the American invasion of Iraq with some names changed so as to not hurt feelings. I generally suggest to adults to read this and if it connects with them then try on the original manga and maybe see if any of the anime gets their eye too.

A note on Tezuka and his extended works.

An American equivalent to him would be Jack Kirby however he had more creative control with his work, was credited for his creations, and had just about the same amount of influence on Japanese comics as Jack Kirby did with American comics (maybe even to a greater extent). Tezuka was incredibly prolific and is dubbed "The God of Manga" for a reason. Many of his stories all circle around the same themes; war, grief, the futility of hatred and the doom of mankind while also taking on blatant political sides including environmentalism, equal rights, gender rights and even playing with gender and expression (note they are products of their time and some of which are offensive today but for the time were groundbreaking).

If you wanted specific stories from the manga that might be more what you are looking for to refine your search, let me know! I've been needing an excuse to drag them out.

[swanshapedheart]

Poorlittlekoi’s statement

Disclaimer. I, the poster, am not Koi

I am someone putting her thoughts and response to her situation into the public as I was encouraged to do so. I feel it is also necessary to bring this up as well.

I do not want to be affiliated with controversy any further.

——————————————————-

“this whole situation has messed with my head to the point where i cant even send a text to most people without worrying they are gonna leak it or use it against me in the future,, svlvnsore was just bored and found me really annoying shown in screenshot one…. not only that they also called me out for heavily referencing or tracing when they reposted an artpiece thats doing the same thing. Svlvn said they are on my ass because i didnt credit who i referenced, when the person they reposted didnt do the same either proof in screenshot two three and four. Another thing i caught on to is that they SPECIFICALLY said they didnt care that i self harmed or did horrible things to myself when they posted about me. i have anxiety, i overthink! of course im going to do bad things to myself, im mentally unwell. proof in screenshot 5… and for screenshot 6, this is only an assumption, but saying that svlvn "didnt know" is something that really throws me off. when someone makes a callout post on someone else, there will OBVIOUSLY be harassment. thats just my thought, i feel like they knew what they were doing since him and his bf arent very good people either. especially holding onto old dms and gathering them up to use it against me, when they could have handled the situation privately with me, rather than hide it behind my back.

all of this could have been prevented if they handled it differently, and that goes for me as well.

im fully aware im in the wrong, but these people are wrong in some places too. and i want people to realize that.

many artists in tcc trace, reference, all the time. i dont understand why im slandered for heavily referencing something, not tracing. theres proof of an artist doing this FROM THE ORIGINAL ARTIST BTW in my dms right now but i dont get them involved

am i handling this situation immaturely? maybe, but arent they doing the same by harassing me? absolutely.

when it comes to someone being racist/homophobic, people feel the need to harass this person to make them feel worse about what they did. this isnt how you handle a situation. harassing someone to the point they attempt suicide is just as bad as what i did, possibly even worse.

now i have recover slowly until i have the chance to even feel comfortable with myself again. i understand what i said and did was wrong, and im sitting here attempting to change and apologize to the people ive offended and hurt, but throwing that apology under the rug and making it seem like im guilt tripping is ridiculous.

so they cant say i didnt try to apologize, but nobody is guaranteed to accept my apology and thats okay. but putting it out there as if im guilt tripping when im giving reasons why i said it is not even giving me a chance to change

when it comes to growing up with a HUGE racist family, these words and beliefs become apart of my vocabulary and thoughts. its very hard to change that especially when i was always told "its just a word" and i hear it daily! growing up with these slurs has become so normal for me to say it just slips out with no worry, but ofc im seen as guilt tripping when i say this.

its different for each person, i saw a comment saying they grew up in a southern family and they dont say it, but thats them, not me.

people at school and during family events would peer pressure me into saying this slurs multiple times because they found it "funny." i slowly believed that as well.

i was a young teen being taught the wrong things, and seeing other people in tcc say it made me feel like i should say it as well to fit in and be edgy, since thats what the community is like

this situation is another lesson for me to learn, but other people in it need to learn that harassing someone isnt okay, either. especially when im trying to change, it doesnt make it any easier.”

[catwyk]

(notes and comments next, tumblr will not let me add a cut no matter how hard i try!!!!!!! killing and maiming!!!!)

silt verses wips, some will get finished and some wont :p which is which?? who knows !!! not me !!!!

1) thurrocks and faulkner on their quest to the endless drear, with jasp, tapper and wallace in the background (or at least thats the idea). most of my time on this one has been spent adjusting values on the hills in the background, and its absolutely too vibrant and green for how i imagine the scene lol theyre also really shitty hills if you look at them for less than a second so. dont do that please LMAO

2) faulkner in his katabasian garb, sat in a river for to maximise his solo slay. this one is kinda old atp but the design hasnt changed much. ive mentioned the open-mouthed epaulettes referencing the mouth delivering/returning before, but the green uhhh idk thing is dried and woven seaweed :) the rest of the robes will be more decorated with abstract woven patterns and embroidery if i ever start working on this one again

3) now THIS is the relgious faulkner that was giving me brain damage a couple days ago, that ive since realized wont be fixed with the ideas a couple people offered because of the perspectice. its pretty obviously mimicking a guillaume dufube sketch intended for a ceiling that i absolutely love. the parts ive produced, im really happy with, but i cant work out the composition fully so its gonna be abandoned at least for a while. not to mention the absolute misplacement of a sky motif. its one of those paintings i wish i had thicker/oil paint or gouache style brushes on medibang for

4) my mercer design!! heavily inspired by paleoart from various sources. everything she and gage have is organic, except a very few, like her sheath (oblong metal with a leather "cap" around the tip of the blade, a real ancient design i found references for on google) and her rifle. the original image also features gage playing their flute while squatting, but both of those things are hard poses to draw and hard to find refereces for, and im not willing to put in THAT much effort god lord i draw for FUN if its hard im giving up baby

5&6) snare dog!!!! i love these silly guys but i dont like this design, its too wolfish and i imagine them sorta borzoi/greyhound aligned. i also dont like the way the face opens, since i imagine that as more of a twist. i do like the flopping tongue though and i liked the half assed rendering

[i-simp-stobotnik]

This piece is inspired by @carro-carrot 's post . The original cosplayers are here and here.

Stone and Robotnik are looking done AF. I think this is sometime after Sonic 2. Robotnik has survived the fall (obviously he survives, or else I can't cope) but is still a bit banged-up. I think the time between movies 2&3 will be rough for both of them. Maybe Stone infiltrates G.U.N., or does other badass-ery, but either way, hard times for both. At least now they're on the same planet and able to meet when ever their situations allow.

(Just rambling from this point onwards)

I normally don't like doing things that are this heavily referenced by other's creations. But, I've been very frustrated with my art for quite some time now. No good ideas, everything I draw looks somehow wrong and just asdjiasjgasndlkfvn argh nope. But this one surprised me. Something about the cosplay pic just tickled me right and I'm quite happy with the result. This made me happy, and I wanted to share.

Also, I slipped a week ago. Twisted my ankle a bit, and I thought I actually broke a bone from my foot but fortunately not. But the bruising is EPIC holy duck, my whole frickin' foot is purple. So, this was also great inspo for drawing bruises. xD

[blazinghotfoggynights]

If I am basing whether I think Buddie will happen on season 7 alone, I am going to have to say no. I think a lot of the last minutes rewrites were done to accomplish quite the opposite.

My take so far:

Tim seems to be in love with the Tommy Kinard character. Maybe he was originally intended to be a plot device, but it is obvious with the rewrites and forced in scenes that Tim Minear is really invested in Tommy and wants Lou on 911 much more. I believe that season 8 will be used to cement Tommy's place as a regular and even push him to the forefront, ahead of long-time recurring characters like Karen and Ravi. I think he will even get more time than Hen and Chim. I think the only way we don't get a big push for Lou to return and be the next breakout star on the show is if the main cast members all push against it. (Tim seems to be obsessed with the characters who made the 118 a racist, misogynist hellhole. 😒Ijs. Gerrard is back when anyone with RL corporate experience knows someone like him would be blacklisted by any organization that doesn't want to be sued into oblivion. I am sure DeLuca will make an appearance as well. I will probably write a meta about that entire situation.)

From 7 x 4 onward, in interviews and in the show itself, Eddie's heterosexuality has been stressed repeatedly. Buck finding his person has been heavily hinted at. Buck is chasing Tommy shamelessly. Tommy's problematic behavior is being ignored and justified by the writer himself. It is spun as positive, which fans are eating up. This is the setup to separate Buck and Eddie for good and start building up 911 to be the BuckandTommy show.

The absolutely loony arc of Eddie chasing his dead wife's doppelganger served it's purpose. It cemented Eddie's obsession with women. It placed a focus on Eddie's obsession with being with a woman, needing a woman, and being driven by a woman.

Christopher moving back to Texas is possibly the foundation for a Ryan Guzman exit. Christopher probably becomes comfortable in Texas and Eddie, the way he loves his son, will make the decision to go where he is. Maybe Ryan goes to Lone Star. Maybe he doesn't. But it will seal the coffin on Buddie for good, force all fans to accept BuckTommy, open the door the the new power couple, and set up Tim's boost of Tommy's character and Lou's more prominent place in the cast. I can actually see if 911 gets a season 9 and beyond, Lou being pushed to the front. With Ryan gone, and as Buck's partner, Lou could easily jump over every other member of the cast to become the second main focus. I think Buck will remain the primary focus in the foreseeable future,because he is a fan favorite. However, if the Lou fandom continues surging, even Oliver could find himself playing second fiddle.

I think Oliver is completely comfortable with portraying a queer character. But is Ryan? Just because someone did something in the past doesn't mean they are willing to do it now. I think there is a lot going on behind the scenes that is never going to be revealed while the show is still on. Maybe a few years after, someone will spill the tea, but not now. I know which members of the cast I am betting on speaking out first, post show.

Why is no one in that cast, other than Lou, bringing up Tommy or his relationship with Buck? Even the other half of that relationship talks about his coming out and realization arc, his growth, and being in a relationship, but he doesn't give the relationship itself the time of day. Buck and Eddie's dynamic was still being referenced a lot even when Buck is in a whole ass relationship with another guy. That's interesting.

I know the BTS clips are short and fun, but can someone provide one where Lou isn't obviously being ignored and if he is a part of it, it isn't awkward and forced?

[katyspersonal]

I know it's too early to judge messmer's story based on his 30sec appearance in the trailer and obviously fromsoft will not spoil the entire lore of the dlc in their trailers but i truly hope messmer isn't going to be a cheap copy from Lucifer/Satan that's would be so boring i hope he would be more complex and fleshed out than whatever demonic archetype they're trying to force into his character

You also forgot a subtle inspiration with Vlad the Impaler, especially with how his nickname 'Dracula' does mean draconic which features Messmer also carries! :p

Also, in Fromsoft's defence, I don't think that taking heavy inspiration from an archetype or figure in myth, religion, other piece of media and so on is "cheap" personally! They have a big track record of referencing multiple other things (and not JUST Berserk, like some people think!), but never once the inspired character was 'just' that thing. Gwyn is just Zeus but he ALSO isn't, for example! You still see a character as themselves even after learning of who they reference, and they are never "cheap". Heck, I dived into Soulsborne completely clueless about 95% of the references because I live under the rock and only figured after the girls told me! And even then, characters in question were already interesting for me, and learning that something was an inspiration rather than 100% original invention didn't lessen the character's depth for me!

What I am trying to say is that even if Fromsoft heavily takes the figure, they do not fuck this up and give it new life and so much more else. There is no bad concept (heavy reference in this case), there is only bad execution (which Fromsoft doesn'd do). I'll tell you more: the faith in Miquella potentially being Griffith reference is mostly some Redditpants keeping flat fandomisation of Griffith in their minds, hence why it looks like such a boring, shallow idea! If Fromsoft actually ended up doing that reference, I guarantee you that Miquella would still will remain interesting and complex character to enjoy and analyse! Let alone Messmer referencing a well-known vain asshole or two would not make him a cardboard figure, just add flavour! Fromsoft never flopped in this regard, so why would they start now? x)

[duskerot]

she will be REAL

(og face plate is from the 2022 snow mi//ku nendo ^^

the original body is from uhh a figure of nya/nners ??? dont know rly much about who that is but its the closest outfit to something shed wear. gonna have to cut off a lot of accessories haha. u can see the outfit im remaking in my pfp too actually

this hair is listed as riri ?? dunno who that is either but for sourcing reasons. she actually has a big ponytail im gonna cut entirely off and then use milliput to add some like. Hair bits. I think. ^-^ yippee

[animehouse-moe]

Link Click Season 2 Episode 4: Let It Unfold

As we enter into the heart of this season in terms of story, the opening of this episode does struggle a little bit with some all-too-convenient exposition about Qian Jin, which thankfully the latter half makes you forget all about. Potentially a bit of rough writing to give viewers information, as we slip into the past we shed those struggles and present a more expected but refreshingly different plot line. Certainly still a good episode, and certainly still a good bit to talk about.

So like I said, the episode itself doesn't start off incredibly strong by any means. It details all the information leading up to the current events: the phone missing, the picture Lu Guang has, Qian Jin's past, and so on and so forth. I don't think it's explicitly bad, but it feels like rushed writing for the story. A big old exposition dump from multiple parties, it feels like. Personally, I definitely believe they could have done a better job with conveying the information, but I also think it would take considerably more screen time to do so which is where this tradeoff stems from in the first place most likely.

Anyways, I'll just quickly expand on a few of those key details here.

Qian Jin's contact with Xixi. They're obviously aware of one another, but apparently were not working together explicitly at this moment. Qian Jin's surprised to hear that his lackey doesn't have Liu Min's phone, but isn't unaware of who's calling or shocked at the phone call when (presumably) Xixi makes contact.

Qian Jin's past. A by the books cop that gets turned sour after the death of a loved one. It's not a novel story by any means, but is clearly the foundation for some sort of interaction with Lu Guang and Cheng Xiaoshi. It does make me wonder though if Xiao Li will play a role in talking down Qian Jin, or if Cheng Xiaoshi will take over Xiao Li himself, since he's the one who oversaw the murder case.

And the last piece: the weight of Cheng Xiaoshi and Lu Guang's powers. Not quite exposition, but definitely the most important piece of dialogue through this front half. It continues to establish the regret and grief the pair feel over their previous forays into the past, and their hesitation and wariness of continuing with it once more. It's the natural conclusion from the first season, so I'm glad to see it referenced so heavily whenever the past arises between these characters.

Anyways, into the past we go with Cheng Xiaoshi as Xixi. I think similar to the first half there's not a world of stuff to talk about, but overall it's the much stronger and more put together sequence in the episode. The struggle of a single mother with a mute daughter is felt rather quickly through the story, and Cheng Xiaoshi and Lu Guang are firing off piece after piece of information for the viewer to soak up.

Overall, it's a really solid sequence that teleports viewers back into the season 1 mindset as we explore experiences of the past and their regrets, challenges, and fears. Considering how well fitted it is to the overall idea of this season, I'm really curious to see how they move forward and how often we find ourselves diving back in time.

Regardless of my thoughts though, as I just said there's quite a bit of info here and there to take in, so let me highlight it really quickly.

We'll start off with this interesting notion. By pulse alone, the doctor could tell something was different with Xixi. This itself means that when Cheng Xiaoshi takes over the body of a person, they exert physical changes to some degree. Arguably only temporary changes, but a stronger pulse and physical capabilities were shown here specifically.

It's also just funny because Cheng Xiaoshi was worried about this specifically.

Next up is the eyes of the mother. This one makes things more complicated, as she shares the same eye color (but not pupil shape) with Lu Guang. Equally as interesting is the fact that Xixi's original eye color (that reddish-pink) does not come from her mother, but presumably her father? Considering that, is it possible that Xixi's father is the source of Lu Guang's abilities, and that the father (who has Xixi's eye color) is the one chasing Cheng Xiaoshi and Lu Guang? That presents the question though of why a father would attempt to kill his own son, which is the right kind of dramatic for Link Click, if not a bit of a stretch.

Next up is our first callback to the opening, our stuffed animal. I know it doesn't look exactly alike the 3D one because of the style, but if you pay attention the design on the ears is the same. A rounded triangle on one, and a star on the other.

This indicates to viewers both the number of pasts we visit in this season, and also the order of them. We've started with the stuffed animal, will move onto the gun, and finish with the diary. Now, I'm unsure of who the diary may belong to, but I'm somewhat confident that the gun story will be related to Qian Jin who's past we learnt of today.

The next piece is this curious question: the deceased owner of a phone that was texted information about Qiao Ling. The name is Liu Lan, which has the same surname is Liu Min. Are they actually related? Is Liu Min the real brother of Xixi? It raises an incredible interesting question of just how things came to be, and if it actually is Liu Min that's Xixi's brother, or if there's any relation to Lu Guang. Incredibly curious detail to reveal, that I'm very interested to learn more about.

And last but not least, Cheng Xiaoshi's realization. Is it Liu Min's father that touches Xixi's mother on the shoulder? Or is it someone else that Cheng Xiaoshi would recognize? Whoever it is, their expression relays the notion to the viewer that Cheng Xiaoshi knows the person that's in front of them at this moment.

From here, we end the episode with (presumably) Xixi waiting for Cheng Xiaoshi to discuss things with him. Are they planning on airing out all of the pasts to provide a reversal of events? Knowing the past they now aim for the future? It's an interesting question to pose, but without knowing what it is that (presumably) Xixi wants to tell Cheng Xiaoshi, it's hard to say for sure what direction we'll be moving in with the next episode.

Building a mystery atop several smaller mysteries, all the while taking into account timelines and order of events can be challenging. So far though, Link Click S2 seems to have a pretty confident read on how it wants things to go down. At times it might be a little too literal with how it hands out information, but at its core it still aims for the heart like season 1 did, which leaves me very hopeful for how things go as we continue on here. Very much looking forward to the next episode.

[pebblysand]

hello! how annoyed i am that this wouldn't fit all into one post 🙄. this is part 2 of the castles playlist commentary.

<LINK TO PART ONE> <LINK TO PART THREE>

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Formidable by La Bronze (Stromae cover): god, do i love this song. and god do i love this cover almost more than the original. i love how she made it less sad and more angry with the more rock-like music, as well as the sound of arabic. it works So Fucking Well. the chorus of this song sort of says it: we were incredible.

The Kid I Used to Know by Arrested Youth: just one of those songs i used to listen to on loop while writing/planning that arc of castles. i do think of this time in this fic as the formal end of harry's childhood, when he finds out about ginny and realises that all their innocence has gone. so long to the kid i used to know.

Hold On by Ren: i feel like there's such a restlessness in this chapter that you also find in this song. this sort of endless torrent of stuff coming harry's way, and him trying to... get through it and hold on.

Blind Leading The Blind by Mumford & Sons: i had originally put this one in for chapter nine, but i actually think it's more of a chapter ten song. welcome to the trials, aka the epitome of the blind leading the blind.

Why'd You Only Call Me When You're High? by Arctic Monkeys: ah. were you also a teen in the early 2010s? welcome to the song. obviously - very harry & ginny in this chapter.

Falling Is Like This by Ani DiFranco: i've always adored this song ever since i discovered it referenced in another fic. it's where i got the idea of the car running off a cliff in last chapter - it's also very heavily referenced in this chapter. think of it like a transition song lol. just such a Mia mood. falling is like this.

Je suis un homme by Zazie: i was looking for a song this morning to operate the transition between falling is like this and the kids are all rebels, and i settled on this one. judge me all you want but i love zazie, and i think this works quite well with the beginning section of this chapter that is a little bit like the song: humans and their institutions going round in circles.

The Kids Are All Rebels by Lenii: i loooove lenii. she's irish (🇮🇪🥳) and this song is such a DA song. there's this dimension of youthful idealism hitting the brick wall of adulthood, and the things they see the government do which they're not happy with. the song itself was written about trump's covid policies, but it fits so well here too!

Anthem by YOKANA & Barns Courtney: i think this is self-explanatory. harry is starting to doubt his "no comment" strategy...

Statues by Alexandre Desplat: we're... starting a new war in courtrooms, aren't we? jokes aside, it's probably my favourite music from the films, very war-coded, it makes me want to rise up to battle, so.

Remember the Name by Fort Minor & Styles of Beyond: there's something about the relentless rhythm of this song that i just love for the end of this chapter. like: LET'S GOOO!

Legendary by Welshly Arms: i see this as the DA's song, too, you know? not just harry. they're all doing something legendary.

Till I Collapse by Eminem: this is one of my favourite eminem songs, and i think it fits really well with the beginning of this chapter. the onslaught of press coverage regarding harry's and the DA's actions, and their common desire to push through no matter what.

Instant Crush (feat. Julian Casablancas) by Daft Punk: i actually wanted to put da funk in this playlist (which is the song mentioned in the fic) but i chose not to subject you all to five minutes of lyric-less late-naughties techno music 🤣. i also feel like putting this right after Till I Collapse is a bit of an insult to eminem ("you don't know me, you're too old, let go - it's over, nobody listens to techno" 😅), which is a bit funny lol.

Teenage Culture by SKYLAR: it's funny, i listened to this song on loop the summer of 2023 but didn't really find an excuse to add the song to the castles playlist until it finally hit me now that it was per-fect for this chapter. i love skylar and i love this song, it's so tongue-in-cheek and yet lyrically incredibly clever. i think this is such a teenage anthem and fits so well for this chapter, both in the "partying" side of it, but also in a the-kids-are-all-rebels sort of way. i just absolutely love it.

Everyone's at It by Lily Allen: i've just realised this is the first lily allen song in this entire playlist which, if you know me and how much of a lily allen stan i am, is wild. i stole some of the lyrics of this song for the chapter; it's about the double-standards that exist in dealing with drug addiction, which ginny talks about a bit. it's a song that was very important in opening my young eyes on this topic, when i was a teenager. i feel like it also goes so well with the SKYLAR song, it's like the millenial-advocate-y song to SKYLAR's gen z, more apathetic/don't-care take.

all the good girls go to hell by Billie Eilish: i have a very strange relationship with Billie Eilish's music where i listen to her only for very specific occasions and moods, but i do love that song. and, idk, i kind of see it as a symptom of ginny's slight "descent" in this chapter, where under the surface, partying and sleeping around begins to be less "fun" than it used to be. there's something weirdly haunting about Billie Eilish's music (esp the first album, that i feel fits here).

Any Other World by Mika: i added this song to the playlist rather recently but if you are a the good wife fan, it will of course sound familiar. i think i was looking for a song to finish off this chapter and recently was lucky enough to see Mika play live in dublin, and thought it just fit. it's neither really a love song nor a political song, it's a third thing, and i think it's really symbolic of the conclusion you reach at the end of this chapter of "say goodbye to the world you live in". i think this chapter is really the point of no return, this sort of deep realisation that nothing will be the same anymore. it's also the halfway point of the fic (in terms of chapters), so i reckon it works.

Un peu d'espoir by Joyce Jonathan: i relistened to this song recently and i think it really suits the beginning of the chapter. there's a growing up vibe to it and, nostalgia, sadness and hope at the same time. i really see it playing in that time where harry reflects on the upcoming anniversary of the war and where he and ginny talk about the aftermath.

Dance Monkey by Tones and I (Stripped Back): okay. i know this is a bold choice but let me explain. basically: i was working on completing the playlist and was looking for a song for the end of the trials, draco's hearing and all the politics in this chapter. i looked up my top songs of 2022 (which is when this chapter was written) and found out i actually listened to this song quite a lot that year (the original version of it). and yes, this is a dance song, but when you look at the lyrics, there's a vibe of, like, the establishment and the wider world forcing you to do something you don't really want to do? like, sure, here, this is a woman who's being told, basically "why don't you dance/smile more" but i think this is also applicable to harry and his relationship with the press and the wizarding world in general. there is a dimension in it of "dance monkey! dance!" where he's just like - not feeling it. this is the chapter where he rebels, too, and actually doesn't stick to the script, and pushes the wizarding world to change, and we love that for him. i chose the stripped back version for the playlist, because i feel it just fits the mood more than the dance version of this song.

bad guy by Billie Eilish: ugh. do i need to explain? i mean, harry, come on. stop toying with two girls at the same time.

Bad Habits by Ed Sheeran: a bit the same as the above. my bad habits lead to you - you can't quite let ginny go, can't you?

Arcade by Duncan Laurence: if you were on tiktok in the golden age of dracotok, this song will need no introduction. i don't even think the lyrics fit but i now have such a strong association between draco malfoy and this song, it needed to be there in this chapter.

This Is What Makes Us Girls by Lana Del Rey: i feel like this is a lesser-known Lana song, but it's haunted me for years. i think there's a vibe of "for us girls, it's just the way wars are fought" in that song. and, with this chapter being the one where we find out about pansy, i couldn't not include it.

Broken Crown by Mumford & Sons: i've always felt like this was such a castles song overall, but struggled to find a good spot for it in the playlist. and then, i don't know. i feel like this moment after malfoy tells harry the truth and when he's having his tirade about systems just... works. this is a song that to me, represent the both of them, actually. i'll never wear your broken crown, i'll never be your chosen one. for malfoy, it's realising just that - he's not the chosen one. for harry, it foreshadows what's to come with alecto.

Mr. Sandman by SYML: okay, i cannot possibly explain this but i very strongly associate this song with the vibe of draco in prison, and that last scene. it's bizarrely haunting, and i think fits the mood perfectly.

Wrecked by Imagine Dragons: this song is one of those songs about grief that are maybe a bit one the nose but idk, i like it. i listened to it loads the summer it came out, and it inspired me to bring giulia back in this chapter. so there you go haha.

In Your Heart by The Franklin Electric: this is a song i love and i've listened a lot, but again, one that i couldn't really find a good place for in the playlist. but i was looking for a song to cover sort of the alecto/kingsley era of this chapter and i think it's perfect. it's vague enough that it could be about anything, and generally it's very much about guilt and substance abuse, and feeling lost, and very "in your head" which fits the bill. the beginning in particular really speaks to me: it's your fault, when your pride grows thicker than your skin, it's burning up like oxygen. and also this: the teachers never told you about reasonable doubt. i think it very much resonates with harry making that awful decision in that moment, and the guilt/unease that flows from it.

Foundations by Kate Nash: ah, do i even need to explain this one? this article was making the rounds a while back and it's So On Point. this song is an anthem to the breakdown of that first adult relationship you have with a boy that's a dickhead and this is mia's anthem. she deserves it. my fingertips are holding onto the cracks in our foundations and i know that i should let go, but i can't. i feel like this is so representative of that moment where everything points towards mia leaving him, but instead she asks him to come with her. darling, you deserve so much better!

People Help The People by Birdy: i was looking for a song to cover the memorial and i think this one (this version in particular) is just so beautiful. there's something very breathy and airy and the lyrics really resonate. the ups and downs of the verses v. the chorus of people helping people. give me your hand and i'll hold it is also building towards the hinny moment later. i really love this here.

Tobacco In My Sheets by Lauren Aquilina: god, i've loved and listened to this song so much. to me, it's the ginny&molly song. i've also hesitated on placement, it could have been earlier when molly and ginny were fighting, or later in 22, but ultimately, that scene with the hug is what i'm choosing. this song breaks my heart into a million pieces every time i hear it.

Higher by Lily Allen: ugh. this is probably one of my old time favourite lily songs. it took me a long time to understand it, listen to an interview when she was explaining this was written from the POV of her ex-husband. there's something so tragic about it, but i also really like the conflictual-ness of it, the one-upping each other which is a little bit what harry and ginny are doing for part of their conversation. there's also harry's unrelenting, unyielding attitude towards ginny's fuck ups, both tolerating them, but also making it clear that it needs to stop. it's your life, i said i'd never let you waste my time, i said you'd never hear me say that twice. you crossed that line. i just fucking adore this song.

Delilah by Florence + The Machine: there's a complexity in that song of i'm gonna be free, i'm gonna be fine, but also holding on for your call, i can never let go that i feel is very much the dichotomy of ginny in this chapter. the certainty and confidence but also the vulnerability of her conversation with harry at times.

Supernatural by Barns Courtney: i kind of see this song also as a transition into next chapter. one last time, let you back into my head - to me, it's harry and ginny sort of dancing around each other like they do in the of that conversation. want-me-want-me-not. they both do it at times, and especially harry in the next chapter, and i think it's a good song to launch the next part.

I'm Not A Saint by Billy Raffoul: this song has strong castles!harry vibes - at least for that era of his life lol. i kind of both see it as the opening song for the whole alecto mess, but also as an anthem for the whole chapter. i've one too many cigarettes, burning off my tongue, and the chorus of i'm not a saint but i could be if i tried is very harry/mia.

Lap Dance by Ycare: i fucking love this song. literally, i see it as the harry&hermione dancing scene song. more figuratively, it's harry dancing around with mia and ginny hot-and-cold-ing harry.

Trigger Bang (feat. Giggs) by Lily Allen: another of my favourite lily songs ever - i remember it came out as one of the early releases on no shame and i fucking gasped when i first heard it, i think it's my favourite song on the album. i actually listened to that album a lot while writing act 2 of castles; it's an album that deals a lot with addiction and messing up, which obviously is very much ginny's arc at that point. particularly, this song inspired the party thing where ginny says she'll avoid the party because (in other words), it's triggering to her. i was trying to find an excuse for the "one time they didn't meet" to fit with the theme of the chapter, and that song is what inspired me to write the whole party subplot, actually. that's why i can't hang with the cool gang, everyone's a trigger bang, bang, bang, bang, bang.

The List by Maisie Peters: i love the successions of these two songs because they kind of build off on each other. it's new resolutions and turning a page, which is very much what ginny does here.

July by Noah Cyrus: ugh. self-explanatory. this is the most mia song ever. leave him. just leave him (spoiler alert, she can't).

Double Denim - the one to cry to at 3am by SKYLAR: another massive ugh. mia, stop falling for the bad boys. and harry, you are this song in this chapter. this song also have some of my favourite lyrics by SKYLAR ever, which apply so well in this context: mister, mister, if she's like a sister, why did you kiss her? what? to be polite? but aphrodite don't go kiss athena so why d'you kiss her? just, out of spite?

Back To Black by Amy Winehouse: ah, amy, my love. another victim of the tabloid press. i've always seen this song as mia's break-up song, and the title of the paris fic is taken from back to black. he left no time to regret, kept his dick wet, with his same old safe bet. baby, mia, my dear, i'm so sorry.

BLIZZARD by Fauve: there's this meme on french tiktok right now that's like: "the kids who used to passionately listen to Fauve in the summer on 2015, how are you all doing??" 😅 not well is the answer to that question lmao. jokes aside, for anyone not familiar, Fauve were a bit of a musical concept back in the day, and they have a lot of slam/rap songs about love and mental health and stuff that were very #deep but sure look, i still fucking love them. and, this song is so castles!hinny, it's very much about taking a leap and believing in the future, which is the sort of trajectory they're choosing for each other at the end of this chapter. tu nous entends l'amour, tu nous entends? Si tu nous entends, il faut qu'tu reviennes parce qu'on est prêts maintenant, ca y est. on a déconné c'est vrai mais depuis on a compris, et là, on a les paumes ouvertes avec notre coeur dedans, il faut qu'tu l'prennes et qu'tu l'emmènes 🥹

Que tout s'danse by Noé Preszow: this song is another of those songs that are incredibly important to castles and have really shaped the narrative of the fic. it basically says "you tell me anyone can dance through everything". it's a song about love and resilience and fucking up, and really was essential to the whole hinny arc in part 2. it has these lyrics about "i know it doesn't seem like it but i need to be laughed at, i need anonymous letters accusing me of all crimes" - to me it speaks to the very thesis of why harry chooses ginny: because she challenges him and makes him a better person. but, in my head, this song is also a war song, and a castles song. it's very linked to the trials arc of part 2, which also concludes in this chapter. in the song, the lyrics state: tu me dis que tout s'danse, même la gêne, même la haine, même l'errance. Que tout s'danse, la solitude, l'état de siège, l'état d'urgence. that last part, basically translating to "you can dance through anything, a siege or a state of emergency" is a direct reference to the state of emergency that was declared after the bataclan attacks in paris in 2016. as i've said before, i drew a lot of inspiration from the bataclan trials for castles, which were ongoing as i was writing, and from the bataclan attacks in general, which had a massive impact on my life and in part, motivated me to write castles. it's a gorgeous song, and one that has been in the playlist from the very start of this journey.

Friends (The Way I Wrote It) by Ian McConnell: i don't think i need to explain this one. it's the very last of the harry/mia song. it's cute and sad and weirdly perfect.

Paris by The Chainsmokers: i listened to this song a lot whilst writing chapter 15/16 and i couldn't help but feel like i had to include it somewhere. at first i was like "this has got to be mia related because it's paris," but ultimately, i think it's a very hinny-in-chapter-16 song. you'll see anyway that this whole chapter is pretty much one travel-related song after the other (lol), so here's the first one of many haha. i love the "let's show them we are better" and "if we go down, let's go down together" - it's very them and is also a good transition between 15 and 16.

Iris by The Goo Goo Dolls: i really struggled with this chapter regarding whether or not to include the muggle songs that are referenced in the text into the playlist. in the end, i decided not to, apart from this one and the Manu Chao one (see below). i don't think stuff like the real slim shady or wannabe or Dido are particularly relevant to this story, but this one is just so perfectly cliché and great for Ron & Hermione - i just had to include it.

Caravane by Raphaël: i know, i know. if you're french, you can't stand this song anymore cause it's been so overplayed, think: james blunt's you're beautiful. BUT it is a beautiful song. and, it's: harry and ginny leaving. being free. just the two of them. 🥹

Young as the Morning Old as the Sea by Passenger: i just love this song, it's gorge. but yeah, just another travel song in fairness ^^.

Fast Car by Tracy Chapman: so, funnily enough, this song was supposed to be a song harry and ginny danced to at the wedding. i took it out because all things considered, it's not a super hopeful song. but just now, i was looking for song to cover their first fight in misty village and like, idk. i love the metaphor in this, the way the first few pages of the trip (and the first few songs) are very happy-go-lucky and "yaay! we're going on an adventure" but then this one is like: is the adventure really a happy ending? it follows the hopeful beginning of this song and the more tragic end, almost. also this one and the previous one are very guitar-based, so they go well together.

Renegades by X Ambassadors: aaaaaand, they're back on the road lol.

The Seer's Tower by Jamie Cullum: this is a cover of a Sufjan Stevens song but Jamie Cullum's version fucking haunts me. i think it fits so well the low-key tension that exists between harry and ginny in that part of the chapter, around chicago and the midwest, where they're actually talking and making progress but also, everything's a bit complicated. i just adore this. and, obviously, the title of the song is a reference to Sear's Tower in chicago, which harry and ginny visit.

Bongo Bong by Manu Chao: aaaaaand, we're back on the road lol. with this quintessential european 90s song lol.

Sword from the Stone by Passenger: this is probably one of my top three passenger songs and the only "covid" song i can tolerate lol. i was sort of looking for a place for it in castles and then it hit me while making the playlist for this chapter. it's got that sort of desperation to it and that "i can't do it alone" and the ups and downs that are. very symptomatic of harry and ginny in this chapter. to me, this is really representative of the lead up to their final fight and of the fight itself.

It's Called: Freefall by Paris Paloma: this is a cover version which you probably already heard if you're on tiktok - it really inspired this chapter, and particularly the grand canyon moment.

What Is Love? by The Red Pill & Alan Watts: a bit the same as the above, i just love the text and it really symbolises that idea of taking a leap and believing in love for the two of them.

LETTRE A ZOÉ by Fauve: this is probably my favourite Fauve song and to me it so symbolises the vibe of the grand canyon aftermath, the very early, exciting stages of a reconciliation. it's such a beautiful song and i think it transitions wonderfully into the new "stage" of castles.

[danidoesathing]

Can you list some of your favorite horror movies facts you know? :0

oh anon you have opened up pandoras box

-In Midsommar, the images of Dani's dead family is overlaid multiple times throughout the film despite her never seeing their bodies like the audience did

-X and Pearl were filmed at the same time!

-Miles Fischer, who plays Peter in Film Destination 5, is also a musician and made a music video with the cast of FD5 which was a parody of said movie and sitcoms like Save By the Bell. It's called New Romance and can be watched here

-Speaking of Final Destination, Mary Elizabeth Winstead (the star of three) actually produced a that single tear in the final scene all naturally. She had to do it twice because the first take was ruined.

-The Roller Coaster scene in 3 was also the last filmed!

-Tony Todd appears in every Final Destination movie except for 4 (In three he voiced the ominous devil statue in front of the Coaster). His character is named William Bludsworth (yes really).

-Scream had originally Dewy dying at the end, but the director made a decision (I mean literally while filming that scene last second) to change his fate

-You can tell who is Ghostface at any point in time by the way they hold the knife. Stu uses two hands with the knife, while Billy only holds it with his right hand. Billy also tends to strangle people for whatever reason.

-Wes Craven did not know about line about all the Nightmare on Elm Street's sequels sucking so he had no part in that.

-None of the Cloverfield movies were written to be in a connected universe, and two of the three were actually made under different titles that had both those and their scripts altered to fit the "connected universe" thing. So if you ever felt like those movies felt weirdly disconnected, congrats! you're right

-John Goodman actually makes an appearance in The Cloverfield Paradox in a brief news interview. Once again, he plays a character whose theories are 100% correct but sounds insane, but they are confirmed not to be the same character

-The first Cloverfield Movie actually had an ARG. Really. like a whole ass ARG for promotion. wild

-In the Hellbound Heart book, Pinhead and the rest of the Cenobites are written as gender neutral leaning towards feminine. Diversity win! the torture bondage demons are nonbinary!

-Hereditary was originally planned to take place during winter, but Ari Aster changed his mind once arriving on set

-The set of Hereditary was constructed in a way that had the walls and ceiling able to be moved/removed which allows for the more creative camera angles seen in the film.

-Tony Todd has played Candyman/Daniel Robitaille in every Candyman movie. Yes even in the sequels

-Prey is the first full lengthen film to have a full Comanche dub (which was all recorded by the originally actors!)

-The translator in Prey, Raphael, appears in the Predator comics (specifically, Predator: 1718) and is referenced in Predator 2

-Cabin in the Woods was obviously heavily inspired by Evil Dead. But the infamous betting board actually names Deadites as a monster. This implies that Ash's unfortunate adventures in the cabin was a successful ritual and the only reason he was allowed to live was because he played the role of the Virgin (this is obviously not canon, but its a neat idea)

-It also makes reference to the "Angry Molesting Tree" from Evil Dead. "Snowman" may be a reference to Jack Frost (killer snowman movie) and the Reanimated may be a reference to The Reaminator

-The dog in The Thing, Jed, was not trained to a lot of the odd behavior the Thing actually shows. For example, the brief moment where he looks into the camera and then looks away, which creates a very uneasy feeling of being seen in the audience. There are also moments where he dead still. He was not trained to do either of these things. He was just a very talented actor and I love him.

-The first victim of The Thing's shadow is not done by any of the actors of the movie. Its actually the director's, as it creates more ambiguity as to his identity

-Joe Hill is Stephen King's son. He is also a writer, and wrote the original source material for things like The Black Phone, Horns, Locke and Key, and NOS4A2. They both wrote In the Tall Grass

and now for facts about one of my favorite horror movies

-Nope originally ended with the deaths of both OJ and Angel. Even after OJ's fate was changed, they only changed Angel's fate after Brandon Perea (his actor) convinced Jorden Peele to change his fact. Angel's plot armor ascends even reality fr

-The track that plays during OJ's final scene is called "A Hero Falls" likely because it was written for his death. The song also has parallels to a track that played in the beginning of the movie during OJ and Em's car ride to the ranch

-OJ's actor, Daniel Kaluuya, mentioned having suffered an injury years ago due to a horse riding accident and developed a fear of horse riding from that. He had to work through that for the role.

-Ricky is referred to as "Jupe" through almost the entirety of the film, even in the subtitles. This has no meaning or symbolism for his character whatsoever im sure.

-Jean Jacket and it's alternate form was inspired by sea creatures like Jellyfish and Octopus, but it was also inspired by the angels in Neon Genesis Evangelion. Specifically Sahaquiel, the tenth angel

-Em performs the Akira slide during the climax of the movie

-There's a few alternate dialogue for scenes that can be seen in the deleted scenes. it doesn't make that much a difference in terms of themes/story/characterization/etc but we did learn that OJ had a thing for Oprah when he was younger which explains some of Em's jabs at him

-There's a deleted scene that has an alternate introduced to Em that revealed the reason she was late was because she hitting on a group of girls. cant say im surprised tbh but I find it funny the longest deleted scene is just another confirmation that Emerald gets the most pussy in the state of California

-Antlers wears a skirt for the entirety of the film

-While OJ was going after Ghost and sees the power going out during Ricky's practice for the Star Lasso Expereince, you can see the power line's lights going off which shows JJ's path back to the farm

-Brandon Perea was the one that insisted on expanding Angel's character during development past Peele's original baseline idea

-Michael Abels scored this film as well as Get Out and Us

and I probably have more but. christ this post is long